Description

Plug in the power drill and break out the socket wrenches!Tim Allen hammers home the laughs as Tim "The Toolman" Taylor in HOME IMPROVEMENT'S hilarious second season.Tim and his level-headed wife, Jill, undertake the challenge of raising three young, mischievous boys.It's a tough project, but with insightful advice from his wise (and only partially seen) next door neighbor, Wilson, they're able to get the job done.Now you can own all 25 episodes of the show's second season in this comprehensive 3-Disc DVD set.And with exclusive bonus features, it's a must-have for any HOME IMPROVEMENT collection. ... Read more

Reviews (8)

June 7 is to long to wait?I hope I don't die before then!!
Gosh, darn, I am so pumped about the second season coming out on DVD.I bought the first one and enjoyed it, watching the episodes over and over, and over again!!!!

Less than a month, but weeks of impatient waiting on my end!!!This is so cool!

On a more mature and personal note, I enjoy this show for a couple reasons: it is family oriented ("God" is sometimes used, d** at times, as well), but it always has a good lesson in it.Secondly, Tim Allen makes me laugh, "Well, we all love Al."Hah, anyway, though there is very little language and rare suggestive content (never visual only verbal), this is one of my top favorite TV Shows, and I am very strict on what I see, I hate the gross shows that pervert my faith in Christianity.

So, preorder it now before you have to wait for sometime to get it!I preordered this pup back early April, I was so excited.GOd bless you and I hope this helps you, anyway.

Can't wait...
I have watched Season 1 all the way through many times now...can't wait for Season 2's release...I can finally throw away all my old VHS tape recordings :) Also, don't forget to pick up Titus...released in July, my next favorite show compared to Home Improvement.

OH THANK HEAVEN!
I watched it when it was on ABC.I watched it everyday when it was in syndication before I joined the service.I cried when the Tim gave his final TOOL TIME Tip Of The Day.I waited and waited for this great show to come out on DVD.When I kept seeing new shows go on DVD before Home Improvement, I was getting really flustered and wondered if and when Home Improvement would ever make the ranks of DVD.When I was walking through the video releases at my base video store, I rejoiced.I watch the first season a great deal and cannot wait until June 7 for season two.

Great show!!
The home improvement show is in many people's minds one of the best shows out there. I agree and I know this because i watch it on T.V everyday. Now that it is being released on DVD, it is really cool. The second season is not released yet, but take it from me that it is worth buying because it's a very funny family show. I own the first season and I will be awaiting the release of season 2.

Best TV DVD Series!
I'm so happy to see the 2nd Season will be coming out this Summer.I loved Season one and I watch it over and over.A great series to own and roll around on the floor laughing.
I recommend Home Improvement for everyone! ... Read more

Amazon.com

Disney's 1986 Flight of the Navigator combines a strong ensemble cast and classic '80s soundtrack with dazzling special effects for a high-flying sci-fi adventure. While searching for his little brother in the woods, 12-year-old David Freeman (Joey Cramer) falls down a ravine and is knocked unconscious. After what seems like minutes, he returns home, only to discover that eight years have passed since he was declared missing and presumed dead. Even more mystifying is that David hasn't aged, nor can he account for the time lapse. Meanwhile, NASA officials stumble upon a futuristic spacecraft and are determined to assess what David knows about it by locking him in a top-secret lab for scanning and testing. His only chance of escape is in the spacecraft manned by Max, a wisecracking robot. Cramer gives an earnest performance, which overcomes an imperfect script, while enough one-liners and imaginative animation will keep families engaged. Watch for Sarah Jessica Parker in one of her first film appearances. Rated PG for language. (Ages 6 and older) --Lynn Gibson ... Read more

Reviews (53)

One of my favorites as a kid
I waited a long time for this to come out on dvd. Bugs me that the companies don't get it right the first time though. They release the dvd with no extras what so ever just so they can release a special edition a few months later. Disney did the same thing with Tron. I'm sure they have a lot of stuff they could've put on this dvd but they chose otherwise. I would've liked to see some trailers at least and it doesn't even look like it has any.

Anyway Flight of the Navigator is a great movie for the whole family. It's under-rated and a lot of people might not even have heard of it. It's about a boy who's accidently sent to the future by an alien space ship. When he finds his family they wonder why he hasn't aged a day. Scientists then run tests on him to find out where he was. He decides to escape and find a way back to the past and getting a ride on the space ship is the only way back. Once he gets on the ship is when the movie turns more goofy as the alien is voiced by Paul Reubens (Pee Herman) after all. The movie is still tons of fun and it does have some clever science fiction in it too for a kids movie. So eventhough the dvd has no extras what so ever the movie itself is worth checking out.

Reminiscent of the best of the Heinlein young adult novels..
Flight of the Navigator is a far better movie than we'd have a right to suspect.

Plot spoiler if you read further:

A few minutes into this film, 12-year-old David Freeman (Joey Cramer) is on an
errand to retrieve his 8-year-old brother, Jeff, when he falls into a gulley and is
knocked out. Regaining consciousness, David returns to his house, thinking only a
few minutes have passed, and instead of his parents and brother finds a locked
door and an elderly couple living there.

Taken to the police station, David is identified by computer records as a boy
reported missing eight years before. Despite the fact that he hasn't aged, he's taken
to the Freeman's at a different house nearby, and when he sees his parents
obviously older, he faints. He returns to consciousness again on a gurney on his
way to a hospital bed. A few minutes later, while his parents are called out of the
room by a somber-faced doctor, David is left alone with his brother Jeff -- who is
now 16.

This is ostensibly a Disney movie for kids -- and later on there is a lot of comedic
Disney hijinks -- but the first half hour of the movie, as David and his family deal
with the trauma of his time relocation, are some of the most heart-rending and
chilling sequences I've seen in any film.

Spoiler over.

This movie reminded me of some of the time-relativity sequences in Robert A.
Heinlein's novel, Time for the Stars. The characters are well written and the actors
do an excellent job, particularly in the scenes between Joey Cramer and Matt
Adler, as 16-year-old Jeff. The distraught parents, Cliff de Young and Veronica
Cartwright, are also excellent -- and Howard Hesseman and Sarah Jessica Parker
round out a great supporting cast.

Special kudos are due to Paul Reubens (best known for his character Pee Wee
Herman) who was originally credited under his own name for lending his voice to a
major character in this film, but had his name removed from the credits, replaced
by the pseudonym "Pall Mall," after Reubens was arrested for alleged indecent
exposure committed in a movie theater seat. (I've never understood how Reubens
was convinced to plead "no contest" to the charge, after theater security cameras
showed him in the lobby buying popcorn at the time of the alleged offense.)
Considering that Disney's Hollywood Pictures division released Powder, directed
by a convicted and confessed child molester, Disney should show some backbone
and restore Reubens real name to the credits.

If you can get ahold of this movie, see it -- and maybe Disney will see fit to release
it again -- on DVD, I hope.

One of the Greatest Family Movies of all time!
This is one of the greatest family movies I have ever seen. I saw it in the theatre in 1986 (twice). I purchased the video as soon as it was released and will now purchase the DVD. I'm so glad it is finally available. If you are looking for a wonderful movie to watch with your family...this is the one to buy!

wtf!!!
get this strictly for the boy's trippy,lsd addicted little buddy that rides on his shoulder!what a little tripper!!!

One of My Favorites as a Child, now on DVD!!!
Flight of the Navigator certainly brings back wonderful memories, of childhood in the summertime eating hotdogs and drinking soda on a sunday night. This Disney flick about a boy's journey mysterious journey through time was long overdue on DVD!! Ofcourse we cannot forget that Sarah Jessica Parker has a prominent role! And isn't Paul Reubens, (aka Pee Wee Herman) the voice of the alien navigator??

The Picture and Sound quality are excellent, as compared to that old VHS copy we all have! Presented in 1:85:1 Aspect Ratio Widescreen. The DVD is lacking any real special features, like "The Making of" or "Commentaries" but it is a wonderful addition to that nostalgic childhood collection. ... Read more

Reviews (2)

Still waiting............
As of today, May 2, 2004, Disney's masterpiece, the original "That Darn Cat" has yet to be released on DVD.
I dont know what Disney is waiting for, but if enough of us request the DVD, it will be made available alot quicker. All you have to do is sign up to pre-order the DVD on Amazon.com when it becomes available.
You will get an email when the DVD finally comes out.
The movie is about a Beautiful Siamese Cat, named D.C. (Darn Cat).
D.C. and his owner, the cute Disney legend Hayley Mills find themselves up to their necks in crime, and chaos.
A woman has been kidnapped, and only D.C. and Hayley can help he police find her!
Dean Jones, another Disney legend, plays the special agent in charge of the kidnapped woman's case, and he is wonderful.
"That Darn Cat" is the epitome of a Disney Clasic film: A cute, charasmatic Animal as the star, plus some familiar faces in the supporting roles, mixed with the Disney comedy, action and overall fun that we have grown to love.
The late great Roddy McDowall, of "Planet of the Apes" fame, plays a great part in this movie as well.
They made a remake of "That Darn Cat' in 1997, and while it was good, it is not nearly as good as the original.
This original 1965 version of 'That Darn Cat" is the one with the Disney Magic that we all have grown used to.
This movie is full of comedy, action, suspense, intrigue, and most important, pure Disney fun.
You will definitely enjoy this movie, if you havent seen it yet. If you have seen it on video, then you know what I mean.
Hopefully, soon, Disney will release this movie on DVD, and when they do, trust me when I say that it will be a favorite of yours and your family for years and years to come.
So, come on Disney.....we are waiting. Please release "That Darn Cat" on DVD soon, so that a whole new generation can experience its wonder.

Gorgeous!!!
Absolutely fabulous! This movie can make you laugh 1000 times over! It's delicious. The actor's play is a masterpiece, something that is very rare in our days.The intrigue is perfectly balanced, and the storyscript is the work of a genius!If you want to laugh like you do when you were a child, this is your moment! ... Read more

Reviews (48)

A DAWN OF A NEW DAY
Doris! The perky big band singer of whom Oscar Levant once quipped "I knew Doris Day before she was a virgin." I thought back to my visit to Carmel, California, a few years ago, where I dropped by the golf course to glimpse her house ...briefly visible from hole three. (Listen real carefully and you can hear her dogs barking.) I thought back to my beloved Great Dane, she with the baby blue eyes --- was named in honor of Doris, though Dory (for short) was actually named by the breeder from whom I purchased the 186-pound beauty.
And I thought back to the first (and only time) I had chatted with Doris Day. It was the January 28, 1986 --- the day the Challenger had exploded, killing her seven crew members (including Sharon Christa McAuliffe, America's first teacher in space), 73 seconds after launch.
I called Doris at her Carmel, California, home, and was in tears.
"Can you believe what happened," she asked her voice muffled and mournful. "I am so shocked. Those poor men and women. Their families ... the children ..." The tears flowed freely for several minutes. She cried. I cried. We both cried. This, I thought between tears, is going to be some challenge.
After a few minutes, she sniffled one last time. And so we began to chat about her life and loves and long career --- Doris was starting a new talk show, and Rock Hudson --- then so deadly sick with the AIDS virus --- was the first guest), her films, her music and of course, her animals. She told me how she cooked her own dog food, steaming rice and boiling chopped beef, then skimming off the fat, before blending in freshly cooked vegetables and a hint of spice. At the end of the conversation, I was salivating and ready to drop to all fours and beg for a taste.
As luck would have it, I am not the only one thinking about Doris Day these days. Paramount Home Video has just released Teacher's Pet, the 1958 comedy in which Clark Gable stars as a hard-nosed newspaperman who's smitten with journalism teacher DD. Not a great film --- gee, did Gable really so badly? --- though the title song is super, as is Mamie van Doren, as Gable's galpal who sings "The Girl Who Invented Rock and Roll." A better flick is Day's last one: With Six You Get Eggroll, also from Paramount Home Video,the 1968 blended family comedy, with Day solidly supported by Pat Carroll, as well as Alice Ghostley, George Carlin, Barbara Hershey, Jamie Farr and the once-hot rock group, The Grass Roots.
Warner Home Video has just released the box set, Doris Day Collection, a slipcased collectible featuring six new-to-DVD titles: Young Man With a Horn (1950), Lullaby of Broadway (1951), Please Don't Eat the Daisies (1962), The Glass Bottom Boat (1966) and newly restored versions of Love Me Or Leave Me (1955) and Billy Rose's Jumbo (1962)--- both of which feature new Dolby Digital soundtracks making Doris seem as fresh as, well, a new Day; along with Calamity Jane (1953) and The Pajama Game (1957), both of which have been repackaged for this collection. All the discs are packed with bonus features, including vintage shorts (including two starring Ruth Etting, whom Day portrays in Love Me or Leave Me), featurettes, cartoons and trailers.
But the best is saved for last. On June 28, MPI Media Group unveils the long-awaited The Doris Day Show: Season 1, the heart-warming comedy series that ran on CBS from 1968-1973. This was Day's TV series debut, and she proved that her big-screen likeability transferred, quite well thank you, to the small screen ... even if some of closer-ups seem a bit too gauzy for our tastes. Day played Doris Martin, a widowed mother who leaves the city to raise her two young sons on the Mill Valley, California farm of her father Buck, played by Dukes of Hazzard icon Denver Pyle. The four-disc box set includes all 28 original episodes from the show's first season, as well as never-before-seen bonus material.The bonuses offer additional insight into Day's warm, off-screen persona: there are TV promos and messages to network affiliates, as well as her two appearances as the "mystery guest" on What's My Line --- the first spot, from 1954, marked Day's TV debut, and her attempts to disguise her voice through a series of hi-pitched squeaks is a sheer delight.

One of Hollywood's all time best movies EVER!
Fun, fun, fun! A laugh a minute. Just good clean fun that will have the whole family in stitches. Some of my most favorite stars are in this movie. "The Glass Bottom Boat" and "Move Over Darling" are my two all time favorites.

An Under-rated Classic Comedy
This is perhaps Doris Day's finest comedy... yup, even funnier and more fun than "Pillow Talk". it has Doris looking her all-time most beautiful, yet performing some truly funny lines and slapstick. Rod Taylor is perfect has the handsome beau and the antics get belly laughs from me every time. The film also is marvelous for those too young to remember the early 60s in styles, and in flavor. Highly recommended!

ONE OF DORIS'S BEST FILMS
My mom was a huge Doris Day fan and when we were kids we always watched her films on TV.This was always my favorite.I remember going to Silver Springs Florida as a kid and wanting to ride in the glass bottom boats just because of this wonderful screwball comedy.Doris is Jennifer Nelson, by day a tour guide at NASA and on the weekends, swimming in a mermaid Costume below the glass bottom boat of her skipper father played by Arthur Godfrey.She's being wooed by NASA Research Scientist Bruce Templeton.But Jenniger is suspected of being a spy setting in motion events that make this a supreme, 1960's screwball comedy complete with Dom Deluise as a goofball spy, Paul Lynde as a security guard who dresses in drag (who knew!) to keep an eye on Jennifer, and George Tobias and Alice pearce as the Fenimores as they virtually repeat their performances as from the TV show "Bewitched" where they starred as the Neighbors the Kravitz's for so many years.

Also included in the cast is Walton's vet Ellen Corby and Laugh-Ins Dick Martin.This is just a pure fun, zany and simple comedy from a great Era of Americana.Day, now in her early 40's waan't quite the young sweetheart of the 1950's but her talent for comedy and her timing had really grown and she had great chemistry with Taylor.

"You wanna meet later and pick out the furniture?"
Great Doris Day/Rod Taylor slapstick laced with a little romance and some naughty humor. Everybody thinks tour guide/eternal night school student DD is a spy: Paul Lynde dresses in drag to infiltrate the ladies room, Edward Andrews and Dick Martin hope to get secrets by romancing her(they end up--innocently--in bed together). Rod Taylor is the perfect suitor for Doris: strong and grounded, you can believe it when Day looks at him with bated breath! Arthur Godfrey is wonderful as Day's skipper father, and Elisabeth Fraser is a lot of fun as his girlfriend. The DVD shorts are a must-see. Great fun! ... Read more

Reviews (337)

The happiest sound in its best version yet!
Reviled by some, beloved by many, consistently referred to as the most popular movie musical ever made, THE SOUND OF MUSIC more than fulfills the promise of its beautiful visuals and expert song numbers on home video via DVD. This edition tops the 1995 laserdisc by allowing the sparkling, exemplary design of its 70mm. Todd-AO frame to be exhibited with increased sharpness and resolution. The 4.1 Dolby Digital soundtrack is powerful and clean, but since this film was originally mixed for six-track magnetic stereo, it's curious why the effort wasn't made by Fox to split the surrounds! Nonethless, the film sounds terrific. The extra features make this package a bargain at the price. Full length commentary by director Bob Wise, with the musical numbers presented sans vocals, is a great touch. And the two documentaries are beautifully presented; full of facts and bits of arcane information that any fan will truly enjoy. A great movie, and a great DVD rendition. More like this, PLEASE!

Wonderful!!! One of the Best Musicals Ever Made!!!
First of all, I'd like to confess that I've probably watched this movie more than one hundred times in my lifetime.

"The Sound of Music" is such a popular movie that people can't enough of making fun of it, which is understandable: I mean, a nun, seven children, songs by Rodgers and Hammerstein, and Austrian landscape. In reality, most of these people probably haven't sat down and watched this movie, because it is an absolutely unforgettable experience.

Julie Andrews is absolutely magical as Maria. When she runs on the mountaintop and starts singing the famous lyrics "The hills are alive...," it sends chills down my spine to this day. Christopher Plummer cuts a good figure as the captain but gave a rather stiff performance: he doesn't bring anything extra to the role. Eleanor Parker, as the Baroness, was wasted--a role like that was far beneath her talents. But the children were all wonderful, especially Charmian Carr who was charming as Liesl.

This movie is ultrasentimental and proud of it. But I'll stick with this rather than some of those one-dimensional slasher flicks which are in fashion these days. It has a plausible story, some of the world's most remembered songs, and the glorious Austrian and Swiss Alps in the background. Overall, I can't say anything other than I loved it.

The Hills Are Alive...Now and Forever
No matter how many times you've seen this 1965 musicalization of the 1959 stage classic, it's still a joy to behold. For me, there are many reasons. On location filming in Saltzburg heightens the story's magnitude. The casting of Julie Andrews as Maria Von Trapp was a coup for both 20th Century Fox and director Robert Wise. She's magnificent and ever so professional. Back then, this was only her third Hollywood movie. But she's a pro from start to finish. Everything she does it fraught with such emotion and conviction, you'd swear she was Maria Von Trapp. Opening up the stage play with several new scenes, sub plots, songs, characters and dialogue also benefits what could have been a very sticky situation. Finally, there's the DVD itself. This is the widescreen version that was shown back in theaters when the film first opened. It includes the intermission and the Act II opening music. With no formatting for television, you get to see everything in all it's technicolor glory. On video, half the Von Trapp children didn't fit on the televsion screen. Musical numbers lost there scope as did scenes where you had 13 characters in one room and only saw 7 on the screen. I highly recommend this DVD. But wait, there's more. The 87-minute documentary is awesome. So are segments showing scenes that were cut and up dates on how the kids look today.

Incredible movie, must see, but don't buy the one disc
First off. Think you have seen the Sound of Music? Well you haven't. I thought I had, many times. Of course it was always around Xmas with the commerical breaks. But that is a much edited version. There are small but significant cuts everywhere in that version. So this is a great thing to have. My 3 stars relates directly to the lack of extras on the one disc. The movie is 5+ stars, but the lack of extras warrants the 3 stars.

So this is a must buy. Also the commentary is very good here. But given the price for this on Amazon, just buy the 2 set version. I got the one disc version at a very good price so it is not a bad buy. But for $6 more, why not enjoy the double DVD? This is a must get for any movie fan, and if you are not into the extras, by all means buy this one. This movie, like all of Rogers and Hammerstein's work is emotional without ever being fake or sentimental. It is full of sentiment and completely honest sentiment at that, but never sentimentality. It totally puts to SHAME almost every director and producer and writer working in Hollywood today. Complete and total shame and disgrace. Nothing coming out of Hollywood today can hold a candle to this. Entire director's careers with academy awards can't even begin to even compare to just this one movie. So get some version, especially if you have young ones. Sit them down, and let them experience what a real movie can be.

This has been a great thing to share with my daughter.
I grew up with this video and watched it on TV every year. The songs have always stuck in my head. I even did the Sound of Music Tour when I was in Austria. But now I've got my daughter introduced to this beautiful music. This and the Wizard of Oz are her favorites.

I bought the easy piano scores for her to play the songs on the piano, and singing lessons on CD "Voice Lessons TO GO", by Vaccarino (They're great and a lot cheaper than private voice lessons!) for her, (even though I use them when she's at school). So she is confident to sing along while she plays her Edelweis and Do a Dear. We love it. ... Read more

Reviews (191)

Docked two stars for shoddy DVD treatment
First of all, let me go on the record as saying that Glengarry Glen Ross is one of my all-time favorite films. The acting is nothing short of astounding. Each actor (particularly Jack Lemmon) is at the top of their form. This is an actor's movie. There's no special effects, chase scenes, superfluous love story subplot, or pat ending. It should be obvious to anyone watching this film that it is based on a play -- specifically, David Mamet's Pulitzer-prize winning play of the same name. Mamet also wrote the screenplay, which is full of the fiery brilliance he always brings to the table. This is not a film for the timid. The language is raw and crude. The film takes no prisoners and I love it.

The film takes place in a real estate office, where cutthroat salesman do "cold calling," basically selling land by telemarketing. It's a brutal business (we've all been on the other end of that phone call and usually end up hanging up on the salesman), and the people these guys work for are brutal as well.

Case in point: during an early, crucial scene, Blake (played brilliantly by Alec Baldwin) tells the gathered crew that the top prize for highest sales is a Cadillac. The second prize is a set of steak knives and the third prize -- "you're fired." The speech is a sadistic, humiliating version of a pep talk, all macho brags and venomous insults. He dangles the new contacts, or "leads," in the faces of the salesmen. "They're for closers," he tells them. These guys would kill for the good leads, and Blake knows it. The scene was written especially fo the film and Baldwin eats it up. It's easily the best thing I've seen him do.

Jack Lemmon plays Sheldon Levene, the office's oldest employee. He used to be the best one around (they call him "The Machine"), but he's been on a bad streak lately and desperately needs his luck to change. His daughter's in the hospital and is unable to pay her medical bills. Al Pacino plays Ricky Roma, the current hotshot. His way of befriending a potential client in a bar and gaining his trust is odd, but effective (his opening monologue is totally insane, but thoroughly entertaining). Kevin Spacey is the office manager who will not bend the rules for anyone, much to the rage of the office. Ed Harris and Alan Arkin round out the rest of the salesmen. Harris plays Dave Moss, who has the world's biggest chip on his shoulder. Arkin is George Aaronow, who desperately needs to land a good sale. Most of his role consists of reacting to Harris and Pacino, but he's very good.

The day after Baldwin's talk, the salesman come to work to find the office robbed. The new leads are missing. Probably an inside job. It could have been anyone. Everyone is questioned by the police and everyone is insulted that they are considered suspects. Ricky is mad because the robbery may have screwed up his latest sale, putting his ownership of the Cadillac in jeopardy. Also, last night's client comes looking for him -- he has second thoughts. The way Ricky tries desperately to blow off his client while still playing the salesman is creepy and brilliant. Lemmon is amazing as Levene -- I've never seen desperation played so well.

Having said all that, I, along with the rest of the GGR fans, have been waiting years for this film to arrive on DVD. Especially since it's been promised as a "two-disc special edition." What a disappointing package it turned out to be.

Well, let's be fair. First of all, the film. It looks great. It sounds great. They did a great job with the film itself. But don't promise a loaded special edition and then give us something as lame as this. The only commentary track on the widescreen version is director James Foley. He only speaks during three scenes. The other commentary tracks are only available on the full-frame version (on disc two) and are not scene-specific.

The extras include "Magic Time," a tribute to the late Jack Lemmon, which is well-meaning but could have been a lot better. It does, however, end with a clip from Lemmon's appearance on "Inside the Actor's Studio," which is sweet. There is also "Always be Closing," another slapdash mini-documentary that features directors, playwrights, actors (including GGR's Alan Arkin and Alec Baldwin) discussing the role of the salesman in plays and films, as well as actual salespeople themselves. Sound interesting? It's not. It lacks any kind of cohesive thread. It appears to have been produced by a first-year film student. There's no structure to it. It looks unfinished.

There's also a clip from Kevin Spacey's appearance on "Inside the Actor's Studio" where an audience member acts out a scene from GGR with Spacey. I'll admit, I enjoyed that bit.

Why in the world didn't Criterion release this? They would have done a much better job and besides, they released the laserdisc version (with commentary tracks from Jack Lemmon, among others, I'm told). What we end up with here is an amazing film with an amazing transfer...and a bunch of lame extras thrown in.

If you're a fan of this film, by all means, buy the DVD...but don't expect much in the area of extras.

Best Sales Movie Ever
Exaggeration & Repetition: Performance keys to live by

There are two keys to being a good performer, whether you are writing or telling a story, whether you are selling something or selling yourself: Always exaggerate things by one thousand percent, and use repetition at least 500 percent.

Those who understate a story or product that may not be very strong in the first place, will fall victims to making that story or product look weak. The way to avoid making yourself or whoever/whatever you are representing look weak is to follow the aforementioned keys. The way to do that when the product or story is weak is to learn how to "B.S." That is where being a good performer comes in...

You are an actor, and being outgoing and to the extreme will always give the impression that whatever you are talking about is "the best." A good actor can do this perfectly and not come off as overly co.cky or obnoxious. Always say what the other person wants to hear. The customer is always right. Do whatever you can to "nail the gig."

There is something else to keep in mind when doing this particular form of "B.S.-ing," and that is the "K.I.S.S." method of "keep-it-simple-stupid." That may sound like a contradiction to the keys, but it is not. Keeping it simple, is not disclosing the real specifics, but still making your case sound like it's above and beyond every other possible option. This comes in handy particularly when someone asks you a question that you may not know the full answer to. That is where "filling" comes in---something that students do when writing an English essay on a test. If you have a general idea of what you want to say but don't have a specific reply to a portion of the question, you "fill" that essay with long winded run-on sentences. However, the whole thing must be coherent, and if your essay is well-written and has a good amount of clever puns and humor, you cannot lose. If you are a slick actor or writer, you can fool even the best of English teachers into at least giving you an "E" for effort.

Another thing to keep in mind is that you will never lose if you can "meet in the middle." What that means is this: Suppose a shirt looks like it is worth $15 to a customer but you build it up so much and make it sound like it's worth $50... By the end of the conversation, if you are doing your job, you are going to get them to meet you in the middle and the final conclusion will be that the price of the shirt is around $25. The real worth may be no more than $15 (and maybe even less), and certainly nowhere near $50, but you still get the "E" for effort and earn $25. You aren't really getting into details on why the shirt is worth so much more than the customer thinks, but you are pounding it into their head that it's worth $50. You are exaggerating and repeating. You are using adjectives that may or may not apply to that shirt but you are making it sound great and far above what it's worth. So finally, they will concede a price of $25. You were stretching the truth about the shirt being worth $50 and they may have been undervaluing it at $15. Essentially, you are both lying and both playing a game with one another, but finally, a minimum of $25 is agreed upon. No one may ever find out the true value, but it's irrelevant anyway. This works in any situation.

Exaggeration and repetition. But remember to K.I.S.S.

These keys could have been discussed in one paragraph, but it took an entire page, yet you as the reader were compelled to hang onto each word from start to finish. So I succeeded as a writer in that this essay was read from start to finish and my point was proven.

The "Whale"

A whale is a customer that you pull in, hook, line and sinker and mount on the wall. He is a golden nugget, a superstar, a monster. This type of customer that you get lucky enough to snag will be your customer for life. That means, you will either be set up for life from one deal you strike up or you will have him as a repeat customer that you can call back as a strong possible prospect forever.

Sometimes it is tough to spot a whale, he may not always be overly outgoing or obvious about being a "buyer." So anyone can be a whale. The way to learn if someone is a whale or not is to simply get into their home and learn about their life and about them. So anything you can do to get your foot in the door will work.

Start off small and discuss something that may appeal to their interest and work your way into their world. Don't pre-judge them until you learn about them. This will take time and patience, but all you need is a small "in" and then you can build on that and if you win the whale's trust, all it takes is one big deal to set you up for life.

So practice the "A.B.C." method of "always be closing" with everyone, because anyone can be a prospect. While the impression may be given that you genuinely care about them, the main objective is getting them to sign on the dotted line.

Of course the obvious "Gordon Gecko" type whales who go around showboating their spending habits and their skills are the true whales that if you are lucky enough to somehow snag, you are set.

A play trapped inside a movie.
'Glengarry Glen Ross' has good dialogue and good acting by the fine actors, but this is actually a play trapped inside a movie. They should not have made it into a movie.

Put that coffee down!
If you're looking for car crashes, gun fights and naked people you won't find them here. But if great dialogue and raw emotion hold your interest, it doesn't get any better than this. Every one of these guys should have won an award for their roles in this movie. Not sure if this particular DVD contains the interview with Jack Lemmon that was included after one of the cable TV broadcasts of the film. If not, it should!

Always Be Closing!
Most people think of explosions, car chases and action/adventure films as guy movies. Well, maybe, but those are for boys. There's no car chase in this movie, no deaths and no guns. But it manages to hold your attention while telling its story of real estate salesmen. This is the quintessential guy movie. This screen adaptation of David Mamet's Pulitzer-winning play is incredibly stagebound, which was a stroke of genius: thus, the fast-paced dialogue and the desperate, macho facades of the characters become, and stay, the focus. This allows the amazing talents of the cast to flourish. Pacino and Lemmon are untouchable. Ed Harris is outstanding. Having just the four main characters makes the whole thing seem oddly forced at times. Baldwin's slick delivery of his ball-busting speech to the three underachieving salesmen, is a scene to remember. Highly recommended. ... Read more

Reviews (172)

The slobs -vs- The snobs
This is a classic comedy that is still funny after so many years, I have read the reviews of this film left by others regarding the picture, I am not sure what they are talking about?!, I thought it had a great DVD transfer, the 19th Anniversary edition that is, they could be referring to the initial release of this film years earlier, however everyone plays their roles to perfection, Chevy Chase plays what is probably his best role as a playboy who golfs for fun, not scores, Rodney Dangerfield is perfect as a free-living, humorous & rude real-estate developer who loves getting a rise out of the late Ted Knight's uptight judge, & Bill Murray is lovable as the dim-witted groundskeeper who has a personal war with a gopher that is the film's real star, watching these characters unfold in neat as is Michael O'Keefe as a ambitious caddy who longs for somthing more, Cindy Morgan is Knight's niece with a questionable reputation, definately a movie that anyone could probably relate to, with the exception of some gross-out humor, the candy bar most noticebly, it is a straight comedy as Dangerfield squares off against Knight, watching these two is like watching politians go at it, but Murray's obsession with killing the gopher is never dull, watching the gopher react to his future plan of ridding him is funny as Murray uses plastic explosives in the form of other animals, this film had a sequel that had potential & had Murray & Dangerfield attached, but bowed out after Warner Bros. refused to compromise a script rewrite by them, only Chase returned for that one with little screen time, I highly recommend the original, but pass on the sequel, why Warner would allow Murray & Dangerfield to walk on the follow-up just shows how arrogant studio executives are, the follow-ups failure was their reward, the original is one of the best comedies ever!!!!!!!

Grab your bag
Caddyshack is a movie that takes place at a upscale country club. The plot is based around a golfing match for high stakes between a team of Rodney Dangerfield and Chevy Chase versus Ted Knight. Caught in the middle is Michael O'Keefe. But forget the plot, it really doesn't matter. What matters are the brilliant comedic performances given by the above-mentioned and Bill Murray. Mr. Dangerfield plays a wild and crazy land developer who is rude, crude and obnoxious. Mr. Chase is Ty Webb, who is independently wealthy and plays golf without keeping score. Mr. Chase is at his wisecracking, smug best. Mr. Knight, plays a stuffy judge and he brings his Mary Tyler Moore persona to the character as he thinks he's smarter than he actually is. Mr. O'Keefe is given the least funny of the roles, but we feel for his character Danny Noonan. Mr. Murray gives a tour-de-force performance as Carl, the bumbling, stoned assistant greenskeeper. His scene where he describes as the Cinderella story at the Masters is a movie classic and one of the funniest scenes ever filmed. If you like comedies and want to laugh, then Caddyshack is for you. It is a movie that you can watch a million times and laugh just as hard as the first time you saw it.

Belly laugh city
Just when I thought I couldn't watch the rest of the movie, a hysteric comedic scene or line brought me out of it. Rodney is unforgettable. When this one shakes out, some of the funniest stuff ever (so bad it's good).

A golf player's must!
If you play golf,this film is for you. I'm sure Jack Nicklaus,Arnold Palmer and Tiger Woods have all seen this film. Harold Ramis directs an all-star cast featuring Chevy Chase,Bill Murray,Brian Doyle Murray(Bill's brother),Rodney Dangerfield and the late Ted Knight. This film's fetured song is I'M ALRIGHT recorded by Kenny Loggins. This hit film,theatircally released in July 1980,spawned the sequel,CADDYSHACK 2 in 1988.

Best Golf Movie...Ever
While it's tough to put a golf movie ahead of Adam Sandler's great Happy Gilmore, no other golf movie has as many memorable lines in it as this one does. In fact, few other comedies have as many great lines as Caddyshack. Who can forget the conversation about playing with the Dali Llama or Bill Murray's monologue while "driving" the flowers?

"It's in the hole!"

One of the best scenes of the movie is where Chevy Chase drives the ball through Bill Murray's window, causing a great conversation between two comic greats of our time. Also, for anybody who has seen the new Tiger Woods' commercial where he's chasing the gopher and don't understand what in the world is going on- see this movie. ... Read more

Description

Epic Action Drama.Set in Japan during the 1870s, The Last Samurai tells the story of Capt. Nathan Algren (Tom Cruise), a respected American military officer hired by the Emperor of Japan to train the country's first army in the art of modern warfare.As the Emperor attempts to eradicate the ancient Imperial Samurai warriors in preparation for more Westernized and trade-friendly government policies, Algren finds himself unexpectedly impressed and influenced by his encounters with the Samurai, which places him at the center of a struggle between two eras and two worlds, with only his own sense of honor to guide him. ... Read more

Reviews (441)

This film was amazing!!!
The story focuses on a Civil War veteran named Capt. Nathan Algren ( Tom Cruise). He reluctantly agrees to train and lead an army of Japanese soldiers to defeat rebellion of the country's remaining Samurai. Unfortunately, Algren is captured in battle by the Samurai, and is held prisoner by them. The leader of the Samurai, Katsumoto ( Ken Watanabe), is interested in the American culture and wants to keep Algren alive to learn from him. As time passes, Algren comes to develop a friendship with Katsumoto. He also comes to embrace the Samurai way of life as well, and trains to become one of them, so that he can fight along side of the Samurai against the Japanese forces that oppose them.

With the acception of "Mystic River", "The Last Samurai" was my favorite film of 2003. For 2 1/2 hours, I was literally glued to the screen, and loving every minute of it. It has been quite some time since I have been that captivated by a film. The only downfall this film may have, is the fact that the story is almost a complete rip off of "Dances with Wolves". However, that does not make the film any less enjoyable. In fact, "The Last Samurai" is almost better. The story comes across as being much more dramatic and action packed when dealing with the Samurai. They have a deeper sense of honor, and their fighting style is much more deadly. Director Edward Zick did an amazing job of capturing every aspect of the Samurai culture, from the costume designs and simple way of life, to the weaponry and fighting style. The final battle between the Samurai and the Japanese soldiers is the best I have seen since "Braveheart". The Samurai are completely outnumbered, and still manage to put up one heck of a fight. Tom Cruise gave one of the best, if not the best performance of his career. However, the best performance of the film goes to Ken Watanabe. He was flat out amazing as Katsumoto and nailed every aspect of the Samurai warrior. The film's soundtrack and scenery are extremely beautiful as well.

Overall, "The Last Samurai" is an amazing film. Every aspect of the Samurai way of life is captured accurately, the performances given by the actors involved were amazing, and the final battle was incredible. Also, please check out the extras listed by Amazon for this 2 Disc DVD set. From the look of things, the extras are reason enough to purchase this film. There are deleted scenes, featurettes on the making of the film, a featurette comparing real life Samurai, and more. This is definately a bonus for myself and anyone else who appreciates the film, and the Samurai in general.

A solid 5 stars...

Good movie, but nothing special
The Last Samauri is a good movie, beautifully filmed and well acted, yet it really does nothing to make it stand apart.

Tom Cruise is a captain in the US army haunted by his own actions in the wars against the US. native Americans. He sells his services to Japan to train Japanese soldiers to battle the savage samurais.

Cruise is captured after one battle and his life is spared after Ken Watanabe's character sees Cruise fight bravely and kill his brother-in-law. The best part of the film is the hour or so that Cruise spends living with the Samurais. He lives with the family of the man he killed and the kids grow to like him and the beautiful wife learns to accept him. The Samurais learn from Cruise and Cruise begins to train with the samurais and becomes friends with Watanabe.

Cruise is released and the end of the movie results in Cruise fighting with Watanabe against the Japanese army.

The Last Samurai seems like a Japanese version of Braveheart, with epic battles and valiant characters. This movie did show a lot about the Japanese culture, including the practice of killing yourself if you are shamed (Which is incredibly stupid thing to do in my opinion).

I enjoyed this movie. It doesn't break any new ground in the epic battle genre, but it is still fun to watch.

Don't expect too much
What's the reason for watching The Last Samurai? The sword-fighting scenes. There are a lot of sword-fighting scenes, they're well-done, and if you enjoy watching them you'll find entertainment value in the movie. Also, the Japanese countryside is filmed beautifully here, so if you have an appreciation for nature, it's another incentive to watch.

Otherwise, The Last Samurai is nothing special. The storyline is simplistic; the samurai are all two-dimensional and unquestionably the fine and good people in the film. They can do no evil, truly. For Cruise it's one of those self-righteous roles where he gets to look angsty for the camera. There's one scene at the end for example, where he's kneeling and holding up a sword, and he's trying to look like someone who is under great emotional strain and there are these ludicrous close-ups of his sweaty face - really gratuitous. The movie defintely would have benefited from some editing and character development.

Long, slow, boring, pretentious - I want my money back
Typical Hollywood claptrap. All white guys are evil and corrupt. All Japanese are noble, kind, considerate - even though they kill each other with abandon. Apparently in Hollywoodthink it is ok for Cruise to desert, be a traitor and go over to the enemy. Hard to figure out exactly why this Samurai is the enemy, he serves the emperor too, except his honor demands that several thousand die. Glorifies the Bushido code which is the mindless emperor worship that resulted in so many Japanese atrocities in WWII - some of which rivaled anything the Germans did. Swords and arrows flying everywhere, special effects direct from Lord of the Rings. Dialog that telegraphs itself, you just know they are going to say something really relevant and dramatic...in croaking whispers. I was glad when Cruise got shot, meant the movie was finally ending. Save your money, watch it when it shows up on TV. For those reviewers who think this movie has any historical significance - read a book on Japanese history. None of these things would have happened.

I liked this movie!
I guess everything that needs to be said about the actors, the set and the story has been said here, many times over. .

My hat is off to the Japanese actors and the costume & set designers. The atmospheric element in this movie is stunning; for example, the first charge of the samurai in that misty forest, is unforgetable. I loved the ninja attack. This is one of the few recent productions in which the masculine is portrayed in a wholesome manner: the warrior spirit, the camaraderie, the honor, and the respect for the inner peace that is brought by zen meditation practice, are brought out very well.

While the script was IMO kinda clichey & mediocre, Cruise's acting was not bad and rather subtle for a scientologist :) Zimmer's music was predictably good (if less conspicuous as in, say, Black Hawk Down) and if you're into kendo or swordsmanship, well, you will want to see this film several times. ... Read more

Amazon.com

The Jewel in the Crown, adapted from Paul Scott's Raj Quartet novels, tells the story of the final years before India gained independence in 1947. It is rare for a filmed adaptation to successfully preserve the richness and complexity of a great novel, but this epic miniseries succeeds both as personal drama and historical panorama.

In 1942 Daphne Manners, a naive young woman newly arrived in the town of Mayapore, befriends Hari Kumar, an Indian-born journalist who has spent most of his life in England. With his dark skin and educated English accent, Hari feels like an outsider wherever he goes, but Daphne understands his plight and they become romantically involved. Their developing relationship is jealously observed by local police chief Ronald Merrick, a man haunted by his own demons. When the lovers are attacked in the gardens of the ruined Bibighar palace and Daphne is raped, Merrick seizes his opportunity, pins the crime on Hari, and has the young man jailed. Distraught, Daphne flees to her aunt's home in Kashmir, where she dies giving birth to a half-caste child. The focus then shifts to Sarah Layton, a young Englishwoman who becomes fascinated by the story of Daphne and Hari, and who will have her own encounter with Ronald Merrick.

The events in the Bibighar gardens become a symbol of the violent struggle for Indian independence, and other symbols--Daphne's bicycle, a length of butterfly lace, a picture of Queen Victoria on an Indian throne--appear and reappear, linking people and events. This helps to give coherence to the plot even as it spans five years and expands to include many characters whose lives intersect in complex and unexpected ways.

With a huge cast and breathtaking location photography, The Jewel in the Crown was an enormous undertaking when it was made in the early 1980s. Twenty years later it has lost none of its power, and it remains one of the best films ever made for television. --Simon Leake ... Read more

Reviews (28)

A stirring glimpse into the last days of the Raj
For me, watching an entire series by myself, The Jewel in the Crown, based on The Raj Quartet by Paul Scott, was a guilty pleasure. Pleasure because it was excellent in the tradition of the best of British, and guilty because it filled the greater part of eight videocassettes, for a total of 750 minutes. I felt slightly less decadent than I might have because I watched it on library copies.

The story invokes the tumultuous last days of the British raj in India. Although it is perceived from a British point of view, it is sympathetic for the most part to the aspirations of the various sects making up the hodgepodge of peoples populating the Indian nation, and the plot emphasizes the strengths and weaknesses of both sides.

The white British citizens during the dying days of the British empire hold a love-hate relationship with India. The English pine for England while being alternately enchanted by the culture or repelled by the teeming squalor of this turbulent emerging nation.

The fact that India on its own was a closed society may explain her historical acquiescence to British rule. There was a rigid caste system in India, and since the highest ranking maharajahs looked up to the paler-skinned colonists, therefore the rest of India must too. Some of the characters on both sides could be considered a bit archetypal were it not for their fleshing out and convincing portrayal by an exceptional cast of actors. We can only feel sympathy for a handsome, intelligent man like Hari Kumar who is at home neither among the English he was brought up with nor his fellow Indians. At the beginning, he does not even speak Hindi. His is the heart of a dilemma common to "colonial" countries.

And the struggle which pits groups against each other, such as Hindu against Moslem, is a distillation of the diversity of the peoples in India. Today, the only common language of India is English, and it is therefore its official one, an ironic postscript to the rule of the Raj.

Throughout the series, compelling footage of old British newsreels is shown. It threads the episodes together while highlighting the pomposity (pretensions that are surprisingly poignant) on both sides of the former regime.

DECLINE OF THE BRITISH RAJ AND THE RISE OF INDEPENDENT INDIA
This powerful and moving eight part miniseries has lost none of its impact since it was first aired nearly twenty years ago. Highly acclaimed, it won numerous awards. Beautifully filmed on location in India, England, and Wales, it is a highly atmospheric and complex drama, redolent of the flavor of the turbulent years just before India gained its independence from British rule.

The story begins in 1942, and through its memorable characters, both British and Indian, it masterfully weaves a tapestry of events that explains the state of flux that India was in at the time and the collision between East and West that often occurred, as the old guard made way for the new. Pivotal events become symbolic of India's struggle for independence, and it is those events that impact on those living in India and struggling to survive through those turbulent years. This tumultuous and sumptuous saga ends with India's independence in 1947.

Masterfully acted, lushly filmed, and awash with period detail, it is so atmospheric as to make its viewers feel that they themselves are there during the decline and fall of the British Raj. It captures the essence of India and its ramparts of colonialism. Interspersed throughout the episodes are snippets of old newsreels that recount India's involvement in World War II and the threat of Japanese invasion through adjacent Burma. These serve to further move the story along and imbue it with an air of authenticity that stays with the viewer.

This multi-faceted series, based upon Paul Scott's literary gem, "The Raj Quartet", is a fine adaptation that should not be missed. The award caliber performances by the entire cast are stellar and will keep the viewer riveted to the screen. Those interested in period pieces, historical dramas, and epics on Indian colonialism will love this series, as will anyone interested in a superlative drama. Bravo!

Long Sad Story With An Unhappy Ending
Very involving drama circulating around a number of characters in the last years of British rule in India. The plot never telegraphs its destinations, which keeps the story somewhat disorienting, and nothing quite resolves, if it resolves at all, the way I expected. A good reminder of how Hollywood films tend to predictability. JITC is not Hollywood and gives more the feel of life and its genuine uncertainties. It's challenging because of the number of characters and the complexities of the relationships, both personal and political. But very worthwhile.

The DVD is not a bright, crystalline picture. Colors are somewhat washed out, and the image is not particularly sharp, especially in dark scenes. However, the picture is generally free of annoying blemishes. After quickly adjusting to the picture quality, I enjoyed the series very much.

I must be missing something!
I have to agree with reviewers who complained about the visual quality of the dvd version. In any event, I attempt to focus on the story. Unfortunately, I found myself unable to enjoy this series. The subject matter is fascinating---India at the dawn of independence from Great Britain. The newsreels, which were presented at intervals in the series, enhanced the story and provided historical perspective (from the British viewpoint, of course).

However, I found myself annoyed by most of the main characters. Certain story elements were absolutely unfathomable---why would Susan marry Ronald Merrick, for example? He was from a lower social class, and she and her family would have considered him an inappropriate (at best) love interest. Yes, we are aware Susan experienced mental illness, but her family would surely have intervened to prevent the match. Her family was inexplicably accepting of this marriage. Also, why did Sarah allow herself to be seduced by the British officer who treated her so abominably? What on earth would motivate her to accept such abusive treatment?

Although I wanted to feel sympathetic for Barbie Batchelor's character, I simply found her annoying. I don't like it when I can't sympathize with a downtrodden character!

Too little was included about Hari Kumar's experiences, and Daphne's aunt and child flitted through the series so quickly one never knew why they were even included. I really wanted more information about them.

One of the most moving events in the series occurs in the last episode, which concerns Hindu violence against Moslems. I found that particular episode very moving.

For the overall experience, however, I ended feeling rather dissatisfied. I wanted to like this series a lot more!

Masterpiece Desecrated by DVD
I replaced my VHS version of "The Jewel in the Crown" with the new A&E DVD version and now wish I'd left well enough alone. Unlike most DVD transfers, this one was a gigantic step down in technical quality. The sound mixing was off in most of the episodes, obscuring dialogue and necessitating constant fiddling with the sound level. This series is a sterling example of television at its best, but for now watch the VHS version. For those wanting a refresher on the political events and people alluded to by characters in "Jewel in the Crown," I'd recommend first watching "Ghandi," which portrays the politcal situation played out during that time. ... Read more

Reviews (493)

Way underrated
Anyone who has ever worked in corporate America will relate to this hilarious gem.
It is low key as opposed to slapstick comedy. I think the movie was well cast about a cube dweller who had enough and basically quits working and gets a promotion to upper management while his hard working and dedicated buddies get slated for layoffs by "The Bob's" two management consultants.
Ron Livingston does a great job as Pete Gibbons, and Ajay Naidu as "Samir Nu, ne, nunu, uh nnn ,not work here anymore" David Herman as Micheal-why should I change - Bolton.
The boss Lundbergh is played perfectly deadpan by Gary Cole, and I think there is a Tom Smykowski and Milton Waddams in every organization. Lets not forget the "Bob's" I knew two idiot consultants just like them.
Office Space has it all, from stupid meetings, CI programs, and of course the infamous TPS reports - "didn't you get the memo about the new cover sheets?"
I could not stop laughing through the whole thing.

Well worth the price of the DVD, even though the transfer was only fair.

Hiliariously Close to the Truth
Though the situations and characters in Office Space are certainly larger than life, they are not that far from the truth--to which those of us in the corporate world will readily attest. That's what makes the movie so delightfully funny: seeing characters on screen act out (without much exaggeration) the trials and tribulations of today's desk-bound workforce.

The plot of the movie itself is somewhat secondary to its entertainment value. Basically, the main character (Ron Livingston) isn't happy with his job; having been asked once by his high school guidance counselor to picture what he'd do without being paid and consider that his ideal job, he responded that he's like to sit around and do nothing. The rest of the main plot centers on his attempt to get his life back on track, from discovering a love interest in a local waitress (Jennifer Anniston) also unhappy with her job to plotting revenge on his company for firing his friends.

Quickly one sees exactly why the characters are so unhappy with their jobs: a clueless, paper-shuffling boss who speaks in total monotone; inane office regulations requiring more time spent on reports than on real work; faulty office equipment; and so on. Carefully crafted to represent archetypes we all know from our own office experiences, the characters and their attempts to break free of the 9-to-5 drudgery are absolutely hilarious.

You don't have to be a computer programmer or engineer to enjoy this film--all you need is to have worked somewhere once in your life that was far from the ideal environment. Watch this film and enjoy a laugh at schmucks who have it ten times worse than you ever have!

THE comedy movie to see from the late 90s
If you see one comedy from the late 90s, see this one! The cast is great, and the story is better. The only person I know who didn't like this movie just doesn't understand the modern industrial/metroplitan environment. Driving to work in Silicon Valley REALLY IS THIS BAD, and if your definition of heavy traffic is going 15-20 mph on the freeway, you might not appreciate this film.

Dilbert's got it easy!
OFFICE SPACE either suffered from bad marketing or poor distribution because I had never heard of it nor did many of my movie-going friends. When I saw it on cable, I kept asking myself, "Where did this come from?" While the film occasionally breaks down in predictable sequences and cheap shots, it really does hold together remarkably well. This is one of the better written, directed and acted comedies in a long time. Even though the late 90's office world it illustrates is long gone, muddle-headed supervisors, know-nothing consultants, and very weird office workers are not. Enjoy this movie!

A MODERN CULT CLASSIC
Having seen and enjoyed bits and pieces of this movie countless times on cable (usually on Comedy Central) over the last couple of years, I finally broke down and purchased it to add to my DVD collection. Smart move on my part. Now that I've seen the entire movie from start to finish, it makes a lot more sense now (I'd never seen the hypnotism scene). It has all the makings of a modern cult classic. How do I know? Because every time I roll across it on cable I usually wind up watching the balance of the film and enjoying it all over again. Having 2 Geto Boys songs on the soundtrack and co-starring Jennifer Aniston doesn't hurt either. Damn it feels good to be a gangsta. ... Read more

Amazon.com

The world can be divided into two camps: those who will watch Joshua reverently and gratefully, and those who will not touch it with a 10-foot pole. The reverent probably own Joseph F. Girzone's bestselling novel about a mysterious but friendly loner who shows up in a small American town and blesses every life he touches. Whites and blacks, Catholics, Protestants, and Jews will work side by side as newly recognized brethren; an estranged couple will resolve to save their marriage; the lonely and disconnected will embrace and be embraced by community; etc. The message--the healing power of Christ's love--is beyond reproach, the intentions of the filmmakers entirely benign, but there is not one whit of dramatic tension or narrative complication to any of it. The cast is stronger than usual in such religious projects (Tony Goldwyn, Oscar^® winner F. Murray Abraham, Giancarlo Giannini as the Pope), but no one has a prayer with a script that posits the hero's Christhood on the fact that 12 people show up for his going-away dinner. --Richard T. Jameson ... Read more

Reviews (96)

Uplifting and inspirational... a movie to treasure
All too often the lack of quality acting, writing or a budget tends to ruin filmaker's attempts to bring a quality Christian work to the screen. Left Behind is an example and if you are a fan of the series and saw the movie, then you understand what I mean. So it should come as no surprise that anyone like myself who has so enjoyed the Joshua series written by Joseph Girzone would be skeptical about the movie. But very quickly I realized that not only was this movie going to be fairly faithful to the original book, it was also going to maintain the consistant message of love and salvation that sometimes gets lost in Christian filmmaking. Tony Goldwyn whose probably been typecast since Ghost, quickly made me forget that role and pulls off an extraordinary portrayal of Joshua. Add that to a quality supporting cast and some surprises that stray a bit from the book but are nonetheless enjoyable, I would recommend this movie to anyone, whether you are a fan of the series or not.

Touches the Soul
This movie adaptation of Father Girzone's book wonderfully compells the viewer to sit back and be fascinated by a modern day Christ story.

Joshua, an artist and woodcarver, drifts into a small town and within days turns a disjointed group of citizens into a community of good neighbors. Joshua's manner is straightforward, kind, yet fun and amusing---just the kind of guy you'd want at your next get-together. He doesn't preach---he simply is---his love and selflessness runs out from him like cool fresh water to the thirsty. His actions are transforming---but alas, they also cause trouble. The pastor of the local church is frightened by Joshua's charisma and he does his worst to disassemble the band of neighbors by attempting to blacken Joshua's name.

The movie is not as complicated as the novel, the scenes where Joshua is asked to speak at the nearby Jewish Synagogue are completely eliminated as is Girzone's hopeful message of all roads--all houses of worship--leading to the same goal rather than insisting that their way is the only way. The dialogue at times can be a little too persuasive in attempting to disclose the true nature of Joshua--which the audience identifies correctly from the start anyway.

I was disappointed that more attention was not paid to Joshua's exquisite carvings----only one of the statues of Peter is manifested here.
Of note is F. Murray Abraham's portrayal of the threatened pastor and lovely sad-eyed Giancarlo Giannini as the Pope.

Recommended to all who enjoy or need a spiritual kick in the head.

What if Jesus showed up as a carpenter in a small town?
"Joshua," based on Joseph F. Girzone's novel, is not about the Second Coming of Christ. In fact I would think that it is not about a second coming either, because I get the feeling from this film that Jesus has shown up in similar ways countless times before. This time a stranger named Joshua (Tony Goldwyn) shows up in the quiet town of Auburn. He moves into a dilapidated old barn on the outside of town and when he finds a Baptist church that was destroyed in a storm, he starts working on fixing it up. This seems odd to the members of the congregation of that church, but some of them start to pitch in and help Joshua.

There are no real surprises in "Joshua," especially since the opening credits tell us that Giancarlo Giannini plays the Pope in the movie we are about to see. But the point of the story here is not to tell you anything you do not already know. The message, when Joshua actually articulates one, is the one that has been around for almost two thousand years. So the attraction here is the enticing "what if?" as to what it would be like if Jesus suddenly showed up in your neck of the woods and started doing things and talking to people. Joshua does not preach series nor does he tell parables. The important thing here is that when you talk, he listens to you.

This is not the first time that a movie has tried to portray a more "realistic" type of Jesus. There was Jeffrey Hunter in the 1961 film "King of Kings," where Jesus walked among the masses while he gave the Sermon on the Mount. In "The Passion of the Christ" the focus on the story is on the scourging and crucifixion of Jesus, but in the film's few flashbacks James Caviezel reveals a remarkably accessible figure. Tony Goldwyn has an advantage in that he does not have to wear the beard, long hair, and flowing robes of the conventional images of the Biblical Jesus. He plays Joshua as what you can only describe as being a good guy, which is more difficult to play that you would think.

Auburn is not a modern Sodom or Gomorrah. The worst you can say about the place is that the different denominations are not paying attention to each other. But then one of the points about Joshua is that he not only fixes churches and carves statues of Peter, he also fixes small things. "Joshua" is about the ministry of Jesus and the miracles have the same affect they did the first time around.

The supporting cast is solid, with F. Murray Abraham as Father Tardone, the local priest who is suspicious of the stranger in town, Kurt Fuller as Father Pat Hayes, who is captivated by that same stranger, and Stacy Edwards as Maggie, who has a different idea as to what void in her life Joshua can fill. Granted, anyone who has never been to church on Sunday is not going to be interested in this film, but "Joshua" should appeal to most Christian audiences, who will find it a pleasant reaffirmation of their beliefs.

A Gift from the lord
I have watched this movie well over 50 times, though i dont beleive in the church i do beleive in god, this movie i have recommended to others in need weather it be for emotional support or physical pain, it is uplifting, and beautiful. I truely beleive that the actors in this movie at the making were guided by the hand of God, This is a MUST SEE MOVIE....if not a must own movie, one of the nicest aspects of it was all ages can watch it, and get something out of it

A true call to everyone
The first time seeing this movie was completely by chance. My family and I rented it one evening without knowing what it was about at all. For whatever reason it stood out on that shelf, I may never know, however, the impact it has left upon me will last my lifetime. ... Read more

Amazon.com

There's no more reliable engine for comedy than the differences betweenmen and women; Home Improvement puts that topic front and center.Launched from the stand-up comedy of Tim Allen (The Santa Clause,the voice of Buzz Lightyear in Toy Story), this sturdy sitcom restson the endearing, befuddled machismo of Tim Taylor (Allen), the host of ahow-to-build-stuff show called Tool Time, who finds raising threesons and being a supportive husband isn't always as easy as sanding down adoor frame. In the show's first season, the tried-and-true domesticplotlines (for example: wife wants to have a romantic dinner, husbandwants to watch the big game--the fodder of every family sitcom since thedawn of television) are given a fresh spin by Home Improvement'sembrace (and gentle mockery) of the men's movement that flourished in theearly '90s. Tim's neighbor Wilson (Earl Hindman), whose face is alwaysobscured by the fence between their yards, proves to be a font of IronJohn-style wisdom--wisdom that Tim comically garbles when he puts itinto practice. Allen and Patricia Richardson (as Tim's prickly buttolerant wife, Jill) immediately established a cozy but smart banter withenough bite to rise above the bland bickering of too many sitcoms. Somejokes degenerate into schtick--Tim's manly grunting becomes rote by thesecond episode--but Allen and his writing team consistently foundsurprises in this familiar territory. The capable supporting cast alsoincludes Tim's sensitive and woefully single assistant Al (Richard Karn),his three cute sons (Jonathan Taylor Thomas, Zachery Ty Bryan, and TaranNoah Smith), and Tool Time's eye-candy (future Baywatch sexbomb Pamela Anderson). --Bret Fetzer ... Read more

Reviews (30)

Hollywood Classic
This film starts with the 1685 Duke of Monmouth rebellion. The battle of Sedgemoor rages in the background as Errol Flynn's character is wrongly accused of supporting the rebels. King James II is portrayed as an arrogant prince, something which most Protestants of the day would have agreed with, and which Hollywood does not seem to deny. James, while detached, was not the cold hearted fool we see here. But this is only a minor point. The film has historic interest, portraying England as it does during the 1680s, the reign of James II before the advent of the Glorious Revolution which sees him removed in favor of William III of Orange and Queen Mary. The movie only touches on these political developments, but its interesting to see them as factors in the background.

The rest is pure Hollywood adventure with fiction playing havoc with fact! Still, the movie is so entertaining and classy that we don't mind a few historical gaffes. Flynn is elegant in his first major role, and Olivia Dehavland is strikingly beautiful. Hard to beleive she was only 18 when this film was made. The rest of the supporting cast may be a bit standard for a 1930s production, but they pull their weight well with all the cute touches of the day. The production value of the film appears more impressive than it actually was. The fast pace combined with clever plot makes for a classic of its kind. The French as perenial villins may strike a chord with today! For period swashbuckling, romance and class, you won't find better than here.

Blood! Blood! ......And A Film Legend Was Born
"Classic", is written all over this legendary Warner Brothers production from Hollywood's heyday in the 1930's. A fine literary source in the novel by Rafael Sabatini formed the basis for what was to become easily one of the best loved pirate tales ever filmed by a Hollywood Studio. Many (myself included) believe that "Captain Blood", is THE definitive swashbuckling adventure and contains everything to satisfy the pirate enthusiast, from a dashing leading man fighting for justice in a corrupt world,a beautiful damsel in distress to be rescued by the hero, lively swordplay, brilliantly staged sea battles, and the essential quota of villianous characters to add spice to the drama. "Captain Blood", was as well a "first", in many ways. Firstly it marked the breakthrough role for Tasmanian born Errol Flynn who was perfect for the role of Dr. Peter Blood, a man of good character wrongly condemmed to a life of slavery for helping tend the injuries of a rebel soldier in the corrupt England of James 2nd. Also this film marked the first teaming of Flynn with rising young actress Olivia de Havilland and the two went on to work beautifully together in eight films over the next seven years earning them immortality as one of filmdom's most unforgettable screen couples.

It's hard to imagine nowadays anyone but Errol Flynn in the role of Captain Blood but he was not even considered in the original casting of the film being an almost complete unknown at the time. Robert Donat was set to play the lead but had to withdraw due to illness and Jack Warner took a considerable gamble in casting the untried Australian actor in the lead of one of the studios biggest productions for the year. Once the decision was made however the rest as they say was film history as Errol Flynn swashed and buckled his way to Hollywood stardom in a stunning debut which helped make "Captain Blood", one of the years most successful films and helped gain it a nomination as Best Picture of the year. "Captain Blood", relates the story of Irish Doctor Peter Blood who is called out to tend the wounds of a rebel soldier fighting the corrupt governement of King James 2nd. Caught at the scene Peter is imprisoned as a rebel of the crown and in a sham court hearing is condemmed to a life of slavery in the infamous colony of Port Royal. Suffering brutality under the cruel Planatation owner Col. Bishop (Lionel Atwill in a masterfully evil role) Peter has the chance to escape when Port Royal is attacked by the Spanish. He forms a crew with his men and together they head out to sea on a stolen ship to become pirates with no country to call home. Very soon the name of "Captain Blood" is infamous throughout the Carribean and no ship Spanish, French, or English is safe from his looting. Making an uneasy alliance with French Pirate Capt. Levasseur(Basil Rathbone in a small but effective role) Peter finds his loyalties tested when Levasseur captures Arabella (de Havilland) the niece of Col. Bi