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| 101. What Dreams May Come Director: Vincent Ward | |
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Reviews (344)
The story is very moving and brilliantly crafted. The main character is a doctor named Chris (Robin Williams). He has a wife (Annabella Sciorra) and two kids. His family is great and he seems to be living the American dream. Then his children are killed in a car accident and his life is shattered. He spends the next four years trying to recover from the tragedy. Then he is killed in another traffic accident and the story takes off as he goes to the beautiful afterlife. The movie seamlessly transitions from present to flashback to give a sense that time is irrelevant in the afterlife and to fill in the rest of the story. The first person he sees is a young version of the doctor he apprenticed under (Cuba Gooding Jr.) who later turns out to be someone else, but I won't tell you because I don't want to ruin any parts of the movie. He is then taken to a beautiful heaven, which is actually his mental re-creation of one of his wife's paintings. He later learns that his wife has committed suicide and in doing so has trapped herself in a never-ending spiral of guilt (a.k.a. Hell). Chris then has to travel to the depths of Hell to find and attempt to bring back his wife. This movie is loaded with abstract thoughts and themes. For example: Your obsessions in life will become your afterlife; Thought is real, physical is the illusion; God lets bad things happen to good people; and far too many others for me to list here. The movie is visually breathtaking and the computer-generated graphics add greatly to the realness of the movie. The acting is good and director obviously knew what he was doing. I will recommend this movie to anyone who has ever contemplated his or her existence.
The cast of the film is strong, but it would be a mistake to imagine that they are the reason for the film's success. Robin Williams as Chris Nielsen, Cuba Gooding Jr., Rosalind Chao (who I previously mainly knew only from STAR TREK: THE NEXT GENERATION), Max von Sydow, and the lovely but underused (not only in this film, but by Hollywood in general) Annabella Sciorra all hand in wonderful performances, but they are largely overwhelmed by the astonishing beauty of the sets, the inconceivably vivid colors, and the marvelous use of light. No performers could have competed, though they try gamely. I find the film especially interesting for theological reasons. Ron Bass based the screenplay on a novel by Richard Mattheson. I must confess to not knowing the work of either, but I would lay heavy money that one of them (probably Mattheson) knew well C. S. Lewis's THE GREAT DIVORCE. In that work Lewis was concerned to lay out a concept of heaven and hell that did not regard God as responsible for sending people to hell. Instead, he described an afterlife in which people in hell still had the option of leaving hell and departing for heaven. These two ideas--of people placing themselves in hell and of having the option to leave hell for heaven--drive the metaphysics of WHAT DREAMS MAY COME, as I'm sure anyone who has seen the film will recognize. So why do I give the film only four stars after all the nice things I have said about it? Primarily because the film doesn't really have all that much of a story to tell. The plot feels like a short subject stretched to feature length film proportions. Once you subtract all the amazing visuals, there simply wasn't that much to the film. The challenge for the filmmakers was primarily padding out the action of the film. Nonetheless, I do recommend this as an interesting and intensely beautiful film, despite the slender narrative. Interestingly, the title of the film comes from Hamlet's famous soliloquy, in which he ponders whether or not to commit suicide. In the end, he decides not to because of the dreams that the dead may dream, presumably worse for having killed oneself. But such dreams did not prevent Annie Nielsen in the film from committing suicide. It is a nice ironical touch.
This movie could have easily been a masterpiece, with such a great cast, excellent visual effects and production. However, there are two things which severely take away from its effectiveness. For one, the flashback style becomes tedious after a bit and interrupts the flow of the story. Many other reviewers have commented on this. It's a major drawback. And two, some scenes simply do not work. For example, when Chris arrives in Hell and begins maneuvering around the heads sticking out of the ground. This scene is done in a humorous way, seemingly for comic relief. It simply does not work and is majorly out of place. Comic relief isn't what should happen here. Aside from these flaws, "What Dreams May Come" is an enlightening viewing experience and will stay with you long after you're finished watching it. It can be interpreted in many ways: a film about the possibility of life after death: a film about never-ending love: a film about affirming the beauty of life. However you may see it, you will surely take away at least something from it after the credits roll. ... Read more | |
| 102. The Princess Bride (Special Edition) Director: Rob Reiner | |
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Reviews (664)
It fun, it's funny and has adventure and romance, monsters and villains. It also has some of the best performances of an ensemble cast in a fairy tale ever. Robin Write-Penn (Then Robin Write at 19 years old) (Forrest Gump, Unbreakable) starring as Princess Buttercup who has fallen in love with a farm boy-turned Pirate, Cary Elwes (Twister, Robin Hood: Men In Tights, Quest For Camelot) and is seeking the kidnapped Princess from three renegades played by Wallace Shawn (Toy Story, Star Trek Deep Space Nine). The late Andre The Giant (Trading Mom) and an astounding performance by Mandy Patikin (Yentel, Alien Nation, Chicago Hope-TV ). Christopher Sarandon (Nightmare Before Christmas, Fright Night, Just Cause) and Christopher Guest (This Is Spinal Tap, Best In Show) head up the evil King and sidekick roles. The chemistry between Cary and Mandy is phenomenal. They are seriously funny in a sarcastic and monotoned way. The swordplay is the best I have seen since Errol Flynn. What makes this movie special and energetic is the magic of fantasy with a splash of you have to believe in True Love for all this to work and for your happiness to be real. Shot entirely on location and with a minimum of a budget the movie is wonderful to watch and look at. A GEM for all the family - literally. The DVD extras include three behind the scenes documentaries and lots of production photos. Very well put together and filled with interesting comments and antique dotes from all the cast and crew. There's even a behind the scenes home movie view of the production thanks to Carry Elwis himself. Of the trailers and production posters show you more of movie making and what it takes. The audio commentary by Rob Reiner is comical and very interesting. There is also a commentary by William Goldwin which gives you a lot of insighjt to the production. This is a great addition to the family film collection. (10-27-02)
Cast: Cary Elwes ... Westley Carol Kane ... Valerie A storybook stable boy turns pirate and rescues his beloved who is about to marry a dreadful prince. The story is told by the Grandfather (Peter Falk) to his cynical (at first) Grandson (Fred Savage). The story is a love story with all of the elements of a fantasy fairy tale. Westley (Cary Elwes), the good guy, is opposed by Inigo Montoya (Mandy Patinkin--"My name is Inigo Montoya, you killed my father. Be prepared to die!"), at first, and then wins Westley's admiration. Another opponent who becomes a co-conspirator, is Fezzick (Andre the Giant). Buttercup/The Princess Bride (Robin Wright Penn) is the princess who needs rescuing.
There is a lot of good tongue-in-cheek humor involved, and even though it is understood that this is a story told to a young boy, there is nevertheless a good level of tension involved. This is a fun movie. Joseph (Joe) Pierre
One of Reiner's best films is 1987's The Princess Bride, a witty-yet-sweet comedy/fantasy written by two-time Academy Award-winning screenwriter William Goldman, who adapted his own novel about the beautiful maiden Buttercup (Robin Wright), whose true love, a young farmboy named Westley (Cary Elwes), goes off to sea to seek his fortune, telling Buttercup that he would come back for her. But when Buttercup learns that Westley's ship has been attacked by the Dread Pirate Roberts she swears she will never love anyone again, an oath she keeps even when she accepts a marriage proposal from Florin's Prince Humperdinck (Chris Sarandon), a handsome yet somewhat shady fellow who probably could give Machiavelli some lessons in, well, Machiavellian diplomacy. His plan is simple: take over as King of Florin as soon as his father passes away, get bethroded to a beautiful engaging commoner, then stage her kidnapping and demise to incriminate the neighboring rival kingdom Guilder and start a war. Aided by the equally heinous Count Rugen (Christopher Guest), Humperdinck hires a trio led by the too-clever-for-his-own-good schemer Vizzini (Wallace Shawn), the revenge-obsessed Inigo Montoya (Mandy Patinkin), and Fezzik (Andre the Giant), a brawny hulk with a heart of gold and a fondness for rhymes. The three manage to kidnap Princess Buttercup, but before they reach the Guilder-Florin border they run into an unforeseen obstacle: a dashing swordsman dressed in black. Goldman's clever way of grabbing the audience's heart and funny bone is to present this fairy tale with a framing story of a 1980s grandfather (Peter Falk) who visits his sick grandson (a pre-Wonder Years Fred Savage) and reads the tale of The Princess Bride to him, following a long family tradition. Reiner gets wonderful performances not only from the major cast members, but also from Billy Crystal and Carol Kane, who play Miracle Max and his wife Valerie in a short but hilarious scene. He approaches the fractured fairy tale as a comedy/romance/swashbuckling adventure, poking gentle fun at the conventions of all the fantasy/medieval adventure films of the 1930s and '40s without being obnoxious or too sardonic. The result: a film that overcame box-office failure (it had a brief and unprofitable theatrical run in the summer of 1987) by becoming a home video success. (This is not unique to The Princess Bride, either. 1939's The Wizard of Oz was no box office champ when it premiered; only when it became an annual TV staple in the mid-1950s did Oz become a family classic.) The 2001 MGM Special Edition DVD presents The Princess Bride in its original widescreen format, and features a director's commentary track by Reiner, a writer's commentary by Goldman, English and Spanish audio tracks, a new documentary on the making of the film ("As You Wish"), plus theatrical trailers and two original featurettes. As Vizzini might have added, to try and find a funnier family film is absolutely inconceivable.
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| 103. Kim Possible - The Movie - So the Drama (Extended Edition) Director: Steve Loter | |
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Amazon.com Reviews (26)
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| 104. America's Next Top Model - Cycle 1 | |
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Description Reviews (15)
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| 105. Star Wars Ewok Adventures - Caravan of Courage (aka The Ewok Adventure) / The Battle for Endor Director: Ken Wheat, Jim Wheat | |
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| 106. Star Trek Deep Space Nine - The Complete Sixth Season | |
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Amazon.com Amid all this sturm und drang the writers felt it necessary to inject some levity. In fact, there was so much comedic sidetracking this year it actually seemed as if they were afraid of the series' dark tone. Witness: Quark undergoing a temporary sex change, leading a Magnificent Seven-style band of Ferengi (with a cameo from Iggy Pop), Morn's nonspeaking character being sorely missed, the blend of Troi and Guinan into '60s crooner Vic Fontaine, and, in one fan favorite episode ("Far Beyond the Stars"), Sisko having visions of himself and the crew as 1950s staff writers on pulp magazine Incredible Tales.There were also cute reconciliations among Worf's extended family (leading to Trek's first cast wedding), and even the revelation of Bashir's genetically enhanced origins quickly became a subject for easy jokes. Any of these events would have been satisfactorily cute if the war had ended and the show had moved on. But it confused the viewer when every so often the battle would be rejoined mid-episode. The clinching proof that no grand design was really at work was in the sudden exit of Dax. Despite all the jarring humor scattered about after the strong opening, the show seemed unable to avoid reverting to shock tactics for its finale. All of which hardly made the promised final year seem a particularly enticing prospect. --Paul Tonks Reviews (24)
One of them of course is the use of long, involved story lines. Almost more than any othe sci-fi series (with the possible exception of Babylon 5), DS9 showed that war was a messy, complicated business, not just in terms of body count but in compromised values, shifting allegiences, and tough decisions that may or may not be right. Sisko truly comes into his own as the leader of the station as well as a key figure in the war. The highlight of the main war story arc is In the Pale Moonlight, a true masterpiece of storytelling about the seamy side of war. Almost as good as this exceptional episode in the general story line is Inquisition, which introduces the KGB- or even Gestapo? -like Section 31(and they work for the good guys!) Every Trek season has it's off-topic type of episodes, and season 6's are some of the best. Even the Ferengi episodes are not that bad - The Magnificent Ferengi is a comic highlight. Who Mourns for Morn is uneven but nevertheless makes use of one of the most famous non-speaking parts on TV, Morn the barfly. Statistical Probabilities is a very interesting intellectual episode that furthers the story of Julian Bashir as a genetically enhanced human, and shows what can go wrong with such "enhancements". Valiant shows the effect of war on kids (a young Academy squad who somehow end up commanding their own ship after the death of their captain). One Little Ship is a ridiculous but totally fyn episode (Honey, I Shrunk The Runabout!) His Way introduced James Darren as Vic Damone, a holographic night club owner with self-awareness - since Voyager was pursuing the idea of a hologram being a sentient being, this was nice to see - and Vic becomes an important secondary character in season 7. Worf and Jadzia Dax's wedding (You Are Cordially Invited) is a bit cheesy, as many Kllingon episodes tend to be. But the Worf-Jadzia relationship was one of the very few marriages shown in Trek (aside from the O'Briens), and later episodes managed to show the difficulties of being in the same war with the one you love quite effectively, until the death of Jadzia in the last episode. The death itself was quite abrupt - almost up there with the death of Tasha Yar in TNG, but in the context of war it makes sense. Death in war is senseless... I left the best for last - Far Beyond The Stars. This is a transcendent episode, and a must-see for any sci-fi fan - even if you don't like Trek. It asks the question, are we real? Or are we just a figment of someone's imagination? And what is it that makes what we dream of? This idea was explored somewhat in a Next Generation episode (Message In A Bottle), but it's really told beautifully here. I can't really think of a truly bad episode in this season, like a couple of the clunkers in both season 5 and 7. All in all, this season is a keeper.
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| 107. The Goonies Director: Richard Donner | |
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Reviews (338)
The Goonies holds something that every kid should find magical, even though the only magic in the movie is the magic of friendship. Steven Spielberg wrote the story about a group of friends who are about to lose their houses so a country club can be built where they leave. They come upon a treasure map that supposedly has a legend behind it, and leads to a great treasure. Mikey and his colorful bunch of friends set up to go in search of the treasure not knowing the villianist trio, the Fratellis, are also out for the treasure. Along the way, chaos ensues, friendships go stronger, and they meet a creature who has nothing but love to share and Baby Ruths to eat. The characters are all likable . . . are all lovable, and the actors who portray them made them all that they were. The Fratellis are even, in some ways, likable throughout the movie, but in the end, they get what they were asking for. The directing, of course, is awesome. None like it actually. And the sets are amazing. Especially the pirate ship set. That was too awesome, and enough to satisfy any adventure lover. The DVD should satisfy any Goonies fan with the word of all the extras to be on it. And I'm ready to see the infamous deleted octopus scene. I hope it's on there. I believe I read somewhere that some of the cast had gotten together to do a commentary. Now there's wishful hoping that that did happen! "SLOTH LOVE CHUNK!" And Josh loves this movie.
That said, here's what you get with this DVD and here's why you should buy it today: The movie itself is enough however... The deleted scenes are a lot of fun. We finally get to see the ever-fabled "Octopus" scene. For years, I would scratch my head when Data said "The Octopus was really scary!" Huh? What Octopus? Well, he's in this DVD. You also realize why the scene was cut out. Let's just say the animatronics weren't all that great. Those old music videos starring Cyndi Lauper and various classic WWF wrestlers are here too. Remember Rock "n" Wrestling? I found myself saying "oh yeah....I remember that!" Watch for a cameo of Susanna Hoffs from the Bangles in the video! The DVD commentary is a lot of fun! While almost every new DVD has a commentary in place, it almost always bores one to tears with the director or a star just kind of droning their way through the movie. Often, the major stars don't even do the commentary (great example is Rocky - where the commentary features everyone but Stallone himself!) This commentary has all of the original Goonie stars plus Richard Donner. There's a lot of joking around and the stories they tell are funny and don't go off the subject. Note: Sean Astin disappears about halfway through the flick. Also, beware Corey Feldman who talk over everyone to further perpetuate that he is the biggest glory hog in show business. Enough already. This is such a great movie and the special features are ones that you'll actually watch more than once! Buy the DVD already!
Steven Spielberg brings a story about a misfit group of kids who set out to save their home. It all hinges on finding the treasure of One-Eyed Willie, a famous pirate who was rumored to have hid his treasure somewhere around where they live. Throw in a mafia family who has recently broken out of jail, a treasure map, a Baby Ruth, and a wonderful dance called the Truffle Shuffle and you've got an instant classic!! Also, look for the line about battling the octopus in the end, then think about the octopus battle. Something doesn't add up does it??
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| 108. The Return of Sherlock Holmes Collection | |
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Amazon.com Counselor Troi from Star Trek: The Next Generation--or rather actress Marina Sirtis--is part of the cast of "The Six Napoleons," a wild mystery that suggests that a madman with a grudge against Napoleon Bonaparte is smashing clay busts of his likeness all over London. "The Priory School," one of the most interesting stories from Doyle's Holmes canon, makes for a particularly taut and exciting episode in which Holmes and Watson are summoned by the desperate founder of an exclusive prep school for boys to locate the missing son of a duke. An extreme rarity in the Holmes canon, a policeman of real competence named Inspector Baynes (Freddie Jones), is also on the case in "Wisteria Lodge," making this tale all the more interesting for Holmes fans interested in comparing and contrasting investigative styles. "The Devil's Foot" finds Watson pressuring the exhausted sleuth into joining him on a vacation on the Cornish coast. Instead of relaxation, however, Holmes and Watson encounter one of the most horrifying multiple murders they have yet come across. Doyle caught a fair amount of flak for getting a lot of details wrong in "Silver Blaze," a story about the training and racing of horses. Nevertheless, it is one of his most popular yarns and makes a fine basis for a keen mystery with one of Doyle's most inventive solutions. A strong story with some of the sleuth's most impressive investigatory work, "The Bruce Partington Plans" also saw the return of Mycroft Holmes (Charles Gray), brother of the Great Detective and indispensable repository of government business. Holmes's methodical approach to the arcane problem in "The Musgrave Ritual" is a lot of fun, and Brett and Hardwicke seem to be having a particularly good time outdoors, pursuing the solution under a bit of sunshine. "The Man with the Twisted Lip" is one of the most ingenious of the Holmes stories, satisfying from beginning to end, with a witty conclusion and unexpected moral about class pressures. --Tom Keogh Reviews (11)
All of the high-production values, including excellent location shootings and costumes and such, are carried over along with the cast. Granada Television really put care into this series, and it shows. There are some great episodes here, such as "Silver Blaze" with Holmes and Watson investigating a missing race horse, "The Devil's Foot" with Holmes battle against his own addiction as well as crime, the wonderful "The Six Napoleons" and the eerie "The Musgrave Ritual." Actually, they are all top-quality. This series is the finest Sherlock Holmes adaptation, bar none, and the high quality contines in this set.
This boxed set is a must have, especially for anyone who owns The Adventures of Sherlock Holmes boxed set. There are several reasons for this in addition to Brett's great portrayal. First, the Empty House is critical as a follow up to The Final Problem. Any true Holmes' fan has to admit to at least a little depression following the last tale in the "Adventures" series (i.e., the Final Problem). The Empty House returns Holmes in full glory and Holmes' story about the "missing" years is priceless. Second, the series shows Brett at his best, before the illness he suffered from reduced his health. Even in later series, Brett does a terrific job despite his health. But he appears here as a vibrant Holmes, a natural continuation of his portrayal form "Adventures." Third, Edward Hardwicke offers a different, more professional, version of Watson than did David Burke in the "Adventures." Actually, Burke was great in the first series and ideal as a younger Watson. In some respects that youthful exuberance is missed in the "Return" and it's a shame that Burke could not continue. But Hardwicke's characterization allows Watson to approach Holmes as an equal of sorts (not that Watson could ever equal Holmes) in that professionalism that his demeanor naturally gives to Watson. All in all a tremendous collection and as faithful to the stories as a television series could realistically be. ... Read more | |
| 109. The Last Starfighter Director: Nick Castle | |
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Reviews (62)
Critique: The Star Wars phenomenon inspired a slew of science fiction films in its heyday that, surprisingly enough, has continued to this day. Although the 80s produced its share of memorable films, this is one of the most appealing of the bunch. Capturing the youthful exuberance and innocence that made the Star Wars fantasy a worldwide smash. The 'once upon story' line works from the disillusioned, dreamy nature of those kids whose earthly existence leave much to be desired. Wishing they could be whisked away to another galaxy, and take part in some far-off adventure. An added bonus to the film is the pairing of the 2 young leads. Exacting the warmth and amazement of encountering such a journey, and taking their love to the infinite reaches of space.
Famous in film history as the first film to utilize computer-generated FX for its space scenes (producing a 'big-budget' look to more modestly budgeted film), the effects today seem as creaky and out-of-date as the 'Last Starfighter' arcade game that teenager Alex Rogan (Lance Guest) is so expert at! Don't let this put you off, though, as this story is really about the youngster, and being willing to take advantage of an opportunity to 'shine', as Otis (Vernon Washington), his best friend at his trailer park home, reminds him. The concept of the game being a secret test for fighter pilots is clever, and when game creator Robert Preston (who is magnificent, in his last screen appearance) whisks young Rogan off to fight in an interstellar war, all of the youngster's long-stated ambitions to leave home and make something of his life are tested. In a series of amusing scenes, our hero stumbles through his first encounter with alien races, meeting the affable Grig (an unrecognizable Dan O'Herlihy, who nearly steals the movie), the pilot of his fightercraft. After almost making the worst decision of his life, Rogin comes to his senses.... ... director Nick Castle (who directed the sweet and equally wonderful 'The Boy Who Could Fly') understands people and small-town life, and gives the space adventure so much charm and savvy that you'll love it, nonetheless! Guest is terrific as Alex, conveying both the humor and frustration of growing up in the trailer park; Catherine Mary Stewart, as his girlfriend, is equally good! As Alex' space-fixated younger brother, Louis, Chris Hebert has some of the film's funniest lines, and the image of him, taking his shot at the arcade game and a chance to become a Starfighter, at the conclusion of the film, is a fitting finale! Special praise should be given to Craig Safan's rousing score, some of the most beautiful, sweeping music since 'Star Wars'! The DVD edition IS the version to buy, with a terrific documentary on the making of the film, hosted by Lance Guest, and commentary by director Nick Castle and production designer Ron Cobb! 'The Last Starfighter' has achieved near-cult film status over the years, and is a rich experience you'll enjoy, again and again! I STRONGLY recommend it!
The movie's special effects hold up suprisingly well, considering that they're 20 years old. When Alex Rogan is flying the gunstar, it's like you're there with him, especially if you grew up loving this film. The characters are developed enough that you care, but not so much that it's like a daytime soap opera. Two thumbs up! ... Read more | |
| 110. The Warner Gangsters Collection (The Public Enemy/ White Heat/Angels with Dirty Faces/Little Caesar/The Petrified Forest/The Roaring '20s) | |
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| 111. Attila Director: Dick Lowry | |
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| 112. License to Drive (Special Edition) Director: Greg Beeman | |
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Amazon.com Reviews (37)
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| 113. Waking Ned Devine Director: Kirk Jones (III) | |
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Amazon.com This film has been compared to The Full Monty, but it lacks the vein of desperation that added depth to that film. Instead, Waking Ned Devine is closer in tone to classic British comedies like Whisky Galore!, with its cast of eccentrics gleefully conspiring to outwit the authorities. Those with a low tolerance for twinkly eyed Irish charm might be tempted to steer clear, although the movie is saved, for the most part, by its central performances. Bannen is superb as an old man who is clearly hungry for any excitement he can drum up and David Kelly is remarkable as his scrawny sidekick. Kelly has had a long career as a character actor in film and television, but here he has a chance to really let loose.His naked motorcycle ride is a marvelous set piece and in all of his other scenes his twitchy, perfectly timed performance quite simply steals the movie. --Simon Leake Reviews (137)
A subplot of romance between a beautiful single mother and an earnest (but smelly) pig farmer adds to the general warmth of the movie. The end scene is one of the most well-executed ones I have ever seen. It is a real show stopper. My brother and mother watch this movie over and over.
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