Reviews (61)

Loneliness, Love, Solitude, Eternity
"The Ghost and Mrs Muir" is one of those extraodinary films that works on a deeply emotional level. One would think, "A romance between a woman and a ghost? How silly!" Well, that kind of reasoning does not apply here. Joseph Mankiewicz, along with splendid performances by Tierney, Harrison, Sanders, along with the rest of the cast (including a very young Natalie Wood) achieve a very moving, touching story about loneliness and unrequited love. Miss Tierney, one of my favorite actresses, portrays Lucy Muir-a young widow of strong character who moves into a haunted cottage by the sea, and develops a friendship/romance with the cottage's ghostly former owner, Captain Gregg, played with great charm and gusto by Rex Harrison. This "love that can never be" will only reach fruition when Lucy dies. Captain Gregg, knowing this, decides to leave Lucy, leaving her with no memory of him. After a disastrous affair with a philandering author, played by George Sanders in one of his signature "cad" roles, Mrs. Muir resolves to live her life companionless-until her true love comes to claim her in death. Lucy grows old and finally dies, Captain Gregg returns for her, and the two walk off together into the mists of eternity. This film has a very quiet charm-it never bashes you over the head with pathos-it just works its way into your heart. Even its humor is very subtle-not the thigh-slapping kind, but far more subtle. Add to this lovely photography, and, of course, Bernard Herrmann's remarkable score. Herrmann proclaimed this score his personal favorite, even jokingly referring to it as "my Max Steiner score". It is filled with great warmth and longing, and, even listening to it by itself without the images, brings tears to my eyes. It is very hard, in my opinion, to pull off romantic films without becoming maudlin and sappy. Happily, this gem of a film pulls it off beautifully. They certainly DON'T make them like this anymore!

A Little Gem
This is a fabulous film. The gorgeous Gene Tierney was born to play the widowed Lucy Muir--a young woman seeking personal fulfillment, as well as financial independence from her loathsome in-laws for herself and her young daughter, Anna (portrayed by Natalie Wood). While house hunting, she finds herself irresistibly drawn to a seaside dwelling considered uninhabitable by its agent and, after taking up residence, falls in love with the spectral former owner, Daniel Gregg (Rex Harrison), a full-of-himself sea captain who hasn't quite come to terms with his accidentally having taken his own life. After helping Lucy to acquire financial security, Gregg unselfishly opts to make the ultimate sacrifice for the sake of his soulmate: concerned that she feels divided between his world and that of the living, he suggests to her while she sleeps that her recollection of their association, if any, is a dream and so it is until the film's climax. This tender, perfectly-cast love story is presented without the slightest trace of mawkishness under Joseph L. Mankewicz' direction and the performances are all stellar--George Sanders as Lucy's caddish suitor is particularly entertaining. Bernard Herrmann's appropriately haunting soundtrack is justifiably famous--one can detect the direction he'll take in his future work--and is available on CD from Amazon. It's entertaining on its own and definitely worth having.
The DVD is mastered from a good print and has nice, crisp contrast; the audio is fine, too. I haven't watched the film with the commentary, but the extras are nice and include an A&E Biography segment of the life of Rex Harrison, a theatrical trailer, and a collection of stills. Viewers are offered a choice of Spanish or French dubbing, as well as Spanish or English subtitles, and the menus are easily navigable. This film spawned a short-lived, late-60's TV show starring Edward Mulhare and Hope Lange in the title roles, as well as a condensed, made-for-TV production on Fox's Hour of Stars in the late 50's that has only recently resurfaced--it stars Michael Wilding and Joan Fontaine.
Kudos to Fox for staying competitive with the likes of heavyweights such as Criterion and Kino in their treatment of the classics in their catalogue. They provide quality (including nice keep cases as opposed to Warner's crummy cardboard "snappers") at very attractive prices and are clearly attuned to the public's expectations unlike, for instance, Universal. Fox has made it very easy on the wallet to own some of the finest movies ever made. If you agree with me that they're doing a good job, drop them a line at FoxDrop@4icc.com to let them know.

Unexpectedly wonderful love story
On paper, the premise of the movie sounds ridiculous. A ghost and a woman falling in love with one another? But watch what happens and you'll totally be drawn in. After Lucy Muir moves with her young daughter and trusted servant to a seaside cottage, she discovers that it's haunted. However, she is so in love with the house - it suits her in a way she can't define - that she can't stand the thought of leaving. After the ghost, a sea captain named Daniel, fails to scare her away, they reach an agreement to live amicably with one another.

The conversations between the two are initially hilarious, but gain a strong emotional dimension as the prim Victorian woman and coarse sea captain get to know each other better. Their connection becomes so powerful, you almost forget at times that the captain is a spirit. However, as right as they are for one another, there is still that physical barrier between the living and the fleshless. What's also interesting about the film is its psychology. Daniel is Lucy's ideal man - is he really a ghost, or just the product of her overactive imagination? Regardless of what you think the answer is, the question becomes increasingly important during the second half of the movie, when Lucy is pursued by a flesh-and-blood man, a suave and oily writer, who is certainly not her ideal but makes her commitment to the sea captain waver.

As Lucy, Gene Tierney is wonderful - she is great in both the humorous scenes and the troubled, emotional ones. She makes Lucy come alive as the proper, well-bred lady who also has a quirky side to her, and a resilience not found in many women of the time. And Rex Harrison is marvelous as Daniel. Though I first cracked up when hearing his gruff, earthy voice, he quickly won me over. Especially memorable is his bedside monologue to Lucy, which will bring tears to your eyes.

An unusual film with spectacular music and cinematography
More of a romance and a mood piece than a ghost story, this lovely little one-of-a-kind work from Fox (of all studios) brought out the very best in most of the people concerned. The score by Bernard Herrmann, has been justly praised again and again, and its evocative and sophisticated (and extremely non-sugary) romanticism it rivals his later beautiful work for Hitchcock and Truffaut. The gorgeous cinematography (eloquently described on the commentary by Greg Kimball) is exceptional, with exceptional black and white tonalities and use of mise en scene. And Gene Tierney, that most beautiful and inconstant of Hollywood actresses, was never more up to a script than here: her manneredness never seemed more charming, and she is quite fine in her later scenes when she's asked to be her character in middle age (and then old age). Only Rex Harrison, in a barking performance as the dead Captain Gregg, doesn't seem up to standards of the others. The film has nice extras, especially in Kimball's very informative commentary, which gives fine background material about how things were filmed and how Fox operated.

Poodle rates this 5 wags of a tail
This great film touched me deeply.
I love everything about it.
Please do not forgett the tissues. ... Read more

Amazon.com

From Hollywood's legendary Cocoanut Grove to the pioneering conquest of the wild blue yonder, Martin Scorsese's The Aviator celebrates old-school filmmaking at its finest. We say "old school" only because Scorsese's love of golden-age Hollywood is evident in his approach to his subject--Howard Hughes in his prime (played by Leonardo DiCaprio in his)--and especially in his technical mastery of the medium reflecting his love for classical filmmaking of the studio era. Even when he's using state-of-the-art digital trickery for the film's exciting flight scenes (including one of the most spectacular crashes ever filmed), Scorsese's meticulous attention to art direction and costume design suggests an impassioned pursuit of craftsmanship from a bygone era; every frame seems to glow with gilded detail. And while DiCaprio bears little physical resemblance to Hughes during the film's 20-year span (late 1920s to late '40s), he efficiently captures the eccentric millionaire's golden-boy essence, and his tragic descent into obsessive-compulsive seclusion. Bolstered by Cate Blanchett's uncannily accurate portrayal of Katharine Hepburn as Hughes' most beloved lover, The Aviator is easily Scorsese's most accessible film, inviting mainstream popularity without compromising Scorsese's artistic reputation. As compelling crowd-pleasers go, it's a class act from start to finish. --Jeff Shannon

DVD Features
In his commentary track, director Martin Scorsese offers his own impressions of Howard Hughes and rattles off his memories of experiencing Hughes's films.He mentions how he made Cate Blanchett watch every Katharine Hepburn film from the '30s on the big screen, and observes that Kate Beckinsale had "a real sense of the stature of a Hollywood goddess."But in general he doesn't talk much about the craft of making the film.That area is covered better by editor Thelma Schoonmaker, who also appears on the commentary track, and producer Michael Mann makes a few appearances (all were recorded separately).The picture is brilliant, but the 5.1 sound is not as aggressive in the rear speakers and subwoofer as one might expect, other than some nice surround effects in the Hell's Angels flying sequence.

The second disc collects almost three hours of features.There's one unnecessary deleted scene, and an 11-minute making-of featurette that's basically the cast and director heaping praise on each other.More interesting are the short featurettes on visual effects (including the XF-11 scene, of course), production design, costumes, hair and makeup, and score, and Loudon Wainwright discusses his and his children's musical performances.Historical perspective is provided by spotlights on Hughes's role in aviation and his obsessive-compulsive disorder, and a 43-minute Hughes documentary from the History Channel (part of the Modern Marvels series, it focuses on his mechanical innovations and spends less than a minute on his movies).More unusual are DiCaprio and Scorsese's appearance on an OCD panel, and a half-hour interview segment DiCaprio did with Alan Alda.--David Horiuchi

The Personalities ofThe Aviator

Click the links to explore more movies by these stars.

Leonardo DiCaprio as Howard Hughes "Sometimes I truly fear that I... am losing my mind. And if I did it... it would be like flying blind."

Cate Blanchett as Katharine Hepburn Howard Hughes: "You're the tallest woman I have ever met." Katharine Hepburn: "And all sharp elbows and knees. Beware."

	Kate Beckinsale as Ava Gardner Howard Hughes: "Does that look clean to you?" Ava Gardner: "Nothing's clean, Howard. But we do our best, right?"

Gwen Stefani as Jean Harlow Jean Harlow in Hell's Angels: "Would you be shocked if I put on something more comfortable?"

Jude Law as Errol Flynn Errol Flynn in Captain Blood: "Up the riggings, you monkeys! Break out those sails and watch them fill with the wind that's carrying us all to freedom!"

Director Martin Scorsese "You get a sense of Howard Hughes being Icarus with the wax wings. Those wings were great for a while, but he flies too close to the sun." --Martin Scorsese

Other Movies by The Aviator's Oscar® Winners

Production Designer Dante Ferretti
Film Editor Thelma Schoonmaker
Costume Designer Sandy Powell
Cinematographer Robert Richardson
See all the Oscar® winners atOscar Central

The Aviator at Amazon.com

The Aviator soundtrack

The Screenplay

Howard Hughes: The Real Aviator

Howard Hughes movies

Great movies of the 1930s

The films of Martin Scorsese

Reviews (148)

Hughes at His Peak But Epic Biopic Not Quite a Masterpiece
This is an audacious, surprisingly amusing piece of Hollywood filmmaking by a veteran craftsman of the first magnitude, yet for a number of reasons, not necessarily of Martin Scorsese's sole doing, the movie does not resonate as much as you wish it would. In staying true to the spirit of multimillionaire magnate Howard Hughes between the late 1920's and the late 40's, Scorsese and screenwriter John Logan are stuck with the facts as they happened, and consequently, the film feels episodic with a great, sometimes dazzling story in the first 2/3 of its epic 166-minute running time and a pedantic, only occasionally involving last hour.

You need to have some familiarity with Hughes' life to understand his halcyon years proving himself as a Hollywood tycoon worthy of respect, and his legendary excess during the three-year production of the now-forgotten "Hell's Angels" is captured perfectly here with truly thrilling aviation sequences. Scorsese then focuses on Hughes' romance with Katharine Hepburn and captures the oddball chemistry of burgeoning eccentrics amid the frenzied environment of studio-owned Hollywood, in particular, the Cocoanut Grove nightclub. These sequences remind me a lot of Scorsese's failed musical, "New York, New York", but this time he seems far more assured. Ava Gardner enters the picture in the forties, as Hughes builds luxury airplanes that can't fly and his obsessions and paranoia start to take over. There's a magnificently filmed sequence of Hughes crashing his XF-11 plane in the middle of Beverly Hills.

Once he recovers from this incident, the film starts to drag, as the story focuses on his power struggles of positioning Hughes' airline TWA against the European-route monopoly of Pan Am and the machinations of Pan Am CEO Juan Trippe and the corrupt Maine senator Owen Brewster who investigates Hughes' WWII government contracts. Even the legendary mini-flight of the Spruce Goose fails to excite this late in the story. Only Scorsese's famous "Taxi Driver"-like, mind-bending touch brings off the surrealism of the sequences where Hughes locks himself up in his room. The film ends rather anticlimactically with Hughes' successful 1947 appearance before Brewster's committee before he drowns in his obsessive compulsive disorder (OCD).

Leonardo DiCaprio's chief asset as an actor is his intensity of purpose, and as Hughes, he has plenty of opportunities to display this attribute with his character's obsessions with aviation, moviemaking, glamorous movie stars and ultimately germs. What he is missing is a level of gravitas that would have made his character's increasing eccentricities more bearable to watch. Even though the reed-thin Texas-tinged voice is accurate, there is something perpetually juvenile about DiCaprio's appearance regardless of the twenty-year span of the story. This unfortunately compromises the chemistry between him and the obviously more mature Cate Blanchett, who initially seems to be crossing the border into parody as Hepburn. She displays the familiar brusque manner without caution and even affecting the even more familiar voice but with an inaccurate throatiness that belies the legendary actress' high, fluttery pitch at the time. But she eventually finds her grounding, especially as she recognizes their too-similar personalities and softens during the Hepburn family gathering scene.

With less to do, the too-patrician Kate Beckinsale is in over her head as Ava Gardner, unable to convey the real actress' palpable sultriness or predatory voraciousness without posturing. On the other hand, Alec Baldwin is becoming a strong character actor with every new film, and he plays Trippe with disquieting authority. John C. Reilly plays assistant Noah Dietrich in his typically hangdog fashion as he subsists more in the shadows. Alan Alda plays Brewster with Hawkeye's familiar mannerisms unafraid to show the underlying sliminess of his character. All the externals are impressive - Thelma Schoonmaker's sharp editing (the pacing never drags...just the story), Robert Richardson's cinematography, Dante Ferretti's production design, Sandy Powell's costumes. Yet for all of this, the movie fall short as a masterwork in Scorsese's filmography.

The first disc has an excellent commentary track by Scorsese, Schoonover and producer Michael Mann - all full of insights without being pedantic. The number of extras on the second disc of the two-DVD set is staggering, really too much for anyone except for those deeply interested in Hughes. There is one deleted scene and twelve separate featurettes and documentaries covering everything from the production to Hughes' role in aviation to OCD to the music. Beyond the sheer number, my complaint about the set is that it's hard to maneuver around the decidedly viewer-unfriendly menus.

"Bring in the milk!"
Let me state a few facts about myself and, in doing so, set up a very sincere question about "The Aviator."

1) I'm a huge fan of Howard Hughes, an absolute buff on the guy.I've read two biographies of him and have to say he's one of the most interesting historical figures of the past century: His brilliance, his wealth, his flaws, his successes, his peculiarities and the periods in which he lived all combine to create a fascinating figure.

2) I'm a tremendous fan of Martin Scorsese.He's made some of my favorite movies and I think he's probably one of the top five greatest directors working today.There's just something about the way he photographs images and people that makes even his worst movies worthwhile.

3) I also think Leonardo DiCaprio is a really good actor, a fact that has been publicly obscurred (but not hampered) by the "Titanic" hype and by some poor choices (or lack of choices, in recent years).

4) And I think "The Aviator" was probably the best produced movie of 2004.The cast is excellent, the sets and costumes and designs are fabulous, the cinematography is exquisite.

So, THAT SAID, why didn't I like the movie more?It's an impressive achievement but I seem to appreciate the parts more than the whole.And as good as DiCaprio is, I think he may have been miscast.Only a star of his level could've gotten this kind of budget, but he simply doesn't look right in the part.It's not until after he grows a moustache that he really start to resemble Hughes.Most of the time, Hughes looked like a guy who was quietly trying very hard not to leap out of his skin but DiCaprio seems more intent on burrowing deeply *into* his body.
He just doesn't have the same kind of intrinsic uncomfortability.

Still, it's an impossible movie not to recommend.There are long stretches of space but every so often, there's a brilliant explosion.

The opulance and scope. Brought to you by Scorsese.
This film is entertaining, and much more effective than any one biography of Howard Hughes. The pace of the movie, coupled with the fantastic acting by Leonardo DiCaprio as the livid Howard Hughes, gives an aura of 3hrs much in the way of inspiration. For underachievers this is a shockingly, unbelievable film. You can feel the energy pulse out of the life of Howard. Sharing his passions for aviation. Revealing the breadth of his contributions to air america. The esprit de corp is flavorful, in symbolisms of the fastest jet planes and the hardest hitting reality at zero hour. A much more breaking of the usual norm of film. It is so wonderful to think that movies such as these aren't being overlooked by the latest craze. When will Scorsese win a *(**( academy award for best director!

IT WAS OKAY!
THE AVIATOR WAS OKAY I REALLY DIDN'T CARE TOO MUCH ABOUT IT IT WAS TOO LONG!

FROM KIRSTEN

Another Oscar-worthy epic from Martin Scorsese.
Director Martin Scorsese makes filmmaking look so easy sometimes.With "The Aviator" he once again breaks from the Gangland themes of his more famous films such as "Mean Streets" and "Goodfellas" and journeys off on yet another unexpected road (e.g. "The Age of Innocence," "Kundun," "The Last Temptation of Christ").Yes, he recently directed "Gangs of New York," but he followed that with yet another left turn by doing a biography on the intensely eccentric Howard Hughes, "The Aviator."Leonardo DiCaprio owns his role here of the off-center genius who has frequent and exponential mental breakdowns, leaving all around him wide-eyed and wondering why he keeps repeating himself as if a record in his brain is skipping.This is easily the best work he has done in years.There are two other actors here that match him.One is Cate Blanchett who nails her characature of the late, great Katherine Hepburn and her short-lived romance with Howard Hughes.Her performance is a breath of fresh air amid all the seriousness of the story.The other is a diabolical and utterly slimy turn from veteran actor Alan Alda.It doesn't hurt that he has some of the best lines in the script, but his scenes with Leonardo DiCaprio have some of the best ebb-and-flow, subtelty acting that I've seen in a very long time.The two pros are butting heads and enjoying every minute of it!There are many solid acting performances from a stellar cast of name actors, though it would have been nice to see the character of Ava Gardner, played competently here by Kate Beckinsale, in depth and her more substantial connection to Howard Hughes.But the movie was long enough, anyway.The visual effects and overall production value are excellent, and the scope of the picture is epic and professionally done.This is top-notch filmmaking in every respect, and is easy to recommend. ... Read more

Reviews (28)

My favorite childhood movie - and it has a message!
I first saw this movie in theaters when it came out, which would make me nine or ten at the time. I loved the movie then. The environmental message made sense to me, and it really got its point across even to a young kid, though I didn't understand consciously that Batty had be a subject of animal experimentation (now I'm an 18 year old animal rights activist, so maybe it registered on some level though).

But a great message alone isn't enough to make a movie. It's got all the classic elements necessary for a kids movie. A great villian - Hexx is scary, unique, and voiced to perfection by Tim Curry, two strong protagonists for guys and girls in Zak and Crysta, a mythical past and setting, fun comic relief - Robin Willians is terrific as Batty, and plenty of great songs.

It's different enough from your typical Disney movie to be great, but similar enough that kids will love it. Plus, it will be something they've never seen before and it will send many important messages (about taking care of the environment, believing in yourself, and how you can make a difference) that every kid should hear. I definatly believe this is the best children's movie ever made.

Very beautiful, gentle nature story
Well, I'll just be brief with this one.
Synopsis:Zach, a 15-20 year old city boy comes to work for a deforestation company in the rainforest. A fairy, Chrysta, falls upon him by chance and to save his life, she attempts to give him fairy SIGHT, but ends up giving him fairy SIZE. Once Zack begins to explore the beautiful world of Fern Gully, he sees a side to nature that must be preserved. All of this is threatened though by Hexxus, an evil spirit that feeds on pollution.
Cons: A very overly pretty boy characters...but that's not always bad. An almost irritatingly naive female character, a shrinking violet a lot of times. Magic that unfortunately doesn't exist.
Pros: A good story to get across without being boring, dreary, or scary although a lot of people said that Hexxus terrified them. Batty Koda! Robin Williams plays the character of the brain scrambled bat very well and adds humor to the movie. Very sweet little movie to teach children about the destruction of the rainforest.
Overall: It's quite worth buying. A very charming movie for all ages, Fern Gully will help people to see another side to the rainforest while, not exactly realistic, is very lovable and lively. Enjoyable.

Spectacular beyond words!!
(...)Lovely animation, wonderful message, lovable characters....it has everything! It deals with the most important issue plaguing our planet to this day. It shows that living things deserve to be left alone, and that humans should stop interfearing (sp?). When I remembered this movie from years and years ago, I knew this had to be where my passion for animals and nature originated. This is a deeply moving and empathetic movie; the fairies can feel a tree's pain. It's seriously the best movie on the face of the earth to me. It's absolutely brilliant, spectacular, inspiring, powerful, uplifting, etc. I'm passing it on to my children and their children, without a doubt!

Message to everyone: Speak out for things that can't speak for themselves. Go vegetarian, adopt needy animals from shelters.....any little bit helps. We have alternatives to meat and paper and pencils.....why don't we use them and save a couple trees and animals? We need to have more sympathy and respect for the suffering of innocent lives who never did anything to deserve what they go through.

Long live tree-huggers!

(...)

Surprisingly Good
This is one of my favorite animated movies. Obviously this movie is one big enviornmental awarness message but so is about 90% of all movies. Although this movie features a very well told story, the best feature is the beautiful animation. Showcases early use of CGI effects that are used today. This movie does have musical numbers but they are good musical numbers. And of course, who could forget Robin Williams as the crazy bat. Recomended to anyone.

Important Lessons Sometimes Come in Small Packages
I absolutely adore this movie. It presents a delightful mix of humor and poignant symbolism. Perhaps if more children watched movies like this they would grow into enviromentally conscious adults. The characters are as loveable as they are educational. If I could, I'd buy a copy of this movie for all the children I know. ... Read more

Amazon.com

Nero Wolfe brought Rex Stout's eccentric private investigator and his dapper legman, Archie Goodwin, into a jaunty and irreverent detective series for cable channel A&E in the spring of 2001 (following the broadcast of a pilot episode in 2000). The Complete First Season includes all the pleasures and surprises of the show's first mysteries, above all the tempestuous, symbiotic, and highly entertaining relationship between Wolfe (Maury Chaykin), a corpulent recluse who grows orchids and analyzes clues from a distance, and the acerbic knight-errant, Goodwin (Timothy Hutton, also an executive producer on the series), Wolfe's underpaid eyes and ears on the world. Set (more or less) in the late 1940s/early 1950s, Nero Wolfe finds these antithetic partners cracking tough cases and refusing to bow to authority, power, or wealth.

The set begins with the complex, two-part "The Doorbell Rang" (directed by Hutton). A demanding heiress (Debra Monk) offers an enormous retainer to Wolfe, a high-living epicurean always in need of money, to prove her dubious claim that the FBI is harassing her. Once Wolfe takes the job, a murder is committed, and Archie hits the streets in search of answers. Hutton also directs the two-part "Champagne for One" with a snap and verve reminiscent of old Howard Hawks comedies, but it is on "Prisoner's Base" that all of the series' best elements are firing at once: Chaykin's performance as a prideful, narcissistic boy-man genius, Hutton's sleek heroics, and a tone largely more optimistic than the grave determinism of much detective fiction. The excellent "Eeny Meeny Murder Moe" finds the thin-skinned Wolfe apoplectic when a client is murdered in the sleuth's own brownstone, and worlds tumble when Archie discovers Wolfe might have a long-lost adopted daughter in "Over My Dead Body." All in all, Nero Wolfe refreshes the television detective genre. --Tom Keogh ... Read more

Reviews (7)

Rex Stout would be proud
If you like the books you will enjoy watching this series. Entertaining and faithful Rex Stout's unique writting style. I just wish A&E had continued adapting the books to film

Unsatisfactory.
Most television adaptations of iconic mystery sleuths are faithful to the source material but the casting is usually the problem, but it is the opposite here--Chaykin and Hutton are well cast and the basic mystery plot is followed but, and I'll blame all the following to Hutton, as from the credits, he seems to be the creative impetus behind this series, there are some issues I have which outweigh any positives--for one, the decision was made to use a static cast of actors (i.e.: James Tolkin) who change characters every episode, like some sort of theater rep company--you may see an occasional guest star, such as Carrie Fisher, but due to this constant acting "troupe", the effect is intrusive and not a little pretentious--another problem is altho I have said the main roles are well-cast, the portrayals are not well-done--the forces behind the series have seemed to forgotten that Wolfe was well-travelled and schooled in life (and skinny!) before settling down to a sedentary life--as one of the Amazon reviews describes him in this portrayal, "a man-child"--a "BOY-MAN?!" Granted, making a portrayal based on the books/stories is difficult at best, but Chaykin has either been coached or on his own decided to play Wolfe as some sort of petulant innocent with an overinflated ego, brain and waistline, while sacrificing his knowledge of the outside world and the vagaries of man as seen in the writings--therefore, this leaves plenty of acting room for Hutton's Goodwin to belittle (vice badger) and humiliate (vice needle) Chaykin's Wolfe constantly through the series--for these reasons alone I cannot recommend this series as definitive adaptations but will label it as a noble failure and still await the next and, I hope, more successful effort.

Oh, and if the above wasn't enough, Inspector Cramer would NEVER man-handle Wolfe the way he does at the end of the conclusion of "Motherhunt"--I was still debating buying this set even after considering all the aforementioned until I saw THAT which was the last straw...

Fabulous
Unlike the other reviewers, before seeing any of these movies I had read all of the Rex Stout Nero Wolfe stories and books. I can tell you, for example, that Cramer does indeed light his cigar in the office, in two of the earlier novels.

I half-expected to be disappointed, but I was more than overjoyed at these movies. "Eeny Meeny Murder Moe" is very good. "Over My Dead Body" is very enjoyable. The cream of the crop is "Prisoner's Base", which is excellent.

If you're a Nero Wolfe fan, don't hesitate. You won't regret it. Series 2 is out, too!

A Truly Wonderful Series
This series was a joy to watch. Well written, well executed and infused with the spirit of the books. Like one of the other reviewers, I was hooked on the books (also wonderful) after seeing the series.

Nero Wolfe is unique (to my experience, anyway) in that the big brained, Holmesian dectective isn't really the main character, certainly isn't the main voice, and neither wants, nor expects, to be liked. Instead, Archie Goodwin, the snappy dressing, wise cracking legman, is the true protaganist. As one author put it, "These aren't Nero Wolfe mysteries -- they're Archie Goodwin mysteries!"

And this truly rich chemistry, which makes the books so wonderful, really comes out in the series. You get to wander the 1940s (and 50s and 60s) streets with Archie, savoring the snappy fashions and even snappier patter as he gumshoes his way deep into the plot. Then you get to follow him home to the brownstone and be as annoyed by Nero's arrogance and petty habits as he is. But it always takes both of them, incredibly brilliant in their own unique way, to solve the insolvable.

One note about the actors performances, however: the performances are wonderful, especially those of the lead characters, but the actors performing secondary roles do show up in other episodes, usually playing someone new. After I got used to it, I thought it was brilliant -- it's like watching a small theatre group performing a new play each week. If I were an actor, I coudn't imagine a tv role that could possibly be more fun. But I freely admit trying to keep track of the characters really threw me for a loop at first.

On the whole -- wonderful. If you love cozies and locked room mysteries, you'll love this. If you love Sherlock Holmes and unsolvable puzzles, you'll love this. And if you love hard boiled 1940s detectives, you'll probably love this, too. Hell, if you're just one of those rare people who like entertaining and well paced dialogue, and maybe even a bit of a plot, you'll probably love this.The lack of extras on the DVD is the only thing holding me back from five stars. And I'd like to take all the stars away from A&E for letting such a creative and entertaining show waste away.

Faithful to the Books and a Joy to Watch!
One of the smartest and wittiest shows on television. Based on the novels of the late Rex Stout, the Nero Wolfe mysteries that ran for two seasons on A&E are simply tremendous. Usually, I read a book, and then critique the movie or TV adaption of it. In this case, watching the show caused me to read the books! The screenwriters did a remarkable job of keeping the essence, tone and feel of the books, while making adapting it for television. Much of the dialogue is directly quoted from the novel (or novelette) that the episode is based on.

The genius of Rex Stout's work is that he combined the classic American hardboiled private eye (Mike Hammer, Sam Spade) with the intellectual British style of sleuth (Sherlock Holmes, Miss Marple, Poirot). Bringing these characters of Archie Goodwin and Nero Wolfe to the small screen was a labor of love for Timothy Hutton, and I for one am thankful for his work. The repertory style group of guest stars was another unique aspect to this series, where the same group of guest actors would play different characters each week, sometimes villians and sometimes victims. The quality of acting is top notch. The banter between Wolfe and Archie is a real treat to watch, and Hutton's version of Archie is so convincing, that I hear his voice when I read Stout's novels.

A word to parents, this is intelligent, well-written drama/adventure that the whole family can enjoy. The "curses" of choice are "Nuts!" and "Flummery!" - nothing worse. While there are murders, we do not see the murders happen, and there is no gore seen. Also, despite Archie being a ladies man, there is no overt sexuality. Sadly, as with many 'failed' shows today, it was probably too intelligent for the average viewer used to equating 'shock value' and 'crassness' with entertainment. But to anyone looking for something more, something that aims higher and brings the viewer up rather than down with it, this is for you!

The only thing that keeps me from giving it 5 stars is the lack of any extras on the DVD. A&E continues to give this fine series short shrift to their shame. Get this any way you can! ... Read more

Description

Errol Flynn is eternally charming as Robin, defender of the poor, in this rousing family adventure that co-stars Olivia de Havilland and Claude Rains. Year: 1938 Director: Michael Curtiz, William Keighley Starring: Errol Flynn, Olivia de Havilland, Basil Rathbone, Claude Rains, Alan Hale ... Read more

Reviews (140)

The BEST action/adventure film ever made.
Errol Flynn at his best...swashbuckling at its best...action and adventure galore. This film is simply the best of the genre. The casting is perfect, from Flynn in the best role of his career, to Herbert Mundin as Much the Miller's son. The 3-strip color photography remains as vibrant today as when it was released 61 years ago. The dialogue between Flynn and Oliva de Havilland, between Flynn and Basil Rathbone, between Flynn and Claude Rains, is always lively, always fun. And Miss de Havilland's costumes are absolutely gorgeous, as is she.

The film moves, never stops, and you are never bored. If you watch this movie alongside Kevin Costner's ill-advised Robin Hood, Prince of Thieves, you realize why one should never try to improve on perfection.

As the New York Times said in its original review in 1938, this film entertains everyone from 8 to 80. No argument here!

The Greatest Robin Hood ,Flynn now a fantastic WB DVD set!
Warner Brothers (WB) Studios has begun meticulously digitally restoring its action classics of the 1930's & 40's under the "Two Disc Special Edition" Series. This 1938 TECHNICOLOR (awesome) film "The Adventures of Robin Hood" starring Errol Flynn, Olivia deHavilland, Basil Rathbone & Claude Rains is still the best rendition of this fictionalized English tale.

Warner Brothers has given us with this 2 Disc set the complete movie theatre experience circa 1938. DISC 1 - First we get a complete "Night at the Movies" program. Introduction by film critic Leonard Maltin explaining for your 10 cent investment what you got in a 1938 movie house. Next the entire continous show with; coming attraction, news reel, Bugs Bunny Cartoon, short subject feature and then the main feature, "The Adventures of Robin Hood". This is a totally ingenius idea!!! Also on Disc 1 - you have 12 Errol Flynn movie trailers and finally an indepth feature commentary by film historian Rudy Belhmer.

Disc 2 - Includes 3 hours of everything about Robin Hood, the movie, the stars, documentaries, cartoons, and a most informative documentary about TECHNICOLOR and why even today it still was the best color process ever.

I love this fun filled DVD set. My hat is off to Warner Brothers for their dedication to the golden age of Hollywood and bring back the grandest of movies for us to see again & again better than their original release. Enjoy.

great movie ....second DVD is amaaazing!
This is more a review of the package than the movie , which is a classic and extremely well presented on disc one....vivid colors , crisp images....not a complaint there....and the bonus features are very good....a comprehensive set of Errol Flynn movie trailers...WB night at the movies....(an exhausting Rudy Belmer commentary track that will have you gasping for air).
the SECOND disc is just ridiculous in its amount of archival coverage..
a wonderful documentary on the movie
a great feature on the history of Technicolor....
two very fun looney tunes cartoons with a Robin Hood theme...
outtakes from the movie!
home movies shot during filming!
a long lost Errol Flynn movie about yachting..
and a positively thrilling short film about archer Howard Hill...
and more.
HOURS of fun and informative viewing on disc two alone!
Warners should be congratulated for such a comprehensive set ....buy this and encourage them to keep this type of content coming!!!

Errol Flynn: Truly The Sheerwood Forest outlaw
One of the Greatest action/adventure films of the 20th century. The epic swashbuckling adventure of one of history's greatest heroes.the dashing Errol Flynn as Robin Hood or as they also call him "Sir Robin of Locksley" was perfect. He was what a swashbuckler should be and probably the greatest of all swashbucklers. Basil Rathbone and Claude Rains were brilliant as Robin's foes, Sir Guy and Prince John. Oliva DeHavilland was glamorous as the love of Robin Hood, Maid Marian. My Favorite scene was Robin and Sir Guy's sword fight during King Richard's return. Flynn and Rathbone two of cinema's sword fighting experts. I love the sound of sword clangling. If your looking for a classic film or a swashbuckler film, this is a great one. Because this a film that created Pirates of the Carribean, "Long Live King Richard."

The Kids Loved It!
This was one that our boys (ages 7 and 10) watched with their grandfather, who caught it in the theatres when it first came out. It's hard to say who enjoyed it more! A fun, spirited and utterly charming film, this one has aged beautifully. Everyone loved the bonus features, too. The DVD transfer is exceptional. Add some popcorn, and you've got a wonderful mulitgenerational hit that will enchant the whole family. ... Read more

Reviews (144)

The greatest Rock N' Roll Film of all time.
From start to finish this film captures everything that is, or was, rock n' roll.You have Blues with Muddy Waters, Eric clapton and Paul Butterfield.You have Rockabilly with Ronnie Hawkins. You have Countryfied rock with Neil Young ,Joni Mitchell and Emmylou Harris. Then there is the soul of The Staple Singers and Van Morrison.The singer/songwriting of Neil Diamond.Last but not least, Bob Dylan.Who shows up at the end of the movie to put it all together with the stars of the show, THE BAND.All the styles mentioned above can be found in any given BAND song. I highly doubt that if you are reading this that you are unfamiller with the music of The Band. MArtin Scorsese does a great job of capturing the raw emotion that could take place at a real rock n' roll show. I could go on forever, but I won't. The main reason I'm writng this is to say that Robbie and Mr. Scorsese are finally getting together to work on the DVD Version of this fantastic document. No word on when it is to be released, but I will be one of the first persons to buy a copy and you should be too.

ONE WORD - AWESOME
This film's music has had a lasting effect on me from when I first saw it with my father at the movie theater as a young teenager, through the time I could not wait to get back to the states from my summer vacation to listen to the LP again, to this day as I order the DVD.

A few highlights; 1. Rick Danko's soulful and honest singing of "It Makes No Difference", "Stagefright" and many others. God bless his soul. 2. Levon Helm's "americana personified" singing on "The Night They Drove Ole Dixie Down" and his perfect drumming. 3. Dylan's God-like presence and powerful performance. 4. Vann Morrison's deep and electrifying performance that raised the hair on my arms. 5. Neil Young's sincerity with a haunting behind the scenes Joni Mitchell singing "Helpless, Helpless". 6. Clapton showing his usual class by letting Robbie outduel him in their guitar solos. 7. Robbie Robertson's guitar on Van's song "Caravan" and many others. 8. Garth Hudson's unique keyboards and Richard Manuel's spirited piano and singing.

[Forget] the imperfections, this is a musical masterpiece, showcasing many of the greatest musical talents of the last 40 years. The Band are simply one of the greats of all time. John X. Condos

Presentation overshadows music
I must say I'm not a huge fan of The Band, but I like "Before the Flood". However, I was amazed at how poorly The Band played, and sang even worse, in this, their farewell concert. It is hard to believe they had played together for 17 years.

Even the guests, such as Bob Dylan, seemed to use their worst voice. Only Eric Clapton was really any good, though Van Morrison was acceptable. Otherwise, fairly embarrassing musical performances. At the end, *everybody* is onstage singing "I Shall Be Released" - killing an otherwise nice song.

Obviously Scorsese got all the good film people and photographers to work on the project, and it was well done. So well done that the presentation outshines the music.

There are some nice extras, including multiple commentaries. Hard to recommend it unless you are truly a Band fan.

Not bad for a fiver
I got this DVD at my brother's recommendation for a fiver in Heathrow Airport, and it was good value at that. Good American music and a very well shot concert movie (well, it is Scorsese!) The interview sequences are intersting and as a Chaucer fan I delighted at the intro to the Canterbury Tales being read out. I was unfamiliar with the group's music before seeing this, and whilst they aren't a patch on Creedence Clearwater Revival I still admire their music. An interesting insight to a little segment of rock history.

when the best rock band and movie director collide ...
It's a worn-out formula nowadays. Bob Dylan did it, Chuck Berry did it, and Luciano Pavarotti does it all the time. They also do it every time somebody dies, and in this case you don't even have to be a musician. Yeah, I'm talking about that dreary event, the celebration concert with guest musician buddies. But there are exceptions to the rule, and this is definitely the case here.

To celebrate that they were quitting the 'god---n impossible' life on the road after 16 years, The Band gave a farewell concert in San Francisco, on Thanksgiving Day, 1976. To join them, they invited artists who represented the rich and varied array of styles that went into their musical melting pot: Rock'n' Roll, Blues, Folk, New Orleans R'n'B, Country, Gospel, Rockabilly ... who would sing their own numbers backed up by them. They, noblesse oblige, brought in their first mentor, Ronnie Hawkings, a man who sure knows how to entice a teenager into joining a rock'n'roll band, and Bob Dylan, of course, (who had just released Blood on the Tracks and Desire), Joni Mitchell (The Hissing of Summer Lawns and Hejira her most recent albums), Neil Young (Tonight's the Night and Zuma were his latest solo efforts), Muddy Waters (who would release Hard Again, his best late day work the following year), and many, many more I have no space here to mention. All top-notch and in their musical prime. Well, and Neil Diamond.

The result was a concert that can only be described as dazzling and magical. The Band do ecstatic versions of some of their best songs and the guest appereances are also amazing, Van Morrison does what's probably the best version ever of Caravan, Muddy Waters proves why he is the M-A-N, chile, The Staple Singers send a shiver up your spine that can rend you comatose for life, and Robbie Robertson and Eric Clapton bring the house down with their scorching six-strings and then they burn the ruins to ashes. All this just to quote a few. But I have a minor complaint here, the movie only features one song (The Shape I'm in) sung by Richard Manuel, one of the most soulful and moving singers that ever walked the face of the earth. This gives the newcomer a somewhat off-balanced account of how vocal duties were shared in The Band, as one can deduct that Levon Helm sang almost everything with a little help from his friends Rick and Richard. And Levon is darn good, but Richard is the shhh ....sheer top of the heap.

Casting these trifles aside, the movie is a masterpiece. Direcrted by a Martin Scorsese in a state of grace (those were the days of Taxi Driver and Raging Bull), and beautifully darkly photographed by Michael Chapman (Taxi Driver, Raging Bull), Michael W. Watkins (later X-Files direcror and producer), and Vilmos Zsigmond (Close Encounters of the Third Kind, The Deer Hunter, Heaven's Gate), this was to be more than your average rock concert documentary.

The filmmakers were set on an ambitious goal, to show what it is and what does it feel to play great music. And they achieved it in such a way that we mere mortals get to feel what it is to be up there on the stage, enraptured, playing that great music to an enthusiastic and receptive crowd. The featurette that is one of the DVD bonus add-ons shows how Scorsese had these sheets of paper with the lyrics of each song to be played written down in one column, the main moments of each performance in another (when a singer would join in the chorus, or the guitar solo was to begin, or a special part of the lyric would be sung, etc), and the camera shots and movements for each moment in a third column. This is called making the best of the means of your art instead of just doing anything that would do, and it shows on the screen in a way that leaves you breathless. Watching Scorsese frantically directing the movie like a tightrope walker with no net to fall down on must've been worth another documentary. They had only one take for everything, mind that, and I guess that's what might have attracted such a brave and audacious director as Scorsese: Jumping into the unstopping swirling midst of life and trying to extract art out of it with just spotlights and cameras. Souns enticing, isnt't it? And for no money nor any promises of getting more you-know-what than Frank Sinatra. ... Read more

Amazon.com

Dashing Ioan Gruffud stars as dashing Horatio Hornblower, unparalleledBritish naval hero, in two more delightful episodes from the A&E series.In Loyalty, a peace with France has left Hornblower decommissionedand short on funds. Only the help of his landlady's daughter Maria(heartbreaking Julie Sawalha, Absolutely Fabulous) keeps him frombeing kicked out into the street. Fortunately for our hero, Napoleon'sarmies are afoot, and Hornblower soon finds himself sailing to France incommand of the Hotspur, grappling with Irish traitors and Frenchskullduggery. Duty picks up where Loyalty leaves off;Hornblower marries Maria with some ambivalence, but the day after hiswedding sails for the coast of France to find a missing ship. Afterrescuing a supposedly Swiss man and his American wife in a storm,Hornblower finds himself caught between an old foe in France and diplomatsin England. Though the derring-do is sometimes melodramatic, HoratioHornblower swiftly becomes engrossing and suspenseful. Credit is dueto smart scripts, efficient direction, Gruffud's heroically curly hair,and a superb supporting cast, including Robert Lindsay and Paul McGann(Withnail and I). --Bret Fetzer ... Read more

Reviews (20)

Hornblower Lives! Three cheers for A&E!
A&E continues to treat fans of the Horatio Hornblower book series with two new movies. These movies are at least of equal quality, if not better, than the six previous films. Everything from the ships to the costumes to the sets hit all the notes and make you feel a part of the period.

Likewise the stories and acting are fabulous. Horatio is given command of the Hotspur and is forced to deal with a new crew (with some old faces), the French, spies, and rebel Irishmen. Coming through with flying colors, Hornblower tackles the unthinnkable - marriage. This second film, Duty, is the best of the series. The central theme of 'duty' is so thoroughly woven into the fabric of the story that almost all of the relationships in the narrative are faced with the question of duty.

Ioan Gruffud continues to give a truly inspiring performance as Captain Hornblower. He continues to let the character grow and mature, while at the same time maintaining the core identity of Hornblower - an honorable, intelligent, courageous soldier who is wholeheartedly devoted to Britain and her navy. The relationship between Hornblower and Admiral Pellew continues to become more of a father-son relationship. Paul McGann (of Doctor Who fame, among many other things) returns as Lt. Bush. McGann gives a strong performance as Hornblower's second in command, showing that that he is more than capable of both being a leading man and an excellent supporting character.

Something that many may find as a negative is the lack of totally new music. Much of the score seems to be a reworking of the major musical themes found in the first four films of the series. Personally, I find this a 'plus.' It helps establish a certain continuity to the series that is nice. I always find myself grinning when the "Horatio has done it again" theme begins playing across the cheers or astonished looks of the other characters!

For those of you who have seen the Gregory Peck film, Horatio Hornblower, the A&E series is just about to catch up (chronologicall) to the events portayed in that film. Let's hope that A&E continues producing the films until the complete life & times of Horatio Hornblower are done with such excellent acting and production values!

Hip-hip Horay! Hip-hip HORAY! HIP-HIP! HORAY!

Those of you who giggle at the word ¿frigate¿...
Will nevertheless enjoy the latest two entries in this neat little series of movies. Fifth Officer Lowe from Titanic has received a promotion to Captain Horatio Hornblower in this rousing seafaring adventure. Ioan Gruffudd, a charmer in the tall, dark, and handsome mold, plays C.S. Forrester's idealistic early 19th century British naval hero in two movies, "Duty" and "Loyalty." Hornblower is passionate about the sea and his duty to King and country, but less so about the woman he marries, Maria Mason. Forrester's hero is a man so ethical that he marries beneath him not out of love, but duty (hence the first title). He cannot bear Maria's complete adoration of him to go unnoticed, and for her to realize his own lack of feeling for her, so he marries her and lives a charade. Alack and alas, this pairing is bound to be ill-advised.

Those who dig rip-roaring stories of the sea will enjoy this one. The writing and direction are excellent. There is enough historical information to please purists. There are swordfights, spies, war, cannons, Napoleon, and enough things blowing up to please action fans. Still, the series is suitable for older children, as the violence is rather tame and the lack of sparks between "Horrie" and the dumpy Maria translates into prim kisses but little else. The relationship between Hornblower and his superior, Admiral Pellew, is distinctly father and son, and between Hornblower and his second-in-command, Lieutenant Bush, distinctly brotherly. Shades of gray do not appear in Forrester's stories as A&E has brought them to the screen; characters are mostly polarized as good or bad. The turncoats aboard Hornblower's ship are entirely devious, the loyal ones entirely good.

The somewhat priggish Hornblower is idolized near-completely by his crew, especially when he throws himself on a bomb thrown on board the Hotspur and claps it out with his hand-knitted gloves (two guesses who lovingly knit them). Then he orders it thrown overboard. Why not just throw it overboard to begin with? Then he is too modest to mention it in his report to the Admiral. When Maria reads of his bravery later, she starts blubbering, as per usual. I love Julia Sawalha, and she does her job well here, as Maria is too googly for words.

The effects aren't half bad, but the same picture of the harbor standing in for Portsmouth every time got a bit tiresome. Comic moments abound, my favorite being with the hapless Styles, who gets into trouble at every turn. "Who's first down the privy, then? Styles?" Barbara Flynn as Maria's conniving mother and Hornblower's landlady, seems to have trotted directly out of a William Hogarth illustration, albeit she's about fifty years out of date. Also brilliant is Greg Wise as Major Cotard, the Frenchman "frog dandy" who Hornblower suspects may not be on the side of the British after all. He is almost, but not quite, as dashing as Mr. Gruffudd, who appears to have a nifty little franchise going here in the upright Hornblower. Let's hope he gets a spirited woman companion to loosen him up a little in later episodes.

All in all, most will enjoy the story, acting, and production values. It appears to remain true to the novels. Rent it or buy it, you will not be disappointed.

The best yet!
Of all the hornblower movies, the two newest are my favorite. All the old charecters are still there- Bush, Matthews, Pellew, Stiles- and better than before, with some interesting new charecters. Keeps you gessing who the enemy is. A new twist to an old tale, you're sure to love these!

Worth Every Penny
Our boy is back. This time he is on a secret mission to return a French defertor to France. I know that doesn't make any sense but you have to see the show to understand. Also at home he stuggling with a marriage that he does not want be involved in. Really interesting to see him back a decision, will he grow up or have the mindset of a midshipmen forever?

Overall-I always enjoy the vast majority of A&E stuff especially these movies. The characters are mostly due true to the books, the actors seem to care about their job and when the movie is boring it never stays that way for long. highly recommended

Great Fun!
Horatio Hornblower and the crew of the Hotspur are sent to investigate Napoleon Bonaparte and the rising threat of the French. Accompanied by a suave French officer and the young son of a rival officer, Horatio is challenged by saboteurs, a shipboard fire and other menaces. Along the way Horatio marries the daughter of his landlady not out of love- but more out of guilt.

I really loved this 2 DVD set! Horatio shows a great deal of humanity and some weakness in this series and we learn a bit more about the rest of the crew.

Peeves: I'm probably the only one, but I thought his Steward was treated terribly. I felt Styles was awful towards him, and that anyone could see that the Steward did not intentionally hit the officer. I also wish that Horatio's relationship with his wife was more solid. I just didn't get the sense that he was happy.

Overall, an excellent, excellent video series. I hope and pray there will be another sequel. ... Read more

Reviews (71)

7th heaven is the best show that was created
Please put this show on Dvd i'll buy ever one that comes out.I watch all of them that comes on.It dont matter if its a rerun i still watch them..There are so many 7th heaven fans out there that want this DVD to come out... it's their dream come true. Well at least it's mine. But seriously... soo many people are waiting for the opportunity to buy it! It's been the best show on the WB for 4 seasons and I cannot believe there is still not a DVD out for the show. The show is so touching and great for the family that there should be no reason to doubt that no one is going to buy it. You would have to be nuts to think that. This show is great... and to all the 7th heaven cast memebers out there GOOD LUCK! And keep it up!! it's the best show ever created... and I would never miss an episode. I LOVE YOU GUYS. And fans.. keep trying to get this dvd out on the store shelves because it means a lot to me and I'm sure it means much to you too! :) Thanks again Amazon I hope you consider my request xoxo! 7th heaven RULES I'd buy all 9 series in a flash.

Can't wait!
I truly hope 7th Heaven is released on DVD. My whole family watches the show together all the time. We watch the new episodes every Monday night, and re-runs on ABC Family every day of the week. Sadly, we missed most of it, and didn't become fans until the end of the last season. I'd really like to know what went on in the first few seasons! I really hope that it's released on DVD - I'd buy all the seasons!

7th heaven
Ok i have to say 7th heaven is the best show ever they should keep making new episoids althought the next season is probely the last. I think this show needs to win awards for the acting, writing, and because all the lesons you learn. i havent seen all the first seasons episoids so i will buy this as soon as i can i am already saving money. 7th heaven is a great show and if you dont have a lot of mony and cant afforde it then you shoud watch it every monday on the wb or every day on abcfamily. i would like to thank the wb for makeing this show happen and all the actors for being on this show

No wonder jessica beil left the show...
It is not a big secreat that Jessica Biel did not like this show or the fact that the charecter she played always got in trouple the most or had bad taste in boyfriends. Every week it seemed, she got taken to the cleaners with something. Anyway she finally had the sense to leave the show and will hopefully find better movie roles at other studios.

7th Heaven
7th Heaven is my favorite show. I am so excited to buy the first season. I watch the show everyday. I hope they are putting the rest of the seasons on dvd or vhs. All of my friends watch this show. ... Read more

Amazon.com

Sean Connery casts a long shadow over the James Bond legacy. He created the movie persona and starred in six of the first seven features, all but establishing the cool cold warrior as the world's most suave secret agent. The second Bond collection celebrates the Connery Bond with three of his classics, including From Russia with Love, 007's second and perhaps finest outing. A blond, buff Robert Shaw plays Bond's most ruthless nemesis, and Lotte Lenya and the great Pedro Armindáriz costar in this sleek, high-energy trip through the Iron Curtain. Connery travels to the Far East in You Only Live Twice, which introduces the international criminal conspiracy SPECTRE and its cat-loving mastermind, Blofeld (Donald Pleasence). After a brief retirement, Connery returned for Diamonds Are Forever, his final "official" appearance in the Bond series (15 years later he played Bond for a rival studio's Never Say Never Again). This more tongue-in-cheek adventure takes 007 to Las Vegas, where he battles Blofeld (this time played by Charles Gray) and his minions--namely, a pair of fey, sardonic henchmen and a team of bikini-clad karate killers.

Roger Moore took over the role and his fourth effort was Moonraker, a misguided sci-fi entry that takes Bond to space for a physically impressive but dramatically lackluster adventure with Richard Kiel's steel-dentured Jaws. After that brief digression, For Your Eyes Only returned Bond to globetrotting high adventure and teamed him with his most endearing ally (Topol as a gregarious smuggler). The torch was passed to Timothy Dalton in The Living Daylights, an attempt to clear away the camp elements of Moore's portrayal and return to a lean, hard-edged spy thriller for the post-cold war era. It lacks the larger-than-life characters and spectacle of previous Bond pictures, but Dalton was a tough, ruthless 007 and a worthy inheritor of the legacy, which was then passed on to Pierce Brosnan. In The World Is Not Enough, Bond takes on post-Soviet geopolitics, with Robert Carlyle as the villainous Renard and Sophie Marceau and Denise Richards as love objects. ... Read more

Reviews (23)

A Superb Collection
Let me just say, I am pleased with MGM's decision to release all of the Bond films for this holiday season.

FROM RUSSIA WITH LOVE is my third favorite Bond film. I felt that this was Sean Connery's finest hour. John Barry's score is perfect for the chilling felling that this film gives off. I would buy this set for this movie alone.
****

YOU ONLY LIVE TWICE has great locales and a heart-pumping plot. However, it is not that special. This film overdoes the whole Japanese theme too much. But, the last half hour is back in the Bond tradition. Donald Pleasance is fantastic as the super-villan Ernst Stavro Blofeld. Even because of the comic-book-like scenes, this is a great 007 flick.
***

DIAMONDS ARE FOREVER is more like a Republic serial than a movie 007 film, but, it is great fun to watch. Probably, the most raunchiest one out there, but it is great. The homo-sexual henchman, Mr. Wint & Mr. Kidd make the movie as well does Charles Gray as the final Blofeld. A great film in the first half but it does bog down at the end. Great fun though!!!
***

MOONRAKER is silly, over-the-top, has poor special effects, and I love it. This is probably the poorest Bond film but it is an awesome treat on a rainy day. However, this Bond film is big and I mean big! It covers three continents and space. It definitley shows that the cast had an awesome time making this. Once again, silly but entertaining.
**1/2

FOR YOUR EYES ONLY is like watching the grass grow compared to Moonraker. But it is not bad. A very realistic film which covers many aspects of the early Connery Bonds. However, is slow at many points and can be boring for people who watch the Bonds for the action scenes.
**1/2

THE LIVING DAYLIGHTS has possibly the most realistic plot. This is Timothy Dalton's first appearance as 007. After reading the Ian Fleming novels, I find him to be most similar to the way his creator viewed him. I expected this movie to have a great Russian plot but is doesn't, you'll have to wait until GoldenEye for that. Definitely the most forgettable.
**1/2

THE WORLD IS NOT ENOUGH has an intresting plot, a brilliant villan, and a delicious villaness. Sophie Marceau plays the disturbed Elektra King brilliantly. I feel that in this film Pierce Brosnan finally feels comfortable in the role of 007. However this is a sad hour for Bond lovers. This is Desmond Llewellyn's last time for playing the gadget wizard "Q".
***

Good Selection
Like the third boxed set, a few titles you can live without, but some good movies are in here:

From Russia With Love - slow by today's movie standards but an excellent Bond film. Bond's gadgets are very practical and he's only human in this one. Don't miss the gypsy girls fighting or Tatiana getting ready to meet Bond!

You Only Live Twice - not as interesting as the novel although the girls and the custom Toyota were good to look at. Bond finally meets Ernst Stavro Blofeld.

Diamonds Are Forever - the funniest Bond of them all. I enjoy this one even though there were some glaring questions like how does a car on two wheels suddenly go up on the other two wheels and why would diamonds around a laser make it more powerful than if they were in the laser?

Moonraker - the outerspace battle is as boring as the underwater battle in Thunderball and Jaws is as inept as he is indestructible in this one. Plot is certainly more up to date than that in Fleming's novel, but didn't have much to offer except women in skimpy outfits and a good fight scene in the glass museum.

For Your Eyes Only - decent movie, often played for laughs. Teaches you not to mess with women wielding crossbows.

The Living Daylights - Timothy Dalton attempted to bring Bond more in line with Fleming's down to earth, human spy. Although Dalton may have been just a bit too serious as Bond, this is one of my favorite Bond films. The opening is terrific and we see a Bond with his own moral code doing what he must.

The World is not Enough - Bond's family motto and a good film. Brosnan's line as he kills the true villain of the piece is reminisent of some of Connery's better lines. Most fantastic opening sequences of any movie!

A Set Worth Getting
Contains:

From Russia With Love - Terrific Bond film that keeps you entertained. ****/5

You Only Live Twice - One of my favorite Bond films with my favorite score by John Barry. *****/5

Diamonds are Forever - A little too Moore-ish for Connery but nothing takes away the fun. ****/5

Moonraker - Very underrated Bond film is the first one I saw and I always will remember it most. *****/5

For Your Eyes Only - Set's only real downside goes on forever and there's barely a plot. Kept me awake, though. ***/5

The Living Daylights - Great movie. I thought Dalton would blow it as Bond, but this is ranked in my top 5 Bond movies. It just needs to end a bit sooner. ****/5

The World is Not Enough - Best Brosnan Bond puts you at the edge of your seat. *****/5

Very good set, but I'd see all the movies in it before buying it.

The Greatest Entertainment On Earth
Who on earth is dumb enough to have veiwers skip Moonraker!
Moonraker is so outrages, like the gondola racing onto land in Venice, is sheer fun.
Not to mention the most beautiful Bond music of all. And don't overlook Dr. Goodhead. Moonraker is wacky enough to be several movies in one. i always enjoy the fun of it's locals.
Bring on the rest of Bond especially after a hard days work

Not closed captioned in English
I bought this box set as a birthday present for a friend who is hard of hearing, thinking that he could use the closed caption option.

I was shocked to find that all the DVD's in all of the James Bond boxed sets are NOT closed captioned in English!
They are only closed captioned in French and Spanish.

How can they sell these these DVDs in the USA, label them as "closed captioned" and not state on the box that they are NOT closed captioned in English? ... Read more

Amazon.com

In the grand scheme of theological thrillers, Constantine aspires for the greatness of The Exorcist but ranks more closely with The Order. Based on the popular Hellblazer comic book series, and directed with nary a shred of intelligence by music video veteran Francis Lawrence, it's basically The Matrix with swarming demons instead of swarming machines. Keanu Reeves slightly modifies his Matrix persona as John Constantine, who roams the dark-spots of Los Angeles looking for good-evil, angel-devil half-breeds to ensure that "the balance" between God and Satan is properly maintained. An ancient artifact and the detective twin of a woman who committed evil-induced suicide (Rachel Weisz) factor into the plot, which is taken so seriously that you'll want to stand up and cheer when Tilda Swinton swoops down as the cross-dressing angel Gabriel and turns this silliness into the camp-fest it really is. The digital effects are way cool (dig those hellspawn with the tops of their heads lopped off!), so if you don't mind a juvenile lesson in pseudo-Catholic salvation, Constantine is just the movie for you! --Jeff Shannon ... Read more

Reviews (235)

A major league letdown.
Major league letdown of the comic book Hellblazer lacks the drama and horror of that book and put in a dumb sense of humor that not only does not fly but has a leading man that does not do his character any justice at all. I'm not as hard as a lot of people are on Keanu Reeves because I think he has a certain charm to him but I have to agree with the majority that he is miscast in the role of John Constantine. He does not come across well and his brooding streak does not fit the character at all. He acts more like Batman than the charming and humorous John Constantine of the comic books and the performance he gives is not very good at all because of it. The story is not very compelling at all and it feels like it was rush into production with out a single rewrite to put things in order because everything feels like it has no structure at all. The special effects also feel rushed and certain scenes actually feel awkward because of the direction, which is not bad but could have been more original than it was. The ending of the film contradicts the beginning and the plot lines concerning certain characters especially John Constantine himself doesn't really fit the movie at all. The only thing that worked in this film is the performance of Rachel Weisz, which not only kept the movie from spiraling into its own vat of stupidity but also made the movie a lot more compelling than it really was.Weisz gave this movie more dignity and substance than it deserved and her performance really does deserve a better movie than this because it's the only real thing about the entire film. You actually believe in her character and her struggles with her own faith while you don't buy the story that she is stuck in.Rachel Weisz truly deserves all the praise she has garnered for this film and our sympathy as well for being the only good thing about it.

I don't know what went wrong here but it's not a good adaptation of the comic book and it that's a major crime because the comic book is so much better than what this film was.

See it for Rachel Weisz and Peter Stourmar ONLY.
Super stupid Keanu Reeves monster movie that is so bad, I'm waiting for it to come on Mystery Science Theater 3000. Keanu is at his worse with this film and it shows on his face that even he thinks the movie is bad. Out of the entire cast, Only Rachel Weisz and Peter Stourmar give credible performances that are way better than the movie itself. Rachel Weisz does more with her part than the screenwriters and the director did with making the movie and gives the film an unnecessary great performance that a way better movie could have used instead and Peter Stourmar gives class and dignity to an underwritten role that is only in the movie for about five minutes.

IF you see it, see it for Rachel Weisz and Peter Stourmar ONLY, because the rest of the film is really bad.

Pretty good
I enjoyed this movie, and there aren't many recently I can say that about. I haven't read the Hellblazer comics so I don't have to struggle with loyalty to cannon, I understand how deviations can be irriating, but just on its own merits I found Constantine to be greatly entertaining. It gets 5 stars because it is the only movie I've seen in the theatre in the last 6 months Ididn't regret paying for.

Great Film
I thought that it was a great film. I don't know what those people were talking about at the bottom. But I am a comic fan in real life too so that is also why I liked it. Special Effects were good but the story line kind of declined in the end. Other than that i thought that it was a good movie.

Held a lot of promise but it was poorly executed.
Poorly made horror film that has Keanu Reeves in his worse performance in quite sometime fighting the forces of evil in order to save the world from the coming apocalypse. Keanu is a decent actor but he's miscast in the role of John Constantine and his performance is so uninspiring that it could put you a sleep if you are not careful.The story is a real bore and manages to go against what it sets up earlier in the film in the last twenty minutes in order for Keanu to have a gun fight with the bad guys and the plot twist in the end makes absolutely no sense at all because the movie does not establish the reason why a certain character does what she does.A lot of praise has been giving to Rachel Weisz for being the only good thing this film has and she does deserve that praise because her performance does make this film better than it really is. Too bad for her and all of us that the movie just does not live up to her performance and we have to suffer with a film that is more in tune with Keanu's bad acting than the graceful and professional performance by Rachel Weisz that the movie should have been more in tune with. ... Read more

Reviews (62)

Great 70's movie
I used to watch Convoy over and over as a kid. It is unfortunate that it is not being produced on DVD or VHS considering how many movies not nearly as entertaining are being marketed. I think if you didn't see it when it first came out you'd find it silly and dated today, but I feel to those of us who saw it initially growing up, it is a classic. Modeled after a catchy country western song by C.W. McCall and with stars such as Kris Kristofferson, Ali McGraw, Burt Young and Ernest Borgnine, I'm surprised it is so obscure. It has some great 70's car/truck chase and crash scenes and a good soundtrack. Hopefully it will come out of moratorium soon and be available.

Breaker-19
CONVOY is the best trucker movie of all time. I've watched this movie 1000's of times when I was a kid and I enjoy it even more now. This movie has action, comedy and romance. Kris Kristofferson was great in this movie, he really brought out the excitement of being a truck driver. As for Ali MacGraw, she was also great and beautiful co-star. The director, Sam Peckinpah did an excellent job capturing the essence of truck driving. After so many years of searching for this movie I finally have a copy of my own thanks to Amazon.com. I'm impatiently waiting for it to come out on DVD(extended verison)....

Convoy
I bought the VHS version of the movie going off the other reviews listed.I received it yesterday and watched it twice.The quality is excellent.No fuzzy picture or sound.If you want a copy of this old classic movie,get one on video.

CONVOY
i havn't played my copy yet. the dvd i got, came from half.com which is a letterbox version, not digitally remastered and released by PACIFIC FAMILY ENTERTAINMENT. i paid less than $5.00 brand new.

The old days
When you seee this movie, you will realinze how life in America was not anoying. ... Read more