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Bumbling cop Washburn (Jimmy Fallon) is a terrible driver who loses his license and so recruits reluctant Belle (Queen Latifah) and her souped-up mega-cab after he stumbles onto a team of supermodel bank robbers. Several klutzy encounters and high-speed car chases ensue. If this sounds to you like the obvious result of a Hollywood pitch session ("Hey, let's pair some guy from Saturday Night Live with a tough-talking African-American and set them after babes on wheels!"), you're right; it doesn't mean, however, that you won't get in a few decent laughs before director Tim (Barbershop) Story's amiable time-killer falls into a steaming pile of would-be blockbuster buddy film cliches. The ever-ingratiating Latifah has long since proved her star charisma, and Fallon does an amusingly offhand parody of failed machismo. They're clearly having a good time together, and you could do worse than their company. There isn't a frame here that isn't cheaply recycled from some other lame action comedy, but if you grit your teeth for the very bumpy ride, you'll come out without too many scratches.--Steve Wiecking ... Read more

Reviews (54)

ha ha jay!!! This film is crap
I have a friend called Jason o' Byrne and he loves this film... i just wanted to say...Jay this film is REALLY BAD!!!

But the models are bleedin animal lookin!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Fast, Funny and enjoyable
I found this movie to be a good laugh even so it wasn't brilliant as some parts where just dam right stupid. But I think that Jimmy Fallon and Queen Latifah kept this film above water as they where a good team against crime. The storyline is pretty straight forward, Fallon is playing the role of a cop who is a terrible driver and ends up losing his licence by driving his car into a store window and killing a partite. City banks are being robbed around the streets of New York by 4 women who are super models. This is where queen Latifah comes into the picture, as she is a cab driver who helps Fallon out as he can't drive any more.

This film is not a Oscar winning but it's something easy to watch as there are a few laughs their and than. I found it to be pleasing to the point of saying its just OK. I thought Jimmy Fallon was a pretty funny guy as this was his first real movie. I am looking forward to seeing his new movie with Drew Barrymore in Fever Pitch.

Taxi runs outta gas real quick
Wow this is a stupid movie. Jimmy Fallon annoys the hell outta me, I don't like Jennifer Espositio either, and the super model thieves had cheesy dialogue. And the plot was stupid. Queen Latifah is super talented but she couldn't even save this movie. What were her, Henry Simmons, and Christian Kane thinking accepting the roles that they accepted? This movie ran on empty from start to finish. A big pile of garbage!

funny movie
this movie was great! Queen Latifa and Jimmy fallen should make more movies together. every funny. I gave it 3 stars cause i feel a few parts were slow. but overall a great movie.

PIECE OF GARBAGE!!!!!!!!!!!!!!!!!!
i would rather get a root canal without novicane than see this piece of cinematic garbage again! and i rated it 1 star because there is no zero or negative rating. ... Read more

Reviews (27)

CLAPTONS BEST
This DVD is prob. my favorite music DVD. Eric Clapton was such a great guitarist for an example his 1990 and 1991 tours were his best years ever. I love listening to Eric Clapton expesically this DVD titled 24 Nights. I bought this in Fye music a while ago I was suprised how great the format on this DVD was it goes from Claptons band, Blues Band, 9 Piece Band, to the final Orchastra Band. The segments on the DVD are great some of my favorite songs on this DVD are White Room, Sunshine Of Your Love, Bad Love, Wacth Yourself, and Bell Bottom Blues. Also there are alot of special guests that are featured on this DVD some are Buddy Guy, Robert Cray, Phil Collens, and many others. I think this is the best Clatpon DVD release yet the music is the best part its interesting listening to the 9 piece band and the orchastra band with Clapton the music though went 100%. I was mad when I read other peoples reviews on this DVD saying it sucked and giving it 2 stars they are so wrong dont read reviwes that will make you change your mind on to buy this or not I know for a fact this is a must have for anybody I am a guitarist, and a classic rock fan I know what the real music is about. So 5 stars it is with the best performences at The Royal Albert Hall Eric Clapton 24 nights. Was this review helpful to you>?

FANTASTIC MUSIC. CLAPTON'S PLAYING WILL LEAVE YOU BREATHLESS
THIS IS THE BEST CLAPTON VIDEO OUT THERE! IT HAS A DEPTH AND A BLUESY MOOD ALL TO ITSELF. I THINK THIS IS ESSENTIAL IF YOU ARE A CLAPTON FAN AND LIKE MOST OF HIS POPULAR SONGS AS THIS COVERS 'RUNNING ON FAITH', 'WHITE ROOM', 'SUNSHINE OF YOUR LOVE', 'HAVE YOU EVER LOVED A WOMAN' AND 'BAD LOVE'. THE SONGS ARE ACTUALLY TAKEN FROM VARIOUS CONCERTS THAT CLAPTON PERFORMED AT THE ROYAL ALBERT HALL OVER 24 NIGHTS (GEDDIT?!) AND THEY'VE TAKEN THE BEST BITS OUT OF THE ROCK NIGHTS, THE BLUES NIGHTS, THE NINE-PIECE NIGHTS AND THE ORCHESTRAL NIGHTS. I JUST THOUGHT I'D MENTION THIS INCASE YOU THINK THAT IT'S ALL ONE CONCERT AND CLAPTON HAS GIVE HIMSELF A HAIR-CUT IN BETWEEN THE SONGS! hehe

Don't Listen to the Gregory Costa review !!!
I am a professional entertainer, guitarist and recording engineer since the mid 1960's.
I could not stand by and let somebody with NO recording expertise bash this recording.
He says, "No choice in sound selection", No surround sound?".
That's right Greg ! There is NO WAY to make a quality surround sound recording if it wasn't recorded that way originally.
Stereo recordings are generally superior after many years of serious development, and don't rely on " sonic gemicks" and " audio trickery".
Most of the people have given Eric's DVD a good recomendation for good reason. BUY IT ! Be careful who you listen to.
Thanks, DKW

Awesome!!!!!!!!
One of the best concerts, I have ever seen! It's Clapton at his best. Quality is good, considering it's from early 90's. Wish I was there live, but this is next best thing.

Change of heart on this one... UPDATED 7-02-04
Well, I'm not going say "24 Nights" is my favorite dvd by EC... However, upon further reflection of this compilation, I feel as though my previous review was a little unfair. I had stated in it that I was not happy with the fact that the audio was not remixed into DTS or Dolby Digital. I concede that perhaps I am not as knowledgeable as others who may have worked in the recording field. But, if someone would be kind enough to explain to me how concerts originally recorded in 2-channel stereo, such as "Roy Orbison's Black & White Night", can be remixed into the aforementioned formats and sound spectacular, I'd surely be interested in knowing. The concert material itself is pretty good though. If Mr. Clapton and his label, Warner / Reprise ever find it in their hearts to do so, I would love to see one night from each of the different band arrangements released on dvd. (Especially the orchestra and blues nights) Anyway, if you want to experience Clapton's versatality, pick up this release. OK, Mr. Widlake, you can update your review now. ... Read more

Reviews (36)

"If You Believe in Fairies...Clap Your Hands!"
I saw "Fairy Tale - A True Story", when it had it's theatrical release and I was utterly charmed and moved by this wonderful movie. I am so glad that it has finally been released to the DVD format.The story is based upon the true life events surrounding the famous and sensational 'Cottingly fairies photographs'.The film takes place during the dark days of WWI Britain. A young Elsie Wright (Florence Hoath) is sent off to live with relatives, because her father is 'missing in action'.Elsie becomes fast friends with her twelve year old, cousin, Frances (Elizebeth Earl) both of whom seem to have a playful fascination with the subject of fairies. One day the girls borrow an old camera and go off to a local brook to take pictures. When the photographs are later developed, they show images of what seem to be real, live fairies!Through a series of events the photographs fall into the famous hands of Sherlock Holmes Writer, Sir Author Conan Doyle (Pete O'Toole) and Magician & Escape Artist, Harry Houdini (Harvey Keitel). Doyle publishes the photographs in a national magazine and causes a sensation throughout the country.Are the pictures real or did these two young girls pull off the hoax of the century? The movie puts it's own twist on the facts and attempts to come up with some very interesting answers.Director, Charles Sturridge and Screen Writer, Ernie Contreras have created a magical and moving film about the subject of faith. Sometimes if you believe in something hard enough, maby it can come true. This is found throughout the film. It applies to everything from the belief in the unseen (such as fairies, spirits of love ones), the return of a father, or even the faith needed to win a brutal war.The acting in this movie is splendid.I especially like the casting of the two girls (Florence Hoath & Elizebeth Earl). Even in the unusual situations, that occur, they both act like normal, everyday, children. Not a false note in their performances.The film's special effects are also great. They are well done and realistic (flying miniature fairies), yet do not overwhelm the story.This is greatly aided by cinematographer , Michael Coulter's beautiful photography, which highlights both the colors found in nature (the woods and brook) and the light and darkness of urban, Victorian England. All these elements come together to make a wonderful fantasy film, which I highly recommend!

"Fairytale:A True Story" absolutely wonderful-A MUST SEE!
For young and old alike,this delightful film has it all! Based on the true story of two young girls who claim to have seen fairies in England during WW1,"Fairytale:A True Story" features superb acting throughout,especially Elizabeth Earl and Florence Hoath as Francis Griffiths and Elsie Wright, whose fairy sightings stir up quite a bit of controversy throughout wartime England. Among the people caught up in the excitement are Sir Arthur Conan Doyle,brilliantly portrayed by Peter O"Toole and Harry Houdini,featuring Harvey Keitel in one of his finest performances. Paul McGann and Phobe Nicols are also wonderful as Elsie's parents. I really can't say enough about this film. Brilliantly cast and beautifully photographed,it is enchanting entertainment from beginning to end. The film score is even well worth the price if you can still find the CD! This film is not your average children's movie and I have read alot of reviews that ask weather this film was aimed at children or adults.This could very well be why it was not more of a commercial success.A pity, because I believe this film offers something for all ages.I also regret that I have not seen Florence Hoath in many other roles,save for "The Governess" and I haven't seen Elizabeth Earl at all-they deserve more recognition!

Don't Let This One Pass By
This amazing film is about two little girls who, with no photographic experience, take photos of Fairies. Kodak examines the photos and says they are untouched, but refuses to acknowledge the existance if these little sprites. In come two of my personal heroes, Sherlock Holmes, because he believes the girls, and Harry Houdini, because he dosn't believe them.
But, reguardless, if you believe, you will be facinated. If you do not believe, you might, just for a moment, question that belief.
Either way, do NOT miss this film!

HORRIBLE
if youre getting this movie for your kid, or any kid, save them the misery. i remember seeing this movie the day it came out, and it was so awful i fell asleep, along with about 5 other kids in the theater. it was by far the WORST movie i have ever seen in my entire life, even worse than that planet of the apes movie. and trust me, i have seen almost every movie that comes out. spare your kids the pain and spare yourself some money. DONT get this movie for them.

Charming little movie
This movie is a gentle story, one that the whole family can watch. Doesn't have much in the way of action, vulgarity or even scimpily dressed faires. The fairies are not a huge part of this story anyway. The story is about two young cousins who concoct a tale about some fairy sightings. This "true" story happened during WWI in England. The story also shows what happens to a small country town when they receive some unwanted publicity after the girls' photos are anonymously published in a leading magazine. It is an interesting tale, charming and cute. People who like trashy, faster movies won't like this one. ... Read more

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A milestone comedy of the 1980s, Ruthless People delighted critics and audiences alike and set the tone of Hollywood comedies for years to come. Along with that other popular farce about wealthy Californians, Down and Out in Beverly Hills, this ingenious romp revived Bette Midler's career and launched Disney (by way of its subsidiary, Touchstone Pictures) into the lucrative production of R-rated comedies; it also ensured the star power of then-TV star Danny DeVito. Dale Launer became Hollywood's hot screenwriter du jour by cleverly reworking O. Henry's Ransom of Red Chief into a wicked tale of marital malice heightened by a bungled kidnapping. Midler is sublime as the victim of low-rent abductors ("I've been kidnapped by Kmart!"), and DeVito's the gleeful philanderer who refuses to pay ransom for his wife's unwanted return. With Anita Morris, Judge Reinhold, Helen Slater, and Bill Pullman among the plot-twisting schemers, the movie's so much fun that an eventual remake seems almost inevitable. --Jeff Shannon ... Read more

Reviews (34)

A Comedy Classic with an All Star Cast!!!
I saw this movie on cable, several times, I watch it every chance I get, I don't personally own it, but it will soon come into my DVD collection. The main character is played by Danny DeVito who plays philandering, money hungry tycoon Sam Stone(Danny plays this character with such relish) who has made enemies of the couple played by Helen Slater and Judge Rheinhold, whom he has wronged. They retaliate by kidnapping his wife played by Bette Middler. Put it this way the kidnappers end up being the most likable characters in the movie, with all the manuevers done by Sam Stone, his mistress played by Anita Morris, her dumb as a rock boyfriend played by Bill Pullman, the Police Commissioner, and the unsuspecting wife played by Betty Middler, who hopes to be rescued by her husband. It is funny, intelligent and it takes you for a cool entertaining ride with it's plot twists.

An 80's comedy time capsule!
I hope everyone didn't forget that Bette Midler was the highest grossing female film star of the 80's! This is the classic that will prove how she got the attention. This was released after Down And Out In Beverly Hills which brought Bette back into popularity at the movies. In fact, Down... is probably considered her funniest movie. I think Ruthless outshines all her comedies. It's sooo 80's, too! Scene after scene, this movie moves along with no time to be bored. Acting is perfect by all. Although Danny and Bette are never seen together until the end, they look so cute together. Danny Devito wants his abrasive wife kidnaped! Judge Reinhold had his multi million dollar idea stolen from Devito. Devito's mistress wants his money. And did I mention the serial killer? Very funny! I hope this will soon be re-released on DVD!

Fumbling kidnappers join forces with victim
Bette Midler in yet another one of her pain-in-the-neck roles. The wife of a wealthy man (played by Danny DeVito) is kidnapped for ransome by a desperate young couple (definite novices to the kidnapping racket), only to learn that DeVito has no intention of paying up, as he had long been tired of his nagging wife. DeVito plays up the heart-broken husband to police, while Midler and her captors are devising a plan to get even with the s.o.b.

There are many hilarious scenes, and even some moving moments of emotional sweetness, but soon past the half-way mark the engines lose steam. By the time everyone reaches the finish-line, the hot-cake has definitely cooled off. Still an enjoyable piece of light-hearted comedy, slap-stick, non-sense and all.****

'I've been kidnapped by K-Mart!"
Extremely funny movie. Danny Devito plays the part of a husband who married his wife for her money and now wants to get rid of her (he's got a girlfriend on the side). Bette Middler plays the loud-mouth rich wife. Just when Devito decides to put his plans into action, she is kidnapped. He is thrilled and refuses to pay the ransom hoping the kidnappers will follow through on their threat to knock her off if he doesn't pay up. While he's laughing and celebrating, the police think he's mourning. The kidnappers find they've taken on more than the average kidnapped victim, especially since they are really a soft-hearted couple who felt Danny owed them for ripping off the wife's idea. Bette Midler is no tame, soft spoken woman.

The movie is one of those side-splitting comedies that is great from the start to the finish! Enjoy!

Ruthlessly Funny
Sam Stone only married his wife, Barbara, for her money. Now he's anxious to get rid of her. Before he can do the deed, though, someone does him a huge favor by kidnapping her. What could be better? All he has to do is not pay the ransom and his problem is solved. Barbara's bungling kidnappers find themselves stuck with a worthless hostage.

RUTHLESS PEOPLE is a very funny movie. It's well plotted, well acted and keeps you laughing all the way. While not quite a classic, it was one of the top comedies of the mid-80's and resurrected Bette Midler's movie career. My only caution is that this is definitely NOT a movie for kids. Crude language is scattered throughout and there is some blatantly sexual material. While it might offend a few people, it's pretty mild by current standards. You could see almost as much in a Super Bowl halftime show.

I've liked RUTHLESS PEOPLE ever since I first saw it at the theater. It's a first-rate adult comedy. If you'd like some laughs, this is a good choice. ... Read more

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Definitely a contender for the underwhelming title of Best Elvis Movie, this handsomely shot Western actually makes Elvis act, rather than coast on his personality. (As though to underscore the point, the two obligatory songs are dispensed with under the opening credits and in the first scene.) Don Siegel was probably the best director the King ever worked with, and he draws a quietly smoldering performance from Elvis, who was still undeniably raw. Even better, Siegel captures an existential starkness to homestead and town, and calmly makes a pro-Native American case without preaching (Elvis plays a half-breed caught between sides in an Indian vs. settlers dustup). Yes, this was 30 years before Dances with Wolves--there were actually quite a few such movies during this era. All in all, a decent picture, and an indication of where Elvis's career might have gone if he hadn't given himself over to fluff. --Robert Horton ... Read more

Reviews (19)

this is Elvis Presley at his best and with the best
i've seen all Elvis's movies, but Flaming Star is the one film whereby his talent as an actor in a dramatic role comes forth highly convincing on the screen. John McIntyre and Delores Del Rio; superbly cast as parents of two brothers who through racial conflict pull apart, then rejoin to save the life of the other. A classic western with Steve Forrest at his best and Barbara Eden in a role you can't easily forget. Too many great actors to mention here. This movie, which I do hope will be on DVD, is not shown enough on t.v. movie networks and i believe has never received the recognition it so deserves. Elvis should have won an academy award for his portrayal as Pacer. to me, there is no other Elvis movie but Flaming Star. Get your hankies out girls; toward the end of the film, when Pacer (Elvis) rides into the hills in search of the "Flaming Star".

How much violence does it take to screw up a movie?
Parents: this film was rated from the parental rating: Objectionable for children.

Elvis Presley stars in this almost gory film. Which takes Elvis into Western movies.

Elvis Preseley plays an indian in Flaming Star. His character name is Pacer Burton.

His mother (Dolores Del Rio) is killed by a white man (Douglas Dick).

And leaves home. This is not one of Elvis best movies. I am a big Elvis Presley fan.

I have seen a lot of better movies that Elvis Presley was in. Like Jailhouse Rock. He tries to prove that he can do a lot more than singing.

And in a lot of movies, he sings. But I don't see how any Elvis Presley fan whould enjoy this movie.

I'm giving this movie 2 stars for one reason. A. He doesn't sing very much in this movie. There are two songs in this movie (and none are sung after the first 10 minutes).

He ties his brother (Steve Forrest) to a horse and joins other indians.

This movie was oringally written for Marlon Brando. And dropped out of the movie and Elvis takes his place.

I might have given this movie more than two stars if more songs was added. If Elvis wasn't suppose to sing in this movie the songs should have been cut.

this is Elvis Presley at his best and with the best
i've seen all Elvis's movies, but Flaming Star is the one film whereby his talent as an actor in a dramatic role comes forth highly convincing on the screen. John McIntyre and Delores Del Rio; superbly cast as parents of two brothers who through racial conflict pull apart, then rejoin to save the life of the other. A classic western with Steve Forrest at his best and Barbara Eden in a role you can't easily forget. Too many great actors to mention here. This movie, which I do hope will be on DVD, is not shown enough on t.v. movie networks and i believe has never received the recognition it so deserves. Elvis should have won an academy award for his portrayal as Pacer. to me, there is no other Elvis movie but Flaming Star. Get your hankies out girls; toward the end of the film, when Pacer (Elvis) rides into the hills in search of the "Flaming Star".

A Good Movie
Barbara Eden is Great in the movie playing Steve Forrest's character's girlfriend.Elvis sings the theme song and in the square dance scene he sings a song though he doesn't sing any other songs after that.The movie is a western drama and a good movie.Dolores Del Rio is in the movie also.Directed by one of the best directors Don Seigel who directed Clint Eastwood.The DVD has the original movie commercial.

A billion, trillion stars!
For the star to end all stars, Elvis, this movie is greatness among a movie career that's, well, not so great. Finally on DVD, with beautiful picture quality, I adore this movie. There is no cheese here.
This is not chock full of songs, this is not a musical, and the few musical numbers here are well-done and in context. You don't get a cheesy 1960's sounding song in this 19th century western, the songs actually sound like they belong. Again I must stress, there are only a few songs and they don't take anything away from, rather they add TO the film. That man could sing, but surprise surprise, he could also act.
He is a halfbreed. Part white, part Native American. Constantly he is torn between loyalties, but moreso from this deep desire to remain fair to all in his life. The scenes of tenderness are of the utmost affection, and the scenes of violence express the real anguish of such a life. I'm not exaggerating when I say that sometimes when I watch this movie I feel as if I'm spying on a 19th century scene, it's that convincing, friends.
There is such a magical quality about this movie. It's so different from anything Elvis had done before or since that it almost seems like he would have done the film for free...he loves what he's doing and puts his soul into it.
Note that Col. Parker scoffed at the idea of "his boy" Elvis doing a "political" film like this. The Colonel was not one who liked to stir the pot too much when he felt the mixture was just right. This is one of few occasions where Elvis went ahead and did what he thought was the right project. If anyone is curious, check into the numerous films that were offered to Elvis and refused by the Colonel. Least of which was the now legendary 1968 'Comeback' Special in which Elvis both re-invents and re-establishes his throne as the King of Rock and Roll. The Colonel wanted the 1968 special to be a cheesy xmas show with Elvis in a tuxedo singing to snowmen and Santa (which would have probably been the colonel in a red suit). What a disaster and a loss that would have been.
Anyway - Elvis shines like the bright star he is in Flaming Star. Absolutely terrific, wonderful movie that I can't say enough good things about. I have not one complaint except that there weren't more cast from this dye. ... Read more

Description

A real woman. A real story. A real triumph. Julia Roberts stars as Erin Brockovich, a feisty young mother who fought for justice any way she knew how. Desperate for a job to support herself and her three children, she convinces attorney Ed Masry (Albert Finney) to hire her, and promptly stumbles upon a monumental law case against a giant corporation. Now, Erin's determined to take on this powerful adversary even though no law firm has dared to do it before. And while Ed doesn't want anything to do with the case, Erin won't take "no" for an answer. So the two begin an incredible and sometimes hilarious fight that will bring a small town to its feet and a huge company to its knees. ... Read more

Reviews (271)

Hey, I reviewed a Julia Roberts film!
"True story" or not, if I never see another movie demonizing big business it will be too soon. Please, for the love of God, can I have ONE film where the businessman is not the devil? Please?

Anyway, on to "Erin Brockovich". This is without question the best performance I've ever seen from Julia Roberts, but I'm grading on the curve. Her portrayal of Erin Brockovich includes constant potty mouth and an overload of sassy attitude, combined with an extensive wardrobe of slutty attire. Unfortunately, the movie allows for this character to triumph even though she insists on behaving like an uncouth, hypocritical, self-absorbed bigmouth who can't finish a sentence without cursing.

The basic story involves a small rural town in California in which a large number of citizens have contracted life-threatening illnesses from contaminated water, and the class action suit they file against the evil Pacific Gas and Electric. Erin comes across questionable documents in a file she is processing for a law firm (she is not a lawyer, just an office worker), and decides to get to the bottom of it. The story snowballs from there, however the more interesting relationships between Erin and her family, employer, and her boyfriend Harley (oops, I mean George) make up the more watchable parts of the movie.

There was another reviewer here who mentioned that this story has more in common with you average "movie of the week" than anything else, and I agree. Many times the plot is telegraphed to the viewer in that formulaic Hollywood way, in fact I never doubted for a second how this story would turn out.

Albert Finney's character was well done, and to be honest Julia Robert's character was believable as well; I simply did not LIKE Erin BUT I had no problem with her believability as a character. The biker boyfriend... the less said the better. I didn't find him convincing. The relationship between Erin and George WAS believable, however I have a feeling that the "recap" scenes (where the two of them visit one of the plaintiffs following the lawsuit) featuring Erin and George were tacked on in the pursuit of the "feel good" ending. Hey, Marg Helgenberger makes an appearance as one of the townsfolk, and her character is VERY different from the one she plays in CSI. She does a great job; check it out.

The story unravels in a typical manner, and of course every single person involved with PG&E is depicted as arrogant, uncaring, and just plain bad. Big Business = BAD = standard Hollywood scriptwriting. True, a business (or an individual) who contributes to contaminated groundwater is to be held responsible for their actions, and I can make no excuses for the company as they are portrayed here. I always find it difficult to believe that every businessman / corporation in the movies is Evil Incarnate. What the film glosses over is the fact that while PG&E was cited by the California Water Board multiple times to clean up their facilities, it was the GOVERNMENT who did not enforce existing laws properly, allowing PG&E to continue their hazardous practices. The real problem lies in the fact that most utility companies are government-sponsored monopolies, and are essentially exempt from free market factors which would drive your average irresponsible company out of business anyway.

I didn't find this movie very funny as some reviewers have, mostly because the humor was based upon the "shock" value of having Erin rip someone's head off with creative profanity. I'd recommend the first hour of "Full Metal Jacket" for those who think Erin's outbursts are high comedy.

"Erin Brockovich" is watchable, but certainly not award winning material. Julia Roberts makes a fine attempt at a serious dramatic role, yet I suspect that the powers-that-be had more than a hand in weakening a film that had a lot of potential. Julia is made to look just as pretty as she ever does, which detracts from the idea that she wanted to step outside her more typecast roles; "dolling her up" was not a good idea for those wishing to sell Roberts in a serious role.

A moving film with a talented cast.
"Erin Brockovich" is one of those movies that makes you stand up and cheer. Based on the true story of the real Erin Brockovich's law battle with a major corporation, director Steven Soderbergh and actress Julia Roberts bring the events of the movie to life in an unclichéd, refreshing discourse that is a delight on the eyes and both humorous and dramatic. Soderbergh handles the material in his usual way, filming it with new and evoking techniques, and Roberts, scantily clad but immensely intelligent, proves to audiences and the world that she has matured since her days in "Pretty Woman," playing the role with in a strikingly serious manner that anchors the rest of the plot.

As the story begins, Erin is down on her luck, trying to find a well-paying job to support her three kids. After an auto collision leaves her broke with lawyer's fees, she demands that her lawyer, Ed Masry, give her a job in return for losing her case. As she begins working, she discovers some files that seem out of place, and upon further investigation and interviews with several residents of the small town of Hinkley, she uncovers a major coverup involving a major corporation that could mean a major lawsuit that will bring the small firm down or earn it enough money to make a name for itself.

The first thing that must be discussed is the incredible performance from actress Julia Roberts, who brings Erin's character to life in such a way that we find ourselves so moved by her performance as the final credits roll. She brings with her all her old tricks, that sweet charm that makes her one of Hollywood's most valuable stars to date. She is vivacious and and brutal in this role, establishing the fact that Erin is a force to be reckoned with.

The movie establishes the many traits of Erin right from the beginning of the film, introducing us to her as someone who is hard-working and willing to earn her keep. Her willingness to work is also a testament to her strong devotion to her children, whom she must support on her own. She is also fiesty and outspoken, as shown during her court debate when she comes under cross-examination: "That a**hole smashed in my f***ing neck!" Erin is strong-willed and a leader in this film, which is a brilliant testament to the real life figure.

Erin is also smart and intelligent when it comes to deciphering the many nuances of the case that falls into her lap. From the beginning, when she first senses something is not right, she knows enough to question certain residents of Hinkley about their involvement with Pacific Gas and Electric, and the reasons for their illnesses and diseases. Not taking anything for an answer other than "yes," she pushes her way through all the barriers to come out on top, all the while surviving the troubles of her own personal life and coming out on top as a real person we can all look up to and admire for their strength and courage.

There is a nice bond that develops between Erin and her boss, Ed Masry, who is hesitant to hire her from the beginning. His pity for her, though, clouds his judgement, and he takes her on, soon realizing that he is in over his head with a lawsuit that could mean the end of his career and his financial security. Their many arguments over this and other things concerning the case are intriguing to watch, some adding light moments of comical humor, others advancing the plot to the next level.

The human emotion and drama of this story and brought to full view in this film, always keeping with the fact that these are real people who experienced these events. Erin's interaction with these characters, and her devotion to their cause as well as her own is inspiring and ambitious. Soon, her cause becomes nothing but concern for their victory, and Roberts brings this change of events to life. Her reactions to changes in the case, things going wrong, and the way in which her character handles them, are all convincing and authentic, and this keeps us involved with the moving story and the developments at hand.

Steven Soderbergh's treatment of this material is brilliant, setting his work high above the mark of good and making this movie one of the best movies of 2000. The way in which he handles Erin's story is one of fluidity and constant plot development, whether it have to do with the lawsuit or with Erin's personal life and her involvement with Ed, who takes care of her children. He is able to combine all of Erin's emotions and balance them against the true story of the people she defends in her pursuit of the truth, which makes us feel for them as well as for the losses she suffers because of her efforts. There are a good deal of shots in the film that give it the look and feel of a typical Soderbergh film, showcasing his use of Steadycam, giving the film a true-to-life perspective which keeps it more involving without putting off the audience.

Alongside the star power of Julia Roberts is a brilliant supporting cast that have their own roles and key parts in the film. Albert Finney plays Ed Masry, Erin's boss and friend, who comes to learn the true value of her work as the movie progresses. He and Roberts have a nice workplace chemistry that gives life to the movie's lawsuit plotline, while also keeping it more touching and emotional. Aaron Eckhart plays George, Erin's next door neighbor and boyfriend, who is given a lot of time onscreen to develop into a terrific supporting character. His moments with the children are moving, establishing him as a father figure, while his relationship with Erin is complicated because of her work, bringing them to a crossroads. Their chemistry is convincing and believable, and provides some nice bits of romance for the movie without taking it under.

In "Erin Brockovich," all the stops are pulled out, and history is given a quite refreshing treatment that is humorous, emotionally moving, and involving all in one package of short skirts and high heels. In reality, Julia Roberts is what makes this movie work, bringing her charisma and charm to the movie with the same intensity and credibility she carries in her previous roles. Stand back, because the Pretty Woman has grown up, and she's back with an attitude and a brain to match it.

Fantastic!
Julia Roberts deserves an Oscar for this one. This was an excellent movie. It is based on the true story of a woman named Erin Brockovich. Erin is a twice divorced mother of three with no money. While out job hunting one day, she gets into a car accident and ends up with surgery and a neck brace. Since she had no insurance, she found herself being $17,000 in debt. After losing the case in court because of swearing on the stand, she ends up working for the lawyer who represented her by practically demanding a job from him. There are some hilarious scenes here.

Part of what was humorous about this film was Erin herself. She dresses very provocatively and thinks nothing of using foul language in the office. Most people would be fired in a minute if they acted this way, but somehow, Erin gets away with it. Her boss and co-workers often don't know what to make of her. On top of that, the audience loves her. You can see that underneath the tough exterior is a good, kind person who truly cares about the people she's trying to help.

She starts doing some research on her own in the town of Hinkley, California when she sees health problems in some files at the office. She interviewed so many different families with everything from cancer to severe nose bleeds. It turned out that Pacific Gas & Electric had poisoned the town's water supply by not taking the necessary steps to prevent this from happening. Erin has tremendous warmth and the people of Hinkley come to love and trust her. The movie also shows the major sacrifices she made by having to work such long hours on this case. Her relationship with her children suffered a lot at that time, but in the end, it was all worth it.

Great entertainment, even if it is predictable.
Erin Brockovich is a real woman with real problems and a real will to do something good. So what does she do? Something good. And, quite honestly, it's fun to watch her do it.

Brockovich (Julia Roberts, Oscar-winner for this role) has three kids, two ex-es, and a realy foul mouth. When she lands a job at the law office of Ed Masry (Albert Finney, Oscar-nominee for this role), she finds herself initiating the investigaiton of a local power plant, which has apparently contaminated the water of a small town nearby and caused numerous illness and deaths. Erin keeps pushing Ed and the townspeople, and ends up being a participant in a 333 million-dollar lawsuit, one of the biggest in American history.

Besides a heartwarming David-and-Golliath story, this is essentially a star vehicle for the winning Julia Roberts, as well as an ego trip for the real-life Erin Brockovich (who gained MUCH publicity... after the release of the film). The film is not perfect: it sometimes lacks a sense of coherence (one scene ends and the next begins without flow), and some performances are mediocre. However, Roberts finally frees herself from her previous stereotype of the candy-colored heroine and Finney is wonderful as usual, and also noted is a quite moving supporting performance by TV-veteran Marg Helgenberger, who plays Donna Jensen, a victim of the contaminated water due to the power plant's carelessness. Her performance, above all, makes you glad that the good guys win.

Inspirational
Julia Roberts is my favorite female actress of all time, she never seems to let me down on a movie. I think the story is extremely motivating. The movie is about a middle aged, divorced, mother of three that takes on a multi million dollar company to make them pay for families living in a town that was affected by dangerous chromium. Based on a true story I thought the movie really portrayed the good in a person and to what extents they were willing to go to in order to try and help a total stranger. Everyone that is a fan of Julia Roberts or not should watch this movie. Inspirational! ... Read more

Reviews (15)

Bulls-eye!
The best noir ever made for the small silver screen, this classy series exudes as much pizzazz today as in its heyday! The dark streets glisten with rain and neon, the nightclubs steam with sultry jazz and smokey-voiced women, and stalwart men stalk the unlit alleyways, shadowy docks, and hitman hideouts of the urban jungle. The storyline of each half-hour-slotted epidode is tight and to the point, but time is still taken to explore the relationahip between Gunn and his glib, glamourous girlfriend Edie, his matron-with-moxie chum Mother, and the dogged, job-bound Lt. Jacoby. The series has a timeless ambience. It oozes with hot, on-the-surface sexuality without being brazenly explicit, and the violence is palpably throbbing without being gratuitous or gorey. As terrific television, it's right on target!

16 slices of late '50s "cool"
Unfortunately in the 23-24 minute length of each episode there isn't all that much time for plot or character development, so for better or worse, we get right down to the nitty gritty. But for a taste of 1950s "Cool", being the TRUE "cool", it doesn't get much tastier than this. Bet you can't watch just ONE! Peter Gunn (Craig Stevens) is a sharp P.I. in a sharp suit who hangs out in a jazz club called "Mothers". His singer/girlfriend, Edie (Lola Albright) has got to be one of the most gorgeous 50s babes outshining even "Hawaiian Eye" cutie Connie Stevens and "77 Sunset Strip" bombshell Jacqueline Beer. And not a word of sass, just cool... so refreshing! Gunn's way-out beatnik buddy, Wilbur, is a welcome addition in selected episodes. The rain-soaked streets at night, the menacing docks area, the 1950s cars, great character actors like Whit Bissell, Jack Weston, Gavin McLeod, Frankie Darro, etc. show up, also guest musicians Shelley Mann, Shorty Rogers and others in on-camera appearances PLUS that Mancini score!! Today's teens, with their laughably misguided concept of "cool," should look in, take note, and shut up! They couldn't be this smooth if they tried. Some episodes are better than others, but all of the shows have great moments. The picture quality varies a little as well, but overall, considering the vintage of this stuff, it's pretty good. I have no complaints and highly recommend both Vol.1 and Vol.2

peter gunn sucks
Peter Gunn sucks,and "mother" is a rotten singer.However,Lola Albright is lovely and the music score by Henry Mancini is wonderful.

The bar was set low, and I don't mean in Mother's
I recalled some details of this show, but no particulars. Bought it because I thought it might be a gem, like "Have Gun, Will Travel," which holds up spectacularly well.

But Gunn? The scripts are by folks with attention deficit disorder. The characters are above average in large part, but there's virtually no attempt to consider a vague plot.

There's a ridiculous trivia quiz in which you view scenes from the episodes a second time -- geez, they were ridiculous enough the first time -- and then you're given a memory quiz, such as, "Who offered Peter Gunn a chair?" in this scene. Who cares? Trivia should be questions such as, "Were producers looking for a TV version of Cary Grant when they cast Stevens and told him to talk with clipped, Grant diction?" At least we might have learned something.

And rights could be an issue, but if not, why not include some of this fine music on a few tracks?

Oh. Gunn gets beat up more than Mannix. In real life, he would have had Parkinson's Syndrome at 45 from all the brain battering. Maybe if he'd look behind himself once in a while.

The epitome of cool
If the world wants to know what cool is watch Peter Gunn.
I was very lucky to watch it on TV as a tot.
The music soundtrack is maximum cool,too.
Craig Stevens plays it smooth.
He is the hero you know in your gut will be there for you when no one else will.
TV shows are not made like this anymore. ... Read more

Reviews (26)

Home on the Range
"Home on the Range" may be the last hand-drawn Disney feature for the foreseeable future. Disney is going the way of computer animation and forsaking the old ways. That being said, "Home on the Range" represents Disney's animated films going out with a whimper. Well not a bad movie, it is not a great one either. It falls somewhere in the "who cares?" range, and will probably be easily forgotten.

The Patch of Heaven ranch is facing foreclosing, and the owner will not sell her cows because they are like family. The cows get the bright idea to track down Alameda Slim, a wanted outlaw, and collect the reward that just so happens to match the amount needed for the ranch.

The voices are middle of the road too. Roseanne Barr voices the main cow, and she is just as obnoxious sounding as ever. Judi Dench gives us a British sounding cow, and Randy Quaid voices the bad guy. The songs are average as well.

In the end, kids will probably enjoy it, but it may wear on adults patience. Some adult humor is sprinkled in (giving the film a PG rating), but it actually seems out of place. The best bet on this one would be to wait until it comes out on video.

Home on the Range
This is NOT for kids. This NOT a kid movie. Funny, but why make a utter (pun) joke into this movie.

Ummmmm............
Well, traditionally-animated movies by Disney went out not with a bang, not with a wimper, but something along the lines of a giggle, and with Home on the Range, the once proud Walt Disney Studios enters the frightening world of burp-and-bathroom-humor kids' movies.

The House That Mickey Built seemed to just copy themes from other films and make a new movie out of them: the basic premises (save the farm, would-be heroes) have been seen several times before. Humor goes to the dogs....er, cows, with crude humor (including a Disney limit-pushing quirk at udders). The animation, aside from the ocasionally gorgeous backgrounds, is pure lazy, and the cartoon cattle bear little resemblence to real livestock.

In conclusion, Disney needs to take a hint from Pixar and get back to doing what it does best: making original and entertaining movies for the whole family.

Destined to become a Disney Classic
This is an excellent film for young and young at heart alike. I really enjoyed it. The animation was very good as was the score. I understand that this may be the last animated Disney film to be drawn frame by frame by their talented artists. That is truly a shame. I thought the animation in this film was truly nostalgic. If this is to be the last hand-drawn full length animated feature by Disney than I will cherish this film. It deserves it.

Not the best, but far from the worst.
The state of animation at Disney is no where near as awful as most critics would have you believe. However, what is awful is that the company is abandoning the traditional animation market, a market that single-handedly saved the company in the early 90's. The final traditionally animated movie from the company was "Home on the Range" and it's obvious that the company simply didn't care anymore. Fortunately, the filmmakers did. "Home on the Range", while far from the delirious heights of the best Disney movies, is still a fast-paced entertaining film with bright visuals and vivid characterizations. Interestingly enough, the movie that most resembles "Home On the Range" isn't another Disney movie, it's "An American Tail: Fievel Goes West". Both movies have a very similar color scheme and are more comedy than old-fashioned western. "Home on the Range" may not make your spirit soar, but it provides some solid laughs and a very enjoyable outing at the movies. ... Read more

Amazon.com essential video

Clint Eastwood's second film as a director (and his first Western) is a variation on the "man with no name" theme, starring Eastwood as the drifter known only as "the Stranger." He rides into the desert town of Lagos and is quickly attacked by three gunmen. Recovering with the aid of a local dwarf (a memorable role for Billy Curtis), the Stranger is hired by the intimidated townsfolk to fend off a band of violent ex-convicts. After teaching the citizens self-defense and instructing them to paint the entire town red and rename it "Hell," the Stranger vanishes. He reappears when the marauding criminals arrive, and delivers justice and teaches the townsfolk a harsh lesson about moral obligation. Is he a figure from their past or a kind of supernatural avenger? Combining humor with action, High Plains Drifter is both a serious and tongue-in-cheek tribute to the Westerns that made Eastwood a household name.--Jeff Shannon ... Read more

Reviews (53)

The "Man with No Name" returns
This movie is one of the best Eastwood Westerns that I have seen and is right up there with "Pale Rider" is supernatural quality. Clint plays almost an avenging spirit who returns to seek justice for a past crime and does so with his usual coolness. The movie offers a red painted town named "Hell", flashbacks showing a crime committed against Clint in the past and some awesome action scenes. Eastwood is wonderful throughout the whole film and even sports a pistol with a Cobra painted on the handle (cool! ). This is a great Western to add to any collection.

Last of the Spaghetti Westerns
Once again Eastwood does it with great style. The man with no name rides into town and wreaks havoc on the bad guys. An unusual dream of a sheriff that was whipped to death haunts him. As the story unveils itself we are drawn further into the past of the towns people. Not quite like his previous spaghetti westerns but still a hint of his character remains like a ghost that has come to see that justice is metered out. The fact that he rapes and kills does not seem to make us hate him, just accept him and know his final goal is as close to justice as we will see. The supporting cast is very good and the sets and music are great. Well worth adding to anyones western DVD collection. The quality of the picture and sound is excellent. Extras include notes, bios, highlights, and theatrical trailer.

Excellent!
I remember seeing this for the first time back in the day. It was probably the fascination with the "man with no name trilogy" but this film is just as classic as those. The story is your typical "revenge" tail but this adds a bit more to it. First of all the character is dark and aloof which really helps set the mood for this film. Its dark its fun its ultra cool! If you liked the man with no name trilogy, hang em high or pale rider see this!

Vengence rides into town
In "High Plains Drifter", Clint Eastwood stars and directs this really dark western. He plays an amoral drifter known only as 'The Stranger". He rolls into Logo and quickly kills three losers and seemingly rapes a local lady. He is then asked to be sheriff to protect the town cowards (the whole population) from three killers the town wronged years ago. Who the Stranger is is a major part of the mystery of the movie. Eastwood is pretty good as 'the man with no name' taken the millionth degree. He is cold and eccentric as he's givin free reign, then leaves at the moment they need him mst. The town's people are horrible people, who's corruption reaches into the collective conscience; not only is it rotting them to death, they have gladly sold their souls for gold. The vengence at the end is grim, but then so is the whole movie. It is not your John Wayne western; in fact Wayne himself walked out of the movie saying Eastwood owed his fans an apology. But that is not so, it wasn't that bad. But they still don't make movies this grim ofter. Not for everyone, but OK.

Eastwood turns in his typical performance

This gives the old saying, "painting the town red," a whole new meaning.

Eastwood is portraying a gunman wreaking vengeance on an entire Western town for standing by while a gang of nasties brutally kills the sheriff. One gets the impression, at the end, that he is the reincarnation of the murdered sheriff, himself.

This is, in no way, intended as a criticism: Eastwood, like John Wayne, Humphrey Bogart, Clark Gable and a host of other fine actors, always plays himself. His stock in trade is his "tough guy" impression, and he does it flawlessly.

His films are always well-done, and he always plays the same basic part, which his audience obviously loves.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books ... Read more

Amazon.com essential video

This 1984 Carl Reiner comedy is one of the best film showcases of Steve Martin and Lily Tomlin's sundry talents. Tomlin plays a sickly spinster who is given the chance to transfer her soul to the body of another woman, and thus go on living. But the magic man who is supposed to make this happen goofs up and locks her spirit inside a bachelor lawyer (Martin)--or, more accurately, within the right half of the poor fellow's body.Suddenly, the swinging man-about-town is literally at odds with himself, unable to make a self-determining decision without a huge internal struggle. Martin's physical comedy, always remarkable, is absolutely inspired this time around, as he convincingly portrays a man split down the middle between opposing sensibilities. This is also one of the best films by Reiner, a filmmaker whose novel ideas are sometimes more striking than their execution.--Tom Keogh ... Read more

Reviews (20)

Classic 80's Steve Martin
1984 found director Carl Reiner teaming up with old friend Steve Martin once again. "All Of Me" captures some of Martin's best physical comedy to date. Martin plays sympathetic lawyer Roger Cobb who happens to be in the wrong place at the wrong time... and gets crusty "just-dead" Edwina Cutwater's (Tomlin) soul dumped into him by accident... and the lunacy starts. Vicious Terry Hoskins (Victoria Tennant) is quietly evil to a tee. The majority of this film concentrates on Cobb dealing with his mixed feelings (his and Cutwater's), and trying to find the bumbling Prahka Lasa (played by Richard Libertini) so the lost soul of Cutwater can find it's final resting place. I remember this movie being hilarious when it came out and Steve Martin was one of the kings of comedy. While still an entertaining watch today (20 years later), it has lost a tad of it's luster. Three major flaws with this DVD, 1. The lack of absolutely no worthwhile extras on this DVD (comes with a trailer only), 2. Terrible MONO sound, 3. Full screen only... it's no wonder you'll find "All Of Me" in most stores on the bargain rack.

Must see
Simply one of the best movies ever made. As a romantic comedy it does very well, Steve Martin and Lily Tomlin operating in peak form. The soul-searching Martin brings a haunting power to the title song 'All of me', without performing it. I can't hear the song anymore without welling up.

They do it with mirrors
Be advised that this is a rather naughty movie for a PG rating; it probably would have earned a PG-13 had that rating been around at the time. That aside, this is a real gem. What you have is Steve Martin as a lawyer and jazz guitarist (he seems to learn a new skill for every movie), a dog named Bix, a creepy girlfriend, a blind saxophonist, a Tibetan swami, Lily Tomlin as a wacky rich invalid, an amazing and riotous courtroom scene, a New Orleans funeral band playing excerpts of "Just a Closer Walk With Thee" and "Oh Didn't He Ramble," a horse, a dented bowl, a bucket of water, and various and selected other props, all rollicking to an ending so happy it'll bring tears to your eyes. Crazy musicians! (BL, Tucker, GA)

One of my Favorite Comedies!!
This is one of my Favorite comedies of all time! It has the best cast ever for the lead characters, Steve Martin and Lily Tomlin. As for the plot I am going to copy from what I have on a poster in my room of the movie:
"When rich, eccentric Edwina Cutwater died, a crazy guru tried to transport her soul into the body of a beautiful young woman. But the guru goofed, and Edwina's soul is accidentally taken over the entire right side of her lawyer, Rodger Cobb [Steve Martin]. He still controls what's left. Now, Edwina and Roger are living together in the same body. He's losing his job; He's losing his girlfriend. And he just can't seem to get her out of his system. No matter how hard he tries."
Well, there you have the plot...and now for the good part: The acting! Steve Martin and Lily Tomlin are two of my favorite actors of all time...and when I heard they were in a Comedy together I was suprised and amazed! So when I popped in the video I knew it was gonna be good. I'm not going to go into descriptions in detail of the movie because you'll just have to see it to believe me...and I know you won't be dissapointed! This is truly one of the best comedy's ever and with great performances by great actors, "All of Me" certainly can't be missed!!

Great performance
Proof that the Academy Awards don't care for comedy is Steve Martin's failure to get a nomination for his performance in "All of Me", as challenging a role as any in drama. Martin is brilliant in his portrayal as a man with two souls in one body. The story, cast, and laughs are first-rate. The DVD transfer is average and the choice of full-screen is, as always, disappointing. An essential purchase for Steve Martin fans, however. ... Read more

Description

When Max Renn goes looking for edgy new shows for his sleazy cable TV station, he stumbles across the pirate broadcast of a hyperviolent torture show called "Videodrome." As he unearths the origins of the program, he embarks on a hallucinatory journey into a shadow world of right-wing conspiracies, sadomasochistic sex games, and bodily transformation. Renn’s ordinary life dissolves around him, he finds himself at the center of a conflict between opposing factions in the struggle to control the truth behind the radical human future of "the New Flesh." Starring James Woods and Deborah Harry in one of her first film roles, Videodrome is one of writer/director David Cronenberg’s most original and provocative works, fusing social commentary with shocking elements of sex and violence. With groundbreaking special effects makeup by Academy Award®-winner Rick Baker, Videodrome has come to be regarded as one of the most influential and mind-bending science fiction films of the 1980s, and The Criterion Collection is proud to present it in its full-length unrated edition. ... Read more

Reviews (66)

Videodrome - It's Watching you!!!
David Cronenberg is obsessed with technology and body modification - especially how all of this equates to sex and death. How do things CHANGE us? VIDEODROME is probably one of his most blatant statements about television, and the dangers of being more than a voyeur. There is a danger lurking in every scene of this movie, and even the sex scenes take on a disturbing horror vibe. Graphic and disturbing? Yes. But also very thought-provoking, and well-done. The DVD lets you see the movie in its widescreen unedited gory glory. Also included is a very disorienting trailer that was produced on a COMMODORE 64! The performances are outstanding including James Woods at his most likeable, and Debbie Harry as a distant emotionally cold woman who is turned on by the atrocity that is VIDEODROME. The plot centers on Woods as a slimey cable producer looking for hardcore programming to launch his cable channel. He stumbles across a show called VIDEODROME that is pure sex and torture to the point of death. Is it real? Where is it coming from? And why does everyone who watches it become a part of it? EXIStENZ is VIDEODROME's bookend - the gaming side of this theme.

Outstanding Horror
TV will rot your brain, some say- and in the world of Videodrome, that's exactly what happens. A group working with a media philosopher (a nice parody of Marshall McCluhan) has created a signal that can be superimposed on a video program that will, quite literally, mutate the brain. It may be a tumor- or it may be a new organ. It's infected cable TV president Max Venn (James Woods), and is starting to change him and his world in bizarre ways.

Videodrome is a wonderfully original movie that mixes a well crafted script with some novel (for the time) special effects and a marvelous darkly comic sensibility. Puns abound; the president of "Spectacular Optics"- itself a pun- is named Convex. Brian Oblivion (the Marshall McCluhan parody) founded the "Cathode Ray Mission" (as in "cathode ray emission"), where the homeless and destitute are re-integrated into society by providing them with exposure to television.

Underneath this is a dark, sexual theme- Max's attraction to the images of bondage and sadism that are his undoing, and to radio psychologist Nikki (Debbie Harry, in a compelling if inartful performance) who is willing to go a lot farther than is Max in her pursuit of kinky thrills.

Is Max really being physically transformed, or is it all in his head? Is the New Flesh real, or another delusion? All in all, a compelling and original film that will delight any fan of cult films and erotic horror.

David Cronenberg Scores Again With Videodrome!
David Cronenberg is one of the greatest horror film directors to come on the scene. His stylish mix of science fiction and horror gives us surreal films easily compared to directors like David Lynch amoung others. Videodrome is probably my favorite Cronenberg film.

The film is about a television station that specializes in showing softcore pornography and other disturbing types of film. Max Renn, played wonderfully by James Woods, has people go out and find new footage for the network to play. In his search, Renn comes across a video entitled Videodrome, which contains footage of a brutal torture of a few woman. The video becomes an obsession of Renn's and begins to control his life.

An incredible film, with amazing performances from Debrah Harry, singer for the band Blondie, and Woods. The film gives a surreal look at how what we see on television can control our lives. I recommend it to anyone who loves Sci-Fi or horror movies. Definately a classic.

"I want to play something for you."
Max Renn (James Woods) is the CEO of a sleazy little cable channel that is eking out its niche in the market by offering violence and soft-core pornography. Always on the lookout for something tougher, he becomes excited by the pirate broadcasts of a program called Videodrome, 30 minutes of torture with no pretense to any plot. He decides to track down the makers of the show, little realizing that he is already in way over his head...

David Cronenberg is a consistently interesting filmmaker and his major themes are on display here-the question of identity and the ways, both physical and psychological, that man is transformed by his technology. "Videodrome" is prescient in the way it forecasted the ever-increasing levels of depravity and sensation that has become available in the media. The film becomes increasingly surreal and phantasmagoric as the story progresses, but stick with it and think about it afterward. All the pieces fit together.

Thank you Criterion.
This film is finally getting the treatment it deserves, a double-disc Criterion edition. It will be re-discovered and newly discovered by Cronenberg & Criterion fans alike.

The soundtrack and the dialogue were always more disturbing to me than the imagery, which still shocks and creeps under your skin more than any CGI effect ever could. It's the organic nature of Cronenberg's style that sets him apart from everyone, period.

It's also his most prophetic work, a warning for how television can and has warped our sense of reality.

"The battle for the mind of North America will be fought in the video arena, the Videodrome." ... Read more

Reviews (24)

A Fabulous Study of Mob Mentality
Before "12 Angry Men" there was "The Ox-Bow Incident," a bleaker and never less than fascinating exploration of the nature of mob violence. Unlike "12 Angry Men," this film has no clear-cut heroes. It takes place in a more primitive, wilder time and location, and the principal question at the crux of this movie's conflict is whether or not three suspected cattle thiefs should be punished without due legal process. A small group is in favor of letting the frontier town sheriff handle the situation, while a much larger group smells only blood (and in some cases are motivated by personal vengeance) and convince themselves of the suspects' guilt without listening to any of the evidence. It's quite a frightening movie in its own way, and it has a stark look at odds with the average studio film being churned out at the time (1943).

Henry Fonda is quite good, as usual, in the closest thing the movie has to a main character, but it seems pointless to single him out in what is obviously such an ensemble effort, and in a movie that only lasts a mere 75 minutes or so and has such a large cast, each actor manages to color his/her character with delightful details, sometimes with no more than a single line of dialogue or one reaction shot.

"The Ox-Bow Incident" is a fantastic film. I don't think it's well-remembered now, but I'm thrilled to see it on DVD and hope that it will be rediscovered.

Grade: A

Mob Mentality
The Ox-Bow Incident is the best film that I have seen to look at the dynamics and mentality of a mob. In this story, three innocent men are captured and accused of the death of a rancher. Although Henry Fonda, a drifter, tries to change the mind of the mob, everyone wants "justice". The lives of three men hang in the balance. Fonda, as usual, is excellent in his role of the man trying to convince the others, similar in a way to his role in 12 Angry Men. Dana Andrews, as one of the accused men, gives a heartfelt, unusually emotional performance. The movie is short (75 minutes), which means the action moves at a good pace, and the black and white photography adds to the starkness of the whole situation. This is a western that takes a sharp look at how mobs function, and it presents a lot of unfortunate truths.

A masterpiece!
What are the last consequences about a crowd who decide to lynch a man?
Notice this film is made in just the middle of WW2. William Wellman made a timeless script about the no sense and the unthinkable behavior of a crowd in a small town who have decided in the name of a collective honor code to make justice by themselves.
You must have noticed that in the most of the cases the human being acts due the passion instead the reason. And that's the nucleus of the film . The concept of justice can not associate just because the number by itself imposses . This a warning for all of us .
Since the collective memory is weak and their feelings are always under the reason , you may inquire the reason must prevail. But beware. The point to remark is that the passion must under the reason's service .
In 1935 Fritz Lang made his first film in USA titled Fury with a closest script.
A powerful and timeless film!

Short and Sharp
This film is incredibly tense and concise; the antithesis of sprawling, yawning Westerns like "The Missing" and "Open Range." At just 75 minutes, shot in claustrophobic black-and-white, not a shot or line of dialogue is wasted. Dana Andrews is completely sympathetic as the leader of the three men unjustly accused of murder, while Henry Fonda has an unusually disquieting turn as someone who goes along with the lynching...at least, until the very end of the picture. They are just two of the many powerful performances. It's a great picture, even for people (like me) who aren't really too keen on Westerns.

The DVD includes a commentary by Dick Etulain, Western professor and enthusiast, and director William Wellman's son. This gets repetitive quickly, so it's best to sample the first thirty minutes and then move on. Strangely, Fox's sound editors seem to have felt similarly, because Wellman repeats a comment right in the middle of the film! Also included are a trailer, photo gallery, restoration comparison, and the real gem of the thing - a great "A&E Biography" episode on Henry Fonda.

Magnificent and still very relevant
Never has so much tragedy been packed into such a brief film (not even 90 minutes in length). Ostensibly a western, this film is an unsettling examination of the nature of mob mentality. In large part, the wave of lynchings sweeping the Jim Crow South was behind the story being told. Although, fortunately, lynching is for the most part behind us, our propensity towards a mob mentality remains with us in great abundance. In times of national hysteria, movies such as this are a not so subtle reminder of what we, as a species at large, are sometimes capable of doing.

This is a magnificently crafted film. The tragedy of the events still carry great impact, even after 60 years. This a truly moving film that should by all means be a part of every collection, even if you don't care particularly for westerns. ... Read more

Reviews (21)

Great introduction to Westerns for women!
Westerns aren't known for having much appeal to women, but this one tops my Listmania list of "Westerns Even Your Girlfriend Will Enjoy."

Young Clint Eastwood and a gorgeous young Shirley MacLaine have real chemistry on the screen together in this romantic adventure. MacLaine plays Sister Sarah, a righteous but beautiful nun on a mission of political mercy. She's determined to get through some treacherous country on her own, with or without the help of the rugged Eastwood -- yer typical rougish figure turned reluctant hero.

There's a bit of a twist at the end... that I think is fabulous and brings closure to the whole story... Give it a watch and decide for yourself.

And sign up for notification for the release of this movie on DVD... This movie is definitely one to watch again and again and keep on the better medium.

Eastwood + MacLaine = Highly Enjoyable Western Romp!
Though a bit quirky at times, TWO MULES FOR SISTER SARA makes for great entertainment. This is mainly due to the pairing of Clint Eastwood and Shirley MacLaine; the two work surprisingly well (no, great) together, and form a hillarious duo. Do not be mislead by the DVD cover and back; Eastwood does NOT play his usual "Man With No Name", but rather a wandering nomad by the name of Hogan. One day he happens upon three men about to rape a young woman, and he of course plugs all three and saves her. Hogan is soon shocked to see that the woman is, in fact, a nun raising money for the Mexicans, and all the while on the run from the French. So the two pair up together, Sara in need of Hogan's protection and Hogan in need of her directions to a well-protected fort, where there is a safe full of over $1 thousand (I think). While the plot may not seem like much, what makes the movie so great is the constant bickering between the two superstars; seeing those two play off eachother is both fascinating and, at times, side-splitting. One can easily tell how this film served as a partial basis for the 1975 western ROOSTER COGBURN (AND THE LADY), in which John Wayne and Katherine Hepburn squarred off in a very similar fashion. One complaint I have about TWO MULES... is the score by none other than Ennio Morricone. Despite his brilliant music for Eastwood's MAN WITH NO NAME TRILOGY, his work here is far from impressive. But since the score is absent for most of the film, it is of little consequence.

After purchasing both "Universal Western Collection" editions of JOE KIDD and HIGH PLAINS DRIFTER, I was fearing more of the same here in terms of sound and picture. But luckily, this DVD is far superior in this sense. Unfortunately, there are even less extras present here than in those other discs; all you get is a trailer. But, as I said in my review for JOE KIDD, for $it's definitely worth it.

Clint Eastwood meets Frank Zappa
Pass on this hodgepodge of tuff guy meets nun/ballet dancer in a no-holds barred feature film guaranteed to bore you to tears.

Music from Heaven...
As one of the many people in the U.S. who engaged in a letter writing campaign to the film company, begging them to release a soundtrack recording for this movie, I can assure the previous reviewer that it wasn't available in the States when the movie was released. I can't speak for Canada, but as one of the people lucky enough to see the movie at it's New York Premier, and having seen it many times after that just to bask in the music and magnificent visuals again and again, I can tell you there was no soundtrack available when it first came out. The initial response we received to our letters was that a soundtrack wasn't planned at that time. It came out several months (nearly a year) after the initial release of the movie.

That aside, it is a dreadful shame that the entire soundtrack to Days of Heaven is not available by itself, as this recording is missing several essential pieces in the original LP soundtrack recording. The fact that this CD version hasn't been available for awhile, and used copies are nearly eighty dollars as of March 2004, tells me this soundtrack desperately needs to be re-released!

If you ever find this one at an affordable price, buy it immediately-this is gorgeous music...

...
I do want to correct one of the reviewers, "Days of Heaven" was initially released as a soundtrack upon the release of the movie but didn't stay in circulation for all that long. And with the pairing of "Two Mules for Sister Sara" this particular disc is once again going through the ranks of obscurity and hard to find, I know because I have spent 20 years searching to no avail. I was fi