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| 101. Harry Potter and the Chamber of Secrets (Widescreen Edition) Director: Chris Columbus | |
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Description Reviews (649)
The second entry adapted from J.K Rowling's legacy has neither the epic sweep of the fourth book (The Goblet of fire) nor the mystery of the third (The Prisoner of Azkaban) but is nonetheless an engaging adventure and a riveting story. What's more with director Chris Colombus at the helm who shows more precision and familiarity after his first attempt, Harry Potter and the Chamber of secrets is a majestic adventure filled with visionary sets and fluid CGI effects that astonishingly enhance the darker fantasy tale and adventure. The soaring adventure thrills with its enshrouding perils, awesome moments of wonder and enlightening morality and friendship. It thus resembles more of an awkward adolescence stage in this saga for the three main casts. Daniel Radcliffe, Emma Watson and Rupert Grinch as Harry, Hermoine and Ron reprises their role with the loss of their innocence along with veterans Maggie Smith as Professor McGonagall, the late Richard Harris as the benevolent headmaster Dumbledore, Robbie Coltrane as giant Hagrid and Alan Rickman as Professor Snape. The new interlopers are equally scene-grabbing in their own rights: Kenneth Branagh does a rib-tickling interpretation of braggadocio Gilderoy Lockheart as well as Jason Issacs as the wicked Lucius Malfoy. With a solidly ensembled cast and sumptuous sets, the second installment is fascinatingly entertaining as it is enchanting enough to sustain its 3 long hours without any misgivings.
I'm sure the naysayers had a wonderful time bashing this sequel for its evil undertones. Students get "petrified" and the basilisk takes shots at Harry, but all in all, Harry prevails. He makes the right choices, does the good deeds and fights a good fight. How dare he promote such horrible values! Please folks, I used up a lot of space harping on how kids need to have fun in my review of the first film. The same applies to this movie as well. Don't worry about your kid becoming a warlock or praying to Satan, just let them have a little fun. If you raise them right, you won't have to worry about any of that anyway. The "Potter" books encourage kids to read and use their imagination. That's a good thing in my book. The movies encourage kids to use their imaginations as well. You've just got to love something that promotes so many good things. We need more heroes like Harry. He's a good character to let your kids read about and watch on the big screen. He's caring to others, takes his studies reasonably serious(you might want to promote Hermione's study habits to your kids, though) and he always tries to do the right thing. Overall this movie is fun and enjoyable for the whole family. Some of the scenes might scare the little ones, but this movie is worth explaining those scenes in order to get the message across. Watch this one and have a ton of fun. It's great for everybody. Highly recommended. ... Read more | |
| 102. Joshua Director: Jon Purdy | |
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Amazon.com Reviews (96)
There are no real surprises in "Joshua," especially since the opening credits tell us that Giancarlo Giannini plays the Pope in the movie we are about to see. But the point of the story here is not to tell you anything you do not already know. The message, when Joshua actually articulates one, is the one that has been around for almost two thousand years. So the attraction here is the enticing "what if?" as to what it would be like if Jesus suddenly showed up in your neck of the woods and started doing things and talking to people. Joshua does not preach series nor does he tell parables. The important thing here is that when you talk, he listens to you. This is not the first time that a movie has tried to portray a more "realistic" type of Jesus. There was Jeffrey Hunter in the 1961 film "King of Kings," where Jesus walked among the masses while he gave the Sermon on the Mount. In "The Passion of the Christ" the focus on the story is on the scourging and crucifixion of Jesus, but in the film's few flashbacks James Caviezel reveals a remarkably accessible figure. Tony Goldwyn has an advantage in that he does not have to wear the beard, long hair, and flowing robes of the conventional images of the Biblical Jesus. He plays Joshua as what you can only describe as being a good guy, which is more difficult to play that you would think. Auburn is not a modern Sodom or Gomorrah. The worst you can say about the place is that the different denominations are not paying attention to each other. But then one of the points about Joshua is that he not only fixes churches and carves statues of Peter, he also fixes small things. "Joshua" is about the ministry of Jesus and the miracles have the same affect they did the first time around. The supporting cast is solid, with F. Murray Abraham as Father Tardone, the local priest who is suspicious of the stranger in town, Kurt Fuller as Father Pat Hayes, who is captivated by that same stranger, and Stacy Edwards as Maggie, who has a different idea as to what void in her life Joshua can fill. Granted, anyone who has never been to church on Sunday is not going to be interested in this film, but "Joshua" should appeal to most Christian audiences, who will find it a pleasant reaffirmation of their beliefs.
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| 103. Harry Potter and the Prisoner of Azkaban (Widescreen Edition) Director: Alfonso Cuarón | |
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Reviews (453)
Things that were left out -cho chang things that were changed basically i think the movie was really good as long as i don't think about it being the same as the book. parts of it were really good. i'm just kind of annoyed that i knew the book too well to really enjoy it. i sppent most of my time going "that never happened" (harry serching for peter pettigrew)
The third installment was indeed a pleasant one. A new director,Alfonso Cuarón, handled the performances perfectly. Daniel Radcliffe ...Harry Potter is becoming a fine actor and he is great in this movie. He loses his temper with his Aunt and he plays the scene brilliantly. The visuals of Hogwarts and it's grounds were beautiful and for me the high point was flight of the Hippogriff with Harry. The Hippogriff was an amazing creation. I reccomend the movie even if you are a total muggle.
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| 104. Frasier - The Complete First Season | |
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Amazon.com In the first season, Frasier and Marty try to learn how to coexist in the same apartment; Niles and Daphne spend a stormy evening in Niles's house; Frasier acquires pushy agent Bebe (Harriet Sansom Harris) and searches for love with Amanda Donohoe among others; his ex-wife Lilith (Bebe Neuwirth) makes a guest appearance; the family takes a cross-country trip in a Winnebago; and the two brothers collaborate on a book. Bonus features aren't spectacular, but are a cut above many similar DVD sets. Executive producers Peter Casey and David Lee provide a commentary track on the pilot episode. In a 20-minute making-of segment, they and the principal cast members discuss the creation of the show, casting (Lisa Kudrow was the other finalist for the character of Roz), and the mystery of the omni-absent Maris. "Frasier Crane's Apartment" looks at the set and props, and each disc spotlights a few of the celebrity voices that appeared as the radio show's callers.--David Horiuchi Reviews (45)
The release of the first season of Frasier on DVD is a masterstroke. Finally, you'll get all the wonderfully hilarious episodes of season 1 at your fingertips to love and enjoy all over again. See the first spark of Niles and Daphne. Meet agent Bebe for the first time. Watch Eddie tormenting Frasier ruthlessly. It's all there, and many, many, many laughs. In fact, laugh out loud laughs. You know you watch TV and you see something and you go, that's funny. But you don't laugh. Frasier makes you laugh out loud, even if sitting alone. Wonderful writing, expert directing, and the acting all lend themselves to your enjoyment. To be honest, it's the performances of the main cast that really stand out in this selection too. Kelsey Grammer's comedic timing is impeccable. David Hyde Pierce's everso fussy Niles plays off Kelsey's Frasier like a pair of matching bookends. John Mahoney is wonderfully gruff as Martin, while Jane Leeves plays a more cockney-ish version of Daphne, which would get more toned down later. Peri Gilpin, as one of my favorite characters Roz, has her edge back and biting. It's fun to watch these characters and actors as they started, and to realize how far they've come. Frasier always was a comedy for the thinking person. I think these DVD's are superb, and for the price you get quite bit. It's well worth your investment of time and money. Invite Frasier into your home, and enjoy!
I Hate Frasier Crane: 8/10: Frasier is irritated with Eddie's habit of constantly staring at him. Niles brings an editorial to Frasier by someone who claims to hate Frasier. They exchange verbal insults, and a fistfight is insinuated. Martin encourages Frasier to fight, instead of backing down, like he did 30 years ago. Call Me Irresponsible: 10/10: Frasier begins to date someone that he met unethically. He talked to the woman's former boyfriend on his show and told him to break off the relationship. He is torn between ethics and being happy. The crew takes a Christmas picture on October 21. Death Becomes Him: 10/10: Martin's doctor dies suddenly at the age of 41. He was always a health freak, and this sudden death worries Frasier, because he is the same age. The funny part is when Frasier goes to the funeral and when he hears about how healthy this man was, he questions whether he is really dead. Oops: 9/10: Rumors fly that someone at the radio station is going to get fired. When Bulldog's name is thrown around as the potential guy getting fired, he quits his job before he is able to get fired. Of course, he wasn't ever going to be fired in the first place. A Midwinter Night's Dream: 8/10: Niles and Daphne get stuck together alone and Frasier worries about what will happen, because Daphne isn't yet aware of Niles' crush on her. We hear a lot about Maris, but never see her. ... Read more | |
| 105. Earth 2 - The Complete Series | |
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Reviews (2)
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| 106. Conagher Director: Reynaldo Villalobos | |
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Description Reviews (21)
Cast: Sam Elliott Conagher was written by Louis L'Amour (Lamoore) about life in the West around the end of the 19th century, with trouble with the Indians, rustlers, and a widow woman (Katherine Ross) tryimg to raise her children on a hard scrabble farm.Conagher comes to their aid. L'Amour was a student of Western history.He understood the common man, having worked as a cowboy, circus roustabout, merchant seaman, boxer and served in the U.S.Navy.He was also a prolific writer of Western fiction, among other things. This is not the first L'Amour story that Elliott has played in.He also performed as Tell Sackett in The Sacketts, which was an amalgamation of several of Louis's stories in that series on that family. This story of Conagher was one of his good stories, which you will find typical of L'Amour's writing...good entertainment. Joseph (Joe) Pierre
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| 107. The Big Lebowski Director: Joel Coen | |
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Reviews (470)
It's about a man named Jeff Lebowski, who calls himself the Dude, and is described by the narrator as the laziest man in LA County. He lives only to go bowling, but is mistaken for a millionaire named the Big Lebowski, with funny consequences. The Dude is played by Jeff Bridges with a goatee, a potbelly, a ponytail and a pair of Bermuda shorts so large they may have been borrowed from his best friend and bowling teammate, Walter Sobchak (John Goodman). Their other teammate is Donny (Steve Buscemi), who may not be very bright, but it's hard be sure since he never is allowed to complete a sentence. Los Angeles in this film is a zoo of peculiar characters. One of the funniest is a Latino bowler named Jesus (John Turturro), who is seen going door to door in his neighborhood on the sort of mission you read about, but never picture anyone actually performing. The Dude tends to have colorful hallucinations when he's socked in the jaw or pounded on the head, which happens often, and one of them involves a musical comedy sequence inspired by Busby Berkeley. (It includes the first point-of-view shot in history from inside a bowling ball.) Some may complain The Big Lebowski rushes in all directions and never ends up anywhere. That isn't the film's flaw, but its style -- ala "Go" and "Swingers". The Dude, who smokes a lot of pot and guzzles White Russians made with half-and-half, starts every day filled with resolve, but his plans gradually dissolve into a haze of missed opportunities and missed intentions. Most people lead lives with a third act. The Dude lives days without evenings. Definitely a light hearted allround enjoyable movie -- something that deserves more than 9 reviews at Amazon! (as of this writing)
The film boasts quite a cast of actors including Jeff Bridges, John Goodman, Jullianne Moore, Philip Seymour Hoffman, Tara Reid, Ben Gazzara, Sam Elliot along with a few veterans of previous Coen brothers films like Steve Buscemi, John Tuturro, and Peter Stormere. So what is the film about? Well, I'll tell you...The film, which takes place in California in the early 90's, starts off with a little expository by a narrator known as The Stranger (Sam Elliot) giving us a little detail about the main character, Jeffery Lebowski aka The Dude, played by Bridges, who seems to have put on a bit of weight for the role, and sports long hair much like that he had when he was in the 1976 flopperino remake of King Kong. Anyway, the first thing you notice about The Dude is he is extremely laid back, very possibly a casualty of the California counterculture of the 60's and early 70's who seems perfectly content to take each day as it comes. While returning to his modest rental home one night, he finds two thuggish men waiting for him, one who soon acquaints The Dude's head with the inside of The Dude's toilet, while the other decides to despoil The Dude's living room rug in the manner of a unhousebroken dog. Seems these two men work for a smut peddler named Jackie Treehorn, and are looking to collect money owed to Mr. Treehorn by Jeffery Lebowski's wife, Bunny (Reid). Only thing is they got the wrong Jeffery Lebowski. Seeking reimbursement for his rug, The Dude visits the other Jeffery Lebowski, an older, well-to-do wheelchair bound man whose young trophy wife seems to have amassed quite a debt to a number of people, including Mr. Treehorn. This meeting sets into motion a complicated series of events including kidnapping which evolves into a mystery, a ransom request for one million dollars, a suitcase of dirty underwear, a stolen car, an altercation with nihilists, various beatings, guns, a bowling tournament, interpretive dance, a sexual liaison, a ferret, some drugs, painting in the nude, the removal of a toe, a wicky drug-induced dream sequence, copious amounts of profanity and even a death, all with The Dude right smack in the middle. Jeff Bridges is wonderful as The Dude, a laid back individual with a self awareness few possess having to deal with harshness put upon him by circumstances just always a bit out of his control. He ends up basically going with the flow, finally stumbling on a moment of clarity as the mystery resolves itself. The funniest scenes usually involve The Dude, his friend and bowling teammate Walter Sobchek (Goodman), and fellow friend Donny (Buscemi) as their conversations, riddled with ludicrous tangents, usually devolve into heated debates and personal attacks, usually with Donny getting the worst of it. One of the things I like so much about this film is there is just so much going on, much of which may seem unrelated to the main plot, but I think it's purposeful, weaving an thick, intricate, colorful tapestry right before your eyes and definitely requires numerous viewings, just to soak it all up. There is definitely a beginning, a middle, and an end here, but the path between is very convoluted at times, but not confusing, if that makes sense. Normally I dislike dream sequences in films, as they often tend to be a mish mash of stylistic tripe, but the one in this film was truly enjoyable and laden with symbolism relating to the events preceding it, and even utilizes a song I consider to be a classic in that of Just Dropped In (To See What Condition My Condition Was In) by Kenny Rogers and the First Edition. It was funny, because the core of the story is based on a mystery, but I spent little time in trying to decipher it, as I was so intrigued with everything that was going on, the related and seemingly unrelated material. A word of warning, though, as I've mentioned before, there is a good amount of profanity throughout the film, so if you are easily offended, you might steer clear of this movie. The film is offered in both wide screen and full screen format, and the picture quality is good, but not as good as I would have expected with such a recent release. Some scenes seemed a bit dark, and there was a slight fuzziness at times, but nothing very notable unless you are seated very close to the screen (I normally refrain from getting so picky, but I've seen this film a number of times). Special features are pretty slim, including a 30-minute interview with the Coen brothers on the making of the film, along with a teaser trailer and cast biographies. I didn't care for presentation much, as after putting the disc in your player, you are directed to pick a format, wide screen or full screen, and the movie would start playing, skipping entirely over the menu, presenting it only after completion of the film, or by pressing the menu button on the remote. This is most common on older or extremely cheap releases (this was originally released in 1998, and then again in 2003 with no enhancements or changes). If any film was ripe for an enhanced special edition re-release, this is it. Cookieman108
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| 108. The Pacifier (Widescreen Edition) Director: Adam Shankman | |
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Amazon.com Reviews (55)
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| 109. Buffy The Vampire Slayer - The Complete Seasons 1-4 | |
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Amazon.com The second season took the romance between Buffy and hunky Angel (David Boreanaz) from ecstasy to agony in a now-classic plot arc that catapulted the show from WB teen drama to true TV greatness. You see, if the cursed Angel ever experiences true happiness for a moment, he'll revert to being an evil vampire again. Buffy found its true momentum during the second season, as Xander fell in love with Cordelia, Willow gave up her crush on Xander in favor of werewolf boy Oz (Seth Green), and watcher Giles (Anthony Stewart Head) began a sweetly tentative relationship with computer teacher (and witch) Jenny Calendar (Robia LaMorte). Mayhem came to Sunnydale, though, in the form of evil vampires Drusilla (Juliet Landau) and Spike (drolly wicked James Marsters), who were more than ready to aid and abet Angel as he turned bad. The third season was marked by the arrival in Sunnydale of renegade slayer Faith (Eliza Dushku), a moody loner who seemed to like her demon-staking calling just a little too much. While Buffy was always wary of Faith, the two developed a deep friendship and appreciative rapport--that is, until the evil mayor of Sunnydale (Harry Groener) tapped into Faith's dark side and lured her into his plot to take over the world, first as a double agent spying on Buffy, then as out-and-out nemesis. And as the mayor's ascension approached--which happened to fall on Sunnydale High's graduation day--Buffy and Faith's battles got nastier and nastier, as Buffy attempted to wrestle with her dark side (literally and figuratively), save the world and her friends, and keep her lover Angel out of Faith's evil clutches. Chock-full of exceptional episodes, the third season started out with a bang (the superb season opener "Anne," in which a runaway Buffy finally returns to her Slayer calling) and never let up. Buffy truly hit its golden years in the fourth season--just when you thought this show couldn't get any better, Joss Whedon and his creative team pulled out all the stops and took Buffy and co. into rich new territory. By far, the highlight of the season (and the entire series) was the Emmy-nominated "Hush," a nearly dialogue-free episode in which the creepy "Gentlemen" rob Sunnydale of its collective voice, and Buffy and Riley finally come face to face with each other's hidden identities. Throughout, the entire cast, headed by the unparalleled Sarah Michelle Gellar, worked television magic of the kind rarely seen on the small screen. This is Buffy at its best. --Mark Englehart Reviews (56)
This set is perfect for either of two individuals. For those very small number of Buffy fanatics who for whatever reason haven't been able to afford the previous box sets, this will afford a remarkably inexpensive way of collecting the first four seasons. The list price for the entire set is only twice as much as the cost of the box sets of seasons 2, 3, or 4. This truly is an amazing bargain. This should never have achieved television greatness, yet it did. When Buffy premiered, it seemed the height of folly to do a low-budget television show based on a mediocre film. It seemed obvious to many that no show produced by a fledgling network (initially the WB and later the even smaller UPN) with the words BUFFY, VAMPIRE and SLAYER in its title could be more intelligent, innovative, and superb than anything produced by the BBC, or HBO, or the broadcast networks. But one of the great things about Buffy is that it almost immediately began destroying all ones assumptions and misconceptions. After the first season, Buffy began to eschew the format common to most TV shows where each episode contains a self-contained story, but instead opted for season long (or more) story arcs previously found in series like TWIN PEAKS, THE X-FILES, BABYLON 5, and the soaps. These long arcs are unquestionably a source of much the show's great power with fans, but it is also the reason that many potential new viewers were unable to get into the show. After a period of time, there was simply too much back story to pick up. This set should allow anyone to get the full Buffy experience, at least through the first four seasons. The show also broke with previous formats in combining comedy, romance, action, suspense, and realism in a degree not previously found on television. One episode might be primarily comedic, the next intensely romantic, another tragic, but most often one show would combine all of these. The show always did very poorly in Emmy nominations (despite being vastly better than any of the other shows nominated; that it didn't at the very least win every writing award is testimony to how absurd these awards are), and part of the reason is surely the fact that it fit uneasily in the established categories. Season One is in many ways the weakest season in the history of the show, but it is nevertheless amazingly successful. Almost in the first fifteen minutes, the core characters have been introduced and the chemistry that would drive the central friendships established. The season primarily consists of self-contained episodes, though a few themes that go season-long and even into the second season are introduced. We meet Willow, Xander, and Giles, who form the heart of the Scooby Gang through all seven seasons of the show, along with Angel and Cordelia, who depart after season three for Los Angeles and Angel's own show. Despite an excruciatingly small budget, Joss Whedon (the creative genius behind Buffy and Angel) and his team achieve miracles. Season Two is when the show achieves true greatness. The central story is that of the doomed love between Buffy and Angel, and there surely has been no more heart breaking pair of lovers in TV history. The show hits its full strike and rushes through a brilliant set of episodes, and along the way expands the cast to include Oz, who turns out to be a werewolf, and a pair of Sid and Nancy vampires, the platinum-haired Spike and his insane psychic girlfriend Druscilla. The final episode of the season is one of the most heart wrenching, and I defy any but the most hardhearted of individuals not to shed a tear or two. Season Three picks up where the previous one left off, and instantly proves it is capable telling stories with astonishing virtuosity. The Gang is in its final year of high school and as befitting seniors, the problems they face are more emotionally challenging, and all are called upon to deal with fresh disappointments and problems requiring more mature reactions. A new major character, Faith the rogue slayer, is introduced, and story of her embattled relationship with Buffy is a story that extends for more than just the one season and just the one show, carrying over onto ANGEL as well. In Season Four, Willow, Buffy, and Oz go off to college; Giles is unemployed (having previously been librarian at Sunnydale High), and Xander striving to find his way after high school. The season contains several superb episodes, including the highly acclaimed "Hush," performed with no dialogue for most of the show. These first four seasons are almost beyond criticism they are so remarkable. I urge anyone who hasn't experienced Buffy to do so, especially those who considered themselves smart, savvy, and literate. If ever there was a show made for smart people, it is this one. Just get over the silly name and your misconceptions, and take the plunge. You won't regret it.
For the rest of you, this is 88 hours of viewing pleasure. Okay, each episode is closer to 45-50 minutes (and okay, one or two of the episodes were turkeys), but when you add in the multitude of suplementary videos, as well as the commentaries that mean some episodes get to be viewed twice (and you're doing yourself a major diservice if you don't at least listen to Joss Whedon's commentaries), you're probably over 100 hours. Where you going to get that sort of deal elsewhere? For the price of one season of Star Trek, you can have four seasons of BtVS. And lets be honest, wouldn't you rather watch Buffy?
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| 110. Frasier - The Complete Final Season | |
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Amazon.com But Frasier was never about stunt casting. It's the writing, stupid, which, actually, was anything but. Episodes such as "Boo," "The Doctor Is Out," "Coots and Ladders," and "Caught in the Act" recapture Frasier's unique blend of wit and farce. The series finale, in which relationships take a significant turn and Frasier finally breaks out of that rut to follow his heart, is as satisfying as fans could wish. --Donald Liebenson | |
| 111. Concert for George Director: David Leland | |
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Amazon.com Reviews (214)
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