Reviews (24)

wow!!!this really is SUMMER MAGIC
what can i say hayley mills is a disney legend,and this movie is one of her masterpeices beside THE PARENT TRAP,THE MOON-SPINNERS,POLLYANNA...and many other disney films this movie has an excellent plot and a wonderful cast i give this 5 stars!!!

Delightful picture
This picture may not be rich in plot but it has a wonderful air about it that will make you feel good all over.When I was a child I begged my parents to take me to this movie. My parents ignored me and took me to a movie they wanted to see. As it turned out the movie they wanted to see had a sneak preview of Summer Magic. For years I have resisted purchasing this Hayley Mills classic. I don't know why I waited. It is excellent.

Corny
This movie is very corny. It is also annoying. It is a little unrealistic that everything would work out so well for this family. It is horribly corny. It is unbelieveable because Hayley Mills has a British accent and her family does not. Burl Ives's role is also cheesy (what else is new), and the name of the dude who owns the house's name is stolen from the bass player is Aerosmith, Tom Hamilton. The movie glorifies old ideals, such as country being better than the city. U should stay away from this one. It is not worth a stinking penny.

It's really good!
I love the end part when the owner of the house shows up and they dance and everyone just stares at him. Isn't he cute?

Soft Summer Magic
Hi! I'm Becky age 14. I've watched this a couple times, and loved it all the times. It does not include any offensive words, or anything eles concernig PG-13 movies. I wasn't around when Hayley Mills was a huge star or seen the rest of her movies or anything, but she did a wonderful job of acting. The special effects aren't incredably great by todays standards, but include that Disney Magic. Oh yeah, and the plot it great, a little slow in parts, but still great. This got boring after a while, so rent it a video rental store before you by it. Have fun! ... Read more

Amazon.com

Mel Brooks's 1987 parody of the Star Wars trilogy is a jumble of jokes rather than a comic feature, and, predictably, some of those jokes work better than others. The cast, including Brooks in two roles, more or less mimics the principal characters from George Lucas's famous story line, and the director certainly gets a boost from new allies (SCTV graduates Rick Moranis and John Candy) as well as old ones (Dick Van Patten, Dom DeLuise). Watch this and wait for the sporadic inspiration--but don't be surprised if you find yourself yearning for those years when Brooks was a more complete filmmaker (Young Frankenstein). --Tom Keogh ... Read more

Reviews (267)

HEY MEL BROOKS WE DON"T NEED A SECOND SPACEBALLS WE NEED
A FIRST ROBIN HOOD MEN IN TIGHTS. After viewing widescreen,fullscreen of the original dvd and the fullscreen vhs and then the TBS presentation not one of them gives you the complete picture.They all give you different corners WIDE;hides the floor and ceiling.FULL;covers elbows and noses TBS;gives you an extreme view to the far right so you can actually see the princess' OLD NOSE!! (which is barely noticible on either side of the original disc) But of course the left side suffers from lack of attention. I don't care what kind of bonus features you put in, bad picture presentation is BAD PICTURE PRESENTATION. All I had to do was read the picture dimensions on the so called "collectors edition" and I knew this was a waste of time and money. And that's a shame because the movie itself is very good and deserves better treatment than just a reissue of the widescreen side of the original disc and a second disc with a lot of fluff.

Collect what? A forced pre-menu trailer?! Not all bad tho!
This is an A++ movie, but the "special" DVD release is not as special as I had hoped.

Let's look at the bad parts first!

The pre-menu "don't pirate this disc" bit is a new live-action waste of time and seems to run much longer than the old-sk00l FBI warnings, despite the new version being in english only.How much money went into producing that claptrap anyway?The usual English/Spanish/French full-screen blurbs are more than adequate.Save the disc space for a better compression rate (not that this DVD release fails where it counts...).

Along with the new, patronizing, live-action piracy bit is an advert for the remake of the pink panther movie.One I was not able to cirumvent by pressing every menu button on my remote.This does not make for a happy viewer.And not just because it's yet another remake of yet another old movie that trashes the old and can't draw in the viewers at the theatres too, making execs wonder what went wrong as they then proceed to make a remake of another old film...but I digress.I also double-checked the price of the disc and all the blurbs on the box.I didn't pay for a pathetic trailer I can't get around.I paid for a movie.Not extra advertising in every place they can shove it.

Also, for "flubs" I had read "bloopers".Unless I missed a menu, there are no bloopers - which are usually far more interesting than pointing out flubs (production goofs such as pointing out the camera tracks in one scene and a poorly set up mirror in another), most people will find or just not care about.I want actors saying the effenheimer or the sclhizzlebler because they couldn't remember a line correctly!!

On the plus side, the opening menu (disc 1) is HIGHLY entertaining if you let it sit there and just run for a while.

DTS sound is AWESOME too.Alone it's worth the price!Specially in the F/X shots, you'll be blown away by the remix - it is INCREDIBLE and exceptionally well done.

Video quality is excellent for a restored 19 year old film too.

Nice to see the trailers and featurettes; especially when they hadn't been given the restoration treatment.(not being sarky here, it's incredible what they can do to restore and preserve film these days!)

The trivia game seems trivial; very obvious questions and the response sequences are too few to maintain interest.

But all in all, the restoration and enhancement of the video and audio is well worth the price.

As for the movie itself...easily one of Brooks' best works and is a great parody of the original Star Wars series, most of which were good in their own right but this parody of the original trilogy is stingingly funny.

I sincerely hope Brooks does a sequel (prequel) to Spaceballs because the "prequel" SW trilogy is so horrendously awful that any spoof of it would rake in far more money, of that I have no doubt!!

DinkDink,DinkDinkDinkDinkDinkDink !
Mel Brooks's "SPACEBALLS" is one of the funniest movies ever! From my childhood until forever this movie is a classic!

One of my favorite movies
I have watched this movie from begining to end so many times that I have lost count! As a clear spoof of all things sci-fi, Spaceballs goes all the way with the references to all the most popular science movies like Star Wars, Star Trek and even Alien.It's technical crew included many of the greats who worked on the original movies that it spoofs.The story is about Lone Starr and his friend Barf who is a half-man, half dog. (He's his "own best friend".) They are on a quest to rescue a runaway spoiled Druish princess who has come too close to the Spaceballs who are trying to steal the pure air from her home planet, Druidia.It is a great story that stands all on it's own without leaning too heavily on the movies that are beinging spoofed.

We needed more Schwartz in the Collector's Edition!
The movie itself is pure Mel Brooks. I really enjoy how Mel brings hilarious havoc to the sci-fi genre, spoofing movies from Flash Gordon and Buck Rogers to Star Trek and Star Wars.I am surprised that MPAA had originally given this movie a PG rating instead of a PG-13 rating since the movie is heavy on adult humor, language, and sexual innuendos - not exactly what I would call a flick for the whole family.Enough about the movie; this review is about the newly released Collector's Edition (CE), especially the bonus material.

The Dolby 5.1 sound quality has been enhanced compared to the original 2000 DVD release, but I will need to confirm this.I'm glad MGM offers a DTS track on disc 1.I have not yet compared Mel's commentary on the CE to the original release.I did make some limited comparisons of the picture quality: The colors are more vibrant (perhaps too much on the red?) and the picture is clearer to my eyes; the skin tones look correct to me. Since the video presentation is not THX quality, you will see some specks and film blemishes. The aspect ratio on the CE (1.85:1 for 16x9) is the same as the original 2000 release, but on my Sony monitor (4:3) the CE widescreen version is "slightly" zoomed in more than the 2000 widescreen released version.

I am disappointed in the Special Features. Why? For one reason, it does not include Rick Moranis.He is mentioned but is not interviewed at all - how can Mel not include Dark Helmet!In addition, you will not find any behind-the-scenes coverage (other than still photos) such as those found on the 2000 DVD release. Mel did not include any deleted scenes or bloopers (no, the film flubs don't count).However, there is a well-produced 29 minute documentary that includes the other main actors and crew members. You will learn that the actors and crew members had more laughs making this movie than the audience had watching it.If this is true, Mel should have included some of those comical moments in the Special Features.Also missing on this CE is a featurette about special-effects.The conversation between Mel and co-writer Thomas Meehan is rather boring, but the tribute to comical genius John Candy is commendable, touching, and about time.

The CE is a 2-disc DVD set.It is a shame that MGM and Mel could not/would not include more about this classic comedy.Overall I give the CE version a 3/5. The movie gets 4/5! ... Read more

Amazon.com

The secret word is overdue in regard to a DVD release of the delirious Pee-Wee's Playhouse, but this boxed set, packaged with the assistance and approval of series creator and star Paul Reubens, brings back all the bizarre charm and energy of this terrific Saturday-morning series. In creating Pee-Wee's Playhouse, Reubens blended the innocence of early children's television shows with the surreal visual style of music videos and Reubens' own gleefully manic creation (Pee-Wee grew out of Reubens's stint with the legendary comic improv group the Groundlings). The end result was the rare '80s children's program that encouraged creativity and individuality (and screaming, which was the proper response whenever the "secret word" was uttered) in its younger viewers, and delivered sly, subversive humor for Pee-Wee's older fans that had seen his live shows and movies. Critics were tickled by his antics as well, and gave the show the Television Critics Award for Outstanding Children's Program in 1987 (it would also pick up numerous Emmy awards and nominations for writing, editing and art direction through its five-season run).

The five discs in Playhouse #1 include all of Pee-Wee's first- and second-season adventures (including two unaired episodes) with his puppet pals Chairry, Conky the Robot, and Pterry, as well as a host of offbeat human performers like the late Phil Hartman (who played Captain Carl and served as one of the show's writers), Laurence Fishburne (Cowboy Curtis), Natasha Lyonne(the precocious Opal), William (Blacula) Marshall as the King of Cartoons (Marshall replaced Gilbert Lewis, who reigned as the King from 1986-87), Shirley Stoler from The Honeymoon Killers as Mrs. Steve, and Law and Order's S. Epartha Merkerson as Reba the Mail Lady. Highlights include the first episode, "Ice Cream Soup," which introduces most of the Playhouse crew; "Playhouse in Outer Space," which teaches a sweet (if thoroughly cracked) lesson in friendship; and the frantic "Party," which culminates in a rousing game of Pin the Tail on the Globey. PW faithful, take note: the 1988 Christmas Special is not included here, but fret not--it's available as a separate disc. This set has no supplemental features. --Paul Gaita ... Read more

Amazon.com essential video

After creating the last great traditionally animated film of the 20th century, The Iron Giant, filmmaker Brad Bird joined top-drawer studio Pixar to create this exciting, completely entertaining computer-animated film. Bird gives us a family of "supers," a brood of five with special powers desperately trying to fit in with the 9-to-5 suburban lifestyle. Of course, in a more innocent world, Bob and Helen Parr were superheroes, Mr. Incredible and Elastigirl. But blasted lawsuits and public disapproval forced them and other supers to go incognito, making it even tougher for their school-age kids, the shy Violet and the aptly named Dash. When a stranger named Mirage (voiced by Elizabeth Pena) secretly recruits Bob for a potential mission, the old glory days spin in his head, even if his body is a bit too plump for his old super suit.

Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!").

The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode.

Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.

The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.

The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).

Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the! !animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.

There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas

More Incredibles at Amazon.ca

The Incredibles Toy Store	CD Soundtrack	The Art of The Incredibles Book
Game Boy Advance	On VHS	The Essential Guide Book

The Pixar Feature Films

Toy Story, 1995 A Bug's Life, 1998 Toy Story 2, 1999

Monsters, Inc., 2001 Finding Nemo, 2003 The Incredibles, 2004

More Animation DVDs

Favorite Animated Performances	Previous Animated Oscar Nominees	If You Like The Incredibles...
Our Disney DVD Store	Looney Tunes Golden Collection	Walt Disney Treasures

More Superheroes on DVD

Batman Blade The Hulk

Justice League Robocop Space Ghost

Spider-Man Superman Teen Titans

Wonder Woman X-Men Also see our Comics & Graphic Novels Store

Also from Filmmaker Brad Bird

The Iron Giant (Writer/Director)	"Family Dog" on Amazing Stories (Writer/Director)	Batteries Not Included (Cowriter)
The Simpsons (Director/Consultant)	King of the Hill (Consultant)	The Critic (Consultant)

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Reviews (281)

The Incredibles
Disney-Pixar's 2004 animated feature about a super hero and his family who come out of hiding to battle a new villain.Mr. Incredible and his wife Elastigirl live quiet normal lives as Bob and Helen Parr in suburbia under government supervision due to previous public lawsuits that put them and other superheroes out of business.All is not well though as their superhero instincts and talents clash with mundane work and little excitement.Elastigirl has managed to adapt, but Mr. Incredible discreetly moonlights with his pal Frozone on "bowling night" saving people from fires and knocking out common criminals.Mixed in this trial are the children Dash and Violet, confused about their inherited superpowers while trying to cope with the difficult social challenges at school.Lastly is Jack-Jack the baby brother who appears to have been spared of any super talents.

Just when Mr. Incredible feels he has hit rock-bottom, he's hired by an apparent secret government organization to defeat a renegade robot at their base on a remote island.Mr. Incredible is successful and looks forward to more exciting assignments.It isn't long, however, before he finds out he's been duped into serving as a test bed for robots at the hands of Syndrome, an evil genius posing as a new superhero through clever gadgets.When Elastigirl learns of her husband's whereabouts, she heads out via jet to find out what's going on.Dash and Violet secretly follow their mom, and through a series of events, all find themselves battling Syndrome and his army of bad guys and robots.

This is a gem of an animated feature.While Pixar has ratcheted another progressive advance in animation, the characters and the story are terrific and not overshadowed by the techno-visual display.Dash and Violet are a joy to watch as they learn how to use their superpowers in the fight against evil, especially Dash's chase sequence when he's pursued bybad guys flying saucer hovercraft.Mr. Incredible and Elastigirl sorting out their family problems in the midst of this excitement are humorous and all the actors who voice the characters could not have done better.And not to be forgotten, Jack-Jack reveals his special powers near the conclusion of this feature.

Obviously the ending of this movie leaves options open for a sequel, and while this looks like a promising proposition, Pixar will have to work hard to compliment this feature successfully.

More For Adults?
This is a great movie for families, very funny and enjoyable to watch. Many of the themes will go over the head of younger children, more so than in most animated movies.But it's more fun for adults than most, and kids will still really enjoy it.I was pleasntly surprised by this movie, and would highly recommend it.

Not as good as Finding Nemo
Genre: Computer-Animated, Comedy

Genre Grade: A

Final Grade: A-

This was a great addition to Pixar's wonderful collection of films. While I believe Finding Nemo and even Toy Story were better than this movie, it still had some hilarious moments and great characters, namely Holly Hunter. I will say, however, that this is the most stunning computer animated movie I've ever seen. It's INCREDIBLE! Hahaha, sorry. I would have liked to have seen Samuel Jackson in more of the movie, and I think they could have made their characters a bit more quirky, honestly. Why was Finding Nemo so good? Because of a little fish named Dori. One character can make a movie (Toy Story hada number of them that made it), and I guess to me, this movie was just lacking in any incredible characters. Still great though!

Could not stop watching it over and over again
I have always been impressed with Steve Jobs and Pixar's work but this is the first time I was just blown away by what I took in with the multi viewing of The Incredibles. I didn't see this picture in the movies when it was released. I rented with a mail order online store. This movie was awe inspiring from begining to end. From its throw back look and feel to its technologically fantastic special effects. It brought me back to a time when having a super hero on your wall in your room meant something. I was never a big fan of comic book hero's but I would have loved to see The Incredibles in comic book form back in my younger days. As a african american male I was deeply touched by the movie having an african american super hero. One that didn't die in the begining of the film but really had an impact to the whole story line. I also enjoyed the fact that it depicted flawed super hero's that were not perfect and made mistakes. They seemed so real to life and genuine in all the things that happened to them. I only own one other Pixar movie Finding Nemo but this one hands down is my ultimate favorite yet. I do hope Pixar continues in this series for I am looking forward to the Incredibles 2.

Not just a "kid movie"
Some people love animation and some people could do without it. I'm addressing this review to the second group of people whom I urge to watch this for a number of reasons.

First, the characters. I guarantee that most people will forget this is animated for large stretches because of how interesting the characters are AND how well they are developed. Two methods are used to accomplish this brilliantly. One is the great interplay and dialogue which is typically confrontational between close friends and family members as well as between the heroes and villians. Another is the "historical backdrop" provided at the beginning of the movie where the heroes are shown "back in the day" before the primary plot conflict begins. This, I believe, is key to the success of every great story from "Lord of the Rings" to "Star Wars (IV,V,VI)" to "Harry Potter".

Secondly, the plot is superior among animated movies. I admit I liked "Toy Story I & II" as well as great Japanese stuff like "Spirited Away", but although they are spectactularly animated they're still kid movies. This flick has a great complex superhero plot which has several great surprises and twists and isn't revealed to the audience all at once. The suspense continues until the very end which ends on an uplifting family note and ties off all the subplots for each character beautifully.

Lastly, the comedic aspect is superb. From the strained family relationships stemming from the inability to use their super-powers to the "ever had one of those days?" theme this movie will draw in even those most critical of this budding genre of computer-aided animation by, once again, the film's ability to suspend the audience's realization that these aren't "real people". The overcoming of personal obstacles which characterizes the best of superhero movies is front and center in this movie, but unlike Batman and Spiderman, the family aspect gives the movie a kind of "everyman" applicability that the average film-goer will appreciate. ... Read more

Reviews (779)

Absolutely Brilliant
I have never really liked Drew Barrymore but after this movie I fell in love. I can't think of anyone else better to play Danielle,(cinderella). I had never heard of Dougray Scott before but he was a totally awesome Prince Henry,(prince charming). He was extremely handsome, witty and he always knew what to say, a very smooth talker. Angelica Houston was the most perfect Step-mother. She brings her character to life so well. All of the characters were so believable that you couldn't help but feel what they were feeling. I cannot think of another movie that kept me smiling through the whole entire time. There are a few scenes where I wanted to cry but other than that I was smiling. I especially loved the scenery and costumes. They were so real and I felt like I was there with them. I often wish I lived in the 16th century just so I could wear those clothes. From the moment I turned the movie on I was enraptured in the story. There wasn't a minute where I was bored or lost. I loved every minute of it. I like how they had one mean step-sister and one nice step-sister. They both played their parts extremely well. I loved how Leonardo DiVinchi was kind of like the "fairy god-mother". Drew and Dougary had such a great chemistry it was hard not to fall in love with them too. My favorite part was when Leonardo DiVinchi was walking on the water and saw Danielle and said "looks like rain". That was so funny. There is something for almost everyone in this movie. There is romance, action, drama, comedy and lots more. It was wonderful that Drew was a very strong willed, hopeful, passionate young woman. She never gave up and always looked for the best in things, even her family. She really wasn't the one who needed to be rescued. Dougray was so hansome you couldn't help being drawn to him. I think it was fantastic how Prince Henry rejected Danielle when he found out who she really was and then came to his senses and realized that he couldn' live without her. It was definitely a romantic movie. I have seen it over 10 times and never tire of it.. I learn something new every time. I think we all want a love like this, a true love which nothing can break. If you watch this movie I am positive that you will fall in love with everything about it, especially characters, just as I have.

Deconstructýon of a Fairy Tale
Ever after is an impressive attempt at historicising and deconstructing a fairy tale. The novel, unlike the fairy tale, placed events in a historical context. It is France in the Sixteenth Century. More over, the Cinderella of the fairy tale is beautiful, fragile, dependant on the supernatural (magic), and a highly sentimental female; whereas the new Cinderella is every thing feminists want to see in a woman: she is smart, hardworking, has guts, and independent. I loved the scene when Prince Henry towards the end comes dashing to save her from her captor to be faced by a defiant disarrayed woman with dirty nails and dirt smeared face saying "I saved myself" thus rescinding the conventional tale and emptying it of all its male-superiority claims. The part where she rescues the Prince from the king of Gipsies and carries him on her shoulder says it all. Ever after is a film I would love to show to my students.

The Most Amazing Cinderella Story Ever!
Cinderella always has been my favourite fairytale. But this movie is classy and features an incredible cast. Drew Barrymore couldn't be more perfect for her role as Danielle. Anjelica Huston is FANtastic as the evil-stepmother. Dougray Scott is somewhat of a hottie, and he and Drew make the sweetest on-screen couple! Leonardo Da Vinci is the funny, witty, 'fairy godfather' inventor, who also turns out to be a matchmaker. The two stepsisters are a necessity, one kind-hearted but gut-less, the other as evil as her mother.
The story is beautifully written. Danielle is forced to sleep with the pigs, but her character is beautiful. Independent, intelligent, spirited, beautiful (inside and out), and kind, her will to overcome her scheming step-mother and stepsister Margheurite is mind-blowing.
This movie is an incredible experience, one movie I will never forget as the perfect, classy Cinderella story!
The version with Whoopie Goldberg and Brandy is ugh!

no fairy tales or pixie dust
At first when I saw they were making this movie I was intrigued, but also skeptical, about this new twist on Perrault's Cinderella, this time starring Drew Barrymore. Well, Cinderella is my second favourite fairy tale, so I should probably force myself to sit through it for that reason alone. Barrymore's also not that bad of an actress, not the best, but hey not the worst. Then I notice Anjelica Huston is in it also, and hey I really like her so why not go and see it?

Well eventually I completely forgot about the movie, never did get around to seeing it in theatres. Then while surfing through the channels on my TV I see a commercial for the movie being shown on some station and I'm intrigued all over again. So I tune in to see the movie, and wow, I was not expecting this movie to be as great as it was.

This is not Disney's version of Cinderella, not by a long shot, so if that's what you're looking for in your tale of Cinderella I suggest you search elsewhere. Instead of the pixie dust and fairy tails you get the legend of Cinderella, the supposedly true story which the fairy tales were later based off of. The movie opens with the brothers Grimm arriving at a castle in France invited there by an again woman who wishes to tell them the true story of Cinderella without the magical pumpkins or a faery godmother. I'll spare you all the details of the film which every other reviewer has already gone through. I will however tell you that the performance is average from Drew Barrymore, no fireworks with her acting here, just the way she usually is, which isn't that bad but she's not going to be winning an Oscar anytime soon I promise you that. Anjelica Huston was amazing and easily stole the movie away from Barrymore, she was simply delicious as an Evil Stepmother, the role fit her like a glove. Perhaps my favourite role in the film was of Pierre le Pieu played by Richard O'Brien more widely known as Riff Raff in The Rocky Horror Picture Show. I nearly fell off of my seat the first time I saw this movie and he first appeared!

You'll not be disappointed at all by this movie if you decide to take the time to sit and watch this movie. It is however a "chick-flick" if you haven't already noticed so considered yourself warned. It's not quite as bad as most of them, but it has the makings to make most men wish to rip their hair out at having to even think about watching this movie.

Cinerella in a New Light
This past weekend I had the pleasure of seeing one of the best movies I have seen in a long time. I am speaking of Ever After starring Drew Barrymore and Angelica Huston. This is a Cinderella story with a bit of a twist.

The film opens with an ageing Princess being visited by to two gentlemen who turn out to be the Brothers Grimm. She compliments them on their work and mentions her fascination with the tale of the little cinder girl. While the brothers joke about pumpkins and fairy godmothers the princess reveals the glass slipper and offers to tell them the true tale.

Danielle gains a step-mother and two step-sisters when her father marries a Countess. Soon she runs into the Prince. She thinks he is a thief and pelts him with apples. When she realizes her mistake she offers up her life. But the Prince in on the run so he rewards her with gold. Danielle uses the gold to buy back the husband of one of the servants. But to do so she must impersonate a courtier and runs into the Prince again. She manages to sneak away but only after giving her mother's name as her own.

The stage is now set. The Prince does not want to marry the Spanish Princess his father has arranged for and seeks out Danielle. Under the pretense that she is a courtier they spend time together and a romance blossoms. The Prince is all set to announce his engagement (made at midnight at a ball) to Danielle but her step-mother reveals her base heritage and the Prince becomes angry. But in the end everything works out and the scene returns to the Brothers Grimm and Danielle's great-granddaughter.

There are no elements of the fantastic in this tale. No magic of fairies. Instead an attempt is made to place the tale firmly into history. The story is set in France in the Sixteenth century with the Prince being the Crown Prince of France. A little more cement is added in the form of Leonardo Da.. Vinci who has arrived to be the Royal Artist. Could this be during the two-year gap in Leonardo's history? I don't know. I do know that the movie is filled with humor, adventure and romance and stars a Cinderella who is a bit more competent than other renditions.

Angelica Huston is perfect as the step-mother. She really has the knack of being totally evil and proper at the same time. My only problem with the film was that the younger step-sister resembled Drew Barrymore a little too much. But that is a very minor point and hardly detracts from the film. I whole-heartedly recommend this film to anyone who likes a bit of fun, adventure, romance or any combination of the three. ... Read more

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The chameleon-like actor Kevin Spacey is best known for playing pyschopaths (in Seven and The Usual Suspects) and capturing a creepy mid-life crisis in American Beauty--but surprisingly, playing crooner Bobby Darin, Spacey does some snappy dancing and top-notch singing. Beyond the Sea puts Darin's life through a bit of a kaleidoscope: While singing Darin's most memorable hit, "Mack the Knife," Darin suddenly stops the show, revealing that he's not at a nightclub, but in the middle of a shooting a scene about his life as a nightclub performer. Why has he stopped? Because he's just seen himself as a young boy, peering from behind a curtain. Such self-conscious narrative twists recur throughout the movie, turning Darin's fight for fame and respect into a love story between his adult and childhood selves. Sandra Dee (Kate Bosworth, Win a Date with Tad Hamilton!), a hugely popular movie star in her own right, was supposedly the love of Darin's life, but she never holds his attention as does his childhood self (played by newcomer William Ullrich). It's a striking metaphor for the narcissism that drives such success-hungry entertainers. But despite (or perhaps because of) the complexity of the telling, the events never grip your emotions; though Darin's life featured hits galore and a few soap opera twists, his story lacks the seductive charm of his nighclub show. Also featuring Bob Hoskins, John Goodman, Brenda Blethyn, and Greta Scacchi. --Bret Fetzer ... Read more

Reviews (44)

Un-interesting
From what I remember of him, Bobby Darrin was a colorless character, trying to be more than his talent would allow.This is pretty much how this movie comes across.

Kevin Spacey appears to capture him well, as a vain and ultimately a lonely young man who, in the end, faded away from relevance.But this does not make for a good movie.The movie seemed to be very selective in what it presented, and created no sympathy for the man or for those around him.I was glad when it was over and I can not recommend it as worthwhile viewing.There are much better movies out there based on the life of a musician, and with more interesting characters, such as De-Lovely or Ray, and this one just does not belong in that category.

Great music and performances
I saw this movie in theatres and ever since I've thought about it quite often.Certainly will pick up this DVD - definitely a gem that was missed by many.If you are a Darin or Spacey fan for sure pick this up.If you like music-bios or enjoy the nostalgia of the 50's and 60's, this brings it all together.

A dozen years in the making
I came to this film as a Kevin Spacey fan. I was around when Darin was singing, but my interests were elsewhere. Now, I've seen a couple of his films and a DVD, and hopefully, Kevin has revived some interest in his music. For those critics, who complained Spacey was too old for the part; he was just the right age when he first tried to get backing for the film. Finally, he had to produce and direct it himself. He was born to play the part; no one else could have sang like Darin. Kevin was excellent in the role, and, directed the film with imagination and courage. He was given the cold shoulder from the Hollywood Academy Awards, and many critics used the words"vanity piece" to put the, suddenly unpopular, actor in his place. To be fair, there were some critics, Ebert and Roeper, among them, who lauded the film. Thank you Kevin, for trying the unusual and making it work for many of us. Christine Souter

Bobby Would've Been Pleased
The movie is a musical done in the style of Bobby Darin's era.As a lifelong fan of Bobby Darin, I was hoping for a straight bio with music ala "Ray" as Bobby had a fascinating life. It's always risky to make something that isn't necessary commercial but true art.It's a movie about a cool and classy guy made by a cool and classy guy.It's also nice to do without the usual lip synching.Kevin sings and sings so incredibly well that some of his vocals outshine Bobby's.For that alone, rent the DVD when it's released.For that matter, purchase the soundtrack.You won't be disappointed...it's incredible.

See for Kevin Spacey's Bravura Singing and Dancing
This is no box-office hit, and ignored by Oscar, but 'Beyond the Sea' has lots of good things in it, even if you don't know anything about Bobby Darin.Kevin Spacey made it publicly known that to make Bobby Darin's bio-pic had been his dream, and the film proves that he really meant it.Though the film could be better with different approach, 'Beyond the Sea' is still impressive for its songs, dances, and acting.

Though many remember him as the singer of pop songs like 'Splish Splash' 'Dream Lover' or various jazz numbers including 'Mack the Knife,' Bobby Darin did much more than that.Born in 1936, Bobby Darin was Oscar nominated for his supporting role in 'Captain Newman, MD' in 1963; he sang a Tim Hardin folk rock song; and he hosted a TV show in the 70s.Kevin Spacy as director and star follows the life of Bobby Darin from his childhood in Bronx to his early death.

What is most memorable and amazing is the musical parts inserted here and there in the story.Kevin Spacey is usually associated with the part of A) creepy guy or B) weird guy, but here he shows his side of great entertainer.Not only he sings Bobby Darin songs himself, but shows amaaing dancing.In fact, the film looks as if it stops to show his skills, and though some may say it's his vanity, his talent is still undeniable.

The supprts include Kate Bosworth as Sandra Dee, John Goodman, Bob Hoskins, Brenda Blethyn and Greta Scacchi.Quite frankly, none of them are as effective as Kevin Sapcey, perhaps with an exception of Brenda Blethyn who disappears too soon from the film.I really like Kate Bosworth (and I liked her in 'Blue Crush'), but there's hardly any chemistry between Spacey and her that makes us believe Bobby and Sandra are married.Real Sandra Dee was younger than Bobby Darin by six years while Kate Bosworth, gifted as she is, is younger than Kevin Spacey by 24 years.That's too much descrepancy.

But my real complaint is not this: as some of you know, Bobby Darin knew he was not going to live long (see the film), and was determined to be a professional singer no matter what people say.This is a great story, and Kevin Spacey must have known it.However. Kevin somehow decided on using 'frames' or unorthdox storytelling (used also in 'De-Lovely') in which Kevin's Bobby sees his life, guided by a child actor playing Bobby Darin's childhood.Why not use more orthodox way of telling a story when there is a good story at hand?

At one scene (I don't say where), Kevin Spacey indirectly gives his answer to some of the media people who continues to say he is too old to play the role of Bobby Darin.At another scene (in fact, it's opening), Kevin's Bobby Darin stops singing in the middle of 'Mack the Knife' and shows us that it's part of shooting the bio-pic of Bobby Darin.Take away these self-conscious moments, which clearly lessen the impact of the story, and 'Beyond the Sea' would be much better.

Still, the songs and dances are all great, full of energy and expert skills of first-rate artists.I don't know you and your reaction, but I like this film as the showcase of Kevin Spacey's talent. ... Read more

Reviews (344)

Visually spectacular (unbelievably cheesy storyline)
I know "What Dreams May Come" is a constant punching bag for movie critics alike and it wasn't exactly a blockbuster smash for Robin Williams but I sincerely like this film. I first saw "What Dreams May Come" when it was in the movie theaters. It was total eye candy with the gorgeous colors and the art-like quality. I felt like I was watching an artist creating his art work. The premise of the film is a bit silly. Robin Williams's character Chris is killed in a freak accident, leaving his emotionally unstable wife Annie played by Annabella Sciorra devasted and alone. The viewer also finds out that their two children were killed earlier in a car accident so when Chris dies, Annabella is completely consumed by grief and chooses that life is not worth living any more. Chris is sent to heaven which is basically a Monet painting. The bright vivid colors were stunning and made it a joy to watch. Cuba Gooding Jr. welcomes Chris into the after life and eventually helps Chris in his quest to find Annie. At the time, I enjoyed the storyline but as I was watching it tonight on tv, I never realized until now just how hokey the storyline and dialogue could be. Despite the hokiness of the film, I still enjoy watching "What Dreams May Come". I think my favorite scenes had to be when Chris literally went to purgatory. The images and colors were spectacular. Those scenes of people falling from the waves as well as from the air and exploding when hitting the ground was stunning to say the least. Those scenes were pure eye candy. "What Dreams May Come" is a good movie. It isn't nowhere as emotionally manipulative as "Patch Adams" was except maybe for a few scenes that involved the children. Otherwise "What Dreams May Come" is a good popcorn movie. It may not be Masterpiece Theater but I will take this movie over something as tripe as "Patch Adams" or overblown as "Armaggedeon" any day.

I wish my dreams were this cool.
What Dreams May Come is a very powerful movie. Simply put, it can make you think some very deep thoughts.

The story is very moving and brilliantly crafted. The main character is a doctor named Chris (Robin Williams). He has a wife (Annabella Sciorra) and two kids. His family is great and he seems to be living the American dream. Then his children are killed in a car accident and his life is shattered. He spends the next four years trying to recover from the tragedy. Then he is killed in another traffic accident and the story takes off as he goes to the beautiful afterlife.

The movie seamlessly transitions from present to flashback to give a sense that time is irrelevant in the afterlife and to fill in the rest of the story. The first person he sees is a young version of the doctor he apprenticed under (Cuba Gooding Jr.) who later turns out to be someone else, but I won't tell you because I don't want to ruin any parts of the movie. He is then taken to a beautiful heaven, which is actually his mental re-creation of one of his wife's paintings. He later learns that his wife has committed suicide and in doing so has trapped herself in a never-ending spiral of guilt (a.k.a. Hell). Chris then has to travel to the depths of Hell to find and attempt to bring back his wife.

This movie is loaded with abstract thoughts and themes. For example: Your obsessions in life will become your afterlife; Thought is real, physical is the illusion; God lets bad things happen to good people; and far too many others for me to list here.

The movie is visually breathtaking and the computer-generated graphics add greatly to the realness of the movie. The acting is good and director obviously knew what he was doing. I will recommend this movie to anyone who has ever contemplated his or her existence.

Visually beautiful and theologically interesting
There are surprisingly few movies dealing with a nonterrestrial afterlife. While there are hundreds of films dealing with the existence of individuals following death as embodied or disembodied spirits on earth, there are remarkably few that provide any glimpse of heaven. The few that do tend to present it as an inconceivably white, vast, and indistinct place, from HERE COMES MR. JORDAN to A MATTER OF LIFE AND DEATH to THE HORN BLOWS AT MIDNIGHT. In contrast to these other films, WHAT DREAMS MAY COME stands out as one of the most intensely colorful, beautiful, and vividly concrete films in cinema history.

The cast of the film is strong, but it would be a mistake to imagine that they are the reason for the film's success. Robin Williams as Chris Nielsen, Cuba Gooding Jr., Rosalind Chao (who I previously mainly knew only from STAR TREK: THE NEXT GENERATION), Max von Sydow, and the lovely but underused (not only in this film, but by Hollywood in general) Annabella Sciorra all hand in wonderful performances, but they are largely overwhelmed by the astonishing beauty of the sets, the inconceivably vivid colors, and the marvelous use of light. No performers could have competed, though they try gamely.

I find the film especially interesting for theological reasons. Ron Bass based the screenplay on a novel by Richard Mattheson. I must confess to not knowing the work of either, but I would lay heavy money that one of them (probably Mattheson) knew well C. S. Lewis's THE GREAT DIVORCE. In that work Lewis was concerned to lay out a concept of heaven and hell that did not regard God as responsible for sending people to hell. Instead, he described an afterlife in which people in hell still had the option of leaving hell and departing for heaven. These two ideas--of people placing themselves in hell and of having the option to leave hell for heaven--drive the metaphysics of WHAT DREAMS MAY COME, as I'm sure anyone who has seen the film will recognize.

So why do I give the film only four stars after all the nice things I have said about it? Primarily because the film doesn't really have all that much of a story to tell. The plot feels like a short subject stretched to feature length film proportions. Once you subtract all the amazing visuals, there simply wasn't that much to the film. The challenge for the filmmakers was primarily padding out the action of the film. Nonetheless, I do recommend this as an interesting and intensely beautiful film, despite the slender narrative.

Interestingly, the title of the film comes from Hamlet's famous soliloquy, in which he ponders whether or not to commit suicide. In the end, he decides not to because of the dreams that the dead may dream, presumably worse for having killed oneself. But such dreams did not prevent Annie Nielsen in the film from committing suicide. It is a nice ironical touch.

A Different Type of Love Story
This is a wonderful tale of death and love. Robin Williams dies in a car crash and wakes up in heaven. He sees his old dog and friends from his life that have died before him along with his two children that have died in a previous car accident. Robin finds out he that his wife is having an impossible time of living without him. She ends up committing suicide and then is sent ot hell. The rest of the movie is Robin on his quest to find his wife in Hell. The movie is stunning in detail and is truly beautiful to look at. Cuba Gooding Jr. and Max Von Syndow give stellar performances as supporting actors in this film. The DVD has the usual extras including a less than happy alternate ending.

A great movie despite some flaws
"What Dreams May Come" is an overlooked film that should have gotten more attention than it did. While not perfect, it's one of the most visually stunning and thought-provoking films to come around in a long time. Chris (Robin Williams) and Annie (Annabella Sciorra) are a happy couple who suffer the devastating loss of their children. Shortly afterwards Chris dies himself and goes to an afterlife, which turns out to be a surreal lush dreamworld that is a reflection of his wife's paintings (which deservedly won the Academy Award for Best Visual Effects). While there Chris meets an "angel" (Cuba Gooding Jr.) who guides him through the transition. Meanwhile, back in the real world, Annie becomes unable to cope with all the pain and losses and takes her own life, sending her to Hell. Determined to rescue Annie from an eternity in damnation, Chris sets out to find her and re-establish their bond together.

This movie could have easily been a masterpiece, with such a great cast, excellent visual effects and production. However, there are two things which severely take away from its effectiveness. For one, the flashback style becomes tedious after a bit and interrupts the flow of the story. Many other reviewers have commented on this. It's a major drawback. And two, some scenes simply do not work. For example, when Chris arrives in Hell and begins maneuvering around the heads sticking out of the ground. This scene is done in a humorous way, seemingly for comic relief. It simply does not work and is majorly out of place. Comic relief isn't what should happen here.

Aside from these flaws, "What Dreams May Come" is an enlightening viewing experience and will stay with you long after you're finished watching it. It can be interpreted in many ways: a film about the possibility of life after death: a film about never-ending love: a film about affirming the beauty of life. However you may see it, you will surely take away at least something from it after the credits roll. ... Read more

Reviews (63)

Two on, two out, Bonds is up again....
This movie was panned by the critics (as I recall it was on Roger Ebert's Worst list that year) and sank without even a bubble at the theaters. Why? I have no idea--I have watched this movie about 10 times now and I just love it! Kelsey Grammar is perfect as a think-outside-the-box Naval officer with "Welcome Aboard" tatooed on his docking probe. Bruce Dern is the by-the-book admiral who doesn't want Grammar's character promoted to sub captain. Admiral Rip Torn has other ideas, wanting to use Grammar in a naval exercise. Dern tries to sabotage Grammar by sending him the worst crew he can find: inexperienced diving officer Lauren Holly, the guy who played the psycho in Something About Mary is the sonar man, and a way-over-the-top Rob Schneider as the Exec. San Francisco's own U.S.S. Pampanito stars as the rust-bucket Fleet Sub they're all assigned to. This is a fun, goofy movie that does not take itself too seriously. There are a number of hilarious scenes (IMHO) that quite frankly depend on sophomoric humor. Who cares! It's not as gross as Animal House, and the plot moves quicker. Give Down Periscope a shot.

The Studio Must Think We're Idiots
I love this movie. I've seen it 20 times on tape at least. So when the DVD arrived this morning I couldn't wait to put it in the player. But wait, as the widescreen version (both are allegedly included on the DVD) played, it didn't look right to me. I started flipping between the widescreen and standard versions, and it confirmed my worst fears: THE STUDIO CARVED THE WIDESCREEN VERSION OUT OF THE STANDARD VERSION! I have never seen this done before on DVD. You will see the tops of everybody's heads cut off in the opening scenes. Later in the movie when captain Kelsey Grammar accuses dive officer Lauren Holly of being "almost out of uniform," the joke is completely ruined by the cropped view of Holly's uniform. This magnifying of the screen lowers the contrast and makes it look grainy. Did the studio think we wouldn't notice? I think this really shows contempt for us, the customers. When I buy a widescreen DVD, I expect to see what I saw in the theater! But here, you'll see more by watching the standard version. This is inexcusable.

The audio is presented in 5.1, which adds a great deal to this movie. However, better use could have been made of the surround speakers; the background is not well separated.

Now the movie: Kelsey Grammar is a "think outside the box" naval officer given command of the Stingray, a World War II Vallejo class Diesel sub. His assignment is to try to outwit the nuclear navy and run a blockade. To sabotage his efforts, Admiral Bruce Dern gives him the worst crew he can find including diving officer Holly, sonar man Harlan Williams, and an electrician who's taken "a lot of volts." Down Periscope was sunk by the critics when it came out--Roger Ebert put it on his worst of the year list. The humor is sophomoric and silly, and therein lies the charm of this movie. It has a good heart. Grammer is perfect as a goofball captain who is really very, very good at his job. This is kind of movie that will either work on you or it won't. If you like silly movies, give Down Periscope a shot. As for the butchering of the widescreen version of this movie on the DVD, let's hope this doesn't start a trend.

a unique comedy
Down Periscope is hilarious from beginning to end. It is one of those movies that has a serious plot invaded by superb humor. I laughed almost every couple of minutes while watching this movie. Down Periscope is one humorous movie that anyone can pretty much agree on. What is amazing to me is that this movie did not do well at the box office. I definately think it was good enough to spawn a sequel.

IT ***IS*** IN WIDESCREEN!!!!
I really hope the last reviewer comes back to see what else has been said. This is one of my favorite movies and I was a bit dissapointed that I wasn't going to be upgrading my poor, overwatched VHS tape that is hanging on by a thread, for a full Widescreen DVD with all the bells & whistles. I got the DVD anyway and noticed that one side is printed with "Side A Full Screen" while the other side is blank...cusriosity got the best of me and I figured that if it has "Side A" there must be a reason...so I put the DVD in on the other side...and the movie is there...AND IN WIDESCREEN! Apparently they forgot to print the label for side B, but it most certainly exists :)

I Think It's Funny!
I watched Down Periscope when I ordered it from Direct TV on the Satellite and I thought it was a good movie. I'm not really a fan of fart jokes but even I have to admit that the scene when the people on the ship were listening in on the submarine and someone farted and the sound was magnified and the guys on the ship couldn't figure out what the loud noise was was actually funny. Down Periscope is a 3 1/2 star movie that I recommend and I will have to think about buying the DVD which has both a widescreen version and a pan and scan version. I would definitely prefer the widescreen version! ... Read more

Reviews (147)

Early DiCaprio is great
This is a great movie, which features Leonardo DiCaprio, playing a role which is so distant from any other roles he's ever done, and he really shines. If you've seen Titanic, and a couple of his other movie roles, you'll be really shocked, that he can play a totally different role. He's not a pretty-boy as he normally is.

It's never really explained what's the matter with Leo's character, Arnie. He has a lot of different characteristics which relate to different special needs people. I tend to think he's autistic, but he never comes across as especially autistic. So it does get a bit confusing.

There is a really powerful connection between Johnny Depp's character, Gilbert, and Arnie. Gilbert is really protective of his younger brother, and ashamed by everyone else in his family. This relationship comes to a terrific climax later in the movie, which will shock everyone who's enjoyed their relationship up until then.

Juliette Lewis plays the girl Gilbert falls in love with, and who he gives up his older, married lover for. Most people in other reviews I've read don't seem to like her character, but I do. She was great for the part, and although I wasn't keen on her too short hair, I loved everything else about her role.

Darlene Cates plays the abnormally obese mother, who hasn't stepped out of the house in 7 years, until Arnie gets arrested. I'm not sure whether the sheer size of her was for real, or whether it was body padding/suit kinda thing. Her size is almost too realistic to be a body suit.

All in all, this is a terrific movie, which wrenches at your heart strings, and has you in tears with the dramatic finale.

THIS IS AN ENTERTAINING, ENJOYABLE AND SWEET MOVIE.
"What's Eating Gilbert Grape" is the kind of movie which you don't expect too much before you see it, but after you've seen it, a smile in your face will appear.

The movie tells the story of Gilbert Grape, a nice guy trapped in a small town, with a dysfunctional family (as almost every family is), a job without a future and a relationship with a married woman. And despite all this, he is not a sad man, he is not depressed, he is not worried about himself; his main reason to live is to take care of his family. Everything else comes in a second place, including himself.

Johnny Depp is the center of the movie and his low-key performance is excellent, but the reason why this movie works so fine is the supporting cast; Leonardo DiCaprio is terrific as the mentally retarded brother, he and Depp are the fuel of the story. The rest of the cast includes: Darlene Cates as the big, big, big mother, John C. Reilly as Gilbert's best friend, Juliette Lewis as Gilbert's new love interest and Mary Steenburgen as the married woman who is having an affair with Gilbert, all of them are terrific in their roles.

The main purpose of "What's Eating Gilbert Grape" is to entertain audiences, and it does...a very enjoyable movie.

Excellent
This movie is indeed a tear jerker, yet work seeing.

What's eating Gilbert Grape?
..Well that's very simple. It's Gilbert's (Johnny Depp) disfunctional family. His brother (Leonardo DiCaprio) is mentally challenged, his mother (Darlene Cates) is morbidly obese, his youngest sister is a brat, there is also a house wife (Mary Steenburgen) who orders groceries from the store Gilbert works at, she has reasons of her own that does not include the need for food. She's quite capable of going to the supermarket herself. Let's just say she has more than a little thing for Gilbert. Gilbert's father passed away years earlier. Now only himself and the older sister seem able to take care of the home and family. I would like to mention that actress Darlene Cates has lost over 200 lbs. since this film was made. What's Eating Gilbert Grape is a wonderful, funny, sad and off beat drama that is sure to have something for everyone. I think it was very silly for one reviewer to say that this film makes fun of obesity and mentally impaired people. Are we not ever to have these types of characters in movies? I'm not sure if this person watched the entire film. It does have a positive message about these issues. This film doesn't make fun it only points out ignorance in people who do. When you see an overweight person do you stare at them? What if they are very overweight? I really liked the scene when Gilbert's mother said "I haven't always been like this." and Becky (Juliette Lewis) said "I haven't always been like this either." As if Becky didn't even notice that Gilbert's mother was of a beyond plus size. I myself work with mentally challenged kids everyday so Arnie just seemed like a kid to me. But in reality I have to say Leonardo DiCaprio was superb. On a less superb note however the DVD has zero extras. Well I guess if you wanna call having a theatrical trailer an extra feature go right ahead. I think a few featurettes and a director commentary is a must now days. Other than the lacks of DVD features this is a must purchase. Add it to your movie library ASAP.

the heart: you'll know it when you see it.
Needless to say this movie is NOT about making fun of the mentally retarded, the obese, grocery store stockers, randy housewives, or anyone else.
This movie is about the human heart, its complexity, pain, love, and cruely.
Gilbert is trapped by his heart. He wants to be a 'good person', but really he's already good enough, and its killing him: his spirit, his hope, and his love.
This is a wonderful movie if you can withstand the bleakness of Gilbert's life and not despair.
In the end, the story is lovely and the actors are marvelous. And where there's a good heart, there's hope. ... Read more

Reviews (79)

"Hello, Dolly!"
Mrs. Dolly Levi is inarguably the most endearing film character I have ever encountered. She is beautiful, fashionable, clever, and humorous. One cannot help but wish that Dolly actually existed. Indoubtedly, I cannot imagine anyone other than Barbra Streisand playing the part of Dolly. Her stunning voice and captivating performance make "Hello, Dolly!" a truly wonderful movie.
Besides Streisand's amazing performance, this movie includes some wonderful songs and exciting dancing scenes. However, the dancing scenes do become a bit tedious and long.
What is "Hello, Dolly!" all about? It is the story of a widow who arranges an unimaginable amount of events and places. She assists a couple's elopement, two friends' trip to New York City, and a bored man's romance.
This film features other loveable characters, too, such as a head waiter in a posh restaurant, an orchestra conductor at the same restaurant, and a hatmaker who desires to be "evil."
I would highly recommend this romantic comedy to anyone. Although the dance and song scenes are too long, watch the complete movie. Streisand's performance is extremely wonderful and endearing.

Hello, Dolly! Barbra's best intentions
Only Streisand's second movie, filmed during the politically and meteorlogically hot summer of 1968, Ms. Streisand turns in a performance that could have won her first best actress Oscar, instead of the much better "Funny Girl," filmed in 1967. Why an Oscar? Streisand knew from the start that she was terribly miscast as the middle-aged widow, Dolly Levi. Opposite Walter Matthau, twice her age at the time, it's not a believable story. The Oscar comes from Barbra's totally tongue-in-cheek performance. She is not Dolly Levi, she's really Mae West, Fanny Brice, Brooklyn Barbra, even a twinge of pre-star Dolly Parton. Listen as Barbra throws in a little southern accent here and there. But mostly watch an incredible actress do what she can with a story so silly that by the end of the film, 26 year-old Streisand changes the supposed-to-be 50+ widow into one of the sexiest screen performances in film history. Even Matthau can't hold back his disbelief when watching Barbra do her numbers. When there's no Barbra on screen, there's no film. You watch in anticipation until Barbra's next scene, wondering who she'll be. The film looks like Gene Kelly directed it in three days with many technical flaws in the continuity of blocking scenes and dialogue. Just watch Barbra. Forget that she's the best female singer of the 20th century (no pun intended). Think of her as a young, sexy actress who has such energy, fearless ambition to get her movie career going. Of course, the sets are incredible and her duet with Louis Armstrong (his last film performance) is classic, albeit about two minutes long. Watch Barbra whisper under her breath while filming the dance numbers in The Harmonia Gardens with seasoned dancers. She looks like she's saying, "What the hell am I doing here?" Actually, she's making pure movie magic happen, almost impromptu. Movie: three stars, Barbra: Five plus stars. Nice to see Michael (Phantom of the Opera) Crawford pretend he can't dance. Barbra doesn't talk about this movie, but being the most costly musical in history up to that time, 20th Century Fox got their money's worth a million times over by convincing the apprehensive Barbra Streisand to star. Sorry Carol Channing, but Barbra was the best choice.

Elephantitis
Thornton Wilder's modest little play "The Matchmaker" has been blown up as big as a zeppelin in this out-of-control Streisand vehicle. A couple of songs had been added in the original musical conversion of the play on Broadway but this Hollywood monstrosity was never on Wilder's drawing board. The play had in fact been filmed ten years earlier with Shirley Booth, Paul Ford, Anthony Perkins and Shirley MacLaine in the leads. They should have left it at that. The original point of the story of the middle-aged Dolly Levi's pursuit of Horace Vander Geller is swallowed up here by the vast sets (the New York street set was one of the largest ever constructed and was forbidden to Paul Newman for "Butch Cassidy and the Sundance Kid" for fear "Butch" would reach the theaters before "Dolly") and interminable and generally idiotic production numbers. This must be some of the worst dancing ever filmed. Hard to believe a couple of Hollywood veterans like Gene Kelly and Ernest Lehman rode herd on this fiasco.

Tune Vs Crawford: Palpable Onscreen Tension
The tension that erupted between Tommy Tune and Michael Crawford whenever they were onscreen together in this fine film was delightfully electric. Their intramural competition propagated palpable intensity not really visible or audible (they had no exchange of dialogue) -- it was more a matter of pride between two spunky bachelors, a jousting of the male wills: Tune's learned dance talent meets Crawford's raw dance energy. Both portraying young men pursuing women in the movie, their performances conveyed much more deep and lusty a purpose between them, a cocksure attitude of stretched wide smiles and leggy high-hop dancing, a genuine duel of actors in their prime. Don't miss this one because, despite their competition, both Crawford and Tune emerged victorious and grand.

The Last of the Great Movie Musicals
By Streisand's own admission, she was too young in 1967 to have made a movie about an middle-aged woman making a personal "comeback"... and we all know how wonderfully different and marvelous the film would have been with Carol Channing... however, this does not take away from the fact that this is an incredible, lush, entertaining and musically rich film. The transfer to DVD is superb and crystal clear in picture and sound. The widescreen is anamorphic and color corrected. The only drawback is Walter Matteau's typical characterization which often detracts from the scenes he appears in, and his song "It takes a woman" is only saved by the beautiful setting and the male singers and dancers that accompany him. His voice really should have been dubbed by someone who could sing. Not to worry, Marianne McAndrew (who is stunningly beautiful) is a treasure in this film.... and her songs are wonderful (not sure if that is really hear voice, but its terrific). The sets are incredible and who wouldn't give anything to dine and dance at the Harmonia Gardens? The set designs, art direction, cinematography and costumes are exquisite. ... Read more

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Otto Preminger expanded his vision in the 1960s with a whole series of ambitious, expansive dramas with huge casts and big themes. Advise and Consent, an examination of deal making, party politics, and congressional diplomacy in Washington's legislative halls (based on the novel by Allen Drury), is one of his best. Preminger broke the blacklist with his previous film, Exodus, and it rings through in this drama about a controversial nominee for secretary of state (a confident, stately Henry Fonda) accused of being a Communist. The nomination process becomes the center ring of the political circus, with fidgety accuser Burgess Meredith in the spotlight; devious, silver-tongued Charles Laughton cracking the whip as a southern senator with a grudge against Fonda; and party whip Walter Pidgeon lining up votes behind the scenes. Arm twisting and diplomatic hardball turns to perjury and blackmail, and a melodramatic twist gives this lesson in party politics a salacious soap opera dimension. Preminger's style has been hailed as "objective," but it's really a matter of attentiveness: he gives all the character their due and their say, eschewing heroes and villains for an exploration of people clashing over opposing goals. In fact, the weakest elements of the film are the unscrupulous populist senator played by George Grizzard and the badly dated caricatures that populate a notorious underground club. The video preserves the handsome widescreen black-and-white photography, keeping Preminger's careful and measured editing intact. --Sean Axmaker ... Read more

Reviews (12)

Mildly Interesting Political Drama
Anybody who has seen C-Span can verify the authenticity of the Senate debates portrayed in the film.All the rhetoric and long-winded posturing on display here feels real.The film is long and at times it borders on the tedious, but so is alot of Senate debate.The film is almost torpedoed by a subplot involving the skeletons in one senator's closet.The film recovers at the end for a thrilling floor vote of a controversial Secretary-of-State nominee(Henry Fonda).Probably the film's best performances come from the older cast members, Walter Pidgeon, Lew Ayres, and Paul Ford.Fonda, the film's ostensible star, basically appears in a glorified cameo and seems to be phoning it in.

Not as goodas"The Manchurian Canidate", from the same
year, (1962).But it is still a very good political mellow drama.The excellent cast presents a primer on how congress works, the presidency, succession & party politics. An almost comatose Henry Fonda plays the Secretary of State nominee, Robert Leffington & suspected Communist. Walter Pidgeon does a fine job as the Majority Leader sheparding the nomination through the Senate. The real scene stealer is Charles Laughton in maybe his best role as Senator Seab Cooley, a red-baiting, red-neck determined to destroy Leffington at all costs.
A fine well know cast included, Lew Ayres, Peter Lawford, Gene Tierney & Burgess Meridith. Charles Laughton however, saved his best performance for last.

A classic for all times
This book is a classic.The acotrs are marvelous.Orrin Knox could have been more involved in the movie like he was in the book.I really didn't like the actor who protrayed Orrin Knox.The ending of the movie was brilliant.Seab Cooley and the vice president have always been two of my favorite characters.The movie is just as good as book (which I have read numerous times) and this is unusal.Both the book and the movied should be required in both high schools and colleges.

"C'mon in! Don't just stand there!"
Talk about an all-star cast: when Otto Preminger brought Allan Drury's epic study of a Senate confirmation of a morally ambiguous nominee for Secretary of State, he got just about everyone in Hollywood to participate. Though the best roles go to Charles Laughton as a manipulative (but intensely likeable) South Carolina senator and Franchot Tone as the tortured President, not everyone got so lucky; the novel had so many characters that some big actors (like Gene Tierney, wasted as a Washington hostess) are pretty much trapped in throwaway roles.

Preminger was pretty progressive by Hollywood standards, and so the Senate he depicts is remarkably diverse, with senators of many ethnic backgrounds. There's a great cameo (the film's standout moment) from Betty White, who, as a shrewd Kansas senator, trounces George Grizzard, the despicable Senator Van Ackerman (from Wyoming, of course, so as to offend the least number of audience members possible) in open debate on the Senate floor. Preminger was really daring (for the time) in his willingness to tackle the subject of the blackmail of homosexuals in the film. It should be said, however, that the film's notorious depiction of a gay bar (the first Hollywood film to do so openly since the institution of the Hays code) as a nightmarish cesspool of vice, where the fat effeminate bartender hysterically beckons in the horrified Don Murray (see my title), probably did more to keep gay men in the closet in the Sixties than anything Hollywood ever did.

The Granddaddy Of Political Movies!
This ultra-realistic 1962 drama of the goings-on in Washington, D.C. must rank as one of the best films of its type ever made. It's a lengthy one (2 hrs., 19 min.), but it never gets dry.The many veteran actors assembled to comprise this cast see to that.The roster includes Henry Fonda, Franchot Tone, Charles Laughton, Lew Ayres, Walter Pidgeon, and Burgess Meredith!There's also Don Murray, who probably gets more screen time here than anyone else. And I think Murray shines bright in his role as the senator with a deep, dark secret!Pidgeon is also particularly convincing in this film.This was Mr. Laughton's final motion picture.

If you've never seen Advise & Consent ..... then get it today!It's a thoroughly engrossing and powerful movie experience! ... Read more