Reviews (44)

Clean, Clear, and Funny
This movie introduces no new material to Monty Python's body of work. It selects several key routines from the first two series of Monty Python's Flying Circus and reshoots them. So why bother?

Because this is easier to watch.

This film was shot as part of an abortive attempt to introduce Monty Python to an American audience (which wouldn't actually be accopmlished for another three years). Where the original series suffered from a low budget and spotty production values, this film has high-end production quality, including clean sound, a single variable-angle 35mm camera, and the exclusion of the laugh track that muddied the sound on the TV series. There was obviously money for retakes, allowing the boys to edit out minor line muffs and giving them permission to experiment with their character delivery.

The picture is clear and organic. The sound is clean and audible. The characters are fun and believable. Just what we've always loved about Monty Python, isn't it?

But be warned, except for one or two linking jokes, this is material that you've already seen. Don't expect anything that will take your beloved boys in new directions, and don't think you'll get anything new. Just sit back, hear the jokes you've never heard clearly before, and laugh out loud. That's what they wanted, isn't it?

Funniest comedy ever- beside Holy Grail
This is simply the outright funniest sketch comedy to be had on DVD, or anywhere else. Every skit is as funny or better than the last, and that's saying something for Monty Python to top itself. The Holy Grail (by the Python also) is only better due to the solid story for a complete movie. Some of the humor on Something Completely Different is a bit abstract, such as the "How's the wife?" man in the bar. The dead parrot, the lumberjack song, and the marraige counselor are only the jems in this collage of the obscure; every skit here is a winner. One of the best parts of the 'movie' is how each skit is strung together, usually with the troupe's cheap old animation that makes everyone laugh just as hard as they did at the skits.

And Now for Something Completely Similar to the TV Show
And now for something completely different...if you've never seen the first two seasons of the series.

"And Now..." was put together with the specific purpose of "breaking" Python in the States and never meant for British audiences already familiar with the group. In one of the great ironies of showbiz history, it was a flop Stateside but a hit in England!

The film collects skits from the first two seasons and redoes them with a series of linking devices like the Colonel and Gilliam's animation to form a cohesive form. On some levels, it feels a bit stale compared to the original. While the Pythons have complained about the harsh TV lighting and studio audience, the film with the same skits seems lifeless at times. But the humor still comes through, and I can't knock this film as it was my own intro to the more surreal side of the group.

There's some great familiars such as "Dirty Fork", "Dead Parrot", "The Two Kilimanjaros", "Hell's Grannies" and so on. This film works best for those unaware of Python, but the diehard fan will find this enjoyable as well (though, again, it suffers in comparison to the actual TV series). Share it with your friends and neighbors, force it on them. They'll either laugh or wonder what the f#$k is the big deal.

ABSOLUTELY WRETCHED
Hello. My name is Johan Gambolputty de von Ausfernschplenden-schlitter-crasscrenbon-fried-digger-dingle-dangle-dongle-dungle-burstein-von-knacker-thrasher-apple-banger-horowitz-ticolensic-grander-knotty-spelltinkle-grandlich-grumblemeyer-spelterwasser-kurstlich-himbleeisen-bahnwagen-gutenabend-bitte-ein-nürnburger-bratwustle-gerspurten-mitz-wemache-luber-hundsfut-gumberaber-shönendanker-kalbsfleisch-mittler-aucher von Hautkopft of Ulm. I would like to take this time to apologize to my pet penguin Terry-even though it wasn't technically penetration, I still feel bad about it. (He's allergic to television sets). I also wish to revoke my rating of this DVD - I give it 5 stars (it was delightful).
Thank you,
Johan Gambolputty de von Ausfern-schplenden-schlitter-crasscrenbon-fried-digger-dingle-dangle-dongle-dungle-burstein-von-knacker-thrasher-apple-banger-horowitz-ticolensic-grander-knotty-spelltinkle-grandlich-grumblemeyer-spelterwasser-kurstlich-himbleeisen-bahnwagen-gutenabend-bitte-ein-nürnburger-bratwustle-gerspurten-mitz-weimache-luber-hundsfut-gumberaber-shönendanker-kalbsfleisch-mittler-aucher von Hautkopft of Ulm.

And this is just one of the many virtues of not being seen.
This will always be my favorite movie. Monty Python's unique brand of humon really is at it's peak here (i feel it bottomed out with the not-so-funny "the meaning of life"), and it provides the silly realease one needs after a long day. as an added bonus: turn on the movie to any point, even if you havn't seen it, and watch for five minutes for a guarenteed laugh. ... Read more

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Based on Thomas Harris's novel, Jonathan Demme's terrifying Silence of the Lambs really contains only a couple of genuinely shocking moments (one involving an autopsy, the other a prison break). The rest of the film is a splatter-free visual and psychological descent into the hell of madness, redeemed astonishingly by an unlikely connection between a monster and a haunted young woman. Anthony Hopkins is extraordinary as the cannibalistic psychiatrist Dr. Hannibal Lecter, virtually entombed in a subterranean prison for the criminally insane. At the behest of the FBI, agent-in-training Clarice Starling (Jodie Foster) approaches Lecter, requesting his insights into the identity and methods of a serial killer named Buffalo Bill. In exchange, Lecter demands the right to penetrate Starling's most painful memories, creating a bizarre but palpable intimacy that liberates them both under separate but equally horrific circumstances. The Silence of the Lambs won 1992 Oscars^® for best picture, actor, actress, director, and adapted screenplay.

Ten years later in Hannibal, Dr. Lecter (Hopkins) is living the good life in Italy, studying art and sipping espresso. FBI agent Clarice Starling (Julianne Moore, replacing Foster), on the other hand, is now a quiet, moody loner. A botched drug raid results in her demotion--and a request from Lecter's only living victim, Mason Verger (Gary Oldman, uncredited), for a little Q&A. Little does Starling realize that the hideously deformed Verger is using her as bait to lure Dr. Lecter out of hiding. Taking the basic plot contraptions from Harris's baroque novel, Hannibal is so stylistically different from its predecessor that it forces you to take it on its own terms. Director Ridley Scott adeptly sets up an atmosphere of foreboding, but it's all buildup for anticlimax, as Verger's plot for abducting Dr. Lecter doesn't really deliver the requisite visceral thrills, and the much-ballyhooed climatic dinner sequence wobbles between parody and horror. Hopkins and Moore are both first-rate, but the film contrives to keep them as far apart as possible, when what made Silence so amazing was their interaction. When they do connect it's quite thrilling, but it's unfortunately too little too late. ... Read more

Reviews (7)

Solid thriller combo.
The Silence of the Lambs-Probably the most genuinely disturbing psychological thriller ever made, Silence of the Lambs is a must see, but its dramatic power, dark insight into the human psyche, and ugly violence (most of which is implied) ensures it's unlikely you'll watch this film more than once. But on a first viewing, almost nothing matches this thriller's heart-pounding suspense, from Hannibal Lecter's attempted escape to the literally dark climax. Howard Shore's foreboding score adds nicely to the intense atmosphere.
**** 1/2 out of *****

Hannibal-This underrated sequel looks and feels quite different from its predecessor. It has no intention of excelling as a pyschological thriller, but neither is this a straight through-and-through gorefest. Certainly entertaining but hardly mind-blowing, Hannibal is at least visually stylish and unpredictable, if not also somewhat silly.
*** 1/2 out of *****

Two GREAT, GREAT movies on wonderful special edition DVDs!
While it is a bit sad that all four Hannibal the Cannibal classics will most likely never be released in a box set, I can understand it because of the different companies who have made the movies. This box set, however, is quite excellent. I myself feel that The Silence of the Lambs and Hannibal are both equally brilliant and deserve a place in any person who calls himself a movie buff's collection.

The Silence of the Lambs was director Jonathan Demme's academy award winning 1991 classic. The success of the film, however, should not only be attributed to the director, because it was the work of the cinematographer, editor, writer, set director and, most of all, brilliant actors. Jodie Foster -IS- FBI agent Clarice Starling, brilliant, young, attractive (well, not really) and tough. Foster perfectly displays the emotions that go through her character and her growth throughout the picture. Some of my favorite scenes were where she discovers Buffalo Bill (the way she yells "freeze" is great!) and when she stands up to a crowd of men and orders them out of the room where an autopsy is taking place. Anthony Hopkins completely deserved his academy award as Hannibal. His portrayal of Hannibal and his personality was quite interesting. The way I see it, Hannibal is quite a nice gentlemen, but has a very large problem, that being his love for the taste of human flesh. I think you can tell from his scenes with Clarice Starling what a polite person he is. He might ask some personal questions, but the way he talks is courteous and friendly, if a bit intense. The cinematography of the film is fabulous, too. Clarice's descent into Lecter's holding cell is expertly handled, and the near final sequence with Clarice and Buffalo Bill is almost unbearably intense, thanks also to some wonderful music by Howard Shore. All in all, The Silence of the Lambs is a classic thriller which will live forever and deserves a place in everyone's collection.

The controversial sequel, 2001's Hannibal, is really quite an underappreciated piece of brilliant cinema. Ridley Scott is in top form as director here. The movie is overloaded with style of every type. Slow motion, overhead views, stylish flashbacks, sped up film, intense action and a brilliant use of classical music all add up to create an extremely memorable viewing experience. As for actors, they are all perfect. I was surprised to not think once about how well Julianne Moore was doing in comparison to Jodie Foster, and that was because she was equal to Foster. Rather than copying Foster's performance in The Silence of the Lambs, Moore makes the character her own. The Clarice of this film is meaner, more cynical and has a much smarter mouth than Foster's Clarice. This is because Hannibal takes place ten years after The Silence of the Lambs, so naturally, she wouldn't be such a goody goody, follow-the-rules woman. Anthony Hopkins steals the show as Hannibal. He is just as great as in the previous movies. In this film, Hannibal is free and loose, and from Hopkin's great acting, you can tell how much he treasures his freedom. Just look at how he sips his brandy and his cappachino. I loved that Lecter was free to do what he wanted in this film. Critics like Roger Ebert didn't seem to, and felt it took away from his mystery and creepiness. As much as I love Ebert, I must disagree. Having Hannibal out of the mental home was a work of genius and added a ton of creepiness to the flick. I have read Thomas Harris' novels The Silence of the Lambs and Hannibal and feel that both movies do the books extreme justice, and, unbelievably, outdo them. In the case of The Silence of the Lambs, the movie version very accurately portrays the book version. Hannibal, however, was changed quite a bit. One part of the book I really liked that is nowhere in the film was Mason Verger's lesbian, body building sister, Margot. Also, Mason's love of terrorizing kids wasn't shown much in the film. The ending was suprmemely changed, but believe it or not, I liked the movie ending better. Hopkin's and Moore's performances in the finale are pitch perfect. Nothing removed from the book lowered my love for the film.

This set comes with two fantastic special editions. On The Silence of the Lambs, we find two documentaries, one old and one new, with the latter being quite fabulous. There are twenty minutes worth of deleted material. Some stuff was worthless and some stuff was very good, like one where Clarice is suspended by the FBI (Krendler's hate of her is set up for the sequel). There's also a rather funny phone message Anthony Hopkins left on his answering machine. Finally, posters, TV spots and a trailer are presented. The movie is in excellent 1:85:1 anamorphic ratio and has great 5.1 surround sound. The sequel is a fully laden two disc extravagenza which includes commentary by Ridley Scott, a very long documentary, 38 minutes of deleted and extended scenes, trailers and an "anatomy of a shootout" feature. Also presented in 1:85:1 anamorphic widescreen and with really good 5.1 surround sound. If there is any problem with these DVDs, it is the fact that the The Silence of the Lambs disc has almost none of the features found on the Criterion DVD, which included what I hear was an excellent audio commentary. It sounds like Criterion has a real problem with passing over any special features to a different company, so I can't blame MGM.

Overall, both of these films are masterpieces and the set is great. Also pick up Manhunter and Red Dragon on DVD from Anchor Bay and Universal.

If you found my review helpful, please vote for me. Thank you.

Now, if you'll excuse me, I'm having an old friend for dinner. Ta ta.

A Thrilling DVD Collection
1992: "Silence Of The Lambs" struck a chord with audiences, causing them to visit their therapists more often, it was said, and people became fans of Anthony Hopkins' portrayal as the elegant, intellectual, charming but psychotic cannibal ex-therapist Hannibal Lecter. Based on the novel by Thomas Harris, the movie won a host of awards, including best picture. Jodie Foster portrayed the novice FBI agent Clarice Starling, whose chemistry with Hopkins was what carried the weight of the film and made it an Oscar winner.

On DVD, the experience is very thrilling and state-of-the art. Silence Of The Lambs still sends chills down our spines, and engages us in a disturbing world of madness, tinged with cynical humor and engrossing conversations between Hopkins and Foster. Anthony Hopkins is Hannibal Lecter, the former therapist turned cannibal and criminal. It's undoubtedly Anthony Hopkins' trademark role and one that he will be remembered by. We are unnerved when Hannibal Lecter first meets Clarice Starling in the dungeon of the prison, where he confesses that he once "ate a man's liver with some fava beans and a nice chianti". To extract information revolving the transvestite skin-collector Buffalo Bill, Clarice must reveal deeply personal and traumatizing events from her childhood. She recalls running away from an abusive home only to witness the slaughter of innocent lambs in a farm house. The memory continues to haunt her and is reawakened by the hypnotic power of Dr. Lecter. The movie ends with the capture of Buffalo Bill and Clarice Starling's promotion. But Dr. Lecter manages to escape his cell and vanishes into Italy. Which brings us to the next film in the collection, the sequel, also based on the book by Thomas Harris. The follow-up "Hannibal".

2002: Ten years after the release of "Silence Of The Lambs", and ten years after the plotline of that particular film, we find Clarice Starling in a precarious situation. She has been demoted during a violent incident and is still haunted by memories of Dr. Lecter. A lonesome woman, she receives letters from Dr. Lecter, who (like old times) wishes to help Clarice get her career going again and capture another notorious psychotic killer. Dr. Lecter has been living a comfortable and reclusive life in Florence, Italy, a city which had always enchanted him. In Florence, Lecter attends operas, plays Bach's "Goldberg Variations", sips champagne and yes, still hungers for human flesh. Clarice and another agent (played by Ray Liotta) attempt to foil Dr. Lecter's machinations, but are captured and imprisoned in the dining room of Starling's home. In a disturbing sequence, Dr. Lecter, Starling and the FBI agent eat a dinner with the main course being the agent's own brain. Dr. Lecter manages to escape once again.

Most recently, the pre-quel to the events in "Silence Of The Lambs" was released, based also upon the successful Thomas Harris novel "Red Dragon". Red Dragon is still to be released on DVD. These films are the perfect "thriller" collection, each with its own striking features, plus interviews with the actors and director. For fans of the Thomas Harris novels and fans of the films, this is a genuinely superb gift.

Good Movie, Good guy Lecter
I honestly think this is a good movie, but their are a few things that bother me. For one, besides when he hung the one guy, Hannibal Lecter is more of one of the good guys in this movie. Lecter has some sort of skill to make people do what he wants, He even made Mason's helper throw Mason into a lair of boars and Clarice helps him escape.

Brilliant Anthology
Although Hannibal may not have been nearly as good as the first I still thought Ridley Scott did a great job of directing it and The Silence of the Lambs was also very very good and had great acting all around. Be sure to check out Red Dragon it's as good as The Silence of the Lambs! ... Read more

Amazon.com

Jonathan Harr's nonfiction bestseller was a shot in the arm for those seeking more than last-minute heroics akin to a John Grisham thriller. Here was a labyrinthine case involving industrial pollution by two highly regarded corporations,contaminated drinking water, and the deaths of innocent children in New England, circa 1981. The case has hundreds of twists and takes our hero--a steady, respectable lawyer named Jan Schlichtmann--and turns his life into personal disaster. Instead of celebrating the law, the story is a maddening and rewarding look at the elusiveness of the courtroom case.

Steven Zaillian, who won an Oscar for adapting Schindler's List and directed Searching for Bobby Fischer, boils Harr's 502-page book into a complete, satisfactory film experience. Book readers will no doubt jeer the streamlining Zaillian had to perform to make the movie flow. Most changes can be quickly defused with the exception of the film's portrait of Schlichtmann. The lawyer has been turned into a movie star, an ultra-slick, cold-hearted gentleman who finds his purpose in working the case. Casting a stalwart John Travolta again diverges from the book, which right from the opening pages showed us a Schlichtmann with feet of clay. As Schlichtmann's partners (including William H. Macy and Tony Shalhoub) descend into the case, the unbridled sense of power and money is abandoned. This case is ultimately about survival.

Zaillian provides an excellent narrative for the sordid facts of personal injury suits, in which money is the only reward for lost or broken lives (deftly introduced in the film's opening scene). Zaillian also stays away from dwelling on the illness of the children involved, focusing on the gaunt faces of the parents who survive (Kathleen Quinlan, James Gandolfini) in controlled anguish. His evil characters--an industrial plant's owner (Dan Hedaya) and a corporate lawyer (another fine acting spin by director Sydney Pollack)--are so human it's terrifying. Zaillian's final ace in the hole is Oscar-nominee Robert Duvall. Perfectly cast as Travolta's opposition, Jerome Facher, Duvall steals scenes with the abbreviated dialogue; he turns a fancy settlement meeting into a farce with one line. Facher is not a callous, love-to-hate-him lawyer like James Mason in The Verdict. Facher represents the law at its brilliant foundation: to best represent one's client. With a taped-together briefcase and dry humor, Facher, not Schlichtmann, is the character who captures us by the film's end. --Doug Thomas ... Read more

Reviews (58)

Riveting and Powerful Cinema - An Eye-Opener for All
This is the most incredible movie ever made about trying a wrongful death case and the accompanying emotional roller coaster the process generates for attorneys. The opening scene will plant you firmly in your chair as Jan Schlichtmann (played by John Travolta) explains the financial calculus behind accepting and declining potential clients with personal injury claims. Jerome Facher (played by Robert Duvall) is infuriating with his unending legal maneuverings designed to extract his corporate client from an untenable legal position permeated with liability. The traitorous conduct of Schlichtmann's partners will make you wretch with disgust as they scramble to save themselves at the expense of righting a terrible wrong evidenced by a dozen dead children. Engrossing, to say the least.

Yes, the movie isn't perfect. Travolta's portrayal of Jan Schlichtmann doesn't completely mesh with the character in the book, there isn't a practicing attorney alive who doesn't know Rule 11 (court-imposed sanctions for unethical conduct), and the legal proceedings aren't quite right. Who cares? If the director had included the day-to-day minutiae involved in getting a case to trial, the film would have been three years long! My fellow reviewers are unreasonable in their unrelenting critiques.

If you're involved in the legal profession, this film will make you step back and reassess your brand of client representation. Are you taking the right cases? Are you serving the needs of you clients - or yourself? Are you willing to give your all to the law? Interesting, and always stimulating, food for thought.

If you're a lay person, hold on - you're in for the ride of your life.

Well-adapted story with terrific acting
After recently reading Jonathan Harr's book A Civil Action, I eagerly awaited seeing the movie version of this sad and absorbing story. The film version condenses the story and leaves out several interesting portions of the book, but is fine nevertheless. John Travolta is a perfect choice to play Jan Schlichtmann, the egotistical, free-spending attorney who dives headfirst into a damages case against the corporate giants Beatrice and W.R. Grace, who are accused of poisoning the drinking water of Woburn, Massachusetts and causing a leukemia outbreak. William H. Macy, Tony Shalhoub, and Zeljko Ivanek co-star as Schlichtmann's partners in the firm, and one only wishes that they would have protested his actions, which led to the financial ruin of him and his firm.

Robert Duvall gives another terrific performance as Jerome Facher, Beatrice's attorney, who is the complete opposite of Schlichtmann. In a scene at a fancy hotel conference room, the frugal Facher is not impressed by any of the lawyers or their arguments, but the free pen that he can take home. It's a subtly funny scene that illustrates Facher perfectly. John Lithgow does a terrific job as Judge Walter Skinner, who Schlichtmann believes is siding with the enemy.

A Civil Action is a story where the winners and losers are unclear, and it must have been difficult for writer-director Steven Zaillian to condense Harr's technical-laden novel. The result is a solid drama with powerhouse acting. Highly recommended.

Intelligent and Compelling Courtroom Drama
Jan Schlichtmann (Travolta) is a Boston tort lawyer and something of an ambulance chaser who is initially reluctant to take on an industrial pollution case involving some children dead of leukaemia in rural New England. He changes his mind when he realizes the likely defendants are a couple of big companies with particularly deep pockets and smells the possibility of serious money. Over time, however his interest in the case becomes a moral obsession. The cynical becomes a crusader, refusing offers to settle as his company's finances spiral downwards towards bankruptcy.

If you like courtroom dramas, this is highly recommended. It's one of the best specimens of the genre to come out of America since 'The Verdict'. It's interesting to compare it to 'Erin Brockovich' released a couple of years later. EB is about how a heroic small timer takes on the big boys of corporate America and how her pluck and determination triumphs over all obstacles, something of a legal feelgood movie in other words. Which this, to its great credit, is not. Its central character, for starters, is far more amibivalently likeable: initially just out for a fast buck, moral seriousness has to creep up on him and take him by surprise (perhaps reminding writer/director Zaillian of Oskar Schindler whose story he scripted for Spielberg a few years earlier) and the story's development paints a significantly more ambivalent picture of what pluck and determination can accomplish. It's a highpoint of Travolta's acting career even if he is comprehensively upstaged by Robert Duvall, on brilliant form as his quietly cynical adversary, bigshot lawyer Jerome Facher who knows far better than to look for the truth in a courtroom...

The book is SO MUCH BETTER
The movie is fine... but the book is an amazing read. There is so much detail and nuance lost in the adaption to a visual medium.

A Civil Travolta
This is a really good film that didn't get near the attention it should have. A great story, a terrific premise and plot. And Travolta nails his performance as a man faced with the dilemna of doing the "right thing" at great personal expense, or walking away with what he has left. This is a morality play of sorts and Travolta is the conscience of us all. We're thrilled when he triumphs; we breathe a sigh of relief and unclench our fists. Yet, we probably wouldn't have blamed him if he had walked. A nice film. ... Read more

Amazon.com essential video

Often hailed as the greatest fantasy film ever made, The Thief of Bagdad (1940) was producer Alexander Korda's crowning achievement. Deservedly winning Academy Awards^® for art direction, color cinematography, and special effects, this Arabian Nights adventure appeals to all ages with its fantastical tale of Abu (Sabu), the little thief who befriends the prince of Bagdad (John Justin) and foils the nefarious plans of the evil grand vizier (Conrad Veidt), who seizes control of Bagdad and covets the princess of Basra (Joan Duprez). From its gorgeous, epic-scale sets to flying horses, magic carpets, and, best of all, Rex Ingram's towering jinni of the bottle, this Thief has all the magic of the tales that inspired it, and vibrant Technicolor brings it all to life in dazzling style. Six esteemed directors worked on this infamously troubled production, but the final result exceeded all expectations, becoming an instant classic that endures to this day. --Jeff Shannon ... Read more

Reviews (26)

Greatest golden age fantasy still well worth owning
This masterpiece, often referred to as the greatest fantasy movie ever, still holds up well over 60 years later. The Thief of Bagad has a terrific story with enchanting magic, enticing romance and terrific suspense. The acting is absolutely superb with fine performances turned in by Sabu the little thief, Rex Ingram as the powerful and scary genie, and Conrad Veidt who as the evil Vizier Jaffar is one of the best villians ever. John Justin, the blinded Caliph and his beloved princess (June Deprez) provide an engaging and often tragic romance that lends terrific depth to this story.

Best yet is the awesome imagination brought to life in this masterpiece epic. While some of the effects show their age (The spider, for instance), others, such as the flying mechanical horse and the magical carpet are still captivating. The immense attention to detail is evident in the palaces, the ships and the sultan's toy collection. Miklos Rosza's musical score along with this movie's wonderful cinematography recreates the legendary time of the Arabian Nights.

For my one complaint, while this movie clearly rates 5 stars, I'm knocking my review down to 4 stars due to the lack of DVD extras. When compared to spectacular golden age DVDs like Robin Hood, one begins wish all were made this way. Children from 8-13 (as well as adults) will still find joy in this delightful picture.

Brilliant Fantasy Adventure!!!
A blinded beggar, Ahmad, with his wise dog, is begging for food and coins in the harbor of a distant city. The Grand Vizier Jaffar requests that the beggar should be brought to the palace to help his beloved Princess wake up from a deep trance like sleep, since legends tell him that only a blind man can awaken the princess. During the blind man's visit, he tells the story of his life and how he once was the King of Bagdad and his dog was a thief named Abu. The story also reveals that he was blinded by the evil Vizier Jaffar and how he fell in love with the Princess. Thief of Bagdad is a captivating fantasy tale with magical items, dubious creatures, and enchanting adventures of a long lost king. The wide variety of creatures, items, and adventures is delicately balanced with a well written story, precise cinematography, and special effects that do not ruin the story despite the age of the film. The experience that is provided through this cinematic event is a magical story that offers both entertainment as well as contemplation, which is useful for young and old.

A masterpiece to been seen by all generations
"The Thief of Baghdad" is a masterpiece and should be seen by the present and future generations. It is a movie complete and all its aspects. I was 10 when I first saw "The Thief of Baghdad" and since then I could never forget the moments of enchantment it brought to me everytime (more than 10 times)I went to the movies to see it on the big screen. It was and still is my fantasy favorite movie. In the Middle 60's I finally found a copy in 16mm at a distributor and had to rent a projector to show the film at home. Although the copy was in very bad conditions I could even so, be able to go back to the days of my childhood while enjoying this wondereful film.
Recently I púrchased a VHS copy at Amazon[.com] and virtually "obliged" my 18 year-old daughter to watch it. It was a prize to have the film with me at all times. The new edition in DVD is perfect and reveals all the splendor the film brings.

A Fairy Tale concealing the Prennial Wisdom
I first saw this movie as a child in the 1940's. The effects were the best ever for the time, and even look really good today. This is another hero tale complete with a lowly but likable thief who undergoes the classic perils all heros face, but the placement is beaufifully fantasic with the mystery of sultans, evil vizer, genii, minerets, blue rosess of forgetfulness, and magical toys that come to life in Baghdad and Basra. It became my family's all time favorite, along with another Sabu movie, Jungle Book. If this is the type of fantasy and truth you like, go for it.

A Dream
Superb remake of Douglas Fairbanks silent classic; with Sabu as the charming little thief, helping a blinded caliph (John Justin), victim of evil Jaffar (Conrad Veidt), to recover her position and her sweetheart (June Duprez), setting for just amazing adventures.

Filled with wild ideas (the menacing shadow of Jaffar, the blue rose, the horse-toy, the sculpture of many hands, the giant spider, the laughing Genius), and a very, very beautiful color photography (June Duprez is beautiful and John Justin's eyes sparkle with intensity), this film is a certainly unspeakable dazzle for me. ... Read more

Amazon.com

In the year 2018, violence and crime have been totally eliminated from society and given outlet in the brutal blood sport of rollerball, a high-velocity blend of football, hockey, and motor-cross racing sponsored by the multinational corporations that now control the world following the collapse of traditional politics. James Caan plays Jonathan E., the reigning superstar of rollerball, whose corporate controllers fear that Jonathan's popularity has endowed him with too much power. They begin to pressure him according to their own ruthless set of rules, but Jonathan has rules of his own--the rules of a man determined to retain his soul in a world gone mad. As directed by Norman Jewison (who was enjoying a peak of success during the early and mid-1970s), Rollerball creates a believable society that's been rendered passive and compliant by the homogenization of corporate dictatorships, where the control and flow of information is the only currency of any importance. It's a world in which natural human aggressions have been sublimated and vented through the religious fervor toward rollerball and its players. Rollerball now looks like one of those 1970s science fiction films (another example being Logan's Run) that seems a bit dated and quaint, but its ideas are still provocative and fascinating, and the production is visually impressive. The DVD includes full-screen and widescreen versions of the film, audio commentary by director Norman Jewison, a behind-the-scenes featurette, an interactive "rollergame," trivia, and production notes. --Jeff Shannon ... Read more

Reviews (61)

Excellent futuristic sports film with a message
Definately one of the best science fiction films ever to grace the big screen, and one of James Cann's finer films. Rollerball is an excellent futuristic ports film with a message. A message that informs the audience of a future that could happen. Corproartions running the world, as well as Orwellian themes. The film tells the story of a Rollerball player Jonathan E. who is the top player in a violent futuristic sport that is a combination of roller derby, ice hockey, football, and gladiatorial fighting. The film has outstanding sets, costumes, music, characters, a solid plot, and good actors. Indeed an international flavor. One that ITC Entertainment could have produced. The film also tells the story of how the corporation wants Jonathan to retire from the game for fear of him being too good for his own good, and fear of him in general. Yet, Jonathan does not want to retire, which leads to the corporation making certain decisions that would make Jonathan retire. Retire or die.

The film has some violent moments, bordering on the graphic and explosive. Yet, it is still entertaining and enjoyable to watch. Filmed on location at Pinewood Studios in London, England and Munich, Germany, the film truly represents a 21st Century world that could very well happen. The ending of the film is even better. One of the most thought-provoking. If you enjoy good science fiction as well as sports, check this film out. The melding of the two is very unique, if not lethal.

"This was never meant to be a game! Never!"
The rollerball game of the future was created for a special reason. "To show the futility of individual effort." To make anyone that wants to go his own way, bow dowm to the powers that be. James Cann, in one of his best roles, is Johnathan E, rollerball's super star. He's relaxed and friendly off the track, and a determined gladiator on.

The action is great and strangly hypnotizing as skaters and motorcyclists race around a large circular track, trying to throw a steel metal ball into a basket.

John Housman makes one of the best establishment heavys as he hints, demands, and threatens Johnathan to retire. For people that like gladiator movies, sports action, or the lone man trying to survive, Rollerball will excite you. You'll be shouting Johnathan's name along with the crowd. And after it's over, you'll feel like taking on the world. Yes, a great motivational movie as well.

Pay no attention to remake. This is the one and only "Rollerball".

are you kidding me?
I've heard nothing but bad reviews and it looks like they were justified because this movie blows. Plot is pretty weak and the fact that its set in Kazakhstan is even stupider. I think filmmakers just like the way it sounds because its they seem to forget that they are many other soviet republics ( but I guess any time there is any action is all happens in Kazakhstan) . Geez. Naveen Andrews who did quite a good job in Kama Sutra looks like a total dweeb with a wedge haircut. Jean Reno is a caricature of a villain. It also looked like the half of the cast of La Femme Nikita had supporting roles in this movie. And that green light in the final sequence! What the hell were they thinking?! I guess they wanted something artsy but it just looks ridiculous. Oh, and the last straw was that Chris Kline nerd. Not only he is a lousy actor but casting him as a main bad boy who loves adrenaline is the stupidest thing anyone could have done. He has no personality and no charisma. He is bland, bland, bland.

A cult movie
In the future you will live horror nightmares , and feel the pression of an overcrowded world , but instead you'll have always Rollerball!
I saw this film from its release in 1975 , and I watched again three months ago . The film hasn't lost just a bit from its initial impact.
The knock out performance given by James Caan supported by a dark story about the fate of these future gladiators will let you thinking about the entertainment as mass media phenomen and the deep implications about the way of living .
Caan obviously is tired , he refuses to keep that job and wants to escape from this show business cycle but you know : the rules are the rules. The conflict is announced and the final combat will be an unforgettable experience.
Good transfer on DVD!
Superb script and dazzling direction!

Great Movie - But You'll Need Coffee for the Commentary
The commentary uhhhhhh option for this film, dirrrrr, uh, director Norman Jewison, uhhhhhhh, talk..... ing about the making of, uh, the film, really makes one wonder ahhhhhhh how a narcolepsy-inducer like this could ever make an action film as fine as Rollerball. Buy the DVD for sure, but -- uh, errrrrrr -- SKIP the director's comments! ... Read more

Amazon.com

The fascination of watching Damage is similar to the fascination of watching a car crash in progress--you know something unpleasant is going to happen, but your attention is riveted to the scene of destruction. In the case of this acclaimed drama, adapted by playwright David Hare from the novel by Josephine Hart, the destruction results from a collision of sexual attraction between a British governmental official (Jeremy Irons) and his son's fiancée (Juliette Binoche). Blind to the damage they'll cause to others and themselves, they begin an obsessive affair based purely on impulsive attraction and the hidden emotions that feed into their immediate physical desires. As you could expect, this leads to emotional fallout for everyone concerned, lending multiple interpretations to the film's title and allowing Miranda Richardson (as Irons's wife) to give a brilliant performance drawn from raw anger and betrayal. Under the direction of Louis Malle, this forceful drama never resorts to sordid detail or gratuitous titillation. Rather, Malle and his esteemed cast have explored the ways in which the power of sexuality supercedes the rationality of logic, when mutual attraction is stronger than one's ability to resist temptation. Damage makes it clear that such an indulgence will always come at considerable cost. The DVD of this fine film includes a behind-the-scenes featurette and the original theatrical trailer. --Jeff Shannon ... Read more

Reviews (37)

Who is most damaged?
"Damaged people are the worst because they know they can survive." Dangerous is a good film that examines the dark side of obsessions. Jeremy Irons portrays a british government official who becomes obsessed with his son's fiance played by Juliette Binoche. The result is a film that only partially succeeds.

I had several problems with the film one being Irons motivation to become involved with this woman in the first place. A look and phone-call and then BAM! OK... but why was he so willing to jump into the dark waters? Power? Lust? Carelessness? Boredom? And herein lies the major weakness of the film. The film deals almost exclusively with the obsesson of Iron's character with Binoche but does not deal with the obsession of the mother (Iron's wife) with her son. Her relationship is clearly destructive and unhealthy but all the damage she inflicts under the guise of her love for her son never finds a voice. No fault falls on the mother when her obsession might well explain both the son's and father's weaknesses. At one part the son is talking about his family life saying that although it was good it lacked passion. His mother then replies that it is probably her fault and he replies that he rather thinks it's his father's. It's a careless and misdirecting remark and a sadly missed plot point.

As you may expect there are many sex scenes. I don't know what I was expecting but many made me laugh. They seemed so ridiculous and absurdly physical. I rather think Binoche must have suffered some bruising as a result of Iron's flailing.

While this film is meant to portray the damage that a traditional obsession (i.e. an affair) can have, it also begs to be seen from the the alternate perspective of a mother's obsession for her son. I am disappointed that Malle didn't have the courage to pursue this theme more vigorously.

Fascinating Study of Obsession
Stellar cast and thoughtful direction make this a completely fascinating film. There are some moments where you must definitely suspend your disbelief, but even so this is a thoroughly engaging character study into sexual compulsions and obsessions.

Nice to have the two different versions available, along with a short director commentary. 'Would have been nice to have a complete commentary track with one or more of the stars.

Why isn't Leslie Caron working all the time?

Uncontrollably Obsessed MP escapes unpunished
The story is seen entirely from Fleming's viewpoint. (If there is any guilt on the fiancee's part, she doesn't show it.) Fleming is a leading Conservative MP, likely to take over a Cabinet post as minister of health in the next re-shuffle. I feel the author, Josephine Hart, decided to give him that job, in order to maximise the fall that confronted him when his errors are discovered. It was as senior an establishment role that the protagonist could have without fearing he would be recognised at every street corner. Politics don't play a large part in the story, but the film will have played some small part in the image of sleaze that the Conservative party acquired in the early 1990s.

Binoche is utterly beautiful, and totally passive during the sex scenes, but her accent (cleverly excused by scriptwriter Hare as the result of her travelling the world) is all over the place. Irons is convincing in the role, and Miranda Richardson puts in another perfect performance. Their son, the victim, is almost too good-natured to be true, but this helps to highlight the contrast with his father's uncontrollable lust.

As with 'Day of the Jackal', the motion is very occasionally jerky -- one or two frames seem to be missing from the transfer from film reel to DVD, but not enough to harm one's enjoyment.

This is not far from being a truly great film, but I think it would have needed one extra dimension -- don't ask me what -- to achieve that.

Pure Animal Lust & Sexual Attraction Abound!
Louis Malle's film with a young fiancee, Juliette Binoche & the father of her soon to be husband-an elder, mid-life crisis bound, government official in Jeremy Irons. The second they gaze upon each other, you just KNOW that there is going to be some trouble ahead. Miranda Richardson as Iron's wife, plays a pivotal role in the movie also. Very erotic & base sex scenes with a twist of an ending that you will never forget. Hence, the title - DAMAGE! Highly recommended and truly great ensemble performances by all...

Damage
Love at a first sight exists, at least in this movie.
A honourable member of English Parliament falls in love with a woman who introduces herself to him unexpectadly during one party. Soon, this woman appears in his life again, this time as his son's fiance but that doesn't mean that he can not start a
very romantic affair with her. So two people who are prisoners of the happiness of the moment change so many lives forever.

I was sick to death to watch a movie where a father of an old child has sex with his fiance but I had to keep watching it only to find out how it will end. Luckily it ended perfectly making it crystal clear that prisoners of passions and killers of harmony always get what they always asked for which is = HELL on EARTH.

I would recommend this movie to people who have to learn something new each day even though it may be very disturbing to watch something like this. ... Read more

Reviews (14)

"Oh, you're no fun anymore!"
You might have noticed my first extensive and overly detailed review for DVD set 1 (episodes 1-6) where I listed all of the individual sketches you will get on that set. Well, if you haven't, then go bloody well check it out then, you twit! (nothing personal) Anyway, this is a review just like the previous one - overlong and tediously informative. Again, I won't waste time on reviews of the material - You know it's extremely silly!

DVD SET 2(episodes 7-13)

Disc 1(or 3) consists of: Camel spotting/You're no fun anymore/The Audit/Science Fiction Sketch/Man turns into Scotsman/Police Station/Blancmanges playing tennis/Army protection racket/Art critic-the place of the nude/Buying a bed/Hermits/DEAD PARROT/The Flasher/HELL'S GRANNIES/Llamas/A man with a tape recorder up his nose/Kilimanjaro expedition/A man with a tape recorder up his brother's nose/Homicidal barber/LUMBERJACK SONG/Gumby crooner/The refreshment room at Bletchley/Hunting film/The Visitors

Disc 2 (or 4) is sillified with: Walk-on part in sketch/Bank robber in Lingerie shop/It's a tree/Vocational guidance counselor/Ron Obvious/Tunneling from Godalming to Java/Pet Conversions/ Gorilla librarian/Letters to "Daily Mirror"/Strangers in the night/Lavatorial humour/Interruptions/Agatha Christie/Undertakers film/Jimmy Buzzard interview/Interesting people/Eighteenth Century social legislation/Battle of Trafalgar/Battle of Pearl Harbour/Falling from building/"Spectrum" - talking about things/Visitors from coventry/Mr. Hitler/Silly voices at the police station/Upperclass twit of the year/Ken Shabby/How far can a minister fall?/Restaurant abuse/Advertisements/Albatross/Come back to my place?/Me Doctor/Historical Impersonations/Quiz programme on "Wishes"/"Probe Around" on crime/Mr. Atilla the Hun/Psychiatry/Operating Theatre

These are the sketches accessible through the menus on the DVDs themselves, so if you notice a sketch not listed...well, then your a complete geek.

This set also contains extras like: Meet the chaps, Pythonisms, Gillianimations, Lumberjack and Albatross Live!, Trivial Quest, and Talent show!

Python is great, this set isn't so much ...
While Monty Python's Flying Circus is defiently one of the funniest comedy troupes to come out of the 20th Century, and this set is well worth buying, I would warn those of you who aren't die-hard fans that, of the four DVD sets out right now, this one is probably the least funny. The Pythoners were apparently rushed as they wrapped up their first season of shows (some of these episodes were recorded only a week before airing!), and the humor in these DVDs, particularly the last three episodes, on DVD 4--are far from prime Python.

Still, there's "Upperclass Twit of the Year" and "Albatross" and enough others to make it worthwhile!

It's still funny after all these years.
"I'm a lumberjack, and I'm okay." Who doesn't remember Michael Palin uttering this line in the famous butcher barber/lumberjack skit? How about Upper Class Twit of the Year? And, the Dead Parrot? All of these skits and more can be found on this 2 cd set. If you like the obscurity that is Python, then this is the set to purchase.

The one segment I did not like was aliens turning into Scotsmen. That went on far too long.

This DVD gets Twit of the Year award
Great DVD. And VHS. Starters...get this. Its really good. It's worth your while.

Monty Python gets 2 thumbs up!
Monty Python are very funny. I highly reccommend this set. If you're not sure, just purchase the first set to try it out, and see if you like it. I promise that you'll be laughing so hard you'll rush out to get the other sets as well. I purchased the full set and I dont regret any of it.

I wouldnt recommend this for young children. I'd say early teens and up would enjoy this the most. Some of the british slang can be too difficult for the really young ones to follow.

Monty Python is a combination of sketch comedy and stereotypical british humor. One way or another, you're bound to laugh. THe episodes are short so you can watch just a piece at a time at your convenience, but there's enough on each tape to last a full evening.

I give it two thumbs up. ... Read more

Reviews (13)

Life Everlasting
Whilst the final episode of the seventh season of Homicide: Life on the Street bookended the show - starting and ending in the same place - loose ends, or rather one very long loose end, was left dangling.

Homicide: The Movie picks up some months after the show ended and it's all change. Al Giadello want to be the Mayor of Baltimore, Gharty is the new shift commander, Bayliss uncertain of his future, is on a sabbatical. It's not giving away much to say that Gee gets shot and squad members past and present return to catch the shooter.

After the disaster of Season 7, the prospect of former cast members of the calibre of Andre Braugher, Ned Beatty and Melissa Leo was more than welcome. Sadly squeezing in so many past characters leaves many with little to do, whilst the main (and rather thin) plotline of Gee's shooting is just an excuse to get Braugher and the excellent Kyle Secor back on screen together. Not that that's a bad thing.

Watching familiar faces and listening to the long missed banter of the detectives reinforced the view that Homicide was strangely overshadowed by inferior, and less intelligent shows like NYPD Blue, and that it never quite got the credit it deserved.

Homicide: Life Everlasting
Homicide: Life Everlasting was the perfect way to wrap-up the show which lasted for 7 seasons on NBC. This two-hour movie originally aired during the month of February of 2000, reunites new and old member of the cast...some more than others in a very clever and subtle way.

The basic plot of the movie goes like this: Former Lt. Al Giardello of the Homicide Unit is running as a mayoral candidate for the city of Baltimore(or as pronounced in the actual city Bawlmer). Gee is shot while giving a speech at the Inner Harbor. He is rushed to the hospital and enroute to the hospital scenes are cut back and forth between each former or current Detective of the Homicide Unit who are informed of the incident including Andre Braugher(Det. Frank Pembleton)who has given up being a cop to teach and Kyle Secor(Det. Tim Bayliss)who had taken a leave-of-absence from the unit at the end of the series.

Other former members of the squad making appearances in the movie are Reed Diamond(Det. Mike Kellerman - now a P.I.),Melissa Leo(Sgt. Kay Howard), Richard Belzer(Det. John Munch), Clark Johnson(Det. Meldrick Lewis), Isabella Hoffman(Megan Russert), and Max Perlich(J.H. Brodie). Gee's son Mike Giardello also appears in the movie as a beat(street)cop after he left the FBI at the close of the series.

This movie is a must see for die-hard fans of the show longing to see former cast members that actually made the show great. And to leave you on an intriguing and interesting note: The ending is a complete SHOCKER!!! Don't miss out on getting this movie for anything in the world. It's the perfect thing for any die-hard Homicide fan and a movie no Homicide fan should be without.

Urban Tradgedy
This proved to be a worthy, if not tragic, ending for what diehard fans called "The Best D**n Show on Television." Being one of those fans, I was torn. On the one hand, I honestly felt "Homicide" didn't need a wrap-up movie. The ending of the televsion series, I thought, was about as satisfying as we fans were going to get under the circumstances.

On the other hand, well, it was my favorite show, for cryin' out loud! I wanted to see how the creators would put it to rest.

BTW, for those of you who didn't keep up with the televion series, this is NOT the DVD to start with! Start with "Seasons I and II" and work your way up!

Back to the review: The storyline is as follows: Al Giardello, former Homicide Unit L-T, is now running for Mayor of Charm City (On, if you can believe it, a drug legalization platform) and has a very impressive lead, that is until he's gunned down while giving a speech. All cast members are reunited as they struggle to investigate the shooting of their beloved "Gee" as he lies in intensive care.

At times, the writing is only mediocre and there are moments when the movie seemed preoccupied with giving every single reunited cast member a line or a scene. Nonetheless, the shocking and sad ending was worth every minute and has some incredible acting from Kyle Secor and Andre Braugher.

I wouldn't want to give anything away save this: the writers don't take the usual route and certainly do not wrap everything up with a "happily ever after" ending. And, looking back on the series, it makes all the sense in the world.

HOMICIDE
This is quite a good made for tv movie unlike the law and order movie (Exiled) WHICH SUCKED! i watched this show because it was a 2 part with law and order and i became as obsessed if not more than with law and order, there are NO bad not a 1, at least not the main characters. I wish this show hadn't been cancelled, i guess it was just to real and profit lacking, and not enough violence...i like how this show wasn't the solve the crime in an hr formula, and there is more than 1 set of detectives, with enough time for all, and still just enough time for sub-plots unlike NYPD which is 100% sub-plots...i cannot wait for the rest of the seasons!!
my favorite episodes (that i have seen)
Fire (1 and 2)
sniper (1 and 2)
Subway
the white glove murders (1-3)
justice (1-2)
three men and Adena
crosetti
the last of the watermen
happy to be here
gone for goode

P.S. Bring this mother****er back! lol dont we wish...

"Who's the fourth chair for?"
Returning on occasion to the job I left almost three years ago, and which I held for over four years, I am constantly reminded of how much things change. And the feeling of awkwardness and unease still permeates throughout each and every one of my visits. The place looks different. Many, if not most, of the faces have changed. Life has moved on without me there. Watching "Homicide: The Movie" evokes much the same feeling within me. The TV movie was produced only a short half-year after the series ended production, yet so much was different. The result is somewhat jarring, yet still acceptable. Life does, indeed, move on. Why should "Homicide" be any different?

The major driving force behind "Homicide: The Movie" was to reunite as many of "Homicide: Life on the Street's" cast members as possible. How does one accomplish this? The answer comes in the form of having a man that many of the characters liked (or at least respected) get shot down. Former Lt. Al Giardello (Yaphet Kotto) is running for mayor of Baltimore, when he is gunned down at a rally. He is rushed to the hospital, and news of his brush with death spreads quickly throughout the area. Soon, every single one of the living detectives who had worked in the Homicide unit during the series' run have returned to the squad room. Much has changed since the time that they were there. Only one of the show's original characters, Meldrick Lewis, is still an active detective in the unit. Stu Gharty, a man many people did not respect, is now the shift lieutenant. The squad room is painted blue. And Jason Priestley (of 90210 fame) has joined the cast as a brash, new detective.

The detectives (old and new) begin to investigate the shooting of Al Giardello. John Munch & Stanley Bolander (Richard Belzer & Ned Beatty) re-unite and work together, as do the popular Frank Pembleton & Tim Bayliss (Andre Braugher & Kyle Secor). If there is a problem with "Homicide: The Movie", it is that in its quest to bring together the over 20 regular and semi-regular (as well as guest-starring) members of the cast of the original show, the usage of that cast is spread very thin. In fact, as it was when the series was on the air, the plot basically revolves around Pembleton & Bayliss. This is not necessarily a bad thing, as they are two of the show's strongest characters. It is simply a matter of time allowance. It had been years since Ned Beatty had been on the show, and perhaps a bit more time devoted to his character wouldn't have been such a bad thing. Or that of Melissa Leo's strong role as Sgt. Kay Howard (another favorite). At any rate, it was interesting to see everyone come back together again, one last time -- even the "dead" characters.

There are some twists and turns in "Homicide: The Movie", as well as a couple of surprises. One of them is semi-predictable, if you'd followed the series up to its final episode. Still, it is devastating. The plot line of investigating Giardello's shooting progresses well enough, although sometimes it feels haphazard, as certain scenes are thrown in, simply for sake of providing something for each of the cast members to do. The last few scenes, once the shooting is solved, provide both a nice, and a not-so-nice coda for the characters that fans of the show grew to know and identify with over the series' seven season run.

In the end, "Homicide: The Movie" seems concerned with wrapping things up, and with tidying loose ends left over from the final episode. I'm not sure whether or not I like this. In many ways, the last episode left things in a way which seemed more natural. Not every answer was solved, not every character's destination was known. Now, with "The Movie", we have almost more answers and finality than I find desirable. It made me pine for the show's early years, when it was simply a deep, gritty, and heartfelt cop show. Ah, those were the days. ... Read more

Amazon.com

The later series of definitive British sitcom Are You BeingServed?--set in the hierarchical world of the sales staff of adepartment store--lost several of its original cast members, but this onlygave more room for the antics of its most popular characters: Thenot-so-ambiguously-gay Mr. Humphries (sterling John Inman) and themulti-hued Mrs. Slocombe (Mollie Sugden, as regal and petulant as QueenVictoria), ably supported by lecherous floorwalker Capt. Peacock(wonderfully snooty Frank Thornton), affable Miss Brahms (helium-voicedWendy Richard), and woefully incompetent Mr. Rumbold (jug-eared NicholasSmith), who form a squabbling dysfunctional family within the strictrules, bowler hats, and neck frills of Grace Brothers store. Though theplots grow more absurd--one episode has the staff forced to sleep on agiant waterbed in the store basement, dressed like albino Teletubbies--thecomfortable but never complacent rapport of the cast keeps the show sharp.Even the most groan-inducing sexual double-entendres (and there are many)gets carried off with aplomb; no matter how many times Mrs. Slocomberefers to her poor pussy (that is to say, her cat, Tiddles), it still getsa laugh from Sugden's unbeatable poker face. And though the writingoccasionally wears thin, some episodes are among the series' best: WhenMrs. Slocombe is temporarily given a managerial position, the overturningof the established order is comic gold; the staging of a Punch and Judyshow lets everyone indulge in some topnotch slapstick. Are You BeingServed? is a twinkling star in the Britcom firmament, guaranteed toturn any viewer into a delirious fan. --Bret Fetzer ... Read more

Reviews (8)

AT LONG LAST.... MY COLLECTION IS COMPLETE !!
WHEN I ORDERED THE FINAL SET OF DVD'S I COULD NOT WAIT TIL I GOT THEM !! I AM SOOOO HAPPY THAT MY COLLECTION IS NOW COMPLETE WITH ARE YOU BEING SERVED!!

THE FIRST SET WAS I THINK A LITTLE BETTER BUT I NEEDED TO COMPLETE MY COLLECTION. I WAS HOPING THAT ON THE INTERVIEWS THEY WOULD HAVE TALKED ABOUT MR GRANGER AND YOUNG MR GRACE BUT NOTHING WAS SAID, I DO KNOW THAT THEY ARE NO LONGER LIVING BUT SOMETHING COULD HAVE BEEN SAID ABOUT THE TIME SPENT ON THE SHOW WITH THEM, UNLESS THEY ARE NOT SUPPOSED TO TALK ABOUT DEAD PEOPLE ON THE BBC.(??) AND ALSO MISSING WAS YOUNG MR SPOONER ON THE INTERVIEWS. THANK YOU BBC AMERICA FOR RELEASING THEM!!

3 Good Reasons To Own This Set
1. The picture quality is outstanding. Seeing more details makes one a little bit more intimate with our friends at Grace Brothers. The excellent sound quality allowed me to catch jokes I missed before. The overall picture and sound quality made me feel as though I was watching the episodes for the first time although I've seen them hundreds of times before.2. The interviews with cast members are a treat.3.The pilot of "Allo, Allo" included as a bonus. (I can assure you the subsequent episodes slated for DVD release 1/20/04 get wackier and wackier!)I cannot wait for the DVD of the Holiday AYBS episodes.

This set is jolly good and "I am unanimous in this"
Those, like myself, whose quest was to see every episode of AYBS? on PBS only to have a time change, slot change, or telethon get in the way, will be relieved to finally have all 69 episodes of this hilarious series in two convenient box sets to watch anytime (take that, PBS). Yes, in this second box set Mr. Grainger is replaced by a string of, mostly unmemorable, characters, and Mr. Lucas will eventually be replaced by the more mean-spirited and less tactful Mr. Spooner; however, there are still many excellent episodes in the last half of the series, including some personal favorites. In "Grounds for Divorce" it seems almost every female member of Grace Brothers is enamored with Captain Peacock. "The Erotic Dreams of Mrs. Slocomb" are about you know who. "The Hero" with Capt. Peacock developing a boil on his bum is another of my favorites. It also includes Trevor Bannister's last episode "The Punch and Judy Affair" which, although I find to be boring and repetitive, is a fan favorite.

"The Best of..." extra was disappointing. I thought John Inman would provide commentary to AYBS? clips. Actually, it is just a bunch of random clips (some quite long) that any fan of AYBS? has seen many times before. The piece on Molly Sugden looked as if it was going to be the same clip show but, fortunately, ends up with more interviews with actors and a look at Sugden's life in her own words which makes for a very welcomed extra. Grace and Favour was a cute series and I hope that the other episodes will be released on DVD soon. Yes, if you are only going to buy one set, buy the first but, if you're going to own the first, why not the second as well?

Mr. Humphries! Leave my pussy [cat] alone!
This is an execllent set of dvds that complete the Are You Being Served? Series.
It includes "Roots?" an episode I've never seen on PBS - It's Mr. Grace's 90th Birthday and the staff decide to research Mr. Grace's roots and do a song/dance number to honor him. After doing three song and dance routines they dig up some more info about Mr. Grace's roots....The cast do a Minstral show number dressed in black face- in questionable taste? You'll have to decide for yourself. But it's obvious that's why this episode has not aired on my local PBS station. The high point of the episode is that the both young and old Mr. Grace are together in this episode AND we see Mr. Rumbold's twin brother!.
Also included is the first episode of Are You Being Served Again?
ALSO - Inside the case for disc 14 is a special separate preview disc of my all time favorite Britcom - "Allo, Allo" - It's the pilot episode of that series..with the promise that series 1 of that show is coming to DVD in Jan '04. Don't miss this one!

"Weak as water, the whole lot of you. Weak as water!"
Set in old-fashioned Grace Brothers Department Store, "Are You Being Served?" was a long running comedy series which followed the day to day antics of the Mens and Ladies Wear departments, both on the same floor. It was, in its own way, a microcosm of society (albeit a slightly off society). We had: Mrs. Slocombe - the eccentric head of Ladies' Wear, who always had a different hair color each episode. Mr. Humphries was the effeminate Menswear assistant who was the source of much hilarity. There was the young and attractive Ms. Brahms. Then there's Mr. Rumbold - the large-eared department head, Captain Peack - always after the ladies, and Mr. Harmond - the intrusive, brash janitor. Put together, these characters make a recipe for an all-together great comedy series.

This DVD set covers the last 5 series (or 'seasons') of "Are You Being Served?" and, viewed on its own, is quite funny. If the episodes are compared to the ones from the first 5 years, it becomes apparent that the quality of the scripts have deteriorated somewhat. Concepts from earlier years are re-used, new characters are introduced and don't quite fit-in, and the show takes on a somewhat 'auto-pilot' feel. But don't think that this is a bad set of shows. Even though they are not as good as the episodes in the Series 1-5 set, they still make for some of the best television I've ever seen.

Gone from the cast are Mr. Grainger (head of Menswear), and Mr. Lucas (he appears in the first two series of the set, and then takes his leave). Grainger & Lucas were two very big parts of the heart & soul of "Are You Being Served?", and their absences are pronounced. There was a series of 'older gentlemen' replacements for Mr. Grainger, before the producers decided to jettison the idea of the role altogether. Mr. Lucas's replacement, Mr. Spooner, lacked quite a bit of personality, and paled in comparison to his predecessor. We also witness the departure of Young Mr. Grace, the owner of the store, who was one of my favorite characters.

Despite the number of cast changes during the last five years of its run, "Are You Being Served?" still managed to be one extremely funny show. Two of my favorite episodes fall within this collection. In "The Apartment", Mrs. Slocombe has squatters in her new flat, so Grace Brothers allows her to use one of the department floors to live in temporarily. She has the place set-up just like a real home and, due to a transit strike, her co-workers end up having to stay the night there. The results are quite amusing. In "The Hold Up", the staff are performing their yearly late-night inventory when two burglars break-in. Some of the staff are captured, and some of the staff dress-up as The Gumby Gang - notoriously tough criminals. This may be my favorite "Are You Being Served?" episode -- ever.

"Are You Being Served?" ran for twelve years in Britain, and, coincidentally enough, it ran for twelve consecutive years on my local PBS station - a sign of its great humor, fabulous characters, and enduring charm. The first DVD set was great. I can't wait to own this one. ... Read more

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The first happy day in the adult life of Anjuli (Amy Irving) is the day her husband's body is set on fire. Her rich and powerful husband, the Rana of Bhitor (Rossano Brazzi), is ritually immolated in a lavish ceremony where his other wife, Anjuli's half sister, is expected to commit ritual suttee. Only after she is released from her marriage is Anjuli free to follow her heart. Based on M.M. Kaye's beloved novel, The Far Pavilions tells the haunting love story of Anjuli and Ash (Ben Cross) against the spectacular backdrop of mid-19th-century colonial India, replete with accurate historical and cultural details. Full of battle, treachery, intrigue, passion, and prejudice, the film brims with stunning sights, from the peaks of the Himalayas to the famed palaces of Bhitor, remarkable battle scenes, and royal pageantry, including a lavish, several-day-long traditional Hindu wedding where the groom enters on an elephant. The all-star cast, including Omar Sharif, Sir John Gielgud, and Rupert Everett, truly brings the novel to life.

This two-DVD set includes interactive menus, a scene index, production notes, and a Kaye biography and book list. Originally released for television in 1984, The Far Pavilions has inspired viewers to travel to India, plus it has been included in numerous university courses because of its postcolonial and multicultural themes. This film will appeal to viewers interested in postcolonialism or Indian history and culture as well as anyone who loves a good romance. --Tara Chace ... Read more

Reviews (18)

Visual feast, but no depth to plot or to characters
If you are looking for a movie with sumptuous landscapes and costumes, exotic locales and characters, and a highly romanticized story, this fits perfectly. If you are looking for a movie with real meat to the story, this does not do so well. Both Ben Cross and Amy Irving who play the protagonists do not appear to advantage in this film. [For a better performance from Cross, try CHARIOTS OF FIRE, for that from Irving, try CROSSING DELANCEY].

This kind of movie also paints a distorted view of British India in this time period, romanticized but bearing as much resemblance either to 19th century India or modern India (and South Asia) as would ALADDIN (Disney version) to the Middle East ca 800 or today. Part of the problem is that the film has cut so much of the beginning of the novel (actually, pretty much the first third ) away. That leaves the viewer in limbo when Ashton Pelham-Martyn appears as a British officer with an Indian background. What kind of background? That is much better described (and far more believable) in the novel than in the film.

Of course, it is hard to compare novels and film adaptations. On the other hand, we do want the story within a film to make sense. Given the complexities of the plot, what is left out gives us little understanding of why Anjuli's position is so bad, or for that matter, why Ashton's "Indian" background leaves him highly suspect among his fellow officers. [Not to mention the fact that an important little sub-plot is almost totally excised].

If you have read the novel before watching the film, the story will make more sense. On the other hand, if you are just looking for eye candy, this film version is fine as it stands.

For the record, if you want to read about 19th century Raj customs and stuff, read Kipling's KIM or anything else by him or watch THE MAN WHO WOULD BE KING. Paul Scott's THE JEWEL IN THE CROWN (TV series and book) and E.M Foster's A PASSAGE TO INDIA (film by David Lean and book) offer a much-better more nuanced and better-researched look at the last decades of the Raj (1920s to 1940s). For stories set before 1857, I am not really sure there is anything that has been well-translated to the film medium.

A TALE OF ROMANCE AND DERRING DO IN COLONIAL INDIA...
Based upon M. M. Kayes best selling novel of the same name, this film is well acted and absorbing. It is a story set during the time of the British Raj in India. The two characters central to the film are Ash (Ben Cross), an Englishman who spent the formative years of his life believing that he was Indian, and Anjuli (Amy Irving), a half caste Indian princess. Ash and Anjuli spent a portion of their childhood growing up together, until palace intrigues forced Ash and his Indian foster mother to flee. As a prepubescent youth, he is informed of his English heritage and sent to England for his education and Anglicization.

Returning to India many years later as a young man, Ash becomes a part of a British regiment called the Guides. He has some difficulties adjusting, as he is not an Englishman comfortable in his own skin, as he also feels that is Indian in many ways, a view that brings him into conflict with the way the native Indian population is viewed by the British. Meanwhile, Anjuli has continued living as a half caste Indian princess. She and Ash have not seen each other since he and his foster Indian mother fled, and she has no idea that Ash is not Indian, but British.

The film is an amazing cornucopia of adventure, derring do, and romance. It provides a tantalizing glimpse into colonial India. All of this, however, merely serves to propel the story towards the uniting of Ash and Anjuli, as the film is, first and foremost, a love story set against the romantic and lush backdrop of colonial India. When the paths of these star crossed lovers intersect, it is under a most unusual set of circumstances. It is a story that will keep the viewer riveted to the screen. I, myself, was unable to tear myself away from the screen and was riveted for the full five hours that it took for this mesmerizing tale of adventure, love, and treachery to unfold.

With a star studded cast that includes the likes of Omar Shariff, Christopher Lee, Sir John Gielgud, and Rossano Brazzi, this is a film what will capture the viewer's imagination. I read and loved the novel upon which this film was based, and while it is not a faithful adaptation of that wonderful book, the film stands on its own considerable merits. It is meant to entertain and that it most certainly does.

This two disc DVD is somewhat limited in what it offers, however, in terms of features, which is limited to a scene index, some production notes, and a brief biography of M.M. Kaye. In terms of its quality, while the sound is good, the visuals are somewhat grainy at times and washed out looking. It is too bad that they decided to do the transfer from video to DVD on the cheap. In doing so, they did "The Far Pavillions" a disservice. Still, it is a DVD well worth having in one's collection, as the story is such a gripping tale.

great movie, terrible DVD
i was so looking forward to the DVD verison of this film. i had taped the entire 6 hours when it was on HBO so many years ago. i missed the narrater intoducing the next parts, and the picture quality, which i expected to be outstanding didn't happen. they took a print and ran it to a DVD, no fixing, no nothing. when i want to watch this one, i put in the old VCR tape, it's better and clearer than the DVD. hard to believe! the people that put this one together didn't give a "flip" about the movie.to bad...

Amazing! Brings Colonial India To Life.
As a great fan of the book, I was slightly apprehensieve about seeing the TV series. However, I really feel it does the book justice and brings the characters and India to life with its fantastic scenery and sumptuous costumes. Amy Irving is perfect as Anjuli and although unsure at first of Ben Cross's performance, I soon warmed to him as Ash. The picture on the DVD was really good, as was the sound. A must see DVD for anyone who is interested in the history of India.

Great Miniseries - Ben Cross is awsome!
For criticism purposes, it has to be understood WHEN the novel was written, and also the fact that this movie is based ON A NOVEL, it does not intent to be a documentary, but a recreation of British ruled India from the eyes of a British writer.

I disagree with some of the criticisms posted here, as you cannot analyze a book written in a different time (or a movie based on one) as if you were talking about a contemporary of yours.

I ENJOY the movie VERY MUCH, every time I watch it again (The 4 videos collection)... I would highly recommended it. I LOVE how Ben Cross plays his character, and Amy Irving, too. It is MOST enjoyable.

ENJOY! ... Read more

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Drawing from Andrei Tarkovsky's heady science fiction meditation Solaris by way of Alien and Hellraiser, this visually splendid but pulpy piece of science fiction schlock concerns a mission in the year 2047 to investigate the experimental American spaceship Event Horizon, which disappeared seven years previously and suddenly, out of nowhere, reappeared in the orbit of Neptune. Laurence Fishburne stars as mission commander Captain Miller and Sam Neill is Dr. Weir, the scientist who designed the mystery ship. Miller's T-shirt- and army-green-clad crew of smart-talking pros finds a ship dead and deserted, but further investigations turn up blood, corpses, dismembered body parts, and a decidedly unearthly presence. It turns out that the ship is really a space-age haunted house where spooky (and obviously impossible) visions lure each of the crew members into situations they should know better than to enter. The ship is gorgeously designed, borrowing from the dark, organic look of Alien and adding the menacing touch of teeth sprouting from bulwark doors and clawlike spikes inexplicably shooting out of the engine room floor. Unfortunately the film is not nearly as inventive as the production design--it turns into a woefully inconsistent psychic monster movie that sacrifices mood for tepid shocks--but the special effects are topnotch, and ultimately the movie has a trashy B movie charm about it. --Sean Axmaker ... Read more

Reviews (315)

An flawed, trashy but a worth seeing Sci-Fi Thriller.
Years earlier, a man (Sam Neill), who created a State-Of-The-Art Interstellar Pioneering Research Vessel named Event Horizon. The Ship has disappear for Seven Years vanished without a Trace. Now the year is 2047, the Ship has been found. A Fearless Captain (Laurence Fishburne) and his elite crew (Kathleen Quinlan, Joely Richardson, Richard T. Jones, Jack Noseworthy, Jason Isaacs & Sean Pertwee) go on a Rescue Mission is launched to Neptune go get the ship back with them but as they go along with the Event Horizon has been Connected to the Black Hole and they are not ready to ensnare them in a New Dimension of Unimaginable Fear.

Directed by Paul Anderson (Mortal Kombat, Resident Evil, Soldier) made a unusual Horror Thriller set in Space. The film is not entierly successful (it was a huge Box Office disappointment) but it does pays tribute to another films like The Black Hole, The Shining and another Horror/Supernatural/Sci-Fi Thrillers. The film has some Intense Horror Scenes (Which Paul Anderson has forced to cut out 20 Minutes to make this film an R-Rating). DVD has an terrific non-anamorphic Widescreen (2.35:1) transfer and an strong-Dolby Digital 5.1 Surround Sound. Excellent Production Desings, Visual Effetcs & Make-Up Effects makes this a Must See. Neill is Terrific is this and so is the Cast. Panavision. Grade:A-.

Almost Painful to Watch
During a glut of movie watching, I happened to watch Event Horizon. I cannot recommend this movie even to those who like cheesy ghost stories.

The Event Horizon, mankind's first attempt at a faster