Reviews (108)

BEN KINGSLEY'S FINEST HOUR ON DVD
Richard Attenborough's "Gandhi" is a masterfully told, massively mounted epic motion picture, depicting the life and times of Gandhi, a benevolant crusader for peace, whose shocking assassination rocked the world. Ben Kingsley rightfully took home the Oscar for his subtle but stunning transformation into the title role. WARNING: This is a slow paced movie but well worth the three hour plus investment of your time.
Columbia Tristar has given us a very beautiful print of the film. Colors are rich, bold and vibrant. Contrast levels are good. Although black levels are not always at their darkest, this is relatively forgivable, since most of the film takes place during the day. Shimmering, aliasing and edge enhancement are all present but in extremely minute amounts, leaving one with nothing to do but admire the visual presentation in all of its breathtaking cinematography. The soundtrack is 2.0 surround but well represented. Some of the audio has a tendancy to appear thin or strident but, again, considering its dated fidelity and the source material, it is remarkably well represented. No extras - disappointing for a big time Oscar winner like this. Perhaps we'll get a special edition eventually.

Excellent movie about a 'mover' in this world
Every once in a while this world produces an exceptional human being whose presence makes it a much better place to live in. Such a person was Mahatma Gandhi; the Indian 'radical' whose teachings about non-violent resistance lead to the eventual independence of India from British colonial rule. His teachings have inspired other such movements in the world and his life has been looked up to as a standard which others have tried to emulate.

Every once in a while those responsible for the academy awards have chosen deserving films. This is one of them. Ben Kingsley gives a grand performance as Gandhi, from his youth to his death. The impersonation is spot on; everything from the accent to the gait is so convincing that one could swear Kingsley was Gandhi.

If you are looking for a biography of this man on film, this movie is an excellent source. Condensing Gandhi's life into a few hours is such a great feat, especially when there is so much of this man that could be explored. The movie was filmed in India, with 300,000 extras, so if you like epic films you will definitely enjoy this one. The scenery is authentic and the characters have a reality about them so often lacking in 'hollywood' films. No 'eye-candy' version of a historical event, this is a real movie about a real person.

The DVD extras were ok for a film this old. There is some original newsreel footage which is quite short but still worth watching to see the real Gandhi as he was. Kingsley also gives a talk about how it was being Gandhi, there is also some of the sayings of Gandhi; great candidates for those memorable sayings we all try to memorize to motivate ourselves. All in all a great DVD, the movie is a timeless classic about a great man of the modern world.

Movie does not do justice to the person
Richard Attenborough's movie "Gandhi" was a movie of epic proportion. Mohandas Gandhi was probably the most influential person of modern day India. If one reads any of his biographies or his autobiography, one would find that he was a very complex person. The movie was well directed and showed some of the important parts of the freedom struggle starting from his initiation in South Africa. However, for the sake of marketing, the movie concentrates largely on the european angle and sidetrakes the Indian angle completely.

Gandhi was a person who started a new line of thinking that inspired people like Martin Luther King, Nelson Mandela, and Dalai Lama. He was a complex person who right from childhood was afraid of ghosts and speaking in public. He was a disaster as a lawyer initially. The transformation happened when he saw the injustice happen to him in Pietermaritzburg in South Africa. I wish that the movie had shown the transformation in the person. This was an important catalysis. Most of the people shown in the movie were not important in Gandhi's life, though they were decent actors, such as Candice Bergan and so on. The Indians who associated with him such as Patel, Nehru, Azad and so on are given minor importance.

Some of his important speeches were left out, which are thought provoking. Recently Time magazine had Salman Rushdie write a piece about Gandhi. Granted there is freedom of speech, but I had never seen a more badly written piece about Gandhi than that. Rushdie should stick to fiction - well he is losing his touch in that too. Gandhi had his faults like any human, some of his ideas may not apply in the present day world. But his positives far outweigh his negatives. The sad part is that he is largely forgotten in India itself. Most people in India do not take the trouble to read and know about the real person, what he stood for, his ideals. In fact, I am ashamed to say that South Africa remembers him more than India, even though his is the father of India. Even in the last elections in South Africa, he was used as an icon. However, in India, he is slowly ebbing away.

A soul-conquering fine work of art
Never before have I seen such a powerful work of art. It made me forget the finesse of the technological masterpiece, an advanced Macintosh computer running MacOsX, which delivered the breath-taking scenes in vibrant colors with soul-stirring sound effects. Instead all that stood in my mind was the movie and movie alone. This was a radical change in thought for a person like me who is a avid technology enthusiast. Never before have I been so involved in the scenes of a movie. Every scene and every peice of sound hits the nail right on its head with a powerful strike of the hammer. I must appreciate the dedication of the team and their quest for perfection. Years of their work has produced this masterpiece which mankind can cherish for the eons to come. This certainly is one of the best creations of collective human intellect of superlative degree. The story of the life of a great soul in a soul-conquering work of art.

gandhi-whats the point?
i mean he wasnt that great was he? there are plenty of annorexic people out there. plus its not healthy. throughout that whole movie i was yelling, " GIVE THAT MAN A SANDWICH!" he needs to eat something. I cant tell the difference between mahatma gandhi and paris hilton. in closing WHO LET THE DOGS OUT
WHO WHO WHO WHO.
who let the dogs out-good tune
gandhi-OK flick

i give it ***

GO GANDHI! he is my favorite linebacker in san diego chargers history ... Read more

Reviews (3)

Come on, they are giving us the same movie in 2 cases.
Sandlot 1 is a true classic but part 2 is horrible. It just makes the box set even more trashy because it also comes with part 1. Part 2 is almost the same exact thing and the first. [see the movie and you will know what I mean.] I say just buy the original and don't even look at the second no matter what kind of fan you are or how tempted you may get. Might as well sell this movie and just copy it and put it in the set with a new cover, add some new characters and kiss the box before you ship it out. The director hangs his head in shame over this one.

i remember the first
i'll alwasy reemmber the first, the 2nd not as good as first but my nieces, nephews still liked it

Butchering a Classic
I haven't seen this movie, and I never plan to. The Sandlot is one of the best movies I have ever seen and they go and make a sequel! I can't believe they would stoop so low to make another one. I refuse to see this movie and I encourage you to do the same. POOR CHOICE!! ... Read more

Amazon.com

A decade has passed in the small town where the original Sandlot gang banded together during the summer of ’62 to play baseball and battle the Beast. Now comes the sequel, a campy romp back to the dugout where nine new kids descend on the diamond only to discover that a descendant of the Beast lives in Mr. Mertle’s backyard--a monster of mythical proportions known as "The Great Fear." Director/writer David Evans cleverly ties his two films together by introducing Johnnie Smalls, kid brother of Scotty Smalls ("You’re killin’ me, Smalls") who is well-versed in the legendary struggle for possession of the Babe Ruth baseball. Smalls befriends the sandlot gang (which now includes three girls) and its leader, David Vincent Durango, and relates the rumor of "a mutated, insane Bigfoot dog thing" behind the left field fence. Summer unfolds with baseball rivalries, rocket launchers, and the infamous Carnival kissing booth, but fate will forever change the history of the sandlot when a crisis forces Smalls and Durango to join forces against The Fear. Regardless of one’s sentiments on sequels, Evans’writing in this remake is nearly as fresh and full of memorable quips as the original, including his characteristically understated narration. And while the film may be faulted for its forced melodrama and unseasoned cast, James Earl Jones lends his star appeal and the 70s soundtrack will make you wish for the days when fireworks were legal. Rated PG for profanity and raunchy humor. (Ages 6 to 14) --Lynn Gibson ... Read more

Reviews (29)

My son loves it, mom doesn't
HI All! My son is 5 and is a huge baseball fan, so this movie is right up his alley. He has already watched it about a dozen times... I do not care for it at all...I think the original is a classic, and so much more fun. This poor version takes place in the 70's when the girls were going through "liberation" , "equality", and first loves, all of which is over my son's head. He thinks the kissing is gross and doesn't understand a lot of it. At least there is a little bit of baseball which can keep him happy. For our family, this much anticipated movie is a major dissappointment. :o(As they say "If it ain't broke, don't fix it". They should have left the original alone and never attempted this disaster. Lots more name calling, insults and language than the first, not what a mom wants her 5 year old to emulate. If you MUST see it, rent it before you buy it, so you don't totally waste your money. Hope no one is thinking about Sandlot 3....YIKES!!!

Haven't seen it but I already know it...
I haven't seen it but I know it'll be a flop! You can't make a sequel to The Sandlot! It's not designed for a sequel! It's a horrible horrible crime! I tell ya, the movies these days...

Sandlot 2
This is a good movie, not near as good as the phenomenal Sandlot. It is basically a lame replica of the original Sandlot. Is entertaining when nothing to do i watched this movie about 4 times ona camping trip with younger kids who enjoyed it, i stayed around because of the hottie in the movie; Max Lloyd-Jones who plays David Durango.

Boo To The Sandlot Two
Yeah I liked the first, but when I saw the sequal I was dissapointed. First of all who lets a girl in on the Sandlot Gang?How would anybody not know about Benny if he lived there ten years ago?I say stay away from the sandlot 2!!! I quote what Squints Says in the first "If you had been thinkin' you wouldn't have thought that."

Boo To The Sandlot Two
Yeah I liked the first, but when I saw the sequal I was dissapointed. First of all who lets a girl in on the Sandlot Gang?How would anybody not know about Benny if he lived there ten years ago?I say stay away from the sandlot 2!!! I quote what Squints Says in the first "If you had been thinkin' you wouldn't have thought that." ... Read more

Description

3rd Rock from the Sun, which has earned 31 Emmy nominations,is an inspired half-hour comedy series farcically dealing with the human condition.It was created by Bonnie Turner and Terry Turner in association with Carsey-Werner Productions, LLC for NBC-TV.Set in the fictional city of Rutherford, Ohio, this gentle-hearted series stars John Lithgow as the High Commander of an investigative team sent to Earth on a mission to learn everything about humans and their so-called advanced cilvilization. ... Read more

Reviews (21)

THE DVD GODS
I must be doing something right in my life because the DVD gods have really answered my intense prayers with this release of 3rd Rock from the Sun.During the 90s there were not too many sitcoms that I liked.Third Rock was the exception.I truly love this series and I have watched it in syndication many, many times; however, I always felt rather frustrated due to the severe cuts in the programs and the unending commercials.Therefore, I wished intently that the show would be released on DVD and now they have done it!
I truly feel that 3rd Rock is one of the funniest sitcoms ever, and I feel that one day it will be viewed as a classic television program.The writing, characters, direction, etc. are superb.What a cast!John Lithgow and Jane Curtin head a marvelous group of actors displaying great comic timing.There are so many funny moments that I remember from this sitcom.I am truly thrilled that it is FINALLY commercially available!

Put on your cheese head and get ready to laugh
Third Rock from the Sun was one of my favorite sitcoms of the 1990's and I am glad to hear that it will finally get the respect it deserves starting with Season One on DVD. The show ran from 1996 to 2001 on NBC and lasted 6 seasons and 139 episodes. This first season release should contain the first 20 episodes.Amazon has listed this as a 6 disc set and I am not sure why the studio has decided to make the set so large. Third Rock was a half hour show and they could easily have fit more episodes per disc but the price Amazon has listed is fantastic at only $27.99. I am hoping that the extra space on these DVDs will be used for some bonus features. I would love some comentary tracks from the cast and crew, deleted scences, and some behind the scences footage of how this show was done. Anchor Bay usually does a fair job with their TV on DVD sets and I am hoping that this set will meet the standards of the fans of the series.

please put it on dvd
why is it not on DVD here in America but it is in the UK? we need to get these DVD's!

Please
We must get this on DVD. It's so hilarious and the best comedy show. Please get it on dvd.

It really is not on...
...that you cannot get this marvellous series on DVD in the USA, it was fresh and bold on it's release and is now fast achieving classic and cult status. I have had the good fortune of seeing re-runs here in Britain recently and it really is sublimely funny. All the central performances are excellent, the entire Soloman "family" are weirdly, wackily and deliciously played. The support cast is equally red hot, even the guest appearances were cleverly cast, an issue that come become a "sold to the highest bidder", problem on other shows.
I would urge you all to demand it's immediate release, it is available in my Country (UK) and it is surely one of your boldest and bravest comedy outings! ... Read more

Amazon.com

A misfit drama in the grand Southern (by way of Hollywood) tradition, A Love Song for Bobby Long takes its cue from Carson McCullers's The Heart Is a Lonely Hunter. Re-establishing his indie-cred, John Travolta adds Bobby Long to his gallery of colorful characters. Hobbled by an infected toe, the 50-something Bobby is a white-haired, unshaven, vodka-soaked mess. But he’s also a former English professor, and the piles of books in his ramshackle house, and the authors he drunkenly quotes give him a wounded dignity. Just how wounded will be revealed over the course of this atmospheric tale of redemption and penance. Bobby lives with Lawson Pines (Gabriel Macht), his former teaching assistant who is writing a book about his mentor, a project deferred by drinking, sitting around with the locals, or engaging in quotation oneupsmanship. Scarlett Johansson (Lost in Translation, Ghost World) holds her own against Travolta ("You are such a shameless ham," she chastises the loquacious Bobby) as Pursy, the estranged daughter of Lorraine, a recently deceased singer-songwriter in whose house Bobby and Lawson reside. A battle of wills between the two men and the headstrong young girl gives way to the formation of a tentative family unit. Pursy agrees to return to high school if Bobby and Lawson quit drinking. There will be the expected revelations, recriminations, and dramatic confrontations, but what makes this Love Songresonate are the performances by a cast that rarely hits a false note. --Donald Liebenson ... Read more

Reviews (26)

Travolta is GREAT!
Although not a Travolta fan, I have always enjoyed his performances. But this, this is his best. What a fine actor he has become. I used to suspect that much of his popularity was based on his appearance, but now that he is older and heavierhis acting really shows.Sometimes in just the twich of a facial muscle or a shrug of his shoulders. He actually seems to BE the character he is protraying.//Many will find the movie slow and some of the plot predictable, but focus on the relevation of the characters and the quality of acting and you will not be disappointed.

Incredible film...Scarlett is a great actress of our time
Genre: Drama

Genre Grade: A

Final Grade: A

If Hilary Swank had not won the Golden Globe for Million Dollar Baby, Scarlett Johannson should have walked away a winner. And the Academy Awards should be ashamed that they didn't nominate her. This is her best performance she's ever given (though her role in Lost in Translation is an all-around favorite). This movie should prove what kind of talent she has to anyone who had doubts.

Outside of Scarlett's wonderful acting, this movie was great. Don't be confused by the title - it is not a story about John Travolta falling in love or anything of the sorts. Their isn't even much romance in the story. The real love song that plays within the movie is that of the relationships built between the characters and in the somewhat predictable ending. This is a movie about a girl named after a weed going back to her roots, believing in herself, and in the end, re-discovering herself.

The production value of this film was perfect for it being based in New Orleans. This was also director Shainee Gabel's official first film (he co-directed a movie in 1997). Hopefully he will bring us more great films like this one in the future.

Definitely check this one out - especially if you love beautiful cinematography, Southern scenery, folk music, and famous English poetry.

An Amusing Southern Tale!
John Travolta continues his diversified acting career adapting the role of ousted southern professor, Bobby Long.He is great.The movie can be long at times, but the characters that come and go in this film are memorable.This was the first movie I've seen Scarlett Johansson in and I see a future Oscar winner in the making.She shines in this film with her acting ability.If you enjoy movies in the southern tradition, check this film out.

FYI!Be on the lookout for Sonny Shroyer "Enos" of the Dukes of Hazzard.

A sleeper -- we loved it!
OK, five stars is probably excessive since the plot is ultimately predictable, but it is SO refreshing to find a film shot on a modest budget which soars due to skillful writing.John Travolta does thorough justice to his broken, remorseful, but still literate and charming character, and Scarlett Johanssen is captivating (her acting is good, but her screen presence is just luminous).The project obviously appealed to such major talent because of the intelligent, lyrical screenplay, which quotes heavily from the poetry of Robert Frost, among others.The director did a fantastic job of recreating the stultifying, decayed, claustrophobic atmosphere of the characters' shared home and lives.Like so many good stories, it unfolds gently with many an anecdote and song to advance the narrative, complemented by a wonderful, blues-oriented sound track.The film was a true pleasure to watch and as far as I was concerned it could have been much longer.

Thought-provoking and suprising movie
I only rented the movie because I saw a preview on screens while browsing at Blockbuster.Going to buy it so I can see it again.I thought all the characters were very believable and grew on me as the movie progressed.See it with an open mind and you will enjoy this movie. ... Read more

Description

A Touch of Frost is one of Britain’s most successful detective series and stars award-winning actor David Jason as Detective Inspector Jack Frost, a policeman with a knack for attracting trouble. Set in the dreary town of Denton, Frost approaches each case with his characteristic dry wit and a sense of moral justice. A Touch of Frost Season 2 includes:

"A Minority of One" – Frost and a black detective constable investigate residents at the Eastdean Estates housing project, where young, black men have been accused of a string of commercial burglaries. Frost feels responsible when an informant is murdered. The informant’s child is kidnapped and Frost embarks on a one-man rescue mission.

"Widows and Orphans" – Frost is reluctant to investigate a rash of break-ins at the homes of elderly citizens due to lack of evidence until an elderly woman is found badly beaten. A new female partner dispenses free advice on Jack’s love life and he asks Shirley Fisher to dinner.

"Nothing to Hide" – Frost gets a new partner whose attitude problem stems from a recent demotion. Is a drug addict’s death accidental – or is it murder? Frost deals with personal issues involving an old flame.

"Stranger in the House" – A serial rapist is on the loose in Denton. A teenaged girl is missing and Frost fears she may be the next victim. The investigation becomes jeopardized when Frost finds a possible connection with the victim’s father. Under pressure to remove himself from the case, he uses WPC Hazel Wallace to bait the rapist, placing her in grave danger.

Episodes
A Minority of One
Widows and Orphans
Nothing to Hide
Stranger in the House ... Read more

Reviews (6)

LOOKS GOOD...
im excited about this movie it looks more scarier than signs and should have its surprises coming from M. Night!

GOING TO BE GOOD
I am a big fan of M. Night Shyamalan's movies becuase there so great and they always are released on dvd with lot's of special features about the movie and a mini film from Night that are so funny. This movie looks great though. I think I will enjoy it a lot. it seems as though he keeps on trying to use one main character from the movie that came out before it. He used Bruce Willis twice in Sixth Sense and Unbreakable. In this movie he's using Joaquin Phoenix as he did in signs. It looks kind of like Signs but a little better. I can't wait.

Dont Listen To Dummies
The movie isnt out yet, there was no screenings yet, just pathetic losers wanting to give a movie that doesnt appeal to them a low score

Don't listen to the blind
Never trust someone who hasn't even seen or read what you want to see or read.Go out and see the movie and form your own intelligent opinion on your own.Don't go trusting an ill-formed thought because it will lead you to bad places.

Rip....
Another TZ rip-off. I'll be impressed with M Night when he has an original thought. ... Read more

Reviews (257)

Volume 2 Delivers The Goods (4 Stars)
Kill Bill Vol. 1 might have been action driven and fast paced, but Vol. 2 was not. The slower pace made room for better focus on dialogue though. There are still great fight scenes, but not as many as there were in the first movie. Tarantino hit his stride with this movie. Die hard fans should go out and see it. The movie is two and a half hours long, but it's totally worth sitting through. There are great new characters (most notably Pei Mei) and it does a great job of filling in the holes that were left in Vol. 1(like Uma's screen name). Memorable scenes would be Uma Thurman being buried alive and her fight with Elle Driver in the trailer home. Easily one of the best fight scenes ever. Then there's Bill, played by David Carradine. He was probably the most engaging character in the whole movie. While I was disappointed in the way he died, it totally made sense. Overall, Kill Bill Vol. 2 definitely meets all expectations with its great dialogue and awesome fight scenes. Be warned though, the fight scenes aren't as fast and furious as the first movie. Nor are there as many. But that's not bad because it plays to Tarantino's strength: dialogue. If you liked Vol. 1 or if you're into karate flicks, you'll love Vol. 2. But if you didn't like Vol. 1, you'll like Vol. 2 even less.

Better than Vol. 1
If cinema is ever in need of edgy freshness, then Charlie Kaufman is the man to turn to. But when that need arises and has to be fused with humorously offbeat style then Quentin Tarantino is the Kaufman of directors. Or is Kaufman really the Tarantino of aspiring writers? It doesn't matter. In any case, what truly matters is that Tarantino continues to inject that richly abnormal talent of his into his latest piece "Kill Bill: Volume 2."

Four years after being betrayed by her former boss Bill (David Carradine) and shot in the head at her wedding, The Bride (Uma Thurman) wakes up from her coma and thirsts for revenge. After dispatching Vernita Green (Vivica A. Fox) and O-Ren (Lucy Liu) in "Volume 1," this previously retired assassin is back in "Volume 2" to finish off the rest of Bill's Deadly Viper Assassination Squad and ultimately, kill Bill.

"Volume 2" is definitely the heart of the two movies. Saturated with intense fighting scenes "Volume 1" ended with a bitter sweetness as The Bride seemed completely undeveloped as a character. But "Volume 2" complements the first movie nicely as the action takes the passenger seat and Tarantino concentrates on storytelling, fleshing out The Bride's character. There's actually emotional depth involved now, revealing The Bride's relationship with Bill as well as her motives for leaving an assassin's life.

Thurman is wonderful as The Bride, playing along with Tarantino's take on Hollywood cheesiness to executing some intense dialogue scenes that transition between emotions within seconds. Tarantino is obviously extracting all the skills he can from Thurman, and the end result is worth every squeeze: she pulls off acrobatic feats and heavy dialogue in the same two hours with seamless changeovers.

Carradine also does such a marvelous job of portraying Bill to the point that it becomes frightening. Carradine's subtleties are what form this character and by the end of it all it becomes clear just how insane of a character Bill is: he philosophizes about death while making sandwiches and questions past relationships with a menacing sword in hand. The low and relaxed tone that he carries through the movie makes it feel like Carradine isn't even playing anyone, he's just slipping this character on like an old, comfortable shirt.

But it's not just the characters that make Kill Bill so special. The first installment is wonderful in paying tribute to Japanese anime, folksy spaghetti westerns and an overall homage to "old school" Asian kung fu flicks. Tarantino again draws various sources from 70's pop culture to showcase the quirks of "Volume 2." Whereas the first movie displays Tarantino's knowledge of Asian cinema with wire-wearing kung fu, with unrealistic squirting samurai-movie colored blood included, "Volume 2" solidifies that homage to the full extent.

Perhaps the single greatest movie moment of 2004 is in "The Cruel Tutelage of Pai Mei," the film's chapter in which the origin of The Bride's abilities is discovered. Tarantino brings out all the stops on this one. From the stereotyped supercilious personality to the superficial white facial hair, the character of kung fu master Pai Mei (Gordon Liu) is the absolute embodiment of a 70's Chinese kung fu flick. After this scene, it's obvious that Tarantino is on the edge of oddball insanity, right there with brilliance on the other side.

Like the chapter of Pai Mei, the rest of Tarantino's film combines everything campy and corny with his bizarre sense of direction. And everything rationally ridiculous here somehow ends up as abnormally gorgeous.

Superb second chapter
A radiant bride-to-be (and mother-to-be) who calls herself Arlene takes a few minutes out of her wedding rehearsal to talk to her former boss (and ex-lover) about the peaceful new life she's planned. She tells him she'll be working in a record store where she'll get to "listen to music all day, talk about music all day. It's really cool. It's going to be a great environment for my little girl to grow up in."

"As opposed to jetting around the world, killing human beings, collecting vast sums of money?" her one-time employer asks.

Yes, Arlene is actually The Bride (Uma Thurman), a.k.a. Black Mamba, one of the Deadly Vipers Assassination Squad (D.I.V.A.S., for short). And, yes, the man with whom she's sharing her future plans is Bill, the enigmatic, shadowy D.I.V.A.S. commander who never showed his face in "Kill Bill, Vol. 1."

Bill, played to diabolical perfection by David Carradine, is visible throughout "Kill Bill, Vol. 2," and that's only one of the many changes between the first and last installments of writer-director Quentin Tarantino's epic saga of revenge and retribution. "Vol. 1," which took place largely in Japan, was a magnificently gory, almost operatic homage to the Hong Kong and Japanese cinema of the 1960s and 1970s; "Vol. 2," set primarily in Texas and Mexico, is considerably more controlled -- although no less stylish -- and moodier, paying tribute to the unconventional Westerns of director Sergio Leone and, in its black-and-white flashback sequences, recalling such late-1940s/early-1950s thrillers as "Gun Crazy" and "The Big Heat."

No one ever accused Tarantino of being shy when it comes to laying out his catalog of influences.

Cinematographer Robert Richardson's all-seeing camera swoops, slithers and moves stealthily around each scene, just like our unstoppable heroine, then throws in some extreme close-ups that feel like a fist between the eyes. Editor Sally Menke and production designers David Wasco and Cao Jui Ping do wonderful work as they recreate everything from "In Cold Blood" to the washed-out-looking, jumpy Chinese chop-socky films of the 1970s.

But far from being merely imitative, "Vol. 2" features a few breakthroughs for its creator as well. A prolonged sequence involving a character who is pummeled, drugged and buried alive is one of the most gripping episodes of Tarantino's career, and The Bride's apprenticeship to merciless martial arts master Pai Mei (Gordon Liu), a deceptively wispy-looking type with a strong chauvinistic streak, is outrageously hilarious. "Your so-called kung fu is really quite pathetic," Pai Mei taunts as The Bride tries -- and fails -- to impress him with her moves. "Like all Yankee women, all you can do is order in restaurants and spend a man's money!"

The finale of "Vol. 1" was a blood-drenched, wickedly hilarious free-for-all, with The Bride dispatching scores of would-be hitmen in a showdown in a Tokyo nightclub, but the last half-hour of "Vol. 2" is a shocker of an entirely different kind, as Tarantino aims for the heart instead of the funnybone. He tried something somewhat similar in the bittersweet wrap-up of "Jackie Brown," with mixed results. He's much more successful this time out, partly because he's created a steadier build-up to the crucial emotional crescendo (set to a marvelously trippy remix of The Zombies' "She's Not There") and partly because the tension Carradine and Thurman generate in the pivotal scene, as bloodlust collides with memories of happier days, is utterly riveting.

Tarantino's cast fills out a classic rogues' gallery, dominated by Carradine's Bill, a psychotic who conceals his sadism beneath a calm, paternalistic exterior. Daryl Hannah's one-eyed Elle Driver and Michael Madsen's Budd, both of whom were briefly seen in "Vol. 1," get ample opportunity to prove their worth as antagonists of The Bride. The face-off with Elle, in particular, is so delightfully demented only Tarantino could have conjured it up.

Was the director wise in turning "Bill" into a double-bill? Absolutely. For one thing, he must have realized he had made an extravaganza that would have been too intense and certainly too emotionally exhausting for most audiences to process in a single four-hour sitting. Also, he obviously knew he had a second half that would be well worth the six-month wait.

"Gargantuan -- always liked that word; so rarely have a chance to use it in a sentence," the icy-hearted Elle murmurs at one point. Try this on for size: The frenzied, funny and unabashedly ultraviolent "Kill Bill" saga represents a gargantuan achievement in action cinema.

Can a movie possibly get any better than this?
First I'd like to say that Quentin Tarantino is the best film maker that ever lived period. I would say that KILL BILL VOL. 2 is the greatest film since Casablanca. This is by far my favorite of Quentin Tarantino's films. This is a must own Dvd. Buy this awesome mind-blowing classic movie today.

This movie should not be see by the stupid ones
YES YES MAN I THOUGT THAT THERE WAS NOT TOO MUCH STORY BEHIND THE 1ST VOL IT WAS GREAT BUT SOMETHING WAS MISSING IT WAS THE AWESOME STORY OF THE 2ND. IS LIKE WATCHING A SPAGHETI WESTERN BY SERGIO LEONE BUT BEING DRUNK.BUT STILL I DONT KNOW HOW SOME PEOPLE TALK SO MUCH CRAP ABOUT THE 2ND VOL.IS PROBABLY THAT THEY MISSED THE POINT THAT IS VERY SAD MAN.THAT'S WHY THIS MOVIE IS NOT SUITED FOR THE DUMBASSES.WHEN YOU SEE THIS VOL YOU WILL DEICIDE IF YOU ARE A TRUE TARANTINO FAN!!!! ... Read more

Reviews (556)

Heeeere's Johnny! A modern horror classic on DVD
It's tough to believe that Stanley Kubrick received a Worst Director Razzie nomination for "The Shining." While "The Shining" may not be given the classic status of some of his other films like "Dr. Strangelove" and "2001", it's actually the least polarizing of this highly-praised and atypical filmmaker's work.

This atmospheric thriller is sure to creep you out with its pacing, eery editing and cinematography (those tracking shots are highly effective), and Jack Nicholson's powerful performance as Jack Torrance. Horror films often tend to divide audiences into genre fans who follow the gore and those who laugh in the face of so-called scares, insisting their own resiliancy to cheap thrills and lamebrain plotting.

Fortunately, "The Shining" doesn't make you take sides, because its chills come from plotting and character study as much as they do from odd sights that will make you jump. It may stray from Stephen King's book and not all of it may make sense, but "The Shining" has so much going for it that you won't mind. It's a gripping and satisfying film experience, and in my opinion, one of the best films of the '80s.

This Warner DVD re-release is definitely the version to get. The fullframe presentation comes at the wishes of Kubrick and the video and audio offer significant improvement over the drab initial release. (Unfortunately, the original Mono audio track has been dropped altogether in favor of an effective 5.1 remix. They could have included both with no problem.)

In the way of extras, there is an engaging half-hour on-set documentary, filmed by Kubrick's daughter Vivian. It provides a candid experience of the film's creation, and interviews with some of the actors. In addition, this DVD re-release includes an audio commentary on the documentary (sort of a "making-of the making-of") by Vivian Kubrick. There's also the spooky trailer, which shows how a movie preview can perfectly pique one's interest in a film, without spoiling (or even saying) much.

Possibly the Best Horror Movie Ever
This was a spectacular piece of work. It had a chilling soundtrack, and had some very good camera work. In the case of the Shining, a movie has finally exceeded the book upon which it was based. Things that would normally make a movie terrible have made the Shining a spellbinding movie. For example, the dialogue throughout the entire movie seems forced and unnatural. Another example is during an argument between Jack Nicholson (who performs incredibly well throughout the entire movie) and Shelley Duvall, after which Jack storms out of the room and glances at the camera as he goes by. If you're a horror fan, or just into movies, this is definetely one to see again and again and again.

A great horror movie..
This film slowley but shorley creepes you out, I don't think any one but Jack Nicholson could have played this role that well, and Krubrick has the best feal in the world, and the score is one of the best ever put in a movie. The movie is really scary.
It all starts off kinda slow thenwe see Dany talking to himself, and then there's a few images that are veary frightning, the holtel gives you a veary creepy isalated fealing, like if something were to happen there'de be no way out. Jack slowly starts going crazyer and crazer, and the hole time creepy images are appearing in the hotel, and the last half hour of the movie is trueley scary, a must see.

267
When i first saw this movie i was scared to death. realy it may have beeen the scariest movie i have ever seen. i also read the book but the movie was even scarier.
i realy recomend you this movie.
maby it had beeen the scariest movie i have ever seen...you are going to love this movie.

Another Kubrick Classic
I loved this movie. It freaked me out I must say. Jack Nicolson is the perfect crazy man in the movie. Another thing this movie possesed was great cinematography as any Kubrick film posses and great acting by all of the actors and actresses. Great movie deffinate buyer. ... Read more

Reviews (11)

A Wonderful Story Riddled with Too Many Unanswered Questions
De-Lovely has all of the makings of a great movie. It has a wonderful and engaging cast, especially Kevin Kline as the American composer and songwriter Cole Porter. Ashley Judd is ethereal as the long-suffering wife of Cole Porter, Linda Lee Porter. Cole Porter?s music?performed mostly by today?s musical contemporaries like Robbie Williams and Sheryl Crow?is still beautiful, catchy and witty. The period suits and dresses are aesthetically pleasing. With all those pluses, De-Lovely should have been an excellent and entertaining movie but it isn?t. It left with me with an empty and confused feeling.

Cole Porter (1891-1964) married Linda Lee Porter (1883-1954) in 1919. Linda was a wealthy divorcée, and several years older than Porter was when they wed. Porter was gay. Linda and Cole shared a mainly platonic marriage, which included separate bedrooms in their lush houses. The biopic De-Lovely inspires to be a celebration of their relationship, a love affair that is higher (and perhaps purer) than sex and sexual orientation. However, it doesn?t succeed.

The movie never truly explains why Linda accepted this type of arrangement even though she knew from the start that Cole would rather sleep with men. Did she do it because she was lonely? Did she do it because they were great friends? Or did she do it because she needed a cover for her own sexual orientation? One never knows. In De-Lovely, Linda Lee knowingly marries a gay man yet balks (a lot!) when Cole has trysts with men. She encourages him to move to different parts of the world to work on his music in hopes that it will distract him from his extramarital affairs, and then becomes upset when it doesn?t. She even leaves him, only to come back when he is injured in a horseback riding accident. It only appears in this movie that Linda stayed with Cole to be able to apply for martyrdom.

One is motivated to watch the movie from beginning to end to see if the secrets of their relationship are ever revealed. They are not, and, in the end it, makes De-Lovely a very dissatisfying movie despite its wonderful characteristics.

As earlier mentioned, Kevin Kline?s performance is sublime. The music, although performed with a certain amount of campiness, remains timeless. (Skip the De-Lovely soundtrack and check out the Ella Fitzgerald Sings Cole Porter or the Frank Sinatra Sings Cole Porter CDs.)

Even educated fleas do it.
My main problem with "De-Lovely" has nothing to do with the acting, the music or the way that director Irwin Winkler has chosen to present the material.

Kevin Kline is excellent in this movie, and Ashley Judd gives her best performance in years, which isn't really saying much. The music is excellent, though it's occasionally obtrusive in the movie.

The "It's a Wonderful Life" story device used to tell the story is a bit odd, to be honest. In it, the aged Cole Porter is commanded by some sort of visiting angel or "director," played eerily by Jonathan Pryce, to tell the story of his life. So, occasionally, the entire natural story stops, allowing for aged Cole to interfere or intervene in the way his life is going.

My main problem, I fear, has to do with the arrangement behind the marriage of Cole and Linda Lee Porter, which is not the movie's fault at all.

I'm bugged by the fact that Linda Lee marries Cole knowing full well that he's gay - yet much of the movie is devoted to how it's difficult for her to live with this choice. When she sees him devoted to another man, she moves them to another country, even though she knew he was gay to begin with. It's like she's a hanger-on, even though he didn't love her the way she needed to be loved. There's was a marriage-of-convenience, not of romantic love.

There are too many shots of Linda looking disappointed that her husband is cavorting with men, even though she knew before they married what he did.

Linda herself admits to not much liking men. Her first husband, according to the movie, abused her, so her marriage to Cole, one of "respect," is without passion.

The entire movie is about their compromise, and it's difficult to watch or determine what exactly we as an audience are supposed to feel about it.

Either Cole is horrible for cheating on his wife with her permission. Or Linda is silly for intentionally entering into a loveless marriage to someone who is actually a very dear friend who cares for her intimately.

See it for the music. See it for the acting. And, if you're gay, be very happy that you live now and, more than likely, no longer have to undertake a sham marriage and hide who you really are.

Absolutely Fantastic
I had to drive nearly 60 miles just to see this movie and it was worth the gas money to do so. This film is brilliant, and without a doubt, I would drive the 60 miles just to see it again.

Kevin Kline stars as songwriter Cole Porter, who lives his life to the fullest and doesn't deny himself any happiness, whether it's happiness with his wife (played by the fantastic Ashley Judd) or with a man. It's life shown even at it's weakest moments-- his wife losing a baby and Cole being thrown from a horse and having serious problems with his legs afterwards, making it hard to use the piano pedals.

This film is so poignant and lovely in every aspect. We get plenty of musical numbers of marvelous Cole Porter tunes, sung by wonderful guest stars, including Robbie Williams, Sheryl Crow, Elvis Costello, and Alanis Morissette. The performances by Kevin Kline and Ashley Judd have OSCAR written all over them.

I highly recommend this film! Even if it's out of your way, as it was for me, try and make the trip anyway. If you're one of the lucky few who lives close to a theater playing this wonderful film, do not miss out on the amazing opportunity to see this one!

This Is Your Life, Cole Porter!
Irwin Winkler, the director of this film about Cole Porter, has chosen the device of the movie within the movie or play within the movie to present his story. Cole Porter (Kevin Klein) is an old man (wondrously made up incidentally) sitting in an empty auditorium watching his life unfold before him. There are many good reasons to see this movie, not the least of which is the score (words and music by Cole Porter). Both Klein and Ashley Judd do respectable jobs with their singing, which runs of course in the Judd family along with good looks. Some of the singing done by various artists is uneven; but seeing the movie made me want to buy a Cole Porter CD sung by someone with the talent of Ella Fitzgerald, for instance. Although the critics seem to be agog over Klein's acting-- and he is fine here-- certainly his performance is balanced by that of Ms. Judd, who does a beautifully nuanced portrait of Linda, Porter's (for the most part) understanding wife.

Although Mr. Porter wrote wonderful music which is still bringing joy to a great many people, his marriage, particularly in his later life, if the movie is accurate, was not always happy. There is never any question, however, that the love between the Porters was true and enduring, in spite of Porter's other gay "night" life. The film is quite moving; the stranger sitting next to me wept several times in the movie and I heard sniffles behind me.

The movie is beautifully filmed. The Coles obviously were high rollers-- lots of alcohol, cigarettes, roses, parties, fine cars and furniture; and the two stars must have worn every costume from the Armani catalogue.

A glossy, sometimes brittle and ultimately sad movie.

Truly being in love and what it calls of us.
This is a magical story of success in love and in the world and what toll each of these takes on the other. Keven Kline and Ashley Judd play the Porters in young and old makeup and you are taken along for the ride without question. Both give oscar nomination performances. After the showing the audience erupted in applause. This is a love story first and foremost. It will captivate your finer feelings, at times likely to insult them but all in all will stretch concepts, perameters and capacities of love. I walked away loving life and feeling hopeful. ... Read more

Reviews (45)

One of the great war films of the 1960's
The Guns of Navarone is an excellent WWII adventure based on the novel by Alistair MacLean. It tells the story of Captain Keith Mallory and a team of expert saboteours who must destroy two radar controlled guns on the Mediterranean island of Navarone. If they do not succeed in their mission, 2,000 Allied troops on the island of Kheros will be killed unless they can be picked up before a German invasion. This movie is full of adventure as the team climbs a 400 foot cliff, battles German patrols all over the island, disputes among themselves, and so much more. This movie never slows down from beginning to end as the team tries to make their way into the small island fortress containing the guns. Boosted by an excellent Dimitri Tiomkin score similar to his score for The Alamo, this is a great movie with plenty of action and an excellent cast.

Gregory Peck stars as Captain Keith Mallory, who must lead the team on their mission. He is his usual good self in the role. David Niven and Anthony Quinn are both excellent as Corporal Miller, the logical explosives expert, and Colonel Andrea Stavros, a Greek guerilla fighter who has a past with Mallory. The rest of the team includes Anthony Quayle as Major Franklin, Stanley Baker as Brown, the expert with machines and knives, James Darren as Papadimos, the ruthless killer, and Irene Pappas and Gia Scala as two underground fighters on the island. James Robertson Justice and Robert Harris also make brief, but very effective, appearances early in the movie. The special edition DVD includes production notes, widescreen presentation, theatrical trailers, a documentary, commentary, and several featurettes. This is an excellent WWII adventure with great action and a perfect cast. If you like the movie, check out the novel by Alistair MacLean. Don't miss The Guns of Navarone!

Great Guns...
The Guns Of Navarone is a classic WW II adventure story. Based on the novel by Alistair MacLean, the story follows the adventures of a group of Allied commandos on a mission to destroy a pair of Nazi cannons emplaced into the side of a cliff, on the Greek island of Navarone. The long and winding tale would be the first of MacLean's many novels to reach the screen, and remains one of the better adaptations of his works.

After an air strike fails to destroy the guns, it is decided that an undercover attempt to destroy them will proceed. The team is headed by Major Mallory (Gregory Peck) a renowned mountaineer. The rest of the group includes, Colonel Andrea Stavros (Anthony Quinn), explosives expert Corporal Miller (David Niven), Major Franklin (Anthony Quale), Pvt. Pappadimos (James Darin) and Pvt. "Butcher" Brown (Stanley Baker). The first leg of their journey is by sea into dangerous waters patrolled by the Germans. The group barely manages to get ashore on Navarone, before their boat is broken on the island's rocky shore. Their next step is to scale a sheer cliff, at night and in a driving rain. Somehow, they make it to the top, but not without casualties, as Franklin suffers a broken leg on the climb. From there, the group treks through the mountains with the wounded man, pursued by the Germans. They make contact with two members of the local resistance, Maria (Irene Papas) and Anna (Gia Scala), and proceed to the town of Mandrakos where they are captured. Escaping from the Germans, and now dressed in German uniforms, the group arrives in the town of Navarone, and prepares for their ultimate challenge, the destruction of the guns. It's no easy task, and the group is badly shaken by internal problems. With new resolve, they forge on taking the story to its explosive climax.

For screen adventure in classic tradition, don't miss this one. For the time, this was the height of action and adventure filmmaking. Now, over 40 years old, you may not believe that this film won an Oscar for best special effects. The transfer to DVD of the restored print is excellent for a film of this age. Extras include an informative documentary as well as some behind the scenes featurettes shot during the making of the film. They add to the enjoyment and appreciation of this war epic. Director J. Lee Thompson's commentary track, is sporadic and delivered in a halting speaking style, which may be a bit slow for some. Bear in mind that Mr. Thompson was probably about 85 years old at the time, recalling events that happened 40 years before.

Gregory Peck leads the way!
This was one of the first war movies I ever saw & even after watching modern masterpieces like Saving Private Ryan this is still one of my very favorites. This classic WW2 flick has it all: suspense, awesome & believable characters, great action (of course!), humor, & even romance. The three main stars are Gregory Peck, David Niven, & Anthony Quinn. Peck is perfectly cast as the leader of the group of commandos, & I've always thought he was great playing officers in war films (Pork Chop Hill, MacArthur, Twelve O'Clock High, etc.). Niven is both fun & annoying as the uptight Brit who constantly challenges Peck's authority. Quinn is a real treat as a deadly Greek who holds a grudge against Peck for a past "incident". This movie has many unforgettable scenes: Quinn taking on an advancing German column of troops with his sniper rifle, the confrontation with the traitor, & the incredible climax. I agree with other reviewers that they don't make 'em like this anymore! Whether you love war movies or are new to the genre, this is a definite must!

Amazing Barrage & Fast-Paced Stories Within A Story
I remember first seeing The Guns of Navarone when I when I was about 10 years old. I was totally enraptured from word-go. It is still one of my favourite films. The action is non-stop. We learn about all of the key players; finding out that, even though they are on the same side, they have deeper conflicts between/amongst themselves - more so than with the common enemy. Eventually, they are forced to drop their differences and unite to destroy one of the most threatening weapons against the Allied Forces: The Guns of Navarone. High-tech (for that era) guns invented by the Germans. Not only do you find conflicts within this team of saboteurs, you find friendships that form among them as well. Even though this film isn't true to the book, by Alistair MacLean, it is still excellent none-the-less. I find it rather difficult to give details of an almost 3-hour epic, without giving away too much information; I want the viewers to be caught up with this stories-within-a-story, as I was. The elements of surprise are truly stunning. I also experienced that my watching The Guns of Navarone several times, I see and/or hear new things that I missed before. The details are subtle as well as obvious. An all-star cast of Gregory Peck, David Niven, Anthony Quinn, Stanley Baker, Anthony Quayle, James Darren, Irene Papas, Gia Scala, James Robertson Justice, and Richard Harris. The music by Dimitri Tiomkin is wonderful. It's well worth having. This VHS tape is not only wide-screen, but it also has a series of short documentaries of restoration, the film itself, and theatrical trailer. I highly recommend this.

Intriguing war movie
Action filled war movie, great story, great cast. Concerns a commando team small enough to allow growth of character for most of the members, but large enough to have a few killed off, adding to the intrigue. Plenty of unexpected turns to maintain the interest, even though the viewer assumes from the beginning that the "objective" will be attained. Unexpected romance ads spice to the dish. The "effects", great for 1961, are still sufficient to carry the story.

Great performances by Gregory Peck, David Niven, and Anthony Quinn. James Darren of music and surfer movie fame does an especially good job in an action role. ... Read more

Reviews (36)

Nil Science Fiction, Strong Sexual Content
Because this video in unrated and carries no warning in the information area I feel shoppers should be aware that this by all rights a soft core porn film with strong sexual content and little science fiction. I bought the VHS version from another source expecting the sort of movie "Roger Corman Presents" might sponsor, something along the lines of "Species" or Amanda & the Alien. While more in the vein of the latter the sci-fi part, {or any other technology for that matter}, is limited to a few teleportations via telekinesis and some aura/emotion melding. The movie is probably 60% by time made of sexual contact. Technically the movie is suprisingly well made for the genera. It is shot on film {not video tape}. The scenery is professionally done and the acting level reaches that of daytime soap operas. The sound quality is not bad. So the technical qualities are there to be transfered to DVD, just beware of the content.

Venesa Taylor makes Femalien the best movie of its kind
I have to say I really enjoyed Femalien. Yes, it's undeniably soft-core porn, but it is absolutely the best movie of this type I have ever seen. The plot isn't anything to brag about, but it does make some sense and holds together quite nicely. Femalien is an alien 'collector' sent to earth to study human intimacy. Her people have evolved beyond physical bodies to become energy beings, and intimacy has been lost in the process. Femalien is given a 'suitable' form (I'll say) that will allow her to pass herself off as a human being and learn all about interpersonal relations by observing humans interacting with one another. She doesn't have to look very far to find subjects for study, and she is a quick learner, engaging in her own interaction experiments before very long.

This whole movie just exudes professionalism, from the acting to the camera work to whatever else directors do that makes a film a real treat to watch. You won't find this many attractive women in most films of this type, either. Venesa Taylor in particular is a living doll; hers is a classic beauty that is quite rare these days. She is just completely captivating. She has talent, too, and her naïve, innocent manner of speech and appearance just suits her role in this movie to a tee. The sex scenes, even the ones that don't include Venesa Taylor, are also as good as you will find in movies of this genre. Basically, Femalien has it all. Forget about all the disappointments you may have felt when watching other supposedly good movies of this type; Femalien is sure to please. As long as you are aware of this movie's exceedingly erotic nature and don't approach it expecting a thrilling science fiction adventure, there is simply no way you can be disappointed.

Aliens Study the Sensual Arts
I was in the mood for some alien invasion movies the other day and watched a small marathon. As well as such movies as The Arrival, I watched a film called Femalien. Femalien reminds me of a modern remake of The Girl From Starship Venus.

Femalien is the story of an alien landing on Earth to study human interactions. The energy being is given the form of a young woman. What follows are scenes of her spying on couples and her interactions with others. The alien is collecting and cataloging experiences for her race who have risen above physicality but still miss it. During her adventures she tries to help a local woman retain ownership of her diner.

While the plot is weak I do recommend this film for those times when a movie like Invasion of the Star Creatures or Galaxina is the sort of thing you are looking for.

Excellent actresses; stupid "plot"
This movie uses science fiction as a flimsy excuse to accomplish a few plot objectives, like transporting back to her bedroom instead of seducing, etc. And the plot itself gets so ridiculous that you really wouldn't want to stick around for the ending...
But, I'll bet you will. I did, and I'm glad I did. If you liked the first love scene in "Mulholland Drive", you will love this movie. Mostly for the ending scene, but there's a little more to it.
Somehow these actors make you forget the ridiculous setups for the sex scenes. It's almost tastefully done. Unlike in hardcore, these people actually look like real people (although much more attractive) when making love. And in spite of the script, they manage to create a little bit of sexual tension.
But that's if your trying to follow the "story". If you just like to see some really beautiful women (and/or men) getting naked, I can highly recommend this on that subject. As many reviewers have stated, the lead is ravishing. She a little believeable in the role, but who cares: she's super hot! And the others are very nice too-- not a dud in the bunch.
So, even though this is another smoothjazz softcore movie, it's not typical. It's very beautiful, and very dumb. In other words, any Heather Graham fans will get it.

Simply the Best, in my humble opinion... :o)
As an adult female that never ever considered purchasing a movie of this sort before, I must say that I really enjoyed it (I'm glad that I did).
My goodness, the female lead is beyond words.
Not that I've ever thought of another female in that way before (I might just change my mind).
So far, I've purchased and viewed 2 other Surrender Cinema movies, they were great, as well.
But, I must say 1 particular scene in this movie made me a convert, it did.
All in all, I'm really glad that I purchased it.

This review pertains to the 'Director's Unedited Cut' version, on DVD. ... Read more

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Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser holds together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes like, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing, adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry).--Steve Wiecking ... Read more

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Like The Gumball Rally (1976) before it, former stuntman Hal Needham's The Cannonball Run was inspired by the same real-life cross-country road race. If The Gumball Rally was the critical favorite, The Cannonball Run was the box-office favorite (spawning the almost-as-successful sequel, Cannonball Run II, a few years later). Aside from top-billed stars Burt Reynolds and Dom DeLuise (stars of Needham's Smokey and the Bandit series) plus Dean Martin and Sammy Davis Jr. (as horny priests), the movie features many of the same actors (Bert Convy, Jamie Farr) that could be found on a typical '80s episode of The Love Boat (along with the same caliber of writing). But as the tagline notes, "You'll never guess who wins"--and it's true. As in most road-race movies, it's the journey that counts, not the destination. This particular journey includes cool cars (like Adrienne Barbeau's black Lamborghini), crazed bikers (led by Peter "Easy Rider" Fonda), hot martial arts action (from Jackie Chan as a Japanese racecar driver), a conspicuously braless Farrah Fawcett (recipient of a Golden Raspberry nomination for her performance), and possibly the most egregious use of product placement featured in a movie up until that time (one vehicle has "GMC Trucks" noted prominently along the top of the windshield, another has "Hawaiian Tropic" painted on the hood). As with many of the films Jackie Chan has made for Golden Harvest, the Hong Kong-based production company behind The Cannonball Run, wacky outtakes are included during the closing credits. --Kathleen C. Fennessy ... Read more

Reviews (53)

They defnitly dont make em like this anymore!!!!!
Growing up watching two of Hal Needems best movies "Cannonball 1 & 2" and "smokey and the bandit 1, 2, 3" Ive mayured into realising that they just dont make them like this anymore! As said during the commentary, the script was no "gone with the wind" but who cares? These movies are for fun. And its great to see so many actors get together and have a great time making this fun, funny, action, car race accross the USA from sea to shining sea!

With such a great cast, its somthign you dont see too often with the amount of actors that where put into this movie! Burt Reynolds, Dom DeLuise, Farrah Fawcett, Dean Martin, Sammy Davis Jnr, Roger Moore, and so many other great cameos and actors in this film! Including the introduction role to introduce Jackie Chan into the American market! This was Jackies first English speaking movie!

This whacky car race accross the states, involves some of the best stunts caught on film! Hal Needham sure knew what he was doing when he put this classic together!

Unfortunalty it dosent come with much of a bonus feature selection, theres an Audio Commetry with a couple of insighfull things about the movie. And the usual cast and bio thing. But it would have been great to see deleted scenes, but they probably dont exsist anymore? but that dosent drag this great fun for all action ride!

I recomend you buy it with Cannonball 2. As I think Cannonball 2 is one of the rare seaqulls that was just as great as the original! And if they ever release Speed Zone (known as Cannonball Fever in other places) I'd recomedn getting that one too!

If you like whacky ,over the top, crazy, action, comedys with alot of great stunts with vehicles, then this is the top of the list for anyones collection!

Fast paced and funny from sea to shining sea.
In this first movie to actually carry the word "Cannonball" in the title, was penned by the genius of Brock Yates, who in 1971, organized and raced in the first "Cannonball Run." Burt Reynolds in his comedic element as "J.J. McClure" who decides to make this trip to California in the guise of an ambulance driver. At his side, is Dom DeLuise who occasionally drifts out of reality when the going gets tough into a self-contrived super hero named "Captain Chaos."

Other stars joining in the challenge are Dean Martin and Sammy Davis, driving a Ferrari dressed as priests.

Adrienne Barbeau and Tara Buckman provide some stimulating appearances as Marcy and Jill in a Lamborhini that looks somewhat like Darth Vaders personal space ship.

There's an hillarious fight scene towards the end of the film featuring Peter Fonda and Jackie Chan that will keep you smiling for days.

Even after twenty years, still wonderfully refreshing and entertaining. Don't miss it. :)

CAN'T COMPARE WITH "The Gumball Rally".
I bought this movie on DVD because it was on sale and "The Gumball Rally" DVD was no where in sight (because it's not on DVD). I have never seen this movie until now but having watched I would happily take my $8.00 back if offered.

The best part of the movie is the opening session, one sleek black Lamborghini tearing up the road. The rest is ridiculous and corny.

More emphasis should have been placed on the cars rather than the actors, actresses, and corny stuff. "The Gumball Rally" did a better job with two lovely cars and serious acting mixed with just the right amount of comedy; not corny and ridiculous antics.

Scenes of beautiful actresses in this movie are nice but who needs it if there are beautiful cars and who wants to see an ambulance go cross country, that killed me. Buy "The Gumball Rally" instead if it ever comes out on DVD. If you still have a (soon to be antique) VHS player then your lucky and can buy it now.

If you really want this movie though buy my copy for four bucks so I can take back 50% of my loss. It's only been used once and I won't use it again.

I am Captain Chaos!
Well seeing this for the first time has changed my alter ego to "him" AKA Captain Chaos on the IRC. Too bad the two good looking chicks didn't get more time though.

The second movie was so so the chimp making phun of people was kinda dumb..will there be a third? who knows.

/me gets a captain chaos costume a bunch of friends ready to drive cross country (with cameras) walla Cannonball Run 3.. Fort Walton Beach, FL to Hawthorne, CA.

(It would be fun)

-
Rob
--

http://www.robfwb.com

They dont make movies like this anymore
Whatever happened to movies that were just plain FUN?

This is a hilarious movie that never gets old, despite the fact that it was released in 1982. Big name starts (at the time) Burt Reynolds, Dom Deluise, Sammy Davis Jr., Dean Martin, Farrah Fawcett, Terry Bradshaw, Mel Tillis, Roger Moore, Jamie Farr, and...some unknown guy named Jackie Chan, all race against each other in The Cannonball Run, a race from sea to shining sea.

This movie is way better than its sequel, the Cannonball Run 2.
Fans of Smokey and The Bandit, also starring Burt Reynolds, will love this movie for the cars, the women, and the laughs. Buy this movie! ... Read more

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Like a good dream, Sofia Coppola's Lost in Translation envelops you with an aura of fantastic light, moody sound, head-turning love, and a feeling of déjà vu, even though you've probably never been to this neon-fused version of Tokyo. Certainly Bob Harris has not. The 50-ish actor has signed on for big money shooting whiskey ads instead of doing something good for his career or his long-distance family. Jetlagged, helplessly lost with his Japanese-speaking director, and out of sync with the metropolis, Harris (Bill Murray, never better) befriends the married but lovelorn 25-year-old Charlotte (played with heaps of poise by 18-year-old Scarlett Johansson). Even before her photographer husband all but abandons her, she is adrift like Harris but in a total entrapment of youth. How Charlotte and Bill discover they are soul mates will be cherished for years to come. Written and directed by Coppola (The Virgin Suicides), the film is far more atmospheric than plot-driven: we whiz through Tokyo parties, karaoke bars, and odd nightlife, always ending up in the impossibly posh hotel where the two are staying. The wisps of bittersweet loneliness of Bill and Charlotte are handled smartly and romantically, but unlike modern studio films, this isn't a May-November fling film. Surely and steadily, the film ends on a much-talked-about grace note, which may burn some, yet awards film lovers who "always had Paris" with another cinematic destination of the heart. --Doug Thomas ... Read more

Reviews (1554)

A Disingenuous Piece of Work
Here is a thought experiment: close your eyes and visualize the cast and crew of "Lost in Translation" on location in Tokyo. They're having the time of their lives, staying in a swank hotel and hanging out in trendy clubs after a hard-day's shooting. Bill Murray keeps everyone laughing and the Japanese staff do everything they can to keep thing comfortable and happy.

Open your eyes and ask yourself: if this group of "gaijin" (foreigners) could come to Tokyo and thoroughly enjoy the experience, why should we, the audience, take the plight of the film's characters seriously in any w