Reviews (234)

The Emperor's New Groove--A Groovy Movie!
The Emperor's New Groove is a very interesting movie. Viewers will have a comical experience, typical of Disney movies. The animation of this movie is also excellent, showing details that really make the movie shine. The music is wonderful, contributing to an overall outstanding movie.

This movie is fun for all ages, clean for a child safe movie and comical enough for the adults. Join the arrogant Kuzco as he learns a lesson in hospitality, he won't soon forget. Prepare to meet Pacho, the villager who unwittingly will teach him that lesson, and a score of other interesting characters. This movie had my interest from start to finish.

The Ultimate Groove has special features like you wouldn't believe. Did you ever wonder how a Disney movie was made, or what goes on behind the scenes? Prepare to have these questions and more answered as Director and Producer take you behind the scene, on your choice of tours. Play a game, and help Kuzco get to the castle, but beware. Danger lurks right behind you.

This game was fun, but not that fun. I would not spend too much time on it. Overall, I vote for the Ultimate Groove for the backstage tours and commentary. If this does not sound like your interest, the normal version is an absolute must.

Just shy of a five-llama rating
I avoided seeing this movie in theaters, due in large part to the television and print ads which made the film seem dumb and uninteresting. I bought the DVD largely because it was a special edition and I want to encourage Disney to make more. I was pleasantly surprised to find that the film was a pretty straight comedy buddy picture which didn't get bogged down in obligitory romances or other typical plot devices. It's not really one of my favorite animated films, but it's fun and I like it.

This is a pretty good special edition, though it lacks that bit of extra oomph that would have made it a great one. The bonus material gives viewers a pretty good overview of the film's production, including some nice bits of rough animation of the major characters. The commentary, while lacking the guys-sitting-around-talking-about-their-movie-and-having-fun informality of something like "A Bug's Life", is infortmative without being boring. I guess my main gripe with this DVD is the lack of real information about the "Kingdom of the Sun" version of the film. I realize that Disney wasn't really happy with the way that was going and would probably rather forget it. But a synopsis of the original plot would have been interesting, even if it only shows why that version was scrapped. Overall, this is a nice DVD that will please fans of the film and provide some interest for the animation buffs.

Awesome movie!
My kids watch this one all the time. My youngest just loves it, she laughs through the whole movie (and so do!) David Spade is hilarious as Kuzko the self obsorbed Prince turned Llama, and John Goodman plays a heartwarming Pacha, the peasent who's home Kuzko wants to destroy to make his dream vacation spot.

Two thumbs way up!

Talk about baseball instead
This movie stars David Spade as a "llama." Who cares about a llama? Well, he does not start out as one. The movie is about an emperor who gets a spell cast on him. This movie is lame.

Ho-hum Disney Flick
The Emperor's New Groove never gets your pulse up. You never care about any of the characters. It would have been ok as a Saturday morning cartoon special, but is unworthy of the title "Disney Animated Feature." David Spade stars as an Inca king who is turned into a llama to teach him a lesson on kindness. John Goodman voices his best friend. The villian looks like an anorexic Cruella DeVille with disgusting spidery eyelashes.

Endless babbling and anachronistic cultural references made me weary. I was glad when it was over. I know that the destruction of the Inca civilization at the hands of the Spanish conquistadors was one of history's greatest tragedies. But if I were Pizzarro, and the Incas were this annoying, I would have annihilated them, too! I recommend Disney's 2003 "Brother Bear" instead, as a wonderful film for both kids and adults. ... Read more

Amazon.com

As upscale sitcoms go, Something's Gotta Give has more to offer than most romantic comedies. Obviously working through some semi-autobiographical issues regarding "women of a certain age," writer-director Nancy Meyers brings adequate credibility and above-average intelligence to what is essentially (but not exclusively) a fantasy premise, in which an aging lothario who's always dated younger women (Jack Nicholson, more or less playing himself) falls for a successful middle-aged playwright (Diane Keaton) who's convinced she's past the age of romance, much less sexual re-awakening. As long as old pals Nicholson and Keaton are on screen discussing their dilemma or discovering their mutual desire, Something's Gotta Give is terrific, proving (in case anyone had forgotten) that Hollywood can and should aim for an older demographic. Myers falls short with the sitcom device of a younger lover (Keanu Reeves) who wants Keaton as much as Nicholson does; it's believable but shallow and too easily dismissed. Myers also skimps on supporting roles for Frances McDormand, Amanda Peet, and Jon Favreau, but thankfully this is one romantic comedy that doesn't pander to youth. Mature viewers, rejoice! --Jeff Shannon ... Read more

Reviews (245)

Opening sequence is as sexy as this movie gets
Even as a straight female, I found the opening shots, scanning a variety of STUNNING women, engaged in their NYC lives, quite erotic, especially as choreographed to "Butterfly, by Crazy Town.

The rest of the film is "watch-able" - but highly unbelievable. Neither Diane Keaton, nor Jack Nicholson impressed me much. They're charming and quirky in the ways we're familiar with - watching them over so many years. This isn't a sexy film - and doesn't do much to negate stereotypes of aging men and women.

For me, Frances McDormund (spelling?) was the revelation of the film. She's the one who defies streotypes. She's cast as the no make-up, dressed like a boy, Women's Studie's Prof. She delivers a feminist rant one minute , and laughs at herself the next. Most surprsing, in going against stereotypes of the hot chick (like those at the beginning of the film), she is actually really sexy. She does a slightly lewd dance to Marvin Gaye's "Let's Get It On" - she's hot, funny, ostensibly single - yet happy. Now there's a woman I can identify with!

There may be some snow on the roof....
What's not to enjoy? The script has Snap!, Crackle!, and Pop! Also several moments of genuine tenderness as well as natural hilarity. As ably directed by Nancy Meyers whose previous work in What Women Want is also first-rate, the cast is excellent and Diane Keaton's Academy Award nomination for best actress (as Erica Barry) in a leading role was well-deserved. I also expected a nomination for Jack Nicholson as Harry Sanborn. The supporting cast is also fine, notably Frances McDormand (Zoe Barry) and Keanu Reeves (Julian Mercer). The core situation is that the wealthy and charming Harry is dating (at least for the moment) Erica's daughter Marin (Amanda Peet) and accompanies her for a weekend in the Hamptons where her divorcee mother (a successful playwright) has a lovely oceanside home. Of course, Erica and her sister Zoe appear unexpectedly.

As a result of his hedonistic lifestyle, Harry suffers a heart attack unrelated to Erica. After emergency care by Julian, he is released but must reside nearby during the recovery period. Guess where? Of course, he and Erica fall in love. Meanwhile, prior to Harry's appearance in his life, Julian had become strongly attracted to Erica...not to her daughter. Apparently she has had no romance in her life since the divorce and is currently hard at work on a new play which is not going very well. Harry eventually becomes well enough to return to Manhattan. And then....

Eventually, both Harry and Erica must make very difficult choices. It would be a disservice to those who have not as yet seen this film to explain what those decisions prove to be. However, I feel free to say that the decisions are juxtaposed very effectively with various humorous incidents, a few of which are featured in the trailer shown in theaters. Yes, this is a comedy but it also has some attitude. On occasion, an edge. There are implications to the lives which the two seniors have led, prior to their meeting. The resolutions of various conflicts (both major and minor) are entirely plausible, except -- in my opinion -- for one which involves Erica and Julian. See this entertaining, sometimes serious film and then reach your own conclusions.

The special features provided with the DVD include a "Commentary" by director Nancy Meyers, producer Bruce Brock, and actress Diane Keaton, another "Commentary" by director Nancy Meyers and actor Jack Nicholson, a "Hamptons House Set Tour" with Amanda Peet, and "Harry Sings Karaoke to Erica" (a deleted scene). For whatever reasons, Keaton chose not to contribute much but Nicholson did and, as always, is charming, articulate, and generous. Contrary to his persona in so many films, Nicholson is renowned among his film colleagues for the same endearing qualities which are evident in one of the commentaries.

Too Young for This?
Perhaps at 34 I am too young to 'get' this movie. I was hoping for a great romantic comedy, but found this one fell flat. Not even in the same universe as As Good as It Gets. After Jack Nicholson's character is stranded at Diane Keaton's house, I just lost interest. I didn't think he was anyone's dream man, and their love scene was frankly more than a little embarrassing. And the ending! Let's just say I find it very hard to believe a 60-something leopard would change his spots.

Not all that great
I was pretty disappointed with this movie. It was entertaining, but very contradictory. You have Diane Keeton who plays Ericka a play write, who is pretty bitter about older men who seem to go for younger women. Yet her own daughter who is in her early 30's is dating a man (Jack) who happens to be 63 years old!! Harry is older, and is pretty commitment phobic, so he believes in dating and having fun. Harry is also prone to lots of hospital visits due to his heart problems. So Ericka's daughter decides to end her relationship with Harry because she spotted the chemistry between her mom and Harry. Now knowing that Harry is such a commit phobe, you would think that Ericka would ignore Harry and enjoy the attention she is getting from Julian (Keanu's character) who is totally smitten with her. No, she sleeps with Harry, it means a lot more to her, then it meant to him, and when he admits he only wants to be friends she spends a good deal of the movie crying. Now the crying was okay the first few minutes, it was funny at first. Then it got on my nerves !!! Her heartbreak helps her complete her play she is writing, and Harry is the subject of her new play that becomes a hit. Ericka's daughter is all upset her father is going to marry a woman who is only a few years older then her. Do you see the irony? Ericka goes to Paris, and Harry finally realizing he is in love with her goes to surprise her. However, the surprise is on him when he realizes that Julian is with her. The chemistry once again is evident, and Ericka goes after Harry. I'm sorry, but Julian is so much cuter!!!!

I also have a feeling my age may have had something to do with why I did not enjoy this movie as much as I thought I would. I'm 36 and the thought of dating someone 63 does not appeal to me. If I were older, I would not be upset that men older prefer younger men. The other issue I had with the movie was this. During the scene when Ericka and Harry was about to have sex, they mention birth control, but when she mentioned "menopause" all the sudden everything was GREAT. Now I know this is a movie, but what about using a condom so you don't have to worry about the spread of STD's or HIV? Sure she does not have to worry about pregnancy, but with Harry being so commitment phobic, I would be worried about getting HIV!!!! So that part really disturbed me. I would just go out with a younger man if he were attracted to me. The movie was cute, the movie had some funny moments, but the movie was not all that great to me.

Charming and intelligent
While I am nowhere near a 50 something, and closer to a 30 something, I can still appreciate an intelligent romantic comedy with a convincing and witty cast. I love Diane Keaton's character, especially with her quirky hang-ups (no pun.) Humor, charm, intellect and vulnerability ring true for both her and Nicholson, to whom before this movie, I was not a huge fan. It inspires us all to develop our skills and talents and to never give up on finding our soul mate, regardless of how late in life he/she might arrive. It was precious in some parts, and soulful in others. I hope you enjoy it as much as we do. ... Read more

Amazon.com

The brief 1980s mania surrounding "the Coreys" peaked with License to Drive, a modest but surprisingly still enjoyable adventure comedy. Les (Corey Haim, Lucas) has a chance to date his dream girl, Mercedes (Heather Graham, Boogie Nights, in her first significant movie role)--but he's just failed his driving exam. Motivated by a mixture of pride and hormones, he steals his grandfather's Cadillac and heads out on the town with Mercedes for a night that swiftly becomes an escalating series of disasters, made worse by the foolhardy antics of Les' best friend Dean (Corey Feldman, Stand by Me). Despite some egregious '80s fashion disasters (Graham gets the worst of them), License to Drive holds up surprisingly well--it's no work of genius, but it is a solidly made and entertaining teen comedy that's more coherent than most.The depiction of parent-teen relations is fairly honest and particularly well-played by Richard Masur (Risky Business) and Carol Kane (In the Soup) as the parents. The DVD includes a very funny and rambunctious audio commentary track by the screenwriter and director, as well as interviews with the grown-up Coreys. A must-have for fans of '80s nostalgia. --Bret Fetzer ... Read more

Reviews (37)

License to Drive - my all time favorite!
Being a child of the 80's - this movie was great! I watched it as a teenager over and over (probably more than 50 times) and laughed every single time! If you are a fan of 80's movies, you'll love this one! I've been waiting for it to make it to DVD - I'm so glad it has finally happened. It's a movie that brings back great memories for me.
Enjoy!

What more could you ask for?
I waited patiently for this DVD to come out.Ok, maybe not so patiently. Buuuut, I finally got my copy of License To Drive.I couldn't be more excited.Corey Haim, Corey Feldman and Heather Graham drunk and locked in the trunk of a hot car- what else could you possibly want in a light-hearted 80's teen movie!?This movie is an 80's classic! I would say it's even better than most of the Brat Pack stuff... This DVD is top notch. The extras are very cool. Interviews with both the Coreys! I've already watched the DVD start to finish twice this weekend!!!

License To Drive is Pure 80's fun.A must have...

A Cool Movie, Nice Extras
In License to Drive Corey Haim stars as Les Anderson. He has a problem. He has no license. He is too cool to be seen on the school bus and it's totally not cool to have your friends mom drop you off at parties. Plus, Wes has a crush on a hot blonde who just happens to be named Mercedes.

The time arrives when Les finally has his opportunity to go out on a date with Mercedes--but his parents discovered that he really failed his driving test. Les has got to make it happen and he takes the car anyway. Heck, Mercedes called him and expected to see him in 20 minutes, what's a teenage boy to do? The night becomes filled with misadventures and Mercedes gets so smashed she spends part of the night in the trunk of the car. The excitement only continues when Les' mother, played by Carol Kane needs to get to the hospital.

If you haven't seen this film in a while, it's just as great as it was when it was first released. The two Coreys followed up License to Drive with the movie Dream a Little Dream. Dream a Little Dream didn't have the commercial appeal as License to Drive. Although both Corey's appear on the cover, this was another film in which Corey Haim was definitly doing most of the driving considering the majority of the storyline revolved around him, his circumstance and his family, but Corey Feldman is a good sidekick as his buddy Dean.

There is also some cool music featured in License to Drive. While watching the movie keep your ears peeled for "Rush Hour," by Go Go's member Jane Wiedlin, "Mercedes Boy," by Pebbles, "Trouble," by Nia Peeples, "I Feel Free," by Belinda Carlisle, and "Get Out of My Dreams and Into My Car," by Billy Ocean.

The DVD itself does have some cool features which makes up for the wait in having this cool film on DVD. Extra's include interviews with Corey Haim and Corey Feldman, audio commentary with director Greg Beeman and writer Neil Tolkin, deleted scene, TV spots and theatrical trailers. The DVD-Rom portion of extras include the films screenplay.

The best extra's are the interviews with Corey Haim and Corey Feldman. Both actors look much better than they have in years. Corey Feldman has cut his hair since he appeared on The Surreal Life. Corey Haim has lost some weight and is sporting a spiky blond haircut. Both actors discuss how they got involved with the film, how they met and their experience of working together. The interviews are not real short, which is sweet.

Funny As 80's Comedy
Licence To Drive is one of those movies we can all relate to, wanting to get our licence, wanting the hottest babe in school. About certain scenes in the movie, the scenes i laugh at the most is where Dean is testing Les on driving licence questions & he goes up to the intercom & talks to les's sister & burps into it, another scene is where he is on the hill & the elderly driver behind him says "C'mon you little moron!" also the scene where the driver says to Les, "What am i speaking greek"? there are a lot more funny scenes too much to mention here, i just can't wait to buy it on DVD. One revealing scene you see is where charles is trying to pickup a passed out mercedes & take her into the resturant for a soda, in the next scene you can see a shadow of her hair moving back & forth. All in all a very funny 80's comedy that rates a high 5 for me.

Two Coreys, Fully Loaded with options and LOW sticker price!
LICENSE TO DRIVE is a fast-moving teen comedy from the 80s starring the comic duo of the two Coreys - Haim and Feldman.Anyone who remembers a time when all our idols were named COREY will love this trip back down memory lane. First off - great cast with Heather Graham in an early role as dream girl Mercedes Lane and Carol Kane as the pregnant mom.It's a typical comedy, but the director provided enough style and zip to make it all work well.The driving exam scene is classic, and there a lot of good one liners "Who would have thought a Mercedes could fit in the trunk of a Cadillac?".The DVD includes a deleted sequence with an ALTERNATE CLIMAX.The whole thing runs about 20 minutes, and shows you how the movie could have ended.Also you get a funny commentary with the director and writer, and some current intereviews with each Corey separately.The transfers and audio are top-notch as well!Great price for a great DVD. ... Read more

Reviews (110)

one the definitive films of the '80s finally on DVD!
WALL STREET has always been one of my favourite Oliver Stone films. it crackles with the same intense, acerbic dialogue as SWEET SMELL OF SUCCESS. from his "Greed is good" speech to the way he handles day to day deals with ruthless efficiency, you can see how Michael Douglas nailed this role of the ultimate amoral insider and deservedly won the Oscar that year for Best Actor.

after watching this film on a crappy pan and scam VHS tape, it is so gratifying to finally see this film given a proper DVD treatment. the transfer is crisp and clear with good sound but the real selling points are the fascinating documentary -- which features Douglas and Charlie Sheen and their views and thoughts of the film after all this time -- and Stone's informative and candid audio commentary. for someone like myself who has seen this film a zillion times, listening to Stone's observations on his movie was a real treat. great stuff. along with GLENGARRY GLEN ROSS, this is one of THE best films about money, greed and the people who ruthlessly pursue it.

'Gekko the Great'
Real-life bigtime investment banker Jeff Beck not only advised Oliver Stone when he made 'Wallstreet' but also stars in this film for a few minutes playing himself at a climactic meeting of topdog-lawyers and bankers. He delivers one of the many exhilirating monologues in this Epic tale of greed, pride and innocense lost. "Now your boss will really start thinking he's Gekko the Great!" He shouts at Bud Fox (Charlie Sheen) who plays a struggling young stockbroker who's desperately trying to get on the fast-track to becoming a "player".

Michael Douglas who plays 'Gordon Gekko' (not 'Gecko' as the Amazon review suggests, the name can be seen in the scene where Charlie Sheen turns on his computer in the morning and finds out it's "Gekko's Birthday") puts on such a mindblowing performance he really can be dubbed 'Gekko the Great'. The character is right up there with Don Vito Corleone, Tony Montana, Popeye Doyle and some other members of that elite group of high-octane male movie-characters that will long outlive the actors that created them.

Gordon Gekko is a high profile corporate raider that was probably modeled after Ivan Boesky (the biggest corporate raider of the 80's who eventually went behind bars for insider-trading), Michael Milken (creator and unchallenged 80's king of the high yield or junk-bond) and John Guttfreund (CEO of Salomon Brothers in the 80's who'se extravert and bizarre behaviour is documented in the classic books "Liar's Poker" (Michael Lewis) and "Barbarians at the Gate" (John Helyar).

Michael Douglas seems to have been born to play this part and from the moment he is introduced ("Lunch? whaddaya kiddin' me, lunch is for wimps!") to the moment we viewers have to part from his hypnotic character ("I gave you Darian, I gave you everything!") he reduces any leaps of faith that his character may present us with to tiny hops due to his powerhouse presence. In fact, whenever I see Michael Douglas in another movie I have the strange feeling that Gordon Gekko is trapped inside and might burst out at any time to hose us down with sardonic one-liners. ("Love is just an old lie created to keep people from jumping out of windows.")

Gekko is truly the "mother of all high-rollers", and his performance alone more than warrants the purchase of this film.

Charles Sheen plays a believable 'Bud Fox' but one wonders what a late 80's Tom Cruise or Kiefer Sutherland might have done with the part. Charlie never really creates the electricity that Douglas shocks the audience with.

I won't get into the details of the story here but will post some comments on the general themes in the movie.

There's the theme that Stone had already explored in 'Platoon' of two fathers fighting for the soul of their son. In Platoon it was Tom Berenger and Willem Dafoe battling for custody of Charlie Sheen's spirit. In Wallstreet it's Douglas and Martin Sheen representing the 'exciting but evil' and 'wholesome but tedious' ways to go for Charlie Sheen's character. This theme introduces some good tension in the storytelling.

The other theme that Stone put into this narrative is the bleeding heart "Capitalism is bad and unfair" jingle. "I don't produce anything...I own..." Gekko confesses at one point. "How many boats to waterski behind do you need? When is it enough?!" cries a shocked Bud Fox. The moral comments on succesful capitalists come accros somewhat naive and in my opinion don't really work. I won't go into the details but most people I've met who've seen the movie don't even remember what it was about Gordon Gekko that was so wrong. All they remember is the classic "Greed is Good" speech and ironically most of them agree with Gekko on the issue. The fact that Oliver Stone lets Gekko initiate industrial espionage is the reason I gave the movie only four stars instead of five.

I personnaly think this was a real blooper. A man in Gekko's position doesn't need the aggravation of blatantly breakin the law. There's a good plot-line concerning a fictive company 'Bluestar Airlines' that Gekko has his own plans with to make himself rich and get scores of hard working people fired that adds enough suspense to the tale. It seems as though Stone was so set on painting a negative picture of egoistical an a-moral Wallstreeters that he went one bridge too far.

Fact is that, if anything, this movie is like a recruiting video for Investment Banking. What "Top Gun" did for Naval Aviation "Wall Street" has done for Investment Banking. Big corporate banks have never had to complain about the amount of interested well educated young hopefulls but nowadays there's probably not one person sitting in any dealing room anywhere in the world who has not seen Wall Street. I am currently a trader in Amsterdam and I am convinced that if it wasn't for the scenes that have the camera following runners and stressed out yuppies yelling "How about those september 40's!" I wouldn't have been in this racket.

The dealing room-scenes are some of the most exhilirating scenes in the history of cinematography. Spielberg sucked in audiences with his scenes of Normandy's beaches in '44. Stone creates the same spellbinding grip on the audience without getting anybody shot or brutally maimed. That alone is a great achievement for any director in Hollywood. More so for the man who made a career in gory cinematic violence with 'Scarface', 'Platoon' and 'Natural Born Killers'.

Al Hail Gekko the Great! See this movie again and again. It's full of catchy one-liners that will make you not only the toast of any party but might provide you with more of an energy boost than any Tony Robbins video ever will. "Life all comes down to a few moments...this is one of them."

One of the Best Movies of the 1980's
Oliver Stone will never be known for subtlety. "Wall Street" bashes you over the head with its message- getting to the top in society requires duplicity, dishonesty, and the willingness to destroy any obstacle. However, unlike Ayn Rand, Stone vilifies rather than lauds this dubious morality. Bud Fox is a fresh faced, innocent stock broker trying to get ahead through hard work and elbow grease, as he was taught by his father. Bud soon meets powerful, charismatic corporate raider Gordon Gekko, incapable of love, remorse, or empathy. Gekko, we are told, sold NASA short 15 minutes after the Challenger exploded (impossible since the shuttle was destroyed in 1986 and the film is set in 1985!). Gekko predictably seduces Bud with his world of "perks", and Bud's star rises dramatically the farther he falls into corruption.

Throughout the film, Bud serves as a sounding board for the rival values of Gekko and his father. The speech most cited by critics and fans is the immortal "Greed is Good" monologue. While this speech, standing alone, is a vigorous defense of capitalism and selfishness, it is important to note that Gekko is using it at a shareholders' meeting against a lousy, entrenched, and greedy management!

Inevitably, Bud is forced to decide whether to follow his father's philosophy or Gekko's, and to pay the price for his misdeeds. A slight complaint with the ending- the fate of Gekko is hinted at rather than displayed. Gordon Gekko has become something of a hero for young, wanna-be big shots, who are attracted to the glamour of his lifestyle and his "up your's, I got mine!" attitude much as Bud was. Perhaps seeing Gekko get his comeuppance could have made an impression.

Overall, Wall Street is a tight, well done character drama populated with iconic characters delivering iconic dialogue that acts as an indictment of a decade. The movie and its message will stay with you long after viewing it.

As for the DVD, the sound, although in 5.1, is relegated almost exclusively to the center channel. One does not hear the sounds of Manhattan from all directions as Bud navigates the concrete jungle. The video quality appears grainy in some areas. This is a great movie worthy of better treatment on DVD.

Good.
'Wall Street' was a good movie, although once again, Oliver Stone goes way over the top. Powerful speech about greed by Michael Douglas though.

My favourite movie
I found this movie to be fantastic. I loved every minute of it. Most of this movie seemed to tie in with politics. Being a conservative, I found this very interesting. The plot of millionare Gordon Gekko followed along the ways life should be lived. Greed, power, and self-confidence.

Revenge was another big part in this movie. I liked how Charlie
Sheen played his role of Bud Fox. Towards the end the focus was to screw over Gekko and to have sweet revenge.

From this movie came my favourite quote of all:
"... greed, for the lack of a better word , is good. Greed is right, Greed works. Greed clarifies, cuts through, and captures the essense of the evolutionary spirit. Greed, in all its forms-greed for life, for money, knowledge has marked an upward surge of mankind..."

I'm not sure that my way is the way that Oliver Stone intended his movie to be interpereted. Oh well, I don't necessarilly care. Greed is Good! ... Read more

Amazon.com

When local wag Jackie O'Shea (Ian Bannen) discovers that one of his neighbors in the village of Tulaigh Mohr is a lottery winner he sees a chance to share in the wealth. Things get complicated when Jackie and his pal Michael O'Sullivan (David Kelly) discover that the winner, Ned Devine, died of shock at the very moment he learned of becoming a millionaire. Undaunted, Jackie and Michael dispose of the lucky stiff and hatch a plot to impersonate him and claim the prize. Soon the whole village is involved and the plot rapidly thickens.

This film has been compared to The Full Monty, but it lacks the vein of desperation that added depth to that film. Instead, Waking Ned Devine is closer in tone to classic British comedies like Whisky Galore!, with its cast of eccentrics gleefully conspiring to outwit the authorities. Those with a low tolerance for twinkly eyed Irish charm might be tempted to steer clear, although the movie is saved, for the most part, by its central performances. Bannen is superb as an old man who is clearly hungry for any excitement he can drum up and David Kelly is remarkable as his scrawny sidekick. Kelly has had a long career as a character actor in film and television, but here he has a chance to really let loose.His naked motorcycle ride is a marvelous set piece and in all of his other scenes his twitchy, perfectly timed performance quite simply steals the movie. --Simon Leake ... Read more

Reviews (137)

ROFLMAO funny!
A not-to-be-missed movie about the collusion of the residents of a remote Irish village into getting the national lottery money to divide among themselves. Trouble is that the holder of the winning ticket died of shock with the winning ticket in his hand when he heard his numbers called off, so someone must pose in his place when the detective comes to verify the ID of the winner. Things get stickier and more problematic as layer upon layer of inventive Irish complications are added to the stew. The most memorable scene is probably the skinny old guy who plays the imposter, stark naked except for a helmet and boots, racing into town on a motorcycle to meet up with the lottery man to verify his bogus identity.
My favorite story about this movie has passed into family lore. I told my somewhat deaf mother she would surely enjoy it, and she persisted in mis-hearing me when I gave her the title. Ever since, in our family, it's Making God Divine or, her next best guess, Waking Teddy Klein. I finally told her to go to the video store and ask for either of those, that surely the guy behind the information desk would know what she was talking about...and he did.

Jackie and Michael try to cash in a winning lottery ticket
A charming comedy about a pair of lifelong friends, Jackie O'Shea (Ian Bannen) and Michael O'Sullivan (David Kelly), who are presented with the opportunity of a lifetime when they discover Ned Devine has died, clutching the winning ticket frm the Irish lottery in his hand. This means enlisting everybody in town to join the grand conspiracy and to share in the pot of gold. Meanwhile, in what we think is an unrelated subplot, Pig Finn (James Nesbitt) is trying to convince Maggie (Susan Lynch) to marry him and to learn if her son is his own. "Waking Ned Devine" ends up being more about friendship than greed, with the high point coming when Jackie eulogizes his friend Michael when they bury old Ned under Michael's name to fool the Lottery Official. Yes, there is a bit of fantasy here since the Lottery Office could not be so easily fooled, but what is wrong with a harmless suspension of disbelief? Filmed in beautiful locations on the Isle of Man, "Waking Ned Devine" is a gentle reminder than you can have a nice little film with good actors and a fine script that does not cost a whole lot of money.

Bit O' Irish Fun
Waking Ned Devine is a wonderful, hilarious movie that focuses on the antics of two old (but not down) men who hatch a brilliant but very risky scheme that if it works, will bring wealth to their small Irish town, but if it fails will land them in jail for fraud. The performances by all are so good, you are drawn into the movie and in love with all the characters from the start.

A subplot of romance between a beautiful single mother and an earnest (but smelly) pig farmer adds to the general warmth of the movie. The end scene is one of the most well-executed ones I have ever seen. It is a real show stopper. My brother and mother watch this movie over and over.

A PLEASANT SURPRISE
MY BROTHER HAD MENTIONED THIS MOVIE SEVERAL TIMES, AND AS I SOMEWHAT DEPEND ON RECOMMENDATIONS OF OTHERS BEFORE SITTING DOWN LONG ENOUGH TO BE ENTERTAINED, I DECIDED TO RENT "WAKING NED DEVINE" AT FIRST, IT WAS A CHUCKLE, THEN AT SOME POINT IT TURNED INTO FULL BLOWN LAUGHTER. A SWEET MOVIE, GREAT ACTORS!!
I LOVE IT ENOUGH TO BUY IT...

It's a Sleeper but it won't make You Sleepy
If hope you see this without knowing ANYthing about the movie except what I write here. Because I won't tell you anything about it. YOU are fortunate, more so than I, because you haven't seen this yet.

This is a sleeper movie, one that is far better than the public generally knows.

Be ready to enjoy a symphony of acting. If you don't like foreign films (I didn't) this may very well be the first you enjoy (and then see Run Lola Run, one that is 100% different from this but another foreign movie for people who don't think they like foreign movies). ... Read more

Reviews (44)

The Definitive Cat and Mouse Submarine Movie
This is one of the best duel-of-wits on the high seas between submarine and destroyer ever filmed. Robert Mitchum as the captain of an American destroyer and Curt Jurgens as the captain of a German submarine try to out maneuver each other in a battle of nerves, instincts, intelligence, seamanship and raw courage. The multi-talented Dick Powell directed this taught drama, which remains one of the most memorable and benchmark films of this genre. The interior of the German submarine does not have the realistic or claustrophobic look as seen in DAS BOOT but that's not the point. Powell's focus is on the two captains and how they act and react. This film does not lose sight of the mentality of that era and the psychological makeup of the men at sea above and below. This is classic filmmaking and should not be overshadowed by the recent resurgence of certain World War II films that seem to have lost sight of the reason men fought and died. This film also has an impressive cast featuring David Hedison, Theodore Bikel, Kurt Kreuger and Doug McClure. Robert Mitchum and Curt Jurgens portrayed true men of honor each dedicated to their duty that they were called upon.

Dive into this good submarine drama
There is a fairly extensive sub-category of war movies - submarine battles - within which movies made in the 1950's are highly regarded. THE ENEMY BELOW is not up to the standards of RUN SILENT, RUN DEEP but is better than TORPEDO RUN. It is also different that both those movies. Where they use a dramatic human interest story as the main plot line, this movie has a narrow focus on what you would expect from a film about a sub battle. The emphasis is on the chase, the strategy, the cunning and wiles of both commanders - US destroyer Captain Murrell (Robert Mitchum) and veteran German U-Boat commander Von Stolberg (Curt Jurgens). The drama is in changing fortunes - now who is the hunter and the hunted? Both of the main characters are well developed, and while there are differences in behavior, motivation, and naturally, stategy, the movie also shows clearly that as professional sailors they recognize and appreciate the good qualities in their opposites. As such this movie is memorable for the fact that Germans are not demonized or simply stereotyped as Nazis.

It's a well directed movie, with excellent moments of suspense, good acting in some key supporting roles - Lt Ware (David Hedison). The only let down is with some very obvious models in some of the battle scenes.

The Definitive Cat and Mouse Submarine Movie
This is one of the best duel-of-wits on the high seas between submarine and destroyer ever filmed. Robert Mitchum as the captain of an American destroyer and Curt Jurgens as the captain of a German submarine try to out maneuver each other in a battle of nerves, instincts, intelligence, seamanship and raw courage. The multi-talented Dick Powell directed this taught drama, which remains one of the most memorable and benchmark films of this genre. The interior of the German submarine does not have the realistic or claustrophobic look as seen in DAS BOOT but that's not the point. Powell's focus is on the two captains and how they act and react. This film does not lose sight of the mentality of that era and the psychological makeup of the men at sea above and below. This is classic filmmaking and should not be overshadowed by the recent resurgence of certain World War II films that seem to have lost sight of the reason men fought and died. This film also has an impressive cast featuring David Hedison, Theodore Bikel, Kurt Kreuger and Doug McClure. Robert Mitchum and Curt Jurgens portrayed true men of honor each dedicated to their duty that they were called upon.

Enemy Below
Dick Powell had to have had one of the most interesting careers in Hollywood history. He started out as a golden-throated pretty boy actor, made a successful mid-career shift to hard boiled roles like Philip Marlowe and then, for good measure, directed a handful of movies, including the submarine action picture THE ENEMY BELOW.
THE ENEMY BELOW is a 100% action movie, without any distracting romantic sub-plot or comic relief crew members. Robert Mitchum and Curt Jurgens are excellent as the American destroyer commander and U-boat commander who cross paths in the Atlantic Ocean and engage in a deadly hunt. With a few exceptions the models are realistically rendered and convincing. This is one of the best war movies out there, and maybe the best navy movie available. I strongly recommend it to action fans.

great cat and mouse game by two great actors!
This is not the average sub-film that centers on the crews of the sub and the sub-chaser. This is a two-man cat and mouse film, marvelously done with style and incisive insight.

Robert Mitchum is the man who rises to do what is needed. Not a superhero, but a very human man who goes into war and does what is required. He is the Captain of a U.S. destroyer sent out to track U-boats. Curt Jurgens is his mirror reflection - below - a Captain of the U-Boat that becomes the target of Mitchum's search. He is not a product of the Nazi war-machine, but again, a very likable man just defending his country. This is demonstrated with deft humor when Jurgens very deliberately hangs his jacket over the plaque of Hitler's propaganda.

The script eschews the stereotypical "Nazi monsters", and portrays a German crew with very real - and universal - emotions. They, too, were just men doing their job and what is required. Instead of having us root for the Americans to blow up the evil Germans, you are put in the position of caring equally for both sides. You comprehend that they are men, offering their lives for their command, not in a political way, but in a time-honoured fashion of a man going to war. You understand both sides REALLY do not want to be here, to kill or be killed; they would rather home. No rousing stereotypical propaganda. In the end, they will kill each other if they must, but given the choice, they would rather not. Very different for that period of war films.

A little dated appearance on the boat scenes by today's standards. It's obvious toy models when the boats crash, but easily overlooked and dismissed when balanced with the very impressive lack of finger-pointing and flag-waving for either nationality. Both Mitchum and Jurgens are dead-bang on target in their lead roles, with David Hedison, Theodore Bickel and Doug McClure round out a super cast ... Read more

Description

Believe it or not, he's walking on air! William Katt is back as reluctant flying crime fighter Ralph Hinkley, who would know exactly how to use the red superpower suit given to him by aliens if he hadn't lost its instruction manual. In this season, Ralph pitches in the World Series, prevents World War III, suffers amnesia, joins the circus, battles bad bikers, voodoo vengeance, a fast-food mascot and much more, all with the help of his attorney girlfriend Pam Davidson (Connie Selleca) and FBI agent Bill Maxwell (Robert Culp). Who could it be? Believe it or not, he's THE GREATEST AMERICAN HERO!

This collection features all 22 Second Season episodes with such guest stars as Markie Post, Joe Mantegna, Barbara Hale, Keenan Wynn, Dixie Carter, Don Drysdale and more, plus all-new Extras that include revealing and fun career-retrospective interviews with creator Stephen J. Cannell and music composer Mike Post. ... Read more

Amazon.com

Friends' fourth season, one of the very best and most consistently satisfying, begins with Chandler urinating on Monica's leg to relieve a jellyfish sting. It ends with the two in bed and in lust. In between are several benchmark episodes and rich, character-enriching plot developments that keep this series from coasting on comfort level. Phoebe (Lisa Kudrow) agrees to become a surrogate mother for her long-lost brother (Giovanni Ribisi). Chandler (Matthew Perry) "crosses the line" after falling in love with Joey's girlfriend, and is forced to spend one memorable Thanksgiving in a box. Rachel (Jennifer Aniston in what should have been her Emmy year) desperately pursues the recently divorced Joshua (then real-life squeeze Tate Donovan). Joey (Matt LeBlanc) and Chandler trade spaces with Monica (Courtney Cox) and Rachel, and then, with provocative (albeit offscreen) sapphic compensation, return to their humble abode. And Ross meets the warm and wonderful Emily (Helen Baxendale), setting the stage for a London wedding and classic season finale that revitalizes our rooting interest in the whole Ross and Rachel thing.Especially jolly good in this two-parter are the scene-stealing British character actors, including Hugh Laurie as the unfortunate airline passenger seated next to Rachel as she wings toward London to tell Ross she loves him ("And by the way, it seems to be perfectly clear that you were on a break," he tries to reason with her), and Tom Conti and an absolutely fabulous Jennifer Saunders as Emily's squabbling parents. As Friends winds down, it is a pleasure to return to one of its glory years. --Donald Liebenson ... Read more

Reviews (49)

The Fourth Feast Of Friends
Although relationships were still an issue in the fourth season of Friends,Thrown into the mix were Chandler's cure for Monica's Jellyfish Stings,Phoebe Uterus,an apartment switch,Chandler's Thanksgiving inside a box,Ross's musical "sound",Wedding dresses,free adult TV and Joey's ballroom dancings takes the show to hilarious levels.
The season sees both Ross and Rachel make up,then shortly break-up("WE WERE ON A BREAK!!!)only to find themselves in new relationships,Chandler fall in love with Joey's new girlfriend,Phoebe agreeing to carry her brother Frank Jr.'s triplets,and Monica and Chandler finally consumating their relationship.
The best episodes include The One with the Jellyfish,..with the Dirty Girl,..Chandler Crosses the Line/In A Box,.with the Embryos,..Ross's Wedding(I take thee Rachel).
The fourth season cliffhanger (Ross saying Rachel's name in his vows,as well as the Monica/Chandler plot) promises a great season five.

One of the best seasons
This is definitely one of the best season of Friends. Here is a list of the episodes:

The One With The Jellyfish
The One With The Cat
The One With The 'Cuffs
The One With The Ballroom Dancing
The One With Joey's New Girlfriend
The One With The Dirty Girl
The One Where Chandler Crosses The Line
The One With Chandler In A Box
The One Where They're Going To Party!
The One With The Girl From Poughkeepsie
The One With Phoebe's Uterus
The One With The Embryos
The One With Rachel's Crush
The One With Joey's Dirty Day
The One With All The Rugby
The One With The Fake Party
The One With The Free Porno
The One With Rachel's New Dress
The One With All The Haste
The One With The Wedding Dresses
The One With The Invitations
The One With The Worst Best Man Ever
The One With Ross's Wedding, Part 1
The One With Ross's Wedding, Part 2

The One With the Embryos is the proclaimed best episode of Friends so far. This is definitely worth the money!

This is probably my second favorite season
Some of the best episodes of the show are in this season: "The One with chandler in a Box", "The one with the embryos", "the one with the jellyfish"and "the one with ross's wedding" and "the one with Phoebe's uterus". Watch Monica explain the erogeneous zones to Chandler in the one with the "uterus". This season has Friends at its peak comedic wise, relationship wise and comfort-wise. Put this one at the top of your list of best seasons to buy.

The Best of The Ten Seasons
When people are dismayed over the final episode of Friends drawing closer and closer, what would cheer them up more than a wonderful collection of the Friends episodes, to watch whenever they desire? As I said, this is my personal favorite of all the Friends SEASONS, but my personal favorite DVD COLLECTION is Season One, just because they had more interesting facts and fun things about the show. But simply put, this is my favorite because of the great non-stop humor and fun exiting plotlines. Still I recomend purchasing ALL of the DVD collections, because it's an awesome show. Don't fall into the thinking that this show fits the stereotipical Mid Thirties, New York, over-done comedy. It's truely a classic, fun show, and I recommend seeing it for yourself before you pre-judge it. Good Luck and Happy Watching!

I still haven't stopped laughing
I loved this season when it first aired. Highlights of the season include: TOW Chandler in a Box, TOW the Embryos, TOW Ross' Wedding, TOW the Fake Party etc. ... Read more

Amazon.com

To the Manor Born is another BBC sitcom from the genre's golden age, one that came to dominate the ratings during its initial three-season run from 1979-80. Providing Penelope Keith with her first major role after The Good Life, the show focuses on a way of life that now appears hard to comprehend, with storylines concerning hunt balls, village committees, and eccentric brigadiers only adding to the dated feel. What provided the program's key interest, however, was not the terribly quaint Little England setting but the burgeoning relationship between Keith's Audrey fforbes-Hamilton and Richard De Vere (Peter Bowles), the new owner of Audrey's old home, Grantleigh Manor. It's all very, very English (the show is set in a village called Cricket St. Thomas) and the continuing use of farce almost creates a sense of parody.But look beyond the infuriating stereotypes and there is some sharp writing going on, predating the city vs countryside debate by nearly two decades. Penelope Keith is, as ever, fantastic value and while new viewers may simply not get the joke, those looking for a spot of nostalgia could do far worse. --Phil Udell ... Read more

Reviews (13)

Wonderful series, a true gem
My family bought this series because we enjoyed Penelope Keith so much as Margot Ledbetter in Good Neighbors. I must say that though I enjoyed Good Neighbors, I liked this series much better.

Penelope Keith plays Audrey fforbes-Hamilton, a new widow whose family has owned Grantleigh Estate for 400 years. Much to yher snobbish dismay, she is forced to auction the house to cover her late husband's death. The manor is bought by Richard DeVere (Peter Bowles). He is charming and well intentioned but he is (gasp!) in trade and (double gasp!) of Eastern European descent. He naturally makes many a faux pas trying to settle into his new home. He and Audrey are attracted to one another but they are both too set in their ways. He is too blue collar, she is too blue blood.

Every episode in the series involves one of Audrey's plots. Either to win Richard, control him, snub him or put him in his place. To make money, to wrangle her way back into the manor, to run the Girl Guides or to save the town's railway station. She is aptly described by another character as a female bossy boots. And a very amusing one, I must add. Richard is usually caught unprepared by the Audrey onslaught but he wins a few battles himself. It's all great fun.

While it is easy to make a big deal of the two very talented lead actors, the supporting cast is also very good. The slippery vicar; Audrey's mousy best friend Marjory; the grumpy shop keeper; and Richard's mother "Mrs. Pooh" are all great character actors and greatly add to the overall series.

Unlike many sit-coms, To the Manor Born has something of a linear plot line. (Though not so much of one that you cannot watch an episode on it's own) And it has an actual ending. A very nice one too.

The humor style is quite British so if you are not a fan of Brit-coms, you probably won't like it. If you feel you will like the series, I encourage you to buy the complete set rather than piece meal. Partly because of the linear plot line and partly because you will be hungry for more. This is a great series for snow days and when you are under the weather. It is suitable for children and very amusing for adults.

Delightful series made luminous by Penelope Keith!
Audrey fforbes-Hamilton (Penelope Keith) isn't mourning her unloved late husband much, because she now controls the Grantley Manor estate! Yet almost immediately, she learns the property must be sold to satisfy her husband's death. When it is sold to Richard DeVere (formerly named Polouvicka, as his aging mother still is) (played by Peter Bowles), owner of a grocery chain, she is shaken to see the land sold to someone (gasp) in trade, but her retreat takes her only as far as the Lodge, in good viewing distance of the Manor. From there, she will alternately assist and wage war on DeVere, who is determined to bring change to the Manor. And, as she learns that DeVere is not quite as unattractive as she thought, she wonders if marriage is not the quickest path back to the Manor and out of her financial woes . . .

Penelope Keith makes this series. She convincingly plays an aristocrat brought on hard times, but never surrendering in any way. She is assisted not only by Bowles, but by a cast of supporting actors who bring to life rural England in this classy class-warfare comedy. The settings are beautiful, but the acting is exceptional.

Highly recommended. Buy the boxed set to have the entire series plus one Christmas episode which is rarely shown on TV.

Perhaps the best of the BritCom series.

As witty as the first time I saw it in TV...
It's so funny in it's way... (mock rural gentry and "new money"...)
Script and actors are vey good: wit + sense of humour + House&Garden and here you have it how we "B..... Foreigners" think England is or was... (as neat a parodie of "country" England as "The Quiet Man" 's Ireland...).
DEFINITLY RECOMMENDED AND TO BE ENJOYED AS "YES MINISTER" and other GREAT TV series of the Golden Age of BBC comedies etc.

Not Much has changed
To The Manor Born is and remains a wonderful series and well worth watching. It is the story of a well born English woman who sees her home sold to a man of what we in the U.S. might call new money.
They spar, and, of course, love blossoms.
Watch this show and realize that, Indian cuisine ( great food !) notwithstanding, this is still England.

Two years ago, by accident, my husband and I (we are both Californians) ended up on British television as part of the Liberty and Livelihood March. 400,000 British assembled in Green and Hyde Parks to protest any ban on Foxhunting and deprivations of support (including abolishing Post Offices and Libraries) in rural communtities.
Men and women who, honestly, raised sheep and had never been to London before showed up and held the most peaceful demonstation ever seen.( Trust me, I grew up in California in the Vietman era)

This show, although produced years earlier, reflects that uniquely British sentiment.Buy it, enjoy it, these days may not come again.

At Last!
How could an overbearing snob, a mean-spirited xenophobe, and a woman rejoicing at the untimely death of her husband, be an appealing character? Penelope Keith in the hands of superb comedy writers is how. Anyone who, after venting about the inroads immigrants are forging into the English upper crust, can end the tirade with the line "England for the English, as we always used to say about India" is a character you're bound to like.

While America was riveted to the unlikely romance that was unfolding on "Cheers" between Diane and Sam, our friends across the ocean were doing it their way with "To the Manor Born". But there was a key difference. Neither Diane nor Sam ultimately matured enough to make it work. The closest they came to self-awareness was in realizing in time that it couldn't work.

Audrey (Penelope Keith) travels a different road as her awareness dawns that much of her reliance on heritage and breeding is simply filler for the absence of an abiding love in her life. The wit and good nature with which she slowly opens herself to this realization is what this wonderful series is all about. And what wit it is! . . . sophisticated, fast and sparse, politically and socially pungent, and ultimately humane.

If you like gentle satire, elegaic comedy writing, first-rate comedic timing, subtle tongue-in-cheek delivery, and a cast of local eccentrics that'll make you want to sell everything and move to the English countryside, you'll like this series. It just doesn't get any better. ... Read more

Reviews (108)

Classic timepiece movie...
This is a classic movie that is as much social commentary as car chase. I remember watching this on a Saturday matinee on my local television station (long before the advent of cable television) and was mesmerized.

I recently purchased the VHS version and it was just as sweet twenty years later.

The premise isn't much: the main character, former member of society now riding on the fringe, has to get a car to San Francisco in 15 hours. Load up on amphetamines and off we go. The 'plot' is merely a vehicle for the ride.

The car chase scenes are great and realistic (none of the special effects laden hocus pocus you see today) and the cinematography of the West is beautiful. The characters, from the DJ who plays mystical guide to the helpers the driver meets in the desert, show life on the fringe. I'm sure on some level this is a mystical, metaphorical journey of sorts but to me it is simply fun to watch.

The soundtrack is absolutely great. It is kind of the O Brother Where Art Thou of the 70s -- the one that missed the radar. It isn't music you hear on the radio and it certainly isn't mainstream in any fashion but it sure is good.

I give this five stars quite simply because of the cinematography, the cast of characters and the music. Well worth the visit. They just don't make films like this anymore.

Vanishing Point on DVD.. Please !!!
Someday this cult classic will make it to DVD, and my freinds if enjoy fast paced car chase action movies this is a must for your collection. Not only is it a great movie, but the soundtrack of songs from such artists as Delany & Bonnie, Mountain, and Kim Carnes (years before she did "Bette Davis Eyes") would be a great soundtrack if it ever was put together (Problem is back in 1970, movie soundtracks were rare, only musicals had them).

The movie is basically about a driver name Kowalski who's trying to deliver a Dodge Challenger from Denver to San Francisco in less than 24 hours. It's filled with flashbacks and events that take place thoughout Kowalski's life all while he's speeding though the desert in the Challenger.

Cops, Hippies, Bikers, Gospel Faith Groups, Kowalski meets them all during his journey.

Read the other reviews to get more detail about the movie, but trust me, the music and cinematography are outstanding and you"ll really enjoy this movie.

Much more than a car chase movie
This movie held me spellbound the first time I saw it and is still capable of this after countless viewings. This is more than just a car chase movie, it actually has depth and a story to tell. The scenery of the great American West is also first rate and the soundtrack never fails to set the mood.

The story of the main character, an auto delivery driver named Kowalski unfolds as he takes delivery of a white '70 Dodge Challenger which is as he puts it `souped up to 160' and proceeds to drive it from Denver to San Francisco. His plan, however is to do this in 15 hours to win a bet. As Kowalski makes his journey his life is revealed to us through flashbacks and recollections which are usually triggered by what is currently happening to him in real time. Through these the viewer learns that despite his apparent lawless behavior, Kowalski is a man of good character.

It is this good character, sense of duty and strong moral code that led to Kowalski's fallout with the establishment. He had been a decorated war hero and was honorably discharged from the military. A few years later, he was a decorated policeman. However, when he saw his police partner behaving in an unsavory fashion, he reacted. His reward was to be dishonorably discharged from the police force. This ultimately led Kowalski down the path to where we are introduced to him.

One of the big things that drew me into this movie is that it doesn't hand you the explanations on a silver platter. Instead it allows you to think about it and draw your own conclusions long after you've seen it. Some reviewers on IMDB have already done a great job of touching on the philosophies of freedom and individualism prevalent in this movie, so I won't waste the time trying to top those. I'll add that I feel this is a type of an expressionist film. Kowalski is kind of an `Everyman' who is on a journey to find his place in the grand scheme of things. Along his path he encounters various characters that watch over him and help him along, but there are also those who wish to shut him down. Whether you think the conclusion of Kowalski's journey is successful or not is up to you.

Another big plus is the realism in the driving scenes, where the drivers are actually driving their machines and occasionally things happen like tires going flat or the car needs fuel. Most modern car chase sequences leave me wanting with all of the computer generated car moves and general lack of realism. I know they sometimes got it wrong back then too, doing things like obviously speeding the film up. In this one though, they got it right. The driving here brings us into that realm of manhandling 4000 lbs. of American Iron, in all the glory of big-block V8 roar, screaming smoking tires, and hands grappling with the steering wheel.

Another thing that's cool to me about this type of movie is the appearance of the car. At the beginning, the car is resplendent in gleaming chrome and white paint. As the story moves along, the car gradually gets a more dusty battered countenance. I won't spoil the end, but those who've seen it know.

The final things that tie this whole thing together are the soundtrack and scenery. They seem to go hand in hand, from the upbeat rock & roll as Kowalski starts out to the stirring guitar strains during the thoughtful moments. I also cannot say enough about the scenery, which really draws the viewer in. It ranges from the mountains of Colorado, across Utah and into the searing Nevada desert.

In closing, I'll say that this is one of my favorite movies. It won't be understood by everyone, but those of us who fantasize about getting in a classic car and blasting down an open two-lane highway devoid of SUV's, sport sedans and minivans will likely get it.

Still Incredible!
I own over 1000 DVDs. Most I haven't gotten around to watch. In three days I've watched this one 3 times. Maybe this explains why when I was a kid I sat through this like a zillion times in the theater. A perfect film....

A 70's Drive In Cult Classic
Fast action, terrific photography, great period atmosphere, colorful characters and a first-rate rock soundtrack add up to a true drive-in classic that retains its "cult classic" reputation even after more than 30 years.

This DVD includes BOTH the 97-minute U.S. print typically seen on cable and video AND the 105-minute U.K. version which includes a couple of flashbacks featuring Charlotte Rampling that for some reason were completely excised for U.S. release. The excised scenes add just a tad more insight into Kowalski's character; while not essential to the whole plot (such as it is), these scenes ARE interesting and definitely will be appreciated by hardcore fans of the film. Kudos to 20th Century Fox for making available both versions. Being a real fan of the era that this movie was shot in, it's a kick to hear director Richard C. Sarafian's commentary track. Highly recommended! ... Read more

Book Description

The year is about 62 A.D., and the aging apostle Matthew recalls the remarkable events he witnessed as a young man. As his story unfolds, the centuries melt away and we are intimately involved in the life of Jesus. We share the mystery and the wonder of His birth. We witness His baptism and temptation in the wilderness. We experience the compassion and hope of the Sermon on the Mount.Walk with Jesus through Galilee as He calls His disciples, performs the first miracles, and begins teaching His world-changing message of love and redemption.

This deeply moving presentation of the most beloved of stories stars luminary Richard Kiley as Matthew and the passionate Bruce Marchiano as Jesus. This unique word-for-word presentation in the NIV brings to the screen a divine yet warmly human Jesus.

Now available on DVD.Experience the book of Matthew like never before. DVD video technology offers language choices, search function by event, chapter, and in-depth biographies.

Reviews (27)

Jesus with a REAL personality
This portrayal of Jesus is the most awesome I've ever seen; truly inspiring...he's got a sense of humor, a sweet personality, and he's totally adorable! The fact that some screenwriter didn't take creative license with the Word is wonderful; you can actually read your Bible alongside. The actor's gift of acting makes this film the beautiful work of art that it is. We've used it in Bible study and I hope this representation is the one my kids think of when they think of Jesus. It's worth the price tag!

Excellent and Inspiring Video
The Visual Bible is an inspiring video presentation of the Book of Matthew word for word. Bruce Marchiano gives makes Jesus seem so real and alive. Instead of the stern, unemotional Jesus of other films, Marchiano shows Jesus as compassionate, loving, sometimes angry, weeping and with a genuine sense of humor. This video has really made the gospel come to life for me.

Many Biblical Bible Series Matthew given as gifts...
Of all the movies I've seen about the life of Christ, including the recently released "Gospel according to John" by the same company, this one stands out the most in my mind. This portrail of Jesus is one of a living man, not a stiff person who merely died on a tree. It helped me tremendously in my understanding of the Bible, so much so, I have bought the DVDs when they're on sale here to give to friends.

The costumes and acting are very well done, and the actor who plays Jesus helps the viewer realize that his life was not only about the sacrifice for all, but about love. This is the New International Version word for word. Not one word is interjected into the script, and it's absolutely amazing that it could be acted out with such continuity. Even the "begats" (the lineage part most of us skim over) had some memorable moments.

I highly recommend this to anyone who wants to know more about the life of Christ, or who is tired of hearing that God is all about punishment and wrath. "What you have done for the least of these you have done for me". "I tell you, Love your enemies and pray for those who persecute you".

You might even get the impression He has a sense of humor.

Excellant Resource
I have used this in class, sunday school and church. Having a good portrayl of Jesus done helps with understanding the Bible. They are mostly accurate on historical details and things going on. I have been really impressed.

Yes it was good, but...
I enjoyed these films. The acting is, for the most part, excellent. The "Matthew" films are a word for word account of the NIV bible. Of coarse Jesus is by and far the most used character in the Matthew films, which could cause you to loose some interest. Bruce Marchiano portrayed Jesus. Although he is, at times, refreshingly humorous as Christ, most of the time the humor was over the top.

"Falling Fire" is the bonus film in my version of the "Matthew" series and it too is a well-done film where some literary license is taken, and appropriately. Only problem: Bruce Marchiano began to get on my nerves by the end of the three films. Again just a little over the top with the "happy guy".

In "Jesus", played by Jeremy Sisto, they struck a wonderfully believable balance of a Jesus as a human being and the Christ. The Jesus in The Living Bible Series was a difficult person to accept as Christ. He seemed a bit more like a comedian than a Savior, just a bit too much humor.

The "Acts" films, which I also own, are a blow-by-blow account from the NIV bible as well. They took little literary license, as it was very straight forward and, obviously, as accurate as the NIV is.

Now the "Healing Touch", which is part of the actual film titled "Jesus, the Christ", on the other hand, is where they took the literary liberties and done quite well. Again the acting is good and the story is pretty accurate. ... Read more

Description

For nearly five years, acclaimed German filmmaker Werner Herzog desperately tried to complete the most ambitious and difficult film of his career—Fitzcarraldo, the story of one man’s attempt to build an opera house deep in the Amazon jungle. Documentary filmmaker Les Blank captured the unfolding of this production, made all the more perilous by Herzog’s determination to shoot the most daunting scenes without models or special effects, including a sequence requiring hundreds of natives to pull a full-sized, 320-ton steamship over a small mountain. The result is an extraordinary document of the filmmaking process and a unique look into the single-minded passion of one of cinema’s most fearless directors. ... Read more

Reviews (8)

Quotes from Vincent Canby (NYTimes), M. Blowen (Bost. Globe)
Canby: "Remarkable...one of the most candid, most fascinating portraits ever made of a motion picture director at work...There's never been anything like it.

Blowen: "One of the most exquisitely detailed, dramatically compelling films ever made about the creative process."

Mesmerizing Account of the Filmmaking Process
Prior to viewing "Burden of Dreams" I had this preconceived notion that this film was akin to "Hearts of Darkness", the documentary about the making of "Apocalypse Now" where the megalomaniacal director slowly goes mad after countless delays and on-set disasters.To the contrary, director Werner Herzog comes off as a rational artist who, despite the setbacks he encountered during the making of "Fitzcarraldo", soldiers on to see his vision come to fruition.Documentarian Les Blank gives a full-bodied account of the elements that Herzog had to contend with from the volatile nature of the film's setting in the Amazon to dealing with the indiginous tribes who were crucial to the film.Blank meticulously documents the production from it's shaky beginnings to it's end.You get the feeling that Herzog had probably entered this project with great enthusiasm but was relieved some five years later to be done with it.I haven't seen "Fitzcarraldo" in a number of years and it had slight resonance to me.You be the judge as to whether all the energy and resources expended in this endeavor was worth it.Not to be missed, Criterion includes a short subject from Blank, "Werner Herzog Eats His Shoe" which demonstrates Herzog's integrity in keeping a bet with budding filmmaker Errol Morris.There is also a recent interview included with Herzog where he gives his account of events during the making of "Fitzcarraldo" but is at pains not to denigrate Blank's document.

Herzog fans REJOICE!
First, Anchor Bay gave rain to our parched Herzog-loving throats with the release of many of the eccentric German maestro's greatest feature films.And now, Criterion offers Les Blank's astonishingly beautiful and gloriou