Amazon.com

You get two hostage crises for the price of one in Hostage, an overwrought but otherwise involving thriller grounded by Bruce Willis's solid lead performance. Making a dramatic pit-stop on his way to Die Hard 4, Willis plays a traumatized former Los Angeles hostage negotiator, now working as a nearly-divorced police chief in sleepy Ventura County, California. Willis suddenly finds himself amidst two potentially deadly stand-offs when a trio of hapless teenagers seize hostages in the fortress-like home of an accountant (Kevin Pollack) whose connections to organized crime result in Willis struggling to rescue his estranged wife and daughter, who are being held hostage by faceless thugs at an undisclosed location. Having directed two of Tom Clancy's Splinter Cell video games, director Florent Siri brings plenty of slick, competent filmmaking to Willis's desperate dilemma, and the film boasts a gritty, graphic style that draws attention away from implausible plot twists. The bothersome, over-the-top performances by the teenaged villains also slightly compromise this gloomy but emotionally gripping adaptation of Robert Crais's novel, named as one of Amazon.com's best books of 2001. --Jeff Shannon ... Read more

Reviews (25)

WORST OF WILLIS
I DID NOT HAVE HIGH HOPES FOR THAT MOVIE.BUT AT LEAST IT IS A WILLIS MOVIE I SAID TO MYSELF.IT WAS MUCH LOWER THAN EXPECTED.THE THEME WAS INTRIGUING BUT THE SCRIPT IS HORRIBLE.YOU DO NOT KNOW WHO IS WHO.THERE ARE THOSE VILLAINS YOU DO NOT KNOW TO WHICH ORGANISATION BELONGS,A PYSCHO KID WHO STARS ALL AND OVERWHELMINGLY TAKE CARE OF ALL PROFESSIONAL KILLERS.A FATHER IN A LETHAL CONDITION WHO GETS WELL MY A MAGIC!! INJECTION.A KID WHO KNOWS ALL SECRET PASSAGES OF A RATHER COMPLICATED BUILDING.
ALOT OF SOUND AND VISUAL EFFECTS HAS BEEN USED TO COVER THE SHAME BUT UNNECESARLY HEAD BLOWING.AND THE STORY END WITH A LOT OF LOOSE ENDS.
SORRY MR.WILLIS BUT THIS IS YOUR WORST MOVIE EVER.MY SECOND WORST AFTER K.COSTNER'S POSTMAN.

WILLIS IS GREAT!!!
devistated by a hostage situation which resulted in the deaths of a young mother and her child, LAPD negotiator jeff talley (willis) exits los angeles for a low profile job as chief of police in the low-crime town of bristo camino in ventura county.
when three delinquent teenagers follow a family home intending to steal their car, they inadvertantly pick the wrong house on the wrong day. the trio find themselves trapped in a multi-million dollar compound on the outskirts of town owned by an accountant. panicked, the teenagers take the family hostage, placing tally in exactly the kind of situation he never wanted to face again. soon after, talley readily hands authority of the hostage situation over to the ventura county sheriffs department and leaves the scene. after it becomes clear that the sheriffs department cannot handle the crisis, talley is forced to resume the command he had abandoned where the stakes quickley evolve into a hostage situation far more volitile and terrifying than anything he could ever imagine.
based on the novel by robert crais.

Wait for the Video
Hostage begins with Bruce Willis as a LAPD hostage negotiator, and not a very good one at that. In the opening sequence, Jeff Talley (Willis) waves off a SWAT sniper from killing a would-be assassin, while raising a sign stating, "No one dies today". Well someone forgot to inform the killer, because moments later the killer, the killer's wife and kid were all dead. Oooops......

Flash forward one year later. Talley is now the chief of police in the hick town of Bristo Camino, CA. He is separated form his wife, but they still meet for weekends. He has issues with his teenage daughter. Talley's life to this point really sucks. But wait there's more.

Three high-school dropout stoners are casing possible car jack-able vehicles, when one of them recognizes a fellow student riding with her family in an Escalade. Bingo! The three punks follow their prize home, only to have the silent alarm on the house tripped, while they're in the middle of their heist. This in turn, sets up another hostage situation. (Did we have any doubts?)

Talley, however, after reporting to the scene of the crime upon receiving reports of an officer being down; turns jurisdiction over to the state authorities. Only after Talley receives a phone call for one of the hostage victims, and has his family kidnapped; does he return to the scene of the crime to negotiate for the victim's freedom.

In a completely unrelated storyline, Kevin Pollack (the hostage family's father) is an accountant for some underworld organization (i.e. drug lords, dirty cops, etc.). Who these people are is never revealed to the audience. However, he has encrypted the entire underworld banking information onto a "Heaven Can Wait" disc, which is located within the confines of the house. The house which is now surrounded by cops, television camera, etc. Talley's family has been kidnapped by the underworld villains in order to motivate Talley (Willis) to retrieve this banking disc from the house; without anyone else finding out.

There are several loose ends in this film that are foreshadowed, but never come into play. For example, the movie makes a point to introduce two "Heaven Can Wait" DVD boxes; however, neither comes into play. Talley negotiates to keep $1 million dollars of the accountant's money for himself; again, it doesn't come into play. Lastly, who is this villainous group seeking the banking disc? With the way the film ended, doesn't anyone fear that they might be back?

Anyways, this is definitely a film worth waiting for. I bought this movie on a disc with four others, all for the low, low price of $5. So I really can't complain all that much.

http://farisreel.com

Waste of time!!!!
OK, this movie is just terrible.In my opinion movies can get away with a lot. if they are great action movies then they dont need a great plot to be good movies, and vice versa.If they are suspense movies they dont need amazing special effects or ground breaking science fiction.But what a slow moving suspense "thriller' needs is content!!!Be very clear, this not an action movie, maybe for about 15 minutes at the end, but for 1 hour and 45 minutes this is suppose to be a plot based thriller, a situational drama.

I am not going to go into a recap of the movie(thats why this is a "review" and not a "recap").The main villians in the movies have no background given on them whatsoever, ni fact you dont even know who the agency controlling all the moves is EVER!!!Who is the kid thats controling everything inside the hostage situation?I wish I could tell you, but all I can say is he's some messed up punk kid, but what normal person kidnaps a total stranger, so of course hes really messed up.The movie does nothing to establish a reason that anything in the movie happen, except that the "voice on the other end of the phone" says so.

This movie tried to tackle too much. You get two hostage situations in the plot, but never really know anything about either one of them. The result is that you are left with two stories that you have no idea what or why anything happened in either one of them.Although I have not read the book, I am sure, like so often happens with book movies, the background required to really get into the movie was cut out to save time, BAD MOVE!!!

The other beef I had with this movie was the whole Virgin Mary thing with the young girl in the movie.I mean it was a little, and when I say a little I mean way, over the top.I hate when artsy directors throw things into a movie that have nothing to do with the plot or story, but just want to show their pseudo-creativity.

Not just good ~~~~ GREAT!
Not going to relate the whole movie for you but will simply say that if you like action and Bruce Willis you better see this FOR SURE!
Best performance by Willis that I've seen yet, guy really can act which I hadn't seen to this degree before.
Kept me on the edge of my seat the whole time! ... Read more

Amazon.com

Something like a perfect artistic union is achieved in the major components of Paris, Texas:the twang of Ry Cooder's guitar, the lonely light of Robbie Muller's camera, the craggy landscape of Harry Dean Stanton's face. In his greatest role, longtime character actor Stanton plays a man brought back to his old life after wandering in the desert (or somewhere) for four years. He has a 7-year-old son to get to know, and his wife has gone missing. The material is much in the wanderlust spirit of director Wim Wenders, working from a script by Sam Shepard and L.M. Kit Carson. If the long climactic conversation between Stanton and Nastassja Kinski renders the movie uneven and slightly inscrutable, it's hard to think of a more fitting ending--and besides, the achingly empty American spaces stick longer in the memory than the dialogue. Winner of the top prize at the 1984 Cannes Film Festival. --Robert Horton ... Read more

Reviews (38)

Paris, Texas
I truely hope this wonderful film is released on DVD soon. If it's been released by the time you read this review however, please disregard that first line.

The script for Paris, Texas was written by playwrite and actor Sam Shepard. Shepard has written numerous plays (and the Book Cruising Paradise) including True West and The Burried Child, both of which won numerous awards and put The Steppenwolf Theatre in Chicago on the map.

Paris, Texas is the simple story that begins with a man who's been found wandering in the desert for what could have been years. He cannot speak and seems unwilling to communicate. He is brought back to his brother's home in LA, where his seven year old son is now living. Father and son hesitantly become reaquainted with each other and the memories of thieir past together. And as they do so, the man begins speaking again. They grow closer and eventually decide to find the boy's mother.

Directed by the visionary Wim Wenders and scored by the brilliant slide guitarist Ry Cooder, the film is both subtle and beautiful. Scenes and shots are drawn out and realistic. Do not expect anything cliche, formulated or predictable. Essentially, do not expect a "Hollywood" film. Unfortunatley, with todays media pace, you will have to watch the film with some patience. This is not a crtiticism however. It is a large component of why the film is so warm and almost haunting.

A unique, emotion filled, artistic masterpiece
Paris, Texas is a movie unlike any I've seen before. It uses images, facial expressions, masterful character interactions in a way that takes you on a deep psychological journey with the main character "Travis." This movie wrestles with universal themes that have to do with our attempts to resolve our personal demons, rectifying horrible mistakes, and the restoration of personal dignity and relationships.

The opening scenes reveal an amnesic man whom has been discovered wandering through the desert in Texas and Mexico for four years. His long lost brother claims him, brings him back to civilization, and his journey to remember and to reclaim his life begins.

The story, screenplay, casting, acting, and direction is supurb. The cinematography is wonderful. One word of warning. This is not a movie for people who want a "mindless, don't think or feel movie." Paris, Texas has a lot to say about our country, its people and barriers to closeness with each other.

Not very good
I really wanted to like this movie, but the movie wouldn't let me. Sorry to disagree with everyone, but this movie is a real stinker. I gave it 2 stars for the music and the cinematography. To call this movie slow is the understatement of the year ... it moves like a sedated tortoise. I really can't understand those people who say that this is the best film they have ever seen ... they can't have seen many films. I have been watching films seriously for about 30 years, and have seen many great ones ... but this ain't one of them.

"Okay, wise guy, you didn't like it. Why?" First of all, let me say that the first part, when the main character interacts with his brother, brother's wife, and his kid (who has been raised by his brother), is far better than the end, when he and his son search for his wife. They find her in Houston by waiting outside a bank and following her car (why not try the phone book first?). Then, unexplainably, Travis leaves the kid with her while he takes off again (going to Paris, Texas? Does he intend to come back?). This, after spending much time re-establishing a relationship with his boy. I'm not one that demands happy endings, but I do like endings that make some sort of sense. I hear that much of the ending was unscripted, and it shows.

Dramas require tension, whether between characters or in the plot ("don't ever open the green door!"). This movie has none, which is a primary reason why it is so terminally dull. Travis (Stanton) is a complex character, but is never fully revealed, and although we may feel sorry for him and his condition, he remains simply a screwed up individual.

Dramas also require some kind of contrast. There is very little of that in the film in any respect.

Great dramas usually have great dialogue. Don't look for any memorable dialogue here. I don't expect Shakespeare, but the totally mundane, inane dialogue in this picture does not serve it well. Shepherd could have done better. And the director must have been watching too many Antonioni films, with all the pauses and lacunae.

Acting? Stockwell, as usual, does a good job. Stanton is mute for much of the first part of the film. When he does finally talk, his lines are delivered in a monotone that could put anyone to sleep. Kinski, Travis' wife, is gorgeous, but doesn't have much of a role.

I recently viewed "Scarecrow" with Gene Hackman and Al Pacino. This is a truly fine drama. "Paris, Texas" could have been a very good drama, but it would have taken a lot of tinkering.

A Brilliant Cinematic Journey
A man wanders aimlessly in the Texan desert as he collapses in a rural bar looking for water. The man is brought to a doctor who finds a phone number in his empty wallet, which he calls in order to find out the identity of the man. The man is Travis (Harry Dean Stanton) and his brother, Walt (Dean Stockwell), comes from California to pick him up as he vanished four years ago and left family behind. Walt is puzzled about Travis's whereabouts for the last four years, but Travis remains silent as he keeps a secret deep within himself. When Travis vanished his wife, Jane (Nastassja Kinski), disappeared after she had left their son in the custody of Walt and his wife.

Paris, Texas is a straight forward story, yet mystifying as it discloses very little for the audience. This is Wim Wenders intention as he directed the film. He wants to coerce the audience to participate cerebrally, and if not the cinematic experience will be lost in time. The bewildering element surrounds Travis and his emotional journey through loss, grief, and love. It is through these emotional states that the story expands, but the tale seems to be fixed in time as the progress is minimal. This simplicity brings about a brilliant cinematic experience, which is enhanced by stunning cinematography and vivid colors as the mirage of the desert heat plays tricks on the mind.

Moored and broken.
It's not surprising that Wim Wenders production company is called 'Road Movies'. In the vast majority of his films geography is just as important as characterization and plot. So it is with 'Paris, Texas', where the remarkable vista shots give some sense of the awe and wonder the average European must feel when confronted with this vast American landscape. Originally, Wender's vision was much larger in scope. He wanted the Harry Dean Stanton character to zig-zag his way across the entire country hoping to capture the enormous contrasts of the landscape. In the end though screenwriter Sam Shepard persuaded the German director to base the core of the movie in Texas as this could easily represent the U.S. as a whole.

It's rather unusual to see America through the eyes of a European film crew. The film has a slow, observant quality that contrasts sharply with prevailing American dramas where constant close-ups try to make you feel more involved with the characters. In 'Paris, Texas', Wenders lets the quality of the acting speak for itself without recourse to sentimentality.

The last part of the film was unscripted and tends to drag a bit, but Stanton's understated performance keeps you glued to the screen as the story unfolds. Ry Cooder's score adds a traditional American soundtrack that somehow manages to be something much more ethereal. A poigniant score that colours the film's theme of hope and longing. ... Read more

Reviews (172)

Probably the Greatest Western Ever!
A few years ago I had the opportunity to speak personally with Robert Urich about his role as ill-fated Jake Spoon in the epic western Lonesome Dove. Simply put, he said that it was "the most fun I have ever had making a movie. Think of it. Riding and shooting every day with two of the greatest western stars ever: Robert Duvall and Tommy Lee Jones! I won't have that much fun ever again!" I am sure that he could have gone on for hours but, unfortunately, time would not permit. The look on his face and the light in his eyes said it all. Tragically Urich passed away a year or two thereafter.

The legend and the story live on in the Pulitzer Prize winning book by Larry McMurty and in this faithful video depiction of the classic story.

A star-studded cast, headed by Duvall, Jones and Urich, along with one of the most beautiful western soundtracks ever composed make Lonesome Dove a viewing experience that you will enjoy time and again.

One of the best things ever done for television.
Although the phrase "made for television" conjures up the images of the tabloid story of the week and women-in-peril films; Larry McMurtry's epic novel "Lonesome Dove" would not have been given justice in any other format. Television allowed that magnificent work to be brought to life in some form resembling the novel. The six hour running time enabled character and storyline development that would not have been possible if the novel had been adapted for theaters.

Although it does have the jarring breaks that marked where a commericial interuption had once been and it's share of television stars (Urich, Shroeder, Corbin); "Lonesome Dove" is movie big. Big stars. Wonderful cinematography. Great locations. An authentic look. A terrific score. The producers, cast, crew, and director went the full measure to ensure that this movie did not look or feel like a "movie of the week" production.

Personally, I believe it, along with "Roots," to be the finest work ever done in the medium of television. It really does make you feel for its characters. The viewer will cheer and hope for them, and when tragedy occurs, as it does throughout the film, it will shake the viewer. Nobody is safe: comic relief characters, children, and, even, experienced Rangers. McMurtry drives home the message that death in the Old West could occur to anyone at anytime with shocking suddenness. In the end, Captain Call looks back and remembers his friends and comrades who did not return with him. As he does, tears come to the eyes of this taciturn character; and rest assured he is joined by many in the viewing audience.

The Return of the Western
It's ironic that the western, a staple of TV until sci-fi eclipsed its presence, would find its home again on the small screen during a time when big budget westerns seemed to be biting the dust to space opera blockbusters. And that it would take an Australian to realize it. Director Simon Wincer's big-vista understanding of the genre is apparent throughout "Lonesome Dove," which also features some great performances by screen familiars Robert Duvall and Tommy Lee Jones, even if the latter too often looks like a scowling Kenny Rogers here. This tale of an arduous cattle drive by two retired lawmen has the sweep and grist of such classics as "True Grit," "Red River," and "Once Upon a Time in the West," with which it shares many elements (the conversational style, the brutal drive, and the buddy relationship, respectively, the most obvious). And while "Lonesome Dove" doesn't really say anything new about the old west, it is entertaining and fares better compared to many westerns past in terms of presenting the ethnic diversity that history records. Look for many bravura--and few corny--moments like Captain Call's (Jones) reaction to a cavalry scout's whipping of Call's alleged son (a likable but sometimes too aw-shucks Rick Shroeder), MacCrae's (Duvall) gutsy stand against a pack of outlaws, and the touching and remarkably in-character last goodbye between the leads. Basil Poledouris, an underrated composer, provides a solid score. Of the episodes, only one stands out as pedestrian, making this a pretty good choice for viewers who want to savor their entertainment choice.

Yes, it is 360 minutes, not 240.
240 minutes refers to the much shorter Return to Lonesome Dove mini-series. There is nowhere on the the Amazon website that the original series of Lonesome Dove DVD set is only 240 minutes, it is 360 minutes.

By the way, my daughter and I loved this series when it was on TV and I purchased the multi-tape set VHS way back when. But the last tape was bad and Cabin Fever, the manufacturers/publishers, would not replace my bad tape (they never even answered my mail except to tell me how to order the set), so, now that I have the DVD version, I finally have a complete set of watchable scenes.

Sorry SD, you're wrong. It's not complete. Check IMDb.
I'm sorry to have to point out to those of you who think this is the complete version, but if you go to IMDb and look up Lonesome Dove, you will find that it has a 384 minute running time. Amazon's version is listed at only 240 minutes. That's over two hours difference from the original film, and no, we're not talking about commercials.
So unless Amazon has their listed time wrong and it is actually a full 6.4 hours, you've been duped. I wouldn't pay for less than the original length film.

So, the question stands for those of you who actually bought this DVD, was it 6.4 hours long, or only 4 hours long? ... Read more

Description

A trip to Chicago makes Charles and Mary appreciate their home – Laura and Mary witness the drowning of a friend – Andy and Laura become crime investigators – Outlaw, Jesse James, and his brother hide out in Walnut Grove - Nellie falls in love and makes wedding plans – Laura finds a mysterious message that leads her to an abandoned baby – Charles inherits some money from a relative - Caroline becomes pregnant with their fourth child – The Ingalls are devastated by the news that Mary is going blind - These and all of the other exciting adventures from the entire Fourth Season are presented in this Special Collector’s Edition! ... Read more

Reviews (23)

Love it!
For people who love LHOTP and have been aching to get them on dvd's for years - this is wonderful!! I love sitting down and watching the stories each night minus the ads and having a heartwarming feeling afterward.

People are being highly critical of the audio and dvd quality. I'm glad they're not souped up to be in 5.1 Dolby Digital or DTS because it maintains its 1970's flavor just like the TV shows do! The DVD quality is fine - not sure why the complaints there. As for missing scenes, I am LHOTP addict and don't notice missing scenes from the way they aired on TV. THere are some Videos that ADDED a few bonus scenes, but if you compare the DVD's to television airing, it's all there. ADDED scenes are just a bonus, and you can't complain if they're not there.

ALL in all - if you love LHOTP and aren't a tech junkie looking for the maximum in DVD formats, you'll be well satisfied with these versions.

Confused consumer
It says all 21 episodes, but on guidelists there are 22 episodes. Castoffs is ignored in syndication and on the dvd, why? Arent we buying the dvd's to see the show that was originally broadcast. I am boycotting all future dvds, due to this lack of respect by the distributors!

Season 4

67. 4- 1 12 Sep 77 Castoffs
68. 4- 2 19 Sep 77 Times of Change
69. 4- 3 26 Sep 77 My Ellen
70. 4- 4 3 Oct 77 The Handyman
71. 4- 5 17 Oct 77 The Wolves
72. 4- 6 24 Oct 77 The Creeper of Walnut Grove
73. 4- 7 31 Oct 77 To Run and Hide
74. 4- 8 7 Nov 77 The Aftermath
75. 4- 9 14 Nov 77 The High Cost of Being Right
76. 4-10 21 Nov 77 The Fighter
77. 4-11 28 Nov 77 Meet Me At the Fair
78. 4-12 5 Dec 77 Here Come the Brides
79. 4-13 12 Dec 77 Freedom Flight
80. 4-14 9 Jan 78 The Rivals
81. 4-15 16 Jan 78 Whisper Country
82. 4-16 23 Jan 78 I Remember, I Remember
83. 4-17 30 Jan 78 Be My Friend
84. 4-18 6 Feb 78 The Inheritance
85. 4-19 20 Feb 78 The Stranger
86. 4-20 27 Feb 78 A Most Precious Gift
87. 4-21 6 Mar 78 I'll Be Waving As You Drive Away (1)
88. 4-22 13 Mar 78 I'll Be Waving As You Drive Away (2)

glad to see the shows on dvd
i have read the reviews of not liking the quality of the shows, i thought that they were great. i am a huge fan of LHOTP and i am so excited that they have the shows on dvd. i will buys all seasons.

Disappointing DVD treatment for a great show...
"Little House on the Prairie" needs no defense or praise: it was a fabulous show, it easily could have lasted longer on television, and it remains eminently watchable and rewatchable today. Unfortunately, the show has suffered in DVD treatment. Many episodes are inexplicably cut, as if they were taken from a TBS rerun feed instead of the original film. The picture quality could also be much better. It is unfortunate that such a fabulous show has suffered so on DVD. LHOTP deserves better. I wish I could recommend these DVDs, but perhaps with enough fan complaint better editions (maybe also with some extras!) will one day become available.

POOR QUALITY DVD- But The Price Is Right
I have to agree with one of the readers remarks. True Little House Fans should realize that this project was throwen together in a few minutes.

For one thing, the company knew they where not selling the best quality DVD's, or the price would have been ten times higher. If they had behind the scenes footage and interviews etc, as well as better scene selections. You can imagine how much the price would be jacked up. Instead of paying 45.00 per season expect to pay 80.00 to 90.00. The more time they spend on it, the more of a cost it will become.

This is one of the best TV family series that has been aired. I agree on that statement, but people have to realize that the younger generation has not growen up with Little House, if they did it was becuase of the parents interest. NBC or any other company will not release another version of Little House seasons becuase there will be no demand, or it will be much more expensive as well as Limited addition. They also have obviously realized that people still do watch the show or they would have NOT released it on DVD.

As for visual quality, I agree that it can be as bad as watching a VHS, but as one viewer put it, its better then pressing the fast foward button and waiting fer certain episodes to be aired. No commercials is a treat as well.
I encourage everyone to continue purchasing the series who just want to watch the show and don't care about extra tidbits DVD's normally offer . For people complaining about quality- you won't get far becuase the price more then reasonable. Stop buying the series if your not satisfied and write the company a complaint. They will view complaints if enough people write.

The show itself deserves 5 stars.. Melissa Gilbert did get on my nerves a few times... And it was way off from the novels. But again Michael Landon does a Superb job. I can't wait for Season 6!! In my opinion is the best season.

Other Good Family Series

1) Dr. Quinn
2) The Cosby Show
3)The Waltons
4)Threes A Company
5) I Dream Of Jeannie
6) I love Lucy..
7)The Honeymooners

You get the picture ... Read more

Amazon.com

This big, boisterous adventure is more inspired by than based on Rudyard Kipling's famous poem. Legendary screenwriters Ben Hecht and Charles MacArthur have fashioned a rousing Hollywood movie full of high adventure, knockabout comedy, and old-fashioned male bonding. And old-fashioned it is: the trio of British officers and best friends who form the core of the film are a 19th-century three musketeers in India, threatened by the interventions of a woman who means to marry the dashing Ballantine (Douglas Fairbanks Jr.). Blustery commander MacChesney (Victor McLaglen) schemes to keep Ballantine in the army while his second in command, the treasure-hunting Cutter (Cary Grant in a hopelessly mugging comic performance), continues searching for his elusive mother lode, but all their plans are thrown into chaos when the rise of the bloodthirsty Thugs threaten Britannia's soldiers. Sam Jaffe takes up the rear guard in turban, loin, and full-body make-up as the titular Gunga Din, the loyal water carrier who dreams of becoming a soldier. Bombastically chauvinist and naively imperialist, the film is bound to rub some people wrong, but Stevens creates a thrilling spectacle in the grand Hollywood mold, a handsome, exciting classic comic adventure that helped make 1939 Hollywood's grandest year. --Sean Axmaker ... Read more

Reviews (14)

Rollicking Adventure in Late Nineteenth Century India
GUNGA DIN is a great story about British army life in India in the late nineteenth century. It contains plenty of military action reminiscent of BEAU GESTE and a lot of humor.

Victor McLaglen, Cary Grant and Douglas Fairbanks Jr. are superb as they play three veteran non-coms. The supporting cast of Sam Jaffe, Edwardo Ciannelli, Joan Fontaine, Montagu Love and Robert Coote is excellent. Jaffe excells as the native water carrier and Ciannelli gives a memorable performance as the crazed leader of a group of rebel religious fanatics.

The film received no Oscars mainly because the 1939 Academy Awards competition was dominated by GONE WITH THE WIND and THE WIZARD OF OZ.

George Stevens is also remembered for his fine work as director of SHANE, GIANT and A PLACE IN THE SUN. He received Oscars for the latter two movies.

A classic adventure movie...
Gunga Din is truly a classic adventure movie. Furthermore, in addition to being very exciting, it is quite humorous and is perhaps the original "buddy" movie. Often imitated but never surpassed, Gunga Din is essentially the story of three British Army men stationed in India who get involved with an evil cult known as the Thugees (I'm not quite sure on the spelling), which worships their god, Kali, by strangling people.

The movie features many exciting and funny scenes - and it also has spendid black-and-white cinematography. And it is well acted: Cary Grant is hilarious as the clownish Sgt. Cutter, and Victor McLagen and Douglas Fairbanks Jr. are very good as his brave companions. The other actors give good performances as well, especially the actors playing Gunga Din himself and the evil leader of the cult.

My only complaint about this movie is that it condones, if not totally supports, British Imperialism in India and to some extent presents the natives as savages. Although this view is not totally surprising given that the movie was made in 1938 - before the days of politically correct movies - it is somewhat irritating to see the British Imperialists portrayed so heroically.

Nevertheless, the sheer entertainment value of Gunga Din balances out its Imperialist tendencies and political incorrectness. It is a fun adventure movie the whole family can watch and enjoy!

"Kill, Kill, Kill for the Love of Kali!"
Just one of the lines that makes your hair stand on end in this best of all 1930s action films, "Gunga Din". I recently rediscovered this old classic in the New York Public Library while hunting for something to occupy my four-year nephew while I was going to baby-sit him. Since he loves Flynn's "Robin Hood", Power's "Mark of Zorro", and Wilcoxin's "The Crusades", I thought that the little guy would probably take to "Gunga Din" like a duck to water, and was I ever right! Not only that, but even I, Aunt TutorGal, bought my own used copy because I just had such a good time with it. As far as I know, this is Cary Grant's only true swashbuckler, and he and the gang are A-one!

Here we're back in Colonial India again, with three soldier comrades: Cary Grant, a Cockney always looking for hidden treasure; Victor McLaglin, a blustery two-fisted elephant lover; and Douglas Fairbanks, the most elegant of the three and the best swordsman of the lot. The crisis comes early when Fairbanks reluctantly announces to the other two that he's not going to renew his term with the British Army because he's going to marry Joan Fontaine and go into the tea business. Classic case of two angry friends trying to bust up a guy's romance or at least find a way to get Doug to re-enlist, even by tricks if necessary.

So who's Gunga Din? Why, he's the Indian water carrier of the regiment who longs to be a soldier-bugler himself. Unfortunately, he has to endure a lot of racist remarks from the prejudiced McLaglen, but at least Cary Grant takes a shine to him, though perhaps he's a little patronizing himself. Sam Jaffee, later Ben-Hur's father-in-law, does a creditable job as eponymous Din. Montague Love, erstwhile Bishop of the Black Canon from "Robin Hood", checks in as the commanding officer, and turns in a good job. Joan Fontaine, in an early role, hasn't much to do as Doug's fiancee, except be a figure of scorn for the other two buddies.

Kudos to Eduardo Cianelli as the evil Guru who has resurrected the devilish Tugghee cult. It's he who directs his swarms of shrouded followers to go out there and strangle as many British soldiers as possible, for the love of Kali, their blood goddess.

Every time The Nephew and I watch the movie, he always asks me in a very worried voice, "But the British are going to win, aren't they?" as though the ending might change while sitting in the video case. But rest assured, that "Gunga Din" satisfies its viewers with action, thrills, and even some tears for A Noble Sacrifice on one character's part. If you really want to have a rollicking good time, "Gunga Din"'s your man.

The Template
Possibly the best pure action film ever made and certainly the inspiration for many that have followed. Inspired by, rather than based on, a poem by Rudyard Kipling (who briefly appears as a character in the uncut version of the film in the guise of a journalist traveling with the British army) this tale of adventure, comedy, and action in 19th-century India under the British Raj has it all. Superb b&w cinematography (nominated for an Academy Award in Hollywood's greatest year). Perfect casting, with Cary "Archie" Grant as the cockney Sgt. Cutter, Victor McLaghlen as gruff Master Sgt. MacChesney, Douglas Fairbanks, Jr. as the dashing Sgt. Ballantine, Sam Jaffee (in full body makeup) as the humble water carrier Gunga Din, and the scene-stealing Eduardo Cianelli as a ferociously intelligent villain who is far more frightening than any '30's movie monster.

The setting, outside the small town of Lone Pine, in California's eastern Sierras, beautifully mirrors that of northwestern India. Filmed in 100 degree heat, the picture's sets and backgrounds have a look of sere authenticity rarely achieved by location filming in the '30's. The superb score borders on the operatic, with leitmotifs for characters as well as scenes.

I vividly remember thinking as a child, when I first saw a grainy print on our b&w tv, that this was the first time I had seen a non-white person in a film who was obviously smarter than the Caucasian heroes. Yes, Cianelli's guru is a fanatic at the head of a cult of ritual murderers, but his discourse on what makes a good officer ("Great generals, gentlemen, are not made of jeweled swords and mustache wax. They are made of what is here [touches hand to head] and here [touches hand to heart]!") has stayed with me ever since. Not to mention, before throwing himself into the cobra pit so that his soldiers will move against the British, that "India is my country, and I can die for my country as well as you for yours".

Of course, there is also his rousing speech in the temple to his devotees to "Kill for the love of Kali, kill as you yourselves would be killed, kill for the love of killing...kill, kill, kill!" that carries rather chilling relevance to all too many fanatical groups today (though not worshippers of poor slandered Kali, whose temple in Kolkata I have visited). And it's the bravery of a mistreated Hindu, Gunga Din, who saves the day, and British behinds.

This is a film that functions on many levels and inspired far more than the forgettable remake (SOLDIERS THREE). Its lack of availability on DVD in a fully restored version, together with the accompanying George Stevens, Jr. documentary footage on its making (including color film shot on the location), makes it the number one omission in the current DVD catalog.

KALI!!! KALI!!!
This is THE greatest adventure movie of ANY time. I agree with every reviewer who has pointed out that this movie really ought to be on DVD (and to think its even out of print??? I guess that's because Hollywood doesn't want us to know they've been `homaging' this movie for the past forty years). I remember when I first picked this up...just thinking `hmmm...Cary Grant and Victor McLaglen, can't be all that bad...' I was utterly rapt when I finally watched it. When they find that deserted town and the one prisoner starts calling out `Kaalii!! Kaalii!' and all those figures appear in the hills, MAN OH MAN! After that, your face is inches from the screen! Three brawling British soldiers (Cary Grant, Victor McGlaglen, and Douglas Fairbanks Jr.) go toe-to-toe with the murderous Thuggee cult in India (years before Indiana Jones knew what a Thuggee was). The action in this picture is stupendous! Douglas Fairbanks Jr. CATCHES a hurled throwing axe and returns it to its owner!! Cary Grant drops a stick of dynamite on a cultist, the guy bends over to pick it up, and EXPLODES! This is inspired by the Rudyard Kipling poem of the same name, which concerns a plucky Hindu waterbearer who proves to be the best man of all in the climactic battle sequence at the end. The villainous Guru-head of the Kali worshippers is played with sinister, quiet menace, the heroes are as likable and swashbuckling as you can get, and when young Mr. Kipling reads that poem at the end, you WILL be in tears (manly tears, of course...) This movie is astounding! Great black and white cinematography that really ought to get the digital treatment. ... Read more

Amazon.com

One of the oddest shows ever mounted for mainstream British television, Sapphire & Steel was one of ITV's many short-lived attempts at grabbing the sci-fi cult status of the BBC's Doctor Who. Ex-Man from U.N.C.L.E. David McCallum and ex-Avenger Joanna Lumley play human-looking incarnations of the eponymous substances, mysterious investigators working at the behest of an apparent God of Order and zipping about TARDIS-like to cope with anomalies in the time-stream that manifest as apparent supernatural forces in remote English locales like an isolated farmhouse (Adventure One), a deserted rural railway station (Adventure Two) and a high-rise block of flats (Adventure Three).

McCallum and Lumley play their "medium atomic weights" with blank style and a few touches of baffled humor, not to mention visual flair in the case of Lumley's blue fashions and occasional glowing eyes. But the lengthy serial format, strictly limited guest casts, and claustrophobic confinement to studio sets tend to mean individual serials straggle on with a great deal of repetition, as six- or eight-part stories seem to take forever to get moving and then resolve. Shot on video, with a few strange 1970s effects (evil follow-spots, floating pillows), this remains prime cult material, though it's hard to sit still for more than one episode at a time. --Kim Newman ... Read more

Amazon.com

Notoriously, and entirely appropriately, the original outline for Doug Naylor and Rob Grant's comedy sci-fi series Red Dwarf was sketched on the back of a beer mat. When it finally appeared on British television in 1988, the show had clearly stayed true to its roots, mixing jokes about excessive curry consumption with affectionate parodies of classic sci-fi. Indeed, one of the show's most endearing and enduring features is its obvious respect for genre conventions, even as it gleefully subverts them. The scenario owes something to Douglas Adams's satirical Hitchhiker's Guide to the Galaxy, something to The Odd Couple, and a lot more to the slacker sci-fi of John Carpenter's Dark Star. Behind the crew's constant bickering there lurks an impending sense that life, the universe, and everything are all someone's idea of a terrible joke.

Later seasons broadened the show's horizons until at last its premise was so diluted as to be unrecognizable, but in the six episodes of the first season, the comedy is witty and intimate, focusing on characters and not special effects. Slob Dave Lister (Craig Charles) is the last human alive after a radiation leak wipes out the crew of the vast mining vessel Red Dwarf (episode 1, "The End"). He bums around the spaceship with the perpetually uptight and annoyed hologram of his dead bunkmate, Arnold Rimmer (Chris Barrie, the show's greatest comedy asset), and a creature evolved from a cat (dapper Danny John-Jules). They are guided rather haphazardly by Holly, the worryingly thick main computer (lugubrious Norman Lovett).

The second season showcases the show's sardonic, sarcastic humor to perfection. The cast had gelled, the drab sets were spiced up, a little more money had been assigned to models and special effects, and the crew even went on location once in a while. "Kryten" introduces us to the eponymous house robot (here played by David Ross), although after this first episode he was not to reappear until season 3, when Robert Llewellyn made the role his own. Then in "Better Than Life" the show produced one of its all-time classic episodes, as the boys from the Dwarf take part in a virtual reality game that's ruined by Rimmer's tortured psyche. Other highlights include "Queeg," in which Holly is replaced by a domineering computer personality; the baffling time-travel paradox of "Stasis Leak"; the puzzling conundrum of "Thanks for the Memory"; and the astonishingly feminine "Parallel Universe." --Mark Walker ... Read more

Reviews (34)

An excellent start to an excellent show, with good features.
Although, in my opinion, Red Dwarf didn't become a true classic until about its 3rd series, the first 2 series' are definitely better than most shows first couple seasons (with the exception of Futurama, which was hilarious from the get-go).
The first series, to me, wasn't really all that funny, especially the first episode. The first few shows were basically utilitarian in that they set up who the characters were and the premise of the show. Jokes seemed to be very uneven, and sometimes few and far between. I would give the episodes of the first series 3 stars.
The second series is much better. The actors seemed to finally have the handle on their roles and the jokes, on the whole, were much funnier, as were the plot lines. I would give the episodes of the 2nd series 4 stars.
That brings us to the DVD presentation and packaging of these series'. First of all, these episodes are the original ones shown on the BBC, not the "Re-mastered" ones that are available on VHS. I think they are better the original way, because i felt the computer effects didn't mesh well with the overall look of the show in the re-mastered versions. THe original episodes were given a bit of a tocuh-up visually, though, so they do look at least as good as the re-mastered versions for their DVD release.
Special feature-wise, these discs are pretty well stocked. Each has several deleted scenes, music cues, and a photo gallery, as well as outtakes (taken from the "smeg-outs" and "smeg-ups" tapes, but only from those individual series' from which they came) and commentaries.
The commentaries, all featuring the four main stars of the show (Craig Charles, Chris Barrie, Danny John-Jules, and Norman Lovett) are pretty good and fairly entertaining, but not all that informative. Most of the interaction between the guys are jokes and put-downs (usually directed at Lovett, and his bald head), with the occasional story or reminiscence. Series 1 also features a commentary on the first episode ("The End") with writers Doug Nayler and Rob Grant, and director Ed Bye. It is basically those three telling the story of how Red Dwarf came together, with no actual comment on what's happening during the episode.
All-in-all, i'd give the special features 4 stars.
Those three grades (Series 1 episodes, Series 2 episodes and special features) average out to a 3.67, which rounded up is where I got my 4 star rating from.
That said, if you are a Red Dwarf fan, this is a must buy, but if you are only a casual fan, you may want to wait until next year to buy the 3rd and 4th series DVD's, which is when the show got REALLY funny.

Great picture and extras, Buy it or be a gimboid
Just got these the other day. And of course I couldn't sleep until I had watched them both... with commentary turned on of course.

The picture and sound are excellent. The commentary (by the whole cast no less) is great. They chit chat about the history, what was going on when things were filmed, odd things they remember, etc. Very enjoyable and quite humorous for the Red Dwarf fan. Lots of other interesting extras to explore on the DVD as well. All in all it is a very nicely done DVD. If you are a RD fan, you have no choice but to go buy it. Ace would approve. :-)

My only complaint is that they are only going to release two seasons every year. The wait for the next ones are going to kill me.

Smoke me a kipper, I'll be back for breakfast.

You can't watch just one!
This series is habit forming. These opening shows were so wonderfully fresh and funny - there is nothing like them! I laughed until I couldn't laugh anymore! I watched the entire lot of episodes in one sitting, and I wanted MORE! Unbelievably funny and fascinating! You can't help but fall in love with these kooky characters!

Red Dwarf rocks
He anyone who wants to watch Red Dwarf they are going to start showing Red Dwarf on January 26 on PBS to get listings go to psb.org

Owww...How'm I Lookin?
Hrm, sorry kids, Cat is one of my favorites, though I tend to say that Lister is perhaps the strongest character of the lot. Nevertheless, it is all hilarious, and I urge all RD fans to buy these DVDs. Has good commentary, and fun interactive screen (though I do wish there were more to them). I am so antsy for the others to come out. Why do they have to drag out the anticipation? I suspect for monetary reasons. Such is life. Smeg happens, yeah? ... Read more

Reviews (401)

Fantastic Movie
An instant classic. The characters are strongly developed, every frame is a breathtaking masterpiece of art, and (thank goodness) NO SILLY SONGS. This movie will stand up to the test of time and across international borders because its themes are universally familiar to all people of all cultures. I have seen it three times in the movie theaters and look forward to seeing it again and again.

For those of you who like ANTZ, consider this: Pixar was already roughly two years into development on "Bug's Life" when Jeffrey Katzenberg left Disney for Dreamworks. Obviously he took many of the ideas with him to create ANTZ (wonder why Disney's "Armageddon" is similar to Dreamwork's "Deep Impact" -- and why both were released around the same time? Same reason.) So PIXAR gets an extra PLUS for originality.

Entertaining for kids and adults!
A Bug's Life is entertaining for kids and adults alike. This movie is a non-stop action fest that has been masterfully captured on DVD.

The picture quality if superb, if not the best I've seen, for an animated DVD due to the direct digital to DVD transfer. In full screen mode, you will be amazed how clean and delineated the picture is; the detail is incredible!

My big surprise was how amazing the sound is on this disc. You can use this to show off your Dolby Digital sound system to friends just as well as any action film. The surround effects are crisp and the bass is well defined.

My only complaint would probably be that the action and sound is so non-stop, that it can tire out adults, albeit mesmerizing children the whole time.

The extras are plenitiful and well done. The inclusion of the end-title outtakes is the highlight of a wonderful special edition disc you're sure to enjoy.

Gotta love them bugs
Those Pixar folk are amazing. Not only do they make an excellent movie, but they complement it with a first rate package of extras, especially the outtakes and the movie short "Geri's Game". The two-disc Collector's Editions are worth waiting for, and you will find yourself playing the second disc as often as the first.

This innovative take on the old fable "The Ant and the Grasshopper" teaches us a few important lessons:

1. There's a clumsy nerd who wants to be a hero in every colony
2. Phyllis Diller is an old queen
3. David Hyde Pierce is stiff
4. Julia Louis-Dreyfus is neurotic and can't dance
5. Grasshoppers live it up in Mexican joints during the Summer
6. German caterpillars are funny, and so are pill-bugs.
7. Ladybirds may not be ladies
8. Birds can be flammable
9. An ant may look at a queen
10. Don't stir up an ants nest

To maintain good family relations, you should allow your kids to watch this movie too.

Amanda Richards July 13, 2004

A Fun New Classic From Disney
As always, Pixar delivered a breath taking experience when they brought us A Bug's Life. While not overly realistic, the animation is bright and rich and incredibly detailed. The colours and textures suck you into their world.
The movie features a nice mix of humor and excitement. Some moments are full of suspense and tension.
The voice actors do a great job, particularly Kevin Spacey as the villain Hopper. He's truly menacing! When the voice talents are combined with Pixar's fabulous job of giving natural movements and mannerisms to each different species of insect the mix creates very believable characters.
As per usual Disney style there is a great moral to be learned through the story, about the importance of standing up for yourself, and how one small person truly can change the world.
The only drawback of the movie is that the characters are relatively shallow and underdeveloped when compared to Disney's usual level of complexity. However, when you consider that this film is based off of the fable "The Ant and the Grasshopper" it puts things into perspective and you appreciate how much imagination and creativity actually went into this project. The end result is highly entertaining and sure to be a classic in generations to come.

Just a Few Notches Below Finding Nemo
This film was originally released in 1998, but I didn't actually see it until a few months ago. Simply put, it's Pixar doing what they do best. A widely caried and excellent cast of characters, a simple but elaborately executed plot, and of course, the rendition of a half a dozen themes that run universal throughout our lives.

Essentially, a mild and nerdy ant known as Flic accidentally destroys the entire food supply of his ant colony. Of course, the food was not for them; it was their yearly offering to the grasshoppers. As a result, the grasshoppers decree that the ants can spend the remainder of summer gathering it all again. Hopper, the ingenius and menacing leader, notes that Flic stands up to him for one brief moment, and this becomes pivotal later. I won't say any more past there, only that there are plenty of intriguing twists to keep things interesting.

Overall, this movie bears an obvious resemblance to Finding Nemo. First of all, both movies involve the creation and manipulation of a natural environment and its inhabitants. Second, they both involve unlikely heroes (A bumbling ant and a fearful clownfish). Third, both are at a standard of quality that the animation world has never before seen.

Honestly, Kevin Spacey's portrayal of Hopper is reason enough to see A Bug's Life. (I could say the same thing about Albert Brooks' portrayal of Marlin in Finding Nemo.) However, the movie offers much more in the long run, and the special features are deep and surprisingly un-boring. The director's commentary of this movie and other Pixar films is much, much more entertaining than most movies. I credit a lot of that to Andrew Stanton, but the guys just have a creative knack to them that makes their ideas and comments brilliant.

Recommended to all fans of animation, all lovers of Pixar, and all those with good taste. ... Read more

Reviews (70)

A Magical Disney Adventure
While the special effects on this movie are rather outdated (they were really quite good for the era) the story line still delivers an enjoyable experience, and is hightened by the fabulous acting of Angela Lansbury and David Tomlinson and superb song and dance scenes.
While the youngest viewers will delight in the scenes where live action and animation mix, and where everyday objects take on lives of their own, I recommend this movie primarily for older kids and adults. The movie is to some extent a little slow paced compared to many modern childrens movies, which may cause the smaller children to grow a little restless, and much of the plot will be lost on the younger audience. I first saw this movie when I was four or five years old, and enjoyed it thuroughly, but it wasn't until years later that I was able to understand what was going on with the Nazis and the war and was able to truly appreciate it.
Now as an adult I'm able to fully enjoy every aspect of Bedknobs and Broomsticks, and think it's great fun!

I Love This Wonderful Movie! 5+ Stars!
Bedknobs and Broomsticks is my favorite Disney movie ever created. However, it is also one of the most overlooked ones as well. I've watched this movie since I was a little child, and you never get bored of it. One childhood memory I have, is watching this movie with my family. Now, I watch this 30th Anniversary DVD with my baby brother. Now I'll tell you all what this classic is about.

Bedknobs and Broomsticks is about a middle aged apprentice witch named Eglantine Price who lives in 1940 England. She is ordered to watch after 3 children who have been evacuated from London. The kids find out Miss Price's secret, and they also find out that Miss Price learns witchcraft from a mailorder course. To make a pact that states that if they keep her secret, she'll make it worth her while. So, she enchants a brass bedknob that will make them go wherever they want. However, the school closes, without the most important final spell, the Subsitutiary Locomotion spell.

So, using the bedknob, they go to London and seek out the headmaster of the school, Emelius Brown. Mr Brown can't find the spell either because the book he got out the spell of is torn, and the spell is only found on a necklace of a sorcerer named Astoroth.

Anyway, they go to Portobello Road, like a mini mall, and learn that towards the end of Astoroth's life, he captured animals and kept them in cages to make them more human like. The animals rebelled and killed Astoroth and stole the necklace. The animals escaped and took refuge on a mythical Isle named Niboombu.

The animation starts know as the tiny group explore the sea and then the island using hte traveling bedknob, and get the necklace that has the spell on it after a fun soccer game with a lion, which almost ends our story. After getting the necklace and returning home, the Nazi soldiers attack, and using the Spell, Miss Price and Company defeat them.

Now, I highly reccomend this DVD because of its digitally restored and digitally remastered format, and the resolution is so clear. This also has one of the best climaxes in Disney history, when they fight the Nazi's, and also has great animation.

As Mr Brown says, "Do it with a Flair", and get this 30th anniversary DVD, Digitally Restored and Remastered and Ready to Go!

Poppins-lite
Made during the Disney wilderness years following Walt's death, Bedknobs is a re-tread of the hugely successful Mary Poppins. However, if you're going to re-tread a film, it might as well be a classic! Check off the ingredients: - initially cold matronly female lead who the children and audience quickly warms to, capable and charming child leads, a perky male side-kick, an animated/live action interlude that has nothing to do with the plot, a Sherman brothers score, an episodic structure, a general magical story-book quality to the film etc.
Angela Lansbury gives her most likable screen characterisation (apart from perhaps Jessica Fletcher!) and shows to those not familiar with her Broadway career that she can sing and dance. David Tomlinson brushes off the stuffy ghost of Poppins' George Banks and plays a buffoon with great relish. The children are all well cast and shine in slightly cliched and under-written roles. Special mention must go to Roddy McDowell for a lovely cameo as a scheming cleric and to British-favourite Bruce Forsyth as a flick-knife toting 'spiv'.
The animated sequence involving the 'Beautiful Briney' is wonderful and, once the characters reach dry land, the soccer game with the animals is as 'Looney Tunes' as Disney would probably dare be! The rest of the film is slightly slow in places but has some excellent set-pieces, in particular the Portabello Road musical interlude, the clothing being 'magic-ed' to life and the final 'Armour vs. Nazis' showdown. The special effects are very good for the age, especially the animated object scenes. The score, by the Shermans, isn't a patch on their Mary Poppins but includes some real gems including the afore-mentioned 'Beautiful Briney' and 'Portabello Road' as well as the catchy 'Substituciary Locomotion'.
This edition includes around fifteen minutes of previously cut scenes and lines of dialogue that have been re-inserted into the main body of the film. Unfortunatly, the audio from these clips has been lost, and so the lines had to be re-recorded with varying degrees of success. Lansbury and McDowell have supplied their own voices but Tomlinson's, the children's and Tessy O'Shea's have been 'impersonated' quite poorly, meaning that those with relatively keen ears can tell when a newly inserted scene is playing. The audio for the songs survived, meaning that 'Eglantine' and 'Portabello Road' have been extended, although some of the film quality in the latter also draws attention to the cut scenes. These quibbles do not, however, spoil the film and the re-inserted scenes at least clarify McDowell's character's intensions towards Miss Price. Prior to this edition, we were not aware that he was wanting to marry her for her 'nice, sturdy house' - which is why he is jumping up and down on her porch when she answers the door to him!
Overall, this is a film that plays well to all ages (I loved it as a child and now sit and watch it often with my son). It's unfortunate that it will forever live in Mary Poppins' substantial shadow (along with the weaker Pete's Dragon), but at least it lives as one of the better Disney films made in those wilderness years prior to The Little Mermaid'.
Thouroughly recommended.

SLOW
I bought this for my 3-year old since she just loves Chitty-Chitty Bang Bang and it just doesn't have any comparison. Amazon made the suggestion and I fell for it. Bad move! Very slow moving movie!!!

Magic
This is a very good movie for every one. The story is very nice and the characters are fun for every body. I really can't think of any complaints. A rated acting and scenery. ... Read more

Description

Rodrigo Mendoza (ROBERT DE NIRO) was a violent soldier-for-hire in 1750s South America. Now he is a man of peace serving the Rain Forest Indians he once enslaved. But armies of Spain and Portugal threaten the lifestyle and safety of the native peoples. Now Rodrigo may have to pick up his sword and musket once again. From the producer of Chariots of Fire and the director of The Killing Fields comes a powerful epic co-starring JEREMY IRONS and graced with dazzling Academy Award-winning cinematography, set to a memorable music score and scripted by the Oscar-winning screenwriter of A Man for All Seasons and Doctor Zhivago. ... Read more

Reviews (158)

Theodicy or Corrupt Politics
The Mission

The Mission directed by Roland Joffe is the story of the struggle between theocracy and theodicy. Ironically the church has the mission to bring theodicy to the world and it does this through the message of God's Love and Forgiveness. It tries to accomplish this through the sending out of missionaries, in this case the Jesuit priests, to tell the story and bring others to the knowledge of God's Love and Forgiveness. Tragically politics and greed for power in the hierarchy of the church (in this case the Roman Catholic Church) brings about a situation where the people of God are killed supposedly in the name of God. This story opens and ends with Cardinal Altamirano (Ray McAnally) dictating a letter to the Pope informing him of the events that had transpired after giving church missions in South America over to the Spaniards and Portuguese. The nature of the setting is beautiful. Views of the waterfalls are breath-taking and spectacular.

The message of theodicy is played out in the story involving two main characters Father Gabriel (Jeremy Irons) and Rodrigo Mendoza (Robert De Niro). Father Gabriel brings theocracy to the Natives of South America. At the beginning of our story Rodrigo is a slave trader who undergoes a traumatic conversion experience and serves those whom he had sold into slavery before. His story of transformation is one of heartache, murder, repentance and extreme penance which he imposes upon himself. It is the forgiveness and acceptance of those who he former hunted that sets him feel to serve both God and the Natives. Another film that shows a similar vein of acceptance after tragedy is the classic movie Hawaii (1966) based on James Michener. Rev. Hale accepts the Native Hawaiians as he begins to mellow in the aftermath of his losses. In Rodrigo's case is his acceptance by the tribe that helps them to fight against the imposed theocracy of the Cardinal later on.

At issue here, in spite of the beautifully portrayal of conversion to Christianity of the Native people of South America, is the imposed will of governing forces of politics around greed ownership of land. Yet this was done under the auspices of the Church as God's Will, which is called theocracy. The people of the land had no say, they were the conquered, to be exploited and were considered as chattel, for them there was not theodicy. Their willingness to share and work for the common good of all, even though a principle of Christianity was considered a threat to the economy of others with political clout. Because they would not give up that which they had worked for, they were condemned to death. When Cardinal Atlamirno orders them to leave the Mission; they wanted to know why? His answer was that they had to submit to the will of God. Their answer was had God changed his mind? They were doing what they had been taught was God's will for them. Theodicy was not served as there was no justification in this case.

The Mission portrays the mission of Christ
The Mission is a powerful movie with a powerful message about sin, redemption, and love. It probes deep into the evils of the Catholic Church in Spain and Portugal in teh mid 18th century. Robert De Niro brilliantly portrays Rodrigo Mendoza, a dynamic character who transforms his life to a murderer who trades slaves to a Jesuit priest who fights for those seemingly 'enslaved' natives - the Guaranese. Jeremy Irons ixquisitley plays the role of a truly Christ-like figure. Father Gabriel is the epitomy of compassion, lvove, and understanding. With an incredibly written screenplay by Robert Bolt (who also wrote A Man For All Seasons), the Mission is an incredible film which explores the depths and beauty of morality and life ont he path to Jesus Christ.

the beauty and the horror of the catholic church
i think tom keogh's a bit 'off' kilter and it echoes the reviews that came out when the film was released.
the charge of emotional vacancy has since been rendered somewhat mute by the films growing status.
now admittedly, the overriding emotional sense that most people seem to experience when seeing this is one of anger, rather than one of tragedy and ,yes, that is partly due to our never really getting to know the indians who are, predictably, massacred.
we are emotionally more jolted upon seeing the murder of the priests who we have gotten to know.
that aside, i think joffes direction works because what he is attempting to show, and succesfully does so, is both the beauty and the horror of catholicism.
there is a touching beauty upon seeing deniros character finally reaching his muddy penneance,and in the scene where he cooks a steaming stew for his fellow priests.
perhaps one of the most beautiful, simplistically effective moments is when deniro narrates first corinthians 'love is not puffed up'.
yes, the conclusion is all too predictable. not just because we know the history, but because as much as we all can see the beauty in the church, everyone is also well aware of its ugliness.
i am suprised that the catholic church showed its support of this non flattering film, which shows, perhaps, a certain amount of theoretical penance on its part.
one of the last scenes which shows two naked indian children aloft in a boat after the massacre is an example of a picture telling a thousand words.
in one sense mr keogh is correct in recognizing an inherent coldness in the film but i think that is a realization of the harrowing cold heartedness that catholic church has shown in its history, which paradoxically is unified with its undeniable beauty.

This Sucks!!!!!! Very Very Sucky and Boring
I just watched this movie in Morality class and it is a really boring movie that just drags on and on. How does end by every one including De Nero and Irons (major characters) along with everyone else. There is only one movie that pulled off having all the characters die in it and that was Glory. I don't under any circumstances think anyone should see this movie unless you have a boring life or just sad than see it otherwise see Glory a much much better movie except different plots.

Emotionally Wrenching, Enchanting Film
Not for the squeamish, "The Mission" explores the duality of Europe's presence in South America -- the salvation brought by the Jesuits and the condemnation brought by "civilization."

Roland Joffe, the director, pulls few punches. The film opens with the dictation of a letter to the Pope by a prominent religious figure, Altamirano, who has just undergone the events that will transpire in the film, and we learn that these events are not pleasant: "the local savages are now free to be enslaved by his Holiness . . ."

These events "were brought about" by the horrifying martyrdom of a Jesuit priest, who had journeyed to the "uncivilized" lands of the Indians above the falls (and what falls!). The local Indians, apparently rejecting his Christian teachings, crucify him and toss him into a river . . . a river that soon flows to the falls, and the descending cross is one of the most haunting images you will ever see on film.

In response, another Jesuit priest, Gabriel (Jeremy Irons) heads above the falls, and uses his music (score by Ennio Morricone of "The Good, the Bad, and the Ugly" fame) to win the trust of the locals. Soon he is preaching the Word of God among them.

Unfortunately, the slaver/mercenary Rodrigo Mendoza (Robert De Niro) is hunting the Indians for slavers. He ominously warns Gabriel about the futility of building a mission among the Indians, and he seizes several.

On his return to "civilization" below the falls (the dusty town stands in marked contrast to the lush greenery above the falls), Rodrigo learns that his beloved Carlotta does not love Rodrigo, but has fallen for Rodrigo's younger brother, Felipe (Aiden Quinn). Rodrigo, far from a reasonable sort, kills his brother shortly thereafter in a trumped-up quarrel. Distraught, Rodrigo eventually agrees to do his penance above the falls with Gabriel and his fellow Jesuits (including a young Liam Neeson).

Following a tortuous climb above the falls with his lodestone of arms and armor, Rodrigo finds salvation and seeks to become a Jesuit. The mission above the falls takes shape, and all seems to be right with the world.

Of course, this is not to be. The slavers need their slaves, and they exert enormous pressure against the church -- the Catholic Church is not as strong as it once was, and the militant Jesuits are becoming a nuisance by sapping the supply of slaves (apparently it is too inconvenient to enslave Christians, so the slavers argue that the Indians are monkeys without souls -- nice).

Altamirano agrees to visit both the local mission (a gorgeous, mammoth structure complete with farm and Indian priests) as well as the more primitive mission above the falls . . . which is even more impressive despite (and perhaps because of) it's remoteness.

But, politics being politics, the missions are doomed and the Indians will be enslaved. Rodrigo and the younger priests decide to fight, leading to one of the more disturbing battles you will see on-screen. It's not "Saving Private Ryan" in its horrors, but it is emotionally wrenching to see the Jesuits and the Indians fight such in such a foregone conclusion.

Even more gut-wrenching is Gabriel, who chooses a non-violent response. In a pitch-perfect performance, Irons emobodies the Jesuit commitment to the simple words of Christ . . . not that it does him or the Indians much good in this world.

A haunting spectacle and far from a feel-good movie, "The Mission" deserves full marks for its depiction of a common conflict (Europe versus the New World) in a different setting. A top-notch cast and a wonderfully shot film make this one for the video library. ... Read more

Reviews (31)

One of the Best
Season Two of Xena is one of my favorites. The first season was a little 'bleh' as it was busy getting it's feat wet. Season Two was well worth the wait. The actual quality of the dvd set is much better than the first one. Even though the first group of episodes in S2 were still shot in 16mm, the season two set does a better job of cleaning up the film grain. The coolest thing about this set besides the episodes, is the audio and video commentary tracks with Lucy Lawless(Xena), Renee O'Connor(Gabrielle) and Rob Tapert(writer,producer,director). Lucy and Renee are just too funny as they tend to go the Mystery Science Theatre 3000 route and just make fun of themeselves.The Rob Tapert commentary is a little frustrating,as the guy only talks about how he wishes he could have done this better and that different (The same problem with the FIN dvd). He doesn't seem to be very happy with his eps, oh well, I like em. My favorite things in S2 are Hudson Leick(Callisto)'s brilliant performance as Xena's arch nemesis. Renee(Gabrielle)'s growth as an actress (The Quest) and introduction of the comedy episodes (Warrior...Princess...Tramp, A Day In The Life).

Just the DVD facts (ma'am)
[Summary: Just over 4.5 stars; a big step up from Season One's DVD collection]

Note: Just in case you haven't already watched X:WP Season Two, this review contains NO SPOILERS.

Xena: Warrior Princess Season Two DVD collection summary:
- 6 DVDs, with 4 episodes each except for 2 in the last; 22 total episodes.
- 1 CD-ROM, with largely useless content.
- Video: MUCH better than the grainy 16mm film transfer of Season One.
- Audio: Dolby Digital throughout (a big step up from the Dolby Stereo of Season Two).
- DVD Extras: Good-quality stills, plus audio and video commentary on three episodes. Season One included zip - nada - bupkus. MUCH better!
- CD-ROM: Same old junk as was included for Season One. Why?
- Price: Lower than Season One, for better quality. Yay!
- Episodes: 22. Season One had 24. The only comparative downside.

Season One rated just over 3.5 stars. Season Two is worth a bit over 4.5 stars -- a major step up.

Disc 1: Portrait of Gabrielle on label
- Orphan of War
- Remember Nothing
- The Giant Killer
- Girls Just Wanna Have Fun
Disc Extras:
- Still Gallery
- Weblink to www.xenadvd.com

Disc 2: Portrait of Joxer on label
- Return of Callisto
"Return of Callisto" extras: Audio and video commentary by Lucy Lawless and Renee O'Connor
- Warrior ... Princess ... Tramp
- Intimate Strangers
- Ten Little Warlords

Disc 3: Picture of Xena on label
- A Solstice Carol
- The Xena Scrolls
- Here She Comes ... Miss Amphipolis
- Destiny
"Destiny" extras: Audio and video commentary by Rob Tapert

Disc 4: Picture of Xena (as "Miss Amphipolis") on label
- The Quest
- A Necessary Evil
- A Day in the Life
"A Day in the Life" extras: Audio and video commentary by Lucy Lawless, Renee O'Connor, and Rob Tapert
- For Him the Bell Tolls

Disc 5: Picture of Xena and Draco on label
- The Execution
- Blind Faith
- Ulysses
- The Price
(No extras.)

Disc 6: Picture of Cupid on label
- Lost Mariner
- A Comedy of Eros
(No extras.)

Disc 7 (CD-ROM): Picture of Xena and Gabrielle on label
- Screensaver
- Cast & Director bios
- "Scrolls" - episode cast lists, guest stars ("mortals" and "gods"), search through the scrolls text
- Season Two trivia game

The audio commentaries are the usual option, easily available through the menu for each of the three episodes. The video commentaries are a subset (about 40% in each case) of the audio commentaries, with images of the commentators sitting in front of a wide-screen TV watching the episodes. The same set (except for number of chairs) is used in all three video commentaries.

X:WP Season Two contains performances by the following recurring characters from the Hercules/Xena world:
- Ted Raimi as Joxer, bumbling would-be warrior
- Hudson Leick as Callisto, nemesis extraordinaire
- Kevin Smith as Ares, God of War
- Robert Trebor as Salmoneus, mercurial merchant
- Bruce Campbell as Autolycus, King of Thieves
- Danielle Cormack as Ephiny, Amazon warrior
- Michael Hurst as Iolaus (Hercules' sidekick)
- Tim Thomerson as Meleager the Mighty
- Alexandra Tydings as Aphrodite, Goddess of Love
- Karl Urban as both Julius Caesar and Cupid (son of Aphrodite) ) (should actually be "Eros"; "Cupid" is his Roman name)
- Jay Laga'aia as Draco

More notable one-shot guest stars from Season Two included:
- Lisa Zane as Miss Skiros
- Mindy Clarke as Velasca
- Rachel Blakely as Penelope
- Tony Todd as Cecrops

More butt-kicking fun in the Hercules/Xena world. Get your copy, make some popcorn, and have a party!

Fabulous TV Show, Grainy DVD
I love Xena Warrior Princess and Hercules Legendary Journeys, and season 2 is Xena at her best. Destiny is one of the five best episodes of Xena ever; it reveals what made Xena into the Warrior Princess rather than just another petty warlord, and it has that great Gaelic song. I didn't pay much attention to Remember Nothing when it aired on television, but after watching it twice on dvd, I've realized how important it is to the series. However, the quality of the dvd did not match the quality of the show. It's very grainy; actually, it's the poorest quality of any dvd I've ever seen.

Great season of a great show!
A unique mix of action, drama, and humor, of fantasy, history and myth, made X:WP a unique show. All these qualities are on display in Xena's Season 2, probably the show's second best next to S3. Highlights include outstanding drama such as THE RETURN OF CALLISTO, DESTINY, A NECESSARY EVIL and THE PRICE, and sparkling comedy such as the unforgettable A DAY IN THE LIFE, TEN LITTLE WARLORDS and A COMEDY OF EROS (which combines madcap comedy with genuine poignant pathos at the end). Other terrific eps: REMEMBER NOTHING, INTIMATE STRANGER, THE QUEST, BLIND FAITH, LOST MARINER. Lucy Lawless and Renee O'Connor really come into their own in this season. The supporting cast shines too: Hudson Leick does a superb job not only as Callisto but as Xena in the body switch episodes, INTIMATE STRANGER and TEN LITTLE WARLORDS. The late lamented Kevin Smith shows two very different sides of Ares, God of War -- the cruel arrogant god and the suddenly human mortal. Ted Raimi as Joxer raises his character above mere comic relief, giving him true nobility and poignancy. There's also Karl Urban in dual roles as Caesar and Cupid, Alexandra Tydings as Aphrodite, and a notable guest appearance by Tony Todd in LOST MARINER.

I found the picture and sound quality to be excellent. There could have been more in the way of commentary and bonus footage (no outtakes here, for instance), but still this is a great buy for any Xena fan.

Excellent
All I can say is if you like midevil stories and books like that then this is the series for you. Lucy is excellent. ... Read more

Reviews (47)

More down to earth than I thought