Reviews (2)

Still waiting............
As of today, May 2, 2004, Disney's masterpiece, the original "That Darn Cat" has yet to be released on DVD.
I dont know what Disney is waiting for, but if enough of us request the DVD, it will be made available alot quicker. All you have to do is sign up to pre-order the DVD on Amazon.com when it becomes available.
You will get an email when the DVD finally comes out.
The movie is about a Beautiful Siamese Cat, named D.C. (Darn Cat).
D.C. and his owner, the cute Disney legend Hayley Mills find themselves up to their necks in crime, and chaos.
A woman has been kidnapped, and only D.C. and Hayley can help he police find her!
Dean Jones, another Disney legend, plays the special agent in charge of the kidnapped woman's case, and he is wonderful.
"That Darn Cat" is the epitome of a Disney Clasic film: A cute, charasmatic Animal as the star, plus some familiar faces in the supporting roles, mixed with the Disney comedy, action and overall fun that we have grown to love.
The late great Roddy McDowall, of "Planet of the Apes" fame, plays a great part in this movie as well.
They made a remake of "That Darn Cat' in 1997, and while it was good, it is not nearly as good as the original.
This original 1965 version of 'That Darn Cat" is the one with the Disney Magic that we all have grown used to.
This movie is full of comedy, action, suspense, intrigue, and most important, pure Disney fun.
You will definitely enjoy this movie, if you havent seen it yet. If you have seen it on video, then you know what I mean.
Hopefully, soon, Disney will release this movie on DVD, and when they do, trust me when I say that it will be a favorite of yours and your family for years and years to come.
So, come on Disney.....we are waiting. Please release "That Darn Cat" on DVD soon, so that a whole new generation can experience its wonder.

Gorgeous!!!
Absolutely fabulous! This movie can make you laugh 1000 times over! It's delicious. The actor's play is a masterpiece, something that is very rare in our days.The intrigue is perfectly balanced, and the storyscript is the work of a genius!If you want to laugh like you do when you were a child, this is your moment! ... Read more

Reviews (414)

not your average disney
not something you would expect from disney. broken family, depressed child, social services. i believe that disney has done a wonderous job, not being so beautiful world with this.

Not too pleased with this one.
Disney's "Lilo & Stitch" was directed by Chris Sanders & Dean DeBlois. It is about a little Hawaiian girl named Lilo and her sister, Nani, and how a destructive alien named Stitch brings them together. That's enough summary. You want plot, read the other reviews.

There are good things in this movie. Some parts are purely delightful. Stitch and Lilo can both be cute at times, and it was nice to hear some traditional Elvis. Cobra Bubbles, the social worker, is a funny guy. And some of the parts are funny, too. That's about it.

I'm an animation major, so I realize that I'm very critical when it comes to Disney. But truthfully, I was SHOCKED when I found out that people actually like this movie. For one thing, it's badly written. It needs a decent script. It's boring. The plot is choppy. Everything is twisted (not gracefully) to be about families, and worst of all, the characters are incredibly cruel to each other (for laughs, I felt) and never really turn around until the last two minutes. I thought these were flaws that were so blatant everyone would notice them. The little movie critic that lives in my head was screaming bloody murder.

Just a few things to warn parents about--Lilo is a brat, Nani is abusive, and Stitch just is there to tear things down. I'm surprised that this movie wasn't rated PG-13...I believe it was going to be, but then they took out the part with Pudgy (Lilo's pet fish) getting pecked to death by seagulls. Yeah, and you thought this was a kids' movie. One of the most disturbing parts is when Stitch & Lilo shove a little girl off her tricycle and take off with it, leaving the little girl sobbing in the dirt. If you think that's funny, you have some serious mental problems.

There's a lot of screaming, it's not very funny, and to me, very unconvincing. The moral this one left me with was, hey, it's okay to treat others like ....because Ohana means family. I won't buy that. I'd strongly suggest parents read some proffessional reviews on this movie, there's a reason this movie hasn't made much money in comparison to the Disneys of the past. "Hunchback" and even "Pocahantas" grossed over $100 million more than this one. I hope that says something. Methinks parents HAVE been doing their jobs and reading the reviews on this one. (In gentle reprimand to someone below who called parents "stupid").

As for me- if I ever work for the Disney animation studio, I'll do everything in my power to make clever, sweet, funny movies like "Aladdin" and "Monster's Inc." and keep painfully hideous movies like "Lilo & Stitch" from ever gracing the storyboards of Burbank. What the HECK were they thinking?

I laughed my head off
Lord, this is the funniest Disney movie in years. And one of the most inventive. A problem in most Disney movies in recent years (well, actually, always) has been taking plots from other sources. None of the Disney animated films have been in any sense original. Contrast this with Japan's great animator Hayao Miyazaki, whose movies are almost always based upon original sources. I don't think it is an accident that the best Disney movie in a long time is based on a completely original story.

Speaking of Miyazaki, Daveigh Chase, who provides the voice for Lilo, also did the voice for Chihiro in the English language dubbing for SPIRITED AWAY. Unbelievably, she dubbed the voice for major characters in the two best-animated films of the year. I have to be honest here: I was really scared that LILO AND STITCH was going to win the. It didn't. It is very, very good, but SPIRITED AWAY is not merely the best-animated film in the past couple of decades, but quite possibly the best ever. I knew that if the voters only watched both LILO AND STITCH and SPIRITED AWAY, then the latter would easily win the Oscar. Luckily, enough did, and it won a well-deserved Oscar. But LILO AND STITCH was a very strong second, and in many years would have won.

The film is the story of the accidentally pairing of two misfits. Lilo is a Hawaiian girl who is being raised by her sister Nani, and Stitch is a genetic creation of an "evil genius" mad doctor, a powerful warrior creature. Lilo has lost her family, and Stitch, or "Experiment 626," as he is otherwise known, has never had one. The movie essentially tells the story of how each helps the other find what she and he both need most.

Hopefully, this is the beginning of a new practice: instead of creating an endless number of variations of old, traditional, and familiar stories, Disney will turn their resources to original, new, and inventive stories.

Good Fun
* One of the expectations of a Disney animated film is
that it will have a top-rank / few-expenses-spared production,
with perfectionistic artwork and such features as soundtracks
by star musicians -- coupled to a not-always-inspired script.

Disney animated movies are marketed at kids, of course, and
that generally means a little moralizing sentimentality and
some political correctness. I don't criticise this as such,
since the parents would go on the warpath if Disney did
any different, but one hopes there is something more to the
story.

By these standards, LILO & STITCH gets the expected top
production grade, and what I would say is a better-than-expected
grade for the script. It involves an alien mad scientist
named Jumba who creates a midget monstrosity, Experiment 6-2-6,
a nasty little creature with a lightning brain, disproportionate
strength, and a genetic predisposition to be as big a nuisance
and pain as possible.

Jumba is arrested and his creation seized, but Experiment
6-2-6 escapes and flies to Earth, landing in Hawaii, with
Jumba in pursuit. In an attempt to camouflage himself,
6-2-6 pretends he's a dog -- a real strange-looking dog --
and is adopted by Lilo (LEE-low, not LIE-low), a little
Hawaiian girl who is a pain to her sister and guardian
Nina. Lilo names him "Stitch" and many adventures follow.
Think of "ET with an attitude" and you kind of understand.

OK, the script is sentimental, and for all those worrisome
parents out there I can assure you that this movie HAS A
MORAL MESSAGE EMPHASIZING GOOD FAMILY VALUES as a central
theme. (I grew up on Three Stooges, Looney Tunes, and Rocky
& Bullwinkle when nobody worried about such things, but that
was then.) Fortunately, it also has some very good
laughs (Lilo's photography hobby comes to mind for one
example) and can be off-the-wall and imaginative about it
in places. Of course it's all silliness, but this is an
animated feature about little girls and alien midget monsters,
not WAR & PEACE.

The production values are very pretty, the artwork style
has its original features, and the soundtrack work, if not
star quality like some Disney animateds, is good.
Lilo is an Elvis fan and the Elvis tunes seem to work very
well in the script, even though I'm not a fan of the King
myself. ("Elvis or Beatles?" "Beatles.")

This may not be "must-see-video" but it is recommended.
One of the signs of an entertaining flic is that it can
keep me attentive up to the closing credits, and the little
"family album" at the end, implying a whole set of stories
that I was sad I missed, was one of the nicest touches in
the whole thing.

The Best Animated Disney Film in Years
I am very fussy about which Disney films I watch. So far I have purchased "Tarzan" and "Dinosaur" on DVD and though I enjoyed them I won't say they won my heart over.

"Lilo and Stitch" however had me laughing and crying in the same breath. Set in Hawaii this is a very different kind of Disney film. I loved it from the very first moment when Lilo tried to explain to her dancing teacher why she had to feed a friendly dolphin peanut butter sandwiches rather than tuna to the moment Stitch realises he wants a family of his own to belong to, this gem of a film managed to get under my skin like no other Disney animation.

The plot is quite simple; a genetically created monster escapes a prison ship and heads for earth. All he has on his mind is destruction and mayhem but fate has something else in store for him and he finds himself pretending to be a dog in order to evade the bounty hunters sent to find him. His new "owner" is a lonely but strong minded little girl called Lilo who is still grieving over the loss of her parents in a car accident. She calls her new "dog" Stitch and gives him unconditional love, something this monster has never known before. Suddenly Stitch's desire for destruction takes a back seat as he tries to help the one person in the whole universe who is not afraid of him.

There are great scenes like Stitch finding a frog in the middle of road but it is him who gets run over by a truck and not the frog but as he is indestructible all that happens is that he gets knocked out. We see the frog later on in the same road, and Stitch saves it, something he would have never done if he had not met Lilo. It is a touching scene, not syrupy, just nice and thoughtfully done. Another scene that is side splittingly funny is when Stitch steals a child's tricycle, jumps on it, grabs Lilo and tries to find his way off the Island only to be told by Lilo that "isn't it great, there are no cities on the Island?" Stitch faints when he hears this; he has been genetically programmed to destroy cities! All of this mayhem and chaos ultimately leads to Stitch having to make a decision. Does he abandon Lilo and try to escape or does he take on the powers that be that want to destroy him and try and keep his new family together?

Stitch's attempt to save Lilo when she is in danger is hilarious but at the same time quite emotional, surprising for an animated film, especially a Disney one.

The music is great and I'm a fan of Elvis all over again, the songs are really appropriate but let me assure you this is not a musical cartoon, rather it is a cartoon with a selection of songs that blend into the story and plot quite nicely.

The characters are believable, even the ex-CIA Welfare Officer who despite his gruff exterior has a heart of gold, to the obnoxious little girls who tease Lilo for daring to be different.

This is cracking good film for all ages, and I will be very surprised if most people don't like something about it, even if it is just the music score! ... Read more

Amazon.com

One of the best films of 2004, Kinsey pays tribute to the flawed but honorable man who revolutionized our understanding of human sexuality. As played by Liam Neeson in writer-director Bill Condon's excellent film biography, Indiana University researcher Alfred Kinsey was so consumed by statistical measurements of human sexual activity that he almost completely overlooked the substantial role of emotions and their effect on human behavior. This made him an ideal researcher and science celebrity who revealed that sexual behaviors previously considered deviant and even harmful (homosexuality, oral sex, etc.) are in fact common and essentially normal in the realm of human experience, but whose obsession with scientific method frequently placed him at odds with his understanding wife (superbly played by Laura Linney) and research assistants. In presenting Kinsey as a driven social misfit, Condon's film gives Neeson one of his finest roles while revealing the depth of Kinsey's own humanity, and the incalculable benefit his research had on our collective sexual enlightenment. With humor, charm, and intelligence, Kinsey shines a light where darkness once prevailed. --Jeff Shannon ... Read more

Reviews (66)

Pretentious Attempt
In retrospection, Kinsey is over-rated. It rides on the 21st century's fetish of sexuality and pretends to be another "Beautiful Mind" but fails and flops. It is one of those pretentious artistic attempt.

Truth or Perversity?
This became more and more difficult to watch as the movie went along.A selected biography in the style of Ray or Delovely, but quite a different choice of subject matter.

Kinsey's father set the tone of Kinsey's own life, with a certainty that becomes obnoxious.The certainty that he knows what the answer is, in this case to the issues of human sexuality and its associated ignorance and taboos, and as with all people who think they know, there is a fall.At the time that Kinsey was achieving his fame there were restrictions on the entire subject of sex practices and sex mores.It stands to reason that the only people who were working in this area were strange themselves, or at least unconventional.That's where I had difficulty.Were Kinsey and his associates really as perverse as they appeared in the movie?Or were their banter and actions exaggerated for the sake of a good story.

I found no sympathy for Kinsey nor for anyone else in the movie.And some of the conclusions that they reached seem so counter-intuitive that they defy belief.I didn't know whether they were trying to find truth or to present perversity.

Potent Film with Certain Foundation for Heated Debate...
Galileo Galilei and scientists alike announced through in-depth research that the Earth was not flat and faced heavy persecution.Their different thinking broke the standards of the 16th century pious beliefs, which had been used a long time before scientists questioned the validity and reliability in what they observed.This offended the Catholic Church who proclaimed that they held the highest truth, a truth deeply rooted in unquestioned morality.The questioning of the religious beliefs triggered a witch-hunt of the scientists that disagreed with the moral teachings of the Catholic Church.However, the truth eventually emerged, as Galileo's theories are still the instruments of current astronomical research that continues to evolve the human existence beyond the earth.

The Catholic Church and Lutheran Church persecuted people with different ideas of Christianity.Those who desired to exercise their own freedom of religion sought refuge in America where they could exercise their freedom to express their own ideas of religion.After the War of Independence, the founding fathers formed the Congress that drafted the 10 amendments.The first amendment brings the people freedom of speech, which includes religion.However, the very same ideas that sought freedom in America later turned from being the persecuted to the persecutor, as these notions harassed new different thinkers.The notion of cyclical history comes to mind when scientists like Alfred Kinsey are being silenced based on morality and unfounded facts.

Kinsey (Liam Neeson), a biologist, was brought up under strict puritan rules, as his father consistently proclaimed being the ultimate source of knowledge.In a sense he grew up with similar persecuting standards as Galileo, but instead of conforming to the rules he broke the bond with his father when he accepted a partial scholarship to Bowdoin to study biology.Kinsey's father wanted him to become an engineer, which has a certain level of irony to it, as his father believed that all modern inventions at the beginning of the 20th century were evil.The pursuit of the biology degree brought him through Harvard to Indiana University where he took a position as an assistant professor while studying stag beetles and later the American Cynipidae also known as the gall wasp.

Years of research and collecting the American Cynipidae allowed Kinsey to meticulously catalogue his gall wasp library.During this time Kinsey met his wife Clara (Laura Linney) with whom he had three children.However, before having the children they had difficulties in the bedroom, as Clara assumed it was because they physically would not fit together.This was an unacceptable answer for Kinsey who approached the problem, as if there were an answer, which there was.It simply was painful for Clara to have sex as her hymen was too thick, and with a quick procedure by a doctor she had this fixed.Consequently, Kinsey continued to help other couples with problems of sexual nature, but realized that he did not have any real answers to the questions that were posed to him.

In the 1940s, Kinsey got his chance to do teach a marriage course in regards to sex and the social aspects of sex between husbands and wives.As the class went on his interest deepened through the vast number of questions people asked in regards to sex.This concluded in Kinsey beginning to research the taboo ridden topic, which so many have been taught to avoid at all costs except for the purpose of having children.Kinsey opposed the abstinence with his statement, "society has interfered with what should be a normal biological development..."

The sex research forced Kinsey to travel uncharted waters, as he had to find a way to collect data that were valid and reliable.Through this process he design an interview style that had to be nonjudgmental in order for the interviewee to reveal everything without having to feel any negative feelings.This process gave them surprising facts about sex, as they also encountered homosexuality, extramarital affairs, and premarital affairs.They also found evidence of deviant sexual practices, which most of the society rightfully did not tolerate such as pedophilia.An important note to this is that Kinsey was only collecting data, he did not advocate harmful sexual practices.However, in the eyes of the society Kinsey was in the end drawn into the mud, as much of his intentions was misunderstood.

Nonetheless, Kinsey helped breaking the ice of the forbidden issue that in the end opened up the society to understanding this hushed, but normal behavior.If Kinsey did not push the envelope the society might have continued its intolerance towards sexual issues, an intolerance that would force many to hide their true identity in the fear of repercussions and prejudice based on hatred and fear.For example, John Edgar Hoover created a profiling center for homosexuals and other undesirables.The very same intolerance would function as a shield that would have protected many of the Catholic priests that have been uncovered to molest children.It is thanks to Kinsey and researchers alike that it has become acceptable to discuss this taboo topic in media, where horrendous crimes such as child molesting can be caught.Yet, there are still many who believe that Kinsey was wrong to do what he did, and they are naturally free to have their own opinions.As they should let the truth be unveiled from darkness and not let erotophobia, i.e., learned negative emotional response to information of sexual nature, affect any decision-making that could help human beings discover a better future.

Kinsey is a political and potent film that will undoubtedly make many feel awkward and uncomfortable.Yet, it is also an important film, as it displays the importance of learning the truth and not hiding behind groundless rules and laws based on fictionalized morality.The film also has historical value to our contemporary society where many laws often are passed based on morality, which ends up hurting a fraction of the society and slows the progress of humanity.When this happens, history seems to be have drifted into oblivion as prejudice and intolerance continues to haunt the society.Hopefully, the film Kinsey offers an opportunity for debate and insightfulness, and not continued narrow-mindedness.

On balance, a positive contribution to human understanding
Alfred Kinsey did a great service to the study of sex.Yes, some of his methodologies were suspect, "self-selection" throwing a monkey-wrench in the whole randomization requirement.His subjects were perhaps not the most representative sampling of the population.Furthermore, he and his staff became too personally involved in the work.His assistants comprised a sort of swinger's club.Kinsey could be faulted for not having anticipated the conflicts brought about by such activities among colleagues.

Unfortunately, these aspects of his life and the film will obscure - for many - the more significant meaning of his work: Bringing the discussion of sex out of the dark corners of human consciousness and into the light.Also, by removing the shame factor from sex, a natural healthy aspect of the human animal, Kinsey legitimized the scientific study of sex.

As far as the film per se, I was impressed with the honesty of the piece.Contrary to what some reviewers have said, this film does not make Kinsey a hero.It rightly credits him for his work, yet reveals a conflicted, troubled psyche at the same time as Kinsey tries to navigate the line between his objective scientific observation and his subjective sexual experiences.This blurring is where Kinsey erred.

Interesting insight into groundbreaking study
Alfred Kinsey was a pioneer in the study of human sexuality. He was a professor at Indiana University and spent the first 20 years of his career studying an insect, the "gall wasp." This movie, starring Liam Neeson in the title role, depicts Dr. Kinsey as having an obsession with his study of the gall wasp, collecting hundreds of thousands of specimens and devoting his life to studying this species. Tapped to teach a course on marriage and the family, Kinsey developed an interest in human sexuality and he bacame as obsessive in this study as he was in his earlier endeavor. He was driven and pushed his staff hard. He employed interviewers who spoke with thousands of people in taking sexual histories. Kinsey was very hands on as he personally instructed his staff on how to put subjects at ease as they conducted the interviews.

Dr. Kinsey was the son of a morally strict father, convincingly played by John Lithgow. Neeson's depecition of Dr. Kinsey shows the results of this upbringing. His characterization of Kinsey comes across as very stiff and uptight. He is not one to really let his hair down yet, in his groundbreaking study, there is no taboo that he is unwilling to explore. Indeed, he explores his own sexuality as he has an extramarital gay affair. Despite serious misgivings at first, his wife, played by Laura Linney, is accepting.

The studies were very controversial, having been done in the 1940s, long before the "sexual revolution." Some people found his findings to be very liberating in that they discovered that they were not alone in their sexual feelings. Other people were shocked, believing that the subject was taboo and should not be discussed. There is one brief scene in which a woman, who agonized over her lesbian inclinations, was liberated by Dr. Kinsey's findings and, thereby allowed herself to enter into a relationship. Others, including Kinsey's father, were scandalized. Ultimately, however, Kinsey's father allows himself to be interviewed by his son and reveals his own, painful secrets of a repressed childhood.

We live in a more sexually open era than we did, generations ago. This movie gives an insight into one of the reasons this is so. I recommend this dvd. ... Read more

Amazon.com

"The book was better" has been the complaint of many a reader since theinvention of movies. Frank Darabont's second adaptation of a Stephen King prison drama (The Shawshank Redemption was the first) is a very faithful adaptation of King's serial novel. In the middle of the Depression, Paul Edgecomb (Tom Hanks) runs death row at Cold Mountain Penitentiary. Into this dreary world walks a mammoth prisoner, John Coffey (Michael Duncan) who, very slowly, reveals a special gift that will change the men working and dying (in the electric chair, masterfully and grippingly staged) on the mile . As with King's book, Darabonttakes plenty of time to show us Edgecomb's world before delving into JohnCoffey's mystery. With Darabont's superior storytelling abilities, his touch for perfect casting, and a leisurely 188-minute running time, his movie brings to life nearly every character and scene from the novel. Darabont even improves the novel's two endings, creating a more emotionally satisfying experience. The running time may try patience, but those who want a story, as opposed to quick-fix entertainment, will be rewarded by this finely tailored tale. --Doug Thomas ... Read more

Reviews (552)

Terrible movie, more Stephen King Schlock
This endless movie was a reminder of why I hate Stephen King stories, 3 hours of my life wasted on this drivel.

The Green Mile represents death row in a Louisiana prison of the 1930's, when a huge black man, sentenced to death, reveals remarkable powers of precognition and hands-on healing. However, this story is mired in implausible situations and a lack of believeability.

We have the gratuitious scenes of Tom Hanks peeing for comic or shock value, the frequent graphic executions of death row inmates, the mumbling cajun accent of Michael Jeter, the remarkable coincidence of Sam Rockwell also landing on death row even though no one seems to make the connection that he also worked for the family whose daughter John Coffy is accused of murdering.

Mr Jingles is a mouse used as a plot device to tug at your heart strings, although it becomes tiresome after a short while.

The character of Purcey is useless and adds nothing to the story.

John Coffey spends this entire movie sweating and blubbering his way through his sentence. Even his miraculous healing of a woman with a terminal brain tumor isn't enough for Tom Hanks to somehow intervene and get this miracle worker off death row, but instead, he reluctantly executes him in the climax of the movie.

Should we also believe that John Coffey, via touch alone, bestowed practical immortality upon Tom Hanks and Mr Jingles? Give me a break. By the end of the movie we learn that Mr Jingles is now about 65 years old, which has to be about 25 times a normal mouse life span; Tom Hanks will also live 25 lifetimes? Does no one at the nursing home question his age of 108? Give me another break. Obviously Stephen King is filling some gaping plot holes with quickie and implausible explanations.

All the actors do a very fine job, but.....

This movie is terrible, don't waste your time. Rent Shawshank Redemption instead!

Powerful Movie!
This movie is outstanding, and anyone who gives it less than 5 stars does not do it justice. Tom Hanks, never a disappointment, stars as Paul Edgecomb, a guard who is the main person involved with "The Green Mile," or death row. He brings compassion, integrity, and honesty to the role of a man who is in charge of the inmates sentenced to die. David Morse, an actor who I also happen to love, stars as his friend. The chemistry between these two actors is incredible, and I hope they will star in future movies together as well. Their relationship gives a depth to the entire movie. Barry Pepper, from Saving Private Ryan, is also wonderful, and he will continue to have a great acting career for many years. Duncan shines as John Coffey ("like the drink, only spelled differently"), and really gives the movie a full circle of competent and award-worthy performances. His passion and child-like innocence gives Coffey the true meaning of the word spirit. This is a wonderful movie that can be both sad and touching at the same time. This is the type of movie that once you see it, you will think differently about life and about human beings in general. This movie touches the heart, and does it in a way that few movies have ever done. I hope that everyone who watches this movie will feel as I do, and this is definitely something that everyone should make a point to see!

Touching story, beautiful acting.
The other fantastic prison movie. (The first one being The Shawshank Redemption). This one is a little more magical and very touching. Do not miss it!

Not Good.
'The Green Mile' was long, tedious, absurd, and boring. Only for die-hard Stephen King or Tom Hanks fans.

The redemption subrreptitiously...
From all standpoits, this picture means a complex and deep sociological approach about the human behavior.
A prison represents the background ; the vehicle for developing a fine story filled with many narrative devices and secondary readings.
Lets start with the character of Percy. Obviously Percy represents the nazi spirit ; a characteristic smell in that age.But notice than much more than a political movement the nazism works out here as a living style. Watch the way he acts ; her cut hair and his manners ; he seems to be a hard beat man and behind of this invisible wall ; you feel a man with serious emotional and affective lacks. The proofs are very clear ; he is a man without a bit of humanity a beast would be a term appropiate if not that issue may offend the animal species.The punishment for him it's excellent ; he will live in his memory over and over the horror: the Shakespeare's memory . The sin hurts much more in the memory than in the flesh.
We have in the prison characters who trascend his personal values through the green mile . The silent agreement : "All what it happens in the green mile , it keeps in the green mile" will be a statement that won't be too long after the redemption caused for Coffey. The mouse gag is a very ingenious clue. A prisioner will experiment a twist of fate with this pet.
The main character John Coffey is framed to die in the electric chair ; acussed by a murder . Slowly the curtains will reveal the awful truth and you as viewer will be reflected in the moral jury who observes the execution.
Notice by moments the film reminds us to a great picture of the same age (1935) , casually titled "Fury" of Fritz Lang . In many ways it doesn't sound speculation to state the rendezvous for that shocking film. The extrordinary picture Top Hat in which we watch to Fred Astaire dancing with Ginger Rogers is a touch of genius device that let introduce us and links the last will of Coffey ; Heaven ; I'm in heaven. And you can not avoid thinking in Cinema Pardiso ending.
The script was a hit. Frank Dubont made a very well done work with the camera , art direction , photography, cast and enlightment.
When the film concludes you remain in your chair thinking the multiple lines around the story . The sense of revenge , vested as justice ; the ugliness who lives in the soul of that people will watch the last minutes of Coffey beats in your face, your solu and your heart.
The smart ending is filled with sweetness ; it's very clever and it works out as relief for the viewer , who may forget the real intention of the film . You may assume the most comfortable position and consider the film as a beautiful redemption story : good choice for you , but the bitter message goes far beyond ; the racism ; the intolerance and the pain for the narrator who should live thinking about his silent shame , and to make nothing for avoid it.
To know and not to do is still not knowing said once the japanese writer Mishima.
This film and the wisperer's horse were the finest achievements in 1998 ; good signals that reveal the awakening of new proposals and ideas for the american cinema.
A winner movie! ... Read more

Reviews (48)

A DAWN OF A NEW DAY
Doris! The perky big band singer of whom Oscar Levant once quipped "I knew Doris Day before she was a virgin." I thought back to my visit to Carmel, California, a few years ago, where I dropped by the golf course to glimpse her house ...briefly visible from hole three. (Listen real carefully and you can hear her dogs barking.) I thought back to my beloved Great Dane, she with the baby blue eyes --- was named in honor of Doris, though Dory (for short) was actually named by the breeder from whom I purchased the 186-pound beauty.
And I thought back to the first (and only time) I had chatted with Doris Day. It was the January 28, 1986 --- the day the Challenger had exploded, killing her seven crew members (including Sharon Christa McAuliffe, America's first teacher in space), 73 seconds after launch.
I called Doris at her Carmel, California, home, and was in tears.
"Can you believe what happened," she asked her voice muffled and mournful. "I am so shocked. Those poor men and women. Their families ... the children ..." The tears flowed freely for several minutes. She cried. I cried. We both cried. This, I thought between tears, is going to be some challenge.
After a few minutes, she sniffled one last time. And so we began to chat about her life and loves and long career --- Doris was starting a new talk show, and Rock Hudson --- then so deadly sick with the AIDS virus --- was the first guest), her films, her music and of course, her animals. She told me how she cooked her own dog food, steaming rice and boiling chopped beef, then skimming off the fat, before blending in freshly cooked vegetables and a hint of spice. At the end of the conversation, I was salivating and ready to drop to all fours and beg for a taste.
As luck would have it, I am not the only one thinking about Doris Day these days. Paramount Home Video has just released Teacher's Pet, the 1958 comedy in which Clark Gable stars as a hard-nosed newspaperman who's smitten with journalism teacher DD. Not a great film --- gee, did Gable really so badly? --- though the title song is super, as is Mamie van Doren, as Gable's galpal who sings "The Girl Who Invented Rock and Roll." A better flick is Day's last one: With Six You Get Eggroll, also from Paramount Home Video,the 1968 blended family comedy, with Day solidly supported by Pat Carroll, as well as Alice Ghostley, George Carlin, Barbara Hershey, Jamie Farr and the once-hot rock group, The Grass Roots.
Warner Home Video has just released the box set, Doris Day Collection, a slipcased collectible featuring six new-to-DVD titles: Young Man With a Horn (1950), Lullaby of Broadway (1951), Please Don't Eat the Daisies (1962), The Glass Bottom Boat (1966) and newly restored versions of Love Me Or Leave Me (1955) and Billy Rose's Jumbo (1962)--- both of which feature new Dolby Digital soundtracks making Doris seem as fresh as, well, a new Day; along with Calamity Jane (1953) and The Pajama Game (1957), both of which have been repackaged for this collection. All the discs are packed with bonus features, including vintage shorts (including two starring Ruth Etting, whom Day portrays in Love Me or Leave Me), featurettes, cartoons and trailers.
But the best is saved for last. On June 28, MPI Media Group unveils the long-awaited The Doris Day Show: Season 1, the heart-warming comedy series that ran on CBS from 1968-1973. This was Day's TV series debut, and she proved that her big-screen likeability transferred, quite well thank you, to the small screen ... even if some of closer-ups seem a bit too gauzy for our tastes. Day played Doris Martin, a widowed mother who leaves the city to raise her two young sons on the Mill Valley, California farm of her father Buck, played by Dukes of Hazzard icon Denver Pyle. The four-disc box set includes all 28 original episodes from the show's first season, as well as never-before-seen bonus material.The bonuses offer additional insight into Day's warm, off-screen persona: there are TV promos and messages to network affiliates, as well as her two appearances as the "mystery guest" on What's My Line --- the first spot, from 1954, marked Day's TV debut, and her attempts to disguise her voice through a series of hi-pitched squeaks is a sheer delight.

One of Hollywood's all time best movies EVER!
Fun, fun, fun! A laugh a minute. Just good clean fun that will have the whole family in stitches. Some of my most favorite stars are in this movie. "The Glass Bottom Boat" and "Move Over Darling" are my two all time favorites.

An Under-rated Classic Comedy
This is perhaps Doris Day's finest comedy... yup, even funnier and more fun than "Pillow Talk". it has Doris looking her all-time most beautiful, yet performing some truly funny lines and slapstick. Rod Taylor is perfect has the handsome beau and the antics get belly laughs from me every time. The film also is marvelous for those too young to remember the early 60s in styles, and in flavor. Highly recommended!

ONE OF DORIS'S BEST FILMS
My mom was a huge Doris Day fan and when we were kids we always watched her films on TV.This was always my favorite.I remember going to Silver Springs Florida as a kid and wanting to ride in the glass bottom boats just because of this wonderful screwball comedy.Doris is Jennifer Nelson, by day a tour guide at NASA and on the weekends, swimming in a mermaid Costume below the glass bottom boat of her skipper father played by Arthur Godfrey.She's being wooed by NASA Research Scientist Bruce Templeton.But Jenniger is suspected of being a spy setting in motion events that make this a supreme, 1960's screwball comedy complete with Dom Deluise as a goofball spy, Paul Lynde as a security guard who dresses in drag (who knew!) to keep an eye on Jennifer, and George Tobias and Alice pearce as the Fenimores as they virtually repeat their performances as from the TV show "Bewitched" where they starred as the Neighbors the Kravitz's for so many years.

Also included in the cast is Walton's vet Ellen Corby and Laugh-Ins Dick Martin.This is just a pure fun, zany and simple comedy from a great Era of Americana.Day, now in her early 40's waan't quite the young sweetheart of the 1950's but her talent for comedy and her timing had really grown and she had great chemistry with Taylor.

"You wanna meet later and pick out the furniture?"
Great Doris Day/Rod Taylor slapstick laced with a little romance and some naughty humor. Everybody thinks tour guide/eternal night school student DD is a spy: Paul Lynde dresses in drag to infiltrate the ladies room, Edward Andrews and Dick Martin hope to get secrets by romancing her(they end up--innocently--in bed together). Rod Taylor is the perfect suitor for Doris: strong and grounded, you can believe it when Day looks at him with bated breath! Arthur Godfrey is wonderful as Day's skipper father, and Elisabeth Fraser is a lot of fun as his girlfriend. The DVD shorts are a must-see. Great fun! ... Read more

Reviews (108)

Classic timepiece movie...
This is a classic movie that is as much social commentary as car chase. I remember watching this on a Saturday matinee on my local television station (long before the advent of cable television) and was mesmerized.

I recently purchased the VHS version and it was just as sweet twenty years later.

The premise isn't much: the main character, former member of society now riding on the fringe, has to get a car to San Francisco in 15 hours. Load up on amphetamines and off we go. The 'plot' is merely a vehicle for the ride.

The car chase scenes are great and realistic (none of the special effects laden hocus pocus you see today) and the cinematography of the West is beautiful. The characters, from the DJ who plays mystical guide to the helpers the driver meets in the desert, show life on the fringe. I'm sure on some level this is a mystical, metaphorical journey of sorts but to me it is simply fun to watch.

The soundtrack is absolutely great. It is kind of the O Brother Where Art Thou of the 70s -- the one that missed the radar. It isn't music you hear on the radio and it certainly isn't mainstream in any fashion but it sure is good.

I give this five stars quite simply because of the cinematography, the cast of characters and the music. Well worth the visit. They just don't make films like this anymore.

Vanishing Point on DVD.. Please !!!
Someday this cult classic will make it to DVD, and my freinds if enjoy fast paced car chase action movies this is a must for your collection. Not only is it a great movie, but the soundtrack of songs from such artists as Delany & Bonnie, Mountain, and Kim Carnes (years before she did "Bette Davis Eyes") would be a great soundtrack if it ever was put together (Problem is back in 1970, movie soundtracks were rare, only musicals had them).

The movie is basically about a driver name Kowalski who's trying to deliver a Dodge Challenger from Denver to San Francisco in less than 24 hours. It's filled with flashbacks and events that take place thoughout Kowalski's life all while he's speeding though the desert in the Challenger.

Cops, Hippies, Bikers, Gospel Faith Groups, Kowalski meets them all during his journey.

Read the other reviews to get more detail about the movie, but trust me, the music and cinematography are outstanding and you"ll really enjoy this movie.

Much more than a car chase movie
This movie held me spellbound the first time I saw it and is still capable of this after countless viewings. This is more than just a car chase movie, it actually has depth and a story to tell. The scenery of the great American West is also first rate and the soundtrack never fails to set the mood.

The story of the main character, an auto delivery driver named Kowalski unfolds as he takes delivery of a white '70 Dodge Challenger which is as he puts it `souped up to 160' and proceeds to drive it from Denver to San Francisco. His plan, however is to do this in 15 hours to win a bet. As Kowalski makes his journey his life is revealed to us through flashbacks and recollections which are usually triggered by what is currently happening to him in real time. Through these the viewer learns that despite his apparent lawless behavior, Kowalski is a man of good character.

It is this good character, sense of duty and strong moral code that led to Kowalski's fallout with the establishment. He had been a decorated war hero and was honorably discharged from the military. A few years later, he was a decorated policeman. However, when he saw his police partner behaving in an unsavory fashion, he reacted. His reward was to be dishonorably discharged from the police force. This ultimately led Kowalski down the path to where we are introduced to him.

One of the big things that drew me into this movie is that it doesn't hand you the explanations on a silver platter. Instead it allows you to think about it and draw your own conclusions long after you've seen it. Some reviewers on IMDB have already done a great job of touching on the philosophies of freedom and individualism prevalent in this movie, so I won't waste the time trying to top those. I'll add that I feel this is a type of an expressionist film. Kowalski is kind of an `Everyman' who is on a journey to find his place in the grand scheme of things. Along his path he encounters various characters that watch over him and help him along, but there are also those who wish to shut him down. Whether you think the conclusion of Kowalski's journey is successful or not is up to you.

Another big plus is the realism in the driving scenes, where the drivers are actually driving their machines and occasionally things happen like tires going flat or the car needs fuel. Most modern car chase sequences leave me wanting with all of the computer generated car moves and general lack of realism. I know they sometimes got it wrong back then too, doing things like obviously speeding the film up. In this one though, they got it right. The driving here brings us into that realm of manhandling 4000 lbs. of American Iron, in all the glory of big-block V8 roar, screaming smoking tires, and hands grappling with the steering wheel.

Another thing that's cool to me about this type of movie is the appearance of the car. At the beginning, the car is resplendent in gleaming chrome and white paint. As the story moves along, the car gradually gets a more dusty battered countenance. I won't spoil the end, but those who've seen it know.

The final things that tie this whole thing together are the soundtrack and scenery. They seem to go hand in hand, from the upbeat rock & roll as Kowalski starts out to the stirring guitar strains during the thoughtful moments. I also cannot say enough about the scenery, which really draws the viewer in. It ranges from the mountains of Colorado, across Utah and into the searing Nevada desert.

In closing, I'll say that this is one of my favorite movies. It won't be understood by everyone, but those of us who fantasize about getting in a classic car and blasting down an open two-lane highway devoid of SUV's, sport sedans and minivans will likely get it.

Still Incredible!
I own over 1000 DVDs. Most I haven't gotten around to watch. In three days I've watched this one 3 times. Maybe this explains why when I was a kid I sat through this like a zillion times in the theater. A perfect film....

A 70's Drive In Cult Classic
Fast action, terrific photography, great period atmosphere, colorful characters and a first-rate rock soundtrack add up to a true drive-in classic that retains its "cult classic" reputation even after more than 30 years.

This DVD includes BOTH the 97-minute U.S. print typically seen on cable and video AND the 105-minute U.K. version which includes a couple of flashbacks featuring Charlotte Rampling that for some reason were completely excised for U.S. release. The excised scenes add just a tad more insight into Kowalski's character; while not essential to the whole plot (such as it is), these scenes ARE interesting and definitely will be appreciated by hardcore fans of the film. Kudos to 20th Century Fox for making available both versions. Being a real fan of the era that this movie was shot in, it's a kick to hear director Richard C. Sarafian's commentary track. Highly recommended! ... Read more

Reviews (337)

The happiest sound in its best version yet!
Reviled by some, beloved by many, consistently referred to as the most popular movie musical ever made, THE SOUND OF MUSIC more than fulfills the promise of its beautiful visuals and expert song numbers on home video via DVD. This edition tops the 1995 laserdisc by allowing the sparkling, exemplary design of its 70mm. Todd-AO frame to be exhibited with increased sharpness and resolution. The 4.1 Dolby Digital soundtrack is powerful and clean, but since this film was originally mixed for six-track magnetic stereo, it's curious why the effort wasn't made by Fox to split the surrounds! Nonethless, the film sounds terrific. The extra features make this package a bargain at the price. Full length commentary by director Bob Wise, with the musical numbers presented sans vocals, is a great touch. And the two documentaries are beautifully presented; full of facts and bits of arcane information that any fan will truly enjoy. A great movie, and a great DVD rendition. More like this, PLEASE!

Wonderful!!! One of the Best Musicals Ever Made!!!
First of all, I'd like to confess that I've probably watched this movie more than one hundred times in my lifetime.

"The Sound of Music" is such a popular movie that people can't enough of making fun of it, which is understandable: I mean, a nun, seven children, songs by Rodgers and Hammerstein, and Austrian landscape. In reality, most of these people probably haven't sat down and watched this movie, because it is an absolutely unforgettable experience.

Julie Andrews is absolutely magical as Maria. When she runs on the mountaintop and starts singing the famous lyrics "The hills are alive...," it sends chills down my spine to this day. Christopher Plummer cuts a good figure as the captain but gave a rather stiff performance: he doesn't bring anything extra to the role. Eleanor Parker, as the Baroness, was wasted--a role like that was far beneath her talents. But the children were all wonderful, especially Charmian Carr who was charming as Liesl.

This movie is ultrasentimental and proud of it. But I'll stick with this rather than some of those one-dimensional slasher flicks which are in fashion these days. It has a plausible story, some of the world's most remembered songs, and the glorious Austrian and Swiss Alps in the background. Overall, I can't say anything other than I loved it.

The Hills Are Alive...Now and Forever
No matter how many times you've seen this 1965 musicalization of the 1959 stage classic, it's still a joy to behold. For me, there are many reasons. On location filming in Saltzburg heightens the story's magnitude. The casting of Julie Andrews as Maria Von Trapp was a coup for both 20th Century Fox and director Robert Wise. She's magnificent and ever so professional. Back then, this was only her third Hollywood movie. But she's a pro from start to finish. Everything she does it fraught with such emotion and conviction, you'd swear she was Maria Von Trapp. Opening up the stage play with several new scenes, sub plots, songs, characters and dialogue also benefits what could have been a very sticky situation. Finally, there's the DVD itself. This is the widescreen version that was shown back in theaters when the film first opened. It includes the intermission and the Act II opening music. With no formatting for television, you get to see everything in all it's technicolor glory. On video, half the Von Trapp children didn't fit on the televsion screen. Musical numbers lost there scope as did scenes where you had 13 characters in one room and only saw 7 on the screen. I highly recommend this DVD. But wait, there's more. The 87-minute documentary is awesome. So are segments showing scenes that were cut and up dates on how the kids look today.

Incredible movie, must see, but don't buy the one disc
First off. Think you have seen the Sound of Music? Well you haven't. I thought I had, many times. Of course it was always around Xmas with the commerical breaks. But that is a much edited version. There are small but significant cuts everywhere in that version. So this is a great thing to have. My 3 stars relates directly to the lack of extras on the one disc. The movie is 5+ stars, but the lack of extras warrants the 3 stars.

So this is a must buy. Also the commentary is very good here. But given the price for this on Amazon, just buy the 2 set version. I got the one disc version at a very good price so it is not a bad buy. But for $6 more, why not enjoy the double DVD? This is a must get for any movie fan, and if you are not into the extras, by all means buy this one. This movie, like all of Rogers and Hammerstein's work is emotional without ever being fake or sentimental. It is full of sentiment and completely honest sentiment at that, but never sentimentality. It totally puts to SHAME almost every director and producer and writer working in Hollywood today. Complete and total shame and disgrace. Nothing coming out of Hollywood today can hold a candle to this. Entire director's careers with academy awards can't even begin to even compare to just this one movie. So get some version, especially if you have young ones. Sit them down, and let them experience what a real movie can be.

This has been a great thing to share with my daughter.
I grew up with this video and watched it on TV every year. The songs have always stuck in my head. I even did the Sound of Music Tour when I was in Austria. But now I've got my daughter introduced to this beautiful music. This and the Wizard of Oz are her favorites.

I bought the easy piano scores for her to play the songs on the piano, and singing lessons on CD "Voice Lessons TO GO", by Vaccarino (They're great and a lot cheaper than private voice lessons!) for her, (even though I use them when she's at school). So she is confident to sing along while she plays her Edelweis and Do a Dear. We love it. ... Read more

Reviews (34)

Authenic replicant aircraft top this 16:9 grand comedy DVD!!
1965 was the year of the big screen action race comedies with lots of stars, grand costumes, lavish sets and authentic classic vehicles. "The Great Race" a 1910 auto race from New York to Paris and the "Those Magnificent Men and Their Flying Machines" a 1910 International Aircraft race from London to Paris.

What makes this 1965 Action Comedy so Grand is the attention to detail by Director Ken Annakin who had 6 replica flying machines built by real aero - engineers from the original blue prints and specifications. The accuracy of these replicants even proved the critical pilot weight limitations. They had to even substitute a female stunt pilot to fly the French mono - wing because the original pilot was a very small man. Now available for the first time on a spectacular panoramic 2.20:1 Aspect ratio. (Anamorphic WideScreen DVD (automatically adjusts picture to viewing tv size) with Dolby Surround Sound.) NOTE: THIS IS A FANTASTIC MOVIE TO WATCH ON WIDESCREEN 16:9 HDTV!!!!!

This film is 138 minutes and has many extras which include very detailed information and the history regarding all the 1910 vintage aircraft used in the film.

With an All-star 1960's International cast; Stuart Whitman, Sarah Miles, James Fox, Robert Morley, Red Skelton, Gert Frobe, Jean-Pierre Cassal, Benny Hill, Alberto Sordi and Terry Thomas.

This is a magnificent movie and the ingenuity and comedy of 1910 flight is a delight to watch on the BIG SCREEN. Enjoy.

An airplane movie for the flight buff and general audience .
This is a marvelous film for people who love airplanes, but it also has much to recommend it for anyone in the family. It captures the romance of the pre-WWI era and takes an affectionate look at the pre-war planes as well. The story is set around a race from London to Paris, and is also a fractured take on the political and social situation of the period. Flyers from all over the world meet at an airfield set in the infield of a Brooklands style race track. The first half of the film introduces us to the somewhat caricatured but nevertheless engaging pilots from each major flying nation: the womanizing Frenchman, the stiff-backed Prussians, the rich and prolific Italian, the cowboy from Arizona, and several British types, most notably Sir Percy Ware-Armitage, played with black-hearted delight by Terry Thomas. The film boasts a whole gamut of great character actors like Gert Frobe, Robt. Morely and even Red Skelton. The flying sequences before and during the race combine slapstick comedy with truly awesome shots of the other stars of the film, the authentic reproductions of 1910 aircraft. I've loved this film since I saw it as a child, and my non-airplane daughter even counts it as one of her favorites. Highly recommended.

The best racing comedy of the 1960s.
This was yet another in a series of big-budget comedies that were so stuffed that had to include an intermission. (This 138 minute film has an intermission at the 79 minute mark, followed by a 6-minute Entr'acte, so that the second act is only 52 minutes.) It's also possibly the best one, along with IT'S A MAD, MAD, MAD, MAD WORLD, but where IAMMMMW was at times overlong and peopled with nasty characters, you can care about the people in TMMITFM. It's funnier-with much broader comedy than the other, and a careful sense of time and place. There are a few laggy romantic bIts, but Those Magnificent Men is a fine film well served by 20th Century Fox. Well recommended.

Jamie Teller

Absolutely gorgeous DVD of classic comedy!
This is truly a marvelous DVD transfer of the classic 1965 comedy that the whole family can enjoy. The image is breathtakingly sharp, capturing the amazing aerial photography of the classic early planes, the elaborate aerodrome set, and the delightful costume design; the sound, too, is top-notch, with the classic score and title tune bouncing along merrily. But what will keep you coming back is the laugh-out-loud comedy; sure, it's all based on stereotypes for each nationality, but some good-natured ribbing could help these days. Besides, funny is funny, and this movie is very, very funny, with riotous performances from Gert Frobe, Jean-Pierre Cassel and Terry-Thomas. You should try to see this on as big a screen as possible; pure cinematic joy!

Magnificent DVD
Finally! The 20th Century-Fox 1965 roadshow extravaganza comes to DVD. The movie looks marvelous in what must be a transfer from a restored 70mm print. On my 16X9 HDTV in progressive scan the images are quite stunning for a film of this vintage. The Dolby Digital 5.0 remastering of the original 6-track magnetic soundtrack is also a joy to the ears. This is an old-fashioned entertainment for the entire family. Thanks to its presentation on this new DVD the movie is once again a grand experience. The extras are extensive for such a moderately priced DVD too. Director Ken Annakin provides an interesting commentary track and appears in a new featurette. Somebody at Fox definately loves this movie, one that is a childhood favorite of mine. I saw it in its original release, and also in a 1969 reissue as part of a double feature with Fox's "Planet of the Apes." "The Perfect Mates" the ads said, "Apes and Men." Studios just don't don't do things like that anymore. Anyway, this DVD is a joy! ... Read more

Book Description

The year is about 62 A.D., and the aging apostle Matthew recalls the remarkable events he witnessed as a young man. As his story unfolds, the centuries melt away and we are intimately involved in the life of Jesus. We share the mystery and the wonder of His birth. We witness His baptism and temptation in the wilderness. We experience the compassion and hope of the Sermon on the Mount.Walk with Jesus through Galilee as He calls His disciples, performs the first miracles, and begins teaching His world-changing message of love and redemption.

This deeply moving presentation of the most beloved of stories stars luminary Richard Kiley as Matthew and the passionate Bruce Marchiano as Jesus. This unique word-for-word presentation in the NIV brings to the screen a divine yet warmly human Jesus.

Now available on DVD.Experience the book of Matthew like never before. DVD video technology offers language choices, search function by event, chapter, and in-depth biographies.

Reviews (27)

Jesus with a REAL personality
This portrayal of Jesus is the most awesome I've ever seen; truly inspiring...he's got a sense of humor, a sweet personality, and he's totally adorable! The fact that some screenwriter didn't take creative license with the Word is wonderful; you can actually read your Bible alongside. The actor's gift of acting makes this film the beautiful work of art that it is. We've used it in Bible study and I hope this representation is the one my kids think of when they think of Jesus. It's worth the price tag!

Excellent and Inspiring Video
The Visual Bible is an inspiring video presentation of the Book of Matthew word for word. Bruce Marchiano gives makes Jesus seem so real and alive. Instead of the stern, unemotional Jesus of other films, Marchiano shows Jesus as compassionate, loving, sometimes angry, weeping and with a genuine sense of humor. This video has really made the gospel come to life for me.

Many Biblical Bible Series Matthew given as gifts...
Of all the movies I've seen about the life of Christ, including the recently released "Gospel according to John" by the same company, this one stands out the most in my mind. This portrail of Jesus is one of a living man, not a stiff person who merely died on a tree. It helped me tremendously in my understanding of the Bible, so much so, I have bought the DVDs when they're on sale here to give to friends.

The costumes and acting are very well done, and the actor who plays Jesus helps the viewer realize that his life was not only about the sacrifice for all, but about love. This is the New International Version word for word. Not one word is interjected into the script, and it's absolutely amazing that it could be acted out with such continuity. Even the "begats" (the lineage part most of us skim over) had some memorable moments.

I highly recommend this to anyone who wants to know more about the life of Christ, or who is tired of hearing that God is all about punishment and wrath. "What you have done for the least of these you have done for me". "I tell you, Love your enemies and pray for those who persecute you".

You might even get the impression He has a sense of humor.

Excellant Resource
I have used this in class, sunday school and church. Having a good portrayl of Jesus done helps with understanding the Bible. They are mostly accurate on historical details and things going on. I have been really impressed.

Yes it was good, but...
I enjoyed these films. The acting is, for the most part, excellent. The "Matthew" films are a word for word account of the NIV bible. Of coarse Jesus is by and far the most used character in the Matthew films, which could cause you to loose some interest. Bruce Marchiano portrayed Jesus. Although he is, at times, refreshingly humorous as Christ, most of the time the humor was over the top.

"Falling Fire" is the bonus film in my version of the "Matthew" series and it too is a well-done film where some literary license is taken, and appropriately. Only problem: Bruce Marchiano began to get on my nerves by the end of the three films. Again just a little over the top with the "happy guy".

In "Jesus", played by Jeremy Sisto, they struck a wonderfully believable balance of a Jesus as a human being and the Christ. The Jesus in The Living Bible Series was a difficult person to accept as Christ. He seemed a bit more like a comedian than a Savior, just a bit too much humor.

The "Acts" films, which I also own, are a blow-by-blow account from the NIV bible as well. They took little literary license, as it was very straight forward and, obviously, as accurate as the NIV is.

Now the "Healing Touch", which is part of the actual film titled "Jesus, the Christ", on the other hand, is where they took the literary liberties and done quite well. Again the acting is good and the story is pretty accurate. ... Read more

Reviews (154)

"Good over Evil ~ Sleeping Beauty by Disney"
The final of the Disney fairy tale series is no sleeper in "Sleeping Beauty", a classic tale with all the trimmings ~ including one of the best loved scores ever to grace the big screen. Must make mention the music was nominated for Best Musical Score in 1959, the Tchaikovsky composition blending pure adaptation through brilliant arrangements. The films running time is 75 minutes, but all the extras of bonus features and technical specifications is pure gravy.

Dolby Digital 5.1 Surround Sound gives the viewer options of Widescreen and Fullscreen ~ "RESCUE AURORA" set-top adventure game ~ 3-D virtual galleries ~ "ONCE UPON A DREAM" is The making of Sleeping Beauty" ~ Story Reels ~ Princess personality game ~ Sleeping Beauty ink and paint game ~ Academy award- winning "GRAND CANYON" short film ~ The brilliant music ~ The design ~ The restoration ~ Four artists paint one tree ~ "THE PETER TCHAIKOVSKY STORY" ~ Creating the backgrounds ~ DVD-ROM links ~ THX-certified ~ and much, much more!

This is a must have for "Disney-classic-collectors" that will do your ever growing collection proud. This is someting you'll cherish and watch over and over again through the years. Disney has done it again ~ it just keeps getting better with every DVD release from the Disney people...gotta love it!

Total: 2-CD-Set ~ Walt Disney Home Video 29755 ~ (9/09/2003)

Stunning Remastering
Sleeping Beauty was one of the first Disney animated films I remember my folks taking me to see. As a child during my 'dinosaur' phase, I loved watching Maleficent turn into the dragon and fight Phillip. The story, you should know by now of course, young princess whisked away by three fairy 'godmothers' to protect her from evil sorceress, raised in the forest unaware of her heritage, meets prince charming unaware he's a prince, eventually finds out they're betrothed to each other as prince fights sorceress. The re-mastering technique employed on this DVD yielded incredible results, the image was actually more vibrant and colorful than originally aired in 1959 and it looks marvelous on today's widescreen HDTVs. I was quite taken with the art, quite unlike anything Disney has done before or since with it's angular geometry and perpendicular themes. Aurora and Maleficent duel for most beautiful Disney female forms to date. The extras on the DVD are quite interesting as well. The original theatrical companion pieces The Grand Canyon was sublime and the snippet of how four artists paint a tree helped glean a bit into the mindset of the brilliant artists on the Sleeping Beauty project. Highly recommended, not just as a child's story, but as an impressive art piece and study of mood and texture.

Unforgettable, timeless classic
One of my favorite movies (animated or nonanimated). THere is a quality and rich story that seems lacking in so many of todays movies (Disney movies included). The music just lifts you up and carries you into the Princess's world, and the ending leaves you with a pleasant sigh without being totally predictable. If you liked the Little Mermaid or Beauty and the Beast, you'll love this.

A delightful animated masterpiece!!!!
Sleeping Beauty is one of the most ambitious animated films ever made. It's a gorgeous, elegant, and absolutely amazing landmark in animation; a film so charming, memorable, and beautiful that it has been hailed as the most incomparable film in the animated genre, and with good reason. Detailed backgrounds, glorious colors, outstanding visuals and beautiful music are all contributing factors to the grandeur pageantry that "Sleeping Beauty" enthralls on its audience.

Up until the last few years, "Sleeping Beauty" was actually considered one of the few Disney 'failures.' That means, a poor box-office success. But that was 1959. Since then, the film, like "Pinocchio" and "Fantasia," has returned to theaters many times and made way on video for new generations to enjoy, earning large estimates of money and critical praise, not to mention being the most requested Disney film on video after "Snow White And The Seven Dwarfs" and "The Lion King."

It was finally re-released in a fantastic Special Edition DVD, and looking back, I can't believe this was once considered a failure. As if! This is not just a timeless tale of good and evil; the plot is elegantly portrayed with rich textures and stunning animation.

Sleeping Beauty is one of Disney's best animated films, EVER, and a must-own DVD for any collection. If only Disney still made films like this. I don't think we could be so lucky. Don't delay, get this before time runs out!!!

Beautiful Artistry and Animation
Sleeping Beauty is Disney's retelling of the fairy tale of the same name. This DVD release of Disney's 75 minute movie features options to view it in either the original 2.35:1 widescreen aspect ratio, or in a "pan and scan" 1.33:1 aspect ratio version that captures most of the action while using the full height of a standard television screen. A second DVD includes supplemental material on the history and making of the film.

The story itself departs somewhat from the traditional fairy tale version, with a story line that provides a little more scope for character exposition and interaction. The result still retains a fairy tale feel, and the plot remains simpler than most of Disney's other animated features.

The biggest strengths of the movie are in its wonderful animation, artwork, and music.

The animation is perhaps the best of any Disney movie. The animators were exceptionally good at using facial expressions to help tell the story - Maleficent's face perfectly expresses her smug satisfaction when something goes her way, and Princess Aurora's expression when she first meets Prince Phillip by surprise perfectly communicates the various emotions that are running through her. The animation of the action is also wonderful, with some of the best moments being Aurora's dancing and Phillip's battle with the dragon.

The background artwork is terrific. Each background is really a high quality painting, full of scene specific detail and yet all coordinating to give the picture overall artistic unity and medieval feel. And yet, all this beautiful background coordinates with the characters in a way that avoids overpowering them.

Unlike some of Disney's other animated classics, this film did not use original music, but instead wisely went with Tchaikovsky's Sleeping Beauty ballet music. Tchaikovsky's beautiful classic music perfectly complements the beautiful, artistic nature of everything else in the film.

All the attention to artistry and detail made the film too expensive to be a commercial success in 1959, but it also made the film a timeless classic that can continue to be enjoyed today and far into the future. Get it now, or you may have to wait seven years for Disney's next rerelease. ... Read more

Reviews (172)

The slobs -vs- The snobs
This is a classic comedy that is still funny after so many years, I have read the reviews of this film left by others regarding the picture, I am not sure what they are talking about?!, I thought it had a great DVD transfer, the 19th Anniversary edition that is, they could be referring to the initial release of this film years earlier, however everyone plays their roles to perfection, Chevy Chase plays what is probably his best role as a playboy who golfs for fun, not scores, Rodney Dangerfield is perfect as a free-living, humorous & rude real-estate developer who loves getting a rise out of the late Ted Knight's uptight judge, & Bill Murray is lovable as the dim-witted groundskeeper who has a personal war with a gopher that is the film's real star, watching these characters unfold in neat as is Michael O'Keefe as a ambitious caddy who longs for somthing more, Cindy Morgan is Knight's niece with a questionable reputation, definately a movie that anyone could probably relate to, with the exception of some gross-out humor, the candy bar most noticebly, it is a straight comedy as Dangerfield squares off against Knight, watching these two is like watching politians go at it, but Murray's obsession with killing the gopher is never dull, watching the gopher react to his future plan of ridding him is funny as Murray uses plastic explosives in the form of other animals, this film had a sequel that had potential & had Murray & Dangerfield attached, but bowed out after Warner Bros. refused to compromise a script rewrite by them, only Chase returned for that one with little screen time, I highly recommend the original, but pass on the sequel, why Warner would allow Murray & Dangerfield to walk on the follow-up just shows how arrogant studio executives are, the follow-ups failure was their reward, the original is one of the best comedies ever!!!!!!!

Grab your bag
Caddyshack is a movie that takes place at a upscale country club. The plot is based around a golfing match for high stakes between a team of Rodney Dangerfield and Chevy Chase versus Ted Knight. Caught in the middle is Michael O'Keefe. But forget the plot, it really doesn't matter. What matters are the brilliant comedic performances given by the above-mentioned and Bill Murray. Mr. Dangerfield plays a wild and crazy land developer who is rude, crude and obnoxious. Mr. Chase is Ty Webb, who is independently wealthy and plays golf without keeping score. Mr. Chase is at his wisecracking, smug best. Mr. Knight, plays a stuffy judge and he brings his Mary Tyler Moore persona to the character as he thinks he's smarter than he actually is. Mr. O'Keefe is given the least funny of the roles, but we feel for his character Danny Noonan. Mr. Murray gives a tour-de-force performance as Carl, the bumbling, stoned assistant greenskeeper. His scene where he describes as the Cinderella story at the Masters is a movie classic and one of the funniest scenes ever filmed. If you like comedies and want to laugh, then Caddyshack is for you. It is a movie that you can watch a million times and laugh just as hard as the first time you saw it.

Belly laugh city
Just when I thought I couldn't watch the rest of the movie, a hysteric comedic scene or line brought me out of it. Rodney is unforgettable. When this one shakes out, some of the funniest stuff ever (so bad it's good).

A golf player's must!
If you play golf,this film is for you. I'm sure Jack Nicklaus,Arnold Palmer and Tiger Woods have all seen this film. Harold Ramis directs an all-star cast featuring Chevy Chase,Bill Murray,Brian Doyle Murray(Bill's brother),Rodney Dangerfield and the late Ted Knight. This film's fetured song is I'M ALRIGHT recorded by Kenny Loggins. This hit film,theatircally released in July 1980,spawned the sequel,CADDYSHACK 2 in 1988.

Best Golf Movie...Ever
While it's tough to put a golf movie ahead of Adam Sandler's great Happy Gilmore, no other golf movie has as many memorable lines in it as this one does. In fact, few other comedies have as many great lines as Caddyshack. Who can forget the conversation about playing with the Dali Llama or Bill Murray's monologue while "driving" the flowers?

"It's in the hole!"

One of the best scenes of the movie is where Chevy Chase drives the ball through Bill Murray's window, causing a great conversation between two comic greats of our time. Also, for anybody who has seen the new Tiger Woods' commercial where he's chasing the gopher and don't understand what in the world is going on- see this movie. ... Read more

Reviews (15)

There are three subtitle modes
Actually there are two subtitles, full english captioning and just the translated subtitles, the modes are Subtitle Off, Engligh 1, and English 2.

And the aspect ratio is actually letterboxed in 2.35:1 instead of the standard PSP widescreen, so I don't know what is being misprepresented. I've heard more people complain that it is in its original widescreen and not formatted to fill the PSP screen (Spider-Man 2 for example actually was cropped from 2.35:1 down to the PSP's screen size).

This is a great UMD, it has great looking animated menus, it actually HAS a scene selection menu, and it has extras too, a Making Of video and music videos. Compared to the rest of the UMD pack this disc is a feature packed jewel.

Looks and works great, but...
It looks and works great on the PSP, but my only complaint is that there is only two subtitle modes: All off, or all English on. In the DVD version there was an option to translate (display) only the Japanese words and not the English ones. Otherwise, a good buy if you want a great movie on the go.

Do not buy this UMD
Put everything else you have against UMD's aside for the moment (sparse extras, poor video and sound by comparison to DVD's, and insane pricing) and realize what a half-assed product this is. Kill Bill is a fantastic film that was sorely screwed over in its UMD conversion. Not only is the 2.35:1 aspect ratio incredibly misrepresented on the PSP, which means you lose a large amount of the picture on each side of the screen, but you're not even getting the complete director's cut. It's still the edited version. Since the director's cut will be out on DVD in only a few months time, there's a good chance they'll re-release the UMD again as well. And fairly soon at that I'm sure. It'll just prove to be a bigger waste of money for those of you complaining that this format is already expensive enough as it is.

price, not that big of an issue
the price isnt much higher than dvd's, and converting a movie to umd format, you can't expect it to be cheaper i mean come on...... and the quality is just as good as dvd's, if not better.

the shipping is great
i think you should have a sele