Amazon.com

Like any IMAX movie, Coral Reef Adventure is so vivid, vast, and colorful that you can't help but be astonished by its visual splendor. But this undersea exploration has a deeper, more serious agenda as well, warning its viewers that the natural magnificence of the world's most impressive coral reefs is, in most cases, a mere 30 years away from extinction due to the devastating effects of global (and oceanic) warming. Whether or not that timeframe is accurate (and there's not enough solid science presented here to prove it either way), it's tragically obvious that we are in the process of losing entire ecosystems that cannot be replaced, and when you witness these awesome coral reefs in their still-thriving vitality, you experience a sense of urgent responsibility toward our stewardship of planet Earth. By showing us the commitment and potentially life-threatening work of reef explorers and world-class undersea cinematographers Howard and Michele Hall, the film provides an all-access pass to some of the most exotic, playful, and dangerous creatures in the ocean, presented with the kind of intense, almost three-dimensional clarity that can only be achieved in the IMAX format. And while the giant-screen awesomeness of IMAX is lost in translation to DVD, Coral Reef Adventure offers the best-to-date use (on disc 2 of this two-disc set) of High Definition DVD-ROM formatting. For PC users equipped with Windows XP and Windows Media Player 9 series (or later) software, the amazing images in Coral Reef Adventure achieve an almost life-like resolution. The ultimate conclusion remains: If we don't do something to protect these delicate, endangered wonders of nature, we will lose a part of ourselves. --Jeff Shannon ... Read more

Reviews (15)

Endangered coral reefs exposed for all to see
I may be a bit biased- as I have dived all the reefs shown in this movie, and have enjoyed diving in Fiji with Rusi Vulakoro, focus of the film (and dove with Rusi again for two weeks in November 2003, for the last time, as he has now retired.) The footage is superb- showing Australia's enormous Great Barrier Reef, French Polynesia's Rangiroa Atoll (with a huge school of about 300 grey whalers / grey reef sharks) and lots of Fiji's world-class reefs- from its spectacular soft corals to the eutrophication of a once-vital reef just offshore to one of Fiji's islands. One even sees how the huge IMAX camera is maneuvered in "Rangi's" stiff currents, as well as in 107 meters / 350 feet of depth as cinematographer Howard Hall and scientist Richard Pyle discover fish completely new to science, using CIS Lunar Mark 4-P rebreathers.

The sound track is excellent, the footage outstanding, and the explanation of why coral reefs are failing, while basic, is quite accurate: overfishing of reef inhabitants, silt from logging and development, and waters warmed by the global warming some still deny and the El Niño / Southern Oscillation phenomenon.

Unfortunately gone missing in the simplification are fishing for aquarium specimens and food fish with cyanide, dynamite fishing, coral removal for various commercial schemes, and inflow of insecticides and fertilizers, as on barrier reefs off Australia and Central America. And some explanations and scenes are, shall we say, a little bit "embellished" up for effect... but in the end, this is an awesome movie. Divers will love it, those who do not dive will begin to get an idea of why we who do actually dive and travel to such wonderful places. Those concerned about reefs' well-being will be gratified there is some information how people can help conserve reefs, with some prominent mention being given to NGO Reef Check and its activities involving sport divers.

If you enjoy underwater film, this is a "MUST SEE". A very good supporting book (Living Mirrors: A Coral Reef Adventure, by Jack Stephens, Umbrage Editions, ISBN 1-8844167-26-8) is available, and Coral Reef Adventure is also available in VHS and DVD editions; I bought the DVD, and it's nice to still be able to see Rusi diving and all Fiji's underwater denizens, even when I am at home.

Incredible DVD!
This DVD has beautiful underwater scenes of coral reefs and sea life, and occasional flyovers of mountains and reefs look amazing. The music and narration are finely balanced. If you live outside the US or Canada like me, you can still play the WMVHD DVD! As long as you own a region free DVD-ROM drive in your computer, or own a copy of DVD Region Free, you can still play the high definition version on disc 2 in any country with no DRM license hassles. You got to have a powerful pc (especially the CPU) to play it though! You should also have a HDTV connected to your pc as well to make the most of the quality.

Simply Beautiful
I bought this DVD only for the eye candy WMVHD version...and I wasn't disappointed. The video quality is simply spectacular !

Microsoft has a lot to learn about HTPCs
I bought this for the HD WMV version on disc 2, hoping to play this with my HD capable Home Theater Personal Computer (HTPC). I have had nothing but problems:
1. There were problems with software codecs. The web site pointed to on the disc explained how I might need to manually install some components, which apparently I needed to do. Troubling, but overcome.
2. DVD-ROM required on the computer. My HTPC didn't have a DVD-ROM drive. I have a separate DVD player in my stereo stack, and DVD drives in other computers. My plan was to copy the files over to the HTPC. This didn't work because of the Microsoft DRM (Digital Rights Management). Even when I mapped the DVD-ROM on the other computer so it appeared locally, no luck. Worst of all, I only figured out this was the problem by debugging the Microsoft scripts on the disc. There was no explanation given, just a cryptic error message. Overcome with purchase of a DVD-ROM drive.
3. Bad audio format. As another reviewer has noted, the multi-channel audio is in a Microsoft format and I can't pass it over the optical connection from my HTPC to my DTS and Dolby Digital capable receiver. I have no problems with AC3 files and DTS encoded files. Not overcome - stuck with standard stereo.
4. Things cut off the screen. I'm running at 1920x1080 for 1080i resolution. My HDTV has a little overscan. The menus for configuring the player were cut off. I don't know if this is because it assumes 4x3 or the overscan, but someone needs to recognize that overscan exists. Overcome by playing disc in another computer and learning where the menu entries were.
5. Can't pause, etc. The player doesn't seem to respond to keys on my "media enabled" keyboard. The keyboard works fine in other applications. Not overcome.
BTW, the video looks awesome.
-frustrated

HD-DVD Wow!
I bought this disk because it was the first-ever high definition 1080progressive scan DVD made to run on a pc that has windows media 9 and a fancy graphics card.
This is a drop-dead gorgeous movie to watch. And unlike the other existant HD-DVD, it is easy to use.
I look foward to purchasing other nature films released in this format. My only regret about this beautiful, intelligent movie is that it is an advocacy film for environmental preservation of coral reefs but it does not give its intended audience a clear push out-of-the-door to act in a meaningful way to save the oceans through legislation etc. Maybe I am being policy-wonkish here, but feel-good propaganda that does not motivate people is dishonest to its intents.
Liam Nieson narrates excellently, the underwater cinematography is pristine and the audience develops an appreciation of the coral reef milleau. music is goofy but fun.
see this movie on a 1200x1600 monitor if you can, there is nothing like it! ... Read more

Amazon.com

The brief 1980s mania surrounding "the Coreys" peaked with License to Drive, a modest but surprisingly still enjoyable adventure comedy. Les (Corey Haim, Lucas) has a chance to date his dream girl, Mercedes (Heather Graham, Boogie Nights, in her first significant movie role)--but he's just failed his driving exam. Motivated by a mixture of pride and hormones, he steals his grandfather's Cadillac and heads out on the town with Mercedes for a night that swiftly becomes an escalating series of disasters, made worse by the foolhardy antics of Les' best friend Dean (Corey Feldman, Stand by Me). Despite some egregious '80s fashion disasters (Graham gets the worst of them), License to Drive holds up surprisingly well--it's no work of genius, but it is a solidly made and entertaining teen comedy that's more coherent than most.The depiction of parent-teen relations is fairly honest and particularly well-played by Richard Masur (Risky Business) and Carol Kane (In the Soup) as the parents. The DVD includes a very funny and rambunctious audio commentary track by the screenwriter and director, as well as interviews with the grown-up Coreys. A must-have for fans of '80s nostalgia. --Bret Fetzer ... Read more

Reviews (37)

License to Drive - my all time favorite!
Being a child of the 80's - this movie was great! I watched it as a teenager over and over (probably more than 50 times) and laughed every single time! If you are a fan of 80's movies, you'll love this one! I've been waiting for it to make it to DVD - I'm so glad it has finally happened. It's a movie that brings back great memories for me.
Enjoy!

What more could you ask for?
I waited patiently for this DVD to come out.Ok, maybe not so patiently. Buuuut, I finally got my copy of License To Drive.I couldn't be more excited.Corey Haim, Corey Feldman and Heather Graham drunk and locked in the trunk of a hot car- what else could you possibly want in a light-hearted 80's teen movie!?This movie is an 80's classic! I would say it's even better than most of the Brat Pack stuff... This DVD is top notch. The extras are very cool. Interviews with both the Coreys! I've already watched the DVD start to finish twice this weekend!!!

License To Drive is Pure 80's fun.A must have...

A Cool Movie, Nice Extras
In License to Drive Corey Haim stars as Les Anderson. He has a problem. He has no license. He is too cool to be seen on the school bus and it's totally not cool to have your friends mom drop you off at parties. Plus, Wes has a crush on a hot blonde who just happens to be named Mercedes.

The time arrives when Les finally has his opportunity to go out on a date with Mercedes--but his parents discovered that he really failed his driving test. Les has got to make it happen and he takes the car anyway. Heck, Mercedes called him and expected to see him in 20 minutes, what's a teenage boy to do? The night becomes filled with misadventures and Mercedes gets so smashed she spends part of the night in the trunk of the car. The excitement only continues when Les' mother, played by Carol Kane needs to get to the hospital.

If you haven't seen this film in a while, it's just as great as it was when it was first released. The two Coreys followed up License to Drive with the movie Dream a Little Dream. Dream a Little Dream didn't have the commercial appeal as License to Drive. Although both Corey's appear on the cover, this was another film in which Corey Haim was definitly doing most of the driving considering the majority of the storyline revolved around him, his circumstance and his family, but Corey Feldman is a good sidekick as his buddy Dean.

There is also some cool music featured in License to Drive. While watching the movie keep your ears peeled for "Rush Hour," by Go Go's member Jane Wiedlin, "Mercedes Boy," by Pebbles, "Trouble," by Nia Peeples, "I Feel Free," by Belinda Carlisle, and "Get Out of My Dreams and Into My Car," by Billy Ocean.

The DVD itself does have some cool features which makes up for the wait in having this cool film on DVD. Extra's include interviews with Corey Haim and Corey Feldman, audio commentary with director Greg Beeman and writer Neil Tolkin, deleted scene, TV spots and theatrical trailers. The DVD-Rom portion of extras include the films screenplay.

The best extra's are the interviews with Corey Haim and Corey Feldman. Both actors look much better than they have in years. Corey Feldman has cut his hair since he appeared on The Surreal Life. Corey Haim has lost some weight and is sporting a spiky blond haircut. Both actors discuss how they got involved with the film, how they met and their experience of working together. The interviews are not real short, which is sweet.

Funny As 80's Comedy
Licence To Drive is one of those movies we can all relate to, wanting to get our licence, wanting the hottest babe in school. About certain scenes in the movie, the scenes i laugh at the most is where Dean is testing Les on driving licence questions & he goes up to the intercom & talks to les's sister & burps into it, another scene is where he is on the hill & the elderly driver behind him says "C'mon you little moron!" also the scene where the driver says to Les, "What am i speaking greek"? there are a lot more funny scenes too much to mention here, i just can't wait to buy it on DVD. One revealing scene you see is where charles is trying to pickup a passed out mercedes & take her into the resturant for a soda, in the next scene you can see a shadow of her hair moving back & forth. All in all a very funny 80's comedy that rates a high 5 for me.

Two Coreys, Fully Loaded with options and LOW sticker price!
LICENSE TO DRIVE is a fast-moving teen comedy from the 80s starring the comic duo of the two Coreys - Haim and Feldman.Anyone who remembers a time when all our idols were named COREY will love this trip back down memory lane. First off - great cast with Heather Graham in an early role as dream girl Mercedes Lane and Carol Kane as the pregnant mom.It's a typical comedy, but the director provided enough style and zip to make it all work well.The driving exam scene is classic, and there a lot of good one liners "Who would have thought a Mercedes could fit in the trunk of a Cadillac?".The DVD includes a deleted sequence with an ALTERNATE CLIMAX.The whole thing runs about 20 minutes, and shows you how the movie could have ended.Also you get a funny commentary with the director and writer, and some current intereviews with each Corey separately.The transfers and audio are top-notch as well!Great price for a great DVD. ... Read more

Amazon.com

Ice Cube has turned his frown upside down with the family-friendly screwball road movie Are We There Yet? We know the actor/rapper can use his trademark scowl to be funny (the Friday and Barbershop series), or to be mean (Boyz in the Hood)--but can he use it to melt kids' hearts? That's the question Are We There Yet? answers with a resounding yes for youngsters in the audience (which will be the lions' share), but it'll probably be an emphatic shrug for the grownups. The contrived plot has Cube playing a wannabe-player (as in ladies' man) and ex-player (as in washed-up minor league baseball star) who now owns a sports memorabilia business. His partner, played by Jay Mohr is just a throwaway, as is the talented Nia Long, the single mom that Cube sets his blinged-out sights on. To try to get in her good graces, he offers to transport her two bratty kids in his pride-and-joy Lincoln Navigator for a joy ride to a distant city where she's attending an emergency business meeting so they can have a New Year's Eve celebration together. This kiddies version of Road Trip and Planes, Trains and Automobiles has its cute moments, but plenty more gross-out moments which will please the kids no end, especially as the Navigator gets more and more trashed. Suffice it to say they all learn about each others' good sides and hearts are suitably melted all around--until after the credits roll, then you'll probably forget about the whole thing.--Ted Fry ... Read more

Reviews (20)

A somewhat a clean, fun comedy -- more like 3 1/2 stars
I thought this was a funny movie to some degree. At least there isn't any bad language in it and for a change it's fun to see a new Lincoln Navigator get abused.
Sure, the plot isn't that special and the whole movie is a little flat to say the least, but I can say that the kids like the movie and have watched it already a few times over the last few days -- so it may become a babysitter standard -- we'll see.
I would give this movie more like 3 1/2 stars if even that many, but overall the 4 stars are more a rating from my kids and the neighborhood kids who really liked this flick.

Cringing throughout a comedy is not a good thing
There is quite a bit of perilous tightrope walking involved in mixing violent slapstick comedy and heartfelt pathos.Charlie Chaplin did it a lot and you can certainly point to the original "Home Alone" as being a successful mix.But in the former the target of the physical attacks was usually some guy twice the Little Tramp's size and in the latter it was the Wet Bandits.That is not the case with "Are We There Yet?"There are certainly some laughs to be had in this 2005 comedy, but for the most part I find myself cringing at what was happening on screen and the only reason director Brian Levant's film gets 3 stars is because there are a few success and rather important moments of pathos in this mess.

Nick Persons (Ice Cube) has an upper scale sports collectible store and a brand-new Lincoln Navigator, when he is smitten by the sight of Suzanne Kingston (Nia Long).The bad news is that she is a single mom with a pair of terror tots, Lindsy (Aleisha Allen) and Kevin (Philip Daniel Bolden), who have been taking care of all of mom's would-be boyfriends.They are waiting for their mom to reconcile with their dad.Nick wants nothing to do with children, but he and Suzanne become friends and when she has to go to Vancouver for work and her ex-husband bails on having the kids for New Year's, he ends up agreeing to transport the kids and the madness begins.

The core problem here is that these kids are viscous little monsters who physically assault innocent men.This is not cute little Kevin hurting the bad guys who are trying to rob his home, but two kids going after every guy who wants to date their mother.It is not funny it is mean.It is also dangerous, which gets us to another key problem with this movie in terms of how many times the attempted humor has to do with cars and trucks.In other words, situations that in the real world would get these kids killed are repeatedly done for laughs in this movie.Watching a couple of kids screaming while the car they are in is squeezed against the railing on the highway by a fully loaded semi-truck is not all that funny in the real world and we kept cringing through all of these types of scenes (there are several).Granted, it is not wise to confuse a movie with the real world, but there are moments when this film wants to talk to the reality that there are a large number of African-American children being raised without their fathers living in the house.More importantly, those are the best moments in the film.

This is because Nick is not a bad guy, which is the flip side to the core problem, and another reason to cringe every time they go after him.Nick thinks he does not like children and this particular pair of demons give him ample reason to reinforce that idea, but when these children need help, physical or psychological, he immediately goes to their help.The latter is the more important part, because you know full well that these children are going to get their comeuppance when they find out the truth about their father and the moments in which Nick talks to the kids, as opposed to screaming or sticking out his tongue at them, are the best moments in this film because they are the most real.

The fault for this film is to be found in the screenplay by Steven Gary Banks, Claudia Grazioso, J. David Stem and David N. Weiss (four writers is rarely a good sign), because the performances by Ice Cub and the two kids are fine given what was written (Long is reduced to a minor part in the story, which is why the resolution is problematic for me).Jay Mohr has a small part in this film as Marty, Nick's friend who keeps reminding him of how much he does not like kids, and Tracy Morgan does the voice of the Satchel Paige bobble-head doll that Nick has on the dashboard of his vehicle (who does Nick think will be watching DVDs in the backseat if he does not like children?).It was also great to see Nichelle Nichols in a bit part as Miss Mable.What would have been even better was a film that dealt more realistically with the basic idea, which is certainly an important one.

For certain ages probably
The kids behavior makes you think what a sad state of affairs parenting has become in this age of having to work, single parenting, etc.If you can get past the snotty behavior the children have and lack of respect they have for anything that doesn't benefit them well, good.The film tries to soften it by explaining their father has been absent and thus this excuses their actions, well I don't know.For me it was an uneasy way to view a movie.

Horrible Film
I first saw this film with my class on an after-school trip. I was reluctant to see it, because it would be a stupid film, and guess what? I was right. I can't believe Ice Cube wasted his time and money on such a mediocre movie. It's one of those movies showing the declining quality of the medium. I admit some of the jokes were funny, but the rest of the film just didn't make any sense. It does have a happy ending. In my opinion, Not happy enough to make up for a bad movie. If I could, I would shout "It Stinks!" a'la Jay Sherman, out loud in the theatre. Don't watch this. Instead try one of many of Pixar's finest.

Some People are just plain NUTS!!
Yes, this film has the typical formula when it comes to family films...disaster (divorced dad does not hold up to his end of the bargin) Feel sorry for factor (MOM needs someone to watch the kids while she works, and kids really want to see daddy) The other man (Ice Cube) The "villian" (truck driver who thinks he is doing the right thing...but really isn't. Spoiled rotten kids (if you think of it, they did it...and did it well) but hey, this is a cute, funny film...it is not HILARIOUS no, and yes, some of the jokes get carried away, but this is not a movie to be picked apart by any means...this is a movie that is suppose to be enjoyed!! A great rainy day movie that you can actually sit down with the family and have a great time with!!

Christopher Berry ... Read more

Amazon.com

In addition to inspiring a college drinking game that's never gone out of style, The Bob Newhart Show gave one of America's greatest stand-up comedians a perfect sitcom showcase. This wasn't Newhart's first TV show (following the success of his comedy albums, he hosted a short-lived variety show in 1961-62), but it was the first to transfer his wry, inimitable wit to an effective alter ego, and as mild-mannered psychologist Bob Hartley, 43-year-old Newhart found a sublime character conduit for stone-faced sarcasm that was biting but never malicious. Living in a Chicago high-rise with Emily, his wife of three years and a third-grade schoolteacher (played with underrated smartness by Suzanne Pleshette), 40-year-old Bob divides his time equally between happy (but not too happy) domesticity and time at the office, where he employs a feisty and frequently lovelorn receptionist Carol (Marcia Wallace, who later enjoyed a thriving career providing voices for The Simpsons and other animated shows) who also works for Jerry (Peter Bonerz, who became a respected TV director), a bachelor dentist and Bob's best friend.

The first season (of six, on CBS until August 1978) offered the same high quality as The Mary Tyler Moore Show (also produced by Moore's MTM Enterprises) and established many of the memorable characters who contributed to the show's enduring greatness. Bill Daily (late of Bewitched) would thrive as the Hartley's divorced neighbor Howard (his uninvited "Hi Bob!" intrusions inspired that infamous drinking game), while married neighbor Margaret (Patricia Smith) would disappear by season's end. Among Bob's hilarious group-therapy patients, the miserable misanthrope Mr. Carlin (Jack Riley) was a comedic goldmine as the series progressed, but it's Newhart's own comic genius--including his perfected phone-call routines and deadpan reactions to everyday dilemmas--that remained the show's greatest asset. These 24 first-season episodes are remarkably consistent under the direction (mostly) of sitcom veterans Jay Sandrich and Alan Rafkin, and guest stars include Penny Marshall, Louise Lasser, Allen Garfield, Chuck McCann, and a host of other '70s TV stalwarts, all meshing nicely with one of TV's funniest ensemble casts. --Jeff Shannon ... Read more

Reviews (24)

Great show and great value for money
Most T.V. viewers already know the Bob Newhart show from the number of times it's been syndicated. If you haven't seen it recently, now is the time to give it another look and see comedy which was driven by good writing rather than by overused and/or hackneyed sitcom plots. It's also a pleasure to see humor which isn't nasty or negative. The Bob Newhart show is downright "fresh" when viewed alongside current comedy fare.

As for the complaints about the packaging and lack of extras, one has to consider the *extremely* low price for the season and the experience Fox had with the Mary Tyler Moore show (another classic of the same era). Fox gave the first season of the Mary Tyler Moore show the star treatment and a higher price to cover the cost and it sold poorly. This made them reluctant to even release other classic comedies and the Bob Newhart show may never have seen a DVD release.

While I would have liked to have seen an interview with Bob offering some memories ofhis experience with the show (or introductions), I think this type of comedy doesn't benefit much from commentary since the humor is in the pacing and the dialog. Talking over the show would seem rather disruptive and pointless. Also, I'm not sure how much anyone could remember from a show that aired so long ago.

As for the packaging, I like the slim cases and wish all DVDs were released in them. The thicker cases just take up more space on your shelves. Besides, it's what is on the discs that really matters and this show's humor has aged very gracefully. It's a delight to watch again.

Bob In Top Form
I'm so glad Fox came out with this set. The Bob Newhart Show is funny, sophisticated, clever, and a great example of top-notch sitcom writing. Bob Newhart, as usual, underplays his role perfectly, and is supported by a full cast of ace standup and screen comedians that have become sitcom legends.

Many of the best episodes are here in the first season. Also significant is that the film transfer looks substantially better than what has been on TV for years, and the episodes are full-length instead of truncated synidicated cuts. My only complaint is that the menus are a little hokey.

But overall, a great set for a very small price. If you enjoy shows like TAXI, Barney Miller, The Odd Couple, or Cheers, you will really enjoy this set. And if you're already a Bob Newhart Show fan, this is a no-brainer purchase. Buy it.

Funny Show... even 30 years later
Despite the fact the DVD's are two-sided and no extra features, I am pleased to have the first season on DVD.Salute to Bob!

Fox just refuses to give good shows any respect
Fox continues to disrespect great shows such as "The Bob Newhart Show". They will treat "King of the Hill" or "The Simpsons" akin to "Gone with the Wind"...but a real quality show such as this is given shabby treatment.

The packaging is poor (two slimline cases, with double sided DVD's????), the extras are non-existent (none, nada, nyet!), and the transfers are equal to VHS quality, full of grain and poor focus.

But, of course, this show will probably only see one release, so those who appreciate quality entertainment are stuck with what they give us.

I can only hope future releases of this show (and MTM) will be treated with greater respect....but I'm not holding my breath.

Moderately Entertaining
Don't get me wrong, Bob Newhart is great as a deadpan comedy actor.His telephone conversations where you only hear his side are classics of the genre.The problem is that the cast around him and the writing are not up to the standards of my favorite series such as "The Odd Couple", "Barney Miller" and "Taxi".Actually, Taxi and Bob Newhart parallel each other, except that Taxi has a working class venue whereas that of Newhart is upper-middle class.However, as much as Bob is superior to Judd Hirsch as a comedy actor, the supporting cast of Taxi was much better.At least in the first season, Bob's psychology patients had pleny of potential for major laughs, especially Mr Elliot Carlin (played by the even more deadpan
Jack Riley), they just weren't utilised.Instead we are given endless stories about the unfulfilled love lives of Jerry and Carol which gets stale after awhile.I also find Suzanne Pleshette as Bob's wife Emily to be very bland and not a good spouse for Bob to play off (someone more neurotic would have been funnier).
One thing I observed by wathing all the episodes is the fact that Bob has a noticeable stutter! Either this is done on purpose for the role, otherwise I am surprised it didn't hurt his career.
In spite of my criticism, the show is entertaining.I hope that later seasons will be brought out on DVD because often (as in the case of Barney Miller), the shows take time to hit their stride and so Bob might get better as well! ... Read more

Amazon.com

One of the best films of 2004, Kinsey pays tribute to the flawed but honorable man who revolutionized our understanding of human sexuality. As played by Liam Neeson in writer-director Bill Condon's excellent film biography, Indiana University researcher Alfred Kinsey was so consumed by statistical measurements of human sexual activity that he almost completely overlooked the substantial role of emotions and their effect on human behavior. This made him an ideal researcher and science celebrity who revealed that sexual behaviors previously considered deviant and even harmful (homosexuality, oral sex, etc.) are in fact common and essentially normal in the realm of human experience, but whose obsession with scientific method frequently placed him at odds with his understanding wife (superbly played by Laura Linney) and research assistants. In presenting Kinsey as a driven social misfit, Condon's film gives Neeson one of his finest roles while revealing the depth of Kinsey's own humanity, and the incalculable benefit his research had on our collective sexual enlightenment. With humor, charm, and intelligence, Kinsey shines a light where darkness once prevailed. --Jeff Shannon ... Read more

Reviews (66)

Pretentious Attempt
In retrospection, Kinsey is over-rated. It rides on the 21st century's fetish of sexuality and pretends to be another "Beautiful Mind" but fails and flops. It is one of those pretentious artistic attempt.

Truth or Perversity?
This became more and more difficult to watch as the movie went along.A selected biography in the style of Ray or Delovely, but quite a different choice of subject matter.

Kinsey's father set the tone of Kinsey's own life, with a certainty that becomes obnoxious.The certainty that he knows what the answer is, in this case to the issues of human sexuality and its associated ignorance and taboos, and as with all people who think they know, there is a fall.At the time that Kinsey was achieving his fame there were restrictions on the entire subject of sex practices and sex mores.It stands to reason that the only people who were working in this area were strange themselves, or at least unconventional.That's where I had difficulty.Were Kinsey and his associates really as perverse as they appeared in the movie?Or were their banter and actions exaggerated for the sake of a good story.

I found no sympathy for Kinsey nor for anyone else in the movie.And some of the conclusions that they reached seem so counter-intuitive that they defy belief.I didn't know whether they were trying to find truth or to present perversity.

Potent Film with Certain Foundation for Heated Debate...
Galileo Galilei and scientists alike announced through in-depth research that the Earth was not flat and faced heavy persecution.Their different thinking broke the standards of the 16th century pious beliefs, which had been used a long time before scientists questioned the validity and reliability in what they observed.This offended the Catholic Church who proclaimed that they held the highest truth, a truth deeply rooted in unquestioned morality.The questioning of the religious beliefs triggered a witch-hunt of the scientists that disagreed with the moral teachings of the Catholic Church.However, the truth eventually emerged, as Galileo's theories are still the instruments of current astronomical research that continues to evolve the human existence beyond the earth.

The Catholic Church and Lutheran Church persecuted people with different ideas of Christianity.Those who desired to exercise their own freedom of religion sought refuge in America where they could exercise their freedom to express their own ideas of religion.After the War of Independence, the founding fathers formed the Congress that drafted the 10 amendments.The first amendment brings the people freedom of speech, which includes religion.However, the very same ideas that sought freedom in America later turned from being the persecuted to the persecutor, as these notions harassed new different thinkers.The notion of cyclical history comes to mind when scientists like Alfred Kinsey are being silenced based on morality and unfounded facts.

Kinsey (Liam Neeson), a biologist, was brought up under strict puritan rules, as his father consistently proclaimed being the ultimate source of knowledge.In a sense he grew up with similar persecuting standards as Galileo, but instead of conforming to the rules he broke the bond with his father when he accepted a partial scholarship to Bowdoin to study biology.Kinsey's father wanted him to become an engineer, which has a certain level of irony to it, as his father believed that all modern inventions at the beginning of the 20th century were evil.The pursuit of the biology degree brought him through Harvard to Indiana University where he took a position as an assistant professor while studying stag beetles and later the American Cynipidae also known as the gall wasp.

Years of research and collecting the American Cynipidae allowed Kinsey to meticulously catalogue his gall wasp library.During this time Kinsey met his wife Clara (Laura Linney) with whom he had three children.However, before having the children they had difficulties in the bedroom, as Clara assumed it was because they physically would not fit together.This was an unacceptable answer for Kinsey who approached the problem, as if there were an answer, which there was.It simply was painful for Clara to have sex as her hymen was too thick, and with a quick procedure by a doctor she had this fixed.Consequently, Kinsey continued to help other couples with problems of sexual nature, but realized that he did not have any real answers to the questions that were posed to him.

In the 1940s, Kinsey got his chance to do teach a marriage course in regards to sex and the social aspects of sex between husbands and wives.As the class went on his interest deepened through the vast number of questions people asked in regards to sex.This concluded in Kinsey beginning to research the taboo ridden topic, which so many have been taught to avoid at all costs except for the purpose of having children.Kinsey opposed the abstinence with his statement, "society has interfered with what should be a normal biological development..."

The sex research forced Kinsey to travel uncharted waters, as he had to find a way to collect data that were valid and reliable.Through this process he design an interview style that had to be nonjudgmental in order for the interviewee to reveal everything without having to feel any negative feelings.This process gave them surprising facts about sex, as they also encountered homosexuality, extramarital affairs, and premarital affairs.They also found evidence of deviant sexual practices, which most of the society rightfully did not tolerate such as pedophilia.An important note to this is that Kinsey was only collecting data, he did not advocate harmful sexual practices.However, in the eyes of the society Kinsey was in the end drawn into the mud, as much of his intentions was misunderstood.

Nonetheless, Kinsey helped breaking the ice of the forbidden issue that in the end opened up the society to understanding this hushed, but normal behavior.If Kinsey did not push the envelope the society might have continued its intolerance towards sexual issues, an intolerance that would force many to hide their true identity in the fear of repercussions and prejudice based on hatred and fear.For example, John Edgar Hoover created a profiling center for homosexuals and other undesirables.The very same intolerance would function as a shield that would have protected many of the Catholic priests that have been uncovered to molest children.It is thanks to Kinsey and researchers alike that it has become acceptable to discuss this taboo topic in media, where horrendous crimes such as child molesting can be caught.Yet, there are still many who believe that Kinsey was wrong to do what he did, and they are naturally free to have their own opinions.As they should let the truth be unveiled from darkness and not let erotophobia, i.e., learned negative emotional response to information of sexual nature, affect any decision-making that could help human beings discover a better future.

Kinsey is a political and potent film that will undoubtedly make many feel awkward and uncomfortable.Yet, it is also an important film, as it displays the importance of learning the truth and not hiding behind groundless rules and laws based on fictionalized morality.The film also has historical value to our contemporary society where many laws often are passed based on morality, which ends up hurting a fraction of the society and slows the progress of humanity.When this happens, history seems to be have drifted into oblivion as prejudice and intolerance continues to haunt the society.Hopefully, the film Kinsey offers an opportunity for debate and insightfulness, and not continued narrow-mindedness.

On balance, a positive contribution to human understanding
Alfred Kinsey did a great service to the study of sex.Yes, some of his methodologies were suspect, "self-selection" throwing a monkey-wrench in the whole randomization requirement.His subjects were perhaps not the most representative sampling of the population.Furthermore, he and his staff became too personally involved in the work.His assistants comprised a sort of swinger's club.Kinsey could be faulted for not having anticipated the conflicts brought about by such activities among colleagues.

Unfortunately, these aspects of his life and the film will obscure - for many - the more significant meaning of his work: Bringing the discussion of sex out of the dark corners of human consciousness and into the light.Also, by removing the shame factor from sex, a natural healthy aspect of the human animal, Kinsey legitimized the scientific study of sex.

As far as the film per se, I was impressed with the honesty of the piece.Contrary to what some reviewers have said, this film does not make Kinsey a hero.It rightly credits him for his work, yet reveals a conflicted, troubled psyche at the same time as Kinsey tries to navigate the line between his objective scientific observation and his subjective sexual experiences.This blurring is where Kinsey erred.

Interesting insight into groundbreaking study
Alfred Kinsey was a pioneer in the study of human sexuality. He was a professor at Indiana University and spent the first 20 years of his career studying an insect, the "gall wasp." This movie, starring Liam Neeson in the title role, depicts Dr. Kinsey as having an obsession with his study of the gall wasp, collecting hundreds of thousands of specimens and devoting his life to studying this species. Tapped to teach a course on marriage and the family, Kinsey developed an interest in human sexuality and he bacame as obsessive in this study as he was in his earlier endeavor. He was driven and pushed his staff hard. He employed interviewers who spoke with thousands of people in taking sexual histories. Kinsey was very hands on as he personally instructed his staff on how to put subjects at ease as they conducted the interviews.

Dr. Kinsey was the son of a morally strict father, convincingly played by John Lithgow. Neeson's depecition of Dr. Kinsey shows the results of this upbringing. His characterization of Kinsey comes across as very stiff and uptight. He is not one to really let his hair down yet, in his groundbreaking study, there is no taboo that he is unwilling to explore. Indeed, he explores his own sexuality as he has an extramarital gay affair. Despite serious misgivings at first, his wife, played by Laura Linney, is accepting.

The studies were very controversial, having been done in the 1940s, long before the "sexual revolution." Some people found his findings to be very liberating in that they discovered that they were not alone in their sexual feelings. Other people were shocked, believing that the subject was taboo and should not be discussed. There is one brief scene in which a woman, who agonized over her lesbian inclinations, was liberated by Dr. Kinsey's findings and, thereby allowed herself to enter into a relationship. Others, including Kinsey's father, were scandalized. Ultimately, however, Kinsey's father allows himself to be interviewed by his son and reveals his own, painful secrets of a repressed childhood.

We live in a more sexually open era than we did, generations ago. This movie gives an insight into one of the reasons this is so. I recommend this dvd. ... Read more

Reviews (108)

Classic timepiece movie...
This is a classic movie that is as much social commentary as car chase. I remember watching this on a Saturday matinee on my local television station (long before the advent of cable television) and was mesmerized.

I recently purchased the VHS version and it was just as sweet twenty years later.

The premise isn't much: the main character, former member of society now riding on the fringe, has to get a car to San Francisco in 15 hours. Load up on amphetamines and off we go. The 'plot' is merely a vehicle for the ride.

The car chase scenes are great and realistic (none of the special effects laden hocus pocus you see today) and the cinematography of the West is beautiful. The characters, from the DJ who plays mystical guide to the helpers the driver meets in the desert, show life on the fringe. I'm sure on some level this is a mystical, metaphorical journey of sorts but to me it is simply fun to watch.

The soundtrack is absolutely great. It is kind of the O Brother Where Art Thou of the 70s -- the one that missed the radar. It isn't music you hear on the radio and it certainly isn't mainstream in any fashion but it sure is good.

I give this five stars quite simply because of the cinematography, the cast of characters and the music. Well worth the visit. They just don't make films like this anymore.

Vanishing Point on DVD.. Please !!!
Someday this cult classic will make it to DVD, and my freinds if enjoy fast paced car chase action movies this is a must for your collection. Not only is it a great movie, but the soundtrack of songs from such artists as Delany & Bonnie, Mountain, and Kim Carnes (years before she did "Bette Davis Eyes") would be a great soundtrack if it ever was put together (Problem is back in 1970, movie soundtracks were rare, only musicals had them).

The movie is basically about a driver name Kowalski who's trying to deliver a Dodge Challenger from Denver to San Francisco in less than 24 hours. It's filled with flashbacks and events that take place thoughout Kowalski's life all while he's speeding though the desert in the Challenger.

Cops, Hippies, Bikers, Gospel Faith Groups, Kowalski meets them all during his journey.

Read the other reviews to get more detail about the movie, but trust me, the music and cinematography are outstanding and you"ll really enjoy this movie.

Much more than a car chase movie
This movie held me spellbound the first time I saw it and is still capable of this after countless viewings. This is more than just a car chase movie, it actually has depth and a story to tell. The scenery of the great American West is also first rate and the soundtrack never fails to set the mood.

The story of the main character, an auto delivery driver named Kowalski unfolds as he takes delivery of a white '70 Dodge Challenger which is as he puts it `souped up to 160' and proceeds to drive it from Denver to San Francisco. His plan, however is to do this in 15 hours to win a bet. As Kowalski makes his journey his life is revealed to us through flashbacks and recollections which are usually triggered by what is currently happening to him in real time. Through these the viewer learns that despite his apparent lawless behavior, Kowalski is a man of good character.

It is this good character, sense of duty and strong moral code that led to Kowalski's fallout with the establishment. He had been a decorated war hero and was honorably discharged from the military. A few years later, he was a decorated policeman. However, when he saw his police partner behaving in an unsavory fashion, he reacted. His reward was to be dishonorably discharged from the police force. This ultimately led Kowalski down the path to where we are introduced to him.

One of the big things that drew me into this movie is that it doesn't hand you the explanations on a silver platter. Instead it allows you to think about it and draw your own conclusions long after you've seen it. Some reviewers on IMDB have already done a great job of touching on the philosophies of freedom and individualism prevalent in this movie, so I won't waste the time trying to top those. I'll add that I feel this is a type of an expressionist film. Kowalski is kind of an `Everyman' who is on a journey to find his place in the grand scheme of things. Along his path he encounters various characters that watch over him and help him along, but there are also those who wish to shut him down. Whether you think the conclusion of Kowalski's journey is successful or not is up to you.

Another big plus is the realism in the driving scenes, where the drivers are actually driving their machines and occasionally things happen like tires going flat or the car needs fuel. Most modern car chase sequences leave me wanting with all of the computer generated car moves and general lack of realism. I know they sometimes got it wrong back then too, doing things like obviously speeding the film up. In this one though, they got it right. The driving here brings us into that realm of manhandling 4000 lbs. of American Iron, in all the glory of big-block V8 roar, screaming smoking tires, and hands grappling with the steering wheel.

Another thing that's cool to me about this type of movie is the appearance of the car. At the beginning, the car is resplendent in gleaming chrome and white paint. As the story moves along, the car gradually gets a more dusty battered countenance. I won't spoil the end, but those who've seen it know.

The final things that tie this whole thing together are the soundtrack and scenery. They seem to go hand in hand, from the upbeat rock & roll as Kowalski starts out to the stirring guitar strains during the thoughtful moments. I also cannot say enough about the scenery, which really draws the viewer in. It ranges from the mountains of Colorado, across Utah and into the searing Nevada desert.

In closing, I'll say that this is one of my favorite movies. It won't be understood by everyone, but those of us who fantasize about getting in a classic car and blasting down an open two-lane highway devoid of SUV's, sport sedans and minivans will likely get it.

Still Incredible!
I own over 1000 DVDs. Most I haven't gotten around to watch. In three days I've watched this one 3 times. Maybe this explains why when I was a kid I sat through this like a zillion times in the theater. A perfect film....

A 70's Drive In Cult Classic
Fast action, terrific photography, great period atmosphere, colorful characters and a first-rate rock soundtrack add up to a true drive-in classic that retains its "cult classic" reputation even after more than 30 years.

This DVD includes BOTH the 97-minute U.S. print typically seen on cable and video AND the 105-minute U.K. version which includes a couple of flashbacks featuring Charlotte Rampling that for some reason were completely excised for U.S. release. The excised scenes add just a tad more insight into Kowalski's character; while not essential to the whole plot (such as it is), these scenes ARE interesting and definitely will be appreciated by hardcore fans of the film. Kudos to 20th Century Fox for making available both versions. Being a real fan of the era that this movie was shot in, it's a kick to hear director Richard C. Sarafian's commentary track. Highly recommended! ... Read more

Reviews (493)

Way underrated
Anyone who has ever worked in corporate America will relate to this hilarious gem.
It is low key as opposed to slapstick comedy. I think the movie was well cast about a cube dweller who had enough and basically quits working and gets a promotion to upper management while his hard working and dedicated buddies get slated for layoffs by "The Bob's" two management consultants.
Ron Livingston does a great job as Pete Gibbons, and Ajay Naidu as "Samir Nu, ne, nunu, uh nnn ,not work here anymore" David Herman as Micheal-why should I change - Bolton.
The boss Lundbergh is played perfectly deadpan by Gary Cole, and I think there is a Tom Smykowski and Milton Waddams in every organization. Lets not forget the "Bob's" I knew two idiot consultants just like them.
Office Space has it all, from stupid meetings, CI programs, and of course the infamous TPS reports - "didn't you get the memo about the new cover sheets?"
I could not stop laughing through the whole thing.

Well worth the price of the DVD, even though the transfer was only fair.

Hiliariously Close to the Truth
Though the situations and characters in Office Space are certainly larger than life, they are not that far from the truth--to which those of us in the corporate world will readily attest. That's what makes the movie so delightfully funny: seeing characters on screen act out (without much exaggeration) the trials and tribulations of today's desk-bound workforce.

The plot of the movie itself is somewhat secondary to its entertainment value. Basically, the main character (Ron Livingston) isn't happy with his job; having been asked once by his high school guidance counselor to picture what he'd do without being paid and consider that his ideal job, he responded that he's like to sit around and do nothing. The rest of the main plot centers on his attempt to get his life back on track, from discovering a love interest in a local waitress (Jennifer Anniston) also unhappy with her job to plotting revenge on his company for firing his friends.

Quickly one sees exactly why the characters are so unhappy with their jobs: a clueless, paper-shuffling boss who speaks in total monotone; inane office regulations requiring more time spent on reports than on real work; faulty office equipment; and so on. Carefully crafted to represent archetypes we all know from our own office experiences, the characters and their attempts to break free of the 9-to-5 drudgery are absolutely hilarious.

You don't have to be a computer programmer or engineer to enjoy this film--all you need is to have worked somewhere once in your life that was far from the ideal environment. Watch this film and enjoy a laugh at schmucks who have it ten times worse than you ever have!

THE comedy movie to see from the late 90s
If you see one comedy from the late 90s, see this one! The cast is great, and the story is better. The only person I know who didn't like this movie just doesn't understand the modern industrial/metroplitan environment. Driving to work in Silicon Valley REALLY IS THIS BAD, and if your definition of heavy traffic is going 15-20 mph on the freeway, you might not appreciate this film.

Dilbert's got it easy!
OFFICE SPACE either suffered from bad marketing or poor distribution because I had never heard of it nor did many of my movie-going friends. When I saw it on cable, I kept asking myself, "Where did this come from?" While the film occasionally breaks down in predictable sequences and cheap shots, it really does hold together remarkably well. This is one of the better written, directed and acted comedies in a long time. Even though the late 90's office world it illustrates is long gone, muddle-headed supervisors, know-nothing consultants, and very weird office workers are not. Enjoy this movie!

A MODERN CULT CLASSIC
Having seen and enjoyed bits and pieces of this movie countless times on cable (usually on Comedy Central) over the last couple of years, I finally broke down and purchased it to add to my DVD collection. Smart move on my part. Now that I've seen the entire movie from start to finish, it makes a lot more sense now (I'd never seen the hypnotism scene). It has all the makings of a modern cult classic. How do I know? Because every time I roll across it on cable I usually wind up watching the balance of the film and enjoying it all over again. Having 2 Geto Boys songs on the soundtrack and co-starring Jennifer Aniston doesn't hurt either. Damn it feels good to be a gangsta. ... Read more

Reviews (30)

Hollywood Classic
This film starts with the 1685 Duke of Monmouth rebellion. The battle of Sedgemoor rages in the background as Errol Flynn's character is wrongly accused of supporting the rebels. King James II is portrayed as an arrogant prince, something which most Protestants of the day would have agreed with, and which Hollywood does not seem to deny. James, while detached, was not the cold hearted fool we see here. But this is only a minor point. The film has historic interest, portraying England as it does during the 1680s, the reign of James II before the advent of the Glorious Revolution which sees him removed in favor of William III of Orange and Queen Mary. The movie only touches on these political developments, but its interesting to see them as factors in the background.

The rest is pure Hollywood adventure with fiction playing havoc with fact! Still, the movie is so entertaining and classy that we don't mind a few historical gaffes. Flynn is elegant in his first major role, and Olivia Dehavland is strikingly beautiful. Hard to beleive she was only 18 when this film was made. The rest of the supporting cast may be a bit standard for a 1930s production, but they pull their weight well with all the cute touches of the day. The production value of the film appears more impressive than it actually was. The fast pace combined with clever plot makes for a classic of its kind. The French as perenial villins may strike a chord with today! For period swashbuckling, romance and class, you won't find better than here.

Blood! Blood! ......And A Film Legend Was Born
"Classic", is written all over this legendary Warner Brothers production from Hollywood's heyday in the 1930's. A fine literary source in the novel by Rafael Sabatini formed the basis for what was to become easily one of the best loved pirate tales ever filmed by a Hollywood Studio. Many (myself included) believe that "Captain Blood", is THE definitive swashbuckling adventure and contains everything to satisfy the pirate enthusiast, from a dashing leading man fighting for justice in a corrupt world,a beautiful damsel in distress to be rescued by the hero, lively swordplay, brilliantly staged sea battles, and the essential quota of villianous characters to add spice to the drama. "Captain Blood", was as well a "first", in many ways. Firstly it marked the breakthrough role for Tasmanian born Errol Flynn who was perfect for the role of Dr. Peter Blood, a man of good character wrongly condemmed to a life of slavery for helping tend the injuries of a rebel soldier in the corrupt England of James 2nd. Also this film marked the first teaming of Flynn with rising young actress Olivia de Havilland and the two went on to work beautifully together in eight films over the next seven years earning them immortality as one of filmdom's most unforgettable screen couples.

It's hard to imagine nowadays anyone but Errol Flynn in the role of Captain Blood but he was not even considered in the original casting of the film being an almost complete unknown at the time. Robert Donat was set to play the lead but had to withdraw due to illness and Jack Warner took a considerable gamble in casting the untried Australian actor in the lead of one of the studios biggest productions for the year. Once the decision was made however the rest as they say was film history as Errol Flynn swashed and buckled his way to Hollywood stardom in a stunning debut which helped make "Captain Blood", one of the years most successful films and helped gain it a nomination as Best Picture of the year. "Captain Blood", relates the story of Irish Doctor Peter Blood who is called out to tend the wounds of a rebel soldier fighting the corrupt governement of King James 2nd. Caught at the scene Peter is imprisoned as a rebel of the crown and in a sham court hearing is condemmed to a life of slavery in the infamous colony of Port Royal. Suffering brutality under the cruel Planatation owner Col. Bishop (Lionel Atwill in a masterfully evil role) Peter has the chance to escape when Port Royal is attacked by the Spanish. He forms a crew with his men and together they head out to sea on a stolen ship to become pirates with no country to call home. Very soon the name of "Captain Blood" is infamous throughout the Carribean and no ship Spanish, French, or English is safe from his looting. Making an uneasy alliance with French Pirate Capt. Levasseur(Basil Rathbone in a small but effective role) Peter finds his loyalties tested when Levasseur captures Arabella (de Havilland) the niece of Col. Bishop who Peter loves, as she returns to Port Royal with Lord Willoughby (Henry Stephenson). Fighting a duel to the death with Levasseur over Arabella's safety, Peter learns from Lord Willoughby the King James has been driven out of England and the new King William 3rd has not only pardoned Peter and his men but also offered them places in his navy. Returning to Port Royal the men find the port under attack from the Spanish and Captain Blood now fighting for King and Country in a exciting finale manages to defeat the Spanish invasion and save Port Royal from falling into enemy hands. For his great service to the crown King William then makes Peter the new govener of Port Royal much to the distress of his old enemy Col. Bishop but to the utter joy of Arabella who now plans to marry Peter at the happy conclusion.

Errol flynn had no peer when it came to these types of dashing adventure roles. His performance here and in such classics as "The Adventures of Robin Hood", and "The Sea Hawk", certainly saw him in his element being ideally cast. He teamed perfectly with Olivia de Havilland, he all bravado, masculinity and dashing energy, while she was the epitome of the demure refined young lady waiting for love. "Captain Blood", however is peopled with some other great acting talent that must not be forgotten under the bright light of Errol Flynn's screen charisma. Lionel Atwill excels as the cruel Col. Bishop in a tailor made role and character actors Donald Meek and especially George Hassell as the comical gout ridden Gov. Steed are both excellent in their smaller parts that help give "Captain Blood", some of its fine acting moments. Directed with usual high energy by Michael Curtiz, he manages to extract a marvellous performance out of the still largely inexperienced Flynn. Theirs was a definite hate relationship as the two loathed each other but by some miracle produced consistently excellent work together.The visuals of the film are first rate with the superbly staged sea battles unrivalled in their authentic look. Erich Wolfgang Korngold furnished another of his rousing musical scores that succeeds in really adding a high level of excitment to all the action secquences in "Captain Blood".

"Captain Blood", makes for ideal entertainment of the old fashioned kind and is a perfect example of Errol Flynn's great screen presence in a role idealy suited to him. Here we see him and Olivia de Havilland in the full bloom of their youthful vibrance in an exciting tale of adventure and romance,with good winning out over evil. It's Hollywood filmmaking of the old school and it is sure to leave you cheering as the good Captain romances his ladylove and fights against corruption and cruelty on the High Seas. Enjoy!

Simon Davis
Now that I have read Simon Davis' review, I dont have to watch the film?

Actually , I have seen the film a few times..and I can only add that Lionel Atwill pouts as well as any actor I have seen and Mr Rathbone begins his legacy as one of the great screen villians

CP

Shine on
Captain Blood is a great film, let alone a tremendous pirate film. There's something about the plot that has a certain resonance today as much as that of Robin Hood, namely that age-old sense of justice triumphing over rigid law and order, of robbing the rich to feed the poor. Yet Captain Blood is a little rougher edged, a little crueler in its machinations. Peter Blood (Flynn) is a well-meaning doctor who happens to aid the wrong side in one of Britain's innumerable civil wars, and is sentenced into slavery in the outer colonies along with a pack of other unfortunates. Right from the moment you see him level his icy gaze at the consumptive, soon-to-be dead Royal judge who passed the sentence, you know this party is just getting started.

Hollywood has used the 'good-man-wronged' scenario countless times since this movie, but rarely to such effect. Battered, beaten, but never broken, Dr. Peter Blood transforms into Captain Blood, the terror of the high seas that crushes his enemies without ever letting anyone affect his high-minded moral core. It was not his choice to become an outlaw, but if he has to become one, he will be the best one there ever was. Redemption, honor, and love all make their appearances in the fine script enacted by a worthy cast, but at every point Blood is a man in control of, and therefore responsible for, his own destiny. It's a great film and one you definitely should check out.

A great buccaneer epic.
I think that this is one of the greatest action - adventure films and perhaps the greatest adventure-epic film about pirates ,ever made in cinema's history. Adapted from Raffael Sabbatini's homonymous novel, "Captain Blood" introduced 26 years old Australian-born actor Errol Flynn, in Hollywood as a great star and it was the first of a movie-series that granted him the title of "swashbucklers's king".The film also created Flynn's image (solidified in the next years) as the dashing young romantic adventurer hero who always saves the day. Flynn plays the Irish doctor Peter Blood who becomes the handsome gentleman rogue pirate of the Caribbean with bravado and charisma ,appearing his great talent that made him a legend. But here we can locate some historical inaccuracy , (an inheritance of 19th century's romantic literature ) because the real pirates were quite repulsive, poor , illiterate and not fascinating and educated sea knights. The historical background on the contrary is quite accurate and very interesting. The film beggins in 1685 when Duke of Monmouth organised an unsuccessfull rebellion and portrays England during the 1680s, the reign of James II before the advent of the Glorious Revolution which sees him removed in favor of William III of Orange and Queen Mary. An other notable point is that the film portrays pro-catholic King James II as an evil and cruel tyrannical persona ,a fact that might be seen as a film's pro-protestant position on history, yet don't forget that this story is adapted from a novel and this was Sabbatini's view on historical facts.
Curtiz's direction is excellent and impressive,especially at the great terrific sea battle which is amazing. Olivia de Havilland is brilland and adorable as Flynn's sweet love interest ,with astonishing beauty. Even she is only 19 years old ,she plays her role with maturity and high professional capability. Basil Rathbone is perfect as the villain-fond of women French pirate Levasseur (and as swordfighter) using a peculiar french accent . Lionel Atwill as de Havilland's uncle is very convincing as a brutal plantation owner who finally reconciles with Captain Blood (Errol Flynn).You have also to notice the great performances by the actors who compose Captain Blood's crew. They're really charming.
A must-see high entertaining master piece epic. I give it all the stars I can . Enjoy it and love it. ... Read more

Reviews (24)

Overlong, but worth seeing
Original little gem about love, hypnosis, and reincarnation all queezed into the package of a bright, colorful musical. Yves Montand plays a college professor who begins hypnosis treatment on Daisy (Barbra Streisand) in order to help her stop smoking. While under, he discovers she lived a former life as a 19th century vixen who was stood up by her husband and beheaded for treason. The doctor slowly falls in love with the woman of the past, while, in the present, Daisy (unaware of her former exsistance) falls in love with him.

Big-budgeted film was a box office flop when first released, but it's actually pretty enjoyable. The offbeat story line and the public's sudden lack of interest in musicals are the probably the main reason for the film's failure.

As a Barbra Streisand fan I must say that she is great even though this film is far from her best. She is adorable as Daisy and divinely sensual as the gold digger from England that she ecomes once hypnotized. Montand is a little too stuffy and mechanical as Dr. Charbot, but he and Streisand do share some chemistry.

Streisand's good, Montand is acceptale, but on the whole the movie is was too long and even a bit forced at times. Still, it worth seeing. The costumes and sets are beautiful, the ending is sweet, and there are some great songs.

Bottom line: the movie's cute, often funny, occasionally silly and sometimes moving.

Wonderful Movie the Whole Family Can Enjoy!
This has always been one of my favorite Barbra movies. ESP and reincarnation might be old hat now, but back in 1970 they were hot topics and you could count on controversy when they were discussed. I don't care much for Yves Montand, but the guy that plays Robert is very fine, even as a fine young dandy from 200 years ago! I've heard all about this movie from different sources over the years, and I think it's wonderful that Barbra was pregnant during the filming (you'd never know), that she was allowed to keep the clothes, that she played the part at cost instead of an increased fee (just after Funny Girl), and that she wasn't even the person the film was written for, but Audrey Hepburn. Again, this is an enjoyable film--remember it's a musical and the songs are very catching, don't be surprised if you find yourself humming one of the songs after you've seen the movie!

WIDESCREEN DVD PLEEEEESE !!!!!
This beautiful little gem needs to be on DVD period. The color is absolutely fabulous, the costumes beautiful. It's a colorfull cleaned up snip-et of 60's style. My favorite Barbra Striesand musical. And for those of who believe in re-incarnation or even just like to toy with the concept it is enjoyable fun.

Barbara is simply Marvy! Damn the pretentious Frenchman!
A great movie directed by a fantastic director. All this and more made in spite of Paramount's choice for one of the century's most horrid leading actors. Two words..."Yves Montand" I would certainly like to know who was responsible for telling Yves that he could act. Luckily for us, Barbara's comedic timimg and on screen presence distracts us from Yves witty droll and cardboard persona. Much of the films salvation has to be given to the credit of Vincente Minnelli, who has directed many wonderful & memorable movies such as "Meet me in St Louis" It is also a wonderful treat to see a young and handsome (yes I said handsome.. if you can believe that) Jack Nicholson who plays one of Daisy's neighbors. What's most intresting about Jack's character, is that there was a sense of ambiguity about his sexual orientation. A definite first for the Jackster! I give this movie 5 stars even though Yves is in it. The story, art direction and musical numbers are just fabulous. Besides we all know that anyone who buys this movie, certainly isn't purchasing it on account of the leading man. Now when is Paramount going to release this on DVD? Hello? Paramount? Are you listening? Hello? Is anyone awake over there?....

"Is anything else comin' off?"
This was one of the very last of the lavish screen musicals to be made in the classic mode, and, by the time of it's early 1970 theatrical release, it already seemed tired and dated. This is why it is somewhat shocking that, when viewed today, ON A CLEAR DAY is not only tremendously entertaining, but that it's also possibly the most underrated film of both director Vincent Minnelli and star Barbra Streisand. The film's reincarnation theme was pretty cutting-edge back in the early-seventies, and it still feels unique even today. The film received fair-to-negative reviews from critics at the time, and even though it proved to be a modest hit at the box office, it has been long forgotten by the general public, and it even goes unlisted on many of Streisand's selected filmographies. This is a shame, for Streisand's highly impressive dual performance may prove to be a revelation for some of her admirers and critics alike.

Like the film itself, Streisand is at her very best in the film's frequent flashbacks. Not only does she look absolutely beautiful as Melinda in Cecil DeVille's many elaborate costumes, but her Regency- era poise and accent are completely flawless. However, the film isn't absolutely perfect. Though Streisand's gives one of her most likable performances as kooky Daisy (her character's present-day incarnation), her "modern-day" wardrobe is a little too extreme. I realize that the costume designers wanted to draw a sharp contrast between Daisy and Melinda, but they went a little too far and ended up making Daisy look too buffoonish. They didn't need to go to such lengths with her garish "contemporary" wardrobe - Streisand's convincing performance alone is enough to make the contrast believable. Yves Montad is acceptable in his role - I don't believe he really deserved all of the criticism that he's received over the years, yet I do find his performance to rather stiff, and am convinced that many other actors could have done more with the part. Jack Nicholson, Bob Newhart, and John Richardson appear in small supporting roles, but they all feel rather underused.

However, there's something about the Streisand-Minnelli pairing that seems to have brought out the best in the two legendary talents. The flashback segments in particular provide the perfect showcase for Minnelli's imaginative visuals, and these are also the very scenes that allow Streisand to stretch the most as an actress. In particular, the "Love And All The Trimmings" sequence is easily one of the best moments that Minnelli ever captured on film, and Streisand has rarely been more intensely seductive than in this one sequence. Score-wise, the soaring title song is the only real classic of the eight Lenner-Lowe compositions, but a few of the others (the comic "Go To Sleep," the gorgeous "He Isn't You") are nearly as great. Bottom line: ON A CLEAR DAY is a film that's usually funny, sometimes touching, and always inventive and enjoyable. It's undervalued gem if there ever was one. ... Read more

Reviews (85)

There couldn't be a better Disney movie to own on DVD.
For me, the Fox and the Hound cannot be matched by any other Disney film. Unlike the stiffer, older films and the newer, hokier ones, the atmosphere in TFATH is just perfect, truly a revolutionary point in Disney's timeline. The animation is very fluid and the characters have great design and movement. Most of the songs are more like talking than singing, but they're few and far between and manage to get the point across. A nice change from usual Disney fare in the surprisingly sad ending. Considering I'm pretty desensitized to on-screen emotion, it's unusual that I cry every time I watch this one. It's the ONLY Disney movie that can make me. Even so, there's a number of comedic moments to get rid of the tension. I'm not sure where the Amazon review got the idea that the characters lack depth. Believe me, by the time this one is over, you'll be wanting to see much more of all of them. It's an excellent feature that carries an important message all wrapped up inside a lovable, heartwarming, and poignant story. You owe it to yourself and your children to see this one.

An All-Time Favourite!
"The Fox and the Hound" was of the last films to be apart of the "Black Diamond Collection" before the "Masterpiecee Collection" came to the markets in 1994. The film was released into theaters in 1981 & 1988 and came to video in 1994! This movie is a really great and colorful movie to add too any Disney collector's collection!

The story is about a kind woman who takes in an abandoned baby fox after his mother is killed in a hunting trip. She names him Tod and considers him as part of her family. Tod then meets a bloodhound dog named Copper (Who lives right next door to the kind woman) and they eventually become good friends. They have no clue that they are supposed to be enemies (Since hounds hunt foxs and other forest creatures)

After returning on a hunting trip during the winter with his master (To learn how to hunt), Copper realizes how he shouldn't hang around Tod to prevent Tod from getting killed by his master. By this time, they are both grown up and all the fun times that they had together suddenly don't seem to matter anymore. Eventually, Tod and Copper become enemies and it is Copper's mission to hunt down Tod. You'll be surprised on what happens when Copper and Tod to come face to face!

The film also includes some great songs like "The Best Of Friends" and "Goodbye May Seem Forever" (Which I still cry at when I hear that song!) This movie will also make you cry, so make sure to have a tissue in your hand when approaching the middle part of the movie! All in all, it is a really great movie and people young and old will enjoy watching it! 83 minutes.

A Good Movie for people of all ages
I am sixteen years old and when I saw this movie, it really brought tears to my eyes. It reminds me of how me and my best friend was. I really enjoyed this movie. Everyone should watch it on Family Nights.

Friends to the end.
This is one of my favorite Disney movies. When Widow Tweed takes in a baby fox, whose mother had been shot by hunters, she names it Tod and raises it. About the same time she takes Tod in, her neighbor, Amos Slade brings home a hound dog puppy named Copper.

One day in the woods, Copper and Tod meet and instantly become the best of friends. When fall comes and Amos takes an unwilling Copper along for his winterlong hunting trip, Tod tries to convince his friends, Big Mama, Dinky and Boomer that even though Copper will come back a trained hunting dog, that they will still stay the best of friends. Big Mama tells Tod that a fox and a hound are natural enemies and that, surprise, you ARE a fox.

When the two are finally reunited in the spring, Copper tells Tod that they can't be friends anymore. After a tragic accident involving Amos's other dog Chief, Copper swears that Tod will pay. Widow Tweed, realizing that she can't keep Tod locked up forever, takes Tod to the game preserve and lets him go. Amos resolves to kill the fox, and with Copper's help, goes to track him down. But when Copper has a run in with a bear, Tod comes to his rescue and, ultimately, Copper gets Tod spared from death.

A touching story about friendship that never fails to bring a tear to my eye.

Finally a DVD Version of this Awsome movie
I love this movie a lot it has great music like "Best Of Friends"
"Goodbye may seem Forever" and "Thats what Friends Are For" are all great songs on this DVD. ... Read more

Reviews (27)

Great Movie
In the movie Tuesdays With Morrie, Mitch (Hank Azaria) is a successful sportswriter who suddenly learns that one of his old professors, Morrie (Jack Lemmon) is ill. Mitch visits Morrie and the two form an emotional bond, allowing Mitch to see what is really important in life. Tuesdays With Morrie is categorized as a drama but it does contain some funny parts and some sports. Some things that Morrie said made me laugh. They show Mitch at sporting events and press conferences. Mitch ends up flying 700 miles to Boston from Detroit every Tuesday to visit his dying professor. Mitch feels bad the first time he goes to visit Morrie because he had not talked to Morrie for 16 years after he said that he would keep in touch at his graduation at Brandeis University. At the end of the movie, Morrie finally got Mitch to open up and cry. He also got Mitch to talk about what he was afraid of in life. He taught Mitch a lot about living and about dying. Tuesdays With Morrie is an easy flowing movie and it is very simple to understand. It is a movie for people of all ages. The actors, especially Jack Lemmon, do an exceptional job playing their roles in the movie. The book and the movie are almost identical. There are not really any major differences between the book and the movie. One of the differences is that in the book Janine is Mitch's wife and in the movie Janine is Mitch's girlfriend. I think that Tuesdays With Morrie was a very good movie. It made me think of what is important in life, including friends and family. This movie changed my outlook on life. It made me realize what is most important in life and how I need to treat people, especially my elders. I think the theme of this movie was to get people to treat people better, with dignity and respect. I think that anybody that watches this movie will leave happier and with a better understanding about life and how to treat others.

Genuine.
A genuinely touching movie is a rare thing. Attempting to pull at our heart-strings often results in a lot of sap and drama, without much substance.

However, Tuesdays with Morrie is heartfelt, somber, funny, and sad.

The movie details a relationship (The film is adapted from a best selling nonfiction book) between a sports columnist, and his beloved professor which he learns is dying of Lou Gehrigs disease. What follows is a look at the short, poingant relationship they shared. You see, Morrie was a man of the world. He often showed a keen insight into the nature of man. He did much to teach his former student about life, often quoting W.H. Auden's poem "September 1st, 1939"

The movie, as the book, is filled with philisophical, as well as practical insights. Deeply moving, even while not being cinematically brilliant.

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