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| 81. The Final Countdown (2-Disc Limited Special Edition) Director: Don Taylor | |
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Reviews (186)
Let me address the DVD issue right off: I have (apparently) a remastered version, widescreen, with chapter selection and promotional trailer included. The quality of this DVD is pretty good. I can't remember the exact cinematography but it seems like this is how the movie always appeared. Not top-notch but acceptable. The trailer is not as well preserved but is OK. (I noticed this on the Rambo: First Blood Part II DVD I just bought ... on that DVD, the trailer is so-so, however the picture on that movie is crisp and very well preserved). OK, back to the movie. A freak storm catches the USS Nimitz aircraft carrier and transports her and her crew back to December 6, 1941 just off the coast of Pearl Harbor, Hawaii. The BIG question: Ignore or Intercept the Japanese Navy when it attacks on December 7? ... if you haven't seen the movie, I won't spoil it for you here. There are top-named actors like Martin Sheen, Kirk Douglas, James Farentino, Katharine Ross and Charles Durning. And there are a few real carrier personnel who weren't professional actors, obviously. But they got to be in the movie and who could blame them? Most people who like this film enjoy the time-travel, naval-combat aspect of it and overlook the occasional potholes in the storyline. Hey, just have fun! There are some great launch sequences of Naval fighter aircraft, recon birds, tankers and helicopters. And the inflight sequences are pretty good too. You get to see F-14 Tomcats, A-7 Corsairs, A-6 Intruders, EA-6B Prowlers, E-2C Haweyes, SH-53 Sikorsky's and more. Plus the carrier crew equip the aircraft with the Mach 4+ AIM-54A Phoenix missiles, AIM-9 Sidwinders and AIM-7 Sparrows for air combat. Great stuff! Overall the quality of the DVD movie is fairly decent and played well on my 55" big screen and my 27" small screen TV's. If you haven't seen the film, it's similar to "The Philadelphia Experiment" with Michael Pare and Nancy Allen. Enjoy!!
Let me address the DVD issue right off: I have (apparently) a remastered version, widescreen, with chapter selection and promotional trailer included. The quality of this DVD is pretty good. I can't remember the exact cinematography but it seems like this is how the movie always appeared. Not top-notch but acceptable. The trailer is not as well preserved but is OK. (I noticed this on the Rambo: First Blood Part II DVD I just bought ... on that DVD, the trailer is so-so, however the picture on that movie is crisp and very well preserved). OK, back to the movie. A freak storm catches the USS Nimitz aircraft carrier and transports her and her crew back to December 6, 1941 just off the coast of Pearl Harbor, Hawaii. The BIG question: Ignore or Intercept the Japanese Navy when it attacks on December 7? ... if you haven't seen the movie, I won't spoil it for you here. There are top-named actors like Martin Sheen, Kirk Douglas, James Farentino, Katharine Ross and Charles Durning. And there are a few real carrier personnel who weren't professional actors, obviously. But they got to be in the movie and who could blame them? Most people who like this film enjoy the time-travel, naval-combat aspect of it and overlook the occasional potholes in the storyline. Hey, just have fun! There are some great launch sequences of Naval fighter aircraft, recon birds, tankers and helicopters. And the inflight sequences are pretty good too. You get to see F-14 Tomcats, A-7 Corsairs, A-6 Intruders, EA-6B Prowlers, E-2C Hawkeyes, SH-53 Sikorsky's and more. Plus the carrier crew equip the aircraft with the Mach 4+ AIM-54A Phoenix missiles, AIM-9 Sidwinders and AIM-7 Sparrows for air combat. Great stuff! Overall the quality of the DVD movie is fairly decent and played well on my 55" big screen and my 27" small screen TV's. If you haven't seen the film, it's similar to "The Philadelphia Experiment" with Michael Pare and Nancy Allen. Enjoy!!
The sound is excellent, the transfer is quite good, and the 2 disc set includes very special bonuses for fans of the F-14, or aviation in general. And the bonus disc interviews the Jolly Rogers squadron that flew in the film, worth it if you are an avaiation fan. If not, you might still enjoy it anyways, as they certainly have an entertaining story about one of the cast members! ... Read more | |
| 82. Darby O'Gill and the Little People Director: Robert Stevenson | |
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Reviews (52)
This dates from the time when Disney wasn't afraid to be dark and eerie. The story balances whimsy with supernatural terrors and is appropriate for both Halloween and St. Patrick's Day. This film lovingly depicts an Ireland of times gone by, and perhaps an Ireland that never truly was. Nevertheless, the culture is saturated in fairy-tales and ghost stories, and everyone seems to believe. A love letter to simple village life, and to the power of storytelling, and the Emerald Isle's vibrant and exuberant folklore. Well-acted (except for Janet Munro, who seems to always be reading cue cards), lushly photographed, and the special effects hold up VERY well in these days of overly obvious CGI. If you're Irish, or just enjoy a good fairy tale, or a good ghost story, then this is for you. Not to be missed!
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| 83. All in the Family - The Complete First Season | |
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Amazon.com Reviews (48)
In this collection, you'll be getting the following episodes: 2. "Writing the President"- Upon learning that Mike has written a letter of criticism to President Nixon, Archie becomes so upset that he writes a letter of his own in praise of Nixon. 3. "Oh, My Aching Back"- Archie tries to sue for whiplash after a minor auto accident and seeks out a Jewish lawyer to fight the case for him. 4. "Archie Gives Blood"- Archie becomes a blood donor, but he insists on knowing who the blood will be going to because his theory is "black blood" is different from "white blood." 5. "Judging Books By Covers"- Archie ridicules one of Mike and Gloria's friends for being gay. 6. "Gloria's Pregnancy"- Archie goes through the ceiling when he finds out that Gloria is going to have a baby and Mike has no means of supporting the child. 7. "Mike's Hippie Friends Come To Visit"- Mike invites a young couple to spend the night at the Bunker house, but runs into objections when Archie finds out the visitors are not married. 8. "Lionel Moves Into The Neighborhood"- Archie tries to prevent a black family from moving into his neighborhood. The family turns out to be the Bunkers' friend Lionel Jefferson and his parents. 9. "Edith Has Jury Duty"- Over Archie's objection, Edith accepts a call to serve on a jury hearing a murder case which may keep her away from home for weeks. 10. "Archie Is Worried About His Job"- Archie spends a sleepless night worrying because he thinks he's about to lose his job. 11. "Gloria Discovers Women's Lib"- Gloria discovers Women's Lib and winds up moving out of the Bunker household after an argument with Mike during which she demands that he treat her as an equal. 12. "Success Story"- After Eddie Frazier, a wealthy friend of Archie's, arrives from Beverly Hills, Archie organizes a reunion of their old army buddies. 13. "The First And Last Supper"- At the same time that Archie is circulating a petition to keep more black families from moving into the neighborhood, Edith accepts an invitation to have dinner with the Jeffersons. So, Archie tries to get out of the engagement by claiming Edith has sprained her ankle.
(...)
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| 84. Ice Station Zebra Director: John Sturges | |
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Description Reviews (16)
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| 85. Star Wars - Episode I, The Phantom Menace (Full Screen Edition) Director: George Lucas | |
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Reviews (2449)
Anyway - this is an awesome and incredibly well done DVD. Lots and lots of extras. Great commentary by Lucas, the producer, the sound man, etc. Interview with the composer. Lots and lots and LOTS of background materials on the making of the film, and the entire process of putting it together from initial writing to final production, and the making of the DVD itself. The image of the movie is *very* crisp and clean. The deleted scenes are a nice addition to the movie. I am very impressed (and surprised, to be cynical about it) that Lucas has given us the full-featured DVD the first time out, and not offered us one scaled down DVD version, only to offer us a better version in a year, and then the full-scale one a year after that, like he's constantly done with the VHS versions of his movies. Thank you, Lucas, for taking care of your fans this time, and not trying to pad your pockets a few times before giving the fans what they *really* want. Quality-wise, this is absolutely one of the most loaded, best-featured DVDs I have in my collection. (as a p.s. - after hearing Lucas' commentary, and talking about some things coming up in the next movies, I have realized that a few things I criticized about this movie actually make sense oin terms of the upcoming story-line. However, I still think that, overall, the writing for this movie was only a cut above old b-movies)
When Lucas made the first trilogy he was a relativly unknown up-and-comming writer/director full of desire and well, "hunger" to make his mark. That drive lead to the masterpieces of pop culture we know as ANH and ESB. By ROTJ his edge was already waning but thankfully it was the last one... or so we thought. By the time TPM came out he lost it completely and produced a quite mediocre if at best ordinary film. Living like a king for the past 20+ years made him not "hungry and full of desire" but fat and content. He lost his edge. Peter Jackson's LOTR Trilogy is so much better than Lucas' last 2 efforts for this same reason. Jackson has the "eye of the tiger"! Lucas HAS to get his edge back. Most agree AOTC is better than TPM but not by much. Will episode 3 prove that Lucas got it back?? If only reality played out like the fantasy of Rocky III and Lucas brings home a REAL winner....
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| 86. National Lampoon's Van Wilder - (Unrated Version) Director: Walt Becker | |
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Reviews (97)
The writing goes far beyond clever. It's down right poetic, with lines dance on the ear like a butterfly on a buttercup. Take, for example, "That's no bong! That's for my shlong!" Watch out Shakespeare. Best of all, the movie answers the age-old question: What was Ferris Bueller like in college? Van Wilder (Ryan Reynonds) fits the mold rather closely. He's a philanthropist who knows how to have a good time. He's funny, good looking, and popular with just about everyone. Brilliant ideas like topless tutors and the naked mile run are a-dime-a-dozen with this guy. Most importantly, he gets away with everything. I'm glad I didn't get away with turning my nose up at this delightfully amusing film. So even if you're skeptical, give it a try, and don't neglect to consider that Tara Reid's a really hot chick.
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| 87. The Quiet Man (Collector's Edition) Director: John Ford | |
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Reviews (136)
This is a film of such warmth, tenderness, humour and beauty that it just sparkles from beginning to end. Irish-born, American boxer Sean Thornton (John Wayne) returns to his place of birth after accidently killing another man in the ring. Seeking to find peace and happiness in the lush green country side, Sean is enraptured with the fiery Mary Kate Danaher (Maureen O'Hara in a wonderful performance) but incurs the wrath of her bully of a brother Red Will Danaher (Victor McLaglen) because of Thornton's purchase of local land. Failing to abide by the customs of Irish courtship as advised by resident matchmaker Michaleen Flynn (Barry Fitzgerald) and Father Peter Lonergan (Ward Bond)...it's not long before the whole county is in a spin about this big Yank in their midst !! Amidst the lopsided courtship and Red Will's refusal to pay the dowry, Thornton & Danaher square off in what must be the most entertaining and longest on screen fights in cinema history...much to the amusement of the entire town that turned out to watch !! "The Quiet Man" is such a wonderfully enchanting film, that it is as enjoyable for all ages today, as it was nearly 50 years ago. Truly, a film for those young at heart and those who can appreciate such a warm hearted and lovingly prepared ode to the magic of Ireland.
"The Quiet Man" was John Ford's favourite film, and also his most personal one. He cast his favourite actors in it, and it shows. John wayne is just great -whoever thinks he only played himself in every role should see his performance here. For his love interest we have Ford's kind of a woman, the breathtakingly beautiful Maureen O'Hara.She gives a magnificent performance as Mary Kate, and in my opinion should have won the Oscar for it. (She Wasn't even nominated!) Sparks flew when this couple met on screen, and the result is out there for you to witness. Don't wait till the next St. Patrick's Day -see this film now. I promise you won't regret it.
It is a good love story, but the whole concept of dowry and the stubborn character shown by the whole Danaher clan would be mysterious to the younger American generation, as would the purpose of a matchmaker and the formal courting rituals that the movie sends up. John Wayne is quite fine in this role as is the whole cast. It is a very enjoyable film with a lot to recommend it for the family. It will certainly spark some discussion with the kids that might be helpful and broaden their cultural horizons.
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| 88. Labyrinth Director: Jim Henson | |
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Reviews (769)
As is standard with Jim Henson movies, there is a wonderful mixture of characters, which interact together brilliantly. The acting may not be the best, but it is important to remember that Jennifer Connelly who plays Sarah (the lead character)was only 14 when she made this movie and is having to act with puppets which can't be easy. The great David Bowie gives a convincig performance as the goblin king, providing musical interludes, which admittedly, I found somewhat tedious as a youngster but enjoy now. All the elements blend to make a lively, innocent adventure movie which will be enjoyed by all ages. The Dvd also provides a wonderful trove of extras, including a delightful 'making of' documentary which gives some really interesting insights to the movies creation.
Jeniffer Conolly is superp as Sarah, and David Bowie even more superb as Jareth, The Goblin King. The casting couldn't have been more perfect, as both artists became legends in their own right in that their appeal has lasted through the decades, and so, has the film. It remains a cult classic. If anything, the lack of special effects has made it's appeal even more undeniable, as it cannot be dated. Too many times has it occured with films that as speical effects develop, the films lose their appeal. As the film relies on the fantastic nature of not only the genre, but the spectacular muppetry, the film retains it's beauty, despite it's simplistic cinematics... A must see for all lovers of the fantsy genre...and of course Jim Henson or David Bowie fans...
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| 89. King Arthur (Unrated Widescreen Director's Cut) Director: Antoine Fuqua | |
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Description Alternate Ending "Badon Hill" With Optional Director Commentary Reviews (77)
What I liked: What I disliked: Sadly, King Arthur wasn't pulled off that well overall, and I think it was a problem with the basic story being a bit underwhelming. The biggest (meaning, what took up most of the screenplay) task that these men faced involved not the fate of the nation nor the defeat of great evil, but protecting a small village from a band of marauding Saxons. I just had a hard time caring. You know a film is in trouble when the director has to rely so heavily on the music to convince the audience that there's deep emotion to a scene. Yes, that score was swelling heavily and often, but somehow, I just didn't connect on the visceral level with the dilemmas of Arthur and his knights, or the plight of the oppressed common folk that they were shepherding to Hadrian's Wall. The Arthur/Guinivere/Lancelot romance was halfhearted. Even the "sad" parts involving deaths of good guys didn't grab me, and I normally choke up. I kept wondering, what's missing -- why can't I lose myself in this story? So this is a valuable lesson to all future filmmakers that may wish to tackle this subject. Perhaps the Arthurian legend does need magic and mystery to carry it successfully on the big screen - after all, if you're going to take on a larger-than-life tradition, your scope had better be larger than life. Otherwise, why bother? You could any number of other documented military campaigns instead. Too much petty realism combined with a too-small plot focus may have been the death of this King Arthur movie. -Andrea, aka Merribelle
I have to say, now that I fully understand the context of the film and researching behind the actual Arthurian legend used (the 5th Century, first-account of the legend my a monk whose name I cannot think of now). This was the first account of King Arthur...a King Arthur who at that time had no (full) alliegence to Christianity, since 15th Century re-writing of the legend incorporated Christianity, despite Arthur's alliegence to Rome in the 5th Century With that all said and done, I can see where the film is coming from. The film does not have anything to do with the very culturally familiar fiction of "Sword And The Stone" or "Merlin" feating Sam Niell, which would cause most of us to scold the film...when we were probably told in our childhood something fictitous and he hold that as the fact. King Arthur has no fiction, no magic, no nothing...it's all the raw legend of the 5th Century...the ORIGINAL story (stilghtly adapted to 21st Century in terms of dialogue et al), since each century had their own version of the story. This film centers on a period of time when King Arthur, being born in Britian yet showing allegience to Rome, paves the path for his future, and what is now the legend; standing up for what he beleives despite ridicule. The events in the film just happen to be about this one point specifically, and not a whole epic life story as would be expected by the vague title King Arthur. The music, performed by the brilliant Hans Zimmer, saves some points of the movie I still have issues with. The vivid use of color, lighting, and scene staging helps as well. I still enjoy Keira Kinghtley's acting, and am growing onto Clive Owen a little more, however he still seemed a bit stale for my liking, however it could be all in the part if one considers Arthur is somewhat in dismay and doesn't have true confidence throughout most of the film. All in all, weighing everything again, I was able to get more out of the film and appreciate it much more and like it much better now that I know the context of the story. However, I suggest that all people in my situation at first watch the MSN Video interview with Jerry Bruckheimer since it helps sort things out and actually brings more to the film which ended up being quite good, however it has a bumpy path toward getting great reviews from people unless they do some research into the film's origins.
Arthur (Owen), is presented as Arturius, a commander for the Roman empire. On the brink of gaining freedom for himself and his knights, he rescues Guenivere (Knightley), turns on Rome, and alighns with the Guenivere's people, the Woads. Eventually, this turn will lead to him becoming the ruler of all the Britons. This movie is filled with action and fighting, but as I mentioned earlier, it has been toned down and sometimes feels choppy. Clive Owen does not have enough screen presence or noteriety to carry the role of Arthur. Kiera Knightley is most likely the only recognizable name in the cast to Americans, and she does not show up until almost halfway through the film. She also seems to be a little too small to be wielding the swords that she does, especially against some very large men. I like the idea of Guenivere being a warrior, but perhaps they should have chosen someone that fits the part. Perhaps I nitpick too much, but this movie for the most part did little for me. That fault does not lie on any one person's head, and perhaps I will have a different opinion when the R-rated version comes out on DVD, probably this fall.
The Romans had always found this last outpost of the Empire a problematic area: Hadrian's Wall essentially separates the north (Scotland) from the south (England), trying to keep the Woads (Huh? We would get the wrong idea if you called these people the Celts?) on the other side of the barrier. Adding to the incentive to abandon the land is the arrival of the Saxons on the scene who are set on killing everyone and pillaging everything. In such a land, a man who could become a rallying point against the onslaught of barbarism would be worth remembering. In David Franzoni's script Arthur (Clive Owen) is the son of a Roman officer and a Briton woman. Sent to Rome to be educated he returned as Arturius, commander of a garrison on Hadrian's well. His knights, in a subplot that does come across as a bit forced, are from the land of Sarmatia, far to the west. When their land was defeated the Romans spared their lives, but bound the knights and their male descendants to 15 years of military service. Now that period is up and awaiting their honorable discharges (and safe passage throughout the empire) are the last six of the Sarmatia knights who ride with Arthur: Lancelot (Ioan Gruffudd), Tristan (Mads Mikkelsen), Gawain (Joel Edgerton), Galahad (Hugh Dancy), Bors (Ray Winstone) and Dagonet (Ray Stevenson). They just want to go home, but a bishop (Ivano Marescotti) shows up from Rome with one last mission. The knights go, but it is not for the bishop, because they are all pagans, or for Rome, because they care little for an empire that is abandoning the land their friends died defending, but for Arthur. The only one who does not seem to know that he is a living legend is Arthur himself; or, if he knows, he neither cares nor believes in the stories. But Merlin (Stephen Dillane), the holy man of the Woads respects Arthur as the warrior who can lead men in battle, Cerdic (Stellan SkarsgÄrd) the leader of the Saxons hears Arthur's name everywhere he goes and finds him the rare man worth killing, and young Guinevere (Keira Knightley) has been raised on fairy tales about Arthur and his knights. This film is not about King Arthur as much as it is about how Arthur became king in this reimagining of the tale. Given the context of this telling of the Arthur story it makes sense that the epic love triangle between Arthur, Guenivere and Lancelot is jettisoned. In many ways that story, which remains the greatest love triangle since it is the husband's wife and best friend, has taken over the Arthurian legend. Director Antoine Fuqua is really going back to the basics, although in a way that will make most Arthurian scholars cringe. In this context I like not only turning Guenivere into a Celtic warrior but also that she advocates Arthur's destiny and is not merely a landed lady worthy of marriage. Besides, there is the nice contrast between Knightley's stately beauty as she fires her arrows and her ferocity as she gets to race across a battle field and win a bunch of sword fights. You get the feeling she was having the most fun of anyone in this film (I waited patiently for Ioan Gruffudd to do something really impressive with his two swords but they never really came up with anything). What is interesting given the idea that the Knights of the Round Table were the personification of Christian warriors is how the Church is blamed in the film for the downfall of Rome. Arthur is a true believer who has taken the teachings of Christianity to the level of the equality of all human beings, while the only other Christians we see in the film are engaging in torture and slavery. Arthur embodies the best of both Roman and Christian virtues, which makes him a most unique individual, but this film really does some serious retroactive Church bashing. Yes, there are some problematic elements in this film. No Roman family, let along one with the Pope's favorite godson, is going to be living beyond Hadrian's Wall in Caledonia (Scotland), and I the ending of the sword fight between Arthur and Cerdic is so trite by this point in movie history it is rather insulting to the audience. But on balance this is ambitious effort to tell the "real" story and there the situation is reasonably well thought out (plus working in bits from classic films like "The Seven Samurai" and "Alexander Nevsky"). Most importantly, the actors make it believable, even when they have to proclaim rather pretentious dialogue. The climactic battle scene offers a nice blend of Roman technology and Celtic bravery (I thought the charge of the Woads was a nice representation of the speed of the Celtic attack since they do not bother with armor), and the result, while not a great film, is certainly interesting enough to warrant a look.
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| 90. West Side Story (Full Screen Edition) Director: Robert Wise, Jerome Robbins | |
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Reviews (195)
West Side Story's ensemble cast is likewise peerless. [When I learned "my" homies back in Massachusetts'Pelham Regional High School...citadel/incubator of so-called 5-college professoriate and University of Mass'PC satrapy centered in Amherst...BANNED WEST SIDE STORY as Racist(this year the school is featuring VAGINA MONOLOGUES)I wondered: "WHERE ARE THE JETS when you need them?"]... Certainly WSS was never conceived--as Mel Gibsons's THE PASSION OF CHRIST--to stir Culture War and rally believers. WEST SIDE STORY is,"unsimply",American film making at its finest and cinema art of world class caliber. It is movie ICON,which,as The JETS challenge, remains at-the-ready: "to beat every last f.....'gang on the whole f.....'street!"(10 Stars)
The quality of the music and lyrics blends beautifully with the action, and the choreographed dances are breathtaking.The actors fit their parts to such perfection that I could not imagine anyone else than Natalie Wood playing Maria, or George Chakiris as Bernardo, and on and on for the rest of the Jets and Sharks. My favorite musicals are those from 1950-1970 and of all the great ones like Oklahoma, South Pacific, and the Sound of Music, West Side Story impresses me as the most exciting dramatic musical of all time. It is hard to find a boring moment in this movie. When I think about this movie, the ballet numbers, choreography, and excitement stand out the most in my mind. For a fast moving drama this is a classic against which to compare other musical drama. Who would have thought that a mere conflict between two gangs could have been portrayed into such a dynamic movie. The producers certainly succeeded in bringing up to date the Romeo and Juliet saga. The romance and tragedy of Tony and Maria will always be indelibly impressed in my mind.
The movie has definatley got some of the best dance seguences ever made for a musical. ... Read more | |
| 91. Better Off Dead Director: Savage Steve Holland | |
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Reviews (141)
John Cusack plays a HS teen obsessed (and I mean OBSESSED!) with his girlfriend. When she dumps him for the captain of the HS ski team it's amazing what happens to and around him. This movie includes laugh out loud scenes. You'll love his nemesis on the street racing scene, his neighbor "Ricky," and the French foreign exchange student who sees Cusack when he can't see anything else. Watch for lines that will live forever, like... "Oh, please, don't let it be a bugger." "Gee Ricky, I'm sorry your mom blew up." "Language lessons." "You know...friend." and "I want my two dollars!" There are, however, students at the HS dance who cannot possibly still be of HS age -- but that's typical for the movies...people want to remember themselves as being older, more mature than any HS students are anywhere -- talk about twisted views of reality! Anyway, this is a grand movie with lots of wonderful lines, a fun story line, some interesting side trips into Cusack's daydreams, and an ongoing feud between Cusack's dad and the paperboy. Check it out, it's a 4 star movie with 5 star hilarity. Alan Holyoak
Favorite Moments (Close your eyes and remember) 1) CHRISTMAS! DO THEY HAVE CHRISTMAS IN FRANCE? CHRISSSSMASSS! Opens picture of Ricky and goes outside and laughs for about 5 minutes on the front step. 2) TWO DOLLARS, PLUS TIP! I don't think there can ever be a more evident line for a movie than this. All you have to say to someone is "TWO DOLLARS!" Chances are if they saw this flick they will say "BETTER OFF DEAD". 3) "DUDE, RIGHT NOW I CAN BE MAKING SOME KILLER EGGNOG FROM LIGHTER FLUID!" "CHICKS WILL GET STERILE JUST LOOKING AT YOU" "BUCK UP LITTLE TROOPER" Charles Demar or Booger as you may have come to know him steals the scene on several occassions. 4) BARNEY RUBBLE ASKING LANE TO GO OUT WITH BETH. Need I say more. 5) IT'S GOT RAISINS IN IT, YOU LIKE RAISINS - With that the green slime crawls off of its plate and across the table. I could go on for hours, do yourself a favor and buy this movie! If you want to remember the eighties all over again this will bring it all back home. A great cast, script and many, many laughs. Also check out One Crazy Summer, along the same lines. TWO DOLLARS!
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| 92. Mary Poppins (40th Anniversary Edition) Director: Robert Stevenson | |
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