Reviews (749)

Destined to be a classic.
My title may sound a tad cliche, but I believe it. The guys at Pixar understand the mind of children - because they still haven't grown up! That's why Monsters, Inc. is the perfect balance of children's entertainment and adult sophistication. I love it when a studio produces movies that kids love, but at the same time are able to add a level of maturity and sophistication that adults appreciate - without sexual innuendo or appealing to the lowest-common denominator. (i.e. several instances in the movie, Shrek)

The animation is simply incredible; the characters are compelling and hilarious; Boo is worth the price of TWO admissions; the plot and backstory are completely ingenious.

Buy this movie. Enjoy it. Enjoy Disc 2. (Tons of extras - including "Mike's New Car" and another Pixar short entitled "For the Birds" -- PLUS, clips from the Monsters, Inc. office musical production "Put that thing back where it came from or so help me..." !!) With the possible exception of Toy Story 2, one COULD argue that this is the (or at least ONE of the) greatest animated movies ever made.

Sorry if I'm gushing too much. I love this movie. My kids love this movie. It's just plain, good, old-fashinoned FUN.

"MONSTERS, INC." will scare up a treat for audiences
Delightful, uproarious, fun, hilarious, cute and cuddly, jovial... Just a few of the numerous "happy" adjectives you could pin on Pixar's latest pixilated masterpiece "Monsters, Inc." Pixar once again proves itself Disney's most valuable asset with their knack for original stories and often witty and clever humor.

John Goodman and Billy Crystal provide their trademark voices for Sully, the big blue furry monster, and Mike, the cycloptic short green monster as they scare up kids' screams which are converted to energy to power the televisions and alarm clocks of the monster metropolis. (Seems very allegorical of the California power outages this past summer, no?) Conflict brews when Randall, the gecko-like monster, gets greedy and wants to become the top "scarer" by exploiting the screams of the innocent human child, yet show-stealing cute, Boo. While kids might get lost in the action of the movie, the CGI effects and clever Laurel and Hardy-esque slapstick of Sully and Mike (or Lenny and George, which ever way you want to look at it) will have the kiddies captivated from beginning to end.

While Dreamwork's box office baby "Shrek" may have just as good edgy, clever humor and depth, Pixar is far from being out of the running. Keep in mind, Pixar is already a veteran with "Toy Story 1 & 2" (with a third on the way), and "A Bug's Life". There's no doubt in my mind that Pixar and Dreamwork's will be at the helm of the fully computer animated feature for years to come. May the best company win!

For the time being, strap yourself in for the first in some great holiday flicks coming to the silver screen near you! "Monsters, Inc." is already off and running to box office gold, and is a wholly satisfying and entertaining movie for kids, parents, and "Average Joe" movie critics alike.

A big Kid at Heart
I was in the library with my niece and she grabbed this DVD. How can you say no to someone with the most adorable eyes. So I checked out the DVD, we went home and had a wonderful, wonderful time. This is the kind of movie you can appreciate no matter how young or old you are. James P Sullivan (voiced by John Goodman), and Mike Wazowski (voiced by Billy Crystal) are monsters who work for Monsters Inc. Sulley is the best at getting his fair share of scares, but he has some competition in Randall who wants to be the top scare monster. The more screams collected, the more energy for Montropolis. The monsters are led to believe that if a child enters their "world" they will be contaminated and everything could be destroyed. The real fun part starts when this adorable human child named Marry (Boo buy Sulley) sneaks into Montropolis by accident. The kids are scared of the monsters, and the monsters are terrifiedof the kids. Sully and Mike try to get Boo back to her world, but she won't leave. Turns out Randall is her scary monster. Also turns out that Randal has a plan up his sleeve to extract screams that could put the other monsters out of work. It's up to Sully and Mike to save Montroplis and Monsters Inc. This is a fun, entertaining film that will leave with a happy, happy feeling when it's all over. Steve Bucemis I the voice for Randal Boggs, and other notable actors are James Coburn, and Jennifer Tilly (who has the perfect voice for animation, she should do more of it!!!) and Bonnie Hunt.

This is an adorable movie. One I will watch again, with or without my niece.

More Family Magic from Pixar! Great DVD Extras!
"Monster's, Inc." combines a fantastic cast, cutting edge imagination, and a tender storyline into a wonderful, delightful family film . . . it may even cure the nighttime frights of your wee ones!

Most of us were scared stiff at some point in our childhood by the spooky, imaginary "monsters in the closet," usually after we've read "Where the Wild Things Are" for the first time. "Monsters, Inc." plays on that near-universal fear by creating a rational explanation -- monsters live in a parallel universe, connected to ours by closet doors, and they power their land by the energy contained in human screams. Makes perfect sense!

Sulley (the hilarious John Goodman) is a celebrity in Monstropolis as the leading scare-getter for Monster's, Inc. Sulley is generally a lovable big blue yeti-bear-creature, but he can be quite terrifying. Blissfully unaware of the terror he unleashes, he enjoys his job. Basking in Sulley's reflected glory is his sidekick and assistant, Mike Waznowski (Billy Crystal, perfect as ever). Mike is a lime-green-yellow glob with one giant eye and an even larger mouth. He helps Sulley get the screams and stay one step ahead of the competition.

And the competition is fierce. The dragon-chameleon Boggs (Steve Buscemi, suitably creepy without being too scary for the kids) is right on Sulley's heels to be the scream champion, and he's willing to go to any lengths to beat his nemesis.

All is well in Monstropolis until Boo, a human child, accidentally finds her way through the closet and into Monstropolis. It seems that as scared as kids are of monsters, the monsters are equally scared of the kids -- their touch (allegedly) brings death and ruin. (This misunderstanding leads to great comic scenes as X-Files-type HAZMAT crews invade every time there's a kid sighting, usually to the woe of the monster who has seemingly been infected by the kid!)

Like all Pixar films, the glories are in the details. Check out the gentle satire of Hollywood celebrity culture, of mindless bureaucracy, and the perils of romance in the office. The animation is also wonderful -- Pixar continues to evolve with every picture. For example, Sulley's fuzzy hair is fully articulated as he zooms through various escapades.

The story is fast-paced, with enough jokes to keep the adults laughing . . . which is good, 'cause your kids will likely keep throwing this into the DVD player.

Speaking of the DVD -- there are lots of fun extras on this two-disc set. Personal favorites include the fake "outtakes," similar to those at the end of "A Bug's Life," a short film featuring Mike showing Sulley his new hi-tech car (with hilarious consequences), and an Oscar-winning short film, "For the Birds," which shows how funny animation can be, even in short doses. There are additional extras that will keep the kiddies occupied for hours.

All in all, a must for the family's DVD library.

100% Kid Friendly
There aren't many movies that can be seen over and over and over again and still be enjoyed so much. My little sister is addicted to Monsters, Inc. Instead of having to look under the bed to make sure there are no monsters there, she wishes and hopes that when the closet door is opened, Scully will be in there waiting to "scare" her. She was Boo for Halloween last year and requested a Little Mikey stuffed animal for her birthday. Basically, she can not get enough of anything to do with Monsters, Inc.

OK, I admit it. I'm hooked on Monsters, Inc. too. After seeing it thirty plus times with the little one, I still find myself actually watching it and laughing out loud. What a great movie with lovable characters.

Monsters, Inc. is a 100% kid friendly movie that adults will enjoy as well. ... Read more

Reviews (259)

Who Ever THought of This Film was an Insane Genius
Whomever came up with the concept for this film needs very serious mental evaluation; A love story about a guy with scissors for hands? But perhaps we will put that aside for now becasue the movie is simply stupendous. Edward ScissorHands is one of my all time favorite movies, I assume this goes for many others as well, becasue i have never found someone who didnt like this movie. It appeals to the strange geek inside us all who just wants to be accepted for what he is. For an overview of the movie read the summary amazon has provided, i will talk only about the dvd. THe extras are quite neat with commentary tracks, production art, and best of all some old Burton shorts. Vincent is a great clayamtion thing about a kid trying to be vincent price, it reminded me of beetlejuice, visually. Frankenweenie is kinda dumb and boring, but its about a kid who brings his dog back to life. THe image clarity is fantastic, as is the sound on this disc. It has some really cool animated menus too. So go buy it. You might wanna see it first though becasue it is pretty strange. Bottom line is if you like Burton films, you will love this one. (I still have a little trouble seeing that kid from the breakfast club as a bad guy, but whatta gonna do?)

fantastic DVD, even better movie
Edward Scissorhands is quite simply the best fairy tale never told. This is Tim Burton in his eccentric prime, and his presence is palpable in every arena of this beautiful and personal film. The inventive art direction is perhaps the most memorable aspect of that presence, most notably in the pastel palette that covers everything from the ingenius solid-color costumes to the quaint neighborhood/town our characters inhabit.

The genius of this movie is more far-reaching than that. Everything fits seamlessly together--from Danny Elfman's quirky score to Stefan Czapsky's meticulous camera work to an entire cast full of nuanced performances... the list goes on and on. While this film's acting gem is Diane Weist in the role of the sweet and overly altruistic mother, Johnny Depp plays the titular role in a beautifully understated performance. Similarly, Winona Ryder wonderfully (and blondly) embodies young beauty and Alan Arkin turns in a comedic yet touching performance as the sometimes-overbearing father. The ensemble cast is flawless, complementing the quirky but ultimately realistic tone.

Perhaps the best aspect of this movie is that it achieves its goals with amazing subtlety--the overt themes of "being different", family, and (let's not forget) love are constantly driven into cliché these days, but Edward Scissorhands accomplishes it all with a snip, not a stab.

This 10th Anniversary Edition DVD is everything this movie deserves--insightful commentaries from Tim Burton AND Danny Elfman and an interesting featurette, along with the concept art, trailers, TV Spots, and scene selection we've all come to expect. (The Interactive 3-D Menus are priceless!)

This is just one of those positively timeless, life-affirming movies that belongs in everyone's collection.

A true work of art!
This has certainly got to be one of Burton's most imaginative creations. I can't remember a movie be that puzzlling, and yet so interesting and fun. Only Jonny Depp could prouduce such a voice, and performance. And that hair! Well, that was just the final icing on the cake. Let's face it. It's not easy to act the part of a lonly anodroid,and especially one that looked on with curiosity one moment and hated the next. Horror king, Vincint Price does a good job too as Edward's maker. Who is despreat for companionship. I laughed, I cried, then I laughed some more. All in all, this is not that bad of a movie.

A Beautiful Movie
I first saw this movie not so long ago and I fell in love with it. It is a beautiful story with very sad moments as well as exciting ones. Burton and Depp make a great team. This is one of the most moving movies I have ever seen. It tells the story of Edward (Depp), a person created by an inventor (Vincent Price)who passed on just before he had a chance to amputate Edward's scissorhands. Edward lived alone in a castle until sweet-hearted Avon lady Peg Boggs(Dianne Wiest)comes and takes him to her home to live with her family. A must see for Tim Burton fans and anyone who enjoys a magical time watching a movie. I have recently bought this DVD and I love it. I give Edward Scissorhands two big thumbs way up and 100 stars. I hope my review has helped you.

masterpiece
i just realised that "Edward Scissorhands" is one of my favourite films. it has so much power. Tim Burton's storytelling, it is magnificent. his imagination is so great. the way he portrays his characters is so unique. every character is very distinct. like characters in his other works: Jack Skellingon, Ichbod Crane, Edward Bloom, Betelgeuse. now let's talk about the acting. johnny depp was magnificent. you could sense his emotion, even though he barely talks, as he portrays a lost, innocent, confused child. his make-up is excellent too. yes, he does look like a freak. but he looks good. and Winona Ryder. she's such a good actress. and can you say "pretty?" and oh! the set design and cinematography. the use of colour to expose the contrast between the two worlds. the pastel versus the dark castle. and the town! oh my. it is a dreamland. did you know that it is an actual neighborhood in Florida? one more thing. Danny Elfman's score is superb! ... Read more

Reviews (2)

GREAT MOVIE!!
I'm not a Tom Cruise fan but this gets two thumbs up! Saw it twice in the theater, and am gonna buy it on DVD and watch it again!!

Micheal Mann will do it again
I know this movie will be awesome this is a Micheal Mann movie. Just look at the list of movies he's made Manhunter, Heat (one of my all time favorites), The Insider (another one of my all time favorites), and Ali. In all Micheal Mann's movies there are alway's awesome plot's, plot twists and performances. Ten years ago Tom Cruise was an awesome bad guy in Interview with the vampire, and again Tom Cruise will be awesome as a bad guy. I know Jamie Foxx who is always good, and Mark Ruffalo will put on good perfomances. So be ready for a night on the town. ... Read more

Amazon.com

Directed by Sidney Lumet (Serpico) and penned by Joel Schumacher (Batman and Robin), this lavish 1978 adaptation of the Broadway hit The Wiz was the biggest production filmed in New York City up to that point, utilizing the newly revamped Astoria Studios and locations around the city. Diana Ross, Michael Jackson, Nipsey Russell, and Ted Ross (reprising his Tony-winning role as the Lion) star in this Academy Award-nominated musical for the whole family.

The Wiz is probably the grandest take on L. Frank Baum's classictale The Wizard of Oz.Theproduction team created sets with a sense of urban magic and spectacle: a New York subway station literally comes to life, and the massive plaza between the World Trade Center towers is transformed into the Emerald City, featuring nearly 400 dancers with three costume changes. Like all good musicals, the Quincy Jones arrangements are highly hummable long after viewing (especially the funky "Ease On Down the Road" and the inspirational "Brand New Day"). In an era before MTV, the camera stays nearly stationary as Ross and Lena Horne vocally soar through their numbers. Their stage-like performances successfully make the leap to film, making The Wiz a testament to their singing talents and star presence. The then-thirtysomething Ross raised some eyebrows playing the traditionally teenaged Dorothy, but she and her supporting cast (including Richard Pryor as the Wiz) carry the tunes with an infectious verve that will appeal to folks of all ages. --Shannon Gee ... Read more

Reviews (120)

What Can I Say.....
Oh boy, where to start? This seems to be one of those movies where you either hate it or love it. This update of The Wizard of Oz, while for years vilified, has seemed to have gathered a cult classic-like following in recent years. It bears little resemblance to the 1939 Judy Garland masterpiece, or even for that matter, to the Broadway musical upon which it was based. The original musical was light and entertaining, inspirational and fun. This 1978 motion picture is a pretentious adaptation tht simply tries too hard. the film-makers turned the simplistic story of a young girl lost in a strange land into an overly glitzy, glamorous, and gaudy film. Despite this, there are some awesome moments in this movie, most notably: the stunning New York City visuals, great performances by Mabel King as the Wicked Witch and Ted Ross as the Cowardly Lion, wonderful music, and impressive and incredibly choreographed dances. However even that can't save the movie. It still manages to fall flat, not living up to the promise, vision, or scope of the simple story upon which it is based.

Unbelievably Fun
Boo, hiss to all the naysayers of the one and only 'Wiz'. A few of my friends got together at the DVD store the other night and out of all the available titles settled on this one, primarily for nostaligic reasons. Once we got home and popped it in, well, it was more than just simple sentimentality that carried us off to another world. This musical is awesome. The story is timeless, the songs are unforgettable and the widescreen transfer is excellent. One only wishes for more goodies on the disc.

I often scratch my head at why Sidney Lumet directed this, but knowing that he is one of the top five directors ever who understands New York City, it now makes perfect sense. The location shots are amazing, especially with the massive Albert Whitlock visuals. And as hard as it may be to watch Diana Ross play a 24 year old single woman, she achieves it with simple gestures and that pure, honey voice.

It's a huge treat to watch this movie and I look forward to repeat viewings.

THE WIZ....HAS SOUL!!!
The Wiz music will always be a classic. This is my only reason for buying this movie. It was definetly a 70's show. I was confused about certain scenes in the movie. For example, why did Aunt Em start singing "The Feeling We Once Had" to her daughter instead of Dorothy. And how did the Scarecrow know to signal Dorothy to destroy Evilene. The choreography and the music was great. Good for children to see!

BLACK PEOPLE, BUY THIS FOR YOUR KIDS!!!!
A MUST for every black child to see!! This is OUR classic production. Many great actors/actresses were young budding talents when they performed in the Wiz. It's great to see them then & know them now. My kids enjoyed the music & loved the dancing.

You should see the Whiz all over my tape!
this movie was okay, but all admit it was a disapointment. lookit dorothy with this afro, and this obese aunt em, god! you people have distoryed this tape! well hey the lion-- is lioney, the scarecrow dosen't sound like a girl and the tin mans chipper. except for the fact that they had good songs, and singers and all that other junk. the effects were sort of lacking, but hey-- it is not bad. its okay, but it is not that great, seriously people. this 3 star rating suits it. ... Read more

Amazon.com

Charismatic young stars Sean Patrick Flanery and Norman Reedus play two Irish brothers, Connor and Murphy, who believe themselves ordained by God to rid the world of evil men. Their first killing is in self-defense; but after that, they start killing with devotion, gunning down a summit of the Russian mafia. Willem Dafoe plays a gay FBI agent (he listens to opera while examining crime scenes) who knows what the boys are doing but feels that their vigilante tactics are necessary. There's not much plot to The Boondock Saints--it's mostly a series of violent scenes in which the boys are partially ingenious and partially lucky. The movie seems to want to provoke debate about vigilantism, but the scenario is too implausible to stir any real controversy. The peculiar mix of earnestness and machismo will not appeal to everyone, but it's certainly unique and may acquire a cult following. --Bret Fetzer ... Read more

Reviews (336)

The Quintessential Cult Action Movie
The Boondock Saints is one of the quintessential cult classic movies of this decade. When Russian mob bosses try to take the neighborhood bar, Irish Catholic Vigilants Conner and Murphy, Sean Flannery and Norman Reedus, fight back for the little guy and thwart the diabolical plot along with life long mate Rocco, David Della Rocco. But what do they do now? The answer is simple: make retribution a career. But when the FBI sends their best investigator, William DaFoe, to join the hunt along with two other mob families, our angels of retribution are in for the fight of their lives but without of course taking it too seriously. Lock and load for this light hearted, thought provoking, high action feature.

I really liked this movie because of the good story and the amusing characters/ dialogue not to mention the unbelievable action sequences. It truly does use all of the stereotypes of the traditional action movie to its advantage by making fun of them yet at the same time performing them. The two-narrator style works very well as well and I think that the whole thing is a blast because of it. The characters rule! The action is awesome! And I spent 25 bucks for the DVD willingly. Years later and I do not regret my purchase in the least. I would definitely say that this is a must own movie.

Independent Ideas
The film "Boondock Saints" far surpasses most Hollywood productions from the outset simply by incorporating a plot different from the mainstream. Although the film contains the usual amount of violence and killing for an action movie, this film has the merit that the motive for the murders is very clear, and quite possibly justifiable. The social and moral questions raised throughout the film cannot help but elicit at least some critical thought. But don't worry about being forced to think too hard; the film is routinely punctuated by witty dialogue and amusing circumstances. The main characters, two selfless Irish brothers and a stray Italian, have delightfully good hearts and are endearing from the start. Willem DeFoe puts forth one of his best performances ever, adding creativity to his rough and tough character by portraying an extremely self-assured gay FBI agent who doesn't quite admit his sexual orientation to himself. His character is an excellent addition to the underlying religious theme of the movie as it pronounces the question of what purpose religion should serve, other than to provide moral direction. The film is a must see for anyone who wants to determine what is truly morally correct, as well as anyone who just likes to watch a couple of nice Irish lads following their calling.

Don't be dazzled by all the stars - no good.
I'm shocked that people have consistently given this movie 5 stars! It Does nothing for my faith in human discrepency. This film was reccomended to me by the bottle nose in the video store. It's my fault because I should have immediately taken that as a sign that this would be just as annoying as he is, and it was! However, I'm not that hard to please, but this movie failed on all accounts - avoid this trash like diptheria. It attempts to be sharp action flic laced with witty lines, simultaneously action and comedy, but fails to be either and falls miserably between the two gernres into a rip-off/gay abyss of boring viewing. Dufoe's performance is cringe-worthy, and the rest of the acting is no better than B-grade. The renegade vigilante premise of the film has been done before, and to much better effect. If I had seen Billy Connoly's name on the box I would have dropped it like a hot-cake, am I the only one who finds this 'quirky' fool comedically inept? Luckily his role is a essentially a cameo, don't worry, the rest of the script more than makes up for his brand of NOT-FUNNY humour. I wonder why in God's name people reccomend films like this, but then I see all these 5 stars and I realise just how rotten and depraved the taste of the common man is. The film doesn't even stick to it's terrible plot and crumbles half way through like a stale cookie - it uses some extra violence as a crutch for it's weak style - And he only laugh I got was a series of hearty guffaws at the folly of my rental - give me back my 4$!

BEST MOVIE EVER
This is the greatest movie ever. The plot is good but the thing that makes this movie great is the dialoge. Every single line is a classic. The actors all do a great job and Willem Dafoe is on the top of his game. If you are into Guy Ritche or Quentin Terantino than this Troy Duffy masterpiece is for you.

An undeserving cult classic
There's something about this movie that makes me physically ill. It's not the violence. I can handle as much violence as you can throw at me. Instead, it's the puppydog adoration that people follow this movie around with. It just isn't very good. It isn't horrible, but there are much MUCH better Tarantino knockoffs out there. Way of the Gun has better writing, a better soundtrack, and better fight scenes. Things to do in Denver When You're Dead is a much moodier film with a better atmosphere and far superior performances. I mean, you can always go and watch GOOD movies, but if you want an action movie, these are the ones to watch. This film basically has Willem Dafoe playing the same character he's played in every movie, no storyline, and depressingly cheasy plot developments. And there's a sequel coming out. I hate everyone who loves this movie. Screw you all. Hell, even Killing Zoe's better than this. ... Read more

Reviews (453)

Toy Story 2 Is Better Then the Original!
I had expected a dull child's cartoon with a meaningless plot and dull characters...wow was I ever wrong! Toy Story 2 is funny, exciting, dramatic, and very entertaining! This time around, Woody is stolen by a greedy toy collector...why? Because it turns out that Woody is a valuable doll from the 1950's when he had his own popular TV show! As Buzz and the rest of the toys frantically try to find a way to rescue Woody, our cow-boy hero meets other toys just like him---Jesse the cow-girl, the Prospector, and Woody's hillarious horse. And all this time Woody starts to wonder if maybe he's found his rightful home...or has he? The animation is tops, the plot is engrossing, and the movie is excellent! If you think an animated feauture is just a bunch of interesting graphics then you're wrong! This is a heart-warming and wonderful family film.

Toys
Toy Story (1995, 80 minutes, Dolby Digital Surround; Audio Commentary, Interviews) As 6-year-old Andy's favorite toy, Woody (Tom Hanks), a take-charge, pull-string cowboy, is confident in his role as room leader. But after Andy's birthday party, newcomer Buzz Lightyear (Tim Allen), a flashy space ranger with laser action and pop-out wings, crash-lands into Woody's world.

Buzz instantly wins the admiration of Andy's other toys, igniting a rivalry that lands the duo inside the home of Sid - the toy-torturing boy next door. To escape Sid's evil plans, Woody and Buzz must work together and realize they've got the perfect friend...in each other!

Toy Story 2 (1999, 94 minutes, Dolby Digital 5.l Surround EX; Audio Commentary, Sep. Film Score Audio Track, Outakes) Andy goes to summer camp and the toys face a new crisis: Woody turns out to be a valuable collectible, and is kidnapped by an evil toy collector. It's now up to Buzz and the gang to find a way to save him.

Five stars for the movies, one star for Disney
Why must they stick to this archaic way of releasing their movies on video/DVD? I could understand discontinuing collector's or limited editions, but why discontinue entire movies? Well we all know the answer, I just hate to be jerked around like this. Disney is the largest movie company in the world but our enjoyment of their films is based around their idiotic release/discontinue schedule.
Well, with that unpleasantness out of the way, I must say Toy Story 2 is my favorite animated movie of all time and the Toy Story series is my favorite animated series (if you think about it, though, that's not saying a lot). Let's just do this in the order they came out.
Toy Story blew my mind, because the things they did in that movie (the first in particular) were so like me when I was a kid (at that age). Toy Story is sure enough my second favorite animated movie ever. It's funny, and colorful, and touching. I think all good kid's movies should have a sense of wonder, or delight, and it shouldn't be in either a cynical or naive way. They should show wonder in a way that can be found in the real world, which is a balance hard to find. The original Toy Story has all kinds of wonder and awe, both in positive and negative ways (some kids could be afraid of Sid but I bet they won't be able to stop looking at him). It's about finding your place in life, and what to do with what you've got. When Buzz happens upon a commercial for himself and then tries to fly through the window-well that is one of the most touching scenes in any movie I've seen. And the whole ending sequence is beautiful, from Buzz and Woody on the RC car going through traffic, or them being blasted from a rocket through the air. Not to mention it's filled with all kinds of toy-related jokes that any kid can relate to. I think it's safe to say it'll be looked back on like the very first full-length animated movie (it was Snow White, wasn't it?).
Toy Story 2 is nearly flawless. It has one of the craziest openings for a movie ever, and I love the way it can find a way to have characters with all kinds of motives. Al is driven by his greed, the Prospector is jaded but just wants to be loved, Jessie hasn't given up hope yet so is overjoyed when she can find a way to confirm her hopefulness. The movie uses the toys as a metaphor for growing up and moving on: or not. You can aspire for your dreams or you can realize you're happy with what you've got. Toy Story 2 is/was the last movie Disney made with Pixar before they got too smug and self-indulgent. They realized they had the power to stir emotions and awe (they also realized they could make a ton of money), but instead of giving us a sweet movie like Toy Story, we got the self-congragulatory Monsters Inc, with its obvious conflicted main character, and instead of a great secondary character like the Prospector, we got Boo. Finding Nemo was a step in the right direction, but in my opinion doesn't have the heart of the Toy Story movies.
I can actually think of one thing wrong with Toy Story 2, and that's that lame Sarah Mclachlan song. I'm not one of those people with a weird Randy Newman fascination, but his songs were so much better than that one Mclachlan song. I guess it's because the scene in which it's used is already so emotional, instead of Newman's weird but effective delivery we got Mclachlan hammering the point home with her yodeling. But I love that scene because it shows how the little girl grew up. Other than that, Toy Story 2 is great: funny and vibrant, even on my crusty old VHS tape.
I wish I had these movies on DVD. They spark wonder in me at my age just like they did when I first saw them. They have plenty of in-jokes and such but also have a timeless quality (and a strong sense of innocence). Five stars for the both of them, the best animated series of all time.

It's Different.
It's different from your average animated film. So was Toy Story part 1 but this one is better. The movie plotting is a lot better in this part. I give it five stars(I'd give it six if it was in my hands!)

The secret lives of toys
Woody (Tom Hanks), who turns out to be a rare collectible, is stolen by an unscrupulous toy store owner and slated to be sold to a toy museum in Japan. Buzz Lightyear (Tim Allen) and friends embark on a dangerous cross-town rescue mission. This is a very entertaining and perceptive film that remembers the guilt that a child can feel over outgrowing a favorite toy. Sammy the bear was my own constant companion when I was a young child. As I grew older, I sometimes felt a pang of shame when I would encounter him lying unloved and unplayed-with in the bottom of my old toy chest. I hope he's as philosophical and understanding about it as Woody is. As cheerful as this film is, it takes on an added dimension by honoring that first melancholy that a child feels upon outgrowing a formerly cherished plaything. The animation and voice talent are also top-notch. ... Read more

Reviews (332)

Open Mind Folks!
We have been watching this movie in our eighth grade English class, as well as reading the play Romeo and Juliet, as well as meeting with our Shakespearean expert who just happens to work at our school to act out scenes. Not only that, but we have also been studying the Shakespeare's time period. That being said, let me also say that Shakespeare was not this serious man who didn't understand comedy. In fact it was quite the opposite. True, Romeo and Juliet is a tragedy but is a comedy as well. That's how most of his works are. An example of this is how he would cast men as women. Just the sight of this would bring laughs from the audience. With all that understood, the movie Romeo and Juliet is a great adaptation.
We have only watched the first 30 minutes, and I might add more to this review once we finish it, or when I get the DVD, whichever comes first! But I loved the newscaster as the chorus. What a creative touch. As for the swords or guns controversy, this is set in modern times. Who uses swords in our day? But to keep the Old English was smart. After all, what is Romeo and Juliet without Old English? It would not be the same. I mean, the famous Queen Mab's speech in anything but Old English? Hard to imagine. And te contrast between Old English and modern times was a very interesting one. And even if it was written in today's language, it would be too much like West Side Story. They wanted to stick to the roots of Romeo and Juliet. Also for all those people who criticized Mercutio for being a drag queen, he is not a drag queen or a transvestite. Well what can I say? This is the modern version. The performance given by Leonardo DiCaprio is great, he speaks Old English like he's spoken it his entire life. However Juliet, I don't quite agree with. I don't think she brought her best to this film. The acting isn't the best and she looks quite bland compared to Romeo, who is quite handsome, and I don't really understand the whole Cuban thing with Juliet's family.
All in all, a great film, one that must be seen with an open mind, otherwise don't even bother to watch it at all. It was filmed to show today's fourteen year old's that yes, Shakespeare lived in the 1600's and true, Romeo and Juliet takes place in the 1400's but it has a universal message of love, one that can still be understood today, even if it is 2004.

My Favorite Flic
Hi, to whoever's reading this, thanks for taking the time to see what I have to say. I won't say that this was one of the most brilliant movies ever, even though I think so, cause that's my opinion. If you have not seen it yet, you should watch it. Shakespeare is my favorite writer and also one of the most awesome, influential people in the entire history of man. He's able to capture you in two hours and not let you go. Romeo and Juliet is a passionate, beautifully written love story that takes in the kind of love everyone dreams about. I must admit that I rented the movie at first for two reasons: because I was a huge fan of Shakespeare and had read the story hundreds of times already, and also because of well...Leonardo DiCaprio. (He is pretty hot, you have to admit). Anyways, to all those who hated this movie, open your mind! The performances were not perfect I know, but who is perfect anyway? They all put forth their best effort. In the end, it became a popular, amazing movie that's great for couples to watch together!

It Almost Worked for me, but...
Read kerki and Eric's review. I won't be redundant and say the same things, because I agree wholeheartedly. Visually, this was quite stunning..beautiful. The outlandish, as they say "MTV" look was good, kinky, modern. If they would have dropped the accents and brought Shakespeare's words into today's vernacular, I probably would have given it 5 stars. The new story idea was that good. The cast was delicious, as were the sets. It's really too bad. With just the one change to modern English, this could have become a cult classic. As stands now, I'll just keep watching Zeferrelli's version forever. Now, that's Shakespeare.

I don't think Shakespeare's rolling in his grave, but...
Maybe my viewing experience of this film was tainted when, while seeing it in the theatre, one of the 13 year old girls sitting in the row in front of me turned to the other and said, "is Leo going to talk link this THE WHOLE TIME?".

For a Shakespeare purist (as I am myself), the problem is not the modernization of the setting and the use of the language in that setting (I personally love it), but it's the absolutle murder of the language by the majority of the cast that makes my skin crawl. This movie, in terms of the execution of the script, does a disservice in getting kids hooked on the poetry of Shakespeare's writing.

However, I will admit that visually it's great. The setting is apt. Mercutio is amazing. But, teachers, I would think twice about showing this version to your class.

The Best movie ever
This movie is awesome Leonardo DiCaprio is the best Romeo yet ... Read more

Reviews (332)

Excellent job Disney.
I saw this when it first came out in theaters back in 1992. I was only 7 or 8 at the time, and it just didn't appeal to me as much as The Little Mermaid or The Rescuers Down Under. I don't really know why, but having just getting the DVD in the mail, my view of the movie is completely different.

Beauty and the Beast really is one of Disney's top 4 animated films. How they managed to combine a massive cast of characters into the main plot is amazing. Beast is one of my favorite Disney characters after re-watching this. There's so much emotion inside of him. Anger, rage, pity, ambition, and love. You'll really care for him from the moment he appears on screen. Belle is possibly the most humble heroine to date. She doesn't see that she's beautiful, but just cares for helping others and reading books. The supporting cast is just as good. Gaston, the villain, is just a....well I can't use the word. You can bet your money you'll feel the same way. But the characters are just the icing on the cake. The story is what the strong point's always been. Disney did a great job adding so much more to it, whereas the original didn't focus on anyone but Belle and the Beast really. But I'm sure you all know the story, so I'll just get into the features on this DVD.

On the first disc, you get 3 different versions of the film- theatrical, work in progress, and special edition. The theatrical is what you saw in theaters or on the home video release. Work in progress is mostly drawings in black and white while the voices and everything else is put in. The special edition has a few lines changed here and there, and the added musical "Human Again" into the film. Personally, I hated "Human Again". It comes right after and before other songs in the film, making you want them to just get on with the story. Plus the animation in it really stands out since it's newer and has those annoying shadows on every character that you see in so many made for video animated movies. There's also a commentary track that adds a lot of depth and information, and a game that unlocks another game. People complain about the picture quality of the movie, but it's not that bad. On a scale of one to ten, I'd give it a 7.5.

The second disc has a well done documentary on the making of Beauty and the Beast, story origins of a few other Disney movies, art galleries, music videos, more games, and much more. Amazon lists that the Broadway Musical is on this, but it isn't. It's mentioned in the documentary, that's all. This sets the standard for extras on Disney special editions of their movies. It's too bad The Lion King has nothing compared to this. Either way, if you like Disney at all...or just movies, you should go for this while you can. It's a masterpiece, and getting harder to find.

A thinking girl's heroine
When I saw "Beauty and the Beast" in the theater, I had a rare and magical experience: I felt like a child again watching an enchanting Disney movie. In fact, "Beauty and the Beast" seemed even better than the Disney classics like "Cinderella" and "Sleeping Beauty" that were such a wonderful part of my childhood. The animation is absolutely gorgeous--particularly the waltz scene, which feels incredibly three-dimensional. The songs are beautiful, singable instant classics.

Despite the animated characters, I felt like I was watching an old musical. The movie opens with a scene reminiscent of "The Sound of Music," with our heroine, Belle, singing on a hilltop about wanting more out of life. The "Be Our Guest" scene, featuring a Lumiere (the Maurice Chevalier-inspired singing candlestick), dancing dishes and champagne corks popping like fireworks, reminded me of the Busby Berkely musical extravaganzas of the '30s.

A big appeal for me is that Belle is a much different heroine than the Disney princesses of my childhood. Belle isn't looking for a man to rescue her from her life of drudgery. She loves to read and longs for a more interesting life. She already has the "town catch," Gaston, wanting to court her, but she's having none of it.

Belle's escape from "her provincial life" begins when her father, a kooky inventor, doesn't return from his travels. (He has sought shelter from a snow storm in a spooky enchanted castle and is being held prisoner by the Beast.) Belle tracks down her father and, out of concern for his ailing health, takes his place in captivity. The Beast, who has been placed under a spell, wonders if Belle might be "the one"--the young woman whose love will return him to his original human form.

The enchanted furniture, candlestick, clock and dishes added lots of fun characters to the traditional story. Cogsworth, a stuffy clock, and Lumiere, the match-making candlestick are a great comic duo. Cogsworth's romantic advice to Beast about wooing Belle is especially funny: Give her "flowers, chocolates, promises you don't intend to keep."

Gaston, meanwhile, wants to woo and wed Belle himself. He sings about his he-man attributes in one of the funniest ode to a redneck that I've ever heard: "I use antlers in all of my decorating," Gaston sings about himself.

When Gaston realizes that Belle loves the Beast instead of him, he stirs up an angry mob to head to the castle. In another twist on the traditional fairy tale ending, Belle ultimately rescues the Beast--not the other way around.

"Beauty and the Beast" is a delightful classic whether you are a child or a grownup who knows how to feel like a child at times.

Pure Magic!
Bringing this classic fairy tail to life is one of the best things that Disney has ever done. Every second of this film is full to the brim with wonder and magic. More than ten years after first seeing it, there are still some scenes that make me gasp at their beauty.
The movie provides all of the usual Disney elements of gorgeous animation, skilled voice actors, awesome original songs, and non-stop entertainment, but there's something special in the mix. We get one of the most believable and heart felt romances to ever grace the animated world. As a child every time I read a picture book of this Fairy Tail I found it impossible to believe that a woman could love a beast, but Disney found a way to make it happen. You truly believe that it's possible, and feel her pain when she thinks she's lost him.
In the classic Disney fashion, Beauty and the Beast brings along a message for the kids to learn. We see the value of intelligence and compassion, learn to look beyond the superficial, and discover that love knows no boundaries.

After A While One Doesn't Notice It Is Animated
It is quite rare for any animated film to be treated with the same respect as any other honored non-animated one. In BEAUTY AND THE BEAST, directors Kirk Wise and Gary Trousdale take the time-worn fairy tale of the outwardly loathsome beast who impossibly enough allows his inner nobility to shine forth sufficiently to cause the beauty to fall in love with him. Robby Benson is the voice of the Beast and Paige O'Hara is Beauty. Even for those readers familiar with the spoken tale or the revamped music video with Meatloaf as the Beast cannot help but allow themselves to be entranced with the seamless melding of sight to sound. The plot is simplicity itself with the Beast as the archetypal symbol of the rebirth of nobility long hidden by the evil spell of a unnamed wizard. There is nothing childish is the unfolding of the tale of Belle the Beauty who chooses to sacrifice herself in marriage to save the life of her doddering inventor father. Enter the Beast who is initially presented as the roaring brute that his tormenting wizard clearly intended him to be. Yet, as Belle ministers to his psychic wounds of self-loathing and his physical wounds incurred in defending her against a pack of wolves, the viewer can see a competing spell at work, one that is older than time itself--the power of love that the film's many songs allude to and function as as subtext that imbues it with timeless energy. There is, of course, some needed plot complications of unwanted attention heaped on Belle by the handsome but warped Gaston, who plots to snare Belle in marriage as firmly as he would stalk a reindeer for its antlers. As Gaston leads the villagers in an assault on the Beast's manor, one is reminded in reverse of the cliched villagers pounding at the walls of Doctor Frankenstein's castle, but in this case the attack in presented in comic tones that keep the real world of harm at bay.

BEAUTY AND THE BEAST has no down moments, with each fresh plot advancement heralded by stunningly effective animation and song. This film was a deserved nominee for Best Picture in 1991, and with repeated viewings, one may rest assured that the alternately gloomy and resplendent halls of the Beast will eternally resonate with the same cachet that gives Tara, Oz, or Rick's Cafe a ticket that allows the bearer to see just how awesome the human spirit can be.

The Beauty
This is a beautiful movie and is in a wonderful set. It has two discs with great behind the scenes stuff for Beauty and the Beast that you definitely wont want to miss out on.
The colors in this movie is beautiful and the music is lovely.
I really wouldn't miss out on this movie because it's a great film and a wonderful set. ... Read more

Amazon.com

Disney's adaptation of the beloved fairy tale became a classic in itsown right, thanks to some memorable tunes (including "A Dream Is a WishYour Heart Makes," "Bibbidi-Bobbidi-Boo," and the title song) and some endearingly cute comic relief. We all know the story--the wicked stepmother and stepsisters simply won't have it, this uppity Cinderella thinking she's going to a ball designed to find the handsome prince an appropriate sweetheart, but perseverance, animal buddies, and a well-timed entrance by a fairy godmother make sure things turn out all right. There are a few striking sequences of pureanimation--for example, Cinderella is reflected in bubbles drifting through the air--and the design is rich and evocative throughout. It's a simple story padded here agreeably with comic business, particularly Cinderella's rodent pals (dressed up conspicuously like the dwarf sidekicks of another famous Disney heroine) and their misadventures with a wretched cat named Lucifer. There's also much harrumphing and exposition spouting by the King and the Grand Duke. It's a much simpler and more graceful work than the more frenetically paced animated films of today, which makes it simultaneously quaint and highly gratifying. --David Kronke ... Read more

Reviews (63)

I LOVE THIS MOVIE AND CAN'T WAIT FOR OCT 4, 2005!!!
Despite from what other reviews say, I am putting my 2 cents in here about this movie.
I loved this movie when I was young and I still love it and now since I have a 2 yr old child it makes it that much better for she LOVES the movie (have it on VHS)and it makes it more fun for a Mom and Daughter movie night together!!! For I wish it was Oct 4 so I can get it for her!It is a fairy tale movie not an educational movie (as someone's review complained that it's not educational or giving the right message but I think they claim Shrek does)for it's kind of like what every little girl wants which is to find her Prince to live happily ever after.
This is one of the best Classic Animations that Disney has done along with Snow White.

Also you expect for alittle girl wanting to have an ugly girl like one of the step sisters to marry the prince??? For girls love pretty Princesses not ugly ones.They are Fairy tales for children to watch.That's all and little girls are not watching it to find messgaes.For what is a 2yr old like my daughter who loves this movie gonna pick up from it besides seeing a pretty Princess living happily ever after??

Go watch Shrek Instead
I remember watching this as a child in the 70's and feeling a bit board...now as an adult I don't think the message is very healthy! Cinderella gives children the harmful impression that "it pays to be pretty."I don't think there are any positive messages in this film for young girls.I would recommend that you go out and rent Shrek instead.

WAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
I've just seen the images, and waouh! I an sooo looking forward October 4 I hope the original film has been restored I want to see the real Cinderella (the one Disney had drawn himself not the one who looks like a Japanese cartoon) and please the real songs.... quick quick quick I want it soooooooo much!
Nell

THE ULTIMATE FAIRY TALE NOW ON DVD!
This animated feature saved the Disney studio from almost cetain bankruptcy; there hadn't been a big hit since Snow White, and the studio was foundering, badly. Cinderella came along and put on the glass slipper and showed it to the world and the rest, as they say, is history. The songs from Cinderella have stayed with me all my life, and are a fixture I carry with me from many years ago when I saw this magical movie for the first time, my favorite being "So This is Love..." Cinderella contained a scene that Walt himself stated was his personal favorite of all from the wonderful features he created, and that is when Cinderella gets her dress from her Fairy Godmother. The dress, if you notice, is a color that literally defies description and really does seem to come from the magic wand of the FG; the entire scene is fantastic, the mice turned into beautiful, horses to pull the exquisite coach, created from a lowly pumpkin, that dances on it's vine over to the FG so she can transform it into the thing of splendor, the Fairy Coach. The stars and twinkles from the dress and the transformations are spectacular, and it is hard to imagine the meticulous detail the animators used to draw these fairy dust particles that add such enchantment to the scene. Cinderella's old horse becomes a buck-toothed coachman and is clearly delighted to be included in the excitement of the night. An actress/dancer named Ilene Woods was rotoscoped (a technique where the actors are filmed and then drawn over) for her part as Cinderella and it is her movements that became Cinderella's. The Wicked Stepmother is a great Disney Villain, voiced by Eleanor Audley, who later voiced Maleficent for Sleeping Beauty; her voice is fantastic, the perfect blend of sophistication and malevolence. When first seen in her vast bedroom, stroking the wretched cat Lucifer, she seems to be a real witch with her familiar, and her face remains in shadow for a time...The mice are wonderful little characters, the cutest, IMHO, is Gus-Gus, a tubby little guy Cinderella finds in a trap and rescues and gives him, as all her little mice friends have, tiny clothes including shoes. Lucifer the cat is dreadful, such a bad kitty you dislike him all the way, and Bruno, Cinderella's old hound dog saves the day and sends Lucifer to his just reward. Jacques, the lead mouse, is the real hero, and saves the day at a critical point toward the end. There is a wonderful scene of the King lamenting his son's lack of a suitable wife to the Grand Duke, another great and very amusing character, and yearns for grandchildren while looking at portraits of the Prince from childhood up until the present day, and as the Prince gets older, the portraits get bigger and bigger and the last one is so enormous it has to hang in a castle of truly magnificent and royal proportions.
This is the all-time classic fairy tale, originally written by Charles Perrault, who also wrote Sleeping Beauty, another of my favorite Disney classics in ever sense of the word. I have this on VHS, and have watched it too many times to count; and now I cannot even imagine how beautiful and rich the colors will be on DVD; I cannot wait to get my copy and look forward to many viewings of this wonder that saved the Disney stuido from disaster, for the unending benefit of all of us children, from infants to 100+ year olds. Enjoy!

Damn ESPN commercials!
I haven't seen this movie since I was like 5 or 6 years old. But I've been sick of it lately because of those ESPN commercials during March Madness where Cinderella drops the slipper and the guy chases after her when she drops it. Otherwise it's an ok movie. Nuff said! ... Read more

Amazon.com

The original cowriter and director of Fear and Loathing in Las Vegas was Alex Cox, whose earlier film Sid and Nancy suggests that Cox could have been a perfect match in filmingHunter S. Thompson's psychotropic masterpiece of "gonzo" journalism. Unfortunately Cox departed due to the usual "creative differences," and this ill-fated adaptation was thrust upon Terry Gilliam, whose formidable gifts as a visionary filmmaker were squandered on the seemingly unfilmable elements of Thompson's ether-fogged narrative. The result is a one-joke movie without the joke--an endless series of repetitive scenes involving rampant substance abuse and the hallucinogenic fallout of a road trip that's run crazily out of control. Johnny Depp plays Thompson's alter ego, "gonzo" journalist Raoul Duke, and Benicio Del Toro is his sidekick and so-called lawyer Dr. Gonzo. During the course of a trip to Las Vegas to cover a motorcycle race, they ingest a veritable chemistry set of drugs, and Gilliam does his best to show us the hallucinatory state of their zonked-out minds. This allows for some dazzling imagery and the rampant humor of stumbling buffoons, and the mumbling performances of Depp and Del Toro wholeheartedly embrace the tripped-out, paranoid lunacy of Thompson's celebrated book. But over two hours of this insanity tends to grate on the nerves--like being the only sober guest at a party full of drunken idiots. So while Gilliam's film may achieve some modest cult status over the years, it's only because Fear and Loathing is best enjoyed by those who are just as stoned as the characters in the movie. --Jeff Shannon ... Read more

Reviews (424)

"We can't stay here, this is bat country!"!!!
This movie is a masterpiece, and also very very funny. It is a near perfect adaptation of Hunter S Thompson's novel. The book was based on the true story of a drug crazed self proclaimed doctor of journalism and his sidekick turned loose in Las Vegas to cover a dirt bike race called the mint 400. Thompson, known as Raul Duke (Depp) and his attorney Oscar Zeta Acosta known as Dr.Gonzo (Del Torro) run amok in their desperate search for the American dream. Johnny Depp and Benicio Del Torro are absolutely great in this movie. And the cameos are great: Flea, Lyle Lovett, Gary Busey, Christina Ricci, Tobey Maguire, Ellen Barkin, Cameron Diaz, Steven Schirripa, and even Dr. Thompson himself all make an appearance in the film. Fear and Loathing in Las Vegas is a savage journey into the heart of the American dream. If you haven't seen it, you need too, and fast.....

Extreme entertainment
Prepare yourself for a wild journey into the world of bright lights, flashy people, and non-stop substance abuse. Hunter S. Thompson's book about covering a motorcycle race in Las Vegas through pure "gonzo journalism" has been excellently adapted for the big screen by former Monty Python member Terry Gilliam. The movie stays very true to the story, the product of one of the founding fathers of the drug culture of the 70's. This movie covers both extremes: you will love it or hate it, and it won't allow you to stay anywhere near the middle. People who are interested in the drug culture and beat culture, or even a cynical look at one of America's craziest cities, will probably find themselves enjoying the film immensely, laughing and gasping at the insane antics of a drug-abusing "doctor of journalism" and his attorney. People looking for a more down to Earth experience without the odd visual trip and inexplicable dialogue will only be confused and repulsed, wondering what kind of person enjoys this kind of thing. Johnny Depp's performance is absolutely first-rate, Benicio Del Toro sheds the mediocrity he produced in The Usual Suspects, and cameos by Gary Busey, Cristina Ricci, and Thompson himself add to the perfect blend of acting that make this film one of the best of its kind.

Absolutely Hilarious
This isn't your average movie. Based on the H.S Thompson novel, tt quite succesfully captures the literary insanity of Thompson's books (I'm actually 16, not twelve). Here's the scenario, two stoners running around Las Vegas. All the jokes are based around the wild, outrageous hallucinations of Raul Duke, and his "side kick" Dr. Gonzo. But damned if the many variations of the same basic joke aren't guiltily hilarious every single time. In one scene, Raul and Gonzo are in a bar, When Raul freaks out, thinking that all the bar patrons have been turned into monstrous lizards.
Weird- absolutely Funny- You bet.

It took two viewings to make it through
The first time I started to watch this movie I got a big headache. At my friend's urging I watched it again, and still got a headache. Maybe a little less of a headache, but that's besides the point. It wasn't a headache because the movie's plot made me think, it was a headache because the film was just damn strange.

Offbeat camera angles and dim colored lighting are used throughout the movie. The film quality seemed low and it was hard to understand Johnny Depp's narration at times. The film is very strange in all aspects, including its plot. Hunter S. Thompson (Depp) is supposed to be going to Las Vegas to cover a race in the desert for Sports Illustrated. His lawyer accompanies him on this journey for some reason. They don't really get much reporting done and spend most of the time taking illegal drugs. I kind of lost track of the plot and hardly remember how it ends. Was there even an ending? It seemed kind of like the movie just trailed off.

At one point in the movie they mention something about following the American Dream. Somehow I don't believe the American Dream has anything to do with a suitcase full of illegal drugs. Maybe it was just an attempt to find some rationale behind the entire film.

I'm almost ashamed to admit that I found it hilarious at times. I laughed hysterically when at one point Thompson thinks he's standing in a bog and everyone is a lizard. When I was laughing I kept thinking, this is based on a true story, and now this guy is making money off of it? I felt kind of bad for supporting his drug-induced craziness. However, it's almost kind of an anti-drug movie in it's own strange way. Hunter S. Thompson looks like he's having the worst time of his life, and surely should have been arrested multiple times. I don't know, maybe this movie appeals more to stoners and druggies since they can relate to Thompson.

This film is definitely not for everyone. If you are easily offended, I wouldn't recommend it. If you're looking for a normal movie, you really should be someplace else. Look at the cover of the DVD. The whole movie is kind of like that.

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http://www.filmstatic.com - We take reviewing movies seriously and with an attitude...but not a serious attitude.

Review of the DVD, not the film
First things first: FEAR AND LOATHING IN LAS VEGAS, the film, is quite good. If you can stomach its content, it IS a rather fun drug odyssey with a fair amount of underlying social commentary. Some of it becomes muddled and the reviews were horrible (Ebert gave it 1/4) but I enjoy this more than Terry Gilliam's BRAZIL, to be honest (which, ironically, Ebert also gave a negative review).

THE DVD

An overall wonderful experience. First, the packaging: superb. Criterion is always good at packaging their DVDs and this is one of my favorites. On the inside is an essay by a film critic and two discs. The first has the film, newly remastered under the supervision of Gilliam, along with three commentary tracks: by Gilliam, Depp and Del Toro, and Hunter S. Thompson. Wisely, they had someone interview him most of the time since he's obviously a bit of an oddball and would be prone to sitting there and saying nothing.

The second disc has some extraordinary specials, including an old BBC documentary about Thompson (whose semi-truthful novel this is based upon), TV spots, the theatrical trailer (with optional commentary by Gilliam - which I've never seen before), poster and photo galleries, Hunter Goes to Hollywood (an amusing short documentary about Thompson visiting the set of the film), a selection of somewhat bizarre letters between Depp and Thompson that date back to the pre-and-post-production of the film (Depp reads all of them to the camera for us).

Overall, one of the best DVDs I own. The film isn't a classic, per se, but it IS enjoyable. I'm sure part of my appreciation for it comes from this superb DVD, which is one of the finest I own in terms of special features.

Criterion can sometimes disappoint with single-disc DVDs priced in the $40 range but this one is fairly reasonably priced (compared to some of the others) and packed with special features to whet any die-hard fan's appetite.

A must-buy for fans, and a must-see for others - I wouldn't necessarily recommend it as a blind buy for a number of reasons. It's very selective taste. You love it, or you hate it; it might be good to rent it first. But definitely rent this version, not Universal's. ... Read more

Reviews (37)

The ultimate revenge trip
This screen adaptation of the A.J. Quinnell novel has received mixed reviews, but I found it remained generally true to the spirit of the book.

Creasy (Denzel Washington) is a broken-down, alcoholic, ex-special forces assassin. Visiting his friend Rayburn (Christopher Walken) in Mexico City, he ends up taking a job as a bodyguard to make ends meet. A kidnapping spree has spread throughout Latin America and a wealthy young couple hires Creasy to protect their young daughter. Less concerned with her safety, their primary reason for hiring him is to fulfill the terms of a kidnap-insurance policy.

Pita (Dakota Fanning)'s spunk and unabashed friendliness slowly penetrate Creasy's veil of pain and alcoholism. Soon, he's not only protecting her, but is also coaching her at swimming and helping with studies. Then, in the turning point of the film, despite Creasy's quick-witted defense, Pita is kidnapped from her piano lesson and Creasy left for dead with multiple gunshot wounds.

Corrupt cops, mobsters, and other officials are all taking their cuts from the kidnapping game. As Creasy begins to recover, he sets off on the ultimate roadtrip of revenge. And all hell breaks loose.

I rated this film four stars. Tony Scott has to tone down the nausea-inducing quick cuts, fades, over-exposures, and other tricks of the trade. When he gets into story-telling mode, he does his best work, as Fanning and Washington are nearly perfect in their roles. Do yourself a service and read the books. Nothing matches the entire Creasy series.

Makes "Deathwish" look like a cakewalk.
"Death is his art. And he's about to paint his masterpiece."

That is the right line for this movie, spoken by Christopher Walken, the right actor. Obsessed with the grandeur of bloodshed, "Man On Fire" is apocalyptic, spun from the roughest parts of the Old Testament. Tony Scott's movie is a kidnapping drama set in Mexico City - a "special place" according the end credits. Special indeed - take the film at its word, and half the cops are corrupt and in competition with kidnappers for ransom money. The corrupt judicial unit, dubbed "La Hermandad," is impenetrable. Unless you're Denzel Washington.

In a performance that melds elements of his Oscar-winning turn in "Training Day" and his work in "Courage Under Fire," Washington is John Creasy, a suicidal alcoholic ex-Marine offered a job through war-buddy Rayburn (Walken) to protect the daughter of a sweatshop industrialist (Marc Anthony). This daughter, Pita, played by the increasingly skilled Dakota Fanning - who's given dialogue and mannerisms better suited to a 16-year-old - charms Creasy out of his shell, makes him become her swim coach. Fanning is, in a sense, a peculiar little girl, so far beyond her years in gestures that when she laughs at a joke of Rayburn's that she'd have no way of understanding, we begin to wonder if her maturity has been misused.

So then - Pita's snatched in a setup, Creasy's shot, and after he recovers, his counterpunch makes "Deathwish" look like a cakewalk.

"Kill them all," Pita's mother (a glammed-out Radha Mitchell) whispers as Creasy holds his Bible. This vengeance either invigorates you or it doesn't. As these films go, "Man On Fire" is among the most violent and malevolent. The script, by Brian Helgeland, pretends to ask the larger questions about sacrifice and morality, but it isn't into sparing lives. There is torture, then more of it, then death. When a nightclub is blown up, the crowd roars. That's quite a bit unlike the recent fire in Rhode Island.

The most controversial scene involves a rectum bomb set to Creasy's digital pager. "I wish - you had more time," Creasy intones ironically. A corrupt cop, stripped to his underwear and bent over a car under a freeway, has no more time.

Cynical and a bit beefier, Washington is good as the tough hombre with a rocket launcher. The mark of a good actor is to want what he wants even when we shouldn't. Washington's that guy. Walken shuffles around with his offbeat cadence, utters the movie's best line, and disappears. Anthony is jittery in a limited role. Mickey Rourke makes a cameo using his real, non-sandpaper voice. Mitchell isn't much of an actor, but she's platinum gorgeous, and a perfect trophy wife she makes. Between her and Anthony's character, you wonder where Pita got her smarts.

Mexico City, when we can get a clear view of it from Scott's dizzying camera, is a bright, messy backdrop. Scott's editor on "Spy Game," Christian Wagner, achieves the feat making sense out of chaos and vice versa, though an early scene featuring a drunk, bawling Creasy could have been pieced together more clearly. Helgeland adapts A.J. Quinnel's novel, and it's not his best work - the plot holes are big enough to drive Hummers through. Scott resorts to flashing dialogue, both Spanish and English, on the screen in a pop-art, free-verse-poetry presentation that's at first unique, then distracting, then annoying. Notice, too, that it doesn't start happening until Fanning's offscreen.

As it unfolds on a desolate bridge near a Biblical tree in the middle of Mexico, the end of "Man On Fire" is the kind of preordained, wide-shot-to-show-significance material Scott has loved since "Enemy of the State," the first of his "import" trilogy that hopefully ends with this film. Prior to that Will Smith vehicle, Scott made hard-boiled, straight-ahead popcorn flicks - "Days of Thunder," "Top Gun," "The Last Boy Scout" "Crimson Tide" - that were shallow, lurid, painfully macho but, at the very least, aware of themselves and fun. "Man On Fire" is enamored with its potential greatness when it's really a B-movie playing with an A-list star and budget.

Washington is Creasy Bear...storyline diverges from the book
If you've read the book, the movie's storyline is a little disappointing. If you've seen the movie and haven't read the book yet... You really need to. It is most satisfying, and will give you a better understanding and appreciation of the character Creasy.

The location switch from Italy to Mexico works well. Of course, we miss out on the Isle of Gozo. As with most novel-to-cinema adaptions, we miss out on a lot of subplot (Creasy's women). And as is inevitable with a major studio production, the ending has been "Hollywood-ized." (can't tell you more without giving away the ending... read the book).

However, Denzel Washington does an excellent job portraying the character Creasy, as I knew he would. Dakota Fanning is Pinta, no question about it. Christopher Walken, always a good choice, was an excellent casting choice here. A.J. Quinnell would be proud. Marc Anthony...? Well, A.J. Quinnell would understand.

Great Movie
Denzel Washington is one of the greatest actors around. And Dakota Fanning is absoultely amazing.
The script just has you on the edge of your seat the entire time. With alot of surprises and suspense.
Very enjoyable, one of the best movies this year.

Absolute Masterpiece
This movie is by far once of the best movies I have seen in a very very long time. One guy made the comment that Denzel didnt have a character that was believeable, this couldnt be anymore further from the truth. This movie is great from opening credit to the closing credits. Denzel once again not only wows me but Dakota Fanning did an outstanding job also. Anybody that hasnt seen this movie really needs to take the time and watch this. GREAT, AWESOME movie. you will all be happy you did...September 14th cant come soon enough.....5 stars isnt a good enough rating for this movie but its all i can give it

GO SEE THIS ... Read more

Amazon.com

American sitcoms usually have a bland, likable central character who has to cope with obnoxious acquaintances--who usually provide most of the actual comedy. The British smartly put the comic personalities front and center, and Keeping Up Appearances has one of the best: The petty, pretentious, tyrannical Hyacinth Bucket (played by the impressive Patricia Routledge), a dowdy middle-class social climber with a piercing voice and an unshakable faith in herself. Upon learning that her mailman has seven children, she declares disapprovingly, "Quite an achievement when you have to be up so early." Whether she's scheming to invite a minor local celebrity to a garden party or scowling at an enormous dog left in her driveway, Hyacinth terrorizes all around her, particularly her long-suffering husband Richard (Clive Swift), who takes a small delight in subverting her efforts from time to time; her trembling neighbors Elizabeth and Emmett (Josephine Tewson and David Griffin), who scarcely leave their house lest they be invited in to coffee; and her sexually frustrated lower-class sisters Daisy and Rose (Judy Cornwell and Mary Millar) and Daisy's layabout husband Onslow (Geoffrey Hughes), who longs to be left in peace to eat chips and watch the races. Though Americans aren't as class-conscious as the Brits, snobbery is universal, and Keeping Up Appearances has developed an appreciative cult following on this side of the Atlantic. --Bret Fetzer ... Read more

Reviews (368)

Full blown comedy with a killer cast
Meet the Parents is one of the best comedy movies to hit the shelves in recent years. With an all-star cast including Ben Stiller, Robert DeNiro, and the one and only Owen Wilson, this movie delivers the laughs perfectly!

Greg Focker, male nurse, is about to propose to Pam, his "special friend" of ten months, when he hears about her recently engaged sitster, whose husband to be made the right move and asked her father first. Now he's got to do the same, which means he's got to meet the parents. And with the plot set, the laughter ensues...

What really makes this movie work is the characters we can all relate to. First there's Greg, who is desperately trying to win the parents' approval, but somehow manages to screw up everything he possibly can along the way. And to make matters worse, he's got to to deal with Pam's ex fiance while he carries out this death sentence of a weekend. And then there is Pam, whose father is well...just a little strange to say the least.

Also, Owen Wilson is just insane in this and the movie is worth it for his performance alone, not to mention being able to see DeNiro do a comedy this good.

See it for the laughs, see it for the cast, see it for the experience, because this is one of the best lately. And if that is not insentive enough, I leave you with a quote..."Well I have nipples Focker, could you milk ME?"

Skip This Meeting
Stale, unoriginal humor is the downfall of this take-it-or-leave-it Ben Stiller comedy. Stiller plays male nurse Gaylord Focker (whose name is the inspiration for at least a quarter of the movie's jokes), a hapless soul whose attempts to propose to his girlfriend (Teri Polo) are interrupted by a phone call announcing her si