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| 41. Constantine (2-Disc Deluxe Edition with Comic Book) Director: Francis Lawrence (II) | |
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Amazon.com Reviews (235)
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| 42. Pirates of the Caribbean - The Curse of the Black Pearl (UMD Mini For PSP) Director: Gore Verbinski | |
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Amazon.com Reviews (1787)
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| 43. Spaceballs (Collector's Edition) Director: Mel Brooks | |
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Amazon.com Reviews (267)
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| 44. Everybody Loves Raymond - The Complete First Season | |
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Amazon.com Everybody Loves Raymond trains a microscope on the day-to-day ephemera of Ray's life. And since he's a sportswriter, a number of sports stars made guest appearances during the first season, including Kareem Abdul-Jabbar ("Frank, the Writer") and Terry Bradshaw ("Debra's Sick"), but this will happen less often in the years to come. On the surface, Ray has an ideal life, but he's always trying to please everyone; and someone inevitably feels left out. Sometimes it's Debra, sometimes Frank and Marie, sometimes Robert, and sometimes his buddies (including King of Queens star Kevin James). Then there are his in-laws (Katherine Helmond and Robert Culp). If this were a different kind of show, Ray would have a breakdown at the end of each episode, but instead he finds a solution to each problem--and it usually comes from Debra. In short order, Everybody Loves Raymond became a top-rated program, with several cast members winning Emmys--numerous times in the case of small-screen scene-stealer Doris Roberts. -- Kathleen C. Fennessy Reviews (15)
I have been waiting for this DVD for a long time. EVERYBODY LOVES RAYMOND doesn't just focus on getting cheap laughs. The sitcom serves as a microcosm of American society, namely, the human family. In order to have good, quality comedy, you need to have some tension. That tension is well provided for with Raymond's parents, Marie and Frank, living right across the street. All families have tension, but the Barone tension is increased as a result of being too close together. Each episode focuses on the problems this family has, but it also focuses on their good days, too, and how they remain together and remain a unit, despite the tension. As we watch, we not only find ourselves laughing, but we find ourselves identifying with the people, because we just picture our own lives taking similar courses. (We also dread even more the prospect of living across the street from our in-laws.) But there's even more to it than just the great comedy as a result of the family tensions and trials. Each character is also very well developed, and has a lot of backround. Each character is very three-dimensional, and believable. You find yourself relating to them more and more with each passing episode. (NOTE: All references to episodes in this review obviously are from this season 1, so you can see each episode I mention if you buy this set.) Take Raymond himself, for example. He's not very intelligent and he never has any idea what his wife really means when she says she wants more romance, as we see clearly in the episode "I Love You." Rather than just respond to his wife's need to have more spoken intimacy, he asks his parents what they think. He truly does love his wife, and his kids, but his problems compound from the fact that he's what a woman would call a "typical guy" and from being completely under his parent's control. (To get a better idea of what I'm talking about in terms of the control they, especially Marie, have over him, just watch the Pilot. Then you'll get it.) Then you have Raymond's wife, Debra. Again, she truly loves her husband. Deep down, she even loves Marie and Frank. However, she has a hard time showing it all the time because her nerves are constantly under the grind when Marie and Frank barge over constantly. In the episode "Fascinatin' Debra," the Barones ruin her interview with her favorite radio shrink, because she's "normal" and all the rest of them are "the front porch of the looney bin." However, we learn that Debra truly is the foundation that holds this entire family together. She has a lot of weight to carry on her shoulders, being the "normal one," so if she seems a bit cranky, that's why. Marie is the mother that just loves to help. The only problem is she doesn't know where to draw the line between just helping and becoming a meddlesome nag. She would do anything for her family, but more often than not, she just goes a bit too far, which drives Debra crazy to no end. In "Debra's Sick," Marie truly shows her inner colors. While she comes on a bit strong, she is a loving, caring nurturer. But, on the flipside, you see her coming on far too strong with her love in "Turkey or Fish." Frank is probably the most interesting character of them all. He's disgusting and he constantly makes the most hilarious cracks, especially about his wife. On the surface, they just don't appear to get along, and everyone constantly wonders how their marriage can possibly hold together. However, in "Your Place or Mine?" you see that Marie and Frank are truly compatible. Marie needs to be the nurturer, and Frank needs to be nurtured. And finally, we have Robert, Raymond's obsessive-compulsive brother. Robert is insanely quirky, and has had a lot to deal with in his life. He's the second favorite son, despite being the firstborn, but he has a lot of love for everyone. Raymond and Robert, although they have typical sibling rivalries, they truly would do anything for each other, as seen in "The Dog." There is so much more to this sitcom than I can type in this review. Go buy it. It's worth it, and then you can see for yourself.
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| 45. Ocean's Eleven (Widescreen Edition) Director: Steven Soderbergh | |
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Amazon.com essential video Reviews (510)
The mystique of Vegas, the lure of cash and the romance of life make this a film for everyone. Great dialogue, excellent dramatic shots from Soderbergh and incredible acting by the entire cast put most other crime based movies to shame. Andy Garcia makes you hate him, you feel for George Clooney, but you also see the reasoning in Pitt's character and Reiner's performace is great too. Anyway, if you enjoy the James Bond movies, the Mission Impossible movies, or any other fun action films, you should give Oceans 11 a chance. DO NOT base your viewing of this on the original Sinatra and the Rat Pack film. The only similarities are the ensemble cast, Vegas Casinos, money and the title of the movie. This is not a remake, it is a reinterpretation based loosely on the original script. At least give it one viewing, you may fall in love.
2. Most of the characters remained obscure and flat. I had to watch it 2 times in a raw to just figure out their faces, but I still have no clue what was their crucial point in the action. Compare to "Sneakers" for example, where all characters were vivid and exactly on their places. 3. Il-logical sequence. Why not use larger O2 cylinder for the chinese guy (what was his name?) and have more time for surprises? Why did they need to introduce the explosives with a trunk and bother with "dying" of the Soul Blum/Zorga, why not simply put them in the container with the chinese fellow? When climbing down the elevator well, where was the elevator cell??? 4. How easy was to steel the "pinch"!!! Just went there and got it! I want a pinch also. But, even if the pinch did black-out the whole city, how come the electricity came back so soon??? The EM pulse destroys fuses and inegrated circuits. The whole casion going completely black? Highly improbable: This is 21 century, USA guys. Safety comes first: Every public and comercial building has a few light bulbs that never go out. Just for cases like this. Same for the motion detectors in the elevator well: they should be UPS-ed. Unlike the batteries in the remote control triger of Brad Pitt. 5. Illogical: How did they get the porno-adds INSIDE the vault? There were 6 big bags of them, the ones that got blown-up at the end? 6. Who needed to show that a whole minivan can be driven from a distance by a remote control? Why give the terorists (and bank robbers wannabe) ideas they can use literally tomorrow??? All made-up from bits and pieces, turned out into a poorly connected patched movie. Boring and un-impressing.
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| 46. Bad Day at Black Rock Director: John Sturges | |
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Amazon.com essential video Reviews (30)
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| 47. Kim Possible - The Movie - So the Drama (Extended Edition) Director: Steve Loter | |
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Amazon.com Reviews (26)
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| 48. What's Eating Gilbert Grape Director: Lasse Hallström | |
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Reviews (147)
It's never really explained what's the matter with Leo's character, Arnie. He has a lot of different characteristics which relate to different special needs people. I tend to think he's autistic, but he never comes across as especially autistic. So it does get a bit confusing. There is a really powerful connection between Johnny Depp's character, Gilbert, and Arnie. Gilbert is really protective of his younger brother, and ashamed by everyone else in his family. This relationship comes to a terrific climax later in the movie, which will shock everyone who's enjoyed their relationship up until then. Juliette Lewis plays the girl Gilbert falls in love with, and who he gives up his older, married lover for. Most people in other reviews I've read don't seem to like her character, but I do. She was great for the part, and although I wasn't keen on her too short hair, I loved everything else about her role. Darlene Cates plays the abnormally obese mother, who hasn't stepped out of the house in 7 years, until Arnie gets arrested. I'm not sure whether the sheer size of her was for real, or whether it was body padding/suit kinda thing. Her size is almost too realistic to be a body suit. All in all, this is a terrific movie, which wrenches at your heart strings, and has you in tears with the dramatic finale.
The movie tells the story of Gilbert Grape, a nice guy trapped in a small town, with a dysfunctional family (as almost every family is), a job without a future and a relationship with a married woman. And despite all this, he is not a sad man, he is not depressed, he is not worried about himself; his main reason to live is to take care of his family. Everything else comes in a second place, including himself. Johnny Depp is the center of the movie and his low-key performance is excellent, but the reason why this movie works so fine is the supporting cast; Leonardo DiCaprio is terrific as the mentally retarded brother, he and Depp are the fuel of the story. The rest of the cast includes: Darlene Cates as the big, big, big mother, John C. Reilly as Gilbert's best friend, Juliette Lewis as Gilbert's new love interest and Mary Steenburgen as the married woman who is having an affair with Gilbert, all of them are terrific in their roles. The main purpose of "What's Eating Gilbert Grape" is to entertain audiences, and it does...a very enjoyable movie.
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| 49. The Matrix Director: Andy Wachowski, Larry Wachowski | |
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Amazon.com essential video Neo thus embarks on an adventure that is both terrifying and enthralling. Pitted against an enemy that transcends human concepts of evil, Morpheus and his team must train Neo to believe that he is the chosen champion of their fight. With mind-boggling, technically innovative special effects and a thought-provoking script that owes a debt of inspiration to the legacy of cyberpunk fiction, this is much more than an out-and-out action yarn; it's a thinking man's journey into the realm of futuristic fantasy, a dreamscape full of eye candy that will satisfy sci-fi, kung fu, action, and adventure fans alike. Although the film is headlined by Reeves andFishburne--who both turn in fine performances--much of the fun and excitement should be attributed to Moss, who flawlessly mixes vulnerability with immense strength, making other contemporary female heroines look timid by comparison. And if we were going to cast a vote for most dastardly movie villain of 1999, it would have to go to Hugo Weaving, who plays the feckless, semipsychotic Agent Smith with panache and edginess. As the film's box-office profits soared, the Wachowski brothers announced that The Matrix is merely the first chapter in a cinematically dazzling franchise--a chapter that is arguably superior to the other sci-fi smash of 1999 (you know... the one starring Jar Jar Binks).--Jeremy Storey Reviews (2882)
The film itself is the epitome of cool that stands out from the slew of unimaginative science fiction that Hollywood reels out, and with Keanu Reeves and Carrie Anne Moss making an unlikely duo in a post-apocalyptic world ruled by artificially intelligent machines, the film finds itself worlds away from admittedly second-rate sci fi cinema. You could argue, as some critics did, that the film's plot is simply an excuse to hang cool effects on, but the premise slowly shapes into such an intricate plot, where machines have taken over the world (a popular idea for sci fi films, with this having similarities to Terminator 2) and then the small amount of snotty critics are silenced. What the Wachowski brothers have done is so imaginative that no film has ever come close to its intricacies and futuristic ideas. Add hints and nudges from Vertigo, classic Western films and Kung-fu karate films into the story and the amazing journey is made even more fascinating and involving. The visuals incorporated throughout the story are absolutely amazing; with the "flow-mo" being the coolest visual effect those effects boffins have done since that water tentacle flowed through air in The Abyss. Imitated to death, the scene where Keanu's character Neo dodges bullets is nonetheless the pinnacle of uber-coolness. With thought provoking, mind-bending lines like: "It's the smell, if there is such a thing"; the film's script is peppered with fascinating lines concerning the very nature of "what is real?" Hence the clever advertising campaign for the movie's release: "Unfortunately, no one can be told what the Matrix is, you have to see it for yourself". The Matrix has indeed changed cinema. Regardless, it's a great film, loaded to the retinas with out- of- this-world effects, great villians (Agent Smith!), great action set-pieces and awesome stunts from martial arts expert Wu Ping. And with the DVD (awesome stuff, everyone has to own this disc) and upcoming sequel in progress- The Matrix Reloaded, the Matrix is a film that not only has affected filmgoers everywhere, but has also leaked into the fan boy culture of the movie world. To quote Neo: "Whoa".
Fans and critics have raved about the film's mind-blowing special effects and fight scenes, but they are only part of the film's excellence. The superb performances of the actors are equally important. Particularly noteworthy is Laurence Fishburne's as Morpheus--his is a performance of controlled but passionate intensity. And Carrie-Anne Moss' performance as Trinity brings to the film a tenderness and humanity which greatly complement the high-tech milieu. "The Matrix" is a wonderfully literate film whose dialogue includes references from Greek mythology, the Bible, Christian theology, and English literature. And one of the central themes of the film--the defiant resistance to an enslaving force--is one that can be found in many of the world's great works of literature. Watch "The Matrix," and then read the 1845 classic "Narrative of the Life of Frederick Douglass, An American Slave"--you'll appreciate the film even more.
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| 50. My Cousin Vinny Director: Jonathan Lynn | |
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Description Reviews (92)
Vinny Gambini, brilliantly portrayed by Joe Pesci, is a Brooklyn boy who has finally passed the Bar (after repeated failures) and now finds himself defending his nephew and his nephew's friend against murder charges in the Bible Belt. Along with his too beautiful fiancee, played by Academy Award Winner Marissa Tomei, Pesci investigates the southern style of life, as he fathoms southern courtroom procedures and tries to get some sleep. The resulting clash of cultures is sometimes predictable, but honestly, is very inventive for the most part. The comedy of the court room scenes is heightened by the late Fred Gwynne who plays the presiding judge. His by-the-book habits and short-fused temper are a perfect foil to Vinny's laconic style. It is their interaction that feeds most of the cultural clashing. But there is also a clash of the sexes that underlies the film, as Vinny stubbornly refuses the help of his fiancee. This confrontation is also highlighted in the courtroom when the DA refuses to believe that she could possibly be considered an expert in automechanics, even though her brothers, her father, her uncles, and just about everyone else in her family are expert mechanics. (The DA becomes convinced in a wonderful cross-interview scene.) MY COUSIN VINNY was both critically well-received and a huge box-office success. There's a reason for that: it is a well-written, well-directed and perfectly acted comedy that stands up well even after repeated viewings. See it for yourself and you'll understand why, too.
When two college buddies by the names of Bill (played by Ralph Macchio) and Stan (Mitchell Whitford) are driving down the roads of Beecham County, Alabama, they are suddenly arrested for the murder of a grocery store clerk, but what the police of Alabama don't know is that Bill and Stan are completely innocent. Unable to afford a public attorney, Bill turns to his cousin, Vincent Gambini (played by Joe Pesci), an ex-auto-mechanic turned lawyer from Brooklyn, New York, who just past his bar exam after failing it the first five times and knows absolutely nothing about law. By his side is his beautiful fiancee, Lisa Vito (played by Marisa Tomei, in her Oscar-winning role), who is an out-of-work hairdresser that knows every damn thing there is to know about cars. The court is led by Judge Chamberlain Haller (played by the late Fred Gwyne), who has absolutely no patience for any kind of misbehavior in his courtroom. Seems as though Vinny has now finally realized his no longer in New York and is now in a state where no one gets away with any kind of behavior or crime and has finally met his match. Can Vinny pull his cousin out of this mess without screwing up the case? Watch My Cousin Vinny as he desperately tries to save his little cousin while he gives you non-stop laughter along the way.
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| 51. Intimacy (Unrated, Widescreen Edition) Director: Patrice Chéreau | |
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Description Reviews (16)
By now the plot and the fact of its depiction of acts of sexual intercourse are well-known. There is a woman, Claire. She shows up at Jay's door, Wednesdays at 2 PM. We don't know anything about her at first - just that once she's in his apartment, her clothes (and his) come off. The five to ten minutes of intense once-weekly sex on Jay's apartment floor is no less important for being quick and wordless; it is a sort of a pact between the couple, and their shared illness, really. But it can't, ultimately, do the trick, and the film succeeds - unmoralistically - in showing us how and why. The urge to find either oblivion or ecstasy - whether via alcohol or sex or other means - fuels the couple. There are amazing surprises along the way, via a script that is utterly believable and natural. In fact, every aspect of the protagonist Jay's life is in fact shown harshly, "graphically," whether it is his hectic job tending bar, his messy, depressing apartment (further evidence that he has lost his moorings), his several friends, or his frantic travels through London. (The camera chases him, and he is chasing her). We're by turns frustrated, confused, and focused. One's attention never wanders during this story. Children (Jay's and Claire's) are used well in this film. They can tell the truth, and they do. They use the word "love" - and the adults in this movie really can't. In several scenes Jay is at his ex-wife's apartment, bathing his beautiful little sons. He lies on what was the marriage bed and makes a sort of sad and frantic fetish of his ex-wife's underwear, and is interrupted by his son, who needs his help. We are never asked to be voyeurs, but witnesses to a lot of sadness, distress - and the difficulty, really, of the attainment of happiness. This is an astonishing film about broken hearts - and what people might do to try to mend them.
"Intimacy" gained attention and notoriety for its explicit sex scenes (the R-rated version is also available, and these scenes are edited a great deal). The sex scenes are among the most graphic ever seen in a mainstream movie, including a rather shocking scene where Fox fellates Rylance (everything is shown). Ultimately, however, the sex scenes are quite un-sexy as the characters are so distant from each other. A movie called "Intimacy" that lacks any intimacy whatsoever? Sounds like an elaborate joke to me. Aside from the explicitness of the sex scenes, the movie offers nothing new. The characters are not well-delineated, and the conflicts are ill-defined. On the plus side, Mark Rylance ("Angels & Insects") and Kerry Fox ("Shallow Grave") give good performances; however, it's rather disconcerting seeing such talented actors engaging in graphic sex scenes in a tepid movie. Both actors have impressive backgrounds in the theater, and Rylance has acted extensively in Shakespearian productions at the Globe Theatre. Shaking his spear indeed! Extras: The DVD includes minimal extras: a photo gallery, brief bios of the actors, and the trailer. A director commentary would be much appreciated, or even a commentary from the actors. I'd love to hear what filming the explicit sex scenes was like!
"Intimacy" tries to deliver some food for thought about loneliness and despair in the modern world, focusing the relationship (or lack of it?) between a divorced man and a married woman that get intimate before they even manage to know each other properly. It`s an interesting idea, even if not completely original, but it could work better here. The movie has some good elements: the acting is consistent (Mark Rylance is excellent), the soundtrack captivating, the photography well-crafted and the direction is moody and atmospheric enough. However, the character development isn`t that great, and the story loses its point halfway through, turning this project into a curious y | |