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| 21. Meet The Fockers (Full Screen Edition) Director: Jay Roach | |
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Amazon.com Reviews (189)
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| 22. Star Wars - Episode II, Attack of the Clones (Widescreen Edition) Director: George Lucas | |
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First, I would open the movie where the main character of the movie -The Jedi- freefalls some 10,000 stories in a sprawling metropolis, all the while narrowly missing multitudes of careening hovercrafts which literally filled the sky, only to finally land safely inside one of them just in the nick of time, nanoseconds before he was about to slam into the ground. Secondly, I would include the most bland, personality-less, emotionally-uninspiring actors and actresses I could find. Also, I would incorporate pseudo-Greek cultural and archeological elements throughout the movie (which had no relevancy to the sci-fi theme of the movie) so as to confuse the viewer as to what planet...or planets the movie was taking place in...or what universe and epoch(s) for that matter. I'd include several pseudo-romantic scenes where there wasn't an iota of emotion or chemistry between the two love birds and whose forced, stimulated 'romantic scenes' seemed to serve no purpose, either. I would then attempt to completely destroy...annhilate the original Star Wars's sacred notion of the force -as being stimulated and channeled by spirituality and mind over matter- and any drama associated with it as well. MY notion would be that the measure of one's force can be determined by analyzing mitochondrial DNA samples to tally the number of antibodies present in the protoplasm. Next, I would blow away the concept of the original Star Wars's wimpy 2-jedi battle scenes with an epic magnitude-12 mega battle scene which consisted of 10,000 jedis and 100,000 jedi foes engaged in flipping-through the-air somersault kung fu moves that render the likes of "Crouching Tiger, Hidden Dragon" and all '70s special-effects-laden Chinese kung fu flics obsolete. You thought that Luke Skywalker jumping 10 feet out of a carbon freeze container was cool? Could Luke Skywalker stay airborne for 10 seconds all the while throwing barrages of backroundhouse kicks and punches? Screw that punchless Luke Skywalker single-blade lightsaber. Behold, I introduce the double-edged light saber which all jedis are equipped with. FULLY FUNCTIONAL AND OPERATIONAL. Only an elite and intelligent class of human being can be a jedi? Not anymore. Any living, crawling, oozing intelligence-devoid parasite, wingless bat or orc -of any gender-can be a jedi. Finally, I would end the movie with Kung Fu/Force-Master Yoda defeating the Master Evil Jedi with triple and quintuple cartwheel backroundhouse kicks and punches, while airborne, and lightning-fast Tae Kwan Do slaps and curled finger combinations that would put Jackie Chan to shame. The very last scene of the movie would end with the Evil Jedi Master becoming so angry, because of his defeat, that his head grew to the size of a large balloon, then exploded with the force of 20 grenades. Maybe I'd include that scene only in the UNCUT version. The result: The sci-fi sequel to "Big Trouble in Little China" -Big Trouble in Little Greece: Attack Of The Kung Fu Robots...or as some people may prefer to call it -Star Wars II: Attack Of The Clones.
Best Parts: That's it. Everything else in these films is an utter joke. I could go on for many paragraphs, but I'll spare you. You gotta realize that there was a reason George didn't direct Empire or Jedi. He's an awful director. He has no ear for dialogue. The newer digital film process looks really awful. Only good ol' George could manage to waste the talents of Christopher Lee, Sam Jackson, Ewan McGregor, and Natalie Portman. And I think Hayden Christensen is the only other actor who possesses Keanu Reeves' atrocious wooden technique. His Anakin doesn't possess darkness, just stupidity. I hope Lucas gets a tumor in that fat double chin of his. If you don't like it, sue me. He's destroyed the meaning of my childhood favorites, so the hell with him. Do you really think the next film is going to make up for it? Only if it's about four hours long and is directed by someone else.
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| 23. Anne of Green Gables Director: Kevin Sullivan | |
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Album Description Reviews (231)
Everything about Anne of Green Gables is done with the utmost love and respect in regard to the original novel by Lucy Maud Montgomery. Anne is every child, with her eyes open to the world, her thirst for knowledge, her immediate trust, her quest for adventure, and most of all her imagination. Megan Follows captures the timeless appeal of the orphaned Anne with spirit, grace, and wit. Her humorous mishaps, personal struggles, and her newfound love for the Cuthberts as well as her love for Avonlea make her an enduring heroine throughout the ages. Who knows? After seeing this film you may discover that you are a kindred spirit as well!
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| 24. Lemony Snicket's A Series of Unfortunate Events (Widescreen Edition) Director: Brad Silberling | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Amazon.com A Message from Count Olaf Dear Adoring Fan of Count Olaf, Perhaps once every thousand years, a talent emerges that completely changes the way movies are made, orphans are orphaned, and heartthrobs throb. Often this talent has only one eyebrow, as is the case with one of the most cherished and admired actors scheming today. Surely you can you guess of whom I think. No, you fool! I am referring to the One...the Only...the Unbelievably Handsome Count Olaf! Or, as I like to call him, Me. If you've already seen my performance in Lemony Snicket's A Series of Unfortunate Events, you must still be speechless. But if you haven't, you are in serious danger. Just teasing. But you could be after I send one of my gifted henchpersons to your home! So why not get my movie on DVD? This major motion spectacle has everything. Me, acting! Leeches, attacking! Orphans, almost falling off a cliff! Of course, if you are familiar with books by Lemony Snicket, you know that they include all of these things too, but most of what he says is lies, and the rest is completely boring. There's never been a film that demands repeated viewing in quite the same way, with a diabolical genius writing you a letter that says, "I DEMAND REPEATED VIEWING!!!" Plus with DVD extras, you'll get at least 20% more Olaf for your money. And... just for you, for an unlimited time only, I'll throw in Aunt Josephine free with purchase.* So, noble Amazonians, put down your hunting spears and exotic headdresses, and prepare to bask in True Greatness. Or, as I like to call it, Me. Of course you may have my autograph! Count Olaf *Count Olaf will not be held liable or accept blame in any way for any and all liability, loss, damage, or personal injury (including death), without limit and without regard once Aunt Josephine is thrown in, due to the unpredictable behavior of hungry leeches. Stills from Lemony Snicket's A Series of Unfortunate Events (Click to Enlarge) All Things Snicket See a complete list of all Lemony Snicket's creations, including books from the Series of Unfortunate Events, calendars, and more. The Essential Lemony Snicket Books More from the Movie Lemony Snicket's A Series of Unfortunate Events Computer & Video Games ... Read more Reviews (254) Description "The Beginning" Exclusive Deleted Scenes and Documentary Multi-Angle Animatics Featurettes Web Documentaries Exclusive Production Photo Gallery "Duel of the Fates" Music Video Posters and Print Campaign Trailers and TV Spots "Star Wars: Starfighter-The Making of a Game" from LucasArts Exclusive DVD-ROM Content Reviews (2449) Anyway - this is an awesome and incredibly well done DVD. Lots and lots of extras. Great commentary by Lucas, the producer, the sound man, etc. Interview with the composer. Lots and lots and LOTS of background materials on the making of the film, and the entire process of putting it together from initial writing to final production, and the making of the DVD itself. The image of the movie is *very* crisp and clean. The deleted scenes are a nice addition to the movie. I am very impressed (and surprised, to be cynical about it) that Lucas has given us the full-featured DVD the first time out, and not offered us one scaled down DVD version, only to offer us a better version in a year, and then the full-scale one a year after that, like he's constantly done with the VHS versions of his movies. Thank you, Lucas, for taking care of your fans this time, and not trying to pad your pockets a few times before giving the fans what they *really* want. Quality-wise, this is absolutely one of the most loaded, best-featured DVDs I have in my collection. (as a p.s. - after hearing Lucas' commentary, and talking about some things coming up in the next movies, I have realized that a few things I criticized about this movie actually make sense oin terms of the upcoming story-line. However, I still think that, overall, the writing for this movie was only a cut above old b-movies)
When Lucas made the first trilogy he was a relativly unknown up-and-comming writer/director full of desire and well, "hunger" to make his mark. That drive lead to the masterpieces of pop culture we know as ANH and ESB. By ROTJ his edge was already waning but thankfully it was the last one... or so we thought. By the time TPM came out he lost it completely and produced a quite mediocre if at best ordinary film. Living like a king for the past 20+ years made him not "hungry and full of desire" but fat and content. He lost his edge. Peter Jackson's LOTR Trilogy is so much better than Lucas' last 2 efforts for this same reason. Jackson has the "eye of the tiger"! Lucas HAS to get his edge back. Most agree AOTC is better than TPM but not by much. Will episode 3 prove that Lucas got it back?? If only reality played out like the fantasy of Rocky III and Lucas brings home a REAL winner....
Amazon.com essential video Writer-director Blake Edwards cast Peter Ustinov as Clouseau in The Pink Panther, but Ustinov dropped out just before shooting began. Edwards (who recounts this story in a spotty commentary track included here) and Sellers bonded over their affection for Laurel and Hardy, and immediately transformed the character of Clouseau into a walking sight gag. The first film has a delicious swinging sixties vibe, while jewel thief David Niven, Claudia Cardinale, and Capucine occupy as much screen time as Sellers.Sellers really hits his stride in A Shot in the Dark, an elegantly funny tale of Clouseau sleuthing out a murder investigation. This one introduced Herbert Lom, as the increasingly frazzled Inspector Dreyfus, and Burt Kwouk, as Clouseau's houseboy-nemesis Cato. Sellers and Edwards, whose relationship was stormy, put Clouseau aside for over 10 years, until a trilogy of mid-1970s comedies restored the character to commercial (and dare we say cultural) primacy. Unfortunately, the very funny comeback picture, Return of the Pink Panther, is absent from this set due to rights issues with the studios involved. The Pink Panther Strikes Again has Dreyfus going bananas and targeting Clouseau; Revenge of the Pink Panther puts Clouseau in a hilarious series of disguises, climaxing in a wonderfully mounted sequence in Hong Kong. (Throughout the series, the calm, classical staging of gags by Blake Edwards reminds you of what a lost art this has become.) Trail of the Pink Panther looks better now than it did when originally released in 1982, shortly after Sellers's death; it's a batch of unused Sellers routines from previous pictures, strung together with a loose plot. In other words, it's a "deleted scenes" extra, and quite funny at times. Subsequent efforts Curse of the Pink Panther and Son of the Pink Panther are neither included nor mentioned. A half-hour documentary gives pleasant memories from Edwards, but feels incomplete. The cartoon Panther gets his own 11-minute mini-doc, plus six cartoon shorts including the Oscar-winning "The Pink Phink." --Robert Horton Reviews (32) About the movies, loved the first two classics (Pink panther and Shot in the dark), Return, which is not included, I dunnot miss, can't say i liked that one; Strikes Again it is one of my favorites, Revenge was worth of a good laugh and about the Trail I didn't see the Edwards necessity to do that films besides the need of money, everyone in this days could have save to see that sort of tribute (there is no real story there) and watch the delightful lost and new scenes (at that time) of Sellers in another extra of this collection, but, what is done is done and I can't really complain, this movies are great fun and this set? one of my favorites.
The 4 worthy films, though, shine as comedy classics, fully display Sellers' genius, witness the evolution of the Clouseau character, and feature the talents of Seller's surroundings casts and Edwards' direction. Many can argue which is the best film; I personally prefer 'The Pink Panther' followed by 'Revenge of the Pink Panther'. The bonus disc has one documentary about the Panther films, one documentary about the Panther animation, and 6 Pink Panther cartoons. The main documentary has some good info about the Panther series, but is not nearly as comprehensive as it could be. There is no mention of the thought process behind 'Trail' and scant detail about the other films. 'The Pink Panther' has audio commentary by Blake Edwards, a trivia feature, a photo gallery, and the original trailer. The other films have only the photo galleries and trailers. Deep insight into the Pink Panther series is missing in this collection, but it's also an excellent value for four great comedies.
On the positive end, you get four great "Panther" movies and the bodged-together "Trail of the Pink Panther", plus a disk of extras. Some people have dismissed the extras disk as inconsequential, but I rather enjoyed it. I particularly liked the documentary "The Pink Panther Story" which was heavy on interviews and insight. I had no idea that Sellers hated "A Shot in the Dark", whereas I (and many others) think it is a perfect movie in every way. I knew that Sellers could be somewhat Mercurial to work with, but I had no idea, for instance, that he had certain colors that he would not tolerate around him, and in fact made the producers of one of the movies once repaint a train because he couldn't stand the color! Also on the disk is a documentary about the animated Panther, which is quite interesting, as well as several of the short subject cartoons, which seem selected at random. They did include the Oscar winning "Pink Phink", the first cartoon short of the Pink Panther, which was an excellent choice. "Psychedelic Pink" included an annoying laugh track, and "Pinkfinger" was one of the weaker of the cartoons, which I have great recollection of from childhood. Interestingly enough, there are two related subject cartoons, one each of the Ant and the Aardvark, and The Inspector (in a fairly weak episode) to round out the extra disk. This is a great set overall, with just a couple of things bringing it down to a four rating. I recommend it to all "Panther" fans everywhere, and to anyone who loves to laugh.
The DVDs' fine (5.1) audio is complemented by the vivid widescreen images on the first "Panther," a gorgeous relic of the swinging '60s. The reproduction allows contemplation of detail such as the amazing topography of David Niven's hair. There's a lot for the Technicolor to take in -- fabulous clothes, beautiful people and to-die-for European locations. A half-hour docu on the "Panther" films checks in with the series' surviving principals. A brisk DVD documentary tells the tale of the Pink Panther cartoon character, found money for Blake and his partners. A bonus disc collects the Panther's animated adventures. The five original "Panther" films collected in this set range from the nostalgic pleasures of the first to the sludge of "Trail of the Pink Panther" -- a barely watchable collection of Sellers outtakes borne along by a why-bother story -- but with Peter Sellers onscreen the laughs never completely faded away. DVD viewers are both warned and encouraged.
... Read more Amazon.com Reviews (108) What really puts this over the top, though, is Disc Two, with a bucket load of extras: the lost "Weather Show," a new computer three-song set, a making-of feaure, top 20 countdowns, an interactive trivia game, music videos by contemporary artists, audio commentaries, Emmy Award footage, etc. . . . I can't wait to explore even more than I got to last night! This will be such a great tool for my 21-month-old daughter (who will know how a bill becomes a law and how to use a conjunction in a sentence!) and a ton of fun for me in the process. The video quality isn't MONSTERS, INC., but it doesn't have to be. The old animation holds up just fine, as does the audio, which audiophiles could probably complain about if they want to poop the party for the rest of us. What really stands up to the test of time, aside from the basic content, is the music. These guys (primarily) did some really good arranging, little of it in the rock 'n roll genre, ironically. Jack Sheldon delivers some spectacular jazz vocals on several of the more famous tunes. Complicated yet catchy melodies are the strength--that's why we all remember "I'm Just a Bill" and "Conjunction Junction"--with great backing vocals and instrumentation to boot. The contemporary artists' renditions didn't hold up to the originals, but they were pretty interesting to hear. The interactive stuff will be great for kids hearing these songs for the first time. The interviews and commentaries are really interesting, especially in hindsight. Great new additions, discoveries, and formats all add to the charm of the original forty-six songs. How they managed to get all of that factual information into essentially a music video, while keeping the kids (and me) entertained, is still a mystery to me. Bottom Line: You'll be hard-pressed to find a better combination of education and entertainment. If there are any factual inaccuracies, they are minor enough to overlook and could actually spark interesting conversations. The basic content is right on-the-money. The fact that they'll actually be talking about and be interested in the grammar, history, science, and economics is important enough to overlook any minor flaws. The first DVD has all the original shorts categorized by groups, you can play them by group, or play them all in order or play them all or shuffle. If you choose a particular group, you can pick the ones you want to play in the playlist or select the Play All button. I was having a blast seeing remembering how many of these I could still sing. The 2nd DVD is the Extra Credit portion of the set. You can watch with Captions or Audio Commentary. I really had fun with the "Earn Your Diploma" Trivia and the Arrange A Schoolhouse Rock song. The Earn Your Diploma gives you a set of questions to answer to each group (Science, Money, etc). When you get them all right, you get a clue which when you solve all the groups you can then solve the Master Jumble to become a Schoolhouse Rock Graduate. The Arrange A Schoolhouse Rock Song has 3 of the Schoolhouse rock songs mixed up and its up to you to get the lyrics in order. When you get them right, the song clip will play. The music videos section was funny - the first 3 had the original animated shorts but the music/voices were redone by Better Than Ezra ("Conjunction Junction"), Lemonheads("My Hero Zero") and Deluxe Folk Implosion("I'm Just A Bill"). I didn't care for the last one by Goodness ("Electricity, Electricity"). That was just a music video but that one doesn't take away from the rest of the DVD. I saw one review here getting a little too deep in reviewing the american group. I say, don't worry about it - these were meant to help kids learn and I can say they definitely did me good. This collection was well done and it's worth the price :-)
If you're wondering about getting this video, wonder no more. It is a timeless winner that won't disappoint (unless you're looking for dark plots and questionable character influences!)
Reviews (5) As well it should have been. It is EXCELLENT. This is Zach Braff's masterwork, a film that by all accounts should not have been made ("hi, i am the funny guy from "Scrubs," can you help me make a movie I have written, directed and want to star in?") This is the story of Andrew Largemann (aka "Large" to his buddies) who has to fly across the country to attend the funeral of his mother. (...) This is the story of Andrew Largeman (Braff) who lives in L.A. as a wannabe actor. It's been nine years since he's been home, and the death of his mother is what takes him back to the garden state. Braff plays this character with excellence-- fun, but perhaps misunderstood, with a lingering sadness. Everyone else in the movie is just as wonderful. Natalie Portman plays the eccentric Sam, who when they first meet, tells him to listen to a song because it will change his life. Peter Sarsgaard plays Largeman's partying friend-- talk about a scene stealer! When this film comes to a theater near you, I highly recommend seeing it. It's the perfect movie to see when you need a break from the typical summer movies that you seem to see every year. Garden State boasts a fantastic script, great acting, awesome cinematography, and everything else someone could want in a wonderful film.
After the screening, Zach Braff (who had, he told us, been sitting behind the audience the entire time) talked to us about his film, answered some twenty-odd questions, and truly revealed why this film was a piece of art. Yes, Braff himself was almost as entertaining as the movie itself. But The Garden State still held its own. Braff's debut film as writer, director and star, The Garden State involves the protagonists' (Braff) journey to re-find himself as he travels back to his home town in New Jersey. Previously defined by his tidbit roles as a Hollywood actor and his parentally diagnosed psychological illnesses, Braff rekindles old friendships and makes new ones along the way. Natalie Portman, who gives an outstanding performance, plays possibly the most well written female role I've seen in a long time. The energy exuded from her presence on screen is unmatchable and a wonderful contrast with Braff's underplay of his character. The plot has its moment, but is nowhere near the dynamic adventure of an oscar winning story. However, the little things carry the film. Also, the music is AMAZING and Braff's choice of soundtrack is most certainly one of the success stories of his film. The film is not without faults, such as lack of exploration in certain storylines (especially concerning the protagonist's father and the introduction of numerous characters who are never fully developed). However, the film's unique and intense direction and cinematography coupled with some brilliant acting make this film a must see. Especially for the college generation. Not perfect, but highly recommended.
One reason to see the movie: Peter Sarsgaard. He steals every scene as a dirtbag high school friend of Braff's character. He is a great talent, and deserving of better movies than this one.
... Read more Amazon.com The intricately woven subplots that are 24's greatest strength are masterfully developed here, and character arcs are equally strong, especially among CTU staffers Tony (Carlos Bernard) and his wife Michelle (Reiko Aylesworth); CTU director Ryan Chappelle (Paul Schulze), who is season 2's tragic bargaining chip; and the annoying but well-intentioned Chloe O'Brian (Mary Lynn Rajskub), who makes pivotal contributions with by-the-book efficiency. It's 24's superior casting that overcomes the series' occasional lapses in credibility, and season 3's twists make marathon viewing a nerve-wracking delight. By the time it's all over, with a high body count and the surgical reattachment of a main character's severed hand, 24 once again leaves you gratefully exhausted. As always, Sutherland anchors the series in the role he was born to play. When Jack takes a private moment to release 24 hours' worth of near-fatal tension and psychological anguish, Sutherland proves that 24's dramatic priorities are as important as its thriller momentum. DVD extras include behind-the-scenes featurettes (about the prison break sequence, climactic F-18 Hornet air-strike, and real-life bio-weaponry) that pay welcome tribute to the series' hard-working crew, who create Emmy-worthy television under pressures as intense as 24 itself. --Jeff Shannon Reviews (13) At the same time, a mysterious van drops off a dead body at a National Health Services facility in Los Angeles. The body had been infected with a weaponized virus, and the delivery is clearly a signal that terrorists are threatening to unleash havoc in L.A. Are these two events connected? Jack has to find out, but he is struggling with an incredible burden that may affect his job performance. As in the previous seasons, Kiefer Sutherland again is exceptional, and easily worthy of the awards he's earned for his performance in 24. The third season brings back a few characters from Season Two, and introduces many new ones. Tony Almeida is back, and is running CTU side by side with Jack. Michelle Dessler, another CTU worker that was Tony's love interest in Season Two, is also back, and by the second half of Season Three, Michelle becomes a very important character. Reiko Aylesworth, who plays Michelle, really shines as her character takes on new importance and new responsibilities. And finally, Dave Chappelle, a by-the-book guy from "Division", returns from Season Two. Chappelle has the authority to oversee CTU, and usually disapproves of Jack's unorthodox methods. Chappelle played a minor role in Season Two, and does again in Season Three, except that he becomes the center of a particularly thrilling episode late in the Season. Season Three also sees the return of Nina Myers and Sherry Palmer, the two villians we love to hate. Nina's entrance into the storyline is too coincidental to be plausible, but you quickly forgive the writers for this, because her storyline is very good. If you are familiar with Jack and Nina's history, you will find the climax of Nina's storyline in Season Three to be thrilling. Both of these women are complex characters, and their relationships with their "men" (Nina to Jack and Sherry to the President) are complex and interesting. There are new characters, I will only mention two. Jack has a new, young partner named Chase Edmunds. Chase is a young version of Jack, highly competent and willing to step over the line to get results. Chase also idolizes Jack, though events during Season Three will put their relationship to the test. The other new character is a young computer expert named Chloe. She has no social skills (she is frequently and unintentionally rude to her co-workers, and after a while this behavior gets to be a running joke), but Chloe makes up for it with exceptional skill at her job. There are many times when Jack, Tony, or Chappelle give her a near impossible task that would ordinarily take hours, but they need it done in minutes. Chloe always rises to the occasion. That's as much as I can tell you without giving anything away. Now, as to the quality of Season Three: There are some truly great episodes, and the plot has some really neat twists and turns. However, like most critics, I believe that Season Three is more uneven than Seasons One or Two, and has more episodes that are just "okay" rather than truly great. Still, Season Three is well worth watching, and I really respect the writers for reinventing "24" every season - they don't repeat the same formula every year, they work hard to come up with something new and different and exciting, and for the most part, they succeed. Another reviewer here said the season finale was lackluster. I respectfully disagree, I thought it was as good as the finale to Season Two. In order to appreciate the very last scene, you need to remember all the trauma that Jack has been through in this long day; viewers who didn't see every episode, or didn't remember everything, probably cannot feel the impact of the final scene. But if you watch Season 3 on DVD, you can see all the episodes without waiting a week or more between episodes, so you will remember everything and really enjoy the final scene. However, I agree with that reviewer's disappointment over the fact that Season Three brushes off major plot points from Season Two without satisfactorily explaining them - namely, the assassination attempt on President Palmer, and Jack's relationship with Kate. Clearly, the writers decided to abandon these storylines and wanted to wrap them up with minimal effort on their part.
He also has to deal with a dangerous terrorist in-order to keep the virus from spreading. One is to have a CTU member killed. He has no choice to deal with the terrorist because he already knows what he's capable of after the virus is let loose in a motel building. 24 season 3 is the most unpredictible season yet. You never could predict who would live and who would die. When the seasons do end, none of them end with a happy ending. In season 1, Jack found his wife dead. In season 2 President Palmer passes out after getting some sort of flesh eating virus. So compared to those endings, seasons 3's ends a lot less shocking but still it's a fitting ending when you think about all Jack went through that one day.
Reviews (81) Now on to "the vaults". Disney is trying to squeeze every last penny out of the cash cow, and have the two Toy Story films under lock and key, no doubt so they can sell millions of "Special Editions" in five years. Once again, Disney appalls me with their unmatched corperate greed. In conclusion, Toy Story is an excellent film and a true must-see.
The plot is absolutely joyful and stunningly original. The story revolves around the quiet family home of a quiet town where a boy owns numerous toys with his toddler sister. The toys however, are almost like beings of their own and are 'living' as well but stop 'moving' when the boy comes back into his room. However, a cowboy named Tim is the most popular 'toy' in the boys bedroom and is kept by the pillow almost every night until on his birthday, he gets a fancy astronaut toy named Buzz Lightyear who has many 'gizmos' and in time takes over the toy cowboys place as the most popular toy and Tim gets enormously jealous of this. However, after a botched attempt to remove Buzz, the cowboy himself along with Buzz end up in the hands of a punk teenager who takes joy in blowing up toys with firecrackers and or other means like burning, breaking, or smashing them and/or even taking them apart and re-assembling their parts to create 'mutant' toys and now the clock is ticking for Tim and Buzz to escape from the boys house before they end up being blown to molecules. This movie is absolutely fun and original even by 1995 standards. The computer generated special effects are innovative and unbelievable especially considereing the fact that this movie came out nearly a whole decade ago. The whole tone of the movie is just fun and charming and is for the entire family. Not only that but this was what put the then newcomers Pixas right into the front seat of movie animation and would be the start of an unbroken streak of excellent movies from this dynamite team.
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