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| 101. Summer Magic Director: James Neilson | |
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Reviews (24)
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| 102. Dr. Quinn Medicine Woman - The Complete Season Two | |
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Reviews (5) Beth Sullivan is a wonderfully talented writer, and the actors and actresses are magnificent. The show promotes strong values, without the audience feeling like those values are being stuffed down their throats. And it isn't unrealistic in the portrayal. Granted problems are solved quickly in order to fit within its time slot, they are still real problems. None of the characters is perfect or even comes close to perfect. Even those, such as Jake and Horace, who are not the main characters have depth. Therefore, through the writing of Sullivan and the acting brings the world of Dr. Quinn to life. Dr. Quinn was most definitely a rarity in television shows, and it is a pity that they cancelled it. As for the special features on the DVD - there aren't many of them, but it does include a short featurette about the show, which includes many interviews. There is a short biography about some of the actors/actresses, and credits awards that the show has received. While I think they should have included more special features, the show is so wonderful that I am not going to give it less than 5 stars because of this lack.
The DVDs themselves were also great. The quality of the picture is simply perfect and much better than some of the episodes from the first season. The sound is about the same. All seven discs come in pretty cool individual boxes, like the average A&E TV show box sets like the "Mr. Bean" DVD. There is no booklet; instead the episode descriptions are on the back of each volume. The cover of the entire case isn't exactly perfect. It's kind of blurry and obvious that there were two different pictures stuck together. The makers could have chosen a better front cover. This product would be even better if there were subtitles and some pictures of each scene at the selection menu. The special features were much better than the first season's. Instead of one good thing, there were two brilliant things to watch. The last disc contains "Beginnings: A Featurette," which was really interesting. You learn some interesting facts in it. It was fun seeing how some of the actors looked like and changed over the past years. There's also an interesting commentary by Joe Lando (Byron Sully) on the episode "Best Friends." Some bloopers and deleted scenes might have been nice, along with some TV spots. I don't think any season DVDs has had them before, besides "Malcolm in the Middle." Hopefully, other actors will come back for other featurettes or show makings and do commentaries on more than one episode (the people that played important roles, like some of the MAIN characters, like the children). It would also be interesting to know what the actors are doing nowadays, and why they did certain things: like why Erika Flores (Colleen Cooper) had left this amazing show. This box set certainly deserves 5 out 5 stars definitely because of the show itself and you should buy it NOW if you haven't done so already. It's absolutely great; there's no doubt about it. No show on TV now, like this one, can compare to it. The price might be a minor problem for some and the future seasons possibly could and should be a little inexpensive. It is an excellent addition to anyone's DVD collection. I know this is a great one to mine; you can honestly watch all of the volumes over and over again and not get slightly bored at all. Hopefully, the third season will be coming out on DVD SOON! I just can't wait for it any longer. You should get your copy when it comes out, because I will surely get mine.
Dr. Quinn and Sully set the tone for acceptance and tolerance. Dr. Quinn had a history of demanding justice for African Americans even before she moved from Boston to Colorado. Sully, meanwhile, was friends with the Indians and defended them from the town folk's disfavor. Dr. Quinn and Sully also took stands in support of the immigrants. They lived what they believed, and that is acceptance and tolerance of those who are different. They did even more, and developed friendships with those who others wouldn't accept. Dr. Quinn and Sully were able to see into the hearts of people. They loved and accepted them for who they were. Dr. Quinn showed the human side of the Indians and human side of the town folk. They all had their prejudices against one another, but apart from their dislike of each other they were humans in search of happiness. We saw Dr. Quinn reaching out and seeking to heal the injuries on both sides of the battle. She didn't care if they had done good or bad. She still helped them. Time after time, there was an emphasis on the human spirit and showing love in the midst of hate. There was a constant message that love and understanding was always the answer. It's an awesome message, and it's one that teaches to look beyond the bad things that people do, and answer them with love and not return the hate.
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| 103. Citizen Kane (Two-Disc Special Edition) Director: Orson Welles | |
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When it was made, Orson Welles tackled a seemingly simple topic, a reflection back on a dead man's search for love and happiness in his life, and made a film that's epic in scope, gorgeous in its visual execution, brilliantly written, incredibly acted. All in all, it's inspiring to filmmakers looking for a great debut film from a new director. "Citizen Kane" also works for regular moviegoers just looking for a good drama. Using interviews with all his closest friends and colleagues, Welles uses flashback to create a portrait of the life of millionaire media magnate Charles Foster Kane. Kane was, in conflicting accounts of those who knew him, a man of great character and potential or a wealthy, cold, manipulative scoundrel. What, if anything, can be learned about the man from his last word? What does "Rosebud" mean? The answer makes for good mystery, and it leads the viewer to ask key questions about what defines our lives and gives them meaning. This film is fantastic, one that should be watched once a year to help you keep perspective on life.
I have just described Citizen Kane. All of the above is true, which makes the fact that it is possibly the greatest film in American Film History even more amazing. Everything is perfect. The script (which Welles co-wrote), the actors (all relative unknowns except Welles and Joseph Cotton), the special effects (listen to Roger Ebert's Commentary on this special edition for details) and finally, the makeup-- You won't believe how great a job they do making 25 year old Welles look 60. As for the story, it's done in a most interesting fashion. Charles Foster Kane (Welles) dies at the very beginning of the movie and utters his famous last word "Rosebud". A reporter is given the task of finding out just what that one word meant. So he goes and interviews all the people who knew Kane to try to learn the meaning of the word. In the process, we are shown Kane through the eyes of those who knew him. We never see Kane through his own eyes, always what his former associates saw. This is interesting, because Kane is a tragic figure as seen by just about everyone. He is unhappy and lonely. We as an audience eventually learn the meaning of Rosebud. I have read reviews that complain that the movie is about this one thing (I won't reveal what it is). But long before we learn the identity of Rosebud, the film has made its point. What is the point? My opinion is that the film shows us basically the worthlessness and despair of materialism. Loving "stuff" or money will ultimately lead to unhappiness. By the way, this movie almost was never seen. The man I spoke of at the beginning of the review is William Randolph Hearst, former newspaper magnate. He saw too much of himself in the film and sued to squash it. Fortunately he lost. The second disc in the set is a two hour documentary on this topic. It is also excellent and well worth a viewing. One last thing. Although this movie has been ranked on the AFI list as number one American movie of all time, it did NOT win Best Picture in 1941. That film? "How Green was my Valley"
Much has been made of Citizen Kane's technical brilliance -- Welles' use of overlapping conversations, Gregg Toland's deep focus photography, set design that incorporates ceilings, etc. However, none of this would really mean anything if the film didn't have a great story and screenplay. Citizen Kane may be a triumph in filmmaking technique, but it is also a deeply engrossing story with characters we can relate to and sympathize with. Welles' Kane is a selfish, unhappy, overly controlling dictator who has everything and yet still manages to make himself more and more unhappy. Most of us know the feeling of not appreciating someone or something good in our lives until he/she/it is gone. We see the promise and idealism in Kane's early life, like him and believe, as Joseph Cotten's Jed Leland does, that Kane is a great man who can do so much good in society. As Kane's life progresses, however, he becomes more and more bitter, alienates everyone who cares about him and dies alone, longing for the simplicity of his early life before he became wealthy. When Kane, as an old man, loses control when his second wife Susan Alexander (Dorothy Comingore) leaves him, we can't help but feel for him -- even though most or all of his unhappiness is his fault. That the audience feels such empathy for such a flawed character is Citizen Kane's greatest triumph and is the true basis for Kane's reputation as one of the greatest films of all time. ... Read more | |
| 104. The Incredibles (Full Screen 2-Disc Collector's Edition) Director: Brad Bird | ||||||||||||||||||||||||||||
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Amazon.com essential video Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!"). The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode. Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing. The Presentation The Extras Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the! !animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation. There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas More Incredibles at Amazon.ca !-- end6pak --> The Pixar Feature Films More Animation DVDs !-- end6pak --> More Superheroes on DVD Also from Filmmaker Brad Bird Reviews (281)
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| 105. Outfoxed - Rupert Murdoch's War on Journalism Director: Robert Greenwald | |
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Reviews (68)
The funniest thing thing about this movie is the majority its 2 hours is archived footage from FOX. The inflamatory hate-speech they spew, interviews they censor, false claims and half truths they report are shown the exact way Murdoch broadcasts them 24/7. And this an indisputable thing FOX can neither defend nor find an excuse. It's no wonder about FOX's tirade during the eve of the film's release on how biased its rivals are, swearing to it that if the film sells hot off the shelves they will go after their rivaling networks with all the fury they've got *true* A Fair network wouldn't be so preoccupied it has to attack other networks. That negates its claim to be "news" entirely A fair news channel could Actually be able to to counter this documentary's argument instead of having to resort to boasting the same claim against its rivals It reminds me of a bully who beats up all the small kids, and when the day comes he gets roughed by another boy his size, he not ony cries and whines to the principal, he says it was for no reason! Well at least they're not suing again, as we saw all the good that did. How unsustaining is Fox? I looked up, as actually typed, "Faux News" on google and sure enough the first link to come up is the official FNC website. That's a sign of desperation and having no merit as a news channel I have to give my blessing to Greenwald. This is impressive work. Note you can't miss his other movie, "Whole truth about the war in Iraq," a stunning visual look at the lies and lies, and more lies used to push the public and lawmakers into this immoral war. Outfoxed is not associated with John Kerry. It's not funded by the Democratic Party. The Right Wing elites wants you to believe this movie has ties with MSNBC, CNN, NY times, LA times, or the Washington Post. Nothing can be further from the truth. The film was produced by a non-partisan independent thinker and funded by an 'independent media', and it's only they who can claim responsobilty, or more importantly, take the fall over any speculation that comes. FOX's "journalists" have habitually been imperious critics towards those who exchange information and over certain subsidies towards polical engagement. Certainly nothing unethical about the National Republican Party being the biggest benefactor to FOX. Or media tycoon Rupert Murdoch prevailing as the solitary creator and manager to the strategist network They present facts which are supportive to the Repub-Neocon base, meanwhile discarding news which sounds to them 'ulterior.' They are so assuming to arguments which contradict their absurd reasoning, it would be as if having to unpreach to the choire. Not to mention lie through their teeth if they think they can get away with it; "don't kill the messenger!" The integrity of jounralism is not to carry out hearsay. It's to review, be accurate, factual, rational Bias in a film that tells the God honest truth is a critique of society. Bias incoporated as a news source that claims to fairly report a balanced medium of news, which in reality imparts a agglomeration of dishonesty and fraud, ultimately becomes an Orwellian form of mind control I believe FOX News is dangerous to society For an even closer, more in depth look into the media establishment check out the DVD, "Manufacturing Consent - Noam Chomsky and the Media" a perilous, extremely insightful and intellectuall peice of work that will change forever the way you think about news. While Fox is certainly evil and uncomparable to it's colleagues, their is a growing bias to new aged conventionilsm in the news media as it moves toward sensationalism and censorship, and away from reality. Coporate greed is hungry for profits, profits unimaginable to an average person, and the media is in their hands already. This documentary was produced in 1993 and his predictions of what was to come of media ownership by the Elite was farfetched a decade ago, but today it seems his case is understated. Nearly the entirety of our news channels, papers, and other publications are owned right now by 6 corporations. 6! It was 12 before the new millenium and now... it is 6! See this film, it will ASTONISH you.
Yes, there are the radical right wingers who don't want real news because only lies can support their overall claim. The point is MOST of us want the real honest TRUTH from our news and I think we can change that. The funniest thing thing about this movie is the majority its 2 hours is archived footage from FOX. The inflamatory hate-speech they spew, interviews they censor, false claims and half truths they report are shown the exact way Murdoch broadcasts them 24/7. And this an indisputable thing FOX can neither defend nor find an excuse. It's no wonder about FOX's tirade during the eve of the film's release on how biased its rivals are, and swore to it that if the film sells well they will go after the other networks will all they've got A Fair network wouldn't be so preoccupied it has to attack other networks. That negates its claim to be "news" entirely A fair news channel could Actually be able to to counter this documentary's argument instead of having to resort to boasting the same claim against its rivals It reminds me of a bully who beats up all the small kids, and when the day comes he gets roughed by another boy his size, he not ony cries and whines to the principal, he says it was for no reason! Well at least they're not suing again, as we saw all the good that did. How unsustaining is Fox? I looked up, as actually typed, "Faux News" on google and sure enough the first link to come up is the official FNC website. That's a sign of desperation and having no merit as a news channel I have to give my blessing to Greenwald. This is impressive work. Note you can't miss his other movie, "Whole truth about the war in Iraq," a stunning visual look at the lies and lies, and more lies used to push the public and lawmakers into this immoral war. Outfoxed is not associated with John Kerry. It's not funded by the Democratic Party. The Right Wing elites wants you to believe this movie has ties with MSNBC, CNN, NY times, LA times, or the Washington Post. Nothing can be further from the truth. The film was produced by a non-partisan independent thinker and funded by an independent media. Bias in a film that tells the God honest truth is a critique of society. Bias incoporated as a news source that claims to fairly report a balanced medium of news, which in reality imparts a agglomeration of dishonesty and fraud is a form of mind control For an even closer, more in depth look into the media establishment check out the DVD, "Manufacturing Consent - Noam Chomsky and the Media" an extremely insightful and intellectuall peice of work that will change forever the way you think about news. SERIOUSLY good film
Yes, this movie is biased, because it is reporting on a biased news station. The makers of this movie are infuriated. They have every right to be. The conservative trickery is not even covert. It is plain to see, and it is ridiculous. There were a couple great moments in this film, and I think it is worth the 10 bucks they charge for it. Overall, I recommend it for anyone interested in the propaganda of the media in general, and for those who think that the Fox News Channel is actually news. Please, if you are reading this, realize that the only way to uncover the truth about things is to read about them. The television gives you a sugar coated version for bedtime. Don't believe what you hear just because it is on TV.
Because of this lopsidedness, the movie is also pretty boring. There's no debate or controversy inserted. It's basically, Fox has a right-wing agenda, see, Fox has a right-wing agenda, see, Fox has a right-wing agenda, see... ad nauseam. It would have been more compelling and persuasive if they allowed Fox to respond. Unfortunately, the majority of the clips used to state their case are of pundits, like Oreilly and Hannity, which is a bit specious since these guys are supposed to have an opinion. Whether their analysts tend to be conservative or not is a 'who cares' kind of point. We are already know it's an opinion. I give it two stars since it can be irksome and rile people up (regardless of your political leanings). It irked me mostly because the whole movie practices nearly everything they accuse Fox of doing - presenting information in an unfair and unbalanced way. ... Read more | |
| 106. Bad Day at Black Rock Director: John Sturges | |
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| 107. A Real Young Girl Director: Catherine Breillat | |
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My initial interest in the film came from my curiosity about the film career of Hiram Keller, who had recently died in Atlanta, GA, his place of birth as well. I am puzzled at his reticent presence in the film. "The Face", as he was called did not enjoy much of a career but he certainly got a great start. It's a film to watch for you will certainly leave with an impression for better or for worse.
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| 108. Beyond the Sea Director: Kevin Spacey | |
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| 109. What Dreams May Come Director: Vincent Ward | |
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The story is very moving and brilliantly crafted. The main character is a doctor named Chris (Robin Williams). He has a wife (Annabella Sciorra) and two kids. His family is great and he seems to be living the American dream. Then his children are killed in a car accident and his life is shattered. He spends the next four years trying to recover from the tragedy. Then he is killed in another traffic accident and the story takes off as he goes to the beautiful afterlife. The movie seamlessly transitions from present to flashback to give a sense that time is irrelevant in the afterlife and to fill in the rest of the story. The first person he sees is a young version of the doctor he apprenticed under (Cuba Gooding Jr.) who later turns out to be someone else, but I won't tell you because I don't want to ruin any parts of the movie. He is then taken to a beautiful heaven, which is actually his mental re-creation of one of his wife's paintings. He later learns that his wife has committed suicide and in doing so has trapped herself in a never-ending spiral of guilt (a.k.a. Hell). Chris then has to travel to the depths of Hell to find and attempt to bring back his wife. This movie is loaded with abstract thoughts and themes. For example: Your obsessions in life will become your afterlife; Thought is real, physical is the illusion; God lets bad things happen to good people; and far too many others for me to list here. The movie is visually breathtaking and the computer-generated graphics add greatly to the realness of the movie. The acting is good and director obviously knew what he was doing. I will recommend this movie to anyone who has ever contemplated his or her existence.
The cast of the film is strong, but it would be a mistake to imagine that they are the reason for the film's success. Robin Williams as Chris Nielsen, Cuba Gooding Jr., Rosalind Chao (who I previously mainly knew only from STAR TREK: THE NEXT GENERATION), Max von Sydow, and the lovely but underused (not only in this film, but by Hollywood in general) Annabella Sciorra all hand in wonderful performances, but they are largely overwhelmed by the astonishing beauty of the sets, the inconceivably vivid colors, and the marvelous use of light. No performers could have competed, though they try gamely. I find the film especially interesting for theological reasons. Ron Bass based the screenplay on a novel by Richard Mattheson. I must confess to not knowing the work of either, but I would lay heavy money that one of them (probably Mattheson) knew well C. S. Lewis's THE GREAT DIVORCE. In that work Lewis was concerned to lay out a concept of heaven and hell that did not regard God as responsible for sending people to hell. Instead, he described an afterlife in which people in hell still had the option of leaving hell and departing for heaven. These two ideas--of people placing themselves in hell and of having the option to leave hell for heaven--drive the metaphysics of WHAT DREAMS MAY COME, as I'm sure anyone who has seen the film will recognize. So why do I give the film only four stars after all the nice things I have said about it? Primarily because the film doesn't really have all that much of a story to tell. The plot feels like a short subject stretched to feature length film proportions. Once you subtract all the amazing visuals, there simply wasn't that much to the film. The challenge for the filmmakers was primarily padding out the action of the film. Nonetheless, I do recommend this as an interesting and intensely beautiful film, despite the slender narrative. Interestingly, the title of the film comes from Hamlet's famous soliloquy, in which he ponders whether or not to commit suicide. In the end, he decides not to because of the dreams that the dead may dream, presumably worse for having killed oneself. But such dreams did not prevent Annie Nielsen in the film from committing suicide. It is a nice ironical touch.
This movie could have easily been a masterpiece, with such a great cast, excellent visual effects and production. However, there are two things which severely take away from its effectiveness. For one, the flashback style becomes tedious after a bit and interrupts the flow of the story. Many other reviewers have commented on this. It's a major drawback. And two, some scenes simply do not work. For example, when Chris arrives in Hell and begins maneuvering around the heads sticking out of the ground. This scene is done in a humorous way, seemingly for comic relief. It simply does not work and is majorly out of place. Comic relief isn't what should happen here. Aside from these flaws, "What Dreams May Come" is an enlightening viewing experience and will stay with you long after you're finished watching it. It can be interpreted in many ways: a film about the possibility of life after death: a film about never-ending love: a film about affirming the beauty of life. However you may see it, you will surely take away at least something from it after the credits roll. ... Read more | |
| 110. The Princess Bride (Special Edition) Director: Rob Reiner | |
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It fun, it's funny and has adventure and romance, monsters and villains. It also has some of the best performances of an ensemble cast in a fairy tale ever. Robin Write-Penn (Then Robin Write at 19 years old) (Forrest Gump, Unbreakable) starring as Princess Buttercup who has fallen in love with a farm boy-turned Pirate, Cary Elwes (Twister, Robin Hood: Men In Tights, Quest For Camelot) and is seeking the kidnapped Princess from three renegades played by Wallace Shawn (Toy Story, Star Trek Deep Space Nine). The late Andre The Giant (Trading Mom) and an astounding performance by Mandy Patikin (Yentel, Alien Nation, Chicago Hope-TV ). Christopher Sarandon (Nightmare Before Christmas, Fright Night, Just Cause) and Christopher Guest (This Is Spinal Tap, Best In Show) head up the evil King and sidekick roles. The chemistry between Cary and Mandy is phenomenal. They are seriously funny in a sarcastic and monotoned way. The swordplay is the best I have seen since Errol Flynn. What makes this movie special and energetic is the magic of fantasy with a splash of you have to believe in True Love for all this to work and for your happiness to be real. Shot entirely on location and with a minimum of a budget the movie is wonderful to watch and look at. A GEM for all the family - literally. The DVD extras include three behind the scenes documentaries and lots of production photos. Very well put together and filled with interesting comments and antique dotes from all the cast and crew. There's even a behind the scenes home movie view of the production thanks to Carry Elwis himself. Of the trailers and production posters show you more of movie making and what it takes. The audio commentary by Rob Reiner is comical and very interesting. There is also a commentary by William Goldwin which gives you a lot of insighjt to the production. This is a great addition to the family film collection. (10-27-02)
Cast: Cary Elwes ... Westley Carol Kane ... Valerie A storybook stable boy turns pirate and rescues his beloved who is about to marry a dreadful prince. The story is told by the Grandfather (Peter Falk) to his cynical (at first) Grandson (Fred Savage). The story is a love story with all of the elements of a fantasy fairy tale. Westley (Cary Elwes), the good guy, is opposed by Inigo Montoya (Mandy Patinkin--"My name is Inigo Montoya, you killed my father. Be prepared to die!"), at first, and then wins Westley's admiration. Another opponent who becomes a co-conspirator, is Fezzick (Andre the Giant). Buttercup/The Princess Bride (Robin Wright Penn) is the princess who needs rescuing.
There is a lot of good tongue-in-cheek humor involved, and even though it is understood that this is a story told to a young boy, there is nevertheless a good level of tension involved. This is a fun movie. Joseph (Joe) Pierre
One of Reiner's best films is 1987's The Princess Bride, a witty-yet-sweet comedy/fantasy written by two-time Academy Award-winning screenwriter William Goldman, who adapted his own novel about the beautiful maiden Buttercup (Robin Wright), whose true love, a young farmboy named Westley (Cary Elwes), goes off to sea to seek his fortune, telling Buttercup that he would come back for her. But when Buttercup learns that Westley's ship has been attacked by the Dread Pirate Roberts she swears she will never love anyone again, an oath she keeps even when she accepts a marriage proposal from Florin's Prince Humperdinck (Chris Sarandon), a handsome yet somewhat shady fellow who probably could give Machiavelli some lessons in, well, Machiavellian diplomacy. His plan is simple: take over as King of Florin as soon as his father passes away, get bethroded to a beautiful engaging commoner, then stage her kidnapping and demise to incriminate the neighboring rival kingdom Guilder and start a war. Aided by the equally heinous Count Rugen (Christopher Guest), Humperdinck hires a trio led by the too-clever-for-his-own-good schemer Vizzini (Wallace Shawn), the revenge-obsessed Inigo Montoya (Mandy Patinkin), and Fezzik (Andre the Giant), a brawny hulk with a heart of gold and a fondness for rhymes. The three manage to kidnap Princess Buttercup, but before they reach the Guilder-Florin border they run into an unforeseen obstacle: a dashing swordsman dressed in black. Goldman's clever way of grabbing the audience's heart and funny bone is to present this fairy tale with a framing story of a 1980s grandfather (Peter Falk) who visits his sick grandson (a pre-Wonder Years Fred Savage) and reads the tale of The Princess Bride to him, following a long family tradition. Reiner gets wonderful performances not only from the major cast members, but also from Billy Crystal and Carol Kane, who play Miracle Max and his wife Valerie in a short but hilarious scene. He approaches the fractured fairy tale as a comedy/romance/swashbuckling adventure, poking gentle fun at the conventions of all the fantasy/medieval adventure films of the 1930s and '40s without being obnoxious or too sardonic. The result: a film that overcame box-office failure (it had a brief and unprofitable theatrical run in the summer of 1987) by becoming a home video success. (This is not unique to The Princess Bride, either. 1939's The Wizard of Oz was no box office champ when it premiered; only when it became an annual TV staple in the mid-1950s did Oz become a family classic.) The 2001 MGM Special Edition DVD presents The Princess Bride in its original widescreen format, and features a director's commentary track by Reiner, a writer's commentary by Goldman, English and Spanish audio tracks, a new documentary on the making of the film ("As You Wish"), plus theatrical trailers and two original featurettes. As Vizzini might have added, to try and find a funnier family film is absolutely inconceivable.
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