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| 21. Spaceballs (Collector's Edition) Director: Mel Brooks | |
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Amazon.com Reviews (267)
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| 22. Bad Day at Black Rock Director: John Sturges | |
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Amazon.com essential video Reviews (30)
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| 23. Kim Possible - The Movie - So the Drama (Extended Edition) Director: Steve Loter | |
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Amazon.com Reviews (26)
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| 24. Down Periscope Director: David S. Ward | |
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Reviews (63)
The audio is presented in 5.1, which adds a great deal to this movie. However, better use could have been made of the surround speakers; the background is not well separated. Now the movie: Kelsey Grammar is a "think outside the box" naval officer given command of the Stingray, a World War II Vallejo class Diesel sub. His assignment is to try to outwit the nuclear navy and run a blockade. To sabotage his efforts, Admiral Bruce Dern gives him the worst crew he can find including diving officer Holly, sonar man Harlan Williams, and an electrician who's taken "a lot of volts." Down Periscope was sunk by the critics when it came out--Roger Ebert put it on his worst of the year list. The humor is sophomoric and silly, and therein lies the charm of this movie. It has a good heart. Grammer is perfect as a goofball captain who is really very, very good at his job. This is kind of movie that will either work on you or it won't. If you like silly movies, give Down Periscope a shot. As for the butchering of the widescreen version of this movie on the DVD, let's hope this doesn't start a trend.
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| 25. What's Eating Gilbert Grape Director: Lasse Hallström | |
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Reviews (147)
It's never really explained what's the matter with Leo's character, Arnie. He has a lot of different characteristics which relate to different special needs people. I tend to think he's autistic, but he never comes across as especially autistic. So it does get a bit confusing. There is a really powerful connection between Johnny Depp's character, Gilbert, and Arnie. Gilbert is really protective of his younger brother, and ashamed by everyone else in his family. This relationship comes to a terrific climax later in the movie, which will shock everyone who's enjoyed their relationship up until then. Juliette Lewis plays the girl Gilbert falls in love with, and who he gives up his older, married lover for. Most people in other reviews I've read don't seem to like her character, but I do. She was great for the part, and although I wasn't keen on her too short hair, I loved everything else about her role. Darlene Cates plays the abnormally obese mother, who hasn't stepped out of the house in 7 years, until Arnie gets arrested. I'm not sure whether the sheer size of her was for real, or whether it was body padding/suit kinda thing. Her size is almost too realistic to be a body suit. All in all, this is a terrific movie, which wrenches at your heart strings, and has you in tears with the dramatic finale.
The movie tells the story of Gilbert Grape, a nice guy trapped in a small town, with a dysfunctional family (as almost every family is), a job without a future and a relationship with a married woman. And despite all this, he is not a sad man, he is not depressed, he is not worried about himself; his main reason to live is to take care of his family. Everything else comes in a second place, including himself. Johnny Depp is the center of the movie and his low-key performance is excellent, but the reason why this movie works so fine is the supporting cast; Leonardo DiCaprio is terrific as the mentally retarded brother, he and Depp are the fuel of the story. The rest of the cast includes: Darlene Cates as the big, big, big mother, John C. Reilly as Gilbert's best friend, Juliette Lewis as Gilbert's new love interest and Mary Steenburgen as the married woman who is having an affair with Gilbert, all of them are terrific in their roles. The main purpose of "What's Eating Gilbert Grape" is to entertain audiences, and it does...a very enjoyable movie.
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| 26. My Cousin Vinny Director: Jonathan Lynn | |
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Description Reviews (92)
Vinny Gambini, brilliantly portrayed by Joe Pesci, is a Brooklyn boy who has finally passed the Bar (after repeated failures) and now finds himself defending his nephew and his nephew's friend against murder charges in the Bible Belt. Along with his too beautiful fiancee, played by Academy Award Winner Marissa Tomei, Pesci investigates the southern style of life, as he fathoms southern courtroom procedures and tries to get some sleep. The resulting clash of cultures is sometimes predictable, but honestly, is very inventive for the most part. The comedy of the court room scenes is heightened by the late Fred Gwynne who plays the presiding judge. His by-the-book habits and short-fused temper are a perfect foil to Vinny's laconic style. It is their interaction that feeds most of the cultural clashing. But there is also a clash of the sexes that underlies the film, as Vinny stubbornly refuses the help of his fiancee. This confrontation is also highlighted in the courtroom when the DA refuses to believe that she could possibly be considered an expert in automechanics, even though her brothers, her father, her uncles, and just about everyone else in her family are expert mechanics. (The DA becomes convinced in a wonderful cross-interview scene.) MY COUSIN VINNY was both critically well-received and a huge box-office success. There's a reason for that: it is a well-written, well-directed and perfectly acted comedy that stands up well even after repeated viewings. See it for yourself and you'll understand why, too.
When two college buddies by the names of Bill (played by Ralph Macchio) and Stan (Mitchell Whitford) are driving down the roads of Beecham County, Alabama, they are suddenly arrested for the murder of a grocery store clerk, but what the police of Alabama don't know is that Bill and Stan are completely innocent. Unable to afford a public attorney, Bill turns to his cousin, Vincent Gambini (played by Joe Pesci), an ex-auto-mechanic turned lawyer from Brooklyn, New York, who just past his bar exam after failing it the first five times and knows absolutely nothing about law. By his side is his beautiful fiancee, Lisa Vito (played by Marisa Tomei, in her Oscar-winning role), who is an out-of-work hairdresser that knows every damn thing there is to know about cars. The court is led by Judge Chamberlain Haller (played by the late Fred Gwyne), who has absolutely no patience for any kind of misbehavior in his courtroom. Seems as though Vinny has now finally realized his no longer in New York and is now in a state where no one gets away with any kind of behavior or crime and has finally met his match. Can Vinny pull his cousin out of this mess without screwing up the case? Watch My Cousin Vinny as he desperately tries to save his little cousin while he gives you non-stop laughter along the way.
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| 27. Advise and Consent Director: Otto Preminger | |
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Amazon.com Reviews (12)
Preminger was pretty progressive by Hollywood standards, and so the Senate he depicts is remarkably diverse, with senators of many ethnic backgrounds. There's a great cameo (the film's standout moment) from Betty White, who, as a shrewd Kansas senator, trounces George Grizzard, the despicable Senator Van Ackerman (from Wyoming, of course, so as to offend the least number of audience members possible) in open debate on the Senate floor. Preminger was really daring (for the time) in his willingness to tackle the subject of the blackmail of homosexuals in the film. It should be said, however, that the film's notorious depiction of a gay bar (the first Hollywood film to do so openly since the institution of the Hays code) as a nightmarish cesspool of vice, where the fat effeminate bartender hysterically beckons in the horrified Don Murray (see my title), probably did more to keep gay men in the closet in the Sixties than anything Hollywood ever did.
If you've never seen Advise & Consent ..... then get it today!It's a thoroughly engrossing and powerful movie experience! ... Read more | |
| 28. Divorce Italian Style - Criterion Collection Director: Pietro Germi | |
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Amazon.com On the sun-blasted island of Sicily, Baron Ferdinand "Fefè" Cefalù (Mastroianni) breaks out of his heat- and boredom-induced stupor long enough to be smitten with mad passion for his 16-year-old cousin Angela (Stefania Sandrelli). But he's married--to Rosalia (Daniela Rocca), she of the unfortunate mustache--and the Italian Penal Code gives him no way out... except, of course, for catching his wife in adultery and availing himself of the patriarchal license to commit a "crime of honor." So Fefè searches for a way to fling Rosalia into the arms of another man. Mastroianni's Fefè is an indelible masterpiece, visually and behaviorally: a portrait in painterly chiaroscuro, with brilliantined hair, eternally drooping eyelids, a cigarette holder angled in perpetual salute, and a manic, conspiratorial slouch, like Groucho Marx on painkillers. Germi's direction hustles the film along with bold, mobile camerawork, stream-of-consciousness lurches into fantasy and flashback, Fefè's feverish voiceover commentary, and a wonderfully propulsive music score by the late Carlo Rustichelli. --Richard T. Jameson Reviews (11)
His schemes to arrange for this divorce are kind of far fetched.They will certainly have you chuckling especially when the tape recorder fails to catch his wife in the act. Carmello is quite charming in his role as the painter. The Black and White Cinematography works well depicting Italy several decades ago.The subtitles are a little out of synch but otherwise this old movie is certainly a goodie.
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| 29. The Goonies Director: Richard Donner | |
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Reviews (338)
The Goonies holds something that every kid should find magical, even though the only magic in the movie is the magic of friendship. Steven Spielberg wrote the story about a group of friends who are about to lose their houses so a country club can be built where they leave. They come upon a treasure map that supposedly has a legend behind it, and leads to a great treasure. Mikey and his colorful bunch of friends set up to go in search of the treasure not knowing the villianist trio, the Fratellis, are also out for the treasure. Along the way, chaos ensues, friendships go stronger, and they meet a creature who has nothing but love to share and Baby Ruths to eat. The characters are all likable . . . are all lovable, and the actors who portray them made them all that they were. The Fratellis are even, in some ways, likable throughout the movie, but in the end, they get what they were asking for. The directing, of course, is awesome. None like it actually. And the sets are amazing. Especially the pirate ship set. That was too awesome, and enough to satisfy any adventure lover. The DVD should satisfy any Goonies fan with the word of all the extras to be on it. And I'm ready to see the infamous deleted octopus scene. I hope it's on there. I believe I read somewhere that some of the cast had gotten together to do a commentary. Now there's wishful hoping that that did happen! "SLOTH LOVE CHUNK!" And Josh loves this movie.
That said, here's what you get with this DVD and here's why you should buy it today: The movie itself is enough however... The deleted scenes are a lot of fun. We finally get to see the ever-fabled "Octopus" scene. For years, I would scratch my head when Data said "The Octopus was really scary!" Huh? What Octopus? Well, he's in this DVD. You also realize why the scene was cut out. Let's just say the animatronics weren't all that great. Those old music videos starring Cyndi Lauper and various classic WWF wrestlers are here too. Remember Rock "n" Wrestling? I found myself saying "oh yeah....I remember that!" Watch for a cameo of Susanna Hoffs from the Bangles in the video! The DVD commentary is a lot of fun! While almost every new DVD has a commentary in place, it almost always bores one to tears with the director or a star just kind of droning their way through the movie. Often, the major stars don't even do the commentary (great example is Rocky - where the commentary features everyone but Stallone himself!) This commentary has all of the original Goonie stars plus Richard Donner. There's a lot of joking around and the stories they tell are funny and don't go off the subject. Note: Sean Astin disappears about halfway through the flick. Also, beware Corey Feldman who talk over everyone to further perpetuate that he is the biggest glory hog in show business. Enough already. This is such a great movie and the special features are ones that you'll actually watch more than once! Buy the DVD already!
Steven Spielberg brings a story about a misfit group of kids who set out to save their home. It all hinges on finding the treasure of One-Eyed Willie, a famous pirate who was rumored to have hid his treasure somewhere around where they live. Throw in a mafia family who has recently broken out of jail, a treasure map, a Baby Ruth, and a wonderful dance called the Truffle Shuffle and you've got an instant classic!! Also, look for the line about battling the octopus in the end, then think about the octopus battle. Something doesn't add up does it??
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| 30. Anchorman - The Legend Of Ron Burgundy (Unrated Widescreen Edition) Director: Adam McKay | |
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Reviews (58)
im storming your castle my lady with my great steed (best line)
On the other hand, however, I laughed the better portion of my head off - and so did most of the audience. And, when you think about it, that's not a bad way to spend a good 90 minutes in a dark movie cinema, is it? The film tells the tale of Ron Burgundy, a vain, ridiculous, fictional San Diego television news personality in 1976 who's the #1 network news anchor in the local ratings and presumably based on 70s anchor Harold Green. A billboard says it all: 'If Ron Burgundy says it - it's true.' He leads a pompous, sexist group consisting of redneck alpha-male sportscaster Champ Kind, played by David Koechner, sleazy Geraldo Rivera-like ladies man in Brain Fantana, played by Paul Rudd, and moronic weatherman, Brick Tamland, played by Steve Carrell, who rebel against the station's manager, Ed Harkin (Fred Willard) when a beautiful woman, Veronica Corningstone, played by Christina Applegate is brought in for diversity's sake. Burgundy thinks diversity means an old, wooden Civil War ship, but soon falls for the blonde, curvacious former star of Married With Children head over heels. Unfortunately, a run-in with a burrito, Jack Black on a motorcycle and Burgundy's pet pooch on the Coronado Bridge changes the newsman's life - for the worst (which results on a great scene). With Corningstone's star on the rise and Burgundy in decline, he falls into a three-month drunken stupor (on milk, no less) before an opportunity comes along to change his fortunes. Like his previous turns in Old School and Elf, as well as most of his characters on Saturday Night Live, Ferrell is as hilarious in his addled simplicity and gives a very good comedic performance capturing the misogyny and ignorance of many 1970s male chauvinist pseudo-celebrities, especially those who populated local TV and radio stations before cable came along. The silliness of the wild leisure suits, white shoes, overstarched hair, sideburns and mustaches is only matched by the gang fight scene in which Burgundy's group goes up against the likes of other newsmen, including Vince Vaughn, Luke Wilson, Ben Stiller and, of all people, Tim Robbins. Though it sweetly preaches acceptance and equality, McKay's scattershot comedy is primarily founded on the premise that there's nothing funnier than dialogue strewn with ludicrously illogical lines, such as Burgundy, grief stricken over the sudden murder of his beloved Spanish-speaking dog Baxter (who he refers to as "a miniature Buddha covered in hair"), screaming to his friend from a phone booth, "I'm in a glass case of emotion!" Carell's brain-dead Brick randomly exclaims about women "I read somewhere that their menstruation attracts bears!" and Burgundy's vain crew engages in a weapon-filled rumble with Vince Vaughn's competing, second-rated local broadcast team in which the only rule is "No touching of the hair or face." Anchorman's satiric skewering of the era's fashion, cheeky optimism, and sexism occasionally grows a bit stale, but it's hard to keep a straight face when somebody thinks San Diego means "a whale's vagina."
Once again, some Amazon reviewers are too serious. If you actually go to this movie intending to see something with a deep plot or soul shaking message, you will be disappointed! Go rent the Mel Gibson/Jesus movie for that!
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| 31. Twelve O'Clock High Director: Henry King | |
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Reviews (66)
It would be a disservice to those who have not as yet seen this film to say any more about the plot. Suffice to say that brilliant direction, great acting by everyone involved (notably by Dean Jagger who received an Academy Award for best actor in a supporting role), superb cinematography (Leon Shamroy), and haunting music (Alfred Newman) are seamlessly integrated in this analysis of effective leadership (especially decision-making) under wartime conditions. The film begins when Harry Stovall (Jagger) makes an especially significant purchase in an antique store and then proceeds to what has by then become an abandoned air base. As we begin to hear the bombers' propellers whine as the engines roar to life, we are transported back in time. Later, as the film ends, civilian Stovall climbs back on his rented bike and departs what is again an abandoned air base. Stunning images throughout both sequences. Peck included this among his favorite films, while adding that he was especially proud of his performance as Frank Savage. When first released more than 50 years ago, it did not receive the recognition (much less the appreciation) it so obviously deserves. Whenever CEOs and other senior-level executives ask me to suggest war films which offer important lessons about leadership and management, Twelve O'Clock High is first on the list, joined by (in alphabetical order) Command Decision, The Dirty Dozen, The Enemy Below, Fort Apache, The Hunt for Red October, Paths of Glory, Pork Chop Hill, The Red Badge of Courage, They Were Expendable, and Zulu.
The cinematography of this movie is wonderful, featuring actual combat footage of B-17s engaging German Focke-Wulf fighters in deadly combat. The sense of authenticity that this movie brings to the screen is total. One feels transposed back into England in 1942, engaged in a life-and-death struggle in the air against the Germans. The uniforms, dialogue, everything, about this movie reeks of authenticity. The storyline moves along at a breakneck pace--no dull interludes. And yet this is not just a "shoot-em-up" war flick. It is a stirring story of leadership, personality clashes, honest fear and human imperfections that reminds us what an incredible debt we all owe to the men who fought and won the air war over Nazi Germany. This is a DVD movie to keep and watch repeatedly over the years. It is not only a great movie, it is wonderfully entertaining. This is truly one of the all-time great war movies.
Gregory Peck is perfect as General Savage, fabulously handsome, with one of the greatest voices of the 20th century, one cannot imagine a better actor for the part. Dean Jagger is also splendid as Major Harvey Stovall; wise and often witty, it is through his eyes that we see the story, told in flashback as he wanders the deserted airfield in 1949. Nominated for a Best Actor and Best Picture Oscar (losing out to "All the King's Men" on both counts), "Twelve O'Clock High" spawned a much better than average TV series (1964-67) that I enjoyed watching, especially in its first season when it starred Robert Lansing.
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| 32. Something's Gotta Give Director: Nancy Meyers | |
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