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| 181. Beat the Devil Director: John Huston | |
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Reviews (18)
The cast includes Humphrey Bogart, Robert Morley, Jennifer Jones, Gina Lollobrigida, Peter Lorre, Ivor Barnard and Edward Underwood. John Huston was the director and Truman Capote contributed heavily to the screenwriting after the filming began in Italy.Truly a ton of Hollywood talent was assembled for this one movie in a relatively charming location. It is no wonder that the movie is standing the test of time and is now enjoying a revival of sorts with even a minor cult following.
Dr Jacques COULARDEAU
Basically a group of rogues are vieing with each other to be the first to obtain a rich uranium deposit somewhere in "British East Africa" but we are never told where precisely.It was filmed on location in Italy and features the only other comic role of JJ, (her first being "Cluny Brown (1946)) as a congenital liar, whose Spanish Nurse taught her all there is to know!.What a pity Selznick did not recognise the comic potential of his wife and instead of putting her in soulful dirges like "Indiscretion of an American Wife"(1952), he had developed her natural comic potential."Beat The Devil" did not perform at the box office in 1953/4 when released but is now, thankfully, being re-evaluated by discerning film connoiseurs, achieving almost a cult like status. Being a strong amateur chess player, I particularly liked the scene outside the Italian cafe where JJ is "duffing up" EU again with an almost instant sight of the board, while chatting up HB.(Note to chess geeks - JJ plays much more weakly in "A Farewell to Arms (1957) vs Rock Hudson!!).Incidentally HB liked to play chess himself when off camera. The plot twists & turns and being English with a bawdy sense of humour, I laughed when GL says to EU "I've brought you some tea & crumpet" while almost smothering EU in the eye with her... well you get the point! It is reported John Huston rather sadistically requested JJ to climb to the rocking crow's nest- a fearsome climb - to do her leg stretching exercises on the ship taking them to Africa.The gang, led by RM, hope she breaks a leg - & not in the theatrical sense!My favourite scene is in the office of the African potentate who is questioning the motley group of rogues.In reality all he wants to know is whether HB has met Rita Hayworth as he is a big fan!.If you look carefully you can see her pin-up on his office wall.The quivering of RM's various chins when he is threatened with torture, is a delight to behold. The trick of Nazis having escaped to Latin America after WWII, is lampooned by PL who insists everyone calls him "O'Hara" (our little Irish leprecaun!).Everyone seems to be having a ball.Look out for Bernard Lee playing his usual police inspector role.This was long before he shot to fame as "M" in the Sean Connery, James Bond series from 1962 onwards.I've noticed in memorable films there is usually a catchy tune somewhere and here is no exception as played by an Italian brass band.I even find myself whistling the pianola music played on the ship while Ivor Barnard is away with his stabbing swagger stick ready to bump off EU.I voted 3/5 stars for this film. ... Read more | |
| 182. Custer of the West Director: Robert Siodmak | |
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| 183. The Craft Director: Andrew Fleming | |
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Amazon.com Reviews (170)
Fairuza Balk as Nancy was awesome. She played and looked the part so well and I don't think anyone could have done a better job. The movie is based around three teenage girls classified as the misfits of the school. They come together to form a small coven and cast spells one themselves and other people. Sarah is the newcomer who is quickly accepted into their circle. As the movie progresses things get out of hand and Nancy ends up way in over her head and it's up to Sarah to use her powerful inheritated gift of magick to stop her. I suggest this movie for anyone who wants to be thrilled.
Sarah Baily (Robin Tunney) has always felt like an outsider all her life. So, when she and her Dad (Cliff De Young) move to a new town, she finds herself having to start fresh. As the new gal at St. Benedict's Academy, she immediately falls in with the high school's female misfits. But, this group of girls won't settle for being just powerless outcasts, that nobody wants to hang out with. Indeed, Nancy, (Fairuza Balk) Bonnie, (Neve Campbell), and Rochelle (Rachel True) have discovered just how much fun school can be if you have the skills to use "The Craft" and they plan to show Sarah the way. Director and co scripter Andrew Fleming plays things pretty safe throughout the film. The tried and true horror formula isn't tested that much. Young and trendy stars populate the cast, with moments of humor and a few jolts, thrown in for good measure. The breakout performance for me here is Balk's sassy Nancy. She is one tough witch you don't want to mess with. She helps make the film better than it would be otherwise. As with any film about the wicken way, there's also a certain female "bonding" subtext that has to play itself out, as well. The special edition DVD substitutes for the movie only edition from awhile back. The audio commentary from Fleming is a nice mix of the tecnical and on set trivia about the film. There are two making Of featurettes on the disc. The first,is a six minute EPK style prepublicity kind of thing, while the second is a 24 minute retrospective, produced for the DVD. Conjuring THE CRAFT features "new" interviews with Fleming, Robin Tunny, Rachel True among others, intermixed with on set comments from Balk and Campbell. This is well produced. Fleming provides commentary for the deleted footage that, doesn't really amount to much as far as the final version is concerned The entire film score from Greame Revell is preserved and given its due as an isolated music track. Talent files, as well as, theatrical trailers for The Craft, among other films top off the bonus material on the disc. Addtional production notes can be found inside the keep case. The Craft is worth a dabble, with a *** and a half star rating, as long as your expectations are kept in check.
The sleeper hit THE CRAFT (1996) could've easily been played for camp, but it is instead a story of modern urban witchcraft that is both literate and emotionally powerful. The success of the film is due to Peter Filardi and Andrew Fleming's tight, well-written script, excellent direction from Fleming, and outstanding acting from principals Tunney, Balk, Campbell, and True. The supernatural elements of the story are handled carefully and earnestly, and witchcraft or the belief in it is never ridiculed or treated derisively. This keeps the tone of the film somewhat dark and edgy, which in turn creates an uneasy, spooky atmosphere that cues the audience to the fact that this is a serious horror film. Fleming wisely keeps the special FX to a minimum until the story's climax on the final reel, and he instead emphasizes the relationships in this group of dysfunctional, angst-ridden girls, well knowing that the primary target audience--to wit, teenagers--will easily relate to these characters and their normal desires and fears. The Special Edition DVD from Columbia/Tri-Star offers THE CRAFT in anamorphic widescreen at its original aspect ratio of 1.85:1. The digital transfer is very good, with minimal filmic or digital artifacts. The disc also features an informative commentary with director Andrew Fleming, 2 featurettes, deleted scenes, and more. THE CRAFT is a cool horror film that most fans of the genre will enjoy, and the very reasonable price makes it easy for fans to add this DVD to their collections.
So maybe it was filled with holes. Maybe it's a tad unrealistic. Maybe it doesn't portray Wicca with fair accuracy (not that I care about that). So it's flawed. So what? That said, THE CRAFT is awfully entertaining and worth more than one watch - hence my umpteenth watch a few weekends ago. I especially appreciated Fairuza Balk's performance - just as much as gorgeous Robin Tunney's. It's a shame she's no Hollywood starlet today. A year or more ago I saw her in this dreadful movie called CHERISH, a truly tedious indie flick. Tunney plays Sarah, newcomer to the neighborhood. After being shunned by the popular girls, a circle of peculiar witches take her beneath their collective wings. Nancy, Bonnie, and Rochelle all have supernatural powers and the rumor mongers have always been spreading gossip about them. (They are played by Fairuza Balk, Neve Campbell, and Rachel True, respectively.) Now, it is time to get revenge on those who have wronged them - yes, revenge is the only remedy to their teenage angst and turmoil. Each girl has a different situation. Rumors have been churning through the mill that Sarah Bailey slept with popular jock Chris Hooker (played by Skeet Ulrich, who later appeared with Campbell in SCREAM). Not only that, but he claims she sucked in bed, according to Nancy. Sarah had really been into Chris during their first date and after one kiss on a rooftop, he'd tried to take her back home with him. She'd declined and Chris had seemed a little disappointed. Still, Sarah never guessed he'd begin spreading lies about her. Now, she will get Chris, who snubs her in the halls, to fall truly, madly, and deeply head-over-heels in love with her. In fact, with Sarah's powers, he develops humorous stalker-esque tendencies. Nancy Down's troubles mainly concern her homelife. Her father is a bum. She and her two parents live the stereotypical white trash lifestyle. Nancy uses her powers to give her father a heart attack (odd, yes...I know) and because of his death, she and Mrs. Down are left with a big 'ole sum of money. They move into a very nice apartment and are able to live quite comfortably. Bonnie was involved in a terrible accident that left her permanently scarred - much of the high school knows about the disfiguring scars. She has a beautiful face but her scars inable her to wear certain clothes and she's oh-so self-concious about it. She undergoes a painful hospital operation that may or may not improve her condition - it does, thanks to her supernatural powers. :) Because of the operation, her mother and the doctors aren't all that suspicious. They just assume it to be the goodness of medical technology. Rochelle's dilemma concerns racist Laura Lizzie (Christine Taylor), who is on the school's swim team with her. Laura makes it crystal clear that she can't stand Rochelle because she's black. Whenever Rochelle is at work perfecting her dives, Laura shouts out cruel remarks to distract her and she also calls her racial slurs in the locker room. Rochelle's spell causes Laura's hair to begin to fall out in huge clumps that leave bald patches all over her blonde head. Within days, she's totally bald. But what you do to others in your spells comes back to haunt you. Times three. So now, the girls will have to deal with the consequences of their actions. Sarah must also deal with the fact that her three friends are turning on her and she must face the harrowing battle all on her own. That is, if they don't kill her first. With good performances and an exciting plot, this movie may appeal to fans of HEATHERS, MEAN GIRLS, and other movies in which the theme of all-girl friendships are stressed. Many critics took an intense disliking to this film, but it has been rather popular with many audiences, doing mildly well in the box office and on video.
One by one, it goes through and shows each one of the girls problem. Bonnie was in a fire and left with horrible burn marks, Rochelle is the target of a racist clique, Nancy comes from a broken home, and Sarah is still haunted by memories of a suicide attempt. They all cast spells to improve their lives, and they work. Sarah makes a guy fall in love with her, Rochelle causes her harasser's hair to fall out, Bonnie overcomes her scars and Nancy ends up killing her jerk stepfather, resulting in her mother and her to inherit a bunch of money from him. As the girls get deeper and deeper into the craft, Sarah realizes that they are taking everything too far. Bonnie has turned into a total snob, Rochelle's tormentor goes completely bald, Sarah's love spell has turned into dangerous obsession, and Nancy has completely turned power hungry. When Sarah makes her desire to leave the circle known, they will not hear of it. Nancy ends up trying to kill Sarah, resulting in one of the best fight scenes EVER. Overall, some of the stuff referring to the craft in this movie is true. The quarter calls made by the group are actual Gardnarian Tradition quarter calls, and the threefold law is TRUE (I know from experience, lol) ... Read more | |
| 184. Mask Director: Peter Bogdanovich | |
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Description Reviews (44)
Mask is about a boy named Rocky Dennis who is well above average in every way. If it weren't for a degenerative disease that horribly disfigured his face since birth, the world would probably see him that way. At first, those that meet him are understandably nervous and scared, but with an airy confidence, he wins his classmates and peers over. That confidence comes from his mother, played by Cher. She is an attractive, drug addicted single mother with an on again, off again fling with Gar, played by Sam Elliot. Cher convincingly and movingly plays a mother riddled with insecurites, but in love with her son, who represents to her all she wishes she could be. She was born with the huge advantage of being beautiful, she dropped out of school and got pregnant. She lookes at Rocky and sees someone who was born with every disadvantage (a disfigured face and a short life) and who is confident, responsible, hardworking, and happy. He is also valedictorian of his high school class. Ever since she had Rocky, she has been strong and tough, making it clear that Rocky will not be treated any differently than anyone else. Rocky takes from that confidence and gives it back to his Mom with the way he lives his life...getting up every morning, facing the world, being happy, taking care of himself, and preparing for and dreaming of a future that he may never have. Her hatred for herself is transcended only by her pure love and open admiration for her son. I have seen Mask a number of times over the years, but I have to say it gets me every time. It is a movie that deals, realistically and truthfully with a disease that seems almost unreal. But the lessons learned and the topics raised have little to do with the "Mask" and more about the connection between a mother and her son.
Both Cher & Eric Stoltz give moving performances, as a biker babe mother 'addicted' to drink and drugs, and a son, who can't get a girl, and is severely facially deformed. I originally saw this movie quite a few years, and only remembered the scene where he's in high school, and he talks about being from Planet Vulcan. Of course, the facial disease Rocky Dennis has is fatal, so obviously, you know what the ending will be. And the tears ended up tripping me - this is another film that I can add to my "Films I Cry At" list. My mum grabbed it, as she loves true stories, and it's not a film I will ever watch again - I hate crying at films!!! It's only a story is what I keep getting told, but it doesn't work. But you feel for the characters so much. The real Rusty Dennis apparently was a consultant to the great Cher on this movie, and is now rumoured to be battling a drink & drug addiction - and can you blame her? The Cher gave when she found Eric Stoltz had died in his sleep, was almost too realistic. Cher gives a great performance in this movie. It's one of the very rare movies where she isn't wooden - although she does advertise her plastic surgeon a lot. This is a movie to watch purely for Cher, to see her before she overdone the plastic surgery, and is does a farewell tour every couple of years. Eric Stoltz is unrecognisable in his role of Rocky. He must have had a very boring time sitting for so long in make-up! A very moving film, and totally worth watching!
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| 185. Blue Moon Director: John A. Gallagher | |
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| 186. Promised Land Director: Michael Hoffman | |
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Description Reviews (4)
The actors are all very young. The film stars a very young Keifer Sutherland (Danny) and Meg Ryan (Bev) as a rather unlikely couple. The real 'star' of the film, the one who gets top billing, is Jason Gedrick (Hancock), whose career has been rather less prominent than Sutherland's or Ryan's. Tracy Jo Pollan (Mary) also stars in one of her few starring film roles. Pollan is now much better known through her marriage to Michael J. Fox. The plot is a rather simple one. Four characters -- a high school basketball star (Hancock), a cheerleader (Mary), a dropout (Danny), his wife from a western state (Bev)-- all get tangled together in a final blow-up in the small hometown. The film opens during the all-important last moments of a basketball game. Of course, our guys win; the basketball star announces he's leaving for college, and the dropout announces he's leaving town. The cheerleader is left behind, but has hopes of her own. Fast-forward two years. The basketball star is back home, working as a policeman. We slowly discover during the course of the film that he didn't make it as a college basketball star, and couldn't stay in college any other way. Mary, meanwhile, has gone off to another college, but has come home for the Christmas holiday, and as Hancock tries to rekindle old feelings, probably largely derived from hoping to recapture feelings of past glory, she feels pressured. Danny, in the meanwhile, has gone out west and married Bev, a strange and wild woman. We learn that Danny has spent time in jail, and has never had a steady job or stable life. We don't learn as much about Bev through her speech, but can assume as much is true for her through her behaviour. Danny and Bev marry is a bizarre Las Vegas wedding ...and begin the long trek back home so she can be introduced to the family for Christmas (something that takes Bev by surprise). Danny comes home and, in the course of various strange happenings, ends up with Bev in a convenience-store robbery. Hancock is the officer called to the scene, and ends up shooting Danny dead. There are many unrealistic parts to the plot. Few high school jock stars are as likely to be friendly toward the dropouts as Hancock is toward Danny, for instance. When Danny returns home and goes to a bar, his friends wave hello, calling out 'Hi, Senator!' Apparently, Senator was his mock-ironic nickname in high school. One of his friends asks if he has become a senator yet; I hope that small-town folk aren't this unaware of the ways of political reality! However, many of the emotions and situations ring true. Hancock's frustration with having reached the pinnacle of his life's glory at age 18 are very present; Mary's resistance at being drawn back into that life, yet still being attracted to Hancock is understandable. Bev is a strange character overall. She possibly represents the wildness that was lacking in the sombre (read - boring) small town environment. 'In a small town like that, you only get to make about one mistake.' Danny says this to Bev, and that is a real insight. Small towns are the same the world over -- those who don't leave remember everything for generations. The production quality of the film is fairly good, but as one of the earliest of the Sundance productions, it lacked a budget for the final, Hollywood polish. The director, Michael Hoffman, does not have an extensive filmography, but has directed such diverse films as Soapdish, Restoration, and A Midsummer Night's Dream. A little editing. The acting is good, but not great. The script is sometimes lacking, but passing fair. The characters are people who begin to spark an interest, but are ultimately unsustainable. Had there not been the emotional and violent ending (very uncharacteristic for the town, one imagines), there would be little memorable. This is a slice of American life in the middle; not the top, nothing glitzy or glamourous here, but not the bottom either. A very different view of high school and college-age years than typical Hollywood fare -- hopes have been dashed, if there were hopes at all, and the future stretches out in front, but as a rather bleak picture of sameness. The film does not have a happy ending. Perhaps even without the shooting at the end, there would not have been a happy ending. Does one want a fast death in a blaze of glory, or a slow death by mediocrity? Sometimes that seems like the only two options for many people, and not just those in small towns. Ultimately, there is no Promised Land here. It is something these characters aren't permitted to enter, because it has been defined beyond their abilities to attain. This film is largely overlooked, and has many points in which improvement can be made. Ultimately, it hangs together adequately, but not superbly, and perhaps that is ultimately its downfall.
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| 187. King of the Zombies/Revolt of Zombies Director: Jean Yarbrough | |
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| 188. Custer of the West Director: Robert Siodmak | |
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| 189. Doomed to Die Director: William Nigh | |
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| 190. The Long Shadow Director: Vilmos Zsigmond | |
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