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Confidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. In addition to a superb widescreen transfer, the DVD edition of Gattaca includes several deleted scenes (and one humorous outtake), which further establish the story's social context and provide additional insight into the scientific and ethical issues explored in this extraordinary film. --Jeff Shannon ... Read more

Reviews (277)

Brave New World II
Gattaca pleasantly surprised me as a thoughtful and rather worrisome view of the possible future instead of the special-effects-laden sci-fi movie I was expecting.

The story takes place at a time when genetic excellence is the yardstick by which individuals are measured. The ability to preselect genes among offspring and measure one's genetic potential through simple biological tests gives rise to a new form of discrimination that bars the genetically flawed protagonist, played by Ethan Hawke, from his lifelong goal of becoming an astronaut. Undaunted, he sets out to fool a genetic screening system and gain admission to the space program where he can pursue his dream. A scandalous incident at the space center (Gattaca) casts a scrutinizing light on each of the employees and threatens to expose his deception.

The details of this movie are clever and well thought out. The film has a graceful, almost poetic quality bolstered by a lush musical score. The acting is quite good all the way around. Ethan Hawke's fine performance certainly puts him on the map if he wasn't already there. Jude Law almost steals the show with his convincing portrayal of the broken golden child made miserable by his own misfortune but who comes to share in the dream of Ethan Hawke's character as he helps him outwit the system.

Gattaca shows us that lackluster natural potential coupled with unwavering desire and ambition can ultimately reach higher than mere genetic predisposition. Well worth seeing; four-and-a-half stars.

Celebrates the strength of spirit and desire
This is truly one of the most inspiring movies I've ever seen.

It's replete with symbolism: helix shaped stair cases, red and green lights indicating valid and invalid, the heart disease of Vincent (the natural born) as opposed to the lack of heart (spirit) of Jerome (the "superior", genetically engineered human), etc. The setting also makes use of connotations associated with the past. Slick hair styles, clothing, and sterile interior furnishings have an organized, repressed feeling evoking the controlled and prejudiced 1950's. This helps enhance the mood of lifeless surrender. Even the bald head of the geneticist at the beginning of the movie was a statement against the pursuit of perfection by means of perfecting the body and brain. Wealth of living is not found in the the physical plain, but in the spirit in which each day is lived.

Add to all this wounderful cinnematography, an unforgettable musical score, and fine acting that meld together into a fluid whole, and you've got a fantastic movie that repays many viewings.

Biology Lovers Unite and watch Gattaca
If you love Biology, especially genetics and DNA, this movie is for you. Gattaca combines a love story, with high-paced action, that is sure to get your adrenaline pumping. Gattaca will at first be confusing, but it will all make sense in the end, and it will be sure to make a place on the front of your DVD/VHS shelf.

Gattaca is an unforgettable warning
The best exploration of the possibility of genetically modified people becoming a separate social and economic class leaving behind and opressing those who are not genetically modified.

My favorite film
The word "Inspiring" is grossly overused in film reviews. Gattaca is one of the very few that genuinely deserves it. In a nutshell, it's the story of a mutt (Ethan Hawke) bypassing and surpassing a world that's designed against him. This movie really affected me (another overused appraisal.)

Maybe I just love this movie because I relate too much to the protaganist, Vincent. Despite everyones expectations, from my high school counseler on, and my lack of any prestigious schooling, I'll soon have my physics PhD.

This is a wonderful movie. That it didnt sweep the Oscars only validates the movies point. ... Read more

Amazon.com

Scorned by reviewers when it came out, this concentrated dose of commando death-dealing to legions of Nazi machine-gun fodder has acquired a cult over the years. In 1968 Clint Eastwood was just getting used to the notion that he might be a world-class movie star; Richard Burton, whose image had been shaped equally by classical theater training and his headline-making romance with Elizabeth Taylor, was eager to try on the action ethos Eastwood was already nudging toward caricature. Alistair MacLean's novel The Guns of Navarone had inspired the film that started the '60s vogue for World War II military capers, so he was prevailed on to write the screenplay (his first). The central location, an impregnable Alpine stronghold locked in ice and snow, is surpassing cool, but the plot and action are ultra-mechanical, and the switcheroo gamesmanship of just who is the undercover double (triple?) agent on the mission becomes aggressively silly. --Richard T. Jameson ... Read more

Reviews (156)

A great War Movie
This movie, filled with drama, action, and a complex plot that will make your head spin, has it all. Richard Burton is dashing as the cold plotting secret agent who is leading his team on a mission to save D-Day from disaster. Clint Eastwood, here little more than a teenager, is wonderful as the somewhat befuddled American army ranger who cannot figure out why he is even on the mission.

Any attempt to go into detail about the story would ruin some of the fun. Suffice to say that you will be riveted both by the action and the performances. One note though, Burton's monologue is amazing.

If you like WWII movies and have not seen this one, you don't know what you are missing.

Trashy and absurd, but still fun
This is a campy movie, but enlivened by gorgeous scenery, unintentionally funny dialogue and some of the most unbelievable action scenes ever devised (count how many times Clint Eastwood reloads... never!)

Richard Burton is his usual over-acting self, and he delivers his lines with more bombast that usual. A favorite is when he's pretending to be SS Reichsfuehrer Heinrich Himmler's brother in order to swagger around in a beerhall. Someone gets wise with him and Burton sneers, "My name is Bernard Himmler. Does the name mean anything to YOU? "

The last half hour of the movie is hilarious. Watch particularly the poker-faced Mary Ure, who hangs out of the back of a ski bus, machine gun in hand. She effortlessly mows down 10 German divisions single-handedly and never so much as twitches one facial muscle. Talk about a blase killer. Mary knocks off more German tanks, trunks and motorcycles in this movie than the Allied and Soviet forces achieved in all of World War II.

This is an enjoyable, escapist movie with plenty of laughs. Those of you who appreciate campy humor and enjoy ridiculing movies that take themselves too seriously will have a field day.

One of the Greatest War Films of All Time !
Quite simply one of the greatest war movies ever made. A top notch thriller loaded with action, espionage and double crosses, "Where Eagles Dare" is the kind of movie that Hollywood just doesn't make anymore. This isn't some politically correct drama steeped in reality. No, this is good guys vs. bad guys. This is pure unabashed fantasy which keeps the audience on the edge of its seat. This is just darn good entertainment!

Richard Burton is absolutely cunning as the British agent who leads an elite group of soldiers behind enemy lines and into a seemingly unpenetrable German castle to rescue an imprisoned American General. A young Clint Eastwood is the only American on the mission. Clint is his usual cool and calm self. However he, like the audience, isn't sure who to trust. Somebody's a double agent, but exactly who is anyone's guess. Don't worry about figuring it out, just sit back and enjoy the drama. You'll love the growing tension and suspicion between Burton and Eastwood.

The journey into the castle is classic heart-stopping drama. Even better is Burton's fight with a German soldier high atop a ski lift -- truly one of the most riveting action sequences ever filmed. Bullets are flyin' and bombs are blastin' throughout. In the end, heroes emerge while evil perpetrators get their just due. Classic, absolutely classic!

And yes, as several reviewers have noted, the stunning scenery and beautiful cinematography in this film would greatly benefit from a widescreen DVD treatment. So, how 'bout it, I want my DVD!

Commando raid at its most ludicrous
OK. Stellar star cast. I'll give you that and no dearth of action as well. But to portray the German Fallschirmjaeger and alpine troops as a bunch of bungling flat footed idiots is a little far fetched. It is history at its worst portrayal and hollywood action at its golden peak. Some dumbass marine from New Jersey might fall for this drivel but not well read students of history. It gets failing grade for portrayal of reality based fiction but gets high marks for choice of location and choice of cast. If you want a better war flick, pick Operation Daybreak.

Whats up with the dubbing
I happened to think that this was a cool movie.
Being a ex-marine I understand that alot of this
if not all of it is fantasy but hey its a movie not a documentary its suppose to be fun. My main concern was the dubbing was this an american movie or european ? it was Burtons and Eastwoods voices on the film but it was advanced meaning the sound occured before the action now I dont know if it was my dvd player I dont think so but man that was annoying ... Read more

Reviews (41)

This is my favorite movie!!!
I've seen it so many times I could almost play each part. In fact, it comes on this afternoon on Showtime. It's a continuing story of Delores Van Cartier aka Sister Mary Clarence (Whoopi Goldberg) who uses her gifts of music and determination to keep a school open as well as change the lives of all those her life touches. Great music, great humor and drama. Lauren Hill (pre-Fugees) is in this as well as Jennifer Love Hewitt and Monica Calhoun if you look really, really carefully. Buy it, enjoy it.
Hey, maybe you'll catch it on Showtime during one of it's airings. I'm positive when it's over, when you can finally stop yourself from humming one of the great tunes, and possibly put down your tissue (I cry EVERY TIME I see it)( and baby, I've seen seen it so many times that I've got ot turn it off when my husband comes home because he says "Are you watching that again?) You will say "I wish I had that movie!" So get it so you'll have no regrets!

Fantastic sequel
Though there is room for improvement with regards to the story line, this movie delivers what I most enjoy in a film. The acting is superb, including the minor cast roles. The music is absolutely fantastic!...Lauren Hill and Ryan Toby steal the show with their voices. The plot, though quite simple and predictable, is believable. Many of the scenes are very moving, including the ending sequence involving Lauren Hill's character, Rita, and her mother.

Overall, this is a great family movie that everyone can enjoy. The comedy is simple enough for children to understand, and there isn't one scene in the movie (that I can recall) which is inappropriate for all ages. Like a few other reviewers, I've found that I long to hear a few of the songs from the movie when I need cheering up.

If you enjoy good, clean family movies, you can't go wrong with this one.

Part 1 was Great..Part 2 Wasnt.
SAw it in the movies.... Fell asleep midway... All the magic from part 1 which was AWESOME...was lost. Boring story... They should have left it at part 1.

So much fun!
FANTASTIC sequel! Just as enjoyable, if not more, than the first! All of the musical numbers are glorious!! A successful sequel all the way!

Loved it
I've read all of the reviews on SA2 and it is quite obvious this movie is not for everyone, however, if you enjoy "feel good " movies , this is for you. The storyline iis quite predictable, the acting is good , but the music is a delightful bonus,just wish there was more of it. I know that if I'm feeling a little down, I can pop in this movie and feel better. ... Read more

Reviews (54)

The Whole Charm of John Candy!
When his sister-in-law's father suffers a heart attack and needs to travel, UNCLE BUCK (John Candy ) is called in, the last available person to come and watch the kids. Certainly, an uncle should be able to take off without hitches. But, UNCLE BUCK, is one of those playful adults who has been dances his way out full-time employment and a marital contract with his frustrated girlfriend, Chanice Kobolowski (Amy Madigan). The plot thickens with humor as UNCLE BUCK tries to deal with an snobish teenager trying to undermine every aspect of his life in her home.

This is a comical story and adult guardians and the difficulty of growing up. If you have scene the chopped-up verion on TV, you haven't seen the whole of John Candy. I particularly missed the golf-lessons with Bug.

Look for great performaces by Laurie Metcalf ( Jacky, the sister from ROSEANNE the series), Jean Louisa Kelly, Gaby Hoffmann, Macaulay Culkin ( from Home Alone. He's about 4 or 5 in this), Amy Madigan, Elaine Bromka, and Jay Underwood.

Buck is.....well, Buck.
John Candy is Uncle Buck. Directed by John Hughes this movie is anything but boring. Buck's sister in law just found out that her father who lives out of town just had a heart attack. Desperately needing a baby sitter for their three young kids, (one of which is Macaulay Culkin from Home Alone), they turn to Buck, a party going guy, who at the age of 40 is still un-employed, un-married and un-knowing in the art of raising children. But "no problem" he thinks...."kids are easy". Wrong, what he finds is a house full of responsibility with a rebellious teen to take care of as well as her younger brother and sister. Meanwhile his girlfriend keeps more pressure on him about the two of them getting married, despite the fact that Buck just doesn't want to settle down. Uncle Buck is a classic comedy thats just plain fun to watch so don't miss it.

I give this movie only 4 stars despite its appeal to me due to the fact that I give only movies that overly hilarious from beginning to end a 5 star rating. Uncle Buck though does have a few parts that are without comic relief, but that doesn't stop the story or that particular part of the movie from being entertaining. Its still a great family comedy classic.

Another great John Candy comedy

Director: John Hughes
Format: Color
Studio: Universal Studios
Video Release Date: January 19, 1999

Cast:

John Candy ... Buck Russell
Jean Louisa Kelly ... Tia Russell
Gaby Hoffmann ... Maisy Russell
Macaulay Culkin ... Miles Russell
Amy Madigan ... Chanice Kobolowski
Elaine Bromka ... Cindy Russell
Garrett M. Brown ... Bob Russell
Laurie Metcalf ... Marcie Dahlgren-Frost
Jay Underwood ... Bug
Brian Tarantina ... E. Roger Coswell
Mike Starr ... Pooter-the-Clown
Suzanne Shepherd ... Mrs. Hogarth
William Windom ... Mr. Hatfield
Dennis Cockrum ... Pal
Joel Robinson ... Miles' Friend #1
Colin Baumgartner ... Miles' Friend #2
Erik Whipple ... Miles' Friend #3
Mark Rosenthal ... Party Boy #1
Doug von Nessen ... Party Boy #2
Wayne Kneeland ... Party Boy #3
Gigi Casler ... Party Girl in Bedroom
LaVerne Anderson ... Party Girl #1
Gina Doctor ... Party Girl #2
Rachel Thompson Perrine ... Party Girl #3
Ron Payne ... Maisy's Teacher

Jane Vickerilla ... Teacher #1
Kyle Lewis Eastman ... School Child
Dana Taylor ... School Child
Jennifer Kane ... School Child
Christen Loftis ... School Child
Genae Affrunti ... School Child
Anna Chlumsky ... School Child
Betsy Bottando ... Woman in Car
Julia Morgan ... Additional Voices
Granville Ames ... Additional Voices
Ramey Ellis ... Additional Voices
Leigh French ... Additional Voices
Patricia Arquette ... Additional Voices
Laura Jacoby ... Additional Voices

Devon Odessa ... Additional Voices
Arnold F. Turner ... Additional Voices
Garin Bouble ... Additional Voices
Tim Hoskins ... Additional Voices
Julie Payne ... Additional Voices
Jack Blessing ... Additional Voices
Todd Larson ... Additional Voices
Michael Berkowitz ... Student
Ryan Todd ... School Child

The Russell's have to go to Indianapolis because Cindy's (Elaine Bromka) father has had a heart attack. They can't find anyone to watch their three children while they are gone except batchelor uncle Buck (John Candy), Bob's brother (Garrett M. Brown). The little kid's, Maisy and Miles (Gaby Hoffman and Macaulay Culkin) are no great problem, with the exception of the teenage girl, Tia, (Jean Louisa Kelly), who is a pouting, angry, snotty, rebellious little jerk. She treats her mother disrespectfully, is self-centered, and carries that attitude on to Buck, who is trying to do the right things by the kids, In other words, she is playing the part of an ordinary 15-year-old who has never been properly disciplined by her parents.

This was a great movie. I particularly enjoyed the parts where Buck was threatening Tia's boyfriend, Bug (Jay Underwood), who has dishonorable designs on the girl. Buck's threatening attitude was delicious, and my appreciation no doubt reflects my own dislike of teenaged boys, the same feelings as any man who has had teenaged daughters to raise. Namely: that they should all be imprisoned until they are at least 40-years-old and rendered eunuchs, and the girls' fathers need to be well armed at all times with shotguns, and the boys in question should be left with absolutely no doubt as to the fathers' willingness--even eagerness--to use them with the intent to emasculate the culprits who dare to even think about touching their daughter.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books

Uncle Buck Is Totally Funny!!!
When I first saw this movie on TV I knew I was going to like this even before I watched it.My favorite part in the movie is Macaulay Culkin who plays Miles Russell asks Buck those personal questions to him that part was just too Cute!!!Macaulay Culkin was such a very Cute Kid in this movie.And I also like John Candy,too.I feel so bad that he's dead now.This movie is the Best,I gotta get This Movie!!!!!!

Buck Russell... Best Uncle EVER!
John Candy has his BEST performance EVER in this film by John Hughes. "Uncle" Buck Russell (Candy) is a perpetual screw-up who HAS to get his act together enough to watch over his older brother's three kids & dog, Tia, Miles, Maisy and puppy, Parsey since his sister-in-law's father had a heart attack.

The cast includes Mac Culkin as Miles, Gaby Hoffman as Maisy, Amy Madigan as Buck's girlfriend, Chanice Kobolowski, & Laurie Metcalf (Roseanne's sister, Jackie) as the crazy neighbor lady, Marcie Dahlgren-Frost. Also billed in small parts are Anna Chlumsky (My Girl), Patricia Arquette, and Devon Odessa (My So-Called Life).

This film is totally hilarious but also has those wonderful John Candy touching/sentimental moments.

A wonderful family film that can be watched over and over again!

Happy Watching! ... Read more

Description

Marianne (Liv Ullman) and Johan (Erland Josephson) always seemed like the perfect couple. But when Johan suddenly leaves Marianne for another woman, they are forced to confront the disintegration of their marriage. Shot in intense, intimate close-ups by master cinematographer Sven Nykvist, the film chronicles ten years of turmoil and love that bind the couple despite their divorce and subsequent marriages. Flawless acting and dialogue portray the brutal pain and uplifting peace that accompany a lifetime of loving. Originally conceived as a six-part miniseries for Swedish television, The Criterion Collection is proud to presentnot only the U.S. theatrical version, but also, for the first time on video in the U.S., Ingmar Bergman’s original five-hour television version of Scenes From a Marriage. ... Read more

Reviews (14)

Challenging, truthful, utterly rewarding look at marriage
Ingmar Bergman's 1974 chamber-drama masterpiece was originally made as a six part mini-series for Swedish television--hence the divided tableau and emphasis on close-ups. Of course Bergman is the greatest purveyor of the close-up, and here he uses it to accentuate the psychological torment and strain that a marriage propagates on its victims (after this movie you'll view marriage as a war, if you already don't). Josephson and Ulmann shine as the dissenting couple, who first put up facades to deny the inevitable, eventually divorce, dive to relationship hell, and ultimately find a happy medium with a burgeoning love that could have never flourished if they stayed married. Interestingly, Bergman chooses to never show the couple's children (that would simply add another tumult to an already tumultuous puzzle). And, if it needs to be said, Sven Nykvist's photography is strikingly beautiful. "Scenes from a Marriage" suffers slightly from too much dialogue and being a bit lengthy--the poignancy is nullified after 170 minutes of relationship vicissitudes--but deserves to be cherished by any fan of "good" cinema or of Ingmar Bergman.

Love & Marriage
Ingmar Bergman to me is one of cinema's most powerful directors. And, "Scenes From A Marriage" is the most powerful, and haunting film I've ever seen about love and marriage.
There's just something about Bergman's vision as a director and the camera of Sven Nykvist that brings this film to life. Bergman just throws these characters right into our faces, and we are truly mesmerize by them and their actions.
For those who have never seen this film, it is basically just as it's title may suggest, a look into the life of one couple's marriage. Marianne (Liv Ullman) and Johan (Erland Josephson) are our couple in question. They have been married for a while now, and seem to have a good solid marriage. One wouldn't think anything was wrong, especially when compared to their friends like Katarina (Bibi Andersson) and Peter (Jan Malmsjo) a couple whom act like their about to kill each other at any given moment. The scene is involving them, is one of many sterling moments in this masterpiece.
If I were to go on and talk about more scenes in this film, I would clearly be ruining the entire experience for you. Just rent this movie or even better buy this movie and be prepared to see the power that cinema can convey.
"Scenes From A Marriage" is one of Bergman's best films. And, while yes, there is talk of a sequel, I can only hope, that it all remains a rumor. To make a sequel out of this masterpiece would surely be a mistake. Here's a film that is perfect as it is. Just leave it alone and don't add anything to it. Though, Bergman did make a sequel out of the Katarina and Peter characters and made "From the Life of the Marionettes", which does have it's powerful moments, but doesn't quite build up to what this film has become.
For those who have never seen a Bergman film, I'd suggest watching "Wild Strawberries" first, then "The Seventh Seal", "Cries & Whispers" and then build yourself up to this one.
Bottom-line: Truly one of Bergman's most powerful films. The single greatest film I've seen as of yet on the subject of marriage. This movie hits an intensity few have have ever achieved!

13 now 41
How I was allowed to watch this series on ?PBS? when it first came out...I'll never know. But at around 13 y/o its haunting images of a marriage "gone bad" has stayed with me for nearly 2 decades. I literally fell in love with Liv Ullman and her acting (which at the time I was not far from believing that I was watching a documentary of a real couple falling apart at the seams) It was an intense and captivating series that had me literally "willing" the week to go by faster so I could watch the next installment. Through the years I had always searched for a way to watch it again and now (BIG difference in the "disposable income" of a child vs. an adult :), I will be purchasing this as part of my collection of memories from my youth. Thanks to Criterion for taking the time in putting this together for us.

Beautiful Brutality (A TRUE depiction of Marriage)
This film is incredible. It is, however, a brutal one to watch (the intense arguments are too intense to watch at times, there is so much PAIN in this film). Its basic plot, as ridiculous as this sounds, is "husband and wife argue, then make up, then argue, then make up, then argue, then make up, and so on and so forth" or "husband and wife love eachother, then hate eachother, then love eachother, then hate eachother, then love eachother, etc." Yet in this back and forth plot, progress is made all the time. A couple who seemed SO perfect in the film's famous and brilliantly forboding opening interview sequence, begin to realize that they cannot go through life being a perfect married couple and still love eachother in the process. The incredibly well rounded characters we know at the beginning of the film, Johan and Marianne, are NOT the same characters we know at the end. The incredibly cocky and self-assured ("it would be too much to say that im bright, handsome, and sexy") Johan becomes the incredibly weak and humble Johan as the the film progresses, while the woman Marianne, who believed that she was put on this earth to be a good wife and mother, nothing more, becomes the confident Marianne, who realizes it is not at all a sin to have your own personality. In essence, the film chronicles the immense change of two people as they become farther from eachother.

Basically, the point of the film, in my view anyway, is to show that Marianne and Johan love eachother SO MUCH that marriage only restricts this love. They get along BEAUTIFULLY (they really do, unlike while they were married, when they just SAID that they get along tremendously) in the last Scene, when they are finally divorced and remarried to different people. Bergman's point surely was to show that marriage can be a bad idea. Two people who love eachother a great deal just do not work well together when married. Love becomes second to the other obligations that come with marriage. Too much time is spent discussing finance, the children, work, and looking like the happy married couple than time spent actually loving one another. Indeed Bergman laugably blamed the film for an increase in divorce rates. It seems wrong, but he may well be right. Marriage is bad for love.

There were some things I enjoyed a great deal about the film. Firstly, the dialogue. It was brilliant, as one would expect from Bergman. Witty, clever, and powerful words (the film is based around conversations) prevail. Secondly, much has been said of Sven Nykvist's camera work, and I must agree it is wonderful. His camera captures so much emotion from the actors, he often keeps his camera fixed on Liv Ullman's face as she, for example, hears of her husband's infidelity. reaction is more important in Scenes from a Marriage than action is. Thirdly, the ACTING was nothing short of astonishing. Bergman regular Liv Ullman's performance is the performance of a lifetime. There is a scene where she is in bed with her husband, who had just told her about his desire to leave her for another woman, Paula. As he says "I've always hated you, for several years, I've HATED you", Ullman's reaction is INTENSE. It's as if every word he says is like a knife that sticks in her side. It's a thing that comes on all too suddenly, a man who she thought loved her sits there saying it was a lie all along. She carries the performance beautifully. Erland Josephson is also VERY good in an obviously more difficult role. He plays a man who loses his self confidence, and he plays it well. Lastly, I loved Bergman's use of forshadowing. On your initial viewing, Johan's addmitance about Paula comes off as extremely shocking, however, if you go back, everything really forshadows the end of their marriage. We know something's up from the very beginning. There is this sense of tension and uncomfortableness, its as if, at times, they dont even love one another, they are just playing the parts of the perfect husband and wife.

This is my favorite Bergman film of those which I have seen thusfar (others are Persona, Wild Strawberries, The Seventh Seal, Cries and Whispers, Hour of the Wolf, Through a Glass Darkly, Winter Light, and the Silence.) It is a very realistic approach to the concept of marriage, and shows the fact that married life is not all as good as it seems.

This film will leave you breathless, if not lifeless. I recommend the SERIES rather than the film, there is even more intensity, and more characters and character developement. Arguments become intense. ONE WORD, and i am not joking, can strike your heart like a sword, just as it does to the characters in the film. It's always that one last thing someone said that they shouldn't have. It is INTENSE.

I cannot reccomend this DVD enough! BANG UP JOB CRITERION!!!!!!!!! I love the inclusion of Both the series and the film, particularly the series, and the extras, though small in numbers, are GREAT in quality. The three interviews included arre very informative, and i could ask for nothing more. The insert booklet is very nice and very attractive, as is the entire package. The entire package, down to the menus, was very nicely designed. the menus are animated and fit the mood of the film very well. The image, though it could not be helped (it was shot for television), is kind of bad, So.........

FILM: 10 STARS/ 10 STARS
DVD: 9 STARS/ 10 STARS

One of the greatest films of ALL TIME, certainly one of my favorites, and one of Criterion's best releases hands down. BRILLIANT FILIM!!!!!!

Amazing! One of Bergman's greatest: way ahead of its time!
This Criterion edition is an absolute must-have for any fan of Ingmar Bergman's work. I have seen the 3-hour film version several times before, and felt it was superb, as most of Bergman's films are, but it faded for me in comparison with my favorites, "Persona", "Cries and Whispers", "The Silence", "Shame" and "Through a Glass Darkly". The 5-hour TV version, however, presented here for the first time in the US, is a revelation to me. It is startlingly contemporary. It is like seeing the film fresh, for the first time. I am struck by the naturalness of the acting of Bjornstrand and Ullman, giving astonishing performances, both in terms of nuance and intensity. At times, one forgets that they are acting, they so inhabit their gruelling roles. Liv Ullman is particularly great here, and photographed with luminous intensity by Nykvist, the master cinematographer. This is a woman who has her world shattered, and who responds to her changed circumstances in realistic stages: denial, anger, grief, rage, and finally acceptance. Also, I am struck by the way this particular film is the unacknowledged "grandfather" of independent contemporary film technique. A recent article in the New York Times on Dogme astonished me by the failure to even acknowledge Bergman's influence. Liv Ullman is spot-on in the interview when she notes that "Scenes from a Marriage" was Dogme filmaking 30 years ahead of Dogme, and that the often hand-held camera here moves with precision, versus the shallow, self-indulgent scattershot mess that is so tedious in the films of the Dogme filmmakers. In the five-hour TV version, one sees the film as it truly is, a groundbreaking, thoroughly engrossing masterpiece. Finally, it reminds us of how little we ask from our own TV movies in the US. This is a riveting, compelling, lacerating work, made with compassion and with a strong humanist understanding. Bergman didn't come to this spareness and austerity out some philisophical point of view, like Dogme has with its "manifesto". Instead, "Scenes from a Marriage" arrives at its technique out of Bergman's desire to get as close as he can with his camera to the faces, emotions, and flawed humanity of his characters. It was a process he began with "Persona" and which opens further in "The Passion", and which here is expanded out and relentlessly focused, like a pure, blue, Scandanavian flame. ... Read more

Reviews (33)

Excellent true life World War II suspense story!
Gregory Peck and Christopher Plummer give outstanding performances as Monsr. Hugh O'Flaherty(Peck) and SS Col. Herbert Kapler(Plummer). The action and suspense of the movie keeps it going at a brisk pace. The story follows Peck as a Vatican official trying to save Italian Jews and Allied escaped POW's from the hands of the German SS. Plummers portrayal as Col. Kapler is both chilling and frightening, especially when he personally executes a Catholic priest who was caught helping the Resistance. Peck's portrayal of Father O'Flaherty is very moving to watch. The intelligence and compassion of this man truly shows through and shows how much Father O'Flaherty deserved the awards and decorations he received from the Allies after the war. And the ending is very surprising as well! It is also a plus having the movie shot in Rome where the actual events took place. A truly classic movie. I highly recommend it.

Excellent true life World War II suspense story!
Gregory Peck and Christopher Plummer give outstanding performances as Monsr. Hugh O'Flaherty(Peck) and SS Col. Herbert Kapler(Plummer). The action and suspense of the movie keeps it going at a brisk pace. The story follows Peck as a Vatican official trying to save Italian Jews and Allied escaped POW's from the hands of the German SS. Plummers portrayal as Col. Kapler is both chilling and frightening, especially when he personally executes a Catholic priest who was caught helping the Resistance. Peck's portrayal of Father O'Flaherty is very moving to watch. The intelligence and compassion of this man truly shows through and shows how much Father O'Flaherty deserved the awards and decorations he received from the Allies after the war. And the ending is very surprising as well! It is also a plus having the movie shot in Rome where the actual events took place. A truly classic movie. I highly recommend it.

amazon bias
erik reitz review is incredibly bigoted and hostile toward catholics - however i wrote a review pointing this out and incredibly you don't post my review but retain his - another thing i've noticed that amazon allows bigoted views against western civ, christianity, catholicism, anglos, men, heterosexuals etc to be posted & while some people will reply exposing this bigotry amazon runs the double standard of allowing unrestrained bigotry on one side while censoring the other side - you claim to moderate fairly yet what you do is allow left wing bigotry unchecked and the rest censored - amazon has presented a hostile evironment to the above mentioned censored majority of which i am a part - i cringe everytime i shop amazon's reviews that my sensibilities will not only be ignored but trampled and violated

The Scarlet & The Black
Great Job ... Acting, Location & Story. Its nice to see one more positive telling of the Church during the war. Not too many people know that the Chief Rabi of Rome during and immediately after the war, Israel Zolii, was so impressed by the Christians in Rome who tried to protect Jews from nazi persecution, that he was baptised as Catholic shortly after the end of the war. He took for his Christian name Eugene ... the same first name as Pope Pius XII, whom he especially admired as a friend and protector of Jews. He died as a devout Catholic.

One of the best!
This movie never gets enough credit! This is one of the best war time movies ever and with Mr. Peck's passing this is a must see for Peck fans who have not seen this movie. Gregory Peck and Christopher Plummer in one of his best roles play a cat and mouse game during WW2. The acting is fantastic and there is a lot of suspense! A must see! ... Read more

Reviews (234)

Majestic version of Christ's life
Majestic and beautifully shot with strong performances all around, Jesus of Nazareth lacks the overblown almost operatic production touches of Nickolas Ray's "King of Kings" but still manages to retain a sense of the importance of the subject through subtle, nicely wrought character touches.

Although not completely faithful to the New Testament, director Franco Zefferelli embellishes in such a way as to make the story more dramatically compelling and interesting. The performers particularly Robert Powell in the central role all give strong, interesting performances. Powell's characterization is less bland than many of the other versions we've seen and, as such, makes the Christ come alive much more so for the modern viewer.

"Jesus of Nazareth" makes a fine companion piece to Mel Gibson's controversial "The Passion of the Christ" focusing on different elements. The big difference between the two films, though, is the level of explicit onscreen violence. Zefferelli's film still shows what happens but with a more subdued touch (due to the constraints of network television censors as it was originally produced for NBC).

Both films in their own ways tell what could be termed essential variations on the same great story. Their contrasting styles make each suitable to very different audiences.

A MUST-HAVE FOR EVERY BELIEVER!
It is inconceivable that on Amazon there are only 90 reviewers for Franco Zeffirelli's masterful and inspiring masterpiece as opposed to over 2000 for "The Matrix," a less-than-monumental piece of fluff from 1999.

"Jesus of Nazareth" sports a cast of Academy Award-winners (Lawrence Olivier, Anne Bancroft, Ernest Borgnine, and Peter Ustinov, to name a few) and nominees (James Earl Jones, James Mason, Christopher Plummer) as well as a support from an international group of performers. Olivia Hussey brings just the amount of warmth and humanity in the role of Mary; Rod Steiger deftly portrays Pontius Pilate as a man torn between duty to his country and awe of this man called Jesus; Michael York is stunning as John the Baptist.

Robert Powell brings to the movie the definitive portrait of Jesus. His passionate performance is the stuff of legend. Prior to this motion picture, there had been few instances wherein Christ had been seen; it is as if the screen was awaiting the right man for the part. Powell proves that to be true; he is perfect!

If I have motivated even one soul to purchase this masterwork, then I have accomplished the goal of this review. Money could not be better spent.

Jesus Christ Never Existed.
'Jesus of Nazareth' is a famous film some people have seen or at least heard about. Most people fail to realize all of that doesn't matter because Jesus Christ never existed!! Jesus Christ is a mythological figure the church has exploited for hundreds of years and now the film industry has for almost a hundred years. There is absolutely no archeological or historical evidence that Jesus Christ existed. Even if he did exist, it would be highly unlikely he would have received that kind of punishment.
It is a shame that con artists like these filmmakers are using this mythological figure to make millions of dollars. People have to start swaying away from the manipulations of the church and the filmmaking industry and start looking at the hard facts. Jesus Christ and his crucifixion never happened.

Realistic interpretation
Each movie of the life of Jesus is subject to the creator's interpretation and perspective, however, I found this movie to be the best depiction of the humanity of the individuals involved in experiencing Jesus' mission. It is respectable and not corny. The only thing my father (a priest) found odd was the way the Virgin Mary was wailing at the foot of Christ's cross. He felt she would have displayed quiet resignation.
It's beautiful and the score is fantastic. I've watched this movie a million times and watch it when I need some spiritual renewal.

Jesus of Nazareth Music
I watched on the first for the first time yesterday the DVD movie Jesus of Nazareth on my computer. All of my some previous negative emotions of the film were replaced with honest love. Good pc equipment will enhance your feelings. I spent the day watching the complete movie. I played 'ALL' the correct songs to the movie. You need to play some songs to comprehend the true concept of the movie. The songs do not waver true Christian beliefs. I played near 20 original concept songs. If you're looking for love about faith then this is the movie for you. ... Read more

Reviews (482)

Gentlemen prefer blondes
If there were 1/2 ratings, I would have granted an extra half-star if only for the moxie and flair for fun acting that Reese Witherspoon displays in Legally Blonde. An absurd storyline is carried by the actress in a script that fits Ms. Reese tighter than the designer outfits made into a running joke in the film.

Though ably directed and acted by a supporting cast including Luke Wilson and a chihuahua, 5 star storyline it is not. This movie is for fun, not for keeps. Yet, as weak as the foundation may be in Legally Blonde, I found myself smiling at the antics of Elle Woods (Reese W.), a grown up version of Alicia Silverstone's Clueless character. The sorority depictions were frightenly parallel to the one's I recall in college, which only made the stereotype more humourous. And Elle's college entrance video submitted to the Harvard Admission Committee makes the film almost worthwhile on its own.

Men, be not afraid to rent this film with your girlfriend, wife, or boyfriend. Whatever your fancy, Legally Blonde has enough tom-foolery of the collegiate level to keep you laughing. Women, you will only solidify your stature as the significant other who can pick out a movie even your Marine Corp. boytoy will enjoy.

fun despite the weak idea
Reese Witherspoon is Elle Woods, a blonde and beautiful if slightly ditzy college senior whose life is turned upside-down when her rich boyfriend Warner Kensington the Third (Matt Davis) dumps her. With her daddy's plastic, a bottomless wardrobe and a college career based on "Fashion History" Elle is something of a Barbie Doll come to cruel life. Getting into Harvard Law School, and having a promising future ahead of him, Warner sees himself as a future JFK, and JFK isn't supposed to choose Marilyn over Jackie O. Convinced that she still has a chance, Elle pulls out all the stops and manages to crack into the freshman class at school where she sticks out like a sore (and poorly accessorized thumb). Making no friends, and confirming every dumb blonde stereotype ever conceived, Elle is ruthlessly victimized by her seemingly smarter and insecure classmates. Elle wouldn't make it past her first day if not for her inexplicable capacity to dig out the common sense buried under the heady legal theory. Instead, she sort of prospers becoming a success story and more mature person while still being the same cute Elle that only Reese Witherspoon can create.

It's a thin plot, and the tacked criminal trial added at the end seems an excuse to keep a lame idea going, but it works because, like Elle, the script has an endless reservoir of pluck and manages some cute tricks of its own. The dim homilies guiding Elle's sorority lifestyle are bound by a fierce sense of loyalty (people who exercise can't kill people - the endorphins make them too happy), one that the script remains true to. In the end, Elle wins her case because of her loyalty to an accused killer and former sorority sister, one that you'd never think twice about doubting. Neither seem to deserve the attention or loyalty, but manage to win the case anyway. See it if only for Reese Witherspoon.

A film for girls everywhere
I was expecting this movie to be full of dumb blonde jokes, but was pleasantly surprised. Considering I'm naturally dark, and dye my hair as dark as possible, I'm never gonna be blonde, and it probably wouldn't suit me. But I do have what people would call my "blonde moments" where I say/do something stupid. I don't see why brunettes can't be labelled a bit daft at times too! Cos I definitely am!

This movie is carried by a strong cast: Reese Witherspoon, Selma Blair, Stifler's Mom from American Pie, Ali Larter, Thomas Andrews from Titanic, and many more! My faves out of the cast have to be Ali Larter and Stifler's Mom! They stole the movie out from underneath Reese Witherspoon.

What is amazing about this movie, is the sheer amount of time spent on Reese's hair (which looks suspiciously like extensions). Throughout the movie, she has a mere 40 different hairstyles, which sometimes feels like a different hairstyle for each scene of the movie. Reese also wears a lot of different clothes for each scene, a lot of them with something pink in them, which she all got to KEEP after this was finished shooting! Free clothes, alright for some!

Once again, Selma Blair comes across as a bit of an ice queen in her role as Vivian, but you'll be glad to hear, the ice melts before the end of the movie!

What didn't I see coming in this movie? What Victor Garber's character really turns out to be. And trust me, he's not as nice in this, as he was in Titanic.

There is a sequel too, which I'm sure I'll manage to get my hands on eventually. And Stifler's Mom comes back for that too! That's how good her role is! But this is basically a feel good movie, which shows you don't need to change for anybody.

Legally Blonde
Legally Blonde DVD ~ Reese Witherspoon is a funny movie without any real social pretense. Witherspoon is awesome in her depiction of the felmale lawyer in stiletto heals and super feminine approach to life. More women should be like her...

Hilarious comedy!
This movie is one of my favorites. It's a fish-out-of-water comedy about a feminine, ditzy (but actually quite smart) sorority girl, Elle Woods (Witherspoon), who goes to Harvard Law School to get her boyfriend back. She ends up realizing that she's a lot smarter than people give her credit for, and succeeding beyond everyone's expectations including her own. The movie is hilarious the whole way through, and Witherspoon plays her part just perfectly. This is also one of those movies, at least for me, that you can watch over and over again and not get tired of it. I recommend everyone who enjoys comedy to watch this! ... Read more

Amazon.com

For all of its conventional plotting about an obsessive-compulsive curmudgeon (Jack Nicholson) who improves his personality at the urging of his gay neighbor (Greg Kinnear) and a waitress (Helen Hunt) who inspires his best behavior, this is one of the sharpest Hollywood comedies of the 1990s. Nicholson could play his role in his sleep (the Oscar he won should have gone to Robert Duvall for The Apostle), but his mischievous persona is precisely necessary to give heart to his seemingly heartless character, who is of all things a successful romance novelist. As a single mom with a chronically asthmatic young son, Hunt gives the film its conscience and integrity (along with plenty of wry humor), and she also won an Oscar for her wonderful performance. Greg Kinnear had to settle for an Oscar nomination (while cowriter-director James L. Brooks was inexplicably snubbed by Oscar that year), but his work was also singled out in the film's near-unanimous chorus of critical praise. It's questionable whether a romance between Hunt and the much older Nicholson is entirely believable, but this movie's smart enough--and charmingly funny enough--to make it seem endearingly possible. --Jeff Shannon ... Read more

Reviews (226)

Jack, Melvin; Melvin, Jack
Perhaps the most overrated film of the 90s, "As Good As It Gets" is still a quality movie about a man who is mean and surly seemingly for no other reason than because he is supposed to be. Jack Nicholson plays the obsessive-compulsive romance novelist Melvin Udall. Melvin lives across the hall, in a nice New York apartment building, from gay artist Simon Bishop (Greg Kinnear). Melvin also develops a crush on single mom waitress Carol Connelly (Helen Hunt) who has a perpetually sick child named Spencer (Jesse James).

Melvin is moved to be human by the trials he witnesses Simon and Carol experiencing. While he is never able to be entirely decent, Melvin thaws a few degrees by the end of the film to the point where he can maintain a normal relationship with two people who he, by all appearances, should despise.

And they all lived happily ever after. Sorry I couldn't help throwing that in there.

"As Good As It Gets" does have its strong points; but, it is plagued by one enormous problem that has a tendency to afflict these types of films: its own sense of self-righteousness. The movie practically points an accusatory finger at the viewer as if to say, "You little people probably hate the kind of people you see in this film and we're going to show you why you're wrong".

This film is also harmed by the overacting of Helen Hunt. I never understood the Helen Hunt buzz that went crazy in the late 90s. She always seemed to be someone who was in the right place at the right time and was not much better than an above average actress.

Of course the true saving grace of the film is Nicholson. Melvin Udall is the Nicholson character who I think he most likely is when the cameras are turned off. Not the OCD aspect to Melvin but the relentless disgust for other people. This is not necessarily a bad trait in a movie star.

This film is very similar to another film starring Helen Hunt called "Pay It Forward". If you can get over the 'holier than thou' attitude of either film, they're not that bad.

A BEAUTIFUL MOVIE.
It seems like year after year after year I am consistently disappointed with the films and actors chosen for Academy Award nominations. I usually don't even bother to watch the awards show because it's very rare that there is anyone I really want to win. 1998 was one of those rare exceptions...and it was because of this movie.

There is something about Helen Hunt that fascinates me. Not only is she able to display believable emotions but more importantly she always comes across as someone whom the viewer truly, deeply cares about. I am not embarrassed to admit that I cried on more than one occasion during this film. It was at times heartbreaking to watch her character suffer through so many difficult situations.

"As Good As It Gets" features the talents of Helen Hunt, Jack Nicholson, Cuba Gooding Jr., Greg Kinnear and the underrated Shirley Knight. There is, of course, a plot to the film but it seems secondary to what this movie really is about...human interaction. Jack Nicholson plays Melvin, a completely neurotic person who won't step on cracks in the sidewalk and actually brings his own silverware to the only restaurant he'll eat at. Helen Hunt plays Carol, a waitress with whom Melvin becomes quite smitten with. Simon (Greg Kinnear) is a gay tenant in Melvin's building and Kevin (Cuba Gooding Jr.) is his lover.

Circumstances come about which send Melvin, Carol and Simon on a road trip to remember. I would usually go more into detail about the plot mechanics but they seem almost trivial in a movie of this caliber. The true enjoyment is watching some of the finest actors of our time doing what they do best. You really want to see these characters find true happiness. If you are one of the few people who have yet to see this film then please, please go out and rent it...or better yet, buy a copy. You'll be crying with Helen Hunt, laughing hysterically at Jack Nicholson's antics and will feel amazingly fulfilled when the beautiful ending rolls around. "As Good As It Gets" is a modern classic.

pretty boring........yup........boring........(snore)
I watched this movie twice. Both times it sucked. I thought maybe if I watched it a second time, I would have better luck, but no. The first time I wanted to watch this movie bc I thought it was about the dog (who I could spoil all day!!!!). I don't even think it played too much of a role in that movie. There are a couple things I liked about this movie. Jack Nicholson's acting was nothing less than supurb. The dog was the best thing in the movie. I also liked the one line of the movie (as said in the title) 'What if this as good as it gets?'it was a shock of realism there and i liked that. Also, I loved the gay guy. He was...eh.....kinda funny..... I had to sit through everything else. If all that u wanta see Jack Nicholson in 'one of his best preformances' than u should get this movie. If not, don't waste good money on it.

"Come on in, and try not to ruin everything by being you."
AS GOOD AS IT GETS is...
...a beautiful character study.
...an Oscar-garnering comedy of 1997.
...one of the greatest comedies of not only the 90s, but perhaps of all time.
...sharp, witty, and satirical with praise-worthy performances from all cast members.

Jack Nicolson plays Melvin Udall, a middle-aged writer with obsessive-compulsive disorder and a heart of stone (or what you may first think). Melvin is bigoted, cranky, moody, and often times outright nasty. His morning routine consists of things done in methodical order, immaculate routines. One of these rituals includes his daily breakfast at the local diner, served by the one and only waitress who will tolerate him and his odd demands.

Her name is Carol Connelly and she's a single mother to an asthmatic young son. Hospital bills, as well as life's other expenses, have skyrocketed. Carol is having difficulty making ends meet and struggles on a daily basis. She temporarily leaves work to take care of her child.

Therefore, Melvin can't eat his breakfast.

Greg Kinnear plays Simon Bishop, Melvin's out-and-proud gay neighbor. When he's brutally beaten and left for dead, his trusty little pup is left in Melvin's care, despite the fact that the two men despise each other. Melvin's new babysitting job, along with Carol's absence from the diner, means that life is changing - and for the worst, he believes. Melvin's ordered, hermetic world is falling apart due to these conflicts.

These three entirely different people form a friendship and are soon able to see "the sunny side" of life, so to speak, due to the weaving and intersecting of their lives with each other's.

AS GOOD AS IT GETS is an enlightening comedy that the majority of critics agreed with. It is not a typical screwball comedy; it is instead a thought-provoking, earnest look at the lives of 3 people who at first seem to face normal hardships and tribulations. But, as this film progresses, we find that the characters, played by each of the actors with such grace and such astounding skill, are anything but ordinary. This fine film deserved every bit of praise it received from the critics and audiences alike. I've watched it countless times and it never grows tedious or boring, even when I memorize the dialogue.

AS GOOD AS IT GETS is one of those scarce treasures that finds the perfect and ideally comfortable balance between seriousness and humor. The realness of Melvin, Simon, and Carol is something almost undeniable. What can I say? I love it.

you should be made to touch my pubic hair
the part in the resteraunt where jack tells the adjacent table that they should be made to touch his pubic hair.........jack, baby, your beautiful ... Read more

Amazon.com

This movie follows the unwritten law of sequels: bring back the same characters and put them in similar jeopardy with slightly tweaked circumstances. Instead of a cross-country journey, this time the pet trio must get from the San Francisco airport across the Golden Gate Bridge to their suburban home. Michael J. Fox and Sally Field return as the voices of Chance the bulldog and Sassy the cat, with Ralph Waite replacing the late Don Ameche as the elderly golden retriever. Their journey features dogfights, house fires, an epic battle with a pair of petnappers, and a love affair for Chance with a stray from the other side of the bridge (Carla Gugino). Sinbad voices another dog who guides them through the mean streets of the city by the bay, and Robert Hays stars as the father, but, frankly, that hardly matters. What does is the animals' banter, and they're funny. (Ages 3 and up) --Kimberly Heinrichs ... Read more

Reviews (15)

Another amazing journey!
Now it starts off when the family is planning a plane trip to Canada. Chance the american bulldog thinks that instead of going to Canada he is going to the dog pound because his owner Jamie has been mean to him. Chance escapes from the cage and runs through the airport with Shadow the golden retriever and Sassy the Himilayan cat trying to stop him. Now these animals get lost in a city and comes across stray dogs that don't like humans. That really gives a moral lesson to humans about how dogs feel not having a home. Throughout, the animals will come across dog fights, rescuing a boy from a fire, and avoiding dog catchers. During their trip to finding the bridge back home Chance gets a girlfriend named Delilah.
This movie had it's funny moments like the first one but the only sad moment was when Chance lost his girlfriend going back home and almost getting hit by a truck. I would recommend this movie if you liked the first one and see if you like it as much.

As Good As The First
This, like the original, was really good. I saw it in the movie theaters when I was little, and had been a big fan of the original before that.

This one takes a good direction: pets lost in the city. I think it is a little funnier than the first. Having all the different dogs around makes the movie more fun, the two bad dogs and Reilly's gang. Chance's girlfriend, Delilah, just got in the way here. I've noticed that in a lot of sequels to Disney originals, a main character falls in love. It gets boring after awhile. Both HOMEWARD BOUND movies are real good, and that's a compliment coming from me, since I'm getting more into the horror genre now. Anyway, defenately rent them both, they're really fun to watch. In my opinion, there should be a HOMEWARD BOUND III made. I wouldn't mind another sequel to finish off the trilogy.

Really Funny Movie
This is a really funny movie for adults and kids! My younger kids like watching it to see the kitty and doggies, and my older kids love the funny jokes!

I recommend this movie.

Awesome Family Film
My kids and I thought this movie was fantastic. We watched it right after watching the first movie. After viewing this film my and 8 & 6 year olds were pretending to be the characters in the film, playing with our own dogs and cats. Wholesome family movie. Highly recommended.

Cruisin in San Francisco!
I loved the video. it was great, not as warm as HB1 but still good. Chance as usual not willing to follow orders and stay in his traveling box to Canada, runs out of the plane, forcing Sassie and Shadow to chase after him. They all wind up in San Francisco. They get rescued by some feral dogs from a couple of mean dogs. Chance falls in love with a dog. 2 dirtylooking mean guys roam around in a red truck catching animals until near the end when the ferals and the trio swamp them. One funny scene had Chance trapped in the red van with other dogs and Sassie on the outside telling him to admit "Cats Rule" in order to be freed. There was a scene where the 2 guys accidentally throw a cigarette at a house which causes a fire and so Shadow goes in to save a little boy and Sassie goes in to save the boy's kitten--this is the same boy that Sassie had tried to beg some food from earlier but Chance had ruined her chances by showing up. funny. It was a really funny, nice, fast video. Shadow as usual was his old and wise self. ... Read more

Reviews (136)

Excellent Film -- Historically Accurate.
In my opinion, the best war movie ever made -- a notch better than "Saving Private Ryan," which contains certain historical inaccuracies. "A Bridge Too Far" masterfully adapts Cornelius Ryan's meticulously-researched book of the same title. More importantly, with the exception of the German tanks and armored personnel carriers depicted in the failed attempt to capture the northern end of the Arnhem bridge, the uniforms, machine guns, rifles, tanks, landscape, etc. depicted in the film are accurate -- unlike the vast majority of war films that cut corners, film off location, fail to research key facts, etc. The "second Omaha Beach" crossing of the Waal River by the 504th Parachute Infantry Regiment of the 82nd Airborne Division -- filmed on loaction -- is the most riveting scene in the movie. Also spectacular is the reenactment of the dropping of hundreds of paratroopers over Holland from C-47 Dakotas. The only negative is that the movie can be quite confusing to one who is not familiar with the intricacies of Operation Market Garden. I urge anyone considering viewing the film to first read "Arnhem 1944" by Martin Middlebrook or Cornelius Ryan's above-mentioned book. Some research will help put this complicated military operation into perspective. After you've seen the movie, and if you have the time, money and inclination, take a battlefield tour of Nijmegen and Arnhem (both just an hour-or-so drive from Amsterdam) so you can truly appreciate the sacrifices made by the British, American, and Polish paratroopers depicted in the film nearly 55 years ago.

Gripping account of Operation Market Garden
A Bridge Too Far is one of my favorite war movies, and books of all time. The book is a classic, which you should read if you have not done so before watching the film.

The film is long (almost 3 hours), but well worth it. I have seen it more than a few times, and always enjoy watching it. I particularly like the Airborne drop and combat scenes. All which leave me wondering how they actually filmed some of them. The cast is full of all-stars with the likes of Anthony Hopkins, Robert Redford, Sean Connery, James Caan. The list of great actors just goes on and on.

The film does a good job of telling the tragic tale of Operation Market Garden, the largest Airborne operation ever. The plan is bold, which is a surprise in itself since General Montgomery was considered to be one of the more conservative well known commanders from WWII. As you watch the movie, you start to wonder how could they have been so wrong. Of course, hindsight is 20/20, and you have to realize that this operation was to be the final punch to put Germany out of the war. Unfortunately, things did not go as planned. And, in the end, the goal of reaching the Arnhem bridge is never achieved, and the British Airborne Division pays the ultimate price for the plan's failure.

The book does a better job telling the stories of individual soldiers involved in the battle. But, the movie does an excellnet job of keeping the viewer in the action, and aware of what happened when, during the fight. Especially considering, the action took place at three different areas all at the same time.

I highly recommend this movie to anyone interested in WWII, war movies, combat leadership, or airborne operations. I also recommend watching the movie on a large screen TV if you can.

Great Battles, Dialogue, Characters Make A Great Movie.
I liked this film very much. It's not overly patriotic like Saving Private Ryan. It doesn't go for the happy, crowd pleasing ending. It doesn't pick out heros & bad guys for easy watching and it doesn't oversimplify.

This is well-paced, collage-style film about human fallibility and what happens when large wartime operations break down.

The dialogue is superb. There are 10+ characters interlocked in various relationships at all levels inside the army. These were the top actors in the world at the time, each with a role to play and an independent fate in the battle. All these guys are in their 60's now and seeing them so young is a surprise. Look for John Ratzenberger (Cliff Claven of Cheers) in Robert Redford's paratrooper platoon.

The production values were also excellent, on par with the best of WWII movies. There were many very realistic battle scenes and all the scenery and soldiers, equipment, etc. one could imagine. To the untrained eye it was 100% authentic.

This is not a happy movie or much fun. It's more real than that. Unfortunately it's also not especially harrowing - you know that things are not going to work out. It's just thoughtful and well-paced and very watcheable. If you like WWII movies this one is certainly worthwhile.

You need the Australian 2-disc set!
Personally I found this so-called classic a total bore. But if you're one of those dusty old f*rts who collects war memorabillia and gets off on these true-to-life war epics, get yourself a multizone player and buy the Region 4 Two-disc set which also includes: "Heroes From The Sky" featurette, "A Distant Battle: Memories of Operation Market Garden" featurette, "Richard Attenborough: A Filmmaker Remembers" featurette, (These featurettes are quite long...some go for nearly an hour) Photo Gallery, Trailer, Audio Commentary and Trivia Track. This is the way classic movies on DVD should be presented. Tons of information and a great price. Ezydvd.com

Excellent Adaptation of a Classic War Book
The movie version of Cornelius Ryan's book A Bridge Too Far is a fully faithful adaptation of a war classic. As such, it is a classic in its own right. The movie includes the planning and execution of the flawed Operation Market Garden, the largest Allied airborne operation of World War II. It also includes several of the human interest vignettes from Ryan's book. The movie is consistently interesting throughout and is never boring.

A true classic. ... Read more

Description

In this epic mini-series based on Jules Verne's novel, Englishman Phileas Fogg (Pierce Brosnan) prides himself on his clockwork discipline. Fogg is so confident of his ability to beat the clock that he bets a small fortune with members of the Reform Club that he can use modern transportation methods to circle the globe in 80 days! With servant Jean Passepartout (Eric Idle), Fogg soon finds himself crossing war-torn Paris, traversing the jungles of India and Burma, and dueling with Jesse James on the American prairie! And if that weren't complicated enough, Fogg is the prime suspect in a London bank robbery, and Detective Wilbur Fix (Peter Ustinov) is pursuing Fogg and Passepartout, in hopes of returning Fogg to England to be arrested-and to collect the reward money!

The voyage even brings an unforeseen responsibility when Fogg rescues the beautiful Princess Aouda (Julia Nickson) and she arouses long-dormant feelings in Fogg's bachelor heart. Can Fogg acknowledge those feelings? Will he win the bet? Will he give Fix the slip? The ending is one you don't want to miss! ... Read more

Reviews (10)

A Great Entertainment
This is a charming and wonderful journey to watch. I enjoyed it a great deal, but be warned... this is NOT a family movie. Today's youth with short attention spans who like blood and monsters won't understand this one. Save it for the adults. Its well written, well acted and simply great fun.

journey with lots of obsticales
I saw this movie last summer on tv. When I started watching it I had no idea that it was as long as it is, otherwise I probably wouldn't have watched it, what would have been a mistake. Then this movie is wonderful. The only reason I can see that some people might not like it is, that it doesn't use all this high technology, full of action and sex scenes that we are used to now a days, when watching a movie. For me it is a welcome change and I enjoyed it, but everyone has their own opinion and is entitled to it.
Another thing I like about this movie is all the build in obstacles Pierce Brosnan has to go through on his quest. Often, it seems to me, that once he got out of one problem, he faces another one, what creates suspence on whether he will reach his goal or not. Also I highly appreciate the differente cultures portrayed in it.

Lost a lot of fun!!!
I watched the same film in VHS few years ago.
It was very impressive and had a lot of fun.
But after I got this DVD, it really disappointed me!!

A lot of scenes have been REMOVED: just like the chapter in China, Japan and India.And that part(saving the princess) has gone also.

If this is a miniseries, I guess they really didn`t have an idea about when and where to cut it!!!

Excellent movie however DVD lacks quality
This is an excellent movie which aired as an mini movie in 1989. The movie has a nice flow and the characters are quite vivid. Around the world imagery is quite colorful. It was a delight to watch it again. Unfortunately, the DVD quality resembles that of VHS. It was a poor quality transfer for a DVD considering that this movie was shot using Panavision equipment.

Wonderful family movie
I think this is a perfect movie to watch when you have several hours to spend relaxing. It's very long but you don't have to watch it all in one sitting. You'll want to get back to it as soon as possible though because it keeps you wanting more!
I divided it up into two evenings. This is one movie you can watch with your grandmother or with children around and not be embarrassed. I think it's a great family movie. And the picture was fine. I used to have the VHS copy and this DVD was much better quality. ... Read more

Description

Those diehard Cleveland Indians that went from worst to first in the hit original now cope with fame and its perks as the hangdog team tries to hit, hustle and joke its way back to the top. Charlie Sheen, Tom Berenger and Corbin Bernsen star. ... Read more

Reviews (18)

The Cleveland Gang is back
The first Major League movie was a good one but this is better. The Cuban Crusher Pedro Cerano, Rick "The Wild Thing" Vaughn, Willie Mayes Hayes, and newcomer Rude Baker are one fire. Rick comes to this season as a ... pretty boy pitcher who cares too much about injuring his arm that he can't even throw 90. Cerano comes back as a spiritual Budha and is so stupid now that he hits a bird with a baseball and runs in the outfield to save it's life while he gets tagged out... Willie comes back without the speed but has a lot more power and as a movie star with a leg injury. New-comer Rude Baker can't throw to the pitcher even though he's a catcher. See if they'll come back. Also a funny Japenese outfielder is added on who has spritual fights with Cerano.

They're back!
The Indians are back for another season. With several new players to the team, like a crazy japanese fielder, and a Playboy fanatic catcher, plus star pitcher, Rick Vaughn, has went clean cut and lost his powerful arm. Add to this with a host of other problems, the Indians are in for another struggling season of baseball. I liked this movie a lot, and it is my 2nd favorite of the trilogy of the Major League movies, with the original being my favorite.

The DVD menus look great, and easy to navigate. I was expecting loads of extras, but I didn't get much. All that is here is just a thing called "The Starting Line Up" which is pictures of all the movie's main actors on baseball cards. And a trailer for this movie, plus for 2 other movies also.

The hard luck Indians are back for another season
While this isn't the instant classic that the first MAJOR LEAGUE movie was, I actually like the sequel as well as the original.

The only thing really missing from the first film is Wesley Snipes as center fielder Willie Mays Hayes, but Omar Epps does a nice job in his place.

So what if you know that they're going to pull if off from the outset...it's all about the journey right?

Bob Uecker makes the film!

Really Funny Baseball Comedy
Some people would say it doesn't live up to the first one, but I think it does, and it may even be better.

The Clevelend Indians are back, and better than ever. Rick "Wild Thing" Vaughn is trying to throw curveballs, Willie Mayes Hayes tries to become a power hitter, Pedro Sorano converts to Buddhism, and more. It has some really high points, and it kept me laughing.

My favorite are the Chinese guys who clean up the field after the games. They're really funny.

Overall, it's a great DVD for a great pric