Description

Helen Mirren is Detective Chief Inspector Jane Tennison in the fifth of the series Prime Suspect that aired on PBS in January, 1992.Having been demoted and transferred to the north, D.C.I. Tennison finds herself under-used until she gets a case where a 12-year-old-boy confesses to murder. ... Read more

Reviews (2)

Beautiful young women
I saw this movie in the cinema many years ago. The movie shows Natassja Kinski at age 19 topless as well as other 2 or 3 young women (one a blue-eyed brunette even more beautiful than Natassja), also in several stages of nudity; in a tale of repressed girls in a private school in Europe, who try to have romance and possibly also sex, in secret, with the young men from a nearby boys private school. Only the beauty of the young women justifies the movie, which otherwise is rather cliche. Last year I bought a dvd from a different maker (Front Row Features) which did NOT play in my dvd player but DID PLAY in my computer's dvd drive. I am going to take a chance and buy this dvd from Pro-active Entertainment and hope it works better.

Worthless
I bought this disc from another source, but it appears to be the exact same one sold at Amazon.

I have 3 DVD players and none of them recognize this disc, so I cannot watch the movie.

Don't buy this! ... Read more

Amazon.com

When prissy, prickly Sylvia Stickles (Tracey Ullman) suffers a head injury during a traffic altercation, she's, er, revived by self-appointed sexual missionary Ray-Ray Perkins (Johnny Knoxville) and is transformed into an insatiable, take-no-prisoners sex maniac. Yes, it's a John Waters film. Yes, it's filthy. No, it's not as hilarious and sustained as you'd like it to be. It works for a while, though: Ullman, never a stingy comedienne, does everything Waters dares her to do without hesitation; words cannot describe the perversely sporting delight with which she mounts a water bottle during a round of "The Hokey Pokey" at an old folks' home. And there's some fun to be had when Sylvia's emancipation leads her Baltimore 'burb to new heights of ecstasy, freeing her large-breasted daughter Caprice (Selma Blair) while horrifying husband Vaughn (Chris Isaak) and her hardline mother Big Ethel (Suzanne Shepherd, hysterical) in the process. It's also packed with the standard cameos, the most satisfying of which is good old Patty Hearst at a Sex Addicts Anonymous encounter. But, for all the nasty, necessary glee, the movie feels inescapably been-there-done-that, and you can't help but wish this was 1972 and Divine was on hand to prowl for dog droppings. The most shocking thing about A Dirty Shame is how desperate and tiresome its anarchy becomes.--Steve Wiecking ... Read more

Reviews (14)

Worth a watch
Something tells me John Waters only referenced the Bear community to have the community watch it and then show it as more bizarre than it already is.It sure got guys in my metro to pack the indy cinemas!

Back to true form!
Being an extra on this hysterical film was a true barrel of monkeys. Receiving direction from one of the most notorious cult directors of all-time was quite an experience. A Dirty Shame is yet another twisted Waters' installment from his brilliant and unbelievably retarded mind. Sex addicts run rampant in Hamilton,
a NE Baltimore neighborhood and Johnny Knoxville is the ringleader. This film addresses such sexual fetishes never before spoke of in any previous film. Of course John's most recent films lack the angst of his 70's films, but the fact is
that was nearly 30 years ago and him and his entourage are way past the age of youth rebellion. This is clearly the most outrageous film Mr. Waters' has made since Desperate Living in 1977. Anyone who has been wise to his 70's films will absolutely
enjoy this picture. Folks who are ignorant to Waters' pictures
or those who have never seen one should not see this film without first viewing at least Pink Flamingos(1972) or Female Trouble(1974). A Waters' film you view because OF HIS name. NOT the stars. He is the puppeteer, and they are his marionettes. His recent tango with mainstream cinema and theatre is all well and good but this film proves once again what John Waters' is and will always be.
A Renegade...

I f**kin loved it!
A Dirty Shame is a must see and must own film. I loved it. Would make a great gift.Anyone who doesn't like it is a neuter.Watch it with uptight people!

Weak even for Waters
I love a lot of John Waters' movies, but this was a major disappointment.A lot of this is over the top, but it doesn't really work like "over the top" did in his earlier films.It has one hilarious scene, and the rest is just sub-par material.It mostly comes off as corny, even when you "get" the John Waters style of overacting.

Decent Film From Water's POST Divine Era!
A Dirty Shame is a pretty good film. It has it's classic John Water's one liners that could only come from the master himself which make me laugh hysterically. It's John Water's getting back to the basics--post Divine, that is. I separate John's films in 2 catagories: The Divine Years and The Post Divine Years. Let's face it, there will NEVER be another Divine in this lifetime nor will there ever be a John Water's Film that comes remotely close to the Divine Days. So JW fans have to deal with that reality. Of the Divine Years John Water's films, my all time Favorite is FEMALE TROUBLE. Followed by DESPERATE LIVING (which did not include Divine as she was working on another project at the time), POLYESTER, PINK FLAMINGOS, HAIRSPRAY, and MULTIPLE MANIACS. Then we cross over to the Post Divine Years. These films still have the John Waters edge, but not as heavily grotesque and vulgar as in the Divine years. These films include my all time favorite SERIAL MOM, PECKER, A DIRTY SHAME, CECIL B. DEMENTED, and my least favorite-CRY BABY (this film, if any, is the most detached from JW film--the only scene that shows a hint that its JW is the court room scene when Mink Stole is wheeled in in an iron lung smoking a cigarette. The dialogue there is hysterical.)

My suggestion is that if you're a John Water's fan and have seen one or more of his films Divine or Post Divine, then you'll appreciate this movie. In addition, you'll know why Patricia Hearst amoung other actors appears in this film. The reason I say this is because someone who NEVER saw a JW film wrote a review on A Dirty Shame and asked why the [...] Patricia Hearst is in the film? HELLO---she's been in EVERY JW FILM FROM HAIRSPRAY TO PRESENT!! But if you've never seen a JW film or know his antics you obviously won't relate!

GO SEE IT! ... Read more

Reviews (55)

Won't you be mine?
Even in the annals of slasherdom, this movie just isn't very good. Not that I expect slashers to be masterpieces, but there is much lacking here. One of the primary omissions is gore--the film was literally butchered by the MPAA. Not only does this disappoint fans of the genre, but in all honesty, it really fudges the continuity of the film and even manages to mar the ending.

The acting here is strictly amateur hour. The direction is standard, by the numbers slasher fare. The script includes some great unintentional howlers, including the classic line, "We were having a party...and Harry Warden started killing everyone". The town mayor supplies some funny moments as he and the bumbling sheriff try and figure out who is sending bloody valentines (human hearts actually, with [bad] "Roses are red" poems attached).

You'll probably guess the killer pretty early on but keep watching for the murders. Well, most of the cast gets offed as if you couldn't guess. There's also the required old guy who tries to warn the townspeople not to throw another Valentine's Day party. His death is actually pretty funny as he tries to rig an elaborate practical joke and gets axed.

Most of the murders are cut pretty badly so that there is a real absence of blood. There is a beheading toward the end that doesn't look like a beheading because most of the scene was cut--I had to read about it to figure out what the heck happened. Not only that, but the ending is edited so that we can't even see what actually happens to the killer very well. Again, had to read about it.

What we do get is a pretty cool getup for a slasher killer: a miner outfit complete with pickaxe and lighted helmet. There is one very good stalking sequence featuring coal miner suits dropping out of their rigs in the ceiling and scaring a young woman nearly to death before her (heavily edited) death, which is never really clear.

The plot is weak, the characters pretty dumb and the gore compromised by picky censors wanting to tone down horror films at the time in the wake of John Lennon's death and Reagan's near-assasination. Oh well.

I would be seriously surprised if any company actually bothered to put out an uncut deluxe DVD of this film since, quite honestly, it just isn't very good....

Still, for fans of the genre, you might tack on an extra star just because this is a 1981 slasher and you just have to see it because.

A bloody good time
After a Valentine's Day mine explosion caused by negligent supervisors eager to leave early for the town dance, sole survivor Harry Warden returned the following year for vengeance and left a bloody warning that the town of Valentine Bluffs better not hold a Valentine's day dance ever again...or else. Twenty years later, a new generation of locals (working class twentysomethings who all work in the mine) decide to have a dance on Valentine's Day, and guess who comes out of the woodwork? After the mayor gets a warning with Harry's M.O., he and the police chief order the fun-loving bunch to cancel the dance. They have a secret party at the mine instead, and with the warning unheeded, Valentine's Day suddenly becomes very unromantic.

This is my personal favorite of all the holiday-themed slasher films that trailed "Halloween" and "Friday the 13th". A few redundent characters, like the old man whose warnings fall on deaf ears, or the annoying prankster. There's some good acting and we actually have a love triangle; these movies usually don't bother with subplots or much character development. Having several terrified people trapped in a coal mine with a psychotic heavy-breathing miner is a novel touch. Too bad this didn't do much at the box office, an intended sequel was canceled. In 2001, director George Mihalka approached Paramount about doing a "20 years later" sequel, as well as an uncut DVD release, but they didn't give him the time of day.

My Bloody Valentine
My Bloody Valentine is an interesting film.It's a horror flick and some of the acting is actually good.The characters aren't too memorable.The dialogue is fairly nice.There isn't much gore though for an 80's movie.The plot is well calculated and thought out.Paul Kelman and Lori Hallier do a great job in My Bloody Valentine.The movie has horror, comedy, and some romance if you look close enough.This is definetly a ok horror movie for being different nevertheless.The ending is also a big suprise.Twenty years ago, a tragic accident in a mine on St. Valentines day took the lives of five miner's. The disaster occurred while supervisors left their posts to attend the town's annual Valentine's Day danceThe only survivor,Harry Warden, was confined to a mental institution after the ordeal. On the disaster's first anniversary, he returned to the town for bloody revenge. That was nineteen years ago, and memories have dimmed. Young lovers T.J. and Sarah and friend Axel are among the townspeople attending another Valentine's party.Then, a box of Valentine candy arrives, containing an ominous message and a blood- soaked heart.Before the night is over, terror will strike again and again and again....

Halloween and Friday the 13th spin off...
These horrific events began 20 years ago in the small mining town, Valentine's Bluff, when some miners got trapped in the mines and their rescue got delayed due to a Valentine's day party. The only survivor sought his revenge a year later by killing everyone who was celebrating Valentine's day. Now the curse is about to be brought back as the people of Valentine's Bluff are preparing for their first Valentine's day party in 20 years. My Bloody Valentine is a poor slasher film that seems to be a spin off from Halloween (1978) and Friday the 13th (1980), which offers an awkward cinematic experience.

Bloody Good Fun
Paramount pictures had been enjoying success with Friday The 13th, so why not strike while the iron is hot? My Bloody Valentine came out at the perfect time(though not to much financial success) in the slasher heyday. I saw it when I was 5, and thought it was very scary. Now I think it's just silly, but fun! Basically there's nothing new here if you've seen any slasher flicks before. It's just fun to see variations on the subject. This time it's a guy in a miner's outfit, which is actually one of the cooler looking psycho slasher getups. As far as plot goes-Horrible mining accident years back on Valentine's Day. Flash forward to 81 and the killer warns the town not to throw a Valentine bash or there will be hell to pay(even though he starts killing before Valentine's Day). The kids don't heed the warning, tra-la, tra-la. The killer hacks away at our partying kids, gets mixed up in industrial espionage and battles a team of bloodthirsty mutant whales. There's also a subplot of two guys fighting for the affections of our leading lady. Not scary, but fun in that slasher way. I watched this suffering a bad gas attack from a BBQ chicken pizza I had ate earlier for dinner, so it all had kind of a 3-D effect with the dark, stanky, damp mine scenes. As you'll read, the MPAA took a special interest in this film and cut down the gore. I have no idea why coz you wouldn't let your kid watch this anyway. But it's still enough to satisfy. It's no less gory than the later Friday the 13th films. Watch with someone you love. ... Read more

Description

Woody Allen's star-powered comedy follows the misadventures of an ex-con dishwasher and his manicurist wife. Their get-rich-quick scheme to rob a bank leave the characters rolling in dough--but not the kind they had in mind. ... Read more

Reviews (72)

NOT WHAT YOU EXPECT, BUT STILL VERY FUNNY
An ex-con (played wonderfully by Woody Allen), has a get rich quick scheme, and all it will involve is an empty store next door to a bank, a couple of other cons', and the help of his manicurist wife (the always funny Tracey Ullman).

The plan is simple...set up a cookie shop and have your wife run it (because she makes the BEST cookies, this serves as a big part in the plot), while you and the other bumbling crooks are digging a hole in the basement, a hole that will lead to the bank, and to the biggest heist you have ever pulled off.

"Small Time Crooks" is a very funny movie. It starts off with the bank heist plan (the digging in the basement contains some of the biggest laughs in this movie), and then in an unexpected twist shows that crime doesn't pay. The movie then goes into the study of Allen and Ullman struggling to deal with their new found wealth and each other.

In his funniest film in years, Woody Allen has assembled a great cast; Hugh Grant, John Lovitz, Michael Rappaport, George Grizzard, Tony Darrow, and Elaine May in the outrageously funny role of the dim-witted cousin.

Anyone looking for a good laugh riot will enjoy this...and you don't have to be an Allen fan.

Nick Gonnella

Small Time Crooks has big-time laughs
Woody Allen plays an inept ex-con who has a scheme for breaking into a bank. He plans to buy a store which is adjacent to the bank and then to make an underground tunnel to the bank vault. When he asks his wife, played by Tracey Ullman, to help finance the project, she balks. Eventually she gives in and becomes his "front man" by baking cookies in the store they buy. The cookies become unbelievably successful and suddenly they are richer than in their wildest dreams. Tracey decides that she must become more cultured to fit into their new social set and she asks an art dealer, played by Hugh Grant, to tutor her in the social graces. This he does willingly with an eye to cashing in on her fortune. This movie is well-written and well-acted. The lines are witty and there is even a moral here with regard to love and loyalty. No Woody Allen darkness here--just a delightful 90-minute romp!

If you liked "The Castle", then you may enjoy this movie
I've always liked Woody Allen movies, especially his early funny ones, and I just sorta ignored the awful "serious" ones, like "Stardust Memories". But this is a comedy, and it's dreadful. Thank heaven it cost me only five bucks.

OK, so Woody and his wife (Tracy Ullman) become rich and she wants to buy "class". The movie becomes a sneering put-down of her pretensions. It's just plain ugly.

Elaine May is terrific, though, and I'll give the flick an extra star for her performance (as the wife's cousin).

Rags To Riches To Rags - Very Funny and Heartwarming
This is such a funny movie. Woody Allen and his partners in crime play up their bumbling idiot characters so well! Tracey Ullman is a genius - She can play any character and make it believable.

This rags to riches to rags story is funny and heartwarming and just fun to watch. This was also the first time I saw Hugh Grant playing such a loathsome character - he was great! What can I say about Elaine May except she is so good that it looks like she's not even acting!

The comedic acting was very good in this movie and I can't wait to own it on DVD so I can sit back and enjoy over and over again.

Woody Rips Off Car 54
Why?

Why did you do it, Woody? Sure, the premise of Small Time Crooks was interesting - but then I felt the same way when I saw it the FIRST time on television - on Car 54, Where Are You? back in the 1950s! Created by Nat Hiken (who also wrote many episodes), that classic cop situation comedy had many very funny plots.

Plots that included the one about the small band of crooks, three male and one female, that open a business next to a New York bank in order to break into the vault next door. But business gets too good, proving to be a huge distraction to the original plan of emptying the bank of its big bucks, and hilarity ensues.

Sound familiar? It should - since Woody obviously lifted that entire scenario in order to make his far-inferior STC film! At first I thought maybe he wrote the original Car 54 script in question, and can therefore do whatever he wants to with his own property. But I checked it out, and no, he did not write that Car 54 script.

(BTW, Tracey Ullman is also particularly terrible in this - she's a Brit playing an Italian who's named Frenchy - try figuring out THAT cultural mess!)

So what happened Woody? Was the white paper in your typewriter that blank? Was your writers' block that insurmountable? Sure, one can always say it's not exactly script-stealing as long as a writer at least slightly changes a plot twist or a line of dialogue here or there, but c'mon, Woody, who did you think you'd fool?

You're not known as a hack writer - you were once considered to be one of the premier comedy talents of the movies, not just in acting but in writing too!

So again, we must all ask, Woody... why? ... Read more

Reviews (111)

"John Carpenter's Escape from New York"
Escape from New York (R) *****/5
Kurt Russell, Ernest Borgnine, Isaac Hayes, Harry Dean Stanton, Adrienne Barbeau.
Directed by: John Carpenter.
Synopsis: A former war hero turned criminal must save the president, and recover his briefcase to save his own life when he is dropped in the criminal penitentiary of N.Y. City.
Special Features: Trailer
Review: One of the greatest films ever made, and the greatest vision of the future ever. John Carpenter's widely acclaimed success of a film. It follows Kurt Russell as Snake Plissken who has two bombs planted in him. He is given a chance for his freedom if he can rescue the president and his briefcase from the clutches of The Duke in the prison city of N.Y. Plissken the former war hero turned criminal goes in, and he must survive the terror town, complete his mission, and get back before the bombs go off. Kurt Russell forever shed his Disney image for this film. He is on the ball, with the performance of a lifetime, and he creates one of the greatest characters in cinema history. Borgnine is lovable as the cabbie, Hayes is a fantastic bad guy, Stanton is cool as usual, and the supporting cast gives it their best effort. Carpenter shines with his tiny budget. He introduces us to a world where anything can happen, and he unveils his world to us in spectacular form. He even filmed it in Saint Louis and made me think it was New York. As for the DVD? ...

Snake Plissken Escapes from DVD Hell...
A few years ago, MGM released a bare-bones DVD of EFNY and were rightly criticized for not including anything in the way of supplemental material. A glaring omission for such a beloved movie. The studio has more than redeemed itself with this new two DVD Special Edition that should please the fans.

There are two audio commentaries on the first DVD. The first one is with producer Debra Hill and production designer Joe Alves and focuses on production anecdotes and how the special effects of the film were achieved.

The second audio track is with John Carpenter and Kurt Russell, and is the one fans will enjoy the most. The two men joke and banter with each other like old friends and it is this relaxed, conversational tone that really makes this track such an enjoyable listen.

There is an excellent documentary entitled, "Return to Escape From New York" located on the second DVD. A treat for fans is all the new cast and crew interviews conducted especially for this documentary: the always radiant Adrienne Barbeau, the normally publicity shy Harry Dean Stanton and even the Duke himself, Isaac Hayes! They all speak fondly of their experiences on the film.

There is also a so-so a photo montage of how an issue of the comic book is put together, from rough sketches to its arrival in stores. In a nice touch, the issue that is shown is also included with the DVD.

"Snake Bites" is a collection of clips from the film scored to some atmospheric electronic music. This really isn't all that interesting and seems like unnecessary padding to fill out the DVD.

The other extra that has been eagerly anticipated by fans is the famous original opening of the film. Snake and his partner rob a bank and are caught with Snake being arrested and his partner being gunned down. This scene sets up Snake's arrival at the New York prison but Carpenter cut it because test audiences were confused by it. This footage was thought to be lost long ago. It is finally being presented in its entirety on this DVD. The footage is quite grainy but watchable and features an optional audio commentary by Carpenter and Russell (who had never seen the footage before).

Rounding out the disc are a nice collection of TV spots, a theatrical trailer, and a photo gallery with lobby cards, behind-the-scenes and production stills.

Escape From New York is a fast-paced action film that contains a dark, satirical edge that never falters, even right up to the film's conclusion. The DVD, with its wonderfully themed menus (done in the same style as the film), stunning transfer and top notch extras, ranks right up there with the excellent Big Trouble in Little China (1986) special edition set that came out a few years ago. This new special edition was obviously made with the fans in mind and this only enhances its value.

"You mean I can't count on you?...Good!"
What can I say.

Strangely enough, despite the fact that I am a child of the 80s (I was 12 when this movie first came out), I never saw Escape from New York until 6 weeks ago.

Then I was hooked.

Most people know the story. In the "future," (1988, haha) the US crime rate rises 400%. To combat this crime wave, drastic measures are taken. The United States becomes a fascist-like police state, and in 1992 New York City becomes the country's one maximum-security prison to house the worst society has to offer. Sealed off from the outside world by a 50-foot containment wall on all sides, Manhattan Island becomes a modern (or postmodern) Botany Bay. All bridges, tunnels and waterways surrounding the island are mined, and the US Police Force constantly patrols by helicopter, to ensure that no prisoners escape. Criminals unlucky enough to receive a maximum-security sentence are given a choice: be executed or be airdropped into the New York for life to fend for themselves. As the chilling opening narration observes, "There are no guards, only prisoners and the worlds they have made. The rules are simple. Once you go in, you don't come out."

Into this black pit of despair comes one S.V. "Snake" Plissken, played by Kurt Russell. A war hero (he won 2 purple hearts, one in Leningrad and one in Siberia - remember, the Soviet Union still existed when this film was made), Snake for unspecified reasons has turned to a life of crime. And at the film's beginning, the Law has finally caught up with Snake, and he is being transported to New York to serve a life sentence for bank robbery when Fate steps in.

On the same evening that Snake is brought to Manhattan Island to begin serving his sentence, the President of the United States (played by Donald Pleasance) is on his way to a peace summit when his plane (Airforce One) is hijacked by a terrorist posing as a pilot, and is crashed into the prison. (In today's post-9/11 environment, the hijacking scene, at least to me, is particularly chilling and I have a hard time watching it).

Miraculously, the President exits the plane via his special "escape pod" and he survives the plane crash...only to be taken captive by the "Duke of New York," played with beautiful understated menace by Isaac Hayes.

Police Commissioner Bob Hauk (played by Lee Van Cleef), has an idea: send Snake Plissken, trained combat veteran and specialist at "getting in quiet," into the prison to find the President and rescue him. If he succeeds, Snake will be pardoned for every crime he's ever committed in the United States. And just to make sure that Snake fulfills his end of the bargain, Hauk has the prison's chief doctor implant 2 explosives in Snake's neck. If Snake does not return with the President in 22 hours, the explosives will go off, and, as Hauk wryly notes, "No more Snake Plissken."

So the die is cast. Snake goes in...but will he find the President alive? Even if he finds the President alive, will he get out in time to have the charges in his neck neutralized? Watch it and see.

This film is entertaining on many levels. It's an excellently crafted story, complete with social commentary and irony. It's a dystopic vision of what can happen when we trade too much of our liberty in exchange for what we think is security - definitely another resonant theme in our post-9/11 reality. We clamp down on individual rights/freedoms, supposedly in the name of protecting the collective - and leave society's undesirables to prey on each other in an asphalt jungle hell. But then what are we? According to this film, we're only slightly less inhuman than the criminals.

And the DVD contains various extras and bonuses which are sure to round out one's Escape from New York knowledge. This includes the documentary film "Return to Escape from New York," which details the making of the film. There are also commentary tracks by John Carpenter and Kurt Russell, as well as by producer Debra Hill.

Another real treat is the deleted bank robbery scene (the original first 10 minutes of the movie). This scene was cut from the final film because, in Carpenter's words on the commentary track, premiere audiences thought it diminished Snake's character by "humanizing" him too much. I actually found that humanization to be a good thing, and thought that the Bank Robbery sequence helped to set context for the story.

Along the lines of the deleted bank robbery sequence, another potential flaw of this movie, at least in my opinion, is that we never really know much about the characters or why they are the way they are. In other words, there's not much in the way of character development or backstory. For example, we know that Snake is sullen, embittered and in general concerned for nothing but his own self-preservation (though occasionally flashes of humanity do show and when it comes down to it, he does the right thing). But why?

I've read that Mike McQuay's novelization of the movie sketches out some history for Snake's character (and for the characters of Hauk, Brain, Maggie, Cabbie and the President as well). It would have been nice to see some of that in the film, with subplots, flashbacks, etc. It would've made the story richer.

But, regardless, what is there is great stuff. The cynicism and one-liners will bring a wry smile to your face, especially when they come from good old snarling Snake. Check it out.

Snake Plissken; Add Him To Your List of Movie Heroes
There's always something bizarre, in a very cool way, about watching a futuristic movie set in a year we've already passed. It's very eerie. Released in 1981, "Escape From New York" opens to explain that in 1988, Manhattan Island was transformed into a Maximum Security Prison, surrounded by a massive wall from every angle; guarded by police, with landmines at every exit route. The film is set in 1997, when terrorists bring down Air Force One, president and all, right into the heart of the forbidden island. Luckily, the president has survived thanks to his escape pod, and a rescue team is immediately dispatched in an effort to retrieve him and his special cargo. The president carries with him a cassette tape (very futuristic, eh?) of recorded information that could bring peace to the currently warring nations, but the time left with which to use it in is short. The rescue team finds the escape pod empty, and is soon approached by a loony prisoner with a grim message. The president has been taken captive by the A-Number One inmate of Manhattan Island, The Duke of New York. This is a job for... SNAKE PLISSKEN!

Yes, Snake Plissken: war hero; the youngest man ever to be decorated by the president; and recently, bank robber. Before being condemned to join the other inmates of Manhattan Island, Snake is made an offer. Go in, come back with the president and the tape before the clock runs out, and get a full pardon. But to sweeten the deal, another card is played. Snake is injected with two tiny capsules into his bloodstream. If he doesn't make it back in time to have the capsules neutralized, they will explode and rupture his arteries, killing him immediately. The only thing Snake really cares about anymore is himself, so now he has no choice. He must fly a glider into the heart of the city, locate the president and his tape, and together, they must escape from New York!

John Carpenter creates another masterpiece with "Escape From New York." The city is turned into a truly intimidating, downright frightening environment, with every kind of crazy one could think of. Kurt Russel as Snake Plissken, creates one more of those wonderful iconic anti-heroes the likes of Bruce Campbell's Ash and Rowdy Roddy Piper's Nada; self-serving, gruff, and full of great one-liners, but always doing the right thing when it comes down to it. The always fun Ernest Borgnine is great as Cabbie, Harry Dean Stanton is perfect as Brain, and Donald Pleasance and Isaac Hayes are also well cast, as was the entire film. Carpenter's usually haunting music runs throughout, and the adventure and action is non-stop. A must have for all fans of the sci-fi anti-hero genre and apocalyptic future films. Sorry I can't comment on the Special Edition DVD, but I currently only have the bare bones edition. It sounds great though, and I definitely want to get it. Mine does include the theatrical trailer though, and it's very cool. Love those creepy theatrical trailers for sci-fi films of the late 70s and early 80s. "Escape From New York" was followed by a sequel in 1996, "Escape From L.A." Some (maybe most) may find the sequel overly campy, with too many special effects and too much comedy. I have to confess that I slightly prefer L.A., probably for those very reasons. I'm not huge on camp, but it seemed to work well with the material. The plot was fairly similar though, and both movies have GREAT twist endings.

One of the most important films in my life
Carpenter's 2nd best. The fact that I'm a loser who does nothing but sit in a room all day and watch movies all day and has no friends and dreams of making movies of his own some day. This is the 2nd most inspiring movie in my life No.1 is Halloween. No 3. is Ghostbusters No 4. is The Thing. and No. 5 is Big Trouble In Little China. I'm not really sure what to say because words can't explain how much I love this movie but I wiil say this Incredible movie very ahead of it's time amazing story, amazing cast including western legends Lee Van Cleef and Ernest Borgnine and my favorite actor of all time Donald Pleasence, Amazing photography by Dean Cundey who I think is the best of all time, the best character of all time (besides Michael Myers) Snake Plissken, best Director of all time and I really really mean that, very funny ending just amazing and believe me I really really mean that too. I will Never forget it. Well I'm gonna go watch some more movies I'm thinking about watching Prince Of Darkness or maybe Halloween 4 The Return of Michael Myers well so long. ... Read more

Amazon.com

The Bachelor got critically slammed when it played in theaters, probably because reviewers couldn't help comparing it with the movie on which it's based, the brilliant Buster Keaton comedy Seven Chances. But on its own terms, The Bachelor is a modest and enjoyable picture about Jimmie (Chris O'Donnell), a happily single young man who suddenly gets an ultimatum from his grandfather's will: marry by his 30th birthday or lose an inheritance of $100 million. This is revealed the day before that very birthday. Unfortunately, Jimmie had already proposed to his girlfriend Anne (Renee Zellweger) and been turned down; she can see in his eyes that he isn't ready to get married and refuses to accept him until he is. So Jimmie needs to find a bride--fast. Though the commitment-shy man is a hoary cliché, The Bachelor successfully exaggerates Jimmie's fears to comic proportions. O'Donnell is his usual affable self, but it's Zellweger who seizes every scene she's in and makes something really enjoyable out it. The movie's greatest weakness is that she's such a small part of the second half. Still, there's good supporting performances from Hal Holbrook, Ed Asner, James Cromwell, and Marley Shelton (as Zellweger's sister), and Peter Ustinov and Brooke Shields both have very funny scenes. The Bachelor skirts some dangerously chauvinistic territory at times, but by and large it's a pleasant comedy with some genuine good humor. --Bret Fetzer ... Read more

Reviews (54)

50'000 brides can't be wrong
Synopsis:
Jimmie Shannon (Chris O'Donnell), an unabashed bachelor asks his girlfriend Anne (Renee Zellweger) to marry him. But his uncertainty about the change in lifestyle causes him to botch the proposal so badly that she refuses. Soon after, his grandfather dies leaving him 100 million dollars in assets, with one catch. Jimmy must be married by his 30th birthday or he won't get a cent. The bad news is, his 30th birthday is in 24 hours. From there begins a rush against time, first to find his girlfriend and try to change her mind, and then when that fails to find any eligible woman who will agree to marry him on short notice. Will Jimmie realize that he wants to get married after all, and will he get the girl he actually loves?

About the Movie:
In many ways, The Bachelor is an utterly delightful movie, despite its flaws here and there.

One of the most refreshing things I found in this movie was the positive view that was eventually given to marriage. O'Donnel's character goes from a single man who enjoys his single and somewhat philanderous lifestyle to a man who understands the joy of committing heart, soul and body to another person. He comes to realize that some things in life are more important than money or sex. The neatest part about all this is how he comes to this realization. It comes partly through his attempts to find a wife on short notice, but mostly it comes in the voice of a role model that is almost universally denigrated in movies these days... a priest. I found that to be a nice change.

Plotwise, this film is standard romantic comedy material. Boy loses girl, boy seeks girl, girl makes things difficult, boy gets girl. What makes this movie special is the offbeat way the whole situation is presented and eventually resolved. It's just plain fun, especially that memorable chase scene near the end.

The supporting cast (which includes Hal Holbrook, Artie Lang, James Cromwell and Edward Asner) is excellent in this film, though at times a little overplayed. James Cromwell's priest is downright charming and O'Donnell plays his role as the uncertain bachelor rather convincingly. Together with the rest of the cast they make for some great and entertaining comedic moments that are laugh out loud funny.

The only really low spot as far as acting goes is Anne. Renee Zellweger is ok in her role as Anne, but as an actress, I feel she has a tendency to come off as a ditzy blond. Her character suffered a little from that, making her, at least for me, a lot less appealing as the female lead than she could have been.

Like many comedies these days, the Bachelor also suffers from the sex syndrome so prevalent in modern movies. Jimmie has clearly slept around a lot in the past, and it's implied that he and Anne are 'intimate.' Just once I'd like to see a romantic comedy without any sex involved, with a guy who's saving himself for the one he wants to spend his life with. I guess that's too much to hope for. But, I suppose in this movie, the lifestyle fits why he's not so eager to abandon it.

The other issue with this film is the language. The language in The Bachelor is often unnecessarily crude (usually sexual references or unfortunate potty colloquialisms) pushing the rating up to PG-13. It could have been a better, more family friendly film had they kept some of the language a little tamer and less earthy. It hurt the movie, and it didn't have to.

In the end, some of this film is a little clichéd, but overall it holds together pretty well, and makes the payoff at the end definitely worth it. Over all, the Bachelor is a fairly entertaining movie that makes a great date film (if you can overlook the language).

About the DVD:
The Bachelor comes in a cardboard snap case on a single-sided DVD in Widescreen and fullscreen formats with Dolby Digital 5.1 or regular stereo surround sound. This movie's audio tracks are only available in English, and the subtitles only come in English as well. There are no foreign language subtitle or audio tracks on this DVD.

The picture on this DVD is exceptionally clean, even on high resolution screens. This is what DVDs are supposed to look like. The sound is decent, though nothing that will knock you out of your seat.

The special features on this DVD are what you normally see on budget DVD releases, the theatrical trailer for the movie and a cast filmography section. This DVD release has the added bonus, however, of being a PC DVD-ROM with extra features when played on a computer. These include a script to screen feature, access to the original theatrical website and a links to wedding resources.

I've always found the script to screen feature on DVD's to be fascinating. While it's really only any interest to those who enjoy the finer points of film making, it's interesting to read the script while the movie plays. I do have a complaint however. The Script to screen feature forces you to watch the movie in fullscreen while reading the script. As a fan of widescreen, I found that restriction a little annoying.

Bottom Line: A fun film with some flaws on a budget DVD release with one significant extra. I'd give it 3 Stars.

The life of a bachelor
For men, marriage is often thought of as a major subtraction. Men feel it's all about surrendering their freedom to their new wives, not being able to hang out w/the guys anymore & having to ask for permission to do stuff that they used to do routinely. Wild bachelor parties are typically a symbolic gesture of the guy's last night of happiness and freedom before his autonomy is erased.

For women, on the other hand, the institution of marriage is often thought of in fairy-talesque ways. The prince marries the princess and they live happily ever after. The gentleman chooses the most romantic locale and the most perfect day to pop the question. Then, when he does ask for her hand in marriage, he does it with a poetic eloquence that would rival Keats.

The present movie pokes fun @ both men and women for their pre-conceived notions about marriage. Chris O'Donnell plays a happy-go-lucky independent male who has not yet hit 30. He has seen his friends get "picked off" one-by-one by the marital epidemic.

Meanwhile, the ultra-adorable Renee Zelwegger plays a young woman who has been bred on all the popular fiction about how "perfect" everything will be when she gets married. She's also expecting a breathtakingly perfect evening in which her man will offer her the rest of his life.

As you have probably guessed, these two protaganists fall in love but their different viewpoints cause a great deal of friction. The result is nothing short of a hilarious satire on the differences in how men & women look over a lifelong bond.

There are some zany twists & turns in the plot, but that is the main gist of the storyline. If you like Romantic comedies, this one is a dandy. I'd recommend this film for anyone who has ever been married. And, if you've never been married......I'd recommend this DVD even more!

could have been better
This movie just felt so cheesy and its so pathetic how this guy asks every woman to marry him. Its a fun date movie but that's all, nothing special. I just felt that the whole movie was recycled and I'm one of those people that wants a little more originality to movies. Besides it reminds me of those cheesy reality tv shows that they have on tv. It just didn't work for me.

Stereotypical... but lots of fun!
The Bachelor is a hilarious movie about a man that is afraid of committment, but has already found the woman of his dreams. It's how extreme circumstances, make him discover what he wanted a bit earlier than he was ready to. It's lots of fun, and the ending is extremely hilarious!! It is, however, a bit stereotypical in all the men in the film stress how marriage is the inevitable ball and chain... and all the women in the film, are ready for the committment, which is such a joke. However, the film is hilarious and all the crazy escapades that occur just had to the hilarity of it all. Highly recommended!

Chick movie that guys can enjoy!
I totally thought this was going to be a movie that only women could enjoy, which didn't bother me since I am one, but my husband and his friend watched it with me and they laughed many times and enjoyed it. I guess they enjoyed watching Chris O'donell get himself into trouble. I also enjoyed it, it wasn't so weet that it would give you a toothache, but it was enjoyable, and funny and I thought Renee Zellwigger and Chris O'donell gave great performances. If you enjoyed this movie, also try the wedding planner with Jenniefr Lopez, I liked that one even better! ... Read more

Description

A poignant, uplifting fable about a young girl and her relationship with a mute boy who dreams of flying. Together they learn if you wish hard enough, anything is possible.Year: 1986Director: Nick CastleStarring: Lucy Deakins, Jay Underwood, Bonnie Bedelia, Fred Savage ... Read more

Reviews (27)

A juvenile that will deeply touch adults
First, this is one of the greatest arrays of juvenile acting talent I've seen. Jay Underwood leads the group in a poignant portrayal, ably supported by Lucy Deakins...there is chemistry between the two.

Fred Savage adds just the right comic element, to soften the darker aspect of the movie.

And then, there's the fantasy element. At first, I was disturbed by the sheer fantasy that isn't revealed until the climax of the film. It just seemed as to realistic a film to have such an ending. And yet, I found it somehow refreshing, and yet it's the fantasy which in spite of the title, just didn't come off for me, and that's the only reason for my not feeling that it deserves five stars.

All in all, though, this is a movie to watch and to enjoy. There's just enough real life sense of tragedy in the young people's background here to keep it from being overly sweet.

This FIlm Was Extremely Enchanting
The Boy Who Could Fly was the most interesting movie to me when I saw it in its original release. I thought it was creative and inventive and it went on the premise that what you believe in - can be real.

It's completely fiction and almost science fiction but it works. Jay Underwood plays a boy orphaned because of plane accident. He becomes a recluse and a mute. Then his new neighbor a young girl who is also his age befriends him.

Convinced she can help him she makes an effort to communicate with him. He is a social misfit, however, he has one gift and talent that he keeps hidden well - he can fly.

A great premise and some good special wire effects (perfected because of the Superman films) the film is very simple but it has a sweet and warm chocolaty center. Bruce Broughton did a wonderful score for the film.

Special note: If you go to see a movie at the Hollywood's El Capitan - it is the score from this film that you hear as they open the curtains to view each movie. It is a wonderful score and cue that goes well with the film.

Not on DVD yet, but if it ever does - I hope it has extras. Nick Castle (The Last Starfighter) did well on this one!

Sweet and Uplifting!
After moving into a new house, the Michaelson family discover that an autistic boy named Eric lives next door. Milly Michaelson(Lucy Deakins) befriends Eric(Jay Underwood) and learns that ever since Eric's parents died in a plane crash, he pretends to fly. Eric lives with his Uncle Hugo Gibb(Fred Gwynne from The Munsters) who is not fit to take care of Eric because he is often drunk. As a result, Eric is occasionally institutionalized since it is feared that his pretending to fly will harm him. Thanks to Mrs. Sherman(Colleen Dewhurst) - Milly and Eric's school teacher, Eric is brought back home. Mrs. Sherman one day asks Milly to help Eric. Milly keeps a daily journal on her efforts which seem fruitless. Near the end, Eric tries to escape from the people who come to institutionalize him, and Milly follows trying to help Eric escape. They end up on the roof of their school, Taft High. Unfortunately, they are followed onto the roof and have nowhere else to run. They walk towards the edge of the roof, threatening to jump!

The magical ending of this great movie will surely leave you with goosebumps and exhilarate you.

Milly: We're all a little like Eric. Maybe we can't soar off into the clouds. But somewhere, deep inside, we can all fly.

Also in the movie are Fred Savage from "The Wonder Years," who plays Milly's small brother, and Mindy Cohn from "The Facts of Life," who plays Milly's neighborhood friend.

Highly recommended. A great family movie.

MONA, AND HER CATTY FRIENDS
The Boy Who Could Fly, was a very good movie, but my favorite character was Mona, and when she threw the volleyball at the main girl from the movie. Her presense in the film had everything to do with the movie.

Remember when this was the standard for kid's films?
"The Boy Who Could Fly" is such a rarity in the genre. This is not so much a kid's movie, as it is a full-blooded drama that happens to have kids as characters. It tells the story of a family, suffering the loss of their father/husband. The decline in income requires them to move into a "fixer upper" home in a quiet residential neighborhood. The eldest child, Millie (beautifully played by Lucy Deakins) becomes fascinated with the teenage autistic boy next door, Eric (Jay Underwood) who sits in his window all day and pretends to fly. Through circumstances at school, Millie takes him on as a "project." As her kindly teacher(Colleen Dewhurst) points out, "Doctors haven't been able to get a word out of him. Maybe a friend could." She tries to draw him out of his condition through every day activities, and over time, the form a very close connection, and even fall in love. Meanwhile, Millie must deal with the burdens of home, trying to reconcile the suicide of her father, and her very stressed out and grief-stricken mother(the wonderful Bonnie Bedelia), who is trying to get back into the work force.
While there is certainly more to the story than this, it would be a shame to spoil details for those who have not seen this film. It is uncommonly intelligent, charming, and very moving. It speaks in the language of children, without ever becoming condescending or silly, even when the film's more fantastic elements are revealed. The story and its characters feel real. Their grief feels real. Their longing to believe in happy endings feels real.
The performances are outstanding. Lucy Deakins and Jay Underwood are entirely convincing. It's so rare to see a teenage girl portrayed with this kind of uncynical intelligence. Underwood's Eric barely has any lines in the film, but instead, like a young Harrison Ford, communicates so much in his face that we hardly notice. This is a teen romance for the ages.
The adult players are also fine. Bonnie Bedelia, one of the most convincing actors or our era, plays Charlene as tough yet fragile, nurturing but flawed. The late Colleen Dewhurst is lovely and compassionate as Mrs. Sherman.
Surprisingly the film has been written and directed by Nick Castle, known for such disappointments as "Mr. Wrong" and "The Last Starfighter." He is better known as being the 1st actor to play Michael Myers in the original "Halloween." This is his best film by far. He should try to make more films along these lines. We sure need them.
I hope people will show this film to their kids some day. It is a reminder that films about kids used to be intelligent and authentic, not lobotomized, as I feel they have become over the past 15 years. This film still gives me hope, and gives me the excuse to dream. ... Read more

Amazon.com

Malibu's Most Wanted stars Jamie Kennedy (Scream) as a white boy named Brad (or, as he prefers it, B-Rad) from the beach community north of L.A. who thinks he's a hip-hop star on the verge of discovery. His wannabe rap star persona is an embarrassment to his father's political campaign, so his father's handlers hire two actors (Anthony Anderson and Taye Diggs) to pretend to be ghetto gangsters, kidnap B-Rad, and "scare the black out of him." The movie's main source of comedy is that these prissy actors are no more street than B-Rad, so they're posing even more than he is. Malibu's Most Wanted isn't the Scary Movie-style lampoon you might expect; it's actually a surprisingly earnest character comedy about the cultural behaviors people use to identify themselves. This approach may get in the way of some potential laughs, but it also gives the movie some heart. --Bret Fetzer ... Read more

Reviews (37)

Very Funny!!!
I was pleasantly surprised by "Malibu's Most Wanted"! It actually turned out to be a very funny movie. I was a little skeptical at first, but I can't deny that there were moments where I was laughing very hard.

The story revolves around Brad (a.k.a. B-rad), a rich kid from Malibu, who has completely taken on the thug lifestyle. Although he's never really left Malibu and gone to the real "streets" of L.A., he still feels that he's from the hood. Brad seems to be hurting his father's campaign to become governor, so two actors are hired to scare Brad "white". What happens to Brad, the actors, and an ambitious young lady will have you rolling!

Not only was Jamie Kennedy very good in his role as Brad, but I especially liked Taye Diggs' and Anthony Anderson's portrayals as actors trying to find their motivation for acting like thugs, which was very hard for the classically-trained characters.

Although the critics have been somewhat harsh while reviewing this movie, I would definitely suggest it. It's a cute movie that you can see when you want to have a good laugh. See for yourself!!![.]

This Sistah Loves Jamie Kennedy!
Jamie Kennedy is the bomb! Malibu's Most Wanted could have used some work but Kennedy plays the lead character with style and keeps you laughing when the film gets its worse. I've always liked Jamie since Scream because of his unique comedic style. He never ceases to amaze. In Malibu's Most Wanted Jamie gives the audience a lot to think about AND laugh at.

B-Rad ( Kennedy ) becomes the subject of a brutal joke. His father ( Ryan O'Neal ) inlists his campaign manager ( Blair Underwood ) to help him deal with his son. The problem is O'Neal's running for office and B-Rad's hip-hop antics are costing him votes. Thus, the kidnap plot of the year begins. And may I say it was a very funny and unique plot. We present Anthony Anderson and Taye Diggs ( two of the most popular black actors today ) playing actors. They know as much about the 'hood as B-Rad does so when they are hired to play gangstas and kidnap B-Rad the comedy really starts. They bring in a sistah, Shondra ( Regina Hall )to tempt B-Rad and she does just that. He ends up falling head over heels in love with her. Shondra finds herself attracted to him as well and why not? Jamie's hot whether he's white or black. I thought the transformation Anderson and Diggs did from actors to criminals was one of the funniest in the film but stands behind B-Rad hands down. Jamie rocked the house and though the film was cliched and stereotypical, you get a lot of laughs. I was hoping the film would stay original but it ended up being another Bringing Down The House, except Malibu's Most Wanted had more intelligence when it came to its audience. It didn't try to insult by having a bunch of black people do stupid things. What it did was educate in its own way showing that hip hop can truly be a culture of many flavors and can be used to bring people together. It may seem sappy but in the end you get a nice, multicultural comedy filled with interracial romance, rap stars, talking rats, bumping and grinding and all around fun. In the end B-Rad learns more about himself than he thought he would and so do we.

I think this film is worth a look and believe me, I love intelligent films. This film may not be the calibur of Hamlet but it wasn't supposed to be. I think people forget that this was a COMEDY, a film to watch to have a good time. You don't always have to have a film that's socially and politically correct. I'm a black woman and nothing in this film offended me. I appreciated the effort and loved the fresh spin on how blacks and whites relate to hip hop. This may not be your cup of tea and that's fine. But as Jamie Kennedy says in the film " Don't be hatin' " which is a fine line if you think about it. Especially if you haven't given the movie a true chance. I'd just watch it all over again for Jamie if nothing else. He is so fine. Give the film a chance and draw your own conclusions.

Malibutay
That is all there to say about B-RAD G(Jaime Kennedy) does a great job as a poser and believe me I hate posers that act like thugs and are not but he is very good.The police are afraid to go to his malls,everyone is strapped with a 9(9 Holes) and
other funny stuff.This movie is not racist infact it is anti white rappers.But B-Rad ends up shooting the place up in South Central.This movie thanks to B-Rad G and Governor hopefull Bill Gluckman who thanks for B-Rad is down for the B****S and the

H**S this movie is guarenteed to make yo laugh best of 03
Acting 10 Story 10 Direction 7 Action 9 Entertainment 10
Overall=46/50 This album gets a definant 4.5 stars very nice

Also recomended Steve Martin in Bringing down the house
This was a surprisingly great movie from Jamie Kennedy-Thank U

Extremely racist
Talk about taking a stereotype to the extreme! And someone please tell Anthony Anderson he cannot act is even less funny. Go away please.

Just barely three stars
Why would I watch a film like this? Well I have a teenage son and he and his friends think it's a crack up and have watched it many times over. I try and keep abreast on what they watch and like and so I gladly sat through this one twice.
I wouldn't own it, but my kids do and it's not all that bad of a flick. It's mostly a coming of age morality tale and the message it sends is mostly good and wholesome. It's probably not a good movie for the real young, but for most teens it's got nothing too bad and it's entertaining enough. ... Read more

Description

Hip-Hop Comedy. Malibu's most wanted rapper, Brad "B-Rad" Gluckman, maintains a hip-hop lifestyle that is seriously hindering his father's bid for governor. When his dad's campaign manager tries to neutralize the "problem" and teach him a lesson about what gangsta life is really like, B-Rad proves to the player-haters that he's for real and wins the affection of a business-savvy South Central hottie. ... Read more

Reviews (37)

Very Funny!!!
I was pleasantly surprised by "Malibu's Most Wanted"! It actually turned out to be a very funny movie. I was a little skeptical at first, but I can't deny that there were moments where I was laughing very hard.

The story revolves around Brad (a.k.a. B-rad), a rich kid from Malibu, who has completely taken on the thug lifestyle. Although he's never really left Malibu and gone to the real "streets" of L.A., he still feels that he's from the hood. Brad seems to be hurting his father's campaign to become governor, so two actors are hired to scare Brad "white". What happens to Brad, the actors, and an ambitious young lady will have you rolling!

Not only was Jamie Kennedy very good in his role as Brad, but I especially liked Taye Diggs' and Anthony Anderson's portrayals as actors trying to find their motivation for acting like thugs, which was very hard for the classically-trained characters.

Although the critics have been somewhat harsh while reviewing this movie, I would definitely suggest it. It's a cute movie that you can see when you want to have a good laugh. See for yourself!!![.]

This Sistah Loves Jamie Kennedy!
Jamie Kennedy is the bomb! Malibu's Most Wanted could have used some work but Kennedy plays the lead character with style and keeps you laughing when the film gets its worse. I've always liked Jamie since Scream because of his unique comedic style. He never ceases to amaze. In Malibu's Most Wanted Jamie gives the audience a lot to think about AND laugh at.

B-Rad ( Kennedy ) becomes the subject of a brutal joke. His father ( Ryan O'Neal ) inlists his campaign manager ( Blair Underwood ) to help him deal with his son. The problem is O'Neal's running for office and B-Rad's hip-hop antics are costing him votes. Thus, the kidnap plot of the year begins. And may I say it was a very funny and unique plot. We present Anthony Anderson and Taye Diggs ( two of the most popular black actors today ) playing actors. They know as much about the 'hood as B-Rad does so when they are hired to play gangstas and kidnap B-Rad the comedy really starts. They bring in a sistah, Shondra ( Regina Hall )to tempt B-Rad and she does just that. He ends up falling head over heels in love with her. Shondra finds herself attracted to him as well and why not? Jamie's hot whether he's white or black. I thought the transformation Anderson and Diggs did from actors to criminals was one of the funniest in the film but stands behind B-Rad hands down. Jamie rocked the house and though the film was cliched and stereotypical, you get a lot of laughs. I was hoping the film would stay original but it ended up being another Bringing Down The House, except Malibu's Most Wanted had more intelligence when it came to its audience. It didn't try to insult by having a bunch of black people do stupid things. What it did was educate in its own way showing that hip hop can truly be a culture of many flavors and can be used to bring people together. It may seem sappy but in the end you get a nice, multicultural comedy filled with interracial romance, rap stars, talking rats, bumping and grinding and all around fun. In the end B-Rad learns more about himself than he thought he would and so do we.

I think this film is worth a look and believe me, I love intelligent films. This film may not be the calibur of Hamlet but it wasn't supposed to be. I think people forget that this was a COMEDY, a film to watch to have a good time. You don't always have to have a film that's socially and politically correct. I'm a black woman and nothing in this film offended me. I appreciated the effort and loved the fresh spin on how blacks and whites relate to hip hop. This may not be your cup of tea and that's fine. But as Jamie Kennedy says in the film " Don't be hatin' " which is a fine line if you think about it. Especially if you haven't given the movie a true chance. I'd just watch it all over again for Jamie if nothing else. He is so fine. Give the film a chance and draw your own conclusions.

Malibutay
That is all there to say about B-RAD G(Jaime Kennedy) does a great job as a poser and believe me I hate posers that act like thugs and are not but he is very good.The police are afraid to go to his malls,everyone is strapped with a 9(9 Holes) and
other funny stuff.This movie is not racist infact it is anti white rappers.But B-Rad ends up shooting the place up in South Central.This movie thanks to B-Rad G and Governor hopefull Bill Gluckman who thanks for B-Rad is down for the B****S and the

H**S this movie is guarenteed to make yo laugh best of 03
Acting 10 Story 10 Direction 7 Action 9 Entertainment 10
Overall=46/50 This album gets a definant 4.5 stars very nice

Also recomended Steve Martin in Bringing down the house
This was a surprisingly great movie from Jamie Kennedy-Thank U

Extremely racist
Talk about taking a stereotype to the extreme! And someone please tell Anthony Anderson he cannot act is even less funny. Go away please.

Just barely three stars
Why would I watch a film like this? Well I have a teenage son and he and his friends think it's a crack up and have watched it many times over. I try and keep abreast on what they watch and like and so I gladly sat through this one twice.
I wouldn't own it, but my kids do and it's not all that bad of a flick. It's mostly a coming of age morality tale and the message it sends is mostly good and wholesome. It's probably not a good movie for the real young, but for most teens it's got nothing too bad and it's entertaining enough. ... Read more

Description

Meet Amanda Ripley (Dawn French), Shelley DuPont (Ruby Wax), Candice Valentine (Tracey Ullman) and Jennifer Marsh (Jennifer Saunders), the unlikely roommates who share an apartment under the watchful eye of landlord Lady Carlton (Joan Greenwood).Whether it is a kidnapping for ransom, a low-budget re-make of Gone With the Wind or a romance with Prince Andrew, these girls find themselves in the most ridiculous situations. ... Read more

Reviews (3)

never buying a BFS dvd again
After much anxiety over weather or not the Dvd would be defective ( since so many reviewers state that theirs was), I decided to order set 2, seeing as Amazon states in this product description that the sound problems are fixed. Well
I must have really bad luck because I got a defective one. The sound is fine but BFS is by far the worst Dvd company I have ever seen. The episode "Mr Yummy Brownie" gets frozen halfway through and wont' continue playing. I know it's the dvd because the rest of it's fine. The company that' makes this dvd seems like they just threw it together in five minutes. It's got the same trivia on set two as it does on set one..the episodes are all mixed together from season one and two and the one I got is defective.
Amazon was nice enough to replace it for me free of charge.

The show it self is great, it's well worth having set 2 if you already have set 1. I love all the characters and it's a great show. If you can get your hands on a non defective copy then it's worth having.

Britcom Fans: Buy This Only If You Own EVERYTHING ELSE!
As stated in other reviews, the audio quality on this DVD issue is the pits. The audio tracks of episodes "Cancel Toast" and "Mr. Fluffy..." are mastered out-of-phase, rendering them virtually unlistenable. Determined viewers might be able to follow most of it, but if you try cranking up your home theater system to hear all the details through the fuzz and hiss... I hope your amp and eardrums are insured.

As the series itself, I can only recommend it to French & Saunders completists. "Girls On Top" is a far far cry from "Ab Fab" and "The Vicar Of Dibley" (think: an estrogen-fueled "The Young Ones" with only a fraction of the imagination). Dawn French is the funniest star here; Jennifer Saunders is underutilized, Tracy Ullman is more annoying than comedic, and Ruby Wax is just plain abrasive. Severely dated jokes abound, and those unfamilar with Brit pop culture of the 80's will be left FAR behind.

There are far better Britcoms on DVD out there. You'd be better off shelling out for all three series of "Father Ted" or the just-released "Red Dwarf" sets from series 1 & 2.

If you've seen every episode of "Dad's Army" at least twice and are truly desparate for ANYTHING British, "Girls On Top" may work for you. But just barely.

Great Set, Poor DVD Quality.
For anyone who's a fan of French and Saunders (the great minds behind Ab Fab and French and Saunders comedy skits) or Tracy Ullman or Ruby Wax, then this is a great DVD set to add to your collection. Girls on Top is an 80's television sitcom of four women (three British, one American) who share an apartment in England that's owned by an eccentric romance novelist who lives within the same building. The show is full of dated jokes and unless you're familiar with a lot of British personalities, you might miss a few of them. All though there are quite a few similarities to the other British cult classic sitcom, The Young Ones, these ladies do manage to carry their own.
Now, why only three stars in my rating? Sadly, in two of the episodes in this set, the audio is terribly low. I know a few other fans of the show who had to return their copies, and Amazon.com gladly replaced them. However, those DVD's too had the same problems. I kept mine because I knew that it wasn't the fault of Amazon.com, but rather the manufacturer of the DVD's. I'm a fan so I'm content with my set. But if your particular about those kinds of things, perhaps you should wait a while until the manufacturer fixes the problem. Other than that flaw, this DVD set is a great addition to your Britcom collection, and I must also add that after much shopping around, Amazon.com is offering it at a very nice price. ... Read more

Amazon.com essential video

Confidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff Shannon ... Read more

Reviews (277)

Brave New World II
Gattaca pleasantly surprised me as a thoughtful and rather worrisome view of the possible future instead of the special-effects-laden sci-fi movie I was expecting.

The story takes place at a time when genetic excellence is the yardstick by which individuals are measured. The ability to preselect genes among offspring and measure one's genetic potential through simple biological tests gives rise to a new form of discrimination that bars the genetically flawed protagonist, played by Ethan Hawke, from his lifelong goal of becoming an astronaut. Undaunted, he sets out to fool a genetic screening system and gain admission to the space program where he can pursue his dream. A scandalous incident at the space center (Gattaca) casts a scrutinizing light on each of the employees and threatens to expose his deception.

The details of this movie are clever and well thought out. The film has a graceful, almost poetic quality bolstered by a lush musical score. The acting is quite good all the way around. Ethan Hawke's fine performance certainly puts him on the map if he wasn't already there. Jude Law almost steals the show with his convincing portrayal of the broken golden child made miserable by his own misfortune but who comes to share in the dream of Ethan Hawke's character as he helps him outwit the system.

Gattaca shows us that lackluster natural potential coupled with unwavering desire and ambition can ultimately reach higher than mere genetic predisposition. Well worth seeing; four-and-a-half stars.

Celebrates the strength of spirit and desire
This is truly one of the most inspiring movies I've ever seen.

It's replete with symbolism: helix shaped stair cases, red and green lights indicating valid and invalid, the heart disease of Vincent (the natural born) as opposed to the lack of heart (spirit) of Jerome (the "superior", genetically engineered human), etc. The setting also makes use of connotations associated with the past. Slick hair styles, clothing, and sterile interior furnishings have an organized, repressed feeling evoking the controlled and prejudiced 1950's. This helps enhance the mood of lifeless surrender. Even the bald head of the geneticist at the beginning of the movie was a statement against the pursuit of perfection by means of perfecting the body and brain. Wealth of living is not found in the the physical plain, but in the spirit in which each day is lived.

Add to all this wounderful cinnematography, an unforgettable musical score, and fine acting that meld together into a fluid whole, and you've got a fantastic movie that repays many viewings.

Biology Lovers Unite and watch Gattaca
If you love Biology, especially genetics and DNA, this movie is for you. Gattaca combines a love story, with high-paced action, that is sure to get your adrenaline pumping. Gattaca will at first be confusing, but it will all make sense in the end, and it will be sure to make a place on the front of your DVD/VHS shelf.

Gattaca is an unforgettable warning
The best exploration of the possibility of genetically modified people becoming a separate social and economic class leaving behind and opressing those who are not genetically modified.

My favorite film
The word "Inspiring" is grossly overused in film reviews. Gattaca is one of the very few that genuinely deserves it. In a nutshell, it's the story of a mutt (Ethan Hawke) bypassing and surpassing a world that's designed against him. This movie really affected me (another overused appraisal.)

Maybe I just love this movie because I relate too much to the protaganist, Vincent. Despite everyones expectations, from my high school counseler on, and my lack of any prestigious schooling, I'll soon have my physics PhD.

This is a wonderful movie. That it didnt sweep the Oscars only validates the movies point. ... Read more

Amazon.com

Just Cause is a film that relies on phony plot twists and steals openly from any other thriller that it can remember. If there was a drinking game requiring players to drink during every cinematic "homage," you'd be tanked after Just Cause's first 45 minutes. Take one case of racial injustice, place it in an exotic, exquisitely photographed location (the Florida Everglades), and bring in an outsider, played by a bankable star, to save the day. Make sure nothing appears as it seems. Add a couple of plot twists, some over-the-top character actors (Ed Harris, shamelessly riffing on Hannibal Lecter), stir, and serve. The big name in this case is Sean Connery, who plays a Harvard law professor summoned to the swamps by an apparently innocent death row inmate (Blair Underwood), who swears he didn't rape and kill that 11-year-old girl. He says he confessed because maverick psycho-cop Tanny Brown (Laurence Fishburne) made him play a solo game of Russian roulette. He says his Serial-killer neighbor on death row (Harris) committed the crime. Connery buys it, the audience buys it, and how could they not? Director Arne Glimcher (who made the lackluster Mambo Kings) coerces everyone with simplistic plot manipulations. Characters are given no depth, and the actors are pawns moved about like pieces on a Clue gameboard. --Dave McCoy ...