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This sprawling epic of bloodshed and excess, Brian De Palma's update of the classic 1932 crime drama by Howard Hawks, sparked controversy over its outrageous violence when released in 1983. Scarface is a wretched, fascinating car wreck of a movie, starring Al Pacino as a Cuban refugee who rises to the top of Miami's cocaine-driven underworld, only to fall hard into his own deadly trap of addiction and inevitable assassination. Scripted by Oliver Stone and running nearly three hours, it's the kind of film that can simultaneously disgust and amaze you (critic Pauline Kael wrote "this may be the only action picture that turns into an allegory of impotence"), with vivid supporting roles for Steven Bauer, Michelle Pfeiffer, Mary Elizabeth Mastrantonio, and Robert Loggia. --Jeff Shannon ... Read more

Reviews (539)

His Name Is Tony...
Actor Al Pacino gives a powerhouse performance in 1983's SCARFACE. Paciino plays Tony Montana, a Cuban refugee hoodlum, who quickly rises to the top of Miami's cocaine industry. On his way to the top, Tony uses any means at his disposal to get there, no matter who he hurts or betrays in the process. Pacino takes hold of the character and never lets you forget that he is "Scarface". The supporting cast is wonderful too. It features Steven Bauer, as Tony's right hand man, "Manny" Ray. Michelle Pfeiffer is Tony's girl, Elvira, and Mary Elizabeth Mastrantonio, in a role early in her acting career, plays Gina, Tony's sister.

The hard-edged script for the film is written by Oliver Stone, who holds nothing back, as usual Directed by Brian De Palma, the movie doesn't flinch at all to tell its story. The film remains a favorite of mine and will leave you with quite a lasting impression. A "remake" of 1932's SCARFACE, in name only, the film is nearly flawless.

The "Collector's Edition" contains a feature length retrospective documentary, that is so well done, you almost forget that there is no commentary track. It is very comprehensive and covers all aspects of the film and its place in cinema history. There's also a number of deleted scenes and outtakes that were nice to see. These fine extras add up to one heck of a DVD for one of the best gangster movies ever made. SCARFACE should not be missed and comes highly recommended.

Nothing Succeeds Like Excess
Given the high-power talent behind the camera (Brian DePalma), in front of it (Al Pacino), and at the typewriter (Oliver Stone), SCARFACE should have quite a lot going for it. It does indeed, although I can't quite call this a GODFATHER-type masterpiece for certain reasons.

Ostensibly, this is a reworking of Howard Hawks' classic 1932 gangster pic about Al Capone. This time, the setting is Miami circa 1980, the contraband in question is cocaine, and the lead character, Pacino's Tony Montana, is a Cuban-born criminal who just came off the Mariel boat lift with 125,000 others that Castro let go, twenty percent of whom were known criminals. Pacino gets in on the ground floor with a local drug boss (Robert Loggia) and soon works his way to the top, doing just about everything to tick someone off--associates, enemies, cops, his wife (Michelle Pfeiffer), his sister (Mary Elizabeth Mastrantonio), and the Colombian drug kingpins he has to do business with.

But in his cocaine-fueled journey to achieve the so-called American Dream, he neglects to follow two rules taught to him by Loggia: (1) Don't underestimate the other guy's greed; and (2) Don't get high on your own supply. He finally crosses the line in the end by alienating a Colombian drug boss (Paul Shenar) so much that Shenar sends assassins to Pacino's Miami villa. The result is a horrific and bloody shootout in which most of the assassins are rubbed out, and so is Pacino.

Without a doubt, SCARFACE continues to generate wildly divergent opinions, both pro and con. I for one had some trouble trying to stomach Pacino's Cuban accent at first, but then his ultra-charistmatic performance kicked into high gear, four-letter words and all. The film is very true to its essentials of showing how a certain segment of the Cuban boat people, a very SMALL segment, tried to latch onto the American Dream by trafficking in illegal narcotics and thus earning millions. Probably the most interesting thing about SCARFACE is the political view that Stone espouses in his screenplay: he seems to espouse a very Reaganesque view of the world of the 1980s (virulent anti-Communism; anti-Castro), but in truth he is severely critical of those very same policies that motivated Castro to send the worst of his worst onto American soil and thus accelerate this nation's drug problem.

SCARFACE does have its faults. It requires a lot of patience to sit through with a running time approaching 170 minutes, and I am not all that sure there is enough in there to sustain it for that kind of length. The film continues to be controversial in some quarters for its extreme (as opposed to merely excessive) violence; the chainsaw scene in an apartment, the hanging from a helicopter, and the ultra-gory shootout at the end rank as some of the most violent scenes ever shown on film. Only four other films in history challenge it in this respect: THE WILD BUNCH, SOLDIER BLUE, TAXI DRIVER, and SAVING PRIVATE RYAN. Finally, this film set a record for the greatest number of times the "F" word, or variations of it, are used; I lost count at two hundred. This IS a bit much, although it probably fits the reality of the situation it depicts.

On the other hand, DePalma, whose 1976 film CARRIE remains one of the touchstone suspense/horror films of all times, does make quite a lot out of Stone's wild and crazy screenplay--though surprisingly, for the violent scenes, he doesn't use slow-motion or montage that much, which would have earned him favorable comparisons with the legendary Sam Peckinpah. Just as solid is the camera work of John Alonzo, who worked on CHINATOWN and BLACK SUNDAY, among others. Giorgio Moroder's score is pretty good, though I do admit it gets a little cheesy after a while. And Pacino's performance is also high-caliber; just get used to his Cuban accent, and it works very well.

This film comes highly recommended, but with this warning: It is definitely NOT for younger audiences, it is rated 'R' for a lot of good reasons.

Best Movie Ever!!!!!!!!!
This is the greatest movie that was ever created! I could not beleive how great this movie was when I saw it. Not only the movie was great but great actors like Al Pacino. If you have any money don't spend it on anything else than this movie!

WOULD YOU KISS ME IF I WEAR THE HAT!?
This is one of the greatest movies of all time and the AFI top 100 movies of all time refuses to acknowledge it. Al Pacino deserved an oscar for his portrayal of Tony Montana, the movie deserved an oscar for something yet this movie is constantly overlooked by all critics, but the cult following that it has amassed is by far more telling of it's popularity than sheer box office numbers. ask anyone on the street and they'll tell you Scarface is one of the best movies ever made, and if they don't think so they haven't seen it. So sit back, crack some hennessy and alize, light up a cigar, and enjoy one of the best movies ever made!

Classic Gangster Flick
No matter what anybody says, this has to be one of the ten best gangster movies ever made, if not in the top three. If you are a fan of this genre, Scarface is a gourmet banquet of acting, action, dialogue and intensity. And if you don't enjoy this, all I can say is I'm sorry that you're missing out. The only reason I don't give this movie 5 stars is that I don't know what to make of Giorgio Moroder's cheesy sythn soundtrack and disco tunes. If you think in the context of the movie, that 80's Cuban drug dealers might like listening to really bad disco music ("...Rush, rush to the yeyo") then this music works in the confines of the Babylon nightclub along with the bad hair, clothes, Belzer's lousy comedy and the mime. But these songs, if they had to stand on their own outside the movie, would be totally ignored. I wonder if Deborah Harry ( then at the height of fame with her band Blondie) knew when she laid down the vocals for Moroder's muzak that this song was designed as junk to suit the movie or if she thought this might boost her singing career. If you account for the disco muzak as necessary "set dressing" for the Babylon it still doesn't excuse Moroder's cheesy synth soundtrack. How much better this movie could have been if it was scored by an accomplished orchestral composer such as Morricone or Williams. If you want more proof of Moroder's shortcomings check out the soundtrack of Metropolis. ... Read more

Reviews (31)

This Shrew Remains Untamed
It's very difficult to be very critical of such a roisterous, good-natured version of Shakespeare's rowdiest play, and in truth one has to admit that this is probably the first of the truly modern Shakespeare films. There are some real assets here -- Zefferelli's eye has never lighted on a landscape more beautiful, more seductive, and Nina Rota's score fits beautifully.

But Shakespeare, even on film, stands or falls on the acting. This version -- with one exception -- is filled with one-note performances (they're very GOOD notes, but single notes nonetheless). Let's deal with the exception first -- Elizabeth Taylor is a delightful, intelligent Katarina. Her development is exactly what Shakespeare obviously intended, and if her early scenes are a bit uniformly shrill, the case could be made that that's what the Bard wrote. In general, she's an admirable Kate.

Burton, however, is something else entirely. Despite his acknowledged skill with Shakespeare (his Hamlet was glorious), he takes a monochromatic approach to Petruchio, with an annoyingly stagey laugh running through virtually every scene. By halfway through the film, you tend to want him to get off screen so you don't have to listen to that "manly" laugh any longer. Unfortunately, much of Kate's dialogue was cut (the assumption being, I suppose, that Taylor would have trouble with the language) while too much of Petruchio remains.

The secondary characters, if cut from different bolts of cloth, are all a single color. Michael Hordern bumbles his way through Baptista the same way he did in countless other movies. Michael York and Natasha Pyne as the young lovers are efficient and attractive, but not particularly engaging. The suitors are a group of living cliches. Even the humor is raggedly overdone to the same degree in almost every scene.

There are things to appreciate in this movie, and there's no better Shrew available, but I'd recommend finding another of Shakespeare's comedies until a better version of this rowdy comedy comes along -- someone's bound to get it right soon.

An excellent movie to add to your collection!
This Shakespearean story is about the daughter of Baptista (Michael Hordern), Katarina (Elizabeth Taylor). Very unlike her younger, quiet and gentle sister Bianca (Natasha Pyne), Katarina is strong-willed and has a nasty temper. Many men want to woo the lovely Bianca, including a young scholar (Michael York), but Baptista is adamant that nobody will be wed with his Bianca until the older daughter, the shrew Katarina, is married. And there is only one man who is willing to marry her for her dowry, Petruchio (Richard Burton). When Petruchio and Katarina are wed (forcefully against Katarina's will), Petruchio proceeds to make his 'dear Kate' into a good wife, but is anyone capable of 'taming the shrew'?
A remarkable tale by the talented and famed writer, William Shakespear. And with a delightful cast of Elizabeth Taylor and Richard Burton, who can resist liking it? Elizabeth Taylor practically shines in her role! Especially at the part in the end where she makes her strong speech. I was as quiet and attentive as all the guests at the wedding.
For anyone who likes Shakespeare, who likes Elizabeth Taylor, or Richard Burton, or for that matter, want to watch a good movie, watch "The Taming of the Shrew".

More Fun Than A Barrel Full Of Burtons
A rollicking feast for the eye, ear, and funny bone, Franco Zeffirelli's "The Taming of The Shrew" is a tour de force for Richard Burton and Elizabeth Taylor. This pared down version of William Shakespeare's play is a fit morsel for anyone suffering from a fear of the Bard. It's fast pace keeps things going and with a cast of well-known British stars the whole thing is served up to delectable visual perfection.
Richard Burton blends his fabled abilities as a Shakespearian genius with his star power to give us a ribald and loveable Petruchio. This is one of his crowning moments on the screen and we are lucky to have this record of Mr. Burton at his very best.
Elizabeth Taylor is a comic revelation in this, one of her jewels in her acting crown. At the time the film came out, many scoffed at the idea of a mere movie star taking on the challenges of Shakespeare. Miss Taylor rises to the challenge and shines as a stunning, sexy and very funny Kate, in fact she more than rises to the occasion, she shows her command of the medium of film and her understanding of comic timing. The wedding scene is a pure Zeffirelli invention. If you didn't know better you would swear that it was part of the play, it is so well done in faux Shakespeare. Elizabeth shines in this scene. In the final fifteen minutes when she delivers the famous "Lord and Master" speech she is triumphant as she submits to her man. At the same time we know that she is the one who holds all the cards and in the off stage end will rule the roost from now on, all the while letting poor Petruchio think he is king.
The chemistry of Burton and Taylor is pure dynamite that explodes in riotous color across Zeffirelli's Renaissance canvas. Highly recommended viewing, especially if you are new to Shakespeare. It's more fun than a barrel full of Burtons!

The Bawdy Bard !
"The Taming of the Shrew" is a delightful romp, and very entertaining, even for people who do not normally go out of their way to watch Shakespeare. I can imagine serious scholars rolling their eyes at the liberties taken here, and the "star turns" by those two icons of 60s Hollywood, Elizabeth Taylor and Richard Burton.

However, for most of us who basically just want to be entertained--and I suspect with this play, that was the bard's intent--this version is good fun, robustly acted, and with lovely sets and costumes, a feast for the eye. One suspects that Ms. Taylor had a ball, hurling insults and various pieces of furniture at her real-life, on-again off-again, spouse. It looks like Mr. Burton had a good time too, although one frequently has the impression that this was a "well-lubricated" performance !

The supporting cast is fine, with a pleasant film debut for Michael York. As usual, Zeffirelli gives us a film that is gorgeous to look at--and I'm not just referring to Ms. Taylor !
The DVD has a certain haziness to it, but this may be the way that Zeffirelli intended the film to look.

"The Taming of the Shrew" today, of course, is about as "politically incorrect" as a piece of literature can be. While women will find this film amusing, the idea that the female spirit should be "reined in" like that of a wild horse, will cause some discomfort to feminist viewers, I'm sure.

Nevertheless, this film is highly entertaining, and might give younger viewers an idea as to what all the Taylor/Burton fuss was about. Recommended.

Burton & Taylor Are Pure, Fiery, & Feisty Sex Magic
No wonder Burton and Taylor married and divorced many times. The sexual tension between them in this film can be cut with a knife. Taylor plays Kate, the beautiful, fiery, feisty, mean-spirited, unloved eldest daughter of a wealthy man. She has a beautiful & kind sister who has a string of beaus, but... the eldest sister MUST marry first. Enter Burton as Petruchio. Loud, boisterous, dirty, obnoxious and SEXY! He plans to tame Kate, marry her and be a rich man on her dowry. The famous tongue in the tail speech is given on their first meeting, which sets the mood for lusty, sweaty, swarthy fighting. All the while, the sexual tension builds throughout. Many fights & torments ensue... with a beautiful ending that I will not spoil. If you like Elizabeth Taylor, Richard Burton or just the great and powerful Bard, himself, this is a great movie, directed by the great Franco Zefferelli that is a must see! "There is no other beast on Earth so horrible as man..." (Katharina, Taming Of The Shrew) ... Read more

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The four programs from the History Channel in this set profile America's Founding Fathers, noting right at the outset they were a "mismatched group of quarrelsome aristocrats, merchants, and lawyers." The story of how these disparate characters fomented rebellion in the colonies, formed the Continental Congress, fought the Revolutionary War, and wrote the Constitution is told by noted historians, and the production is enhanced with beautifully photographed reenactments as well as intelligent use of period paintings and engravings. The story begins with Samuel Adams and John Hancock in Boston, whose protests against British taxation led to the Boston Tea Party. Moving on to the Continental Congress meeting in Philadelphia, the brilliant delegates from the South, particularly George Washington and Thomas Jefferson, appear on the scene, and the story is told of how an improbable cohesion between the colonies began. Other main characters, including Benjamin Franklin and John Adams, appear in turn, and each of the major participants is portrayed in a biographical profile. How these men all came to act together, despite the stark differences in their backgrounds and temperaments, becomes the main thread of the story. They were all quite human, as the historians who appear in interviews remind us. Some of them drank too much, some had illegitimate children, some owned slaves, and some could hardly get along with anyone. Yet these men with complicated private lives worked together and performed heroically. This is an intelligently rendered and captivating look at the men who formed the American nation. --Robert J. McNamara ... Read more

Reviews (14)

Well worth watching despite the annoying commentators.
This DVD offers an interesting and useful perspective on the Founding Fathers. It is a relatively painless way to learn a great deal about these men, their ideals, and some of the things that gave rise to the American Revolution.

I personally thought that the historian-commentators were largely mouthy and annoying. The narration was pretty good, and in fact I wish there were a way to simply edit out the commentators while leaving the narration. It is possible to present the Founders both as the human beings they were without losing sight of the fact that America was extraordinarily fortunate to have brought forth such men at this critical time. At times I thought that this series missed the mark in this regards, and went out of its way to focus on minor personal quirks that frankly are of no importance and only minor interest. The Founding Fathers were, after all, giants.

Nevertheless, at least this piece deals with the American Revolution and the Founders, which are underrepresented topics.

History, As Good As It Gets-Pure & Simple
We often think of historical documentaries as a bunch of boring pictures with a cracked voice describing events like a list. This is however something very different. It tells the story of how we (USA) became a country through independence and the formation of a constitution as a true yet still continiously fasinating story. The history channel does that by telling the COMPLETE BACKGROUND (like how Franklin was a womanizer, or John Hancock was kind of a rich playboy, Patrick Henry's recitation of Church sermons that developed his speaking and ablities & much more that I encourage you to find out by buying this video) and from that they show you how those past personal experiences influenced all the actions of our founding fathers that resulted in the founding of America. By doing that the history channel allures any viewer to hold there breath and feel the amazement of how as humans such different yet all bright men found a country. And with that along with the hollywood style of clear, realistic-like voices of our founding fathers and with broadway like re-enactments that makes watching this movie feel like watching Braveheart. By shows end any viewer will be off better informed about the true founding of America (I learned so much, I even stumped my 9th grade teacher) and have this great feeling of how lucky we are to be Americans thanks to the amazing contributions of human people (for those overseas, the feeling of how extraordinary America is).

Good Cover, No Meat
What a waste of time. I wanted to learn about the founding of America, instead I am force-fed moronic "professors" obviously chosen for their willingness to say stupid things. One said he was surprised the Founding Fathers were able to function because they were so drunk, using about four different descriptive slang terms rather than "intoxicated." Another said that John Adams was a candiate for Prozac and implied that the first child he had with his wife may have been illegitimate despite being born 9-10 months after the wedding (married in October, baby born in July).

I am so sick of the tripe A&E and the History Channel release. The History Channel used to seem more legitimate than A&E, now it's just the same nonsense. Something calling itself "The HISTORY Channel" should do more than try to revise it.

Don't waste your money.

Great way to learn.
This helped to shine an unexpected new light on our heritage.... Definetly more real than the way it was presented to me in my youth.
A good additional learning tool.

Brings intellectual history to the masses
Recently, I viewed and purchased the sequel to this, "Founding Brothers". I found this series, focusing on the start of the revolutionary spirit to the creation of the Constitution, a bit better.

It is very rare indeed that any video (let alone something for the always mainstream 'History Channe') focuses on the intellectual history of our nation. Usually, the physical aspects of the revolutionary war is focused on. The subject matter here, the revolutions intellectual fire, is not only interesting; it's host of characters: Patrick Henry, James Madison, Thomas Jefferson, George Washington, Thomas Paine, etc. is a great "cast".

There are two problems. First, the documentary, like its sequel (see my review) is very one sided towards the federalists. Alexander Hamilton, George Washington and John Adams are treated as saints whereas Patrick Henry and Thomas Jefferson are written off as purely self-motivated hacks. Similarly, James Madison is focused on AS a federalist but his later anti-federalist leanings are not even MENTIONED.

The second flaw is that some of the voice-overs do not seem quite right. Burt Reynolds as Patrick Henry, James Woods as John Adams, Hal Holbrook as Franklin, these are fine. But imagine my suprise when I found country singer Randy Travis reading for James Madison. And whoever did Thomas Jeffersons voice had equally little passion.

Ryan Setliff's review below may well be a typical reaction to a DVD like this. No, it does not paint the founders as perfect noblemen, but it is accurate. Patrick Henry had a monstrous temper, Benjamin Franklin and Thomas Jefferson were flirts. John Hancock and Alexander Hamilton were greedily ambitious, John Adams was disagreeable in most senses of the word and Thomas Paine was a drunk. Strong statements but I would challenge Mr. Setliff or anyone else to find citations to disprove them. many of the scholars, contrary to Mr. Setliffs contention, have proven themselves. Jack Rakove anyone? ... Read more

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In the brief flower of his teen idolhood, C. Thomas Howell starred inthis unexpectedly mature teen comedy. High school loser Michael (Howell)receives an unsigned love note and hopes it's from the queen of the socialscene, Debbie (Kelly Preston). When Debbie brushes him off, his best friend Toni(Lori Loughlin) convinces him to send her an anonymous note of his own--onlyToni, who's so in love with Michael that she wants him to be happy, rewrites hisclumsy fumblings into romantic prose, and Debbie swoons. Meanwhile, the firstnote has fallen into other hands, setting off misguided passion among the kids'parents. Secret Admirer could have been familiar fluff, but the plotkeeps taking unexpected turns, tweaking the clichés of the teen genre with adose of reality. The characters reveal surprising sides, resulting in aunusually rich story that earns its happy ending. --Bret Fetzer ... Read more

Reviews (15)

FINALLY ON DVD-YEAH!!
After hiring the movie'Perfect' so many times, after the film I would always see this trailer for the movie 'Secret Admirer'. So for many years I always wanted to see it until finally a couple of years ago I got my wish, it got played on TV. Since then it's been played a couple more times and I must say, I dig this film. Sure it's not the absolute best film you will ever see, but there's something about it that charms me to love it. C.Thomas Howell, Lori Loughlin and Kelly Preston are good in their roles. It ones of those movies that will always be in my collection of favourite films. Plus I love watching the trailer

My favorite 80s movie
Yes.Its a trully great loveable teen movie from the 80s.The best in the movie are following ,not necesserelly on this order:

-Lori Laughlin-in my oppinion shes the most sweet and loveable actress in a movies like that.Unforgettable.Its gonna stay in my memmorie forever and ever.the sweetness on her face and acting way is very welcomed in a time like this:cold and filled with uncertainty.

-The jann hammer sacore:I didnt know that was the name of the score composer but I always loved it and every time i go to USA i look for it hopefull for find the cd but i never suceeded.Im still looking for it like someone who is looking for a reason to fall in love again or better for an inspiration.MY first true love I watched this movie in an afternoon tv exhibition.
-the sexy kelly preston-shes really nice but doesnt even get closer to what Lori is in the movie.

I guess I should stop know since im getting to prsonal in this review.I want to say sorry for any mistake.I wrote it quickly and my first language is portuguese(im from Brasil)...Thank u very much for reading this...
Bye,Lucas.

start the car ! open the back ! start the car ! open the bak
this movie is classic, reminds me of the stuff me and my buddies used to get into, especially the scene when the frat boys are chasing their van ! i had a friend who used to drive us around in his van, and a similar incident happened to us !!! i fell in love with lori loughlin when i saw this movie!

Pedictable and Perfect
This was the first DVD I purchased after I bought my DVD player (I know, it took me a while to get one). I had never seen the movie before, but amazon[.com] reccomended it so I took the chance. It had the perfect amount of predictability and comedie and romance. It's the same story line that gets used a million times and never grows old. Boy and girl are best friends. Girl likes boy, but boy likes a different girl. Boy asks for help from girl to get the other girl. Boy realizes he's in love with friend girl just in time to stop her from leaving.

Nice '80s Movie Fluff
Nice little '80s "cable" movie. The cast is great and especially Kelly Preston's gifts. ... Read more

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This latter-day sort-of Western from John Ford--falling midway between The Searchers and The Man Who Shot Liberty Valance--is a crisp retelling of a true-life episode from the Civil War. In 1863 a Union colonel named Grierson (Marlowe in the film, and John Wayne by any name) led his cavalry several hundred miles behind Confederate lines to cut the railroad between Newton Station and soon-to-be-embattled Vicksburg. Grierson's Raid was as successful as it was daring, and remarkably bloodless. Never fear that the screenplay makes up for that un-Hollywood lapse--as well as supplying amatory distraction for the colonel in the form of a feisty Southern belle (Constance Towers) who has to be dragged along to protect secrecy.

There's a certain amount of bombast in the running arguments about wartime ethics between Marlowe and the new regimental surgeon (William Holden), who don't take to each other at all. But Ford more than makes up for it with such tasty scenes as an encounter with a couple of redneck Rebel deserters (Denver Pyle and Strother Martin), an ethereal swamp crossing led by a cornpone deacon (Hank Worden), and above all the famous skirmish with a hillside full of grade-school cadets from a venerable military academy. The film ends rather abruptly because Ford abandoned a climactic battle scene--the veteran stunt man and bit player Fred Kennedy having been killed in a horse fall. Golden-age cowboy star Hoot Gibson, who acted in Ford's directorial debut, Straight Shooting, appears as Sergeant Brown. --Richard T. Jameson ... Read more

Reviews (23)

My Favorite John Wayne Movie
I am an unabashed fan of John Wayne movies from "Stagecoach" to "The Shootist." Among them all, "The Horse Soldiers" is my personal favorite.

John Ford captures, in vivid, robust color, the pageantry of the Union and Confederate cavalries. With flags flying, horses pounding, and bugles blaring, Ford and Wayne create sheer movie entertainment. The musical score by David Buttolph perfectly captures the varying moods of the film and complements the stirring visual images. From "I Left My Love" to the "Bonnie Blue Flag," the music accents the film's emotions. William Holden and Constance Towers are well-cast as Wayne's nemesis. The supporting cast is bolstered with many Wayne regulars, including Ken Curtus (Festus from "Gunsmoke").

Many criticize the factual inaccuracies in John Wayne films. So what! He didn't intend to make documentaries, he intended to make rousing, entertaining movies. I will always believe this was his best...

Ford and Wayne do it again
To many who look at John Wayne as a one dimentional jingoistic actor this is likely the first film I would show them to change their mind. It is a fine war movie with some great battle scenes, yet it never fails to take away from the viewer the message that war is a terrible thing.

This film adaption of the Grierson's raid during the Vicksburg campaign gives us a close up look at the pain that war causes. Historical license it taken often Grierson the music maker becomes Marloe the engineer. Several battles are added to spice up the script, and the inclusion of the use of the Cadets harkens to a fameous battle a year later in Va.

It also give us pleanty of good subplotting in the roles, both in the ranks particlarly Sergeant Major Kirby who is loads of fun, and among the officers. It also contains some classic lines between Holden as a doctor who is regular army but a doctor first and Wayne a commander who doesn't like war, doesn't like doctors but does what needs to be done. "...the coffee tastes better when the latrines are dug downstream. How do you like your coffee Col?" as usual the actors who I refer to as the "John Wayne Guild" do their usual good supporting jobs.

In closing it is the interaction between Wayne, Towers and Holden, combined with the painting of war as something to be avoided that makes this movie a five stars classis vs just another John Wayne movie.

Great John Wayne Movie
I love this movie. John Wayne's swagger, William Holden's class, and Constance Towers' charm. They all combine to make an excellent Civil War Movie based on an actually raid that pushed deep into the South.

The movie of course isn't accurate but that doesn't matter. The drama and action are great and there isn't any silly romance to ruin things. Constance Towers' presence helps in the development of John Wayne's character but doesn't slip into any thing that distracts from the main part of the movie.

There are also some great battle scenes. My favorite is the VMI cadet charge. This was also based on a real event that apparently wasn't as big of a deal as in the movie but is still interesting to read about if you get a chance.

I recommend this movie to all John Wayne and Civil War movie buffs.

Another Ford-Wayne based on a Historical event.
This movie teams William Holden with JW and the friction between these characters holds the movie. I rate this as one of my top 10 JW movies. The movie is based on historical events and except for a battle that didn't happen, it is close to the truth.

A late John Ford classic
The Horse Soldiers is a later John Ford cavalry movie in which he joined with John Wayne. Based on a true story, the movie is about a behind the lines mission for Union colonel Marlowe and his cavalry brigade. They are sent deep into enemy territory to destroy an important depot so that the siege of Vicksburg can end sooner. There are well-done action scenes throughout as well as some humor in a few scenes.

John Wayne stars as Colonel Marlowe and is his usual great self. William Holden stars as Major Kendall, a doctor sent along on the mission who cannot get along with the Duke. It is revealed in the movie why Marlowe hates doctors so much. Constance Towers stars as Miss Hannah Hunter, a Southern belle forced to accompany Wayne and his men. Ken Curtis and Hank Worden are excellent as two of Duke's scouts with Denver Pyle and Strother Martin hilarious in a scene as two Confederate hillbillies. The DVD offers a cleaned up version with trailers added on. An excellent and exciting Duke classic well worth the price! ... Read more

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Sarah Jessica Parker and Helen Hunt dance their way through Girls JustWant to Have Fun, a glorious example of 1980s kitsch. Janey (Parker),the new girl at a Catholic high school in Chicago, dreams of becoming adancer on Dance TV. With the help of new wave hipster Lynne (Hunt), Janey enters a dance contest and gets paired with Jeff (Lee Montgomery), a rebel in spandex, and the two are soon smitten with each other. Unfortunately, they've made an enemy of a snooty rich girl, who vows totake them down. Everything about Girls Just Want to Have Fun ischeap and cheesy--it doesn't even have the Cyndi Lauper version of thetitle song--but that doesn't make it any less goofily entertaining,particularly when a debutante ball is wrecked by a bizarre combinationof punk rockers and female bodybuilders. Featuring a very young ShannenDoherty as Jeff's little sister. --Bret Fetzer ... Read more

Reviews (74)

This movie is du-bomb!
This movie is so cool, I have only seen it once, but I fell in love with it the first time I saw it! I am planing on buying it as soon as I can! Sarah Jessica Parker is raidiant. Her dance moves are grace-full and at the same time very cool! All of the other actors: Helen Hunt! My gosh, this is one of the best preformences I have ever seen! This young girl is so talented! Now even more! With the awards that she has won! She is a great actress! Shannon Doherty, the cutes little girl I have seen! She has done alot too, and her preformanc was great! I have to give cudose (thanx) to all the actors! This movie was great! And I could watch it 1,000,000,000,000,000,000 times! I loved it! Out of all the movies that I have seen, this is one of my favorits! Every hting in this movie was perfect! The actors! The extras! The sets! Everone was great! Thanx to the directors for the great flic! You people make movies for our enjoyment and this one hit the spot! Thanx your a talented bunch of people! I loved this movie! Sincerly,

Sarah McClain! :o) P.S. Great movie! :o) LoL

The FUN of the 80's
Girls Just Want to Have Fun is an 80's classic, representing the time and culture perfectly. If you want to know what it is like try thinking of an 80's version of Center Stage and mixing it with Dirty Dancing. The movie follows Janey Glenn(Sarah Jessica Parker), who has just moved into town, as she tries out for the DanceTV contest to be a regular on the show. But as always in the 80's the parents get in the way and she has to sneak out in order to practice with her elected dance partner Jeff Malene(Lee Montgomery). As romance blossoms so does jealousy for a spoilt brat Natalie Sands(Holly Gagnier) as she tries her hardest to break the two up, to win the guy and the contest, by getting Janey into trouble with her strict folks! But who will win? Well Getting into trouble is easy, but getting out of it is all the fun! Look out for some younger versions of stars of today - Helen Hunt(Lynne Stone - Janey's new friend), Shannen Doherty(Maggie Malene - Jeff's younger "Punk" sister) & Jonathan Silverman(Drew - Jeff's annoying friend).

Incredible !!!
This is a fantastic movie I love this movie it stars : Shannel Doherty, Helen Hunt, and Sarah Jessica Parker . Sarah and Helen meet at a private school when Sarah and her family moves to Chicago when Janie's dad retires from the military and Janie is very interested in the show "Dance TV" and wishes to try out for an audition for a chance to become a regular dancer on the show and her friend doesn't make the cut but she does so she meets a trouble maker and she is very rich and she causes a lot of problems but Janie and her friends get even with her by crashing her party and it turs out hilarious they really do get even with her in a really good way and Janie wins the part and becomes a regular on the show!!!!!! But I would recommend any Sarah Jessica Parker and Helen Hunt fan to buy this movie!!!!

I would be " Dancing in Heaven " with Lee Montgomery....
I really love this movie...the cast is great, the music is
phenominal. It certainly is a totally 80's experience not to
be missed. The Dance contest at the end is the greatest.....
The best part to me is that sexy Lee Montgomery....whoo hoo..what
a body...what a face:) The nice thing about the movie is no sex
and I don't recall any language..so it is family friendly...
Just a all around great movie, but don't take my word...see it
yourself.......

I love this movie
I can't count the number of times I have watched this movie.It's one of those movies you can watch over and over.I have.I think that Lee Montgomery is so sexy.I also like the other famous actors and actresses in this movie,its also about dancing so that's a major plus too!!I love this movie. ... Read more

Reviews (352)

Not As Good As The First Two
The first Austin Powers movie was hilarious. The second movie basically recycled the same jokes, but I laughed anyway, probably because I was reminded at how good the first movie was. It was comedy by association. I'm sorry, but I can't give this third movie, Goldmember, the same sort of pity laugh. There were a few mild chuckles here and there, but it doesn't even come close to reaching the bar set by its two predecessors.

I'd tell you about the plot of the movie, but I couldn't remember what it was even when I walked out of the theater. Beyonce Knowles did a solid acting job, but it was fairly easy to tell that she was acting in her first movie. Unlike Elizabeth Hurley and Heather Graham in the previous movies, Beyonce doesn't serve as Austin's love interest, so there isn't any of the playing hard-to-get that viewers found so funny in the first two. She's strictly business, which isn't very funny. There's also a new character added to this movie called Goldmember. He's a disco-dancing rollerskater who peels off and eats pieces of his own dry skin. Disgusting? Yes. Funny? No. And, of course, there's Dr. Evil, Fat Bastard, Mini-Me, and all the rest of the usual supporting cast. They each have their funny moments, but not many.

I know several screen writers, and they all say that every scene in a movie is supposed to mean something. In this case, every scene should either provide some sort of comedy or advance the plot of the story. There were several scenes in the movie that didn't do either of these. They were just there holding the movie and its audience in limbo. Everyone in Hollywood is under pressure to meet deadlines and cut costs, and it was very evident that this pressure played a major part in the making of this movie. I'm sure the movie studio knew that people were going to see this movie regardless of quality just because the previous movies were successful, so there was no incentive to make a good movie.

I have to admit that I'm a big Austin Powers fan, and if they make a fourth movie I'll definitely go see it no matter how good or bad it is. Unfortunately, there are alot of other people just like me, and the movie studios know it.

Beyonce can really work it out!
I was so excited to see Beyonce as Foxxy Cleopatra. The movie is extremely funny! The opening scene was extremely funny! The dialogue, the casting and the usual Austin Power pranks are really enjoyable. The movie is basically a trip back in time- a modern day type past? Myers is back but this time he's actually funny. Maybe Knowles helped his performance? Probably! Knowles is the latest in the series, we've loved Liz Hurley, loved Graham, now it's time for Beyonce. The enjoyable part was the usual the dirty jokes, the pranks, and the overacted cast! But you'd probably only enjoy this if you enjoyed the others in the series. If you thought the others were fake and unrealistic, you'd probably hate this! The feature is hilarious!

After quite a lot of years Myers finally once again meets Dr. Evil. Teaming up with the unexplained Goldmember, Dr. Evil comes up with a time-traveling plan to take over the earth, one that includes the capturing of Nigel Powers, Austin's darling dad. In 1975, Myers meets his lovely Foxxy Cleopatra (Beyonce) who plays a sexy detective. It's up to Foxxy and Austin to save the day and to stop Dr. Evil from his evil plans. The movie is great!

Written by Myers himself, the movie is yet another creative weird James Bond movie. The soundtrack includes Beyonce's solo performance in "work it out" as well as two songs written by Myers! Myers was eager to make the third film in the series interesting and just as funny, and he has succeeded! Way to go Myers and Knowles!

----Ahmed Mashhood

Same Old, Same Old...
I won't hesitate a second longer - 'Goldmember' was terrible. The first sequel,' The Spy Who Shagged Me', was bad enough but this really stretches the franchise way too far and over the top.

I would have thought that the writers would have come up with some new material but no, its still the same 'Yeeeah Baby' and 'Very Shagadelic' one liners which bring down this films' credibility even more. It's only saving grace are the vast amount of cameos near the beginning, from then on; its trash. The overused 'mole' joke really gets on your nerves after a while and is just another blatant lack of fresh ideas for this third instalment. Even the appearance of Destiny's Child beauty Beyonce Knowles isn't enough to keep you interested. For real comedy, just stick to the first film.

Funnier Than #2
I found this movie to be more entertaining than the 2nd installment so in that sense it was an improvement, however I would like to know why Beyonce was cast in this film? She is atractive, yes, but so is a good portion of Hollywood women and believe it or not-- Black Hollywood women if that is what their aim was. But alas, I have chalked it up to some good dealing with through her management and tried to look beyond her role at the overall movie. It was decent and I did laugh enough to say it is worth renting. Owning the DVD, on the other hand, is for those who want the deleted scenes which they did a god job of packaging.

Just as Funny as the Other Two Austin Powers Movies
I like all of the Movies in The Austin Powers movie trilogy and Austen Powers - in Goldmember didn't disappoint me at all. Yeah sure, they copied some of the gags from the first two movies but they were still funny and I think Mike Myers was great as always as Austin Powers and Dr. Evil and the rest of the cast was pretty good too, Michael Caine and Seth Green were great and Beyonce Knowles was good too. I have watched this movie two times and each time I watched it on DVD in widescreen and I highly recommend the widescreen because it allows you to see the whole movie while the Fullscreen DVD is just an edited pan & scan with the sides cropped. ... Read more

Reviews (24)

CULT MOVIES 15
15. THE MECHANIC (action, 1972) Arthur Bishop (Charles Bronson) is the mechanic, a hit man hired by the Organization (a Mafia-life firm) as its own assassin. Bishop's contact to the Organization is Harry, a long time confidant of his late father. Bishop is meticulous in his work. Before any hits he studies the targets weaknesses so as not to leave any leaks. He is without feelings or remorse, the consummate professional. Bishop's next target is Harry. He carries the job through without hesitation. Harry's son Steve (Jan-Michael Vincent) lives the life of a dilenta playboy. He suspects Bishop's involvement in his father's death, and tries to find out what his ties to the Organization are. Steve comes to admire Bishop's unwavering and ruthless personality, as Bishop admires Steve's youthful promiscuity and cunning nature. They are both alike. Bishop takes him under his wing and trains him as his new partner. On their first hit together their assigned to a "cowboy ride" (a hit that has to be done quickly). It turns out to be a set-up engineered by the Organization. Bishop escapes, but someone is still out to eliminate him.

Critique: As far as spy and espionage films go The Mechanic is one of the best. Not only for those Charles Bronson aficionados (like myself), but for lovers of well-made auctioneer. Michael Winner's clever direction adds a sparkle to the genre. He sets up interesting insights into assassin's mode of work. A cut above Death Wish (1974- Bronson's best known film), in both content and script, Bronson's performance is the epitome of cool. He's perfect at playing a character that has been totally detached from the outside world, and a man trapped in a world he can only have created. In the same way that Steve McQueen used his laconic presence to great use, Winner makes full use of Bronson's craggy features.

QUOTE: Bishop: "Murder is killing without a license. Everybody kills."

The thinking man's solution
Arthur Bishop (Charles Bronson) is a 'mechanic' -- a contract killer. Given an assignment, Mr. Bishop studies his target's habits, lifestyle and schedule, seeking weaknesses and vulnerabilities. Mr. Bishop then decides where and how to complete his assignment, using martial arts, weapons, explosives, or anything else deemed necessary. Mr. Bishop is an expert in a stress-filled occupation, but Mr. Bishop is beginning to experience anxiety attacks in his daily life.

Steve McKenna (Jan Michael Vincent) is the jaded son of a deceased crime boss. At Steve's urging Arthur accepts Steve as an apprentice. Arthur teaches Steve the tricks of the mechanic's trade. Their first assignment together is awkward. Their next assignment is a rush job and it blows up in their faces ...

Charles Bronson's career is marked by violent characterizations. The Arthur Bishop role is interesting because Arthur Bishop is an aesthetic -- Arthur Bishop treats contract killing as an art form. If Charles Bronson normally plays bludgeon characters, Arthur Bishop is a scalpel. And Jan Michael Vincent plays Steve McKenna both with sensitivity and with his usual attractive swagger. Coupled in a well-written plot, Bronson and Vincent's performances make "The Mechanic" a memorable film.

A real cultmovie from the seventies
Pay attention very careully. The essential dramatic line is very simple. Never trust in anyone; no matter what your intentions be; remeber two very close related films with this one; Donnie Brasco and Wall street.
The script turns aroun a smart paid assasin; his works are extremely clean and he makes those murderslook like simple accidents: the long opening sequence is wonderful , a silent depict without any introduction; the film is direct and deeply absorbimg.
Later he'll meet his next victim and wil befriendof the son of that one. Obviously he made a wrong choice; you know, in this business,and that choice will become the spark of his end.
The script flow runs organical; our mechanic has several nightmares; and also he suffers from insomnia. He makes his assignments as he was a chess player; the locations are superb; specially the last one in Naples.
Jan Michael Vincent worked out as a perfect balance to the mechanic: but warning; because you never must underestimate your enemy.
The ancestral myth of Icaro appears in this sense; too much proud; too much arrogance ; a briliant intelligence without a prudence dosis; a lion with fierce moods but without any sense of the rules of game. This fortune fate will reach you sooner or later.
You may enlist this title as another clever Film noir.
Bronson made a legendary film three years before titled The rain passenger from Rene Clement; and this movie made him growing up as a heavy weight character actor.
One of the most intimate triumphs of this unforgettable actor.
Buy this one!

Bronson at the top of his game
This is a great 70s movie. I haven't seen that many of Bronson's movies, but The Mechanic is by far the best of the ones I have seen. Bronson is a mechanic (or hitman) who is joined by Jan-Michael Vincent (who would later appear in the Airwolf TV show) as his apprentice. You're drawn in from the beginning even though there's no dialogue at all for several minutes. The planning and execution of the "hits" are cold and calculating, leaving the ultimate question of whether or not the apprentice will be able to succeed his master.

The Whole Ball Of Wax
You'd better hope and pray that your picture doesn't end up in Arthur Bishop's mailbox, boys and girls! That slick hitman, Bishop is played to the hilt by none other than Charles Bronson! You already knew that, but I had to say it regardless. This is one of his best performances right up there with his performance in Death Wish and The Great Escape. Like Death Wish, he's the criminal that we're all rootin' for, and he carries this movie flawlessly to the end. Even the most diehard Bronson hater(if there are any-and if there is, shame on you!) will dig this movie if you like action films. I really can't think of alot more to say about the film, other than it's worth it for the great price or at least a rental for crying out loud! ... Read more

Amazon.com

If you have an appetite for Sicilian soapers, then you're like all those other people who made Mario Puzo's The Last Don the highest Nielsen-rated show for the week in mid-May 1997 when it originally aired.And who could blame you, since the story line of this TV miniseries is chock-full of all the familiar elements that make up a bestseller--power, money, sex, murder, gambling, madness, fame, Hollywood, loyalties made and broken. The story proper begins with a little Romeo and Juliet when Rose Marie, daughter of Don Domenico Clericuzio (Danny Aiello), falls for the youngest son of the warring Santadio family.On their wedding night, Rose Marie's new husband and the entire Santadio family are slaughtered by the Clericuzios to avoid further conflict between the two families, and Rose Marie goes completely insane and grows up to be Kirstie Alley.But not before she gives birth to another Santadio, Dante (so named because he has to live in Hell), in whom she invests all her hatred for her own family. So he grows up to be a psychotic hitman, played with sly and sadistic ingenuity by Rory Cochrane. TheClericuzios' chief executioner, Pippi (played with smooth aplomb by JoeMantegna), is responsible for killing Rose Marie's husband, and wants his own son, metaphorically overburdened with the name "Cross," to follow in his footsteps. The sins of the fathers are visiting all over the sons in this picture, and naturally the two kids will have to resolve this inheritance. The acting is the main attraction here.Aiello in particular invests The Don with a stately grace that is just right. --Jim Gay ... Read more

Reviews (15)

The Last Don You'll Ever Need
Every customer reviewer ahead of me has given this movie five stars! They must be confusing it with THE GODFATHER Parts 1 and 2. Either that, or they would give THE GODFATHER PART 3 five stars! Danny Aiello sleepwalks through his part. Joe Mantagna is inconsistent from scene to scene. The movie as a whole is extremely inconsistent, but it doesn't matter, because the people who saw it as a mini-series were seeing blaring ads intersperced throughout and were watching it over several nights (or even missing a night in between, without noticing anything missing!) A miniseries on TV is a hit if every seven-minute episode packs a punch, and this one does, except that if you remember the earlier punches, the later ones fizzle out. For example, Aiello doesn't mind if his own mob kills his own daughter, even though she posed no threat to him (it turns out she wasn't shot because Mantegna has one of his inconsistent changes of heart). But when it comes to Aiello's grandson, who Aiello knows is posing a lethal threat to the entire family, Aiello can't bring himself to order the hit, because "well, he's my grandson." Great sir, but what about your daughter? The interesting thing here is that it doesn't matter to those who saw the show on TV; they will have forgotten the beginning by the time of the end. But if you see it all at once, as I did, then you'll have these problems. I do want to say that the movie has its entertainment value if you suspend disbelief in the characters and the plot. I think it's a very solid two star attraction. Any more stars than that? Well, maybe if you're awarding bullets instead of stars.

The Last Don
This is one of the best scripts ever penned by the great author of the Godfather and Omerta. As far as this movie is concerned as a film then again it must score very highly. Although it is not the epic marathon of the Godfather and because of this is more accesible. The screen photography is great while the acting is as good as youd expect from actors commisioned by Puzo
The godfather was a very hard act to follow and this is the one film in an increasingly popular genre that can match the great epic.

Mafia Drama, good in its own right
I believe that, for a smaller production ( ie less expensive ) this is actually a Great movie. However, it doesnt compare to Godfather for example. Still I almost loved this film. But I believe that This movie , unlike other gangster movies, could have a bit more of cruelty and extreme violence ( who saw Casino and Goodfellas know what I am talking about ) which are an indispensable *sauce* for any gangsta movs. still a good Mafia production, alutought, not 5 stars ( Id actually rate it 3 and a half stars if it was possible ).

amazing
the last don is one of the most amazing gangster film's ever made it is on the same ratings as The Godfather. the acting is outstanding especially by the lovely Jason Gedrick. if you have not seen this film i suggest you do so, otherwise you will be missing out on one of the greatest movies ever made.

A MUST FOR THE TRUE MAFIA FAN
I JUST LOVE THIS MOVIE, YOU MUST ADD THIS TO YOUR OTHER DVD'S, I PURCHASED IT ON DVD OVER A YEAR AGO, THERE MUST BE A SPECIAL ADDITION COMING NEXT YEAR, CAN'T WAIT FOR BELLA MAFIA, AND LOVE HONOR AND OBEY THE LAST MAFIA WEDDING, WHICH IS THE BONANO FAMILY STORY, ... Read more

Reviews (94)

Mystery and Suspense Without Sherlock Holmes
One of the finest suspense movies that I have seen in long time. Avery has had the unfortunate luck to have his sister kidnapped and ransomed for $2,000,000. Unfortunately, neither he nor his father have that kind of money. So he and his friends kidnap retired mob boss Charlie Bartolucci (expertly played by Christopher Walken) so that he can use his contacts to find the girl and pay the ransom. Shocked, angered, and ultimately amused by his novice captors, Bartolucci agrees to help with Avery's sister. While doing so, one of his contacts lets him know that the kidnapping had help from an inside party. Slyly playing the friends against each other with this information, the tension slowly continues to boil until the movie's explosive climax. With an underrated but excellent supporting cast (including Jay Mohr, Sean Patrick Flanery, and Denis Leary), this movie keeps you on the edge of your seat the entire time because you're never sure who to trust. Perhaps the most brilliant aspect of Josh McKinney's script is the unending depth of the characters. Denis Leary's role is a perfect example: as Bartolucci's lieutenaant he posesses an expected viciousness and sarcasm. However, he allows a good soul to shine through at odd moments: like when he shows up to question a friend of the boys and instead protects her from the forced advances of her stepfather. Filled with tension that is only heightened by the film's biting humor and its complex characters, this is a great flick to watch with a bunch of friends so you can all guess whodunnit and be shocked by the ending.

Very Funny and Dark
"Suicide Kings" is a very good movie with a great ensemble cast. Different viewers will chose their particular favorites, but if you are an admirer of Christopher Walken you have all the reason you need to see this film. Denis Leary is the second best aspect of this film, and that is largely due to his smaller, but critical role. His defensive riffs on justifying his $1500.00 Stingray boots that others acknowledge as, "fish-boots", is quality stand up material.

Four prep-school, rich kid, lifelong friends, and a fifth that they mislead as only friends can do, decide they need to kidnap Christopher Walken for his diplomatic skills. His character is a modern version of Don Corleone so a decision to detain him against his will is poor judgment at best and lethal at worst. When Walken contacts his attorney to unravel this mess his first comments include, "don't send your kids to boarding school". The unwitting friend Ira, as played by Johnny Galecki is a riot as he frets over his parents newly finished floors and marked liquor labels, while, "The Godfather", is duct-taped to his father's favorite chair.

Christopher Walken is an amazing actor that deserves more recognition than he has been given. If there is an actor who can play a more sinister, purely evil character, without raising his voice, I have never seen him. This role is comparable to the part he played in another film when he introduced himself as the Anti-Christ. As brilliant a, "Player", as his character is, there is also a pair of low level goons that are the mob's equivalent of Laurel and Hardy.

The R rating is appropriate for the violence, and language that may or may not offend some viewers. There are no, "adult situations".

A movie to watch time after time
I don't exactally know what made me watch this movie. I think my dad picked it up from some $5 bin and one day while bored out of my mind I picked it up a random movie and decided to watch it. But I am glad that I watched it for sure. It is a movie that I have literally watched twice in the last week (well that could be due to the fact that I have nothing better to do...) and cracked up thru both times. and everytime i watch this movie knowing the ending I am still questioning who the inside player is and how everything is going to end. basically it is in my top 5 favorite movies of all time and it is a movie tht i recommend to everyone who likes dar comedies and doesnt mind blood and cussing.

Christopher Walken the Great.
Great script, great directing, great acting, great movie. it is a blend of crime drama and thin satire. it combines very smoothly the abilities of great actors (Christopher Walken)with the exuberance of young prospects. and Dennis Leary was born for his role in this motion picture.
this is a must have for any christopher walken fan, and movie lovers in general. you will not be dissapointed, especially with the deleted scenes and alternate endings extras. enjoy.

1 of my favs
christopher walken is a mob boss kidnapped for ransom by a bunch of college kids who didnt plan well dennis leary is the mob boss hitmen coming to find the kids who kidnapped his boss to compound the problem the kids cutoff the mob boss fingers then regret it and panic a dark comedy/thriller many people have not seen cause its an independent film buy this killer dvd today ... Read more

Reviews (222)

It is about time!! GREAT MOVIE
Sergio Leone's "Once Upon a Time in America" was released almost 20 years ago, and it is still one of my all time favorite films. The film spans over a period of 20 years. The characters - Max, Noodles, Cockeye, Patsy, and Fat Moe, all grew up in the violent immigrant ghetto of New York's lower east side. The tough streets forced the group of friends to grow up fast, which in turn forces them to fight their way to the top. All of them vow to stick together. The story fastforwards 20 years into the future where childhood friends Max ( James Woods) and Noodles (Robert De Niro) form a partnership to run a powerful crime organization along with the rest of their childhood buddies -Cockeye (William Forsythe), Patsy ( James Hayden), and Fat Moe(Larry Rapp). However as time passes, things start to spin out of control, and the partnership between Max and Noodles unravels in death and mystery...

"Once Upon a Time in America" utilizes the four basic traits of human nature - friendship, crime, love, and betrayal, to create one of the most dramatic and rich stories ever captured on screen. The entire cast - Robert De Niro, James Woods, William Forsythe, Elizabeth McGovern, Treat Williams, Larry Rapp, James Hayden, Joe Pesci, and Danny Aiello were all unbelieveable and each helped to bring the story to life. However, the best performances given in my opinion were by the young actors that were chosen to play the characters as children. Their performances meant the most to the film, because that was the age when the tragic pattern of the characters lives were set. This film marked the first time appearance of Jennifer Connely, and even then at the age of 14, you could tell that she was a fantastic actress. Sergio Leone drew inspiration from the New York ghetto photographs of Jacob Riis. The authenticity that the photos provided to the settings was absolutely outstanding, and were the film's best feature.

The actors, well developed story, and stunning authenticity really provide for a wonderful film. "Once Upon A Time in America" offers a look at the dark side of the American dream that you can watch time and time again. Not to mention the fact, that this film finally came out on DVD!! If there was ever a film that deserved the special treatment of a DVD, it was this one. The movie is finally available with the best picture and sound quality available and we don't have to sit through the grainy picture of a videocasette either. This 2 Disc DVD set truly is a must buy!!

Great Film,VERY Dissapointing DVD!!!!
Sergio Leone's final masterpiece ONCE UPON A TIME IN AMERICA is by far a unique and amazing piece of filmmaking by one of the cinema's greatest Italian directors since Fellini and De Sica.The story involves a ruthless gangster David 'Noodles' Aronson (played brilliantly by Robert DeNiro) who ends up fleeding away from his friends in the 1940's and returns back to them in the late '60's through many years of hardships as young kids growing up on the wrong side of the tracks to being successful in crime during the prohibition era of the '30's.Prior to its original U.S. release in 1984,this film recieved many great reviews and audience praise when it was shown at the Cannes Film Festival and The New York Film Festival.The film's distributor,Warner Bros/The Ladd Company,uncerimoniously cut out 90 minutes out of the original running time fearing that the movie would run too long and that they wouldn't get as many showings in a single day.The edited version totally changes the complete story continuity of the original film and therefore isn't even as good to watch ,even if you have already seen the longer version.In fact,this edited version of the movie has already been shown once on cable network television on the TNN network (now called SPIKE TV) in April,2003 and believe me,it isn't even worth watching! Warner's 2-disc Special Edition of the film is perhaps,in my opinion,one of the worst special edition DVD's I have ever purchased so far!!! Although the film is presented in its original 229-minute uncut version and in a beautifully preserved 1:85.1 aspect ratio,Disc one innapropriately stops in the middle of the Diamond Robbery scene,even though the disc jacket says it ends directly at the intermission title card!! But on Disc two,the intermission takes place nearly ten chapters into the second disc!! What a real travesty!!! Plus,there are no really great bonus features other than a terrific audio commentary by film critic/historian Richard Schickel,trailer,an excerpt from the hour-long documentary "Once Upon A Time:Sergio Leone" on the making of the film itself,and nothing else!!! However,the movie appears on HBO from time to time and is actually the same version that's on the DVD in which this version includes the Ladd Company credits and no intermission title card!!! I taped that version not too long ago and trust me,it's a lot better than this DVD mess,plus,I got the entire movie on one tape!!! Tape this longer version off of HBO and you won't be dissapointed and enjoy and appreciate this true masterpiece of Sergio Leone in its entirety!! Warner Bros could've done a lot better and nicer job on this DVD,but thankfully learned their lesson with better-selling DVD's after this fiasco!!!

be warned.........
If you're like me and you are thinking of buying this film because it's a Deniro/gangster movie, think twice. Despite some of reviews, this is NOT a materpiece. It is true that the cinematography is brilliant and the production design is top-notch. It is a very authentic-looking, well-made made film. However, those things do not make a masterpiece. The story is so convoluted and moves at such a glacial pace you lose interest. The climactic scene is anything but climactic. Nothing happens. Literally. Deniro and Woods' characters have a conversation and just walk away. Whatever emotional impact thier words are supposed to have has long been drained away by the four-hour running time. The packaging declares that Deniro "smolders" and a New York Times review anoints it as "the definitive gangster picture". Neither is true. You can count on two fingers the number of times Deniro changes facial expressions. He practically sleepwalks through the film. The worst flaw of the movie is that you cant identify with, or even remotely like any of the characters. At the end we are supposed to be moved by the tragic turn of events between two life-long friends, but after witnessing four hours of sexual perversion, graphic murder, etc., you end up having no sympathy at all for them. It has all the emotional impact of seeing Saddam Hussien and Adolf Hitler holding hands and running down the beach in slow motion. As a Deniro fan I really wanted to like this movie, but his character is repulsive. He's a serial rapist who takes his one true love out on a long awaited date and then forcefully rapes her in the back of a car. That scene alone is hard to watch. The Godfather films triumph because the characters have redeeming qualities that balance out thier evil deeds. This film wallows in dirt and excess from the very beginning and gives you no reason to care about these people. Almost the entire first disc is taken up by child actors who arent believable. When you see scenes of them walking around in fedoras and zoot suits acting like pint-size gangsters who intimidate the local cop and make deals with adult mobsters its almost comical. If they were'nt trying to trade cup-cakes for sex it would almost be Disney-ish. By the way, the four scenes that have been "restored" to this director's cut include the two rape scenes and two dialouge extensions. The added dialouge does flesh out the characters a bit, but it slows down an already slow pace. I wish that I had not seen the rape scenes. I hate to be so negative, but I wish I could get my money back. If you have an interest in seeing this movie, rent it- dont buy it. Dont believe the hype and the gushing declarations of being a masterpiece. Its altogether forgetable. The scenes that do stick in your mind do so because they are disturbing, not because of any great acting or artistic reasons.

A masterpiece no matter what anyone says
Yes, the film is four hours long, and yes, there is an hour and a half flashback sequence. But don't let this ward you way from what is truly a masterpiece of a gangster flick. The flashback itself is engrossing and endearing. If you love movies, if you love great acting, if you love history, this is the epic for you.

'Once Upon a Time in America' is a film about a group of four friends who have grown up together in New York City since the turn of the century. They grew up around crime and took part in it themselves. 'America' doesn't focus on the truly criminal aspects of the tale, though; nor does it glorify violence in any way. In a genius move, director Sergio Leone portrays how crime influences this tough, beautiful, but delicate friendship.

This brings me to the famously long flashback. Anyone who tells you it is boring, unimportant and relentless was obviously not paying attention. They must also have a short attention span, for the portrayel of the four main characters' childhood is at times beautiful, elegiac and hilarious. It tells a timeless tale of the central character in the film, Noodles (later played by Robert DeNiro), and his obsession with the local beauty (a young Jennifer Conally, later played by Elizabeth McGovern) who refuses to love him because he'll "always be a two-bit punk." It reminisces on the constant loss of virginities to the town prostitute who makes love for the price of one pastry (what accompanies this story line is a legendary scene where a young teenager succumbs to the temptation of his pastry gift). And it ends in one of the film's most emotional moments that proves you must have a strong stomach to really pay attention and/or appreciate the film to full extent. It is quite hard to watch not because of any sort of violence, but because of its emotional rawness ending in a near cataclysmic incident.

This carries over into the rest of the film, dotted with modern day looks at Noodles and his three friends who are dead at the beginning of the film. After his mental journey through the past, he searches in real life for the love of his life, played by Elizabeth McGovern. What ensues is a twist, one of the best in cinematic history (that I've seen, anyway). You won't be disappointed.

What is masterful about all of these storylines, flashbacks and flashforwards is the extent of their depth. Leone accompanies each detail with an unforgettable emotional truth that extends deep into each character's (and our own) psyche. And for those who love history, Leone sets this saga in the days of prohibition, which offers the four friends an occupation, of sorts.

Apart from the amazing depth in character and story, the production values are top notch, with glorious sets, cinematography and editing. And don't forget the delicacy of the writing and direction. It all works together so well on so many levels.

So to those who have strong stomachs (there are bouts of intense violence) and those who are not too young (this is definitely not a family film, as it portrays some graphic sexuality) and also those who are in love with cinema, I recommend 'Once Upon a Time in America.' Oh, and make sure you have a good attention span. This is not a short movie by any means, although it zips by in the best sense.

Why this "director's cut" is still a muddled mess
One thing that you should know about this movie, according to the running commentary on this DVD set, is that Leone originally shot 10 hours of film. Then from this 10 hours of film he apparently did an original 6 hour film cut. Realizing this length was not practical for a single movie release, and opting not to split his work into 2 seperate films, Leone then got out his scissors once again and cut his film down to this 3 hour 49 minute version. This, I think, is where the problems begin. For instance, Leone chose to leave in the now legendary 5 minute scene of a kid eating a piece of cake. However, Noodles' girlfriend Eve who gets wacked at the start of the movie, never gets properly introduced into the story after the film goes back in time, she just is suddenly there with Noodles in Florida. Even at almost four hours I got the feeling that the movie was over edited like the original US release. A lot of times in the second half of the movie I felt like I had to try and catch up with the story and figure out what had happened- i.e., suddenly the gang is backing up the trucking union, and we're thrust right in the middle of this intense situation.
And then there's the part of the movie where it's supposed to be 1968. The film critic doing the running commentary says that the film "works best" if you assume that the 1968 scenes are just Noodles' opium dreams in 1935. To me this just seems to be a cop-out to excuse the holes and confusing story telling. I don't see how Noodles in the 1930's could have a dream about watching a TV in 1968 when the television hasn't been invented yet at the time he was "opium dreaming".
Then there's the business of Mr. Bailey and the garbage truck at the end. I'll not spoil it for you, but James Wood says himself in the included documentary that he doesn't know what happened at this point and that was Leone's intention. I can accept what Lennon and MacCartney said about their song lyrics meaning whatever you interperate them to be, but in my own opinion this style doesn't translate for me when I'm watching a movie. I like a definate outcome to be evident, but if this is okay with you, well, I warned you. And if you don't mind being irritated by 20 loud rings of a telephone for artistic style, same thing applies.
I could go on and on but, hey, I already wasted 3 hours and 49 minutes of my life. Don't get me wrong. I've got all of Leone's spaghetti western's and I'd give them all 5 stars. There is some good stuff in this movie like the acting of the leads and cinematography but they don't make up for the other problems I mentioned. Like the Beach Boys ill-fated Smile album Once Upon A Time In America seems to be a project that "sank under the weight of it's own lofty ambitions". Maybe Leone was just ahead of his time. If he had filmed this story today perhaps it would have been a success as a one-season HBO series. ... Read more

Description

When his daughter is kidnapped and held in exchange for diamonds, the leader of a crew of highly skilled urban thieves (DMX) forges an unlikely alliance with a Taiwanese Intelligence officer (Jet Li) to rescue her. Their race against the clock to find the precious stones ultimately unravels a plot to distribute a deadly new weapon of war. ... Read more

Reviews (69)

Plot finally outweighs the action.
'Cradle 2 the Grave' looks like it would be the typical martial arts action flick. But there is very little martial arts, and I thought the action was rather laid back as well. Seems that the Hollywood people are beginning to realize that there is room in the industry for action films with good stories and plots.

In 'Cradle', DMX portrays Tony Fait--a high-tech thief who goes into a building one expects to be well-guarded and steals fifty black diamonds. Of course, he has help. This is one of the best opening sequences I have ever seen. Perfectly timed.

Jet Li plays Su, an agent from Taiwan. He also wants the weird, black diamonds. So does everyone else. Fait and Su team up when Fait's daughter is kidnapped. All of this leads to the climax--another well timed cut between three fight sequences.

The movie only goes bad during the end credits. But I am giving this film five stars because I really enjoyed Anthony Anderson, who finally tones down and plays a more serious role--and he is able to remain funny at the same time.

Like action flicks? C2G does not disappoint!
Popular rapper DMX has teamed up in an earlier martial arts film with Steven Segal, and has stepped his role in action films up a notch with martial arts superstar