Reviews (166)

More Drama Than Action
This is the most serious film of Jet Li's that I've seen. Jet plays a Chinese cop in Paris trying to crack a drug ring only to discover that his French counterpart, Karyo, is the ringleader. Jet is framed for murder and goes on the lam, with the assistance of drug-addict prostitute, Bridget Fonda. Fonda knows that Karyo is dirty but he is holding her little girl as hostage. Li agrees to rescue the daughter if Fonda will testify. Karyo snatches the little girl before Li can reach her. But Li follows the Karyo to his headquaters, defeats everyone in the building and kills Karyo with the Kiss of the Dragon, an acupuncture point that shuts down the body.
The action is up to Jet's usual quality but not quantity.Lots of innocent standbys gets killed by the French cops. Li seems to focus more on his acting skills and dramatic interplay with Fonda. The dialogue is predictable but delivered with intensity. Li outdoes himself in this movie, acting-wise while Fonda is underutilized. She is a much better actress. Karyo plays a bad cop well. You want him to die.
There are some funny moments like when Li escapes from pursuing cops only to find himself in a dojo full of French blackbelts!! Of course, he whips all of them in a predictable but fun to watch sequence. When Li fights the two blondes is another funny sequence.
But overall , this is not a funny movie. It's dark and disturbing and shows a more mature dramatic side of Li.

WOW, a martial arts movie without wire-works
I decided to see this movie when it came out expecting to see what I saw in the usual Jet Li movies, wire-works (some of you kung-fu movie watchers know what I am talking about, but if you don't, wire-works is when the actor or stunt man is suspended in air or swinging on a cable performing unusual fighting moves). Wire-works are cute, but I do not like them because they are slow and take me away from the action most of the time. This movie HAS NO WIRE WORKS in the action sequences. I was so happy, finally a martial arts movie for the new millennium not caught into the new-old trend to hit Hollywood. The martial arts scenes are fast, rough, brutal, and are simply what Bruce Lee fans want to see. There was a fight scene Jet Li had in a dojo that reminded me of Chinese Connection a.k.a. "Fist of Fury".

The story was not bad; it was good for a martial arts action movie. Personally I would have made the movie a bit longer (like 10 or 20 minutes) to make sure people know exactly why things are going on. Its workable but would have been perfect with a little bit of information. The big one in the beginning such as the French investigator and the Chinese drug boss, the movie doesn't tell you their connection exactly but it's implied.

Li is an overly devoted cop, so he doesn't have much to work with until he meets Fonda's character, there his character is not just doing the job but being a character. Fonda's character used to be addicted to drugs and is a forced-to-be prostitute. So her reactions were pretty not bad for Fonda's acting and I thought she did a good job for her given character.

The score is done by Craig Armstrong (from Massive Attack), which is cool of techno/orchestra. Also there are some hip-hop songs thrown in two of the fight scenes. The one by Mystikal was bearable because of the drum beat (not a bass electronic beat) so it felt OK. Personally I don't like rap in fight scenes cause the talking (rapping) might take it away. I like rap in the background or to set a scene, not in a fight scene, unless it is instrumental.

Terrific Modern Action Movie
Kiss of the Dragon is a hyperactive martial arts movie with a heavy European feel. After Jet Li's fans were left disappointed with the fake, CGI-enhanced fighting in Romeo Must Die he decided to go back to practical, hand-to-hand combat with literally no strings attached. KOTD is the perfect excuse for action, with minimal plot and impossible odds.

Basically, Jet Li plays a Chinese cop Lui Jian who travels to Paris to help the police bring a crime boss to justice. But the French police just happen to be heavily, heavily corrupt and kill Mr. Big, framing Lui Jian in the process.

Keen to stay alive, Lui Jian flees the scene, but not before screaming, mad and completely hatstand police inspector Richard (Tcheky Caryo in his typically delirious role) sends just about every hardened police psycho after him. Outrageously outnumbered, Lui Jian prevails and fights his way through swarms and swarms of thugs out for his blood. Using only his hands and feet (and any useful nearby tool) he manages to wipe them all out.

Far-fetched it may be, but action choreographer Cory Yuen shoots it all in the most realistic and stylish way. You really will believe Lui Jian is capable of such an impossible feat, that's how realistic the action is. And all without glamorising guns.

KOTD uses the rule of increasingly mad set-pieces. The first desperate escape through the corridors and passageways of the hotel, the death-defying escape from the Seine Barge and through the tunnels and sewers, the orphanage confrontation and (especially) the final scene in the police station where Lui Jian takes on a dojo full of martial artist police officers, evil twins and finally Inspector Richard. It's all breathtaking stuff and very, very violent. With far too many sanitised PG-13 minded 'action' movies abundant these days KOTD is a breath of hardcore fresh air.

If you like this then I suggest checking out The Transporter. It may be slightly tamer but it's made by the same people (producer Luc Besson, Writer Robert Mark Kamen and Cory Yuen) and is also set in France, only with a warmer, more exotic look.

The DVD is in 2.35:1 anamorphic widescreen with a great Dolby 5.1 soundtrack. There are some extras and a commentary if you're into that sort of thing.

Jet Li kicks all
This movie is probably Li's best. The movie zips along after the scene where a Chinese drug dealer gets zapped by a whore, who gouges him with long knitting needles. Some of the movie was idiotic, especially the scene where Fonda has to urinate in Jet Li's shop, and where Li's Chinese contact gets shot. The plot basically centers around Jet Li getting framed for the murder of the Chinese drug dealer, and escaping throughout France, from the corrupt police chief and his gang of drug dealers. There is one spectacular scene where Li is in the police station, and destroys a group of 30 martial arts cadets who attack him with sticks and body moves. The ending is triumphant, Li demolishes two massive bleach blonde twins, in the most amazing show of kung fu yet. Tcheky Karyo as the police chief has a wonderful charm, and seethes with sinister trickery simultaneously.
Chris Mahon could have gotten a little more out of the relationship between Fonda and Li. They are more like the Honeymooners, always arguing and Fonda wise cracking. The scenes didn't connect. All in all, worth seeing for Jet Li fans.

Jet and Brenda don't match
Bad movie, bad story. If it were not for the few good action scenes, I would have given this a 1 star rating. ... Read more

Description

In CLEAR AND PRESENT DANGER, Harrison Ford returns as intrepid CIA agent Jack Ryan.When his mentor, Admiral Greer (Jones), becomes gravely ill, Ryan is appointed acting CIA Deputy Director of Intelligence.His first assignment: investigate the murder of one of the President's friends, a prominent U.S. businessman with secret ties to Colombian drug cartels.Unbeknownst to Ryan, the CIA has already dispatched a deadly field operative (Dafoe) to lead a paramilitary force against the Colombian drug lords.Caught in the crossfire, Ryan takes matters into his own hands, risking his career and life for the only cause he still believes in -- the truth. ... Read more

Reviews (65)

Wars Abroad, Wars At Home
Clear And Present Danger is the third Tom Clancy novel, featuring hero Jack Ryan, to be made into a movie. The story deals with the war on drugs and corruption in the government. The end result is a better film than Patriot Games, taking its cues more from the original novel, than that film did.

Former CIA analyst Jack Ryan, (Harrison Ford) is asked by his mentor and friend, Admiral Greer (James Earl Jones) to take over for him, while he battles cancer. Ryan reluctantly accepts. When a friend of the President's (Donald Moffatt) is killed, Ryan learns that a drug kingpin (Miguel Sandoval) may be responsible, for the crime. As he briefs the President, forces inside the administration, are working to take the cartel out, even without any proof. Ryan must discover the truth, about who is working against him before it's too late

The cast also includes the great Henry Czerny as Ritter, a smarmy guy at the CIA who butts heads with Ryan, Harris Yullin as the National Security Advisor, and Anne Archer returns as Cathy, Jack's wife. Directed by Philip Noyce, who also directed Patriot Games, the film stays within the framework of the book. The movie also is detailed enough to keep fans of the book happy, while at the same time it is nicely paced Ford proves once again why he's so right for roles like this. He wears his hero hat so well. It is Czerny though, that makes things really interesting for Ryan and, he gives the film an extra spark or two.

As part of the reissued "Jack Ryan" series on DVD, Clear And Present Danger, contains a retrospective featurette on how the film was made. It's pretty good and does a decent job taking you back, to what it was like on the set. The standard theatrical trailer tops off the extras. I wish there was a commentary track to go along with the other stuff--or maybe some deleted footage-that would have helped.

Still the DVD is recommended over the "movie only" edition from a few years ago

Ryan, The Drug Cartels, And CIA Abuse
The third installment in the cinematic series based on Tom Clancy's CIA analyst Jack Ryan, CLEAR AND PRESENT DANGER is a long but engrossing political action thriller that once again puts Harrison Ford, the thinking man's action film actor, in the role of Ryan.

This time around, Ford investigates the murder of a close friend of the President (Donald Moffatt) by Colombian drug cartel hitmen. When his mentor (James Earl Jones) falls ill due to pancreatic cancer, Ford is suddenly put in charge as deputy director of the CIA. He continues his investigation of the murders and ties them in with one particular drug cartel leader (Miguel Sandoval) with whom the murdered man had a little issue with ill-gotten money,....

But what Ford doesn't know is that, on orders from the revenge-minded Moffatt, his second deputy (Henry Czerny) and the president's national security advisor (Harris Yulin) have ordered a rogue officer named Clark (Willem Dafoe) in with a covert military team to put a huge dent in the cartel's activities. Dafoe and his team are successful at what they do, but the cartels retaliate with deadly results on Ford's friends in the FBI during a visit to Bogota. And when Ford finds out about the operation, he finds himself going down to Colombia a second time to help spirit Dafoe and the covert team out of harm's way.

Ably directed, once more, by Phillip Noyce (DEAD CALM; PATRIOT GAMES), CLEAR AND PRESENT DANGER gives Ford another chance to prove his mettle in the action genre. The suspense and CIA intrigue are all laid out exceptionally well by Noyce and his first-rate cadre of screenwriters, Donald Stewart, Steven Zaillian, and John Milius. Jones is at his usual best as the now-dying Admiral Greer, and Anne Archer returns as Ford's wife.

But a performance really worth noting here is Czerny's as the unconsciously corrupt CIA deputy director Robert Ritter. About as uncouth and conniving a heavy as there has ever been in the movies, his performance is absolutely chilling and believable. It makes the whole notion of our government going beyong reasonable bounds even more credible than it already is.

Some will object to the film not pandering to Clancy's right-wing political points of view or his gung-ho pro-military stance, but that isn't necessarily what this movie is about. It does not condemn covert military action, but it does question the wisdom of sending men into a war zone where the risks are extreme, the reasons for such actions are vague at best, and there is no clear exit strategy. Such points are made extremely well in this film's action format; and for those reasons, it gets the highest marks.

Best Clancy Movie
Out of the four Tom Clancy/Jack Ryan movies, I think Clear and Present Danger is easily the best. Harrison Ford is one of my favorite actors, and even though he's made some dreck in recent years, his string of successes post-Star Wars and Indiana Jones reached their peak around this time.
The story of the film revolves around the U.S. war on drugs, attempting to stop the flow at the source of production in Colombia. To this end, Harrison Ford as Jack Ryan becomes caught up in the action along with the always-great Willem DaFoe as CIA agent Clark. Just about all of the actors in this movie are great, including Joaquim de Almeida, Donald Moffat, Henry Czerny (the slime dripping off his character might damage your TV), and Raymond Cruz.
Not only is this one of my favorite spy/government intrigue movies, but it's just flat-out one of my favorite movies. Great story, great actors, great movie. Highly recommended.

Not even close
Once there was a man named Jack Ryan. That's about where the similarities to the book end.

For what it's worth, I'm not a picky movie viewer. I'll watch nearly anything. So for me to complain about this movie means that something was really off-base.

As far as an action movie goes, it was passable. As far as the technological thriller that the book was, it doesn't even come close. There is no character development (never felt anything towards Ding), random changes in a character's persona (Clark goes from wanting to kill Ryan to making the chopper go back), thing missing that are important to the plot (downing of drug running planes), and things that were never in the book (yacht owner tied to the President).

To make what could be an extremely long review somewhat shorter, if you've read the book and are a fan of Tom Clancy, don't bother. If you're just looking for a film with " 'splosions," this might work.

The Best Jack Ryan on the Screen, and with Good Reason!
Harrison Ford isn't the person who wrote this story, Tom Clancy is. But, Harrison Ford is the perfect Jack Ryan, a spy with a conscience and a man who does the right thing not the expeditious thing. While this is not close to his biggest role or hit, he plays the character, Jack Ryan, as perfectly as he can be portrayed in a movie. He gives the right feeling to his character, the right indignation to wrongs done in the name of Patriotism and Justice, and portrays the right kind of patriotism to the fullest. But, the rest of the cast is also well played, including the good guys, Clark, Chavez, and James Earl Jones' character, and the bad guys, the President and his sleazy administration, as well as the drug dealers. Tom Clancy wrote a great book with this one and the book is well served by the overall excellence of the movie. I strongly recommend the movie to fans of Harrison Ford, Tom Clancy, and William Dafoe. ... Read more

Reviews (6)

The iceman cometh
THE HUNTERS is a good war movie saddled with a lame and unconvincing romantic subplot. Robert Mitchum plays Major Cleve Saville, a little long in the tooth fighter pilot newly arrived in Korea to lead a squadron of F-86 Sabre jets. While stationed in Tokyo awaiting assignment he meets weak little 1st Lieut. Carl Abbott (Lee Philips) and his cute little wife Kris (May Britt), as well as slang spewing rookie pilot Lieut. Ed Pell (Robert Wagner.)
As an action picture THE HUNTERS is incredibly entertaining, especially the filming of the jet dogfights. Unfortunately, there's a rather substantial romantic subplot involving a sour little triangle whose points are Carl and Kris and Cleve. Every romantic scene sucks the life right out of this movie. May Britt may be beautiful but her "affair" with Saville borders on the melodramatic and is pretty unconvincing. How often do you tell a married woman after your second platonic visit that you love her? The only reason for the romance is to establish tension between Saville and wing man Abbott, anyway.
Mitchum teamed with director Dick Powell a year earlier on THE ENEMY BELOW, one of the best WWII movies available. With that movie in mind, it's doubly disappointing to see him fall back on cliched characters, like the cocky rookie Ed Pell, and a trite and time consuming love story.
There's more to like than dislike in THE HUNTERS, but not nearly as much as I expected when I popped this dvd into the player. I liked this movie a bit less than I wanted to. Make sure to play both sides of this double-sided disk, as there are a different set of 'Special Features' on each side.

The Citizen Kane of modern air/space combat movies!
When I was 11 years old, I saw this movie when it was released. In its air combat sequences, The Hunters is the Citizen Kane of all modern air/space combat movies, as revolutionary for its time as Star Wars later was to be for its time. While prior air combat movies had been on the square screens, usually in B&W, The Hunters was filmed in state-of-the art CinemaScope (widescreen) and Technicolor. Its air combat sequences -- twisting jets on each other's tails soaring in mountainous clouds, then diving and roaring a treetop level through valleys -- were brilliantly conceived and breathtakingly executed -- unlike anything that had been seen before. They still hold up with the best ever filmed, although they've been copied so much (by movies such as Top Gun and Star Wars) that they no longer have the knock-your-socks-off novelty that they originally did. Unfortunately, the feel-good screenplay, with a distracting romantic subplot, bears no resemblance to the gritty, macho novel on which it was based. In James Salter's best-selling novel, the Robert Michum character, Cleve Saville, is a WWII veteran fighter jock who can't get a kill to save his soul, then has no witness when his first-and-only kill (before he himself dies) is the legendary enemy ace. Hence, The Hunters movie is really a first-rate action-hero fantasy set in wartime. (...)

Jet-Propelled Action !
"The Hunters" is a well-made, exciting Korean war drama, with the accent on aviation. It has an above-average plot for this type of film, and the whole movie, particularly the aerial sequences, is expertly directed by Dick Powell. If you are interested in combat aircraft, there are many scenes of F-86 Sabre Jets engaging MIGs in dogfight battles to the death.

While the planes are great to watch, this film is primarily about human beings caught up in war. It stars Robert Mitchum, and he is terrific--his fighter pilot character is a born leader, yet he also suspects there is something important missing in his life. He enters into a guilt-ridden relationship with the wife of another pilot, played by lovely May Britt. When there's a war on though, the feelings of two people aren't worth--as someone once said--"a hill of beans". Mr. Mitchum's main job is to lead a fighter squadron, and satisfy his boss on the ground--Richard Egan in a strong performance, knowing that every day he may be sending a man to his death.

Just to make things even more interesting for Mr. Mitchum, his squadron includes Ms. Britt's husband ( a paranoid, self-doubting Lee Philips ) and a cocky, young "hotshot" who doesn't like "rules" ( a young, excellent Robert Wagner ). It would be unfair to reveal more of the plot, but the film is consistently interesting and exciting.

The DVD is full screen on one side, and wide-screen on the other. The colour is very good for a 46-year old film. It does not have "surround sound", of course, unlike that 1986 aviation hit, "Top Gun"--then again, "Top Gun" didn't have Robert Mitchum ! Tom Cruise has a nice smile--but, for leadership and grit, I'd follow Robert Mitchum through the gates of hell !

Actually, I'll give "The Hunters" 4 1/2 stars. Action--suspense--romance--Sabre Jets--Robert Mitchum--what more do you want ? Thanks, Fox--a very nice disc !

The Hunters--Fighter Pilot's Attitude
The HUNTERS catches the atttitude of the Fighter Pilot Ace. Great performances by Robert Mitchum, the WWII veteran who won't fly a desk and Robert Wagner as the kid "hotshot" pilot.
Additionally great work by Richard Egan who is Mitchum's commander and flew with him in WWII. The scenes between Egan and Mitchum are the highlight of great acting in the movie. Perhaps Egan's best work ever.

Definitely an Ace
"The Hunters" (1958) and "The Enemy Below" (1957) are 2 war movies produced by Dick Powell for 20th Century Fox filmed in Cinemascope both with Robert Mitchum in the leading role.

Major Cleve Saville (Robert Mitchum), the squadron commander, is a famous ace and veteran fighter pilot of World War II. He is a career man whose world was his squadron and the men who flew with him. Lt. Pell (Robert Wagner), in the early part of the movie, is a reckless but eventually courageous young jet ace to whom Saville owe his life. Lt. Abbott (Lee Phillips) is the confused husband of Kris (May Britt) whom Saville falls in love with although their acknowledged desires are never to be fulfilled.

The picture is based on the novel "The Hunters" by James Salter who is himself a jet ace in the Korean conflict. In the late 50's long before the development of CGI technology, real fighter jets F-86 Sabrejet and F-84 Thunderjets (painted gray with a red star to simulate MIG-15) were flown in the aerial battle sequence which made it the more realistic than Pearl Harbor (2001).

I have kept like a treasure a copy of "The Hunters" VHS tape and it is pretty worn out by now from years of repeated viewings. Thank you Fox for putting it on DVD...46 years after its theatrical release. ... Read more

Reviews (131)

Yuen Woo Ping Knows How to Direct Great Martial Arts Films
The Iron Monkey is evidence why the martial arts choreography in The Matrix thrilled the American audience. Director Yuen Woo-Ping delivers an impressive punch with this 1993 film which features an easy-to-follow storyline, good acting, stylish cinematography, and amazing fight scenes. Highlighted in this film is actor Yu Rong-Guang whose acrobatic and hand-to-hand combat skills are at their best. The inclusion of the legendary character Wong Fei-Hung (depicted in this movie as a child) makes this movie appealing to the younger viewers as well. All in all, the Iron Monkey is a great film and, perhaps, deserves a big screen showing here in the U.S. Until that happens, whether you buy or rent this film, watching it would definitely be time well spent.

Iron Monkey Rocks!
Okay, I'm behind the times. I'm just now catching "Iron Monkey" and feel pretty much like a Johnny-Come-Lately. I never really cared much for martial arts films but was amazed by Ang Lee's "Crouching Tiger Hidden Dragon". I read a few things about "Iron Monkey" after it was released due to "Crouching Tiger's" success but never got around to seeing it or buying a copy of the dvd. Recently, however, I found the movie at a pre-owned cd/dvd store and purchased it. I'm glad I did because it ranks right up there with "Crouching Tiger Hidden Dragon". Yuen Woo-ping's chinese take on Robin Hood is done with great style, incredible fight choreography and filled with charming actors and actresses. Yu Rong-gang plays the Iron Monkey and Dr. Yang, a humble doctor that basically practices the same tactics as the Iron Monkey---helping the poor who are sick for free and charging the rich for his help. The rest of the cast is filled with interesting characters such as Dr. Yang's helper and romantic interest, Miss Orchid, and Wong Fei-hung, a young boy who's fighting skills are as remarkable as many adult men. The fight scenes in this film are a pleasure to the eye and well worth the purchase of the dvd alone. If you are a martial arts fan, you will NO DOUBT want this movie in your collection. If you are not a fan, I dare you not to enjoy it!

not cool
This is not a cool film. Watch a real kung fu movie; watch a Bruce Lee flick.

The best Martial Arts movie of the 90s
This movie just fell from the sky or something. Considering that it was produced in 1993, it is of amazing quality. The storyline is excellent and inspiring, and the cast is astonishing. Yu Rong Guang is not very known in the west, but he is indeed a true martial artist. In fact, he has Peking Opera training. Additionally, this is Donnie Yen's best performance to date. His character was so convincing that you really believed him to be Wong Key Ying.

fun to watch
The opening scene and setting of Iron Monkey is very similiar to Crouching Tiger Hidden Dragon. Where CTHD is more of an epic drama, IM is more of a comedy, but the martial arts choreography is just as spectacular. Their naming of certain moves is amusing. Enjoyable plot. As to suspending belief, I give you this quote from Albert Einstein: Imagination is more important than knowledge. ... Read more

Amazon.com

The only remaining evidence that Sylvester Stallone might have had a respectable career, this 1976 Oscar^® winner (for Best Picture, Director, and Editing) is still the quintessential ode to an underdog and one of the best boxing movies ever made. After writing the script about a two-bit boxer who gets a "million-to-one shot" against the world heavyweight champion, Stallone insisted that he star in the title role, and his equally unknown status helped to catapult him (and this rousing film) to overnight success. The story is familiar, but it's handled with such vitality and emotional honesty that you can't help but leap and cheer for Rocky Balboa, the chump-turned-champ who stuns the boxing world with the support of his timid girlfriend Adrian (Talia Shire) and grizzled trainer Gus (Burgess Meredith). Oscar nominations went to all the lead actors (including Burt Young as Adrian's hot-tempered brother), but four sequels could never top the universal appeal of this low-budget crowd pleaser. --Jeff Shannon ... Read more

Reviews (133)

Rocky
This is one of my favorite films. Rocky is a great story about a Philadelphia club fighter who gets the chance of a lifetime. Rocky Balboa is this character, played by Sylvester Stallone. His apartment is a wreck, he does not have much of a social life, and his no. 1 job is as a muscle man for a loan shark. But, when heavyweight champion of the world Apollo Creed has his opponent for "The Bicentennial Fight" injured in training, he decides to give an unknown fighter a chance. Rocky's nickname,"The Italian Stallion" catches Creed's eye. From here on in, the film is fantastic. The acting is outstanding, especially by Brgess Meredith, who plays Mickey, Rocky's trainer. A fantastic story, great music, good romance between Rocky and Adrian(Talia Shire), great antics from Paulie(Burt Young),Adrian's brother, and, of course, the great training montage highlight the movie. The fight scenes are also amazing. Rocky is simply and plainly a great movie. Th sequels are ok, but nothng beats the original.If you have'nt seen it, SEE IT.

Great Movie
Rocky is,plain and simple,a great movie.The story(which everyone knows by now)is wonderful,about a two-bit prize fighter from Philadelphia,who gets a shot at the heavyweight title,and ends up going the distance with the champ. Sylvester Stallone is magnificent in the role of Rocky,and all the supporting players(Talia Shire as Rocky's very shy girlfriend Adrian,Burt Young as her brother Paulie,Carl Weathers as Apollo Creed,and of course Burgess Meredith as Rocky's manager Mickey just to name a few)are equally as good.John G.Avildsen's direction is right on as is Sly Stallones writing. The musical score by Bill Conti is fantastic as well.

The 25th aniversary DVD is very good,and priced reasonably.There are some nice special features including trailers(from all five movies)and TV spots.

Before Sly was stupid
They just don't make 'em like they used to. Sylvester Stallone had to learn that the hard way, after making countless, subpar action movies for twenty years. He went down a spiriling escalator to become a watered-down, Hollywood celebrity. However, that's not what people were saying back in 1976, and rightfully so. "Rocky" is Sly's crowning achievement, and ranks as one of, if not the best, sports movie ever made, and one of the greatest motion pictures of the last three decades. The story is nothing short of compelling. Based loosely on the fifteen-round fight between Chuck Wepner and Muhammad Ali (as the DVD will tell you if you don't know), "Rocky" weaves a perfect storyweb centering around the title character Rocky Balboa (Stallone). One of the most beloved characters in movie history, Rocky is a tough but good-natured man from the mean streets of Philadelphia; a loan shark goon by day, and boxer by night, under the moniker of The Italian Stallion. Despite working two jobs, he's on the brink of bumhood, and has no luck impressing his belligerent boxing trainer Mickey (played magnificently by Burgess Meredith) nor impressing the local pet shop girl Adrian (Talia Shire). However, when World Heavyweight Champion Apollo Creed (Carl Weathers) gives him a shot at the title for the Bicentennial Match to be held in Philadelphia, it gives Rocky a glimmer of hope, to rise above the odds and go the distance.

The story alone is incredibly gripping, but so is the acting. Stallone is in top form as The Italian Stallion. Immensely likable, melancholy, and incredibly human, the Rocky of this movie sadly disappears as the sequels go on. Burt Young also does a great job as disgruntled butcher Paulie, who is jealous of Rocky's offer at redemption. And who can forget the training montage? No one. "Gonna Fly Now" is a classic, through and through.

Overall, owe it to yourself to at least RENT "Rocky". If you haven't seen any of them, start with this one, because its sequels cannot hold a candle to it. It's a gritty, rousing, realistic, touching collage of romance, comedy, drama, allegory, action, and sports. Watch it ASAP.

MOVIE-10/10
DVD EXTRAS-5/10

"Cut me, Mick. . ."
All of us love to pull for the underdog, especially if the dog's odds are seemingly insurmountable. Of all the thrilling, inspiring, "feel good" underdog movies out there, ROCKY rates as one of the best. The movie that put Sylvester Stallone on the celebrity map (unfortunately), ROCKY still entertains some three decades after its initial, Academy Award-winning run.

We all know the story: Rocky Balboa, an undisciplined club brawler and strong-arm collection man from the slums of Philadelphia, gets a once-in-a-lifetime shot at boxing's heavyweight title. Yet the upcoming fight is merely the trimming surrounding the story; ROCKY is about a humble man with a heart of gold--a man who confronts his shortcomings and insecurities to evolve into a remarkable human being. To assist him on his journey, Rocky develops a timid relationship with an equally insecure girl, a pet shop worker named Adrian (played wonderfully by Talia Shire). To see the two of them together on their first date is one of the film's most entertaining, bittersweet moments; Rocky's small talk is hilarious yet mundane--Adrian looks terrified, yet finally begins to relax, to come out of her shell. Once two lost souls, Rocky and Adrian become indispensable to one another; their growing love transcends the pending fight--the exciting showdown.

The fight itself is cinematic brilliance: a thrilling, totally believable match that will have the viewer cheering from his chair. Carl Weathers looks, moves, talks, and fights like an egotistical heavyweight champ, while Burgess Meredith captures one of film's most memorable roles as Mickey, Rocky's gnarled, battle-tested trainer. Few movies universally touch a collective nerve that has the viewer spontaneously smiling while wiping a tear from the eye. ROCKY is one of them.
--D. Mikels

Inspiring
I sometimes wonder how many people under the age of twenty-five have never taken the time to view this film. I would hope the number is low. This is a movie that can inspire anyone, not just boxers or athletes. This movie is about taking that "one" shot, many of us sometimes get, and doing something with it - really using that chance.

Rocky is a film about overcoming what seems to be impossible odds with sheer character; a simple mind does not equal a simple soul, and as Rocky Balboa clearly demonstrates - when you get the shot you've always dreamed of, make it worth every second. Sylvester Stallone did just that - he wrote a novel about getting that one big shot, and it became his one big shot. The actor, director, and producer takes a lot of ridicule from the artsy-fartsy crowd but most of that is just plain jealousy; a forceps delivery left Stallone with a speech impediment, but his brain is just fine.

As another reviewer stated recently, if by some chance a person has not seen this film, they need to - it is in a class by itself.

See ya next review

www.therunnninggirl.com ... Read more

Description

"Weird Al" Yankovic, Kevin McCarthy (Innerspace), Michael Richards ("Seinfeld"), David Bowie (The Cable Guy), Victoria Jackson ("Saturday Night Live") and Fran Drescher ("The Nanny") star in this inspired comedy about an offbeat guy who turns a deadbeat TV station into a raging success! Broadcasting Weird Al's uniquely strange brand of humor, UHF's Channel 62 is a place you'll want to visit...with increasing frequency!George Newman (Weird Al) is a daydreamer whose hyperactive imagination keeps him from holding a steady job...until his uncle hires him as manager of Channel 62, a TV station that's losing money and viewers fast. But when George replaces the station's reruns with bizarre programs like "Wheel of Fish," "The Wonderful World Of Phlegm" and "Raul's Wild Kingdom" (where poodles fly from third-story windows), ratings begin to soar! But as the ratings rise, so does the wrath of TV mogul R.J. Fletcher (McCarthy), who wants to turn the station into a parking lot. Can George find the money he needs to stay on the air? Stay tuned! ... Read more

Reviews (283)

"Complainers? We don't need no stinkin' complainers!"
How can you resist a movie where they throw poodles out of windows, let kids drink from fire hoses, where Conan hacks people apart because some people turned a book in late? The movie does have its slow parts, but the spoofs and skits are absolutely hilarious. I won't tell you all of them because then you won't go and rent or buy this great movie. This movie is really good if you are a Weird Al fan, like REALLY off-the-wall humor, parodies, something that can make you laugh. Some people hate this movie, but I think it's because they're trying to see it as a movie. UHF is not really trying to be a movie, it's trying to be more of a collage of parodies. Anyway, see it for yourself. There's no telling how many stomach muscles you'll burst watching this hilarious film.

OK?? What's the point?
~80's music and movies always scare me but this movie has a SMALL exception. This movie is about when George Newman, a teenager with no job, ("Weird Al" Yankovic) gets permission from his uncle Harvey (Stanley Brock) to run a television station with his friend Bob (David Bowe), the really weird janitor Stanley Spadowski (Michael Richards), the television reporter wannabe Pamela Finkelstein (Fran Drescher), and a laboratory scientist from another planet named Phllo (Anthony Geary) while trying to avoid another television company owner (Kevin McCarthy) from taking over his company U-62, and turning it in to a parking lot . This movie is what I like to call a "slapstick movie" which is a move with nothing but mere jokes and gags. Many of the zany programs on the station that George runs are called "Wheel of Fish" (A cross between "Lets Make a Deal" and "Wheel of Fortune"), Raul's Wild Kingdom", "Stanley Spadowski's Clubhouse", "Fun with Dirt", "Ghandi II" and "Strip Solitare". A lot of these things just don't make sense! This movie is rated PG-13 and has Language, Adult Content, and Rude Remarks. It's kind of weird but kind of funny in an odd kind of way. Raul's Wild Kingdom was hillarious when Raul (Cliff Stephens) shakes up an ant farm and says "OHHH! They're really mad now!" and when he throws a poodle out of a three-story window because he thinks he can teach it to fly. Ghandi II was also quite funny along with "Conan the Librarian" and "Spatula City". This movie is overall in my opinion, ALRIGHT but next time MGM/UA makes a movie, don't put Weird Al in it!~

Cult Classic
If you are a fan of Weird Al's parodies, this is the DVD for you. I know some people don't get it (a.k.a: Roger Ebert and some other critics). Yeah, the plot is a tad weak, but the main focus of this project was to give Al an outlet into doing parodies of movies and TV. There are many priceless gags in the movie ("Raul's Wild Kingdom" and "Ghandi II" come to mind). There is also a fabulous performance by Michael Richards (a.k.a.: Kramer from "Seinfeld") as the station's janitor turned TV star. There are also appearances by Victoria Jackson (SNL) and Fran Drescher (The Nanny).
The audio commentary is fantastic. You get to hear about what inspired some of the scenes and also what was not included in the movie. You also get to find out why the DVD wasn't released until June 4, 2002! There are deleted scenes on the DVD in the bonus material including a fantastic one of Michael Richards ad-libbing an entire scene!

weird al
if you liked weird als music,youll like this movie.its very silly but loads of fun.the kids will like it.if you are worried about how cool you are all the time and cant relax then dont watch this because its a movie for people who likewhat they want.individuals and dreamers.the bad guy is this old man from a tv station who is als rival when he has to run a tv station.this movie is very very funny.the bad guy is a real pain in the ass.its definately worth watching!

THE BEST of random humor!
I think this has to be one of the funniest movies i have seen in my life! just all the random shows in between the plot of the movie just make it like a family guy/futurama show mixed in with a healthy dose of random al. ... Read more

Amazon.com

After winning consecutive best director Oscars (for A Letter to Three Wives and All About Eve), Joseph Mankiewicz turned his attention to this extremely curious social comedy. Cary Grant plays a famous, idealistic gynecologist whose mysterious past is questioned by a vindictive colleague (Hume Cronyn). Meanwhile, the doctor falls for a pregnant patient (Jeanne Crain), whose unmarried status is daring for a movie of 1951 vintage. The title is an all-too-apt description of Mankiewicz's chatty style, but it also carries sinister echoes of the McCarthy era--specifically, an attempted right-wing purge of the Director's Guild, I which Mankiewicz was the main target. This subtext lends interest beyond the movie's rather tame romance. The Grant character, named Doctor Praetorius (no relation to the Bride of Frankenstein wacko, one hopes), conducts a college orchestra and is prone to "twilight sadness"--it's an offbeat role for the actor, and one he clearly relishes. --Robert Horton ... Read more

Reviews (24)

Good Doctor Praetorius and the Mysterious Mr. Shunderson
"People Will Talk" is a movie that I first stumbled upon while flipping channels one day. Cary Grant plays Dr. Noah Praetorius, who both practices and teaches medicine with an apporach that is refreshingly modern, even by today's standards. When young Deborah Higgins (Jeanne Crain) collapses, the good Doctor learns she is pregnant, unmarried, and suicidal. After telling her a story about a frog to make her think she is not really pregnant, some things happen and he ends up marrying Deborah. Meanwhile, Professor Rodney Elwell (Hume Cronyn) find Praetorius's novel methods abominable and is trying to find out the truth about not only the good Doctor but his strange companion, Mr. Shunderson (Finlay Currie). The film's climax is an inquisition into Praetorius's past (which keeps him from conduction his orchestra made up of all the school's med students), where it seems that he cured people in a backwater town as their butcher. However, the more Elwell goes after Praetorius, the better the good Doctor looks. Then there is the unbelievable truth about Mr. Shunderson.

For me and a lot of other people the strengths of this film outweigh its weaknesses. The proposal scene does not really work, Grant's performance goes off in different directions from time to time, and you have to think Professor Elwell is too smart to be this stupid. But for me the reason I always watch at least the end of this film whenever I can is that the payoff for the mystery of Mr. Shunderson just bowls me over. Walter Slezak is wonderful as always playing Professor Barker, Praetorius's stout supporter, and although it might be a tad forced I love the scene where the three men are playing with the good Doctor's new train set. Hume Cronyn creates an extremely bitter little man to be the story's villain (pay attention to the little details of his performance). Basil Ruysdael does a nice job as the Dean, who finally restores sanity to the proceedings. Certainly there are massive holes in "People Will Talk," but for me the sum of the whole is greater than the parts. I know lots of better films that are not as enjoyable as this quirky little film.

Dr. Praetorius I Presume!
Another one of Joseph L. Mankiewicz's films to be lost in the wake of All About Eve, People Will Talk is a terrific comedy/drama featuring a wonderful cast. Cary Grant is Dr. Praetorius whose treatment of patients is somewhat controversial and unconventional. When he befriends a young, unmarried pregnant woman (Jeanne Crain), Grant finds himself the focus of an investigation lead by a jealous collegue (Hume Cronyn) at the university where they both teach. Grant's interest and concern for Crain goes so far as his proposing marriage. And then there's the matter of Mr. Shunderson (Finlay Currie), Grant's seemingly simple-minded, yet constant companion. No one seems to know the details of Mr. Shunderson's life, except Grant, and he's not telling. Not a huge hit when first released, People Will Talk has developed an almost cult following today, and like many past film "failures," it's now considerd a pretty good film. Perhaps it was ahead of its time, but it has some wonderfully rich characterizations, including great turns by the aforementioned Currie, Hume Cronyn, Walter Slezak, Sidney Blackmer, and a terrific bit by an unbilled Margaret Hamilton as Miss Pickett to keep the narrative moving. My favorite scene is Grant's visit to Crain's uncle's house (she and her father life with her uncle). Grant, Blackmer, Currie, and Crain are all sitting on the front porch. Crain objects to being the center of their discussion and refuses to leave the porch. She goes so far as to scream the cook's name "Bella" at the top of her lungs, rather than move from her perch. What the movie does say about the practice of medicine and human relationships is perhaps more relevant today than when first released in 1951. As with most Mankiewicz films, it is successful on the surface. If there was another intent by the director to tell another tale or an allusion to something else, look at this as an added bonus. Fans of Cary Grant will not be disappointed; this is one of his best and most relaxed performances on film. And fans of Jeanne Crain will be pleased as well. Her role is the more difficult one and she pulls it off quite well, besides looking beautiful in ordinary farm-girl dress. Any way you slice it, you'll be talking about People Will Talk.

Good Doctor Praetorius and the Mysterious Mr. Shunderson
"People Will Talk" is a movie that I first stumbled upon while flipping channels one day. Cary Grant plays Dr. Noah Praetorius, who both practices and teaches medicine with an apporach that is refreshingly modern, even by today's standards. When young Deborah Higgins (Jeanne Crain) collapses, the good Doctor learns she is pregnant, unmarried, and suicidal. After telling her a story about a frog to make her think she is not really pregnant, some things happen and he ends up marrying Deborah. Meanwhile, Professor Rodney Elwell (Hume Cronyn) find Praetorius's novel methods abominable and is trying to find out the truth about not only the good Doctor but his strange companion, Mr. Shunderson (Finlay Currie). The film's climax is an inquisition into Praetorius's past (which keeps him from conduction his orchestra made up of all the school's med students), where it seems that he cured people in a backwater town as their butcher. However, the more Elwell goes after Praetorius, the better the good Doctor looks. Then there is the unbelievable truth about Mr. Shunderson.

For me and a lot of other people the strengths of this film outweigh its weaknesses. The proposal scene does not really work, Grant's performance goes off in different directions from time to time, and you have to think Professor Elwell is too smart to be this stupid. But for me the reason I always watch at least the end of this film whenever I can is that the payoff for the mystery of Mr. Shunderson just bowls me over. Walter Slezak is wonderful as always playing Professor Barker, Praetorius's stout supporter, and although it might be a tad forced I love the scene where the three men are playing with the good Doctor's new train set. Hume Cronyn creates an extremely bitter little man to be the story's villain (pay attention to the little details of his performance). Basil Ruysdael does a nice job as the Dean, who finally restores sanity to the proceedings. Certainly there are massive holes in "People Will Talk," but for me the sum of the whole is greater than the parts. I know lots of better films that are not as enjoyable as this quirky little film.

a dramatic misfire, but worth seeing
"People Will Talk" used to be one of my favorite movies. Watching it again reveals that -- dramatically -- it's as sterile and antiseptic as Dr. Praetorius's operating room.

"Talk" -- and I deliberately selected "Talk" rather than "People" as the shorthand -- was Joseph Mankiewicz's follow-up to "All About Eve." He'd no doubt had this project on the burner, and "Eve"'s huge success gave him the clout to get it produced.

The story (from a German play) must have looked nice on paper -- an idealistic doctor keeps an out-of-wedlock pregnant woman from committing suicide, while successfully defending himself from unjust charges of medical impropriety -- but it doesn't play well on film. Not in Mankiewicz's adaptation, anyway.

Mankiewicz is more interested in being clever than humane, and in a story about what it means to be humane, he fails to make a sincere connection with the characters' inner lives. Even when the characters are forced to confront their situations, Mankiewicz's penchant for witty dialog overrides believable dramatic interaction. Issues are resolved in a "verbal Band-Aid" fashion, merely by the application of clever words.

"Talk" seems more a reflection of Mankiewicz's personality than anything else. The characters are spokespeople for his views rather than fleshed-out human beings. When Shunderson says he's reached the point where music is just about the only thing he enjoys, you suspect you're hearing Mankiewicz himself. (At the age of 57 -- and, like Mankiewicz, a Brahms freak -- I know what he means.)

The principal performances are ineffective. Dr. Praetorius -- who has a history he doesn't want made public -- must have appealed to Cary Grant, who was similarly hounded by rumors about his private life. But his doctor is more charming than deep. There is rarely the sense of "gravitas" you would expect from a person so concerned about the welfare of others. He comes perilously close to expressing a light, almost patronizing attitude towards the problems of human existence. You do, however, get to see the unique "Grant sidle" in the barn scene.

Jeanne Crain's performance is terrible. She's not only miscast -- there's no chemistry whatever between her and Grant -- but the script requires her to be both intellectually strong _and_ vulnerable enough to attempt suicide, while possessing the mental agility and wit to win a verbal fight with Dr. Elwell (Hume Cronyn). Even Bette or Kate would have had trouble handling all that. Poor Jeanne isn't remotely up to it. *

But the supporting players are a delight. Hume Cronyn is at his peak, playing the weaselly Dr. Elwell as a flawed human being, rather than a caricatured villain. Then there's Walter Slezak as a self-absorbed physicist, and marvelous Margaret Hamilton as Dr. Praetorius's ex-housekeeper. She's typecast, but brings far more to the role than you'd expect.

"Talk" is more than a half-century old, and shows it in many ways. The thought that an unmarried pregnant woman would even _consider_ suicide seems alien, even to someone (like myself) born before the film was made. The Code-enforced treatment of attempted suicide is delicate (we don't see Crain lying on the floor, only the people gathered around her), while Mankiewicz's reference to abortion -- without actually saying the word -- is a model of brilliant writing any would-be screenwriter should study.

So, with all this nay-saying, is "Talk" worth a look? Yes. Mankiewicz's dialog is always fun to hear. (His 1983 biography is titled "Pictures will Talk.") And the story _does_ have much to say about professional integrity and respect for other people's private decisions. It also presents the older view that medicine is not about treating symptoms, but treating people -- "Helping sick people get well," as Dr. Praetorius puts it. In an era when motion pictures are rarely "about" _anything_, it's a pleasure to watch a film that -- though it does so in a pompous, even self-righteous manner -- is not embarrassed to say something worth hearing.

The DVD (which I purchased 12/09/03) is sharp, finely detailed, with excellent contrast, but a lot of film grain (or is it coding artifacts?) visible in many scenes.

* The fault is at least partly Mankiewicz's. There is a lot to be said for Hitchcock's approach of letting the actors find their own way.

Can this bomb really be from Joseph L. Mankiewicz
I love Cary Grant films, and I love Makiewicz, but this film is a significant disappointment in both of their careers. Far from engaging, this is one of the low-points in both of their careers.

Not recommended! ... Read more

Reviews (90)

Immaculate, Quiet Comedy.
Although it's not a popular opinion I actually prefer Yojimbo to Kurosawa's epic Seven Samurai. It is funnier, it is smaller scale, and the music is some of the best you will hear - one part John Barry James Bond, to one part Japanese. The plot is so good, they remade it twice. Once as Fistful of Dollars, and once as Last Man Standing, but neither of those later films capture the story as well as Kurosawa.

With gentle humour and a gradual building of tension, Kurosawa really gets you into the movie. Mifune (a regular in Kurosawa films) is wonderful, very understated, very comical and quietly moving.

Although not as widely known as Seven Samurai, or Rashomon, this represents some of Kurosawa's greatest work. The attention to detail is incredible.

It is entirely accessible to Western audiences. Kurosawa's films travel extremely well. The picture on the DVD could be better, but that's a minor quibble. This film is immaculate. You need this.

Stunning
Oh, in the first 3 minutes I knew this was going to be great. From the gloomy intro with the wonderful music playing, to the suspenseful finale, this film never lets up. Masterful directing and a clever plot is what this piece of cinema offers you. This type of film is known as a Jidaigeki western. Oh, and the swordfights don't happen until the last 45 minutes of the movie, just so you know. I recommend watching this before watching Seven Samurai. This film is known as "The Bodyguard" in Japan.

The movie Fistful of Dollars was a good remake of this film, so you might want to check that out after you've watched Yojimbo. But be warned - Last Man Standing was a very bad remake of Yojimbo so stay away from it. Unosuke has got to be one of the coolest villains ever. This was much better than Crouching Tiger, Hidden Dragon. Toshiro Mifune and Tatsuya Nakadai's performances are unforgettable. And in case you're wondering, Ryo means "Gold coin" in Japanese. And so, with a mix of action, suspense and dark comedy, Yojimbo is hands down, the best film of the '60's.

save for a few scratches in the print, this is a great DVD
I myself am one with those who wonder how on earth this Criterion version of Yojimbo ended up having that huge, ugly scratch mark on the print. It just stops me from giving it a full 5-star mark.

But that aside, this DVD is still a great DVD. It's actually my favorite among the Kurosawa-Mifune movies, simply because it is so much fun. the Mifune swagger, perfectly timed with the catchy beat of the soundtrack, is unforgettable. his huge confidence, his arms still drawn in, his shirt sleeves hanging limp and empty while his enemies menacingly surround him, is almost too funny. The lines I like the most come from the "coffins" chapter, where Mifune tells the wannabes "you have such cute faces", then proceeds to tear through them with ease, then with typical panache, tells the cooper (coffin maker) to make two coffins, no, make that three. I don't think I have seen any Hollywood actor, except perhaps the young Paul Newman, act so cool under stress. Even Clint Eastwood's turn in "A Fistful of Dollars" pales in comparison.

Then of course, the twists and turns as he manipulates both gangs. Even the way he mocks the boss' wife by calling himself a "nobody", taking the name of some vegetable he saw in the garden through the window.

Then his low moments. The way he recovers his strength, the way he prepares to neutralize the enemy's pistol by mastering knife-throwing. You'd think he doesn't stand a chance, until it happens. Those harrowing death scenes. And finally, the sight of Yojimbo leaving town, arms drawn in, sleeves empty and limp on his sides, swaggering to the beat of the soundtrack as the movie ends.

It's worth it. And you can always trade-in that crappy "Last Man Standing" to pay off some of the cost of "Yojimbo". It's a trade I would make anytime.

Criterion does it again!
This edition of Yojimbo is the best out there. Just as they do with all digital transfers, Criterion takes only the best transfers from the original films and polishes them to make them look much much better. For a single layered DVD, though, this disc should've been a little cheaper. Great disk!

Do You Feel Lucky Kurosawa?
Toshiro Mifune's silk clothes must stink, but don't mess with this guy. He's a killer with a bad hair-do. I loved the hired killers of the village with their brag and weird swordplay stances. There's a 19th Century Japan feel to a village that might as well have been Dodge City in the American West. Kurosawa is a funny guy. How he adapted Dashel Hammet's California gangster story of waring gangs is Asian alchemy. ... Read more

Amazon.com

Venerable British actors Alec Guinness and John Mills give two of their finest performances in Tunes of Glory, a compelling, emotionally charged study of leadership in a peacetime Scottish battalion. In one of his most memorable roles, Guinness plays Jock Sinclair, the brash, red-haired colonel who temporarily commands his regiment of loyal, devoted soldiers. He's quick with a drink and hearty tales of military bravado, placing him in fun-loving contrast to his replacement, Col. Barrow (Mills), a hot-tempered martinet whose by-the-book style couldn't be more different, or less likable, than Sinclair's. In adapting his own novel for director Ronald Neame, James Kennaway keenly establishes the psychological opposition of these two stubborn men, demonstrating the equal merit of their military careers while exploring class distinctions and, ultimately, the inevitable tragedy of their failure to reach a mutual understanding. Ironically, Guinness was originally offered Mills's role, but suggested a switch to avoid comparison to his role in The Bridge on the River Kwai. It was an inspired decision, allowing each actor to shine in a timeless film that speaks volumes about military men and the winning (or losing) of hearts and minds. --Jeff Shannon ... Read more

Reviews (17)

a tour de force of acting!
Alec Guinness and John Mills - two of the best actors for decades, though I don't think either really received their full dues. Face it, a lot of people's awareness of Guinness came from Star Wars. And that is a shame. He was a brilliant actor with a touch of comedic genius, and he shines in this battle of wits and wills with Mills, another great.

It's basically a two man film, though there is a fine supporting cast of John Fraser, Dennis Price, Susannah York, Gordon Jackson, Percy Herbert and Peter McEnery.

Guinness is Major Jock Sinclair who has been with this Highland regiment since he joined as a boy piper, and rose to Second-in-Command during war time. The unit is now back in Scotland during peace time. Had he stayed as second-in-command, it might now have set tone for the conflict with Lt. Col. Basil Barrow (John Mills). But Jock has been Acting-Commander, so he fully expected to be promoted to full command. The men love him, he's a real man's man. He is devastated, a blow to his ego, when they bring in Barrow to assume command.

Barrow is not a very likable character, a martinet, so it's easy for Jock to wage psychological warfare by undermining Barrow at every turn. A Sandhurst trained disciplinarian, Barrows quickly alienates everyone with his prissy by the book ways, giving Jock the power to slowly rot Barrows authority, ultimately shaking Barrows mental foundations.

While Jock is doing all he can to send Barrows into a tissy fit, Jock's daughter is slipping around meeting John Fraser, which is pushing Jock to the edge as well.

There is a coming confrontation and only one man will survive.

This is acting at is best, and this film really should get more attention.

An astonishing story by Ronald Neame...
The sociable and veteran Major Jock Sinclair (Alec Guinness) has been the acting as Commanding Officer for the Highland Regiment since World War II where he once began as a piper. However, Jock is about to be replaced by a new Commanding Officer, Lt. Col. Basil Barrow (John MIlls), and the mere thought of being swapped with another officer upsets Jock. Colonel Barrow is an aloof and pedant officer with deep scares from the war where he spent most of his time in a prison camp. When Colonel Barrow takes over he immediately begins to set his changes into action, which upsets the lenient Jock who does not like Colonel Barrow or his new strict changes that he has brought to the Highland Regiment. These changes instigate Jock to begin a private psychological warfare toward Colonel Barrow where he plays on the fact that the other officers are not used to changes.

Tunes of Glory is an astonishing story as it displays the rough surface of the Highland military, but at the same time presents the affectionate side of grown men that have returned from war. On top of this the audience gets to see two outstanding performances by Alec Guinness and John Mills that are supported by a terrific cast. In the end the audience will have experienced a wonderful film that leaves them with thoughts and stirred feelings.

One astonishing movie
This smart film shows us one true tour de force between John Mills and Alec Guiness.
Besides all the technical aspects that support this work, the dramatic nucleus deserves be remarked.
Yet this film was made in 1960 ; this script turns around one the essentials lines that support the question about what an effective leader must be.
Look inside what Guiness means; he has set up his mood leadership in a crowd of soldiers accostumed to his irreverent behavior.
He shares what they like; he drinks and he's vulgar too; in other words he flies with them , even ridiculizes the essential role of the authority. This a style yet employed for many managements specially in organizations composed by people of medium professional rank ; this leader stans up about the warm scent of the charisma; that behavior lets to Guiness smell and know the hidden weakness of every man under his power.
This approach is suddenly disturbed when an officer (John Mills) comes for him to replace. Obviously; that fact generates an inmediat reaction state in all the officers. Guiness knows his days are gone and yet he fights with his rules ; you disagree with his psycolghical handles; but you think that Mills a distingued officer, will be capable to end with this screwy state of things.
The obstacle are countless: some are direct and the rest you can imagine: that invisible match to establish the real rules of game , will turn in an unexpected twist ending.
The script is very carefully made ; just remember just two years before Stanley Kubrick had filmed Paths of Glory. This is important due the bitter atmosphere about every item related with the authority excess was not accepted in any society status.
Add to this, the Korea Cold War from the fifties ; the russian invassion over Hungary ; the growing nuclear tension around the nuclear weapons and the visible increase of peace movements all around the world in multiple facets as Litherature; poetry ; painting (Jason Pollock) ; music (rock & roll); cinema (New Wave birth) and challenging films as Baby doll, On the waterfront or Anatomy of a crime ; the raising movements for protecting the nature ; at this decade (fifties) the society was opened for new discoveries and sensations search (remember that the pill was discovered in the middle of the fifties) ; and this mood made the loss of certain principles you assumed as permanent.
And this movie walks in that direction. Watch this one; because its values and intentions goes far beyond a mere entertainment , the movie inquires you ; it challenges you and invites you to react.
Another superb achievement.

Fine DVD for a Guinness classic
No need to say much about the film itself: it is superb as others have agreed, with a phenomenally compelling performance from Sir Alec Guinness, with Sir John Mills (who won Best Actor prize at the 1960 Venice Film Festival) and the rest of the cast giving great support.

The Criterion DVD offers a really fine transfer: colours are rich, and there is a total absence of any artefacts, nicks or blemishes in the print. Sharpness is also very good, there is a hint of occasional grain but this is in the original celluloid I think - and anyway is nothing to worry about.

One slight caveat which has been commented upon by various review sites (so is not just a flaw in my DVD copy) is near the end of the film the appearance on the transfer of an opaque vertical line close to the right edge of the image, about a centimetre wide on my 28" screen. This is not really as distracting as it sounds and was presumably unfixable by Criterion from the source print. It starts near the end of the snooker room scene and stays for about 5 minutes - disappearing during Guinness's tour-de-force final scene where he addresses the assembled officers in a bravura display of fine acting - which leads to the unforgettable (and very moving) climax of the film. Certainly no-one should be put off by this slight flaw as it didn't interfere with my enjoyment of the film.

Soundwise this film offers a straight mono track - which with a 5 channel set-up will unusually use only the centre speaker. Manually adjusting my amp I was able to switch to the two fronts (minus the centre) which gives a slightly wider soundstage. In any event the dialogue is clear (subtitles will help with some of the more inpenetrable lines) and Malcolm Arnold'd bagpipe-based score comes through well.

The extras are slight but OK: the audio-only interview with the aged John Mills in 2002 is not too revealing but he is a lovely man, as comes across well here. The filmed interview with Guinness is better but covers his whole career rather than this film - and he doesn't give too much away of the real man. The trailer is interesting - because it is so appallingly (and hilariously) bad, with a dreadful voiceover and bizarre captions.

Get this DVD for the fine transfer of a brilliant film, which at the end of the day is the prime reason for any DVD package.

Och aye, a supairrb disc!
One of my favorite films has finally made it to DVD. One of the true gems of the postwar British cinema, by a director who often gets short shrift alongside his illustrious contemporaries, Ronald Neame. Everything about the picture's been said - some of the best screen acting of all time in this one. The disc does it justice. The delicate color balance is magnificently rendered,
and the sound is equally well-presented. The real kicker, tho',
is in the extras. The Neame interview is a delight, as is the Guinness one. The Mills one is marred slightly by the rather fatuous questions he is aked, but still quite fine. In short, Criterion hits another one out of the park. Pour yersailf a
wee dram, sit down, and enjoy a bona-fide classic. ... Read more

Amazon.com

One of the very best films about the Civil War, this instant classic from 1989 is also one of the few films to depict the participation of African American soldiers in Civil War combat. Based in part on the books Lay This Laurel by Lincoln Kirstein and One Gallant Rush by Peter Burchard, the film also draws from the letters of Robert Gould Shaw (played by Matthew Broderick), the 25-year-old son of Boston abolitionists who volunteered to command the all-black 54th Regiment of the Massachusetts Volunteer Infantry. Their training and battle experience leads them to their final assault on Fort Wagner in South Carolina, where their heroic bravery turned bitter defeat into a symbolic victory that brought recognition to black soldiers and turned the tide of the war. With painstaking attention to historical detail and richness of character, the film boasts superior performances by Denzel Washington (who won the Oscar for Best Supporting Actor), Morgan Freeman, Cary Elwes, and Andre Braugher. Directed by Edward Zwick (co-creator of the TV series thirtysomething), this unforgettable drama is as important as Schindler's List in its treatment of a noble yet little-known episode of history. --Jeff Shannon ... Read more

Reviews (279)

Honor and Horror
The story of the 54th Massachusetts Infantry is told in a solid and entertaining movie. The casting is brilliant, including the surprisingly good choice of Matthew Broderick, an actor I'm normally indifferent to, who is utterly believable as the scion of a wealthy Boston family who accepts a commission as Colonel in command of the first black regiment in the Civil War. Rounding out the cast are Morgan Freeman and Denzel Washington, the two finest actors of ANY color working in Hollywood these days, and Cary Elwes in easily his best performance since The Princess Bride. If there is anything negative to say about this film, it is in the archetypical nature of several of the characters (I do not know how "fictionalized" the indivdual soldiers are) and a bit of, yes, "glorification" of what ultimately was one of the most horrific and wasteful events in history. But ultimately that is what makes honor and glory: sacrifice for the future. The tragedy should not be forgotten in the glory. So when you see this movie, let your heart swell for the glory and honor, and let your eye weep at the waste of human life.

A Movie for Warmongers and Pacifists alike
The Academy Award winner from 1989 stands out as a monumental film with stunning acting, crisp cinematography and one of the most realistic depictions of the horrors of war ever filmed.

Matthew Broderick is compelling as Robert Gould Shaw, the young and inexperienced commander of the 54th Regiment of Massachusetts, an all-black unit initially deprived of the right to fight but eventually allowed to prove its mettle in a pivotal battle of the Civil War. Morgan Freeman exudes paternal strength and wisdom as the eldest member of the platoon. Andre Braugher, Cary Elwes, Jihmi Kennedy, and a brilliant Denzel Washington (winner of "Best Supporting Actor" Oscar) make this film a genuine classic.

Making small but significant contributions to the film are Jane Alexander as Shaw's mother and veteran Raymond St. Jacques (his last role) as Frederick Douglas.

A further nod of praise goes to James Horner's masterful score. His music, along with the harmonies of the Boys Choir Of Harlem provides as glorious a background as is the inspirational story itself.

A Great American Movie!
This is one of the most historically acurate films about the Civil War. Not only that, it's one of the best acted and best shot movie in many years. Denzel Washington's performance is worth the Oscar he recieved. Matthew Broderick and Morgan Freeman are also exceptional. It's an unforgetable film about an event that changed the course of history.

HOTTTTTTTTTTTTTTTTTTTTT
THIS IS ONE OF THE BEST MOVIES I HAVE EVER SEEN!
Matthew Broderick is AMAZING buy it and you won't be disapointed.

American tragedy
For so long, the image of the Civil War has existed in the collective American mind as a series of sepia-tone Matthew Brady photographs: ghoulish and nightmarish landscapes littered with bodies and body parts. However, with the notable exceptions of his portraits of the field generals, there is a sort of anonymity to the corpses in Brady's works. In one of GONE WITH THE WIND's most powerful scenes, scores upon scores of wounded soldiers lie in the streets, until they appear to be one large, unidentifiable mass of pain--which was the filmmaker's point. Edward Zwick's GLORY was one of the first films to put a human face and individuality to those who fought and died in America's most brutal years. Based upon the true story of Boston's young colonel, Robert Shaw, and his efforts to allow his all African-American outfit (the "54th") to fight on the side of the Union, GLORY is one of those rare films that successfully combines history with movie-making.

Wonderful performances abound in this powerful film: Washington, Broderick, Freeman and Elwes all give their best efforts. But the real star of the show is the camera. The battle sequences, as other reviewers have mentioned, are horrific, as is the scene in the triage tent. (THIS MOVIE IS NOT FOR PEOPLE WITH WEAK STOMACHS.) But the scenes in between, the relatively quiet ones, have as great an impact. I especially have in mind the training sequences. In another director's hands, the scenes in which the troops begin understanding each other, and as the officers begin understanding their troops could have wound up a syrupy mess. Instead, their horrible predicament unites them in an unsentimental, yet sensitive manner. Zwick's camera-work throughout is exemplary, making GLORY one of the best films about America's most tragic episodes. ... Read more

Reviews (50)

6 out of 5 Stars!!!
What can I say. This is the Godfather of dancing movies. You got served, Save the Last Dance, and Dirty Dancing 2 would not exist without Footloose. Kevin Bacon is sensational, that kid has a few moves!

Based on a true story (According to E!), Footloose is about a pack of high school kids fighting for their right to DANCE. "There is a time to laugh, and THERE IS A TIME TO DANCE," quote Kevin Bacon. You see, these kids live in a redneck town where people wear cowboy boots don't want kids to dance. Dancing was thought of as dangerous, and the leading cause of teenage pregnancy. So they want to ban dancing... but when the kid from Chicago (Kevin Bacon) showed up, he taught his redneck friends how to dance and decided to fight the resistance and want to be freed from the
anti-dancing act.

As with any movie, there has got to be antagonists. Besides crazy dancing and tight 80's style jeans, this movie is loaded with action scenes. There is a scene where Lori Singer's ex-boyfriend shows America how to beat up Lori Singer, and there is a scene where Kevin Bacon drop kicks Lor Singer's ex-boyfriend and helps young Chris Penn (when he wasn't all fat) kick 5 people's @SS. This movie is also loaded with testosterones: scenes of pickup trucks, roll bars and dancing on football field bleachers proves me right!

In many ways, this movie reminds me of the importance of Freedom. The need for Americans to fight for the right to party! Some people may laugh at the cheesy lines, lame outfits and the fact that Kevin Bacon's choreography is entertaining, but it should be taken just as serious as movies like T2 and Matrix in which the protagonist fight for the FREEDOM of fellow mankind.

If you are looking for a lighthearted film with plenty of action and laughter, you do not want to miss this great film. Kevin Bacon, I always knew you are a talent... Superb Cast and Excellent Film!

Fun and entertaining movie, but rated PG? I don't think so..
Teenager Ren MacCormack (Kevin Bacon) moves with his mom from big city Chicago to a small town in the Midwest after his parent's divorce. Ren is suprised to find that it's against the law to listen to rock 'n' roll and the law also prohibits dancing! Ren can't understand why these laws were brought about but tries his hardest to fit in with the town people. Unfortunately, though he's accepted as a friend by fellow student Willard (Chris Penn), no one else seems to like him, calling him a 'big-city kid' and a trouble-maker. After a while, he comes up with a plan to try to make it possible for the Senior students to be able to have a prom dance. He'll be going against the whole town, most specifically the Reverend Shaw Moore (John Lithgow) and the town council. Will Ren be able to change the stiff necked town people's minds? At the same time, Ren begins to fall in love with the Reverend's wild and unpredictable daughter Ariel (Lori Singer) while trying to keep his distance from her boyfriend Chuck (Jim Youngs). Also starring is Sarah Jessica Parker as Ariel's best friend Rusty, Dianne Wiest as the Reverend's wife Vi, and John Laughlin and Timothy Scott play Woody and Andy Beami, two of Ren's allies.

*PLOT* - This is my first and only 80's dance movie to watch and I must say that I very much enjoyed it. The plot was interesting though of course some points were a bit unrealistic. Basically the movie is in a way a 'coming-of-age' film. I loved the way each of the characters are portrayed. Kevin Bacon's character Ren represents the 'hero' of the movie. At first when I read the reviews I thought Ren would be your typical rebellious teenager. A bit on the contraire, he is responsible and you can't help but feel proud of him when he brings his case up to the council. It's hard to explain and I can't tell you much since this is only a review, but I must say that Ren's character was extremely well-done. Ariel on the other hand is very rebellious, and flaunts it to her father. I loved how she and her father were able to resolve their problems at the end.

*ACTING* - Kevin Bacon definitely steals the whole movie with his acting. He plays the part of a teenager perfectly, even the way he walks. His dancing was also spectacular, most notably his solo dance at the warehouse to the music, "Never" by Moving Pictures. If he was doing only half of what we see on screen, I'd still be impressed. John Lithgow is also outstanding, it was interesting to see his dramatic abilities after watching him on goofball comedy tv series, "3rd Rock from the Sun". He certainly can put power in his 'sermons'! Lori Singer beautifully stunning as Ariel, a perfect example of the category of 'wild and beautiful'. Besides the character of her father, Singer's character of Ariel has the most development in the movie.

*DANCING* - The dancing is just pure fun to watch, especially for people who loves 80's dancing. The last dance was not only the best dance, but the best part of the whole movie. If by chance somebody didn't enjoy the movie, I'm sure the end will make up for it. I loved it so much, I downloaded that segment onto my computer so I can watch it any time.

*SOUNDTRACK* - The soundtrack is another plus side to the movie. Besides the "Top Gun" soundtrack, "Footloose" is on my top list of favorite movie soundtracks. Great songs include two by Kenny Loggins, "Footloose" and "I'm Free (Heaven Helps the Man". Other of my favorites include "Let's Hear It For the Boy" (Denise Williams), "Almost Paradise" (Ann Wilson/Mike Reno), "Somebody's Eyes" (Karla Bonoff), and "Hurts So Good" (John Cougar Mellencamp). Plus there's plenty more!

*PG Rating* - From here I will be giving you the downside to the movie "Footloose". I was extremely disappointed that the movie does not hold true to what a real PG movie should be. There are many reasons as to why this movie should be changed to a PG-13 rating. Though the movie is about a small town which has a dislike for rock music and dancing, the movie portrays some of the teenagers there as being very immoral. Besides having sexual innuendo, some violence, and drugs scattered all over the movie, the language is also pretty strong. I strongly recommend parents not to have younger children watching this movie. Best for kids 15 and older.

Overall, "Footloose" has the great elements to make a good movie; great story, terrific acting, nice music, and cool dancing. But it also shows some of the immoralities of teenagers so parents should be cautioned. The movie is more aimed towards teenage viewers and adults might not find this movie terribly entertaining. But then again, adults might enjoy the movie for they might be able to relate to John Lithgow's character as the father who does not want to let go of his daughter because of his love for her.

Very classic movie and soundtrack
As I said in the title, great nostalgic movie, story, acting, etc. I enjoy watching the movie over and over. I would give this 5 stars but I will give the DVD tech guys an F for not putting any features (besides ws format) on this. I think some trailers, interviews, and other stuff would have fit. They could have done a little segment on all of the songs featured here. Aside from this, great DVD.

One of my personal favorite movies from the '80s
I was watching VH1 over the holiday weekend and came across a showing of "Footloose". "Footloose" is one of my favorite movies from the '80s. I actually saw the film in the theater with some friends. We wanted to see "Splash" but tickets for that movie was out so we settled on "Footloose". At the time I thought the premise of the film of a hip teenager rebelling against an ultra conservative town with its anti-rock music and dancing rules, was a bit farfetched, if not silly. I still do to this very day but I like this movie more now than I did back twenty years ago. It's amazing how much Christopher Penn has