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| 181. The Mask of Zorro (Superbit Deluxe Collection) Director: Martin Campbell | |
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Description Reviews (362)
Bandaras, a low-life bandito becomes urbane and a proficient warrior at the teaching of Hopkins, and then becomes transformed by a positively bewitching Catherine Zeta-Jones. Their interplay gives the film its romantic, and often sensual edge. Lots of swordplay and general excitement, as we recall from Douglas Fairbanks and Disney's Guy Williams. The movie moves quickly (but bogs down for awhile 2/3 of the way through. Happily, it picks up the pace through the end. Nice scenery. When we see the sign of the return of Zorro, via a blazing Z cut into a hillside , it is positively thrilling. A stirring script which fits the film well. More than enough humor (such as the scene in the confessional, or one of several chased of Zorro by the troops) for the purpose of lessening the tension which is well added by a malevolent Matt Letscher. As one says, it is a grand throwback. As another said: That's entertainment!
Anthony Hopkins is Zorro, the Fox. After years of struggle, Spain is pulling out of California and leaving it to the Mexicans. But Zorro slips up and the evil Governor tracks him down, kills his wife, steals his daughter and throws him in prison. Twenty years later Don Diego (Zorro) hears that the Governor is back. Minutes later he has escaped from prison (what was he waiting for?) and is destined to run into Antonio Banderas. After their meeting, Don Diego trains Antonio to be the new Zorro. The rest of the movie involves the plan to create the Independent Republic of California by buying it from Santa Ana with gold dug out of its soil and stamped to look Spanish. Mexico is willing to make the sale because of their war with the United States (it is now 1841). If you are looking for a fun swashbuckling adventure, then this is definitely the movie to see. If, however, you want to see Zorro, you might find yourself a little disappointed. Gone is Zorro, the defender of the common people and the innocent. In his place is, not one, but two, Zorro's who are bent on personal vendetta's and enlightened self-interest. It is actually Don Diego's daughter who helps some enslaved Mexicans near the end of the movie. The transition from one Zorro to another takes the Fox out of the wealthy and privileged and makes him a commoner. The new Zorro is also a thief (in a wonderfully fun scene the young Zorro steals his horse, a very serious crime at the time). Having Zorro break so common a law seemed wrong to me. To have Zorro flaunt the breaking of laws meant to worsen the lives of the commoners is another thing entirely. But in this movie Zorro does not taunt authority. He plots against it, to be sure, but for his own reasons and not for the good of the people. As this movie has two Zorros, there are now also two villains to be defeated (one each). The elder Zorro still has his old nemesis to contend with while the younger Zorro has made a personal enemy of Captain Love, a young Cavalry officer who seems to be in the wrong country. Both villains are vile and easy to hate. This make the personal vendettas a little more palatable as well as making the ending a lot more fun. The other main problem with this film is that Zorro loses. Zorro never loses. but in this film Zorro loses big time. He loses his wife, his home, his daughter, his name and twenty years of his life. Granted, he briefly regains his daughter but gone is the hero who can laugh in the face of danger and triumph brilliantly. The last thing I wanted to mention is that, probably due to the controversy over the new Jeffrey Irons film, Zorro is no longer married to his wife Lolita. Her name has been changed (how dare they) to the more common Esperanza. I can understand the concern of some but Don Diego won the heart of Lolita before the Roaring Twenties. As in the Nabakov novel, Lolita is a valid name before it was turned into an adjective. Next thing you know people are going to try and get Disney to change the name of Bambi because they think it is a girl's name (Bambi was the prince of the forest). So, if you want to see The Mask of Zorro because, to you, it means an exciting swashbuckling movie, you will really enjoy this one. But if you want to see the movie to watch the continuing adventures of a hero that has entertained all generations since his debut almost eighty years ago, part of you will be disappointed in what has happened to the character.
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| 182. The Waterdance Director: Michael Steinberg, Neal Jimenez | |
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Reviews (11)
Although the Joel-Anna relationship is the basic focus, there are many other well-developed characters in the ward. Wesley Snipes does a tremendous job as the angry Raymond. Even more impressive is William Forsythe as the bitter and racist Bloss. I think Forsythe's two best scenes are when he becomes frustrated and angry at the square dancers, and, later, when he feels empathy for a young Korean man who has been shot in a liquor store hold up. My favorite scene with Snipes is the in the roundtable discussion of post-injury sexual options. The chemistry between Stoltz and Hunt is very strong, and they have two very intimate, but not gratuitous, sex scenes. The orgasm in the ward is both sexy and amusing. There is also another memorable scene where Joel and Bloss and the Korean boy take the specially-equipped van to the strip bar. It's truly a comedy of errors as they make their feeble attempts to get the van going to see the "naked ladies." The story is made even more poignant by the fact that the director, Neal Jimenez, is paralyzed in real life. This is basically his story. This film is real, not glossy or flashy. To have the amount of talent in a film of such a small budget is amazing. I recommend this film to everyone I see, because it is one of those films that even improves on a second look. It's a shame that such a great piece of work gets overlooked, but through video, perhaps it can get the attention it so richly deserves.
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| 183. The Boost Director: Harold Becker | |
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Reviews (4)
This movie is simply the most powerful depiction I have seen of the devastating effects drugs can have on people. James Woods is brilliant, and the gradual erosion of his life seems to happen without his knowledge. Like the frog boiling in water, it all slips away subtly and quietly. In the end, he depicts the painful and harsh reality of a person who cannot see that he is in any way at fault, and if he gets just "one more break" it will all work out again. Tremendous film and a very under-rated performance by Woods.
James Wood outdoes himself in yet another fine performance. A film is worth seeing if only because he is in it. ... Read more | |
| 184. Dragon Tales - It's Cool To Be Me Director: Phil Weinstein, Tim Eldred, Michael Hack | |
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Description Reviews (2)
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| 185. Dragon Tales - Easy as 1 2 3 Director: Phil Weinstein, Tim Eldred, Michael Hack | |
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| 186. Godzilla the Series - The Monster Wars Trilogy Director: Nathan Chew, Sam Liu, David Hartman (III) | |
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Amazon.com Reviews (1)
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| 187. Warlock: The Armageddon Director: Anthony Hickox | |
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Amazon.com Reviews (17)
Anyway, this has some pretty decent effects, and some pioneering computer animations, but all in all, it's a very weak film, and, putting the special effects aside, there's not much left but incompetent acting and cheap thrills. If you like the Warlock films or love Julian Sands, buy this one, or if you're curious, buy it, but overall, you could skip it without really missing anything.
I hope that anthony Hickox would make more films like this.
But sorry, Paganism and Satanism... nothing has to do with each other... Blessed be
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| 188. Stuart Little (Full Screen Edition) Director: Rob Minkoff | |
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Reviews (162)
Score: 64/100 He's clever. He's enthusiastic. He's a can-do little guy with an attitude. And he's a mouse. From the co-director of The Lion King and the writer of The Sixth Sense comes an entertaining family film from classic American author E.B. White. It's surely a star-studded crew there, and there's not much a family of four could white other than a couple of talking mouse's and many exciting scenes. Even though Stuart Little falls flat from a few flaws, it's still a fun children's comedy, that will be worth your time, depending on your feelings towards movies like this. In a cosy house near New York City's Central Park, Mr. and Mrs. Little (Hugh Laurie and Geena Davis) bring home a surprising addition to the family...Stuart (voiced by Michael J. Fox), and he's a er...mouse. Despite the urgings of Mrs. Keeper at the orphanage to adopt within their own species, the Littles beam with the pride of new parents. At home the little guy with a big heart (not to mention whiskers, a little pink nose and a really dapper wardrobe), searches for a sense of belonging and a place to call home in the decidedly supersized world. When Stuart is adopted by the Littles he embarks on an adventure with a variety of characters - including his nemesis, the cat Snowball (voiced by Nathan Lane) - and learns the true meaning of family, loyalty and friendship. The Littles, in the meantime, each discover there is a Stuart in all of us - the spunk, spirit and courage to be true to ourselves and follow our dreams despite the odds. Stuart Little is a good movie, but it suffers majorly from an over-corny note. It's big smiles and drowning frowns all the time, none of the characters ever look normal. Their expressions are practically drawn in, and none of them have much originality about them apart from Stuart, of course. Still, the film provides plenty of entertaining scenes, including an exhilarating cat chase and a superb boat race. It may have a sense of bore in some parts of the film, but overall, it's a very bearable movie that will silent children and, surprisingly, adults for a rainy day. It's a film that combines live action with some groundbreaking visual effects by artists and innovators who have taken digital character creation to a bold new level with the birth of Stuart. The visual effects are the most plausible thing about the film, they are truly memorable, it's some of the most amazingly done animal-talking done since Babe. Not as good as it could've been, Stuart Little is still watchable fun, a film where you can really expect the whole family to enjoy it.
The animation is outstanding, so much that you don't even notice it, and Michael J. Fox is absolutely perfect as the voice of Stuart. The very colorful, almost-realistic-but-not-quite setting was quite well done, and the group of acting cats must have been a monumental accomplishment. Jonathan Lipnicki is cute as a bug, and Hugh Laurie (great fake accent!) and Geena Davis are perfect storybook parents who finish each other's sentences and eat a lot of meatloaf. Rounding out the talent is Nathan Lane as the voice of Snowbell, the cat who is mortified at having a mouse in the family. It is fascinating to watch the extra features and to see just how much work went into making Stuart so real. Excellent work! A clean, fun, enjoyable movie.
The story plays out effortlessly, with wonderful scenes moving back and forth between mad-cap adventure and family bonding. The animation team really outdid themselves with Stuart and his fake mouse parents, who make a fantastic entrance midway through the movie. The conspiracy of cats is mostly humorous, and not overly frightening for little ones. Every scene appears to have been meticulously created. The toy boat race is riveting. The kids will love every minute of it, as will adults as this movie avoids the typical pratfalls of family entertainment. The DVD also provides some nice add-ons, such as storyboard sequences for some of the scenes and mouse trivia games for the kids.
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| 189. Jack Frost Director: Troy Miller | |
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Description Reviews (42)
First, the pictures don't do the snowman justice because they really did a good job in the movie making the snow man look good with the use of teaming up with George Lucas Industrial Light and Magic. Awesome! The video transfer is beautiful and the audio is pretty good considering it's a dialogue movie. As for the DVD, the movie comes with production notes and the theatrical trailer. I wish there was a long featurette and perhaps deleted scenes or something but it's ok... I got more what I expected from this movie. In a way, I'm kind of happy that Michael Keaton took this role because for a good actor, to make a film for the families/children out there, shows great character. A cool movie for families to watch together with their children.
With all that, why did I only rate it 4 stars? Well, as a movie, it doesn't quite earn its' place among the classics. The acting's OK, the storyline is good, the photography, sets and scenery are fine, but it doesn't near the level of a "Wizard of Oz" or "Toy Story". On the other hand, if you're a father with a young son and you're both looking for a good movie to rent on a cold winter's night, I've got a recommendation...
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| 190. Quicksilver Highway Director: Mick Garris | |
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Description Reviews (11)
A wandering storyteller, Aaron Quicksilver (Lloyd), narrates the tales in two strikingly different locations: Stephen King's 'Chattery Teeth' along a deserted stretch of desert highway and Clive Barker's 'The Body Politic' within the carnivalesque setting of a funfair. The more interesting of the two tales is 'Chattery Teeth', which tells of a psychopathic hitchhiker who falls prey to a relentless and dangerously-sharp set of chattering teeth owned by the travelling salesman driving the car. 'Chattery Teeth' is taken from a short story written by King and first published in 'Cemetery Dance' magazine in the nineties. Similar to the stories found in 'Creepshow' and 'Creepshow 2', it is a bizzare and disturbing story with a twist in the tail, very similar to the 'Twilight Zone' and the 'Ray Bradbury Theater'. The lesser of the two is Barker's 'The Body Politic'. Here, a hand comes alive, goes completely out of control, and eventually attacks its owner. The story is taken from Clive Barker's 'Books of Blood: Vol 4' and is actually quite an entertaining and intelligent story ... in print. However, attempting to re-create this story on film just doesn't work. The effects are nothing short of laughable, which inevitably ruins a good tale. 'Quicksilver Highway' is directed by Mick Garris, who has collaborated with Stephen King on more than one occasion (see 'Sleepwalkers', 'The Stand', 'The Shining' (TV), and the forthcoming 'Riding the Bullet' and 'Desperation'. He is also the man behind some of the 'Twilight Zone' episodes and 'Freddy's Nightmares', the latter explaining his less than efficient effort with 'Quicksilver Highway'. Nevertheless, the cast is well chosen - Matt Frewer (The Stand), John Landis (Director of 'An American Werewolf in London'), Bill Nunn (Kiss the Girls), and Clive Barker - and although the movie does have its tedious and ridiculous moments (check out Lloyd's fetishistic leather garb), it is watchable. Fans of 'Tales from the Crypt' and 'Tales from the Darkside' will certainly want to give this film a look-see. Rating: A good weekday watch after the witching hour ... but time spent reading the short stories would be considerably more prudent.
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| 191. With Fire and Sword (Ogniem i Mieczem), Parts 1 & 2 Director: Jerzy Hoffman | |
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Description Reviews (2)
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| 192. Catherine the Great Director: John Goldsmith, Marvin J. Chomsky | |
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Reviews (12)
They tell you this in the movie...but only in the last five seconds of the film. Most of the movie is spent concerning Catherine the Great's supposedly promiscuous sex life (although many historians think that is just anti-Catherine - and antique - propoganda). Oh sure they give you five seconds of a peasant rebellion, five seconds of some guys that strangle jailors, and five seconds of a Turkish battle...but the rest is pretty much Catherine Zeta-Jones stripping down in corsets. I mean don't get me wrong, she's cute and all...but I saw the film to see her attempt acting, not cleavage. I would have liked to have known what made Catherine so "the Great." This accompanied with "The Scarlet Pimpernel" really made me lower my standards for A&E's productions. I really expected better.
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| 193. Barbarian Queen Director: Héctor Olivera | |
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Amazon.com Reviews (5)
About the movie? Well, I'm about as big a cinema snob as you can get without being a professional film critic. I love the classic film-makers. Kurosawa, Kubrick, Keaton, Ford, Wilder, Hitchcock, etc. But I really like this movie. It is one of the best B movies out there. What's so great about a B movie? I think it's intent. B movies are obvious. They know exactly what they are and what they can do. They are there for a little action, a little adventure, some blood and guts, some T and A. They don't try to be anything more than that. That's why they are my guilty little pleasure. You want a good B movie? Get this one, if you can. But if you have the unrated VHS, you might want to have second thoughts about this purchase. But then again, it's 10 bucks. Why not?
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| 194. The Haunting Director: Jan de Bont | |
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Amazon.com Reviews (324)
(1) Bruce Dern, who plays the groundskeeper and who, in about 3 lines and 20 seconds, out-acts everyone else in the film, even though they get hours. Bruce Dern should have been the star of this film. He's got more talent in his left nostril than the rest of the cast have in their whole bodies. He's of the old school like Donald Sutherland, and he is squandered in this film. The director is like a prospector who puts the mud in his pocket and leaves the gold behind. (2) The mansion itself, which is extraordinarily beautiful, but probably only a bunch of sets. Still, it's lovely. Nothing else in this movie is remotely interesting or frightening. The screenplay reads as if it were written by a junior high student.
There was nothing new here: the fury of an evil, dead capitalist and the pain inflicted on his mostly children workers--and his family--just can't seem to get out of the house. So! The evil men do does live on! How original! I'm reaching for sarcasm which is never pretty, so I will end here. This movie was the pits. ... Read more | |
| 195. Me and Will Director: Melissa Behr, Sherrie Rose | |
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| 196. The Boy in the Plastic Bubble Director: Randal Kleiser | |
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| 197. Table for Five Director: Robert Lieberman | |
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Amazon.com Reviews (4)
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| 198. Intolerable Cruelty (Full Screen Edition) Director: Joel Coen, Ethan Coen | |
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Reviews (159)
The inclusion of an African-American detective is interesting-but he's of so little value to Miles that Miles meets him for lunch in a dingy diner instead of one of the glossier restaurants we see in the film. In the screwball genre, this should be the scene where we see the better, decent side of Miles; we should see that he's a man of the people. But in this film the diner, usually a place of populist wisdom, (and a handy cinematic counterpoint to the empty values of the wealthy characters), is dismissed and ridiculed. It's too bad, because the dowdy patrons of the diner are also surrogates for the ordinary people in the audience. If Miles had met the detective in an upscale restaurant (and taken Marilyn to the diner), that would have told us something about his inborn decency despite his privileged background-then we would have really been on his side. And if we'd been given an inkling of why Marilyn is so money-hungry, we might have more sympathy for her. This film lacks the underlying empathy for ordinary people that the great comedies had beneath thei | |