Amazon.com

Season 4 of Star Trek: The Next Generation seemed like the year of family. After quickly resolving the breathtaking cliffhanger of "The Best of Both Worlds," the show took pains to show some of what the Federation was fighting for. We meet Picard's brother, Data's father, Tasha's sister, and Worf's adoptive human parents, plus an old flame with a surprise son in tow. The Klingon heritage subplot that begins here and builds to the cliffhanger finale ("Redemption") would continue to the show's end and through into Worf's reappearance in Deep Space Nine.

The year also explored the implications of Data, Lwaxana Troi, Geordi, and Dr. Crusher being in love, while Miles O'Brien (given a first name at last) married Keiko. There were old friends revisited: the ubiquitous Q in a hilarious Robin Hood romp ("Qpid"), perennial screwup Reg Barclay ("Nth Degree"), and even the mysterious Traveler from season 1's "Where No One Has Gone Before" (played by Eric Menyuk, who was nearly cast as Data). There were new races introduced who would have an important bearing on Trek's destiny: the Cardassians and the Trill. Most of all, though, there were the one-off stories that impressed: "Clues," with its memory-loss mystery; "Night Terrors," with some genuine frights; and "Identity Crisis," with possibly the only time Trek technology really helped Geordi solve a puzzle. Then right at the end, reinforcing the year's familial theme, Denise Crosby returned as her own half-Romulan daughter! --Paul Tonks ... Read more

Reviews (28)

TNG Fourth Season...The Best Continues.
The fourth season of TNG begins with the rescue of Picard from the Borg collective, and ends with Worf leaving the Federation to join his people during the Klingon Civil War. In between these two landmark shows, lies a fourth season drenched with superior stories and consistently good character development. Star Trek really established itself in the third season and it never looks back as we go forward through the fourth. I liked this season only slightly less than the third, only because of a couple of episodes I didn't care much for. I didn't like "Remember Me," and "In Theory." Data falling in love was good for a subplot, but not the main story. Still, we get top-notch entertainment as the crew continues to explore places no one has gone before. High-lights include, "Reunion," "The Drumhead," "Qpid," "The Mind's Eye," "First Contact," "Clues," and "Future Imperfect." We meet Tasha Yar's sister in, "Legacy." We meet Data's father in, "Brothers." Also, while the Klingons and Romulans still play vital parts, we finally meet the devious Cardassians in, "The Wounded," where O'Brien finally has his moment to shine. All and all, this is a superb DVD set and I highly recommend it to any fan, whether you are a diehard Trekor or just getting started.

Television Entertainment At Its Finest
What can I say that hasn't already been said about how wonderful Season Four was? But with the weight of such episodes as The Best of Both Worlds Part II, one might hear a collective gasp from Trekkers who find that there's actually someone who enjoyed another episode more than the gripping conclusion to Season Three's nail-biting cliffhanger.

I love The Drumhead - it is my favorite episode of this season. An excellent courtroon drama directed by Jonathan Frakes with a style reminescent of Stanley Kramer's "Judgement At Nuremberg" and penned by veteran series writer Jeri Taylor, The Drumhead is an intelligent and often thought-provoking exercise in the dramatic.

After an explosion aboard the Federation flagship Enterprise, a Klingon exchange officer is found guilty of spying on behalf of the enemy, the Romulan Empire. Once cleared of being involved with the explosion, Admiral Satie (Jean Simmons) begins a witch hunt for a saboteur and finds him in crewman Simon Tarses (Spencer Garrett) on the grounds that Tarses' paternal grandfather was a Romulan.

This is television entertainment at its finest; on par with the best of Law & Order and JAG. Expertly directed with fine performances all around and presents a fine message that holds true especially today. The Drumhead is an excellent episode and one not to be missed, even if you're not a fan of the television series.

Continuing excellence
The third season of Star Trek: The Next Generation laid a new foundation for the series and season four does nothing but continue right where season three left off with more great plot development and story telling. In season four we saw the return of K'Ehlyr accompanied by Worf's son. Season four continued to elaborate on plot elements concerning the Klingon empire that were laid down in Sins of the Father in season three. The season built up to the major conflict with the episodes Reunion, Data's Day, The Mind's Eye, and brings it all to a climax in Redemption: Part I. This season also has a direct effect on many of the plot elements in Deep Space Nine in the episode "The Wounded". There is also a new villain introduced that has yet another direct link to season three, however, that is not brought to light until the second part of the season ending cliffhanger in Season five. A huge underlying theme in the fourth season is family. A great season of continued excellence and not the last.

Personal Favorite Episodes:

The Best of Both Worlds: Part II, Family, Brothers, Reunion, Data's Day, The Wounded, Clues, The Nth Degree, QPid, The Drumhead, The Mind's Eye, Redemption: Part I.

Danger Will Robinson!!!!!!
Dr. Zachary Smith is a great character. Nobody on The next generation even comes close!!!!

Season 4 - TNG Running at Warp 9.8!
Regarded by most fans of The Next Generation as the series finest hour. Everything about this season seems to gel incredibly well.

This is the season to show non-Trekkies (Trekkers for the purists), and those who say "They never will enjoy it" - I have converted a few myself *grin*

Starting off with the conclusion to the shocking Best of Both Worlds and ending with Redemption Part I, this season is packed full of action, character development and some first rate stories.

This boxed set should be top of your list to purchase - ideally this season and seasons 6 3 and 5, unless you are determined to go in chronological order.

All in all fabulous! ... Read more

Amazon.com

With the original conspiracy plot arc having fallen into a muddle ofloose ends, once-hungry lead actors on the verge of big-screen careers andmaking demands for more time off or shots at writing and directing, and theinitial wish list of monsters-of-the-week long exhausted, it's a miracle that byits seventh season The X-Files was still making its airdates, let alonemanaging something pretty good every other show and something outstanding atleast once every four episodes. The season opens with a dreary two-parter("Sixth Extinction" and "Amor Fati") and winds up with the traditionalincomprehensible cliffhanger ("Requiem"), but along the way includes a clutch ofepisodes that may not match the originality of earlier seasons but stilleffortlessly equal any other fantasy-horror sci-fi on television.

The highlights: "Hungry," a brain-eating mutant story told from the point ofview of a monster who tries to control his appetite by going to eating disorderself-help groups; "The Goldberg Variation," a crime comedy about a weaselylittle man who has the gift of incredible good luck, which means Wile E.Coyote-style doom for anyone who crosses him; "The Amazing Maleeni," guest-starringRicky Jay in a rare nonfantastic crime story about a feud between stagemagicians that turns out to be a cover for a heist; "X-Cops," a brilliant skiton the TV docusoap Cops with Mulder and Scully caught on camera as theytrack an apparent werewolf in Los Angeles (season-best acting from DavidDuchovny and Gillian Anderson); "Theef," a complex revenge drama with gauntBilly Drago as a hillbilly medicine man stalking a slick doctor; "Brand X," ahorror-comic tale of corruption in the tobacco industry; "Hollywood AD" (writtenand directed by Duchovny), in which Tea Leoni (Duchovny's wife) and GarryShandling are cast as Scully and Mulder in a crass movie version of a real-lifeX-file; and "Je Souhaite," a deadpan comedy about a wry, cynical genie at themercy of trailer-trash masters who haven't an idea what to wish for. --KimNewman ... Read more

Reviews (43)

The last of the true classic X Files Seasons!!!
...P>Mulder and Scully were still together for this, their last season as the two leading characters of one of the best dramatic series in television history.

After the movie, the move to L.A. and the predominance of humorous episodes throughout the Sixth Season and the incredible resolution of the original mythology, the seventh season started with a bang but not with a little anxiety on the fans' side because this was the much rumored final season. ...

Myth Episodes:

The Seventh Season starts with the two parts of a new mythology that started with the last episode of Season Six called Biogenesis.
The Sixth Extinction and The Sixth Extinction II: Amor Fati (Wich translated means "Love Of Fate")carry on with the theory that Mulder might be a succesful Human - Alien Hybrid!!!

It's extremely important that you don't miss the Two Parter:
Sein Und Zeit (Wich means "Being and Time") and Closure wich puts to rest, in an extremely precious form, the Samantha Mulder mistery giving the Fox Character one of his few moments of rest throughout the whole series.

And Requiem... The best of the best in Season Finale's. Although it would ultimately lead the series into only God knows what.

Stand Alone Episodes (Or Monster of the Week):

Orison:
Witnesses the return of a villain that appeared before in earlier seasons. Great script by Chip Johanessen (Former collaborator of Beverly Hills 90210 and Millenium).

The Amazing Maleeni:
Actually not an X File, but an excellent proof that the series still had a lot of fuel. Excellent Turn of Screw at the end!!!

X Cops:
Cops, The X Files and Vince Gilligan... What's not to like?

Theef:
Voodoo. Nuff Said!!!

Chimera:
David Amann at his best!!!

En Ami (Wich means "One Friend", although its a play on words wich in english can be understood as "enemy"):

Written by the CSM himself (William B. Davis)!!!

All Things:
Written and Directed by Gillian Anderson. Not the best, but the teaser (considered one of the most controversials in the whole series' existence) is worth the whole package.

Je Souhaite (I Wish):
Written and directed by Vince Gilligan.

After this, the series was transformed into a mix up that even Chris Carter didn't understand at all. Don't get me wrong. I don't hate Robert Patrick's character or even Annabeth Gish's but John Dogget and Monica Reyes didn't achieve to give the series that feeling we all know very well. That X FILES feeling.

I'm so sorry that David Duchovny got transformed into such an egotistical person. The series would have been succesful with him in it. You can see him act like a Zombie (Check out Chimera)and he already looks tired. Maybe the series would've finished here and continue in a new movie. Heck! The series could've even ended with Season Eight, but no! Fox had to continue exploiting fans. And we gladly let them... But not for long.

Hope you enjoy having the only and real seven seasons of what can be called the television phenomenon of the last century.

I WILL buy the las two seasons, only to feed my collectionist's hunger, and because the movie will start where the last episode of the Ninth (and worst season) left off.

Long Live the X Files!!!
Long Live the X Philes!!!

Wishing to encounter you all again in a dark cinema room.
Enrique Aguilar.
A Mexican X Phile.

Changing of the guard 4 1/2 stars
If season 6 was the high point for "The X-Files" (and many fans feel it is), than season 7 catches the series at the top of the other side. While some of the episodes play a bit flat, the bulk of season 7 is, contrary to other reviews, worthwhile picking up on DVD. The first two episodes of season 7 "The Sixth Extinction" immediately grabs your attention with a strong two parter that relates directly to the mythology episodes of previous seasons. We also have a conclusion, of sorts, to the running narrative about Mulder's search for his sister. The mythology episodes really isn't what the seventh season is about; it's the experimentation. Season 7 featured the most experimental, on the edge and downright strange episodes of the entire run. Running the gaumont from satire ("Hollywood A.D.") to melodrama with spiritual overtones ("all things")to traditional X-Files horror and a sympathetic look at a "monster" ("Hungry"), the series continued to push the envelope as to what was acceptable for the show.

Sure, there were some missteps. The "Millenium" episode where the two television series meet to resolve the cancelled series featuring Lance Henrinksen seems a bit out of place here. It's not a bad episode, it just doesn't really fit the series. Then again, it's part of the "risk" factor that happened during season 7. The comedic "The Goldberg Variations" where a man literally has great luck that leads to very, very bad luck also works quite well. Likewise, "X-Cops" with its satire on faux reality shows pushes the envelope of the series as well ditching the traditional filmic quality of the series in favor of the look of the show it satirizes--"Cops".

It's clear from the season ending cliff hanger and much of the latter part of the season that Carter, Spotnitz, Gilligan and the other main writers weren't quite sure if season 7 was the end. They set up a story that could have been resolved in a couple of two hour movies. The thing to keep in mind about season 7 is many of the episodes that are comdemmed as subpar actually are edgy, risk taking fare that doesn't fit into the more "traditional" types of stories that "The X-Files" told.

The extras are pretty good here. We get audio commentary including one from Gillian Anderson about the episode she wrote and directed ("all things") although Duchovny is curiously absent from the ones he wrote, co-wrote and/or directed as far as commentary tracks. There's also a fine featurette that discusses the direction of the series and the difficulties Carter and crew faced with Duchovny leaving.

Picture and sound quality are top-notch although I have noticed a lot of these boxed sets with episodes that are flawed with sound problems. The drop in the price of the sets are a welcome sight for fans who hadn't purchased the series on DVD (I was still watching my VHS and homemade DVD's before the price break). Frankly, I wish that Paramount and other studios would follow suit for these expensive boxed sets. The extras are nice but, really, you could record the stuff off TV so the price break is welcome.

In reality, with season 8 the series began anew with new characters and new story arcs. While the series had already peaked, it still had a very strong solid season or two of life left in it.

This is my least favorite season
I just couldn't get into Season 7 of The X-Files.

It's not from lack of trying, though. My wife and I watched each episode faithfully every night (sometimes two episodes per night) until they were all gone

Yet, despite the fact that we're huge X-Files fans, our conclusion is that Episode 7 is lackluster at best. The stories were one-offs (and weak ones at that), the monsters were ho-hum, the action wasn't gripping, and it seemed as if everyone was just walking through his/her part. Sleep walking, that is.

I think the lack of aliens and conspiracy villians really took a toll on The X-Files. Without the overarching threat of either alien invasion or government cover-ups, nothing much really goes on in the lives of Mulder and Scully.

The only hint that something cool *could* happen is when Mulder and Scully got closer emotionally and physically. Their relationship is a truly great one already (one of the best on television), but we wanted to see it taken to the next level. Alas, that was not to be.

We've watched Seasons 1-8 so far and I have to say Season 7 is the weakest of the bunch. Season 8 (see my other review), which receives a lot of grief because of Mulder's absence and Scully's emotionalism (hey, she's pregnant; give her a break!), is far superior to Season 7.

You can read other reviews to get a play-by-play of each episode in Season 7. All I want to do in this review is provide my two cents worth.

My advice: Unless you're a completist who needs to have every season, I'd skip Season 7 and go right into Season 8. You won't miss anything -- except for a lot of uneventful episodes.

Dissapointing
I was looking foward to seeing this series and from all of the episode synopsis I found on the internet it sounded like one of the best seasons. But the only good episodes are the ones that deal with the core of The X-Files and not the monster-of-the-week episodes. So here they are: the good (the 6th extinction 1 and 2, Orison, Sein and Zeit-very good with wonderful acting and a beautiful conclusion to the end of the search for Mulder's sister-Closure, En Ami, all things, and Requiem), the average (Orison, Brand X, The Amazing Maleeni, X-Cops, Rush, Theef, Millennium, Hungry, 1st Person Shooter, The Goldberg Variation, Chimera, and Je Souhaite-the only thing that keeps me from making this a bad episode is the comedy from the genie) and the ugly (Signs and Wonders, Hollywood A.D.-this episode would be funny if it didn't have the dead tango at the end, and, the worst episode of the series in my opinion, Fight Club. There is nothing good about this episode). Only get this if you are a die hard fan and want to see some good episodes that are pivital to the series, but not if you are a simple-minded fan.

Not the best, but still good
IMHO, this is the weakest season of The X-Files. The alien conspiracy we were following for six years ended in the middle of season 6, and was taken to a different direction by the end. So season 7 started dealing with the plot of aliens creating human beings, and then "resolved" the plot of Mulder's sister's abduction, and ended with a pretty good cliffhanger that took the show in an even more different direction in the next season.

[Spoilers]

The resolution to the plot of Mulder's sister wasn't satisfying to me. I think I speak for most X-Fans when I say that we wanted Mulder to find his sister alive, and have her be a part of his life again. Instead, we find out she's been dead since 1987! So this whole time Mulder's looking for her ends up just being a waste. All those years of us following this story ends up not really being worth following. Ok, so Mulder can end his quest. He's free. Fine. But couldn't that happen with his sister actually being alive?!

[End Spoilers]

Other weak points in the series were a couple of stand-alone episodes that were just rancid in my opinion. "Hollywood A.D." and "Fight Club." What the heck were they thinking when they wrote these episodes?! I have to admit though, the reference to Plan 9 From Outerspace in "Hollywood A.D." was cool though. But both of these episodes were just too absurd for what The X-Files was known for. This show always had humorous happenings throughout its run, but these two episodes were just too over the top.

But aside from the plot of Mulder's sister, and the two not-so-good stand-alone episodes mentioned above, I found this season to be pretty good. But I also thought since this was David Duchovny's last full season, that they kind of wasted his character. But the show ended with a band, which lead it into an interesting new direction for the show's next season.

Good season, great DVD. ... Read more

Amazon.com

Star Trek: The Next Generation's third year was an important development in syndicated television. After two shaky years, Paramount nonetheless decided the franchise still had plenty to do. Their confidence was bolstered by two significant factors. First, cast uncertainties were finally settled: Gates McFadden (Dr. Crusher) was back for good; Denise Crosby (Tasha Yar) regretted her first-year departure, and so contrived a return in the Emmy Award-winning "Yesterday's Enterprise"; and Whoopi Goldberg happily continued her actor's-scale contributions.

Second, after the show had survived the previous year's writers' strike, new writing blood revitalized both characters and ideas: Data experienced fatherhood ("The Offspring"), Worf's Klingon heritage kick-started a huge story arc ("Sins of the Father"), and Picard got a saucy vacation ("Captain's Holiday"). There were memorable star cameos: John de Lancie played more mischief alongside Corbin Bernsen ("Déjà Q"); Dwight Schultz played truant in a gentle warning about addiction ("Hollow Pursuits"); and pleasing fans even more was Mark Lenard as Spock's dad ("Sarek"). The strongest evidence that TNG would continue for some time was the trend-setting cliffhanger finale. Fans and critics still agree that "The Best of Both Worlds" (properly introducing the Borg) was one of the greatest tricks ever pulled on TV to make audiences come back for more. --Paul Tonks ... Read more

Reviews (46)

Excellent Season
Season Three of Star Trek: TNG was full of spectacular episodes, from the philisophical "Who Watches The Watchers?" to the humorous "Deja Q", and the thrilling "Yesterday's Enterprise" and "The Best of Both Worlds, Part 1". In other words, this season contains something for everyone.

The seven disc DVD set contains 26 episodes, with the special features available on the seventh disc. Special features include both character and episode analysis, which is entertaining. Unfortunately, not every episode is reviewed in the special features, making them seem a bit empty.

Aside from that minor flaw, fans should find plenty to enjoy about this season. Even if you only want the set for the amazing cliffhanger finale (and I would imagine some do) even casual viewers of The Next Generation will find hours of entertainment in this set.

ST TNG 3
This third release of Star Trek The Next Generation on DVD contains all of the episodes of its third season. During the third season we see Dr. Crusher return to the series, we see Sarek (Spock's Father) and a favorite of many the Borg are back.

All 26 episodes are contained on 7 disks.

Evolution - The crew assists Dr. Paul Stubbs in a research experiment. Wesley accidentally releases nanites and the ship is plagued by serious malfunction and possible disaster.

The Ensigns of Command - Data is sent to Tau Cygna Five to evacuate the human settlers there before the Sheliak come to destroy them.

The Survivors - The Enterprise finds two survivors on Delta Rana IV, an old man and his wife who refuse to leave. Troi is being driven mad by music in her head, and Picard wrestles with an elusive alien vessel in orbit.

Who Watches the Watchers - Riker and Troi masquerade as Mintakans, in an attempt to find a missing anthropologist. Picard is seen and believed him to be a god.

The Bonding - An archaeologist is killed on an Away mission, leaving behind his young son. Picard must play a game of wits with a powerful alien force that wants to raise the boy.

Bobby Trap - The Enterprise becomes ensnared in a 1000-year-old booby trap.

The Enemy - Marooned on Galorndan Core with a Romulan crash survivor, Bochra, Geordi and he must learn to put their differences aside in order to survive.

The Price - The Enterprise is host to the negotiations of the rights to the Barzan Wormhole. But a Ferengi DaiMon has plans to sabotage the conference, and Troi learns a dark secret about Devinoni Ral.

The Vengeance Factor - The Enterprise attempts to assist in the cease-fire between the Acamarians and the Gatherers.

The Defector - The Enterprise plays host to a Romulan defector who insists that the Empire will wage a war to regain the Neutral Zone in 48 hours.

The Hunted - A genetically altered veteran of a planetary war, escapes and brings his case to the Enterprise.

The High Ground - On Rutia Four, Dr. Crusher is kidnapped by a group of terrorists waging a war for independence.

Deja Q - While the Enterprise is on a mission to rescue a planet from an incoming asteroid, Q returns, deprived of his powers, and forced to live life as a mortal.

A Matter of Perspective - The Tanuga Research Station mysteriously explodes and Riker is accused of the destruction. The holodeck is used to recreate the events preceding the explosion from each witness' point of view.

Yesterday's Enterprise - A temporal rift caused by the Enterprise-C creates an alternate reality where the war-torn Federation is losing to the Klingons and Tasha is still alive. Picard must trust Guinan's intuition that history has been changed, even at the cost of his own life.

The Offspring - Data creates a child android called Lal, whom he adopts as his own, but Starfleet has its own, designs on her.

Sins of the Father - Worf's long-lost brother joins him on a personal mission to the Klingon home world, where Worf must challenge a ruling against his late father - one that condemns him as a traitor to the Klingon race!

Allegiance - Captain Picard is kidnapped by aliens who replace him with a duplicate.

Captain's Holiday - Picard's holiday on Risa is interrupted by an enigmatic young woman and a Ferengi, whom are looking for a legendary treasure

Tin Man - The Enterprise escorts a Betazoid named Elbrun to meet Tin Man, a life form in a remote system that only wants to die.

Hollow Pursuits - The Enterprise is stricken with a strange chemical affliction and an introverted crewmember becomes addicted to the holodeck trying to escape reality.

The Most Toys - Data is kidnapped by a ruthless alien trader named Fajo and made his prize possession in his collection of stolen treasures.

Sarek - Sarek, Vulcan Ambassador (Spock's Father), comes aboard the Enterprise for a meeting with the reclusive Legarans, but when an outbreak of sporadic violence is linked to Sarek, the mission is in jeopardy.

Menage A Troi - While on shore leave, Riker, Troi, and Troi's mother are kidnap by the Ferengi, set on learning the truth about Betazoid telepathy.

Transfigurations - The Enterprise aids the lone survivor of a ship crash, an amnesiac with remarkable recuperative powers.

The Best of Both Worlds (Part 1) - The Enterprise engage the Borg.

TREK AT IT'S BEST
THE THIRD SEASON OF STAR TREK THE NEXT GENERATION IS PROBABLY THE BEST OF THE SERIES.THERE IS A GREAT DEAL OF CHARACTER DEVELOPEMENT AND THE STORIES ARE VERY WELL WRITTEN.
BEING A LONG TIME STAR TREK FAN FROM THE OLD DAYS, I MUST ADMIT I WAS SCEPTICAL ABOUT TNG, BUT I WAS VERY IMPPRESSED WITH
IT, AND THE THIRD SEASON IS A DELIGHT TO VIEW!

One of the best rebounds you'll ever see!
Let's face it...the Second Season for Star Trek: The Next Generation was by far the weakest of the seven, but it did manage to keep the show moving. It introduced the BORG, a villain that would remain a part of Star Trek all the way through Voyager and even into Enterprise. At the end of the second season you saw only 22 episodes due to a strike by the writing staff. Everyone was wondering how the third season would shape up and if the show would rebound. Boy did it rebound! The third season began with a brand new writing staff including Ronald D. Moore and Michael Pillar and began the series on its final five SUPERB seasons. In the third season we saw the return of Denise Crosby and Tasha Yar and we got a deeper and more personal look at the BORG. Season three also marks the return of Gates McFadden and Dr. Beverly Crusher (GREAT MOVE!). Season three truely ushered in a new era of Star Trek Storytelling.

Personal favorite episodes:

Evolution, The Bonding, Booby Trap, The Enemy, The Defector, Deja Q, A Matter Of Perspective, Yesterday's Enterprise, The Offspring, Sins of the Father, Sarek, and The Best of Both Worlds

For God's sake
If you need to get a Star Trek buy Deep Space NINE or wait for Voyager. Your best bet is to get the Farscape sets or Babylon 5. I have to admit Wesley Crusher is a great character!!! LOL ... Read more

Description

4 Disc Collection containing all 25 Full Length episodes from Season Four-over 10 hours of content. ... Read more

Reviews (15)

DOWN AT OUR RENDEVOUS THREE'S COMPANY TOO!!!
I was really looking forward to Season Four because it's when Don Knotts joined the cast as the swingin bachelor Ralph Furley!!! Don't get me wrong I enjoyed the Ropers, but they ran their course. The storylines were also alot funnier with the inclusion of the maneating Lonna! They had the perfect love-triangle, Lonna lusting after Jack,and Mr. Furley lusting after Lonna.
Although I really enjoyed this season I didn't like the way they made the character of Chrissy just too dumb. When Suzanne bleached her hair to an extreme shade of blonde and wore those childish ponytails she looked even more stupid! It was a sad downfall of her once funny character. However I thought Joyce DeWitt looked even better and was alot funnier in season four.
Well, it's a little bittersweet to write this review because John Ritter was the true star of this show and was even funnier this season. I still can't believe he's gone, and I find myself determined to collect every dvd of his body of work to preserve his memory. I look forward to the release of the show Hearts A Fire on dvd that John Ritter did with Markie Post. He also did a very touching Danielle Steel tv movie called Heartbeat, co-starring Polly Draper that will be released on dvd soon.
In the meantime I will savor and enjoy Three's Company season four until season five comes out in October!!!
JOHN RITTER WHEREVER YOU ARE I HOPE YOU KEEP THEM LAUGHING IN HEAVEN!!!!

SO FAR SO GOOD! But I am now concerned!
I have only watched 3 episodes from the set. And so far so good. Fans, please write your thoughts concerning the episode "Ralph's Rival" and "The Reverend Steps Out"; I read some negative comments in the customers reviews section and I am now very concerned. Somehow I am not looking forward to watch these two episodes. Please share your thoughts so that other viewers and fans are prepared. Love this show!

A Classic Never Dies
Three's Company is my favorite show, no doubt, but for me it really kicked into high gear when Mr. Furley moved in as the new landlord.I thought his brand of physical comedy was better suited to the show than the Ropers' (who were also great, in their own way) one-liners.The production values also seemed to improve.This is a great collection and the cast really seemed to gel this season.The two episodes with Dr. Prescott are among the best in the show's history.I wonder why he wasn't written into more episodes.And you can't help but laugh when Jack and Chrissy get handcuffed together.The extras are really nice; great to see the original cast interviewed after all these years -but no Suzanne Somers?Jeez, bury the hatchet already!

NOTHING WRONG WITH DISKS!! THEY ALL PLAY!!!
the reverend steps out episode does play on my player and so do all the other episodes so the guy saying they dont has a bad machine or bad disks!the other guy is right i like the commentary and whats up with the best of videos theyre boring!
TERI IS DA BOMB!!!!!!!!!!!!!!!!!!

"Hey Tarzan, can I swing on your tree?"
After they ran out of lost pilots to include, I expected the extras on these season sets to quickly dwindle down to nothing.That is definitely not the case with this season four collection.

The interviews with Nancy Ritter (John Ritter's ex-wife), Ann Wedgeworth, Don Knotts & Richard Kline are perhaps my favorite part of the extras section.Nancy Ritter's interview runs the longest, at about 20 minutes, and she has a great deal to say not just about the late John Ritter but about the show and the relationships behind the scenes as well.All the interviews are intercut beautifully with clips from throughout the series - not just clips from season four.

As well as these interviews were done, I have to wonder why anyone thought it necessary to bother with those 6 to 7 minute season four "best of" clip collections.As I sat watching, I felt as though I was getting the sales pitch after making my purchase.
Wouldn't a "Best of Season 5" clip collection - to stir interest in the next release - make more sense?

Although there've been various complaints that audio commentary has been supplied solely by a man who didn't work on the show during its run, I have to come to Chris Mann's defense.This guy's perspective is probably the most objective of anyone, and boy has he done his homework!If you doubt this, just grab a copy of his book and read the proof for yourself.Most celebrity/cast member commentaries I've heard on other DVD sets tend to meander through periods of silence and gasps in horror as they watch their younger selves on whatever screen they're pointed at during the recordings.But the insight Mann provided during his commentary for "Chrissy's Hospitality" was intelligent, concise and should help even the most casual fan appreciate what this show was about and what went into putting it together.

The episodes themselves (the only reason I bought the set, to be honest) look pretty sharp for the most part.I can almost make out the detail on that butterfly "Life" poster adorning the roommates' living room wall!There are no chapter stops, but it doesn't ruin the overall presentation.I can at least hit "play all" and have myself a lazy-day marathon.

My only complaint is that the tag scene in "Ralph's Rival" has been cut - and the edit is obvious and clumsy!Whatever the reason for this, it's a big point of contention for me that all the episodes are not complete.The people at Anchor Bay need to pay closer attention to the basics before wasting time on "best of" clip collections.Very bad form!

That one complaint aside, this season contains one of the THE best episodes of the entire series: "A Camping We Will Go."John Ritter's hammock routine still floors me. It also contains one of my all-time favorite TC lines: Lana cornering poor Jack in the woods and asking, "Hey Tarzan, can I swing on your tree?"
HYSTERICAL!TIMELESS!I LOVE IT!

I look forward to the release of seasons 5 thru 8 just as much as I looked forward to this and the first three.As great as many of us think the 1979-80 season was, I personally think Ritter, DeWitt, Kline and Knotts were continuing to master their act clear into year six. ... Read more

Amazon.com

At the heart of the first years of Joss Whedon's Buffy the Vampire Slayer was the romance between Buffy (Sarah Michelle Gellar), slayer of all things evil, and hunky Angel (David Boreanaz), the tortured vampire destined to walk the earth with a soul. The second season of Buffy took the Buffy-Angel pas de deux from ecstasy to agony in a now-classic plot arc that catapulted the show from WB teen drama to true TV greatness. You see, if the cursed Angel ever experiences true happiness for a moment, he'll revert to being an evil vampire again. And guess what happens after Buffy and Angel finally declare their love for one another and consummate their relationship...

Buffy found its true momentum during the second season, as geeky Xander (Nicholas Brendon) fell in love with popular girl Cordelia (Charisma Carpenter), Willow (Alyson Hannigan) gave up her crush on Xander in favor of werewolf boy Oz (Seth Green), and watcher Giles (Anthony Stewart Head) began a sweetly tentative relationship with computer teacher (and witch) Jenny Calendar (Robia LaMorte). Mayhem came to Sunnydale, though, in the form of evil vampires Drusilla (Juliet Landau) and Spike (drolly wicked James Marsters), who were more than ready to aid and abet Angel as he turned bad. It all sounds like horror-action mayhem (and there are great fight scenes), but Buffy took on its plotlines with amazing depth, intelligence, and humor. And oh, man, the love story! Buffy and Angel's tragic relationship is one of the most heartbreaking you'll ever find. Buffy's final dilemma finds her having to save the world at Angel's expense, and Gellar (who deserves a passel of Emmys for her work) is phenomenal at telegraphing Buffy's swirling conflicts between love and duty. This is some of the best TV ever made, period. --Mark Englehart ... Read more

Reviews (362)

Incredible (spoilers below)
The second season continued one what was successfully started in the first season. The second season is a lot more ambitious (remember, the first season only had twelve episodes, unlike the rest which had 22).

The story arcs in the second season are brilliant. The romance between Angel and Buffy reached gothic heights with Surprise/Innocence (Surprise is astonishing). When Angel turns bad, David Boreanaz manages to do a sensational job of acting the transition (the episodes "Passion" and "I Only Have Eyes For You" are incredible in detailing this, and Buffy's reaction). Willow's romance with Oz is wonderful, and Giles attachment to Jenny Calendar a welcome addition.

This show still manages to be surprisingly funny (as seen in Halloween, and Bewitched Bothered and Bewildered) and packs a wallop (the two part season ender, Becoming I & II, are essential viewing for any Buffy fans. They are incredibly moving). Yes, there are some clunkers (Killed by Death, Bad Eggs), but they are more than redeemed.

My favourites are: Becoming I & II, Surprise/Innocence, I Only Have Eyes for You, Passion, School Hard, When She Was Bad, and Lie To Me

For a show set in high school, the writers have neatly side-stepped making a caricature of Anthony Stewart Head's librarian/Watcher Giles. His befuddled sexiness is immensely appealing. Alyson Hannigan's performance as wallflower Willow blooming into a witch (her growing powers are smartly charted by writers all the way through season six) is strong, and having the animosity between Xander and Cordelia boil over into lust was a masterstroke. Finally, we have to give the star her due. Sarah Michelle Gellar proved with this season that she's actually a capable actress, both with comic timing (Halloween) and pathos (Surprise/Innocence).

The second season was an immense improvement over the first season (a solid debut) and the quality continues. In my mind, the second and third season need to be bought together (or at least both bought). Story arcs introduced in the second season are wrapped up in the third season. Buy this set, you won't be disappointed.

Not the best season, but really well done!
A great season, episode breakdown:

When She Was Bad: 8.5/10 Great episode involving Buffy's nightmares about the master.

Some Assembly Required: 9.5/10 Two students try to assemble an ideal woman, using different body parts of girls they know, the head is Cordelia.

School Hard: 10/10 The best one to date, watchout, the number one vampire is in town, Spike! He's so cool in this season.

Inca Mummy Girl: 8.5/10 Good episode, where an old Inca princess is woken.

Reptile Boy: 9/10 Buffy and Cordelia attend a frat party and are being offered by reptile-like creature as human sacrifices. It's a good one!

Halloween: 9.5/10 Buffy gets turned into a 18th century woman, 1775 to be exact, Xander turns into a soldier, Willow is a ghost and the only one that remembers who they really are, who bought her costume from Ethan. Cordelia got somewhere else, so she's fine, as well as Angel and Giles. Funny episode!!

Lie To Me: 9/10 Vampire wannabes offer Spike the Slayer, but turns into a disaster! Buffy rules!!

The Dark Age: 9.5/10 An old demon that Giles and Ethan created, comes after the watchers and eliminates 3 of them. Giles and Ethan are next! Scary!

What's My Line Part 1: 8/10 Cordelia and Xander kiss for the 1st time. Buffy is being chased by 3 bounty hunters that Spike hired! Great episode!!

What's My Line Part 2: 9.5/10 In comes Kendra, the next Slayer! Great episode, which puts Angel in danger, haha!!

Ted: 9/10 John Ritter guest stars as a mysterious person that only Buffy hates. Everyone else is suckered into his personality(mostly Xander and Joyce). Great episode!

Bad Eggs: 9.5/10 Starts out as a health class egg experiment. Something in the eggs pops out and takes control of their bodies, to bring out an ancient beast! And guess who pops in here, our favourite Jonathan(Danny Strong)! Everyone but Buffy and Xander is controlled by this bug! Oh yah, Angel, but he's no help here!

Surprise: 10/10 Angel, you're going to lose your soul, when Buffy and Angel have sex, Angel experiences his one true moment of happiness, which therefore, loses his soul!

Innocence: 10/10 Without Angel's soul, he becomes all nuts and heads out for Spike and Cordelia. The Judge is awoken and Buffy must battle both The Judge and Angel! Getting better here!

Phases: 9.5/10 It's revealed, the werewolf who we all know is Ozz is hunted here and found, by Buffy, Willow and Giles, and a hunter. A few spoilers here, on Passion, and Becoming(1&2)

Bewitched, Bothered And Bewildered: 10/10 Great episode. Cordelia breaks up with Xander and then he gets Amy to cast a spell which makes every girl and woman in town love him, except the one he wants, Cordelia! Funny

Passion: 10/10 Jenny Calender finds a spell to restore Angel's soul, but gets killed in the process.

Killed By death: 9/10 This one's scary as a crazy demon starts killing off children and the only way you can see it, is if you have a fever.

I Only Have Eyes For You: 9/10 The ghosts of a former student and a teacher take passion to a different level. Death! Angel regains his soul for about 2 minutes during the process!

Go Fish: 8.5/10 Xander joins the swimming team, a team full of monsters!

Becoming Part 1: 10/10 Part one where Angel aims to destroy the world! Kendra comes back, and get caught in a trap. Drusila joins and kills her, which brings up Faith!

Becoming Part 2: 10/10 Spike joins Buffy to defeat Angel in his brutal plan. Spike escapes with Drusila and Buffy is too late! Angel opens up the demon, Willow is in the hospital casts the spell to restore Angel's soul. It works, but the demon has already been released. The only way for it to go back, is to kill Angel!

Special Features: 5/10 The 1st season had much more of them!

Great season, buy it!

Truly magnificent
Season one of Buffy was amazing on its own. We were introduced to Buffy, Willow, Xander, Giles, and Cordelia. It was a great season that ended with an awesome season finale. Now Buffy's back in Sunnydale after spending the summer with her father in LA. Still suffering from the trauma of drowning & facing the master, Buffy returns...different. It's "When She Was Bad" & she didn't know how to deal. After a while of settling back into her slayer duties, Buffy is finally back to her old self. Season two is packed with halarious, sad, and action filled episodes that took the show to a whole other level. Buffy and Angel sleep together for the first time which causes Angel to lose his soul & become Angelus again ("Surprise", "Innocence"), we get to meet Oz & discover that he is a werewolf ("Halloween", "Phases"), and tons more. Each episode in season two is a gem, a classic. Season two also features the simply heartbreaking two part season finale "Becoming". Buffy faces off with Angel, and right before she's going to send him to hell to stop the world from ending, Angel regains his soul. Thus, as Buffy states in season three, she kissed him, he held her, and then she killed him. Buffy loses everything & leaves Sunnydale. There are so many amazing moments in season two, and this boxset is just perfect. Not only do you get all 22 episode, there's tons of special features like commentaries (very informative), fun featurette, episode interviews with creator Joss Whedon (the genius), and a photo gallery. Make sure you add this to your Buffy collection!

The World of the Scooby-Gang
Buffy's second season is an exceptional one! If you love the Buffy/Angel relationship then this is the season for you. We've seen over the past yaer the connection between Buffy and Angel strenghten, but never like this. Buffy comes back to Sunnydale, from a much needed vacation, with a much NOT needed attitude problem. Who can blame her, though? After facing the Master and having an untimely death Buffy has the right to be a little pissy. This attitude plays off of the doomed relationship of our blonde heroine and her handsome vampire love. However they continue on their path of endearing, finally climaxing in the act of a night of sex. After that we learn that the one moment that Angel needed to have his soul taken away was found when he and Buffy proclaimed their undieing love for one another. Perhaps though, love isn't enough. Without a soul, Angel becomes an cold-hearted killer, out to exact revenge on the thing that mae him feel most human, Buffy. We see an entirly different side of Angel and are just as shocked as the characters. This season is a real tear-jerker, especially the end, when Buffy is forced to send her lover to Hell, even though his lovable personality has been magically restored. If it's Angel you want, it's Angel you get, but beware...love alone isn't enough in this doomed relationship...But who cares?!

It's overrated - but still a great season
After the first season of Buffy the Vampire Slayer, fans knew that the show could only get better, and season two definately brought the show to a whole new level. Season two had so many things working for it, from the introduction of my favorite character Spike and Buffy's relationship with Angel heating up, to the introduction of Angel's darkside Angelus who turned out to be one of the show's greatest villans. Now season two is very good and I definately enjoyed it. However, I also feel that the season is overrated because many fans of the show think that season two is the show's best season, when seasons three, five, and six were much better overall. I mean, let's be honest here. There were some really bad episodes in this season like - "Some Assembly Required", "Ted", "Reptile Boy", "Inca Mummy Girl", "Bad Eggs", and "Go Fish". In order for a season to be worthy of a five star rating, it needs to be great from start to finish, with a minimum number of bad episodes.

The second season of Buffy the Vampire Slayer does feature some wonderful episodes however that manage to make up for season two's shortcomings. "School Hard" is one of my all time favorite episodes because it introduced my favorite character Spike. The bad ass leather clad vampire proved to be so popular, that the writers ended up keeping him around for the rest of the show. The classic episode "Halloween" has everyone turn into whatever they dressed up as for Halloween. "Bewitched, Bothered And Bewildered" is another one of my all time favorites and is definately a candidate for funniest episode ever. When Cordelia dumps Xander on Valentine's Day, he seeks help in a witch at Suunydale High named Amy to cast a spell on Cordelia to make her fall in love with him. Unfortunately, Xander ends up becoming the object of every woman's affection in Sunnydale. The two best Buffy/Angel episodes of the entire show are "Suprise" and "Innocence" in which their relationship ascends to a new level, and we are introduced to Angel's darkside Angelus who turns out to be one of the best villans ever. Season two comes to an amazing conclusion in "Becoming" parts 1&2. Other episodes worth mentioning are "What's My Line" parts 1&2, "Passion", "Phases", and "I Only Have Eyes of You".

Even though season two is not quite as good as a lot of people claim, it is still a highly enjoyable and definately worth owning. What really makes the season two DVD set special is the bonus features. The set has many featurettes and interviews, as well as commentary on several episodes.

A solid 4 stars... ... Read more

Amazon.com

With Sideways, Paul Giamatti (American Splendor, Storytelling) has become an unlikely but engaging romantic lead. Struggling novelist and wine connoisseur Miles (Giamatti) takes his best friend Jack (Thomas Haden Church, Wings) on a wine-tasting tour of California vineyards for a kind of extended bachelor party. Almost immediately, Jack's insatiable need to sow some wild oats before his marriage leads them into double-dates with a rambunctious wine pourer (Sandra Oh, Under the Tuscan Sun) and a recently divorced waitress (Virginia Madsen, The Hot Spot)--and Miles discovers a little hope that he hasn't let himself feel in a long time. Sideways is a modest but finely tuned film; with gentle compassion, it explores the failures, struggles, and lowered expectations of mid-life. Giamatti makes regret and self-loathing sympathetic, almost sweet. From the director of Election and About Schmidt. --Bret Fetzer ... Read more

Reviews (304)

delicious little movie
The risk involved in describing "Sideways" as a road movie about obsessive wine tasting is that people who are not wine buffs/connoisseurs are likely to stay away from it, which would be a pity. So let me discuss it from a different perspective: Sideways is in fact a buddy movie, and not an overly comic one. Granted, there is a fair share of funny scenes but overall the tone of the movie veers clearly toward the dramatic.
Meet Miles and Jack. The former is a small-time english teacher (and aspiring novelist...too bad his aspirations are constantly frustrated), the latter is a washed-up tv actor with a career that after a promising start never really took off. Both are middle-aged guys who are coping with lowered expectations and shattered ambitions.
Jack is about to marry (although he feels uneasy about his marital future) and the two friends embark on a wine-tasting extended bachelor party that eventually feels much like a coming of age story.
There is a lot of wine talking going on throughout the movie but wine isn't the whole point. Wine is more like a metaphor for life and there is a brilliant dialogue between Miles and Maya (the girl he falls in love with) that clearly shows this point.
This is not a happy-ending movie. There's a lot of stark realism in it and although the finale leaves some hope for Miles, it's quite obvious that this is LIFE, not some fairy tale.
This is no educational movie either. There are scenes where "getting sideways", far from being frowned upon, is elevated to something very romantic or, at least, something that lets us understand Miles' deep suffering, forcing us to be sympathetic to his condition.
Anyway, enough with the social commentary, I greatly appreciated this movie and I think that anybody with a passing interest in non-mainstream stuff should see it.

Will This Film EVER End!
A slice of life? A road movie?To be a slice of life the lives should be interesting.To be a road movie interesting things should happen en route.Aside from a lengthy plug for the California Wine industry, the whole movie struck me as tedious.There are some amusing moments and dialogue tucked between a lot of mundane, unfunny and often depressing conversation and events.The lead character steals from his mother and despite his affection for wine in the abstract, drinks to deal with depression by getting sloppy drunk.Meanwhile his buddy shows such respect for the woman he's driving north to marry that he's willing to bed anything with a pulse between Los Angeles and the Napa Valley.And we're supposed to care about these people?Why the movie industry is so high on this film beats me.After watching it carefully twice, trying to find some overlooked redeeming quality, I just don't see it.Possibly I'm not sophisticated enough to enjoy it.Possibly it's not that great a movie.

It may have some appeal to the wine connoisseur or wanna'be who's always wanted to impress his friends by saying things like, "It's a sassy little pinot that perfectly complements ze flavour of ze Ritz Crackers and ze Cheeez Whiz." but I found myself wishing it was a much shorter movie.I certainly won't recommend it to anyone I like or remember it 6 months from now ... probably less.

A Cineaste's Dream
I won't rehash the plot, the characters, etc., as that's all so familiar by now.Why is this film a small wonder?Because it's what happens in the interstices, between the minimal action and the raucous laughs.Like the characters or not, they are painfully real, and we get so few real characters in movies today.We get so few honestly-motivated characters today.And the reason:one has only to peruse the one-star reviews on this site.Has anyone noticed that the one-star reviews are generally very short, as if the attention span of the denouncer couldn't sustain a paragraph, let alone a reasonably lengthy explanation of their disgust?It's usually "boring" -- it's not to any true cineaste, of course -- or the characters are morally bankrupt -- so, that's not a valid reason to loathe a movie; in fact, it's a completely biased and stupid reason to mount a criticism of a work of art on.Face it, "Sideways" was made for people who love film that challenges them, surprises them, moves them, forces them to see life in a different light.Most people don't want to be challenged -- you know who you are, you brain-dead video gamers, you Internet-addled, low-alpha brain-wave unguents -- so why bother to voice your complaints about this brilliant movie unless you really have something profound to say in defense of your criticism.Compared to the one-star reviews, the five-star reviews are very lengthy, usually articulate and thoughtful and understand what the filmmaker was trying to accomplish.An Alexander Payne should be celebrated, a studio that gives him money should be extolled.It's just too bad there aren't more of him.I did have one criticism of the DVD, though -- but it won't change my five-star rating -- and that's the voice-over commentary by Thomas Church and Giamatti.It's so puerile at times, so uninformative; too bad Payne didn't do it with his writing partner.Oh, well, fortunately one doesn't have to listen to their drivel, and even if one decides to suffer it, it in no way detracts from their courageous performances.

Interesting movie with excellent characters
I guess I could start with a short synopsis.Two college buddies are headed North to the wine country for a week long bachelor party.Miles is in a depressed state because of a divorce and Jack is looking to get some before he gets married.From this spouts some crazy situations in and out of vineyards.

What you do get from this movie is excellent characters.Even though Miles could be incredibly annoying you end up feeling for him.I think a lot of people have friends that are like Jack.They're a bit older but still act immature at times.Virginia Madsen and Sandra Oh are both awesome too.While Sandra Oh's character could have been developed more I don't think the movie suffers because of it.

The dialogue is witty and sarcastic sometimes to the point of being outright hilarious.Granted it may take a special kind of humor to understand why some things are funny.There are some things that are just sophomoric but they lighten the film at times where you think Miles might drag you down.

There is definitely a reason why this movie was nominated for a bunch of awards.You can't go wrong with sharp/witty writing and excellent acting/direction.I would highly recommend at least going out and renting this movie.I know it will soon become a part of my collection.

Best Pinot Noir Film Ever!
Ok, it is a shame that people won't order Merlot from me anymore (Oregon state merlot, people), but there's no denying the fact that this is a masterful piece of work here.

This film has everything I love-- witty dialouge with an underlying sense of sarcasm and black humor, it's about a writer, wine, dispicable characters, social commentary on how shallow secular America has become in relationships with other people, and wine.

I loved seeing Giammatti's character-- a pansy New York Times reading whiner, get his midlife crisis in full, and the scenery was masterfully incorporated into the story, adding a whole other dimension to the poignancy.

The acting was top notch, and it is a brilliantly written character study. People who are dissing this film do it because they're reminded of their own pathetic lives. At least, that's my take on it.

Cheers! ... Read more

Reviews (749)

Destined to be a classic.
My title may sound a tad cliche, but I believe it. The guys at Pixar understand the mind of children - because they still haven't grown up! That's why Monsters, Inc. is the perfect balance of children's entertainment and adult sophistication. I love it when a studio produces movies that kids love, but at the same time are able to add a level of maturity and sophistication that adults appreciate - without sexual innuendo or appealing to the lowest-common denominator. (i.e. several instances in the movie, Shrek)

The animation is simply incredible; the characters are compelling and hilarious; Boo is worth the price of TWO admissions; the plot and backstory are completely ingenious.

Buy this movie. Enjoy it. Enjoy Disc 2. (Tons of extras - including "Mike's New Car" and another Pixar short entitled "For the Birds" -- PLUS, clips from the Monsters, Inc. office musical production "Put that thing back where it came from or so help me..." !!) With the possible exception of Toy Story 2, one COULD argue that this is the (or at least ONE of the) greatest animated movies ever made.

Sorry if I'm gushing too much. I love this movie. My kids love this movie. It's just plain, good, old-fashinoned FUN.

"MONSTERS, INC." will scare up a treat for audiences
Delightful, uproarious, fun, hilarious, cute and cuddly, jovial... Just a few of the numerous "happy" adjectives you could pin on Pixar's latest pixilated masterpiece "Monsters, Inc." Pixar once again proves itself Disney's most valuable asset with their knack for original stories and often witty and clever humor.

John Goodman and Billy Crystal provide their trademark voices for Sully, the big blue furry monster, and Mike, the cycloptic short green monster as they scare up kids' screams which are converted to energy to power the televisions and alarm clocks of the monster metropolis. (Seems very allegorical of the California power outages this past summer, no?) Conflict brews when Randall, the gecko-like monster, gets greedy and wants to become the top "scarer" by exploiting the screams of the innocent human child, yet show-stealing cute, Boo. While kids might get lost in the action of the movie, the CGI effects and clever Laurel and Hardy-esque slapstick of Sully and Mike (or Lenny and George, which ever way you want to look at it) will have the kiddies captivated from beginning to end.

While Dreamwork's box office baby "Shrek" may have just as good edgy, clever humor and depth, Pixar is far from being out of the running. Keep in mind, Pixar is already a veteran with "Toy Story 1 & 2" (with a third on the way), and "A Bug's Life". There's no doubt in my mind that Pixar and Dreamwork's will be at the helm of the fully computer animated feature for years to come. May the best company win!

For the time being, strap yourself in for the first in some great holiday flicks coming to the silver screen near you! "Monsters, Inc." is already off and running to box office gold, and is a wholly satisfying and entertaining movie for kids, parents, and "Average Joe" movie critics alike.

A big Kid at Heart
I was in the library with my niece and she grabbed this DVD. How can you say no to someone with the most adorable eyes. So I checked out the DVD, we went home and had a wonderful, wonderful time. This is the kind of movie you can appreciate no matter how young or old you are. James P Sullivan (voiced by John Goodman), and Mike Wazowski (voiced by Billy Crystal) are monsters who work for Monsters Inc. Sulley is the best at getting his fair share of scares, but he has some competition in Randall who wants to be the top scare monster. The more screams collected, the more energy for Montropolis. The monsters are led to believe that if a child enters their "world" they will be contaminated and everything could be destroyed. The real fun part starts when this adorable human child named Marry (Boo buy Sulley) sneaks into Montropolis by accident. The kids are scared of the monsters, and the monsters are terrifiedof the kids. Sully and Mike try to get Boo back to her world, but she won't leave. Turns out Randall is her scary monster. Also turns out that Randal has a plan up his sleeve to extract screams that could put the other monsters out of work. It's up to Sully and Mike to save Montroplis and Monsters Inc. This is a fun, entertaining film that will leave with a happy, happy feeling when it's all over. Steve Bucemis I the voice for Randal Boggs, and other notable actors are James Coburn, and Jennifer Tilly (who has the perfect voice for animation, she should do more of it!!!) and Bonnie Hunt.

This is an adorable movie. One I will watch again, with or without my niece.

More Family Magic from Pixar! Great DVD Extras!
"Monster's, Inc." combines a fantastic cast, cutting edge imagination, and a tender storyline into a wonderful, delightful family film . . . it may even cure the nighttime frights of your wee ones!

Most of us were scared stiff at some point in our childhood by the spooky, imaginary "monsters in the closet," usually after we've read "Where the Wild Things Are" for the first time. "Monsters, Inc." plays on that near-universal fear by creating a rational explanation -- monsters live in a parallel universe, connected to ours by closet doors, and they power their land by the energy contained in human screams. Makes perfect sense!

Sulley (the hilarious John Goodman) is a celebrity in Monstropolis as the leading scare-getter for Monster's, Inc. Sulley is generally a lovable big blue yeti-bear-creature, but he can be quite terrifying. Blissfully unaware of the terror he unleashes, he enjoys his job. Basking in Sulley's reflected glory is his sidekick and assistant, Mike Waznowski (Billy Crystal, perfect as ever). Mike is a lime-green-yellow glob with one giant eye and an even larger mouth. He helps Sulley get the screams and stay one step ahead of the competition.

And the competition is fierce. The dragon-chameleon Boggs (Steve Buscemi, suitably creepy without being too scary for the kids) is right on Sulley's heels to be the scream champion, and he's willing to go to any lengths to beat his nemesis.

All is well in Monstropolis until Boo, a human child, accidentally finds her way through the closet and into Monstropolis. It seems that as scared as kids are of monsters, the monsters are equally scared of the kids -- their touch (allegedly) brings death and ruin. (This misunderstanding leads to great comic scenes as X-Files-type HAZMAT crews invade every time there's a kid sighting, usually to the woe of the monster who has seemingly been infected by the kid!)

Like all Pixar films, the glories are in the details. Check out the gentle satire of Hollywood celebrity culture, of mindless bureaucracy, and the perils of romance in the office. The animation is also wonderful -- Pixar continues to evolve with every picture. For example, Sulley's fuzzy hair is fully articulated as he zooms through various escapades.

The story is fast-paced, with enough jokes to keep the adults laughing . . . which is good, 'cause your kids will likely keep throwing this into the DVD player.

Speaking of the DVD -- there are lots of fun extras on this two-disc set. Personal favorites include the fake "outtakes," similar to those at the end of "A Bug's Life," a short film featuring Mike showing Sulley his new hi-tech car (with hilarious consequences), and an Oscar-winning short film, "For the Birds," which shows how funny animation can be, even in short doses. There are additional extras that will keep the kiddies occupied for hours.

All in all, a must for the family's DVD library.

100% Kid Friendly
There aren't many movies that can be seen over and over and over again and still be enjoyed so much. My little sister is addicted to Monsters, Inc. Instead of having to look under the bed to make sure there are no monsters there, she wishes and hopes that when the closet door is opened, Scully will be in there waiting to "scare" her. She was Boo for Halloween last year and requested a Little Mikey stuffed animal for her birthday. Basically, she can not get enough of anything to do with Monsters, Inc.

OK, I admit it. I'm hooked on Monsters, Inc. too. After seeing it thirty plus times with the little one, I still find myself actually watching it and laughing out loud. What a great movie with lovable characters.

Monsters, Inc. is a 100% kid friendly movie that adults will enjoy as well. ... Read more

Amazon.com

Guilty pleasures don't come more guilty than The A-Team, television's only tongue-in-cheek drama about the exploits of renegade Vietnam vets. The primetime series' 1983 debut season, gathered here on The A-Team: Season One, was intentionally ludicrous, encouraging viewers to enjoy sundry talents of a colorful cast and laugh off storylines perhaps sillier than those on Charlie's Angels. Co-created by Stephen J. Cannell (Wiseguy) and Frank Lupo (Hunter), The A-Team introduced Lt. Col. John "Hannibal" Smith (George Peppard), the cocksure leader of a band of fugitive American soldiers framed for a crime in Vietnam and now thriving in Los Angeles. Hiring themselves out as soldiers of fortune, Hannibal's crew--including Lt. Templeton "Face" Peck (baby-faced Tim Dunigan in the pilot, Dirk Benedict thereafter), Sgt. Bosco Albert "B.A. (for 'Bad Attitude')" Baracus (Mr. T, outfitted with his trademark gold), and, most comically, Capt. H.M. "Howling Mad" Murdock (Dwight Schultz)--assist (mostly) ordinary people having a problem with bad guys. The A-Team ostensibly charges large fees, but much of the time the guys seem to be doing pro bono work for the helpless.

Season One highlights include "Children of Jamestown," starring John Saxon as a Jim Jones-like religious cult leader who captures Hannibal, Face, B.A., and first-season sidekick Amy "Triple A" Allen (Melinda Culea). While the resourceful group invents a super-weapon out of farm equipment, crazy Murdock commandeers a helicopter and dynamite. Also good is "A Small and Deadly War," featuring Dean Stockwell as one of several uncontrolled L.A. cops committing murder-for-hire. "The Out-of-Towners" takes a page from the Death Wish movie series with a story about New York City shop owners harassed by a protection racketeer (Yaphet Kotto). Hannibal and company retaliate with machine guns (no one is ever seen killed in this series) and, more effectively, public humiliation of the villain. The best thing about The A-Team is the relationship between the four offbeat heroes, who may not always like each other (B.A. usually looks as if he'd like to leave Murdock in a shallow grave) but get the job done expertly. --Tom Keogh ... Read more

Reviews (31)

On The Jazz!
I love it when a DVD comes together!

The hit 80s TV series that helped save the NBC network finally makes it way to DVD. The A-Team is the story of a Vietnam crack commando unit made up of four men: Colonel John "Hannibal" Smith, Lieutenant Templeton Peck (a.k.a. Face), Captain H.M. (Howlin' Mad) Murdock, and Sergeant B.A. Baracus (Mr. T).

They were committed of a crime they didn't commit and escaped from a maximum security stockcade to the Los Angeles underground and survived as soldiers of fortune, helping out those in need.

The first season of The A-Team is probably my favorite. Everything was just original and raw, where they didn't have a care but for themselves and their attitudes were more rough and comedy came as a result of their actions and insults, rather than trying to intentionally be funny. In later seasons it's the opposite, where the guys seem to become more soft and sensitive to the situations and feelings and comedy seemed to be more of the intent rather than their rough image, and the shows tended to follow the same formula every week.

There are 14 episodes in Season 1:

Episodes 1 and 2 - Mexican Slayride Part 1 and Part 2 - The two hour pilot. When a newspaper reporter from the L.A. Courier gets kidnapped by outlaws in Mexico, fellow reporter Amy Allen seeks out The A-Team to rescue him. Features the only time Faceman is played by Tim Dunigan instead of Dirk Benedict.

3. Children of Jamestown - The A-Team is hired to save a girl from a cult led by the Rev. Martin James. Upon freeing the girl, The A-Team is captured and looks to escape and return the favor to James. The lesson is, nobody takes Hannibal's boots.

4. Pros and Cons - A friend of B.A. escapes prison and gets caught, but not before telling B.A. of the illegal fight-to-the-death matches the prison warden makes them take part in where the winner goes "free," only to become hunted.

5. A Small and Deadly War - A straight cop discovers a SWAT team gone bad and hires The A-Team to expose them.

6. Black Day at Bad Rock - B.A. is wounded from a previous job that went slightly wrong. The Team takes him to a doctor in Bad Rock, who helps B.A. but also calls the sheriff and has them arrested thinking they're a part of a biker gang. Hannibal and Face escape jail, but refuse to let out the jailed gang leader. When he informs them the rest of the gang is coming to set him free, The A-Team strikes a deal with the sheriffs to protect the town and in turn they aren't arrested.

7. The Rabbit Who Ate Las Vegas - A professor who has discovered the perfect formula for gambling is kidnapped by a casino owner. The A-Team pose as federal agents to rescue him, but when the casino owner is killed they become the prime suspects and must find the real killer to prove their innocence.

8. Holiday In The Hills - On their way back from a mission, The A-Team's plane crashes in the Carolina hills, where they stumble across a mob of hillbillies getting ready to burn a man at the stake. The A-Team saves the man and Murdock takes him for medical attention, while the rest of the guys defend their position while waiting for Murdock to return with help.

9. The Out-of-Towners - The A-Team heads to New York City, where a group of local shopkeepers are being bullied into paying money for "protection" they don't want.

10. West Coast Turnaround - The A-Team is hired by a 'Nam vet to transport his crop of watermelons before they spoil, but they are met with resistance from another local rancher who controls much of the valley and is trying to put him out of business.

11. One More Time - The A-Team is finally captured by Col. Lynch, but his authority is quickly taken away by the U.S. gov't, who strike a deal with the Team to send them to Borneo to rescue a general (who B.A. punched in Vietnam) and his daughter, who are being held captive by guerrilas.

12. Til Death Do Us Part - The A-Team is hired to save Jackie Taylor from marrying Calvin Cutter against her will. Jackie and Calvin had been dating, but once Jackie's father died and she inherited his company (which Cutter works for), Calvin's real intentions became clear. But since Calvin owns most of Wilson County, Jackie really had no way to escape him. Features classic moments such as Murdock almost marrying the groom, and Faceman getting married?! Definitely one of the best episodes!

13. The Beast From The Belly Of A Boeing - Hijackers take over an airplane and make demands for money and that the FBI and police not be involved if they want the passengers to survive. Hannibal and Face pose as the president and vice president of Beller Air to infiltrate the plane, while Murdock and B.A. sneak onboard while fueling up the plane. The only problem is the plane takes off when it's not suppose to and B.A., who is afraid of flying, goes into a state of comatose, and it's up to Murdock to save the Team.

Definitely a must own DVD set for all A-Team fans and those of classic 80s TV series!

I Love It When A Plan Comes Together
Finally, one of the greatest shows of all time is coming to DVD! The A-Team, which focuses on "...a crack commando who were sent to prison for a crime they didn't commit, and promptly escaped into the LA underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire, The A-Team." This show is very fun to watch. The on-screen chemistry the characters have with each other is amazing. You can tell they really enjoy working with each other; Col. John "Hannibal" Smith, the brains of the operation, Lt. Templeton "Face" Peck, the swift, charming con artist, Captain H.M. Murdock, a talented and incredibly goofy pilot, and Sgt. B.A. Baracus, the muscle. With every episode you can always count on plenty of action (the most violent show during it's 5 year run, yet no one was ever killed or even shot), comedy, and simply good times. Watching it, you'll be amazed as to the improbable ways the team gets through improbable situations. A great pick for anyone who justs wants to kick back, and watch a fun show. I can't wait to have all 5 seasons as part of my DVD collection, as well as what I hope to be the up-coming movie.

Sorry about the confusion
man, this is such a great dvd. mr t is the coolest dude ever. this whole show rocks my socks. it is cooler than a visit to a ranaruim.

Must Have
I missed this show. Even if I doubted it, just seeing these episodes would have brought it all back. All that action and not a soul killed, plus lots of fun. I can't wait to have all 5 Seasons.

I PITY THE FOO WHO DOESN'T BUY THIS DVD
this dvd is amazing! go get it! it'll bring out the Jazz in you foo! ... Read more

Amazon.com

Writer/director Pedro Almodóvar's dark, sexy Hitchcock homage is his best work since his Oscar-winning All About My Mother, and deepened by a sun-dappled sadness. Handsome, enigmatic Ángel (Gael García Bernal) arrives at the Spanish movie offices of director Enrique Goded (Fele Martinez) and happily proclaims that he's actually Enrique's long-lost school chum Ignacio--an announcement that is both less than convincing and more than it seems. A novice actor, Ángel pitches a semi-autobiographical screenplay in which he's determined to star, a revenge-laden reflection of the doomed love he and Enrique shared as boys before a pedophile priest cruelly intervened. The script, and the lost days it recalls, carefully unfurls into a series of brooding movies-within-movies and memories-inside-memories, which allow the sensual, multiple-role-playing Bernal to give the performance of his young career--among other things, he makes a stunningly convincing drag queen--and Almodóvar the opportunity to movingly suggest that people will pay any price to ensure that their stories are told. --Steve Wiecking ... Read more

Reviews (37)

'¡Eh!' '¡Despierta!'
This film is incredible. I'm relatively fluent in Spanish and had to make do without subtitles which always tend to detract from the full experience of a film. It took me a couple a viewings to fully understand everything that was said but when I finally twigged, the hairs on the back of my neck stood up.
We start off with Enrique, an up and coming movie producer. He's on the look out for a good story and one comes walking right through his door. Turns out his old school friend, Ignacio, who now wants to be known adamantly as Angel, has the perfect solution. He's written a screen play depicting certain points of their lives with added fiction, naturally, and hopes Enrique will consider producing it, with him staring as the principle character Zahra, a transvestite. Sound unusual? We haven't even scratched the surface. When Ignacio and Enrique were boys, they attended a strict catholic boarding school. The two of them were in love, much to the distress of El Padre Manolo, who wanted Ignacio all to himself. One poignant scene is during a field trip. We see the school boys frolicking happily in a lake while hearing a beautiful coir boy rendition of `Moon River'. All of a sudden the song is cut short with Ignacio running out from behind a bush with El Padre in pursuit. Ignacio falls, a rock cutting his forehead. As the blood slides down the centre of his face, we here him remark `I knew that ever since that moment, my life would for ever be divided in two'. After a little mis-hap in the boys bathroom after lights out, El padre Manolo expels Enrique and continues his advances on Ignacio, which is left to the viewers' imagination. The years go by, and they never meet again, until now, back to the present day. Enrique is delighted to have been reunited with his lost love but Ignacio or `Angel' is behaving rather strangely. Not remembering their favourite song from their school days and indeed turning a rather horny Enrique down in a risqué pool sequence (¡calienta poyas!), something's definitely not right. Angel leaves in a huff and forgets his lighter which conveniently has his hometown address on the side. Enrique journeys to Valencia only to find that *his* Ignacio died 4 years ago and his brother Juan, Stage name Angel, took it quite hard. Part devastated part intrigued, Enrique decides to play along, giving Angel the part and taking him as a lover, all in the desire to find out what makes Juan tick, he's an impenetrable mystery. The story, aptly named `La Visita' has its ending rewritten and as the final dramatic shoot comes to an end Enrique is still at a loss, that is, until he receives a visit of his own!
I'll leave the rest to you; this movie has many intricate threads woven in. A story within a story as they say. The actors are spectacular and Gael García Bernal manages to come off as childish, sensual, innocent, conniving and in the end quite chilling, he also makes a stunning drag queen. I recommend this move to anyone that likes a good mystery. I'm on the hunt for the soundtrack. ¡Cómpralo ya!

Intense & Provocative but not how you'd think
This exceptional film is entirely unique in its intensity and depth, but not how I expected. The priestly molestation is rather matter-of-fact, and not dramatized to the extreme as so many movies have done of late. The sex & nudity is very carefully placed, not at all gratuitous (unfortunately-more would have been welcomed albeit unnecessary for the story). In fact I can not tell why this version is NC-17, have Americans really become That Victorian?
Much has been written about the story, what I didn't know prior to viewing was the intensity of plot twists and turns. I won't spoil any secrets here, but suffice it to say that it isn't even the secrets that are so intense, it is the masterful way in which things are revealed. This is really a film about sex as power, and all of the power plays which don't make anyone happy.
Almodovar's direction and cinematography are stunning, erotic, and intensley emotional. He tells so much of the story visually without dialogue. What a treat.
The film ends on a realistic note. There are no firey car crashes, no earth-shattering explosions, no full-frontal nudity, none of the usual supects, but this film sneaks up on you, shakes you to your being, and as you are drawn in by the sensuality and drama, the film demonstrates that life isn't fair, kind, or even very pretty sometimes.

all stars
After watching many of Almodovar's films in a Spanish cinema class at UNC-Chapel Hill, I must say this one is the most accessible so far.Gael Garcia Bernal does one of the best acting jobs I've ever seen in a film- ever.If you can stomach the subject matter it's worth watching.

Almodovar's attention to detail is amazing, just watch Sr. Serrano cut stories out of the newspaper and you'll see what I mean... Amazing.And Almodovar messes with your mind by the way he does the casting.. don't want to spoil it for anyone, just see for yourself.

Almodóvar Illustrates the Aftermath of Bad Education...
To see is to believe, some say, yet what one sees in Bad Education should not be trusted, as everything has a sinister characteristic.All of the characters are ominously sleazy, even the protagonist of the film offers an element of darkness around him, which seems to stem from a criminal background.This dark theme suggests that the story offers a film noir experience.However, even the concept of film noir does not give this film justice, as it goes beyond the known borders of this genre while venturing into a new territory.Pedro Almodóvar creates a refreshing cinematic experience that takes sudden turns when least expected while traveling into a dubious world.Many of Almodóvar's previous films offer laughter and contemplation, yet most of them deal with a dubious theme, as does Bad Education. His personal insignia with colorful photography still leaves traces throughout the film, even though it is slightly subdued.

Enrique Goded (Fele Martínez), who some might have seen in the bloodcurdling Thesis (1996), or in the mesmerizing Open Your Eyes (1997), is on the rise in the Spanish world of cinema as he has recently made a successful film.Nonetheless, he is now struggling to come up with an equal or better idea for his next film when Ignacio Rodriguez (Gael García Bernal), from Amores perros (2000), Y tu mamá también (2001), and the recent Motorcycle Diaries (2004), appears from out of the blue.Together Enrique and Ignacio used to attend a private catholic school where sexual and physical abuse was predominantly common while the Spanish dictator Francisco Franco heavily tainted the school regulations.They were close friends, but they also discovered their first love in one another in the unforgiving school run by Catholic priests.Now years later they reunite, as Ignacio offers him a film script that he has written based on their time at the Catholic School.

At first, the film seems to focus on the Catholic School where Ignacio was a victim of severe sexual abuse, which is told through the screenplay.This is a clever curveball that Almodóvar throws at the audience, but it is necessary to understand what happens as the development of the story rests in the past of Ignacio and Enrique.However, this review will not elaborate on the notion of what happens next, as it would skew the initial experience with the film.Nonetheless, the script that Ignacio gives to Enrique portrays a world where Ignacio seeks a way to have an operation to reach what he desires the most - to be a woman.Cleverly, Almodóvar throws out the gender boundaries of film noir, as he exchanges his femme fatale for a man that seeks womanhood through modern technology.This displays Almodóvar's ingenious way of telling a captivating story, as it does not follow the conventional rules that often make films one of dozens.

As mentioned previously, the film does not concentrate on the Catholic Church, but instead the aftermath of Ignacio's education.Through several turns the film illustrates what happen to Ignacio.Much of this goes back to his years when the head priest sought him out for his own pleasure, which continues to trouble Ignacio well into adulthood.This seems to be the reason why Ignacio wrote the script in the first place, as he tried to exorcise his demons while trying to find an existence that fits with his upbringing and education.The story drifts between Enrique reading the script to the present time with occasional flashbacks that provide additional information in regards to the story.Initially, it might seem a little confusing, however, Almodóvar has been nice enough to add a couple of side bars whenever there is a flashback or a scene from the script that Enrique reads.Eventually, the audience will have gone through a very troublin