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| 121. Alias - The Complete First Season | |
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Amazon.com Confusing? This is all just in the first episode of Alias, the brainchild of Felicity creator J.J. Abrams that plays like a cross between Buffy the Vampire Slayer and James Bond. With its double-edged tension (how long can Syd play double agent?) and one heck of a MacGuffin (the dreaded Rambaldi device, the mythic creation of a Renaissance genius), the show leads its viewers from episode to episode with visceral, compelling action, not to mention the nascent romance between Syd and her CIA handler, Vaughn (Michael Vartan), and her clashes with her heretofore distant father. Sharp, smart, and always suspenseful, Alias' center was held by the gorgeous Garner, a stellar action heroine and an even better actress who could pull off Sydney's exotic undercover missions and conflicted emotions with equal dexterity. By the end of this first season, which concludes with a breathtaking cliffhanger, you'll be seduced into Alias' world with, happily, no desire to escape. --Mark Englehart Reviews (257)
For starters, let me just say that the packaging of this box set is really great. The carboard box holds three snap cases (like what a normal DVD comes in) each with two discs in it. I prefer this format to the fold out format used in other box sets (like "Buffy the Vampire Slayer" and "Friends"). The menu is easy to use. The picture quality is outstanding. The only thing I disliked about the DVD itself is the fact that each episode begins with the background information about Sydney and the "Previously on Alias" section. I got really sick of both of these. Now, for the reason I took away a star. It has to do with "Alias" as a show. I've already told you that I really love this show. We all like how the plot is continuous and important twists are revealed in every episode. But that's sort of a problem. The episodes are so laced into the overall series arc (backstory, missions, Sydney as a double agent) that no single episode is better than any other. They're all good, but none are excellent. No individual episode is a classic. My three favorite shows- "Buffy", "Angel", and "Friends"- all have individual episodes that you can go back and watch as a stand alone. "Alias" doesn't have this. After you watch the whole season, you won't be going back and saying "I'm in the mood to watch ENTER A SPECIFIC EPISODE HERE". You sort of have to watch the whole season to keep up the effect of the action in each episode. They are completely reliant on each other. Still, this is a great show and you should buy it, by all means. I just wanted to voice my opinion.
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| 122. Toy Story Director: John Lasseter | |
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Reviews (81)
Now on to "the vaults". Disney is trying to squeeze every last penny out of the cash cow, and have the two Toy Story films under lock and key, no doubt so they can sell millions of "Special Editions" in five years. Once again, Disney appalls me with their unmatched corperate greed. In conclusion, Toy Story is an excellent film and a true must-see.
The plot is absolutely joyful and stunningly original. The story revolves around the quiet family home of a quiet town where a boy owns numerous toys with his toddler sister. The toys however, are almost like beings of their own and are 'living' as well but stop 'moving' when the boy comes back into his room. However, a cowboy named Tim is the most popular 'toy' in the boys bedroom and is kept by the pillow almost every night until on his birthday, he gets a fancy astronaut toy named Buzz Lightyear who has many 'gizmos' and in time takes over the toy cowboys place as the most popular toy and Tim gets enormously jealous of this. However, after a botched attempt to remove Buzz, the cowboy himself along with Buzz end up in the hands of a punk teenager who takes joy in blowing up toys with firecrackers and or other means like burning, breaking, or smashing them and/or even taking them apart and re-assembling their parts to create 'mutant' toys and now the clock is ticking for Tim and Buzz to escape from the boys house before they end up being blown to molecules. This movie is absolutely fun and original even by 1995 standards. The computer generated special effects are innovative and unbelievable especially considereing the fact that this movie came out nearly a whole decade ago. The whole tone of the movie is just fun and charming and is for the entire family. Not only that but this was what put the then newcomers Pixas right into the front seat of movie animation and would be the start of an unbroken streak of excellent movies from this dynamite team.
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| 123. Magnum, P.I. - The Complete Second Season | |
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Amazon.com Reviews (17)
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| 124. The Complete Thin Man Collection (The Thin Man / After the Thin Man / Another Thin Man / Shadow of the Thin Man / The Thin Man Goes Home / Song of the Thin Man) | |
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Reviews (5)
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| 125. Complete Cadfael Collection | |
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| 126. Star Trek Voyager - The Complete Seventh Season | |
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| 127. Donnie Darko Director: Richard Kelly (II) | |
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Reviews (663)
The film takes place in 1988. Jake Gyllenhaal stars as the title character: a troubled, sleepwalking teenager who has recurring, frightening visions. Donnie is a quest to understand the forces that are affecting his life and sanity. Gyllenhaal's outstanding performance helps to hold the film together. He is a quirky, offbeat leading man; at times frightening, at times appealingly vulnerable. Gyllenhaal's work is superbly complemented by that of an eclectic ensemble cast which includes Katharine Ross, Drew Barrymore, and Noah Wyle. I was particularly impressed by Patrick Swayze's turn as a creepy, oily motivational speaker. "Donnie" defies genre classification. It blends together elements of serious family drama, 80s period piece, horror, satire, and science fiction. In a sense, it is a deconstruction of the whole 80s teen movie genre. The script makes intriguing use of 80s pop culture. "Donnie" has scenes of weirdness and absurdity, and is often punctuated by bizarre dialogue and strange, frightening imagery. And there are some really moving scenes that tap into the universal experience of human loneliness and the need for love. If there was ever a movie that had all the elements to make it a cult classic, it's the haunting "Donnie Darko."
Sadly, this time around, its a painful experience for the viewer, unless you are so into puzzles, sci-fi, symbolism and finding out what a movie means AFTER watching it that you can forgive what is, after all, really poor storytelling. Hint - A really good movie doesn't need multiple websites stacked with backstory and explanations. And, as usual, its all the fault of the script, which isn't a film script at all. Its a / Philosophy/ Religiousy / Science Fictiony puzzle (although I left out a few things there). This puzzle unfolds as a series of vignettes masquerading as scenes, related by Kelly's 'themes' but little else. The majority of the characters are little more than pawns whose job is just to move the puzzle plot on... nice..... and.......... slowly (with the odd music montage and cute-dialogue sketch thrown in, as if they were ad breaks). The main character was ok and most of the actors did well with what little they had to work with, but the MAJORITY of them should have been cut from the finished film, they are so redundant. There is no drive in the film and little sense of progression. We know loosely what the main character is ultimately facing, but never immediately so there is never any sense of anticipation, suspense, hope or fear for the viewer. We are simply passed more information and explanations to debate and question later with our fellow sci-fi-symbol buffs. I'm not saying you sit there waiting for things to happen because things do happen (to be fair some of the "scenes" are entertaining in their own way). But you do sit there waiting for a STORY to develop so you can start experiencing something (which is what we pay our money for, isn't it?). But there is no drama, no connection and NO STORY. All you get is a cool song and a plot twist (explained). Some people are happy with that I guess
Jake Gyllenhaal, from MIDNIGHT MILE & OCTOBER SKY, played Donnie Darko brilliantly. He was a young man smarter than his teachers, his parents, and his friends. An intrepid curious lad who could ask those questions very few wanted to answer. He is a kid who is being treated for mental illness, even though he may not have been clincially ill. He was outspoken, outrageous, and socially boorish...like most smart teenagers. Roger Ebert wrote," Donnie is appealingly smart yet sarcastic, more quixotic than eccentric, more curious than frightened. The film's prologue is bang on target. A bright sunrise on dark foothills, suddenly interrupted in the frame by the insertion of the black silhousette of a young man's head. Donnie Darko, there on the hard ground near his bicycle, far from home. After he cycles home, his arrival is treated as familiar behavior; sleep sojourns, adventurous forays into the darkness. That very next night, we witness him roused from his slumber by someone calling his name. He slips outside and we meet the presence that has beckoned him...a medium longshot of someone in a rabbit suit...someone named Frank. But this rabbit, tall as HARVEY, is not a benign companion. Its face is twisted into a demonic death mask. With Darko away from the house, we see an accident happening. Something has fallen out of the night sky, and crashed directly into Donnie's bedroom; a 707 jet engine. If he had been there when the engine came acallin', he would have died instantly. Frank sends Donnie off to do devilish chores; flooding the school, and burning down a house. Nothin is linear or logical in Darko's dreamlike world. His parents are too understanding. His new girlfriend, Jena Malone, is really too easy to get to know. Physical laws, like an axe being buried in a bronze statue, are tweaked and violated. The film can only approach some level of cohesiveness if one is able to conjure up a premise, a through line. For me, most of the characters presented are probably actually a part of Donnie's This film poses more questions than it offers answers for. There are theories that we, as spiritual entities, can sustain more than one version of our "Self" in parallel dimensions similtaneously. Somehow, it seemed that Donnie called on one of his alternate selves to swing through those last few brief moments, those seconds that stretched out into 30 days. Perhaps time is relative, and does not exist on the other side. I think this movie requires several viewings to begin to be fully appreciated. It is an original vision, bizarre yet strangely familiar, and immediate with it's punch to the emotional gut. It is eccentric, yet appealing.
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| 128. Nip/Tuck - The Complete Second Season | |
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| 129. Cowboy Bebop Complete Sessions Collection (Amazon.com Exclusive) Director: ShinichirĂ´ Watanabe | |
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Amazon.com essential video Reviews (336)
I first discovered this series on Cartoon Network's adult swim late-night block, and quickly began to really like it. The fight scenes are beautifully animated, the 26 episodes (each of which stands on its own) are well written and perfectly paced. Speaking of which, the episode structure is very unlike most anime, where you have to see every episode or you don't understand it at all. The episodes in Bebop are all tied together with a common theme: Spike Spiegel and company travel throughout space in the near future, looking for bounty, their own backstories unraveling bit by bit. This formula works very well. Bebop also conveys an atmosphere that sometimes changes but is always well done with each episode. It is, for the most part, either gritty and violent (Episode 5: Ballad of Fallen Angels) or goofy and sometimes laugh out loud funny (Episode 12: Toys in the Attic). Director Watanabe is great at really drawing the viewer in so that often you forget about what else is happening around you. Bebop is not without flaws, however. Sometimes the episodes seem to have filler or are WAY too slow paced. This is mainly only a problem with Episode 20: Boogie Woogie Feng Shui. Half the episode is almost all dialogue, with hardly any real movement. It just doesn't feel like the rest of the series. That one very small shortcoming aside, however, Bebop is amazing, and well worth it whether you enjoy anime or not. This is something anyone can appreciate.
The main character is Spike Spiegel, an ex-member of a crime syndicate and a bounty hunter. With his tall, lanky, slacker-look about him, he easily throws people off guard when they first meet him. His cool demenor and level-headedness are an excellent cover for a master of hand-to-hand and ranged combat, as well as being quite skilled in piloting his starship, Swordfish II. The lead female character, Faye Valentine, is very similar in many respects to Spike, which causes some friction throughout the series as they both hunt for bounties. Although she may look like she is in her early 20s, Faye was suspended in a cryo-genic freeze for 54 years following a space accident. Her past is a mystery (Episodes 15, 18, and 24), but she keeps her cool and is confident and daring all at once. If Spike is ever in the middle of a fight, she'll usually wander in to help. While she is definitely a sexy woman, her charms tend to work on every man other than Spike and Jet. In addition, she has her own little starship, Redtail, which she uses to get herself out of whatever trouble she finds. Jet Black is a former member of ISSP (InterStellar Space Police) on Ganymede, where he shortly retired after losing his left arm. He is partnered with Spike as a bounty hunter, and is the captain of the Bebop and his own personal ship, the Hammerhead. However, most of the time, Spike is on the frontlines while Jet provides support through information or backup. Ed's real name is Edward Wong Hau Pepelu Tivrusky 4th, but Ed is 13 year old female who is an expert computer hacker commonly known as "Radical Edward." Although she may sound serious, this couldn't be further from the truth. She may be extremely intelligent and a prodigy, but don't let her wacky antics and crazy talk fool you. She may not be able to take life too seriously quite yet, but she is a force with which to be reckoned. Ein is a Welsh Corgi dog who was apart of an experiment at an early age. Consequently, he's smarter than the average dog now, and when Ed joins the crew of the Bebop, they're instant friends. Often times found eating, sleeping, or accompanying Ed, he's the one character that no one argues with (except for Faye). The year is 2071 A.D., and mankind has spread throughout the Sol system after a tragic accident on Earth. The crew of the Bebop hunt down criminals for bounties, all the while, trying to survive the harshness of space. Spike and Jet are the original crew members of the Bebop, and while Ein, Faye, and Ed become apart of the "family," conflicting pasts and perspectives often times drive each of them away to solve their problems, but they always come back for one reason or another. The plot? Excellent. The characters? Great. The animation? Great. The series? Flawless. An additional note, I'm not positive, but I do believe that all of the music (with exception for the beginning and ending tracks) are never repeated. You'll watch TV and anime series, and often times, you'll find a particular piece of music being repeated for certain situations to help clue you into the mood for that scene. However, in Cowboy Bebop, that isn't so. For one episode, you'll have a unique set of music tracks that are never repeated throughout the rest of the series. For example, the music track "Ballad of a Fallen Angel" is never repeated outside of the cathedral scene in the episode "Ballad of Fallen Angels." I can't think of anything else that I was more pleased with after buying than Cowboy Bebop. : )
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| 130. Monk - Season Three | |
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| 131. Pooh's Heffalump Movie Director: Frank Nissen | |
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| 132. The Sopranos - The Complete Fourth Season | |
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Amazon.com Other narrative threads include Christopher's (Emmy nominee Michael Imperioli) descent into heroin addiction, Uncle Junior's (Dominic Chianese) trial, an unrequited and potentially fatal attraction between Carmela and Tony's driver Furio, and a rude joke about Johnny Sack's wife that has potentially fatal implications. Other indelible moments include Christopher's girlfriend Adriana's projectile reaction to discovering that her new best friend is an undercover FBI agent in the episode "No Show," Janice giving Ralph a shove out of their relationship in "Christopher," and the classic "Quasimodo/Nostradamus" exchange in the season-opener, which garnered HBO's highest ratings to date. Freed from the understandably high expectations for the fourth season, heightened by the 16-month hiatus, these episodes can be better appreciated on their own considerable merits. They are pivotal chapters in television's most novel saga. --Donald Liebenson Reviews (70)
This DVD set contains the 13 episodes of the fourth season, together with commentary from writers, actors, and David Chase. Unfortunately, only a few of the episodes have such commentary, and the choice of episodes is open to question (episode 4-11, with Tony's dreams, needs interpretation from an authoritative source). The "trailers" at the beginning and end of each episode are also included (i.e., "Previously on the Sopranos", etc.) All of the regular actors shine, and the bit players are, as always, very well cast. The quality of most of the episodes is high, perhaps higher than any but the first season. But as the number of planned seasons has gone from four, to five, and now to six, I wonder if the purity of David Chase's vision has not been invaded by fluff. Well, we won't know until the series ends, I suppose. Highly recommended.
Tony comes to realize how others truly see him in the early episodes of Season Four. He laughs at his friend Artie and his cronious cohort Councilman Zellman when they nervously try to discuss different requests. He does not understand why they should be so afraid. But soon, he validates their concerns and sees the monster inside that drives away the closest people in his life. His marriage is also falling apart, a plotline most associated with this season. Gandolfini and Falco provide career performances, particularly in the finale's blow-up scene. But Tony's most powerful moments concern two important losses in his life. Sudden news of the passing of an old acquaintance sends an unstable (and violent) Tony back to therapy and another tender relationship with an animal (remember the ducks) ends with Tony out looking for blood. Chase loves to allow small incidental moments to provide the genesis for much of the show's conflict, a comment on the fragile nature of life. In the first season, the jokes about Junior's acquired "taste" of his girlfriend drive the wedge between he and Tony that causes many to get whacked. In this season, a throw-away line made about the weight of a tangential character builds and festers animosity all season. Plot built in such a masterful way is just another example of why The Sopranos is television's finest hour.
The economy is down and the mob business is slow. That can only mean one thing. All the guys are going to have to work twice as hard to make more money. As this happens on Tony's mob side of life, it becomes clear he's also facing troubles at home - amazing acting takes place between Edie Falco and James Gandolfini in the incredible final episode. This is one of the best things ever to come off of TV, and each episode is almost like a mini movie, action - drama - twists and turns. The only problem is, you buy this DVD, you're guaranteed to call in sick for work the next morning to carry on watching. You may even find yourself dropping the words 'BADA BING, BADA BOOM' into a conversation unknowingly... ... Read more | |
| 133. Buffy the Vampire Slayer - The Complete Fourth Season | |
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Amazon.com Buffy truly hit its golden years in the fourth season--just when you thought this show couldn't get any better, Joss Whedon and his creative team pulled out all the stops and took Buffy and co. into rich new territory. By far, the highlight of the season (and the entire series) was the Emmy-nominated "Hush," a nearly dialogue-free episode in which the creepy "Gentlemen" rob Sunnydale of its collective voice, and Buffy and Riley finally come face to face with each other's hidden identities. While Frankenstein-esque monster Adam wasn't the show's best villain (you'll have to wait until next season's Glory for that), he was a worthy adversary for the biotech age, and the military milieu was a nice contrast to Buffy's previous gothic outings. Season 4 also marked the return of blond vampire Spike (who developed a crush on Buffy), the ascension of vengeance demon Anya to full-time cast status, and the brief return of bad slayer Faith (in a fab two-part body-switching episode). Throughout, the entire cast, headed by the unparalleled Sarah Michelle Gellar, worked television magic of the kind rarely seen on the small screen. This is Buffy at its best. --Mark Englehart Reviews (246)
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