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| 1. Son-In-Law Director: Steve Rash | |
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Reviews (35)
My kids wanted to watch this on Thanksgiving, and now that we've finished, I realized that it really is a fairly decent film. Besides its somewhat predictable plot, the story is quite funny. Pauly Shore plays a California college student, nicknamed Crawl, who goes home over Thanksgiving with his friend, played by Carla Gugino, to her parents' farm in "middle America," as he puts it. Crawl pretends to be his friend's fiance so she doesn't have to face her high school sweetheart, and proceeds to help out at the farm. Throw the California city boy into farm life, and you can only imagine what type of trouble he gets into. Shore seems to be at his best in the role, and Gugino adds a lot of flavor to the film as well. The acting on the whole was pretty good, and overall, it was a pretty enjoyable film to watch with my family. It's funny and leaves you with a warm feeling in the end. This is a nice family film.
Very entertaining, funny and sometimes heartwarmining with fine performances, a must see movie. The DVD looks good with picture and sounds great with it's sound.
Pauly Shore is in full Pauly Shore mode in this movie, but it works tremendously well here. The acting is great all the way around, Carla Gugino is adorable, Shore is hilarious, and there's not a dull moment to be found from beginning to end. I've watched this movie several times, with no noticeable decrease in the enjoyment factor from one viewing to the next. My parents, who haven't been to a movie since I was a kid dragging them along with me, actually borrowed this movie from me; some of their friends had been trying to find this hilarious movie they had seen but could not remember the name of for some time, and I recognized the plot as soon as they got around to asking me about it. It's a pretty unforgettable movie that appeals to a wide audience. If you have avoided Son in Law like the plague just because Pauly Shore stars in it, I urge you to reconsider and give this movie a chance. This is a very funny film the whole family can enjoy. ... Read more | |
| 2. Toy Soldiers Director: Daniel Petrie Jr. | |
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Amazon.com Reviews (37)
A Colombian drug lord is extradited to America and his son is determined to get him back---at any cost. Luis Caldez hatches a cold-hearted scheme to kidnap the son of the man who will be the judge in his father's case. The boy attends a private school called St. Regis Academy, headed by Louis Gosset, Jr. as its dean. The school, nicknamed The Rejects' Academy, contains a student body that consists of boys tossed out from other schools for disciplinary problems. These kids hate and defy authority routinely. Chief among the troublemakers are Billy Tepper(Sean Astin) and Joey Trotta(Wil Wheaton), who hatch a clever scheme to free the school from the terrorists. The ensuing twists and turns and near-misses work well to maintain the adrenalin level, which heightens when the bad guys kill one boy, whose father just happens to be the head of the New Jersey Mafia. This tragic event pushes the action up to a fever pitch as the angry mobster exacts his revenge in a fitting way. Some of the action seems a bit implausible, but that doesn't take away from the joyride of watching the boys defy their odious captors. The viewer almost pities the terrorists for what they've gotten themselves into by ticking off these toy soldiers. The movie is enjoyable, with plenty of heart and fine acting. Sean Astin and Wil Wheaton are great as the head rebel and his partner in crime. Louis Gosset, Jr. demonstrates why he's an Oscar-caliber performer. Denholm Elliot is endearing as the gentle headmaster who maintains dignity throughout the menace. Andrew Divoff is creepy as the calculating and ultimately psychotic Luis Caldez. An uncredited Jerry Orbach gives an intense performance as the slain boy's father, evoking both loathing for his criminal career and compassion for his pain over the loss of his son. The rest of the cast is in excellent form, too, and carries the story forward. All in all, this is a great flick for those who enjoy action, especially teenagers. There's plenty of foul language and graphic violence that are not for the sensitive of ears or stomach, but most viewers should find this one a great ride. Enjoy the exploits of those daring young men!
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| 3. Dr. Seuss' Animated Televised Classics 4 - Pack Director: Bill Perez | |
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Reviews (6)
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| 4. F/X Director: Robert Mandel | |
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Description Reviews (9)
Sadly, the sequel - FX2 - is a big letdown.
The always underrated australian actor, Bryan Brown, plays Rollie -- an independent special effects artist who specializes in creating gore effects for cheap horror and action films. Indeed, when we first meet him, he is working on a film that bares a hilarious resemblance to Brian DePalma's Scarface which, whatever its qualities, is most definitely represenative of the type of film that F/X strives not to become. Brown is recruited by an uptight but reassuringly paternal federal agent (Mason Adams) to help fake the death of a mobster (Jerry Orbach) about to go into the federal witness protection program. Once Brown agrees to help, he finds himself being targeted and pursued by mysterious killers who might be the government, might be the mob, or might be something else. The film's main selling point is that, in order to protect his own life and clear his name once the police become convinced that he's a murderer, Brown is forced to rely on his expertise in hollywood special effects. While that certainly is true, it also makes the film sound a lot more gimmicky than it actually is. As opposed to its sequel, F/X never allows itself to become reliant solely on that gimmick. Instead, the film concentrates on presenting its fast-paced plot which, over the course of many twists and turns, avoids the common action film fate of collapsing on the wieght of its own complications. That said, the F/X sequences are pretty cool and the film's conclusion provides perhaps the wittiest advertisement for superglue that I've ever seen. The film's main strength comes from the cast who all seem to be having a good time on screen and bring a surprising sense of conviction to roles that could easily have been played as B-movie stereotypes. Bryan Brown is one of those charismatic, obviously talented leading men who rarely gives a bad performance yet for whatever reason (though making movies like Cocktail probably didn't help) has never become a bona fide star. Playing the lead in this film, he proves that he did have the talent and the charisma to be a leading man and indeed, his low-key but likeable lead performance is reponsible for a great deal of F/X's strength. As the gruff police detective who becomes Brown's ally, Brian Dennehey is -- well, he's Brian Dennehey and, as always, that's more than good enough. That said, he also brings a welcome sense of humor to the proceedings and he proves once again that nobody in the '80s delivered profanity as wittily and skillfully as Brian Dennehey. The rest of the cast is full of character actors who all turn in nicely quirky performances with the standouts being Diane Venora who is sweet as Brown's girlfreind (whose ultimate fate -- if predictable -- is also well handled and rather sad), Cliff De Young who gives perhaps his best variation on his standard Yuppie henchman role in this film, Joe Grifasi as Dennehey's put upon partner, Mason Adams who perfectly captures the essence of everyone's kindly but kinda strange uncle, and the great Jerry Orbach who, playing a mobster with an all-important pace maker, overacts as if the world depending on it but is still a lot of fun to watch because, afterall, he's Jerry Orbach. They all come together to create (without any trendy angst or computerized special effects to show us what animated human beings look like when they get blown up) one of the most purely enjoyable movies of the '80s.
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| 5. Houseguest Director: Randall Miller | |
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Description Reviews (20)
It's about a man named Kevin Franklin (Sinbad), who owes money to a couple of loansharks. After threatening to kill Derek, he runs to an airport desperately trying to find a way to make it out of their alive, and happens to hear Gary Phil Hartman describing to his kids what his long-lost friend Derek Bond looks like, as they stand there waiting for him. Conveniently, Kevin happens to fit the description perfectly, and jumps up, taking on Derek Bond's identity. One of my favorite things about Sinbad comedy is that he is able to be extremely funny without being provocative. He doesn't rely in sex to sell, which is quite different from most comedians these days. If you read the back of the movie, you may think, "Wow, this sounds like it has a lot of potential to be funny. But does it?" And to sum it up in one word: YES! Not too slap-stick, not to talky, just perfect. Give it a shot!
I don't see why "Houseguest" isn't a lot more popular than it is, it's one of the funniest movies I've ever seen without a doubt, and I've seen a lot of great comedy movies. Sinbad provides most of the laughs with his crazy antics. I couldn't quit laughing at the part when Sinbad washes his hands with novacaine and he finds out that his hands are real numb while he's pretending to be a dentist. But that's far from being the only hilarious part of the movie. "Houseguest" is hilarious all the way from when he first becomes the houseguest at the beginning of the movie all the way to the song that talks about food in the credits after the movie. I recommend "Houseguest" to anybody who likes hilarious movies. Whether you like Sinbad or not, you should be able to enjoy this movie a lot.
The acting was pretty good. There are several scenes in the movie in which Hartman's character is having a row with his wife--and that I could not watch without a heightened sense of realism and an almost grotesque and somewhat sickening dark feeling, in light of what would happen to Phil Hartman in real life not long after the movie was released. Anyway, Sinbad and Hartman made the movie fun. And I certainly enjoyed the fast pace. The Italian gangsters the movie portrays may appear flat, stereotypical, and silly, but that's not necessarily a bad thing in the context of the whole movie. The gangsters are a prop, a background, they were not meant to be these grand characters. They are simply there so that Sinbad could run away from were he was and end up in Hartman's family. It is a comedy, after all, and it calls for comical characters, not grand characters; for exaggeration and misunderstanding, not for hard core realism and clarity. I definitely recommend Houseguest. ... Read more | |
| 6. Omen III: The Final Conflict Director: Graham Baker | |
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Reviews (35)
This is especially disappointing because the second film was setting up a plot line in which Damien's company would have a strangle-hold on the world's food supply. I was hoping for global chaos in Omen III -- food riots, revolutions, etc. Omen III briefly reminds us of what Damien's company is trying to do but then drops that plot line completely. Hence the third film does not seem to be organically connected to its predecessor. Indeed, no characters from Omen II except Damien get screen time in Omen III. It's as if with Omen III someone else took over writing the screenplay and decided to take it in a different direction. It also is odd that Damien was supposed to be such an assiduous student of biblical prophecies but overlooked the prophecy that appears on the screen at the end of the film. What, was Damien's bible missing a few pages of Revelations? There are some well done scenes, but this film does not measure up to the first two films. Still, it is fun in its own trashy way.
There are several reasons why this sequel doesn't work. First, the actors are terrible. Sam Neill, a versatile British character actor who can usually be counted on to create top - notch roles, is wooden as Damien. It was obvious this was not his starmakiing vehicle. He had to wait until Steven Spielberg cast him in "Jurassic Park" to become a familliar name. Veteran character actor Rosanno Brazzi fairs only slightly better as the leader of a group of monks out to kill Damien once and for all. Unknown British actress Lisa Harrow is trechorous as a news reporter who romances Damien until she finds out his true indentity. Adding to this, Jerry Goldsmith's score is lackluster, the direction is awful, and there is not one scary moment in the entire film. A big mar on a classic film series.
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| 7. Dr. Seuss - The Grinch Grinches The Cat In The Hat/The Hoober-Bloob Highway Director: Bill Perez | |
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Description Reviews (1)
Why only two 22 minute shorts? Universal could have gotten all four of their Dr. Seuss DVD releases on one DVD! ... Read more | |
| 8. Encino Man/Son in Law Director: Steve Rash | |
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| 9. Norman Rockwell: An American Portrait | |
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Description THE ARTIST THE ART V.I.E.W Video is proud to present this enhanced DVD version of the PBS special, Norman Rockwell: An American Portrait, narrated by 3-time Emmy Award nominee Mason Adams. This classic pro-gram features the art of Rockwell, commentary and remembrances from art historians, close friends and the artist himself- an entertaining celebration of Norman Rockwell's American Legacy. Reviews (1)
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