Reviews (31)

Kolchak is really Mulder's father!
An important television film from director/producer Dan Curtis (Dark Shadows) and screenwriter Richard Matheson (The Twilight Zone among many others)and a sharp, fun horror film. The Night Stalker set a new standard when it aired in the 70's; it's story with Darren McGavin's narration and the Vegas setting contributed to it being one of the highest rated t.v. movies of the week. Adapted from Jeff Rice's (then) unpublished novel, the story is about a murdered who kills his victims and then drains their blood. Kolchak (McGavin)becomes convinced that the murderer isn't a garden variety psycho but, perhaps, a real vampire. Unfortunately, no one believes him.

Films like Fright Night have used a similar premise but not in as compelling a fashion. John L. Moxey's direction is taunt and shows his roots as a veteran movie and television director. Both Darren McGain and Simon Oakland as his put upon editor give outstanding performances. Additionally, the late and under rated Barry Atwater gives substance to the shadowy role of Janos the creature that Kolchak stalks ultimately must face. Carol Lynley is fine in an underwritten role as Kolchak's girlfriend. Surprisingly, she really isn't given that much to do but, then again, this was the 70's when women in peril pretty much described the role in television programs and movies.

The sequel The Night Strangler couldn't touch the first film despite reuniting the original cast and creative crew. Perhaps it's Curtis' understated direction, but The Night Strangler doesn't quite capture my interest as well as the first film. Richard Anderson plays the title "monster".

Still, it is fun and, if it doesn't quite measure up, it's still an entertaining and imaginative story by Richard Matheson. The DVD doesn't boast any extras but the transfer is very nice given the age and source for the DVD. Anchor & Bay has done a great job returning hard-to-find classics to DVD and video. This is no exception. My only complaint is that there isn't a commentary from director Dan Curtis or actor Darren McGavin. McGavin's acerbic comments would be a welcome addition to this fine double feature.

Now it's time to return these vintage horror classics to DVD.

Carl Kolchak finds another unbelievable mystery to solve
Darren McGavin reprises his role as Carl Kolchak in this sequel to "The Night Stalker," one of the most celebrated made-for-television movies of its day. "The Night Strangler" finds our intrepid reporter challenged by his old Las Vegas editor, Tony Vincenzo (Simon Oakland), with uncovering a 120-yeard-old Jekyll and Hyde type killer in the eerie underground of Seattle, Washington. There really is a sense in how this sequel is trying too hard to top the original, which had the virtue of a simplistic elegance to its plot. This time around director Dan Curtis tries to come up with a really big ending, which is not where Kolchak was most effective. Maybe we would have been more impressed with this story if it did not have the original to contend with, but this is yet another instance of Hollywood trying to milk the golden goose dry. Still, any scene between McGavin and Oakland is worth paying attention to and the supporting cast throws Jo Ann Pflug, Wally Cox, Richard Anderson, Margaret Hamilton, John Carradine, and Al Lewis at us If you can not identify the Mr. Peepers, the Wicked Witch of the West, Dracula, and Granpa from the "Munsters" in that list, shame on you. But then it also serves as more evidence that this movie is trying a bit too hard.

Carl the Vampire Slayer?
When I was 9, I used to stay up and watch Kolchak: The Night Stalker. To me, it was some seriously scary stuff. I didn't know at the time that the series was based on 2 made-for-TV movies from a couple of years earlier. Many years later I was in the Air Force in 1987 and stumbled onto the original Night Stalker on VHS. I immediately rented it. The memories came flooding back. The Night Stalker, when originally aired, became the most viewed TV movie ever (at the time). It would be many more years before I got to see the second movie, The Night Strangler as part of this DVD double feature.

The Night Stalker is the story of Carl Kolchak (played by Darren McGavin), a formerly respectable reporter who fell on hard times and has ended up at a Las Vegas newspaper, searching for the one big story that will propel him back to the New york daily papers and the Big Time. That big story comes in the form of a killer with amazing strength who is, for some reason, draining his victims of blood. There is much nervous joking about the killer thinking he is a vampire. However as Kolchak follows the killer's trail, he comes to the impossible realization that the killer may indeed be a genuine vampire, and since no one else will believe or at least admit the possibility, it is up to him to kill it.

The character of Kolchak works because he is a lot like the rest of us. When the killer discovers him in hiding, Carl screams like a little girl and runs like mad! It makes us examine how we would truly react if faced face-to-fang with a REAL mythical undead creature. Carl is cowardly in many ways but he is noble on some level too. He risks his life to stop the creature, but then again, maybe he is just doing it to land that perfect story.

The Night Strangler takes place in Seattle (Kolchak moves there after the events of the first film) and he bumps into his old editor from the original movie, Anthony Vincenzo (played by the great Simon Oakland)and begs his way into another job. Soon he is investigating a series of murders where the killer apparently re-appears every few decades. This story is very similar to the character of Toomes in the first season of the X-Files, and since Chris Carter's inspiration for X-Files was the Kolchak series, it is possible that this resemblance is not coincidental.

As many other reviewers have mentioned, it is a SHAME that the Kolchak TV series has not been released on DVD yet. I am sure it will happen eventually, but the sooner the better. These movies are 30 years old now, but they still hold up today. Just try to ignore the polyester suits, plaid sports jackets, and go-go boots!

Note: in August 2004 a new release of these 2 films is being issued. It supposedly will have some featurettes and interviews. I am reviewing the 1998 release which has no extra features. Hold out for the new release if you have not bought this yet.

Bring on the TV Series
I see TV show collections on everything from The Monkees (which I like, by the way) to MASH (good one, two), but why hasn't this classic show been issued? Let's hope it will soon -- along with the "Get Smart" TV series. Come on, my credit card is ready to go CHA-CHING!

This is a priceless piece of the golden era of TV
Man... I saw this and it took me right back to my childhood. I remembered the old house we lived in during that period, and how my elementary school friends and I used to revel in this show. We loved this show. If was by far the hippest TV show of the early 1970's. After this, "The 6-Million Dollar Man" took over. I was about 7-9 years old during this show's all-to-brief run. That is the prime time of the childhood imagination. I had several lost time experiences while watching this show. My sister hated it because it was "too scary". That was why we loved it. The opening theme song is absolutely unforgettable.

This show had a ton of entertainment value. It is one of the forgotten gems of the golden era of TV. A number of academy award winning directors got their first breaks directing episodes of this show. Chris Carter-creator of the X-Files-often sited this show as one of his inspirations. The studio team killed this program because the FX budget was too limited and noir filming schedule was killing the cast and crew. You will note that almost all the shots are night time shots, and done outdoors on location in Hollywood (even though this was supposed to be Chicago.) ... Read more

Reviews (156)

Fascinating ......they're after the same rainbow end
I love this film.From the first scene when the yellow cab stopped with Holly alighting,having her breakfast in front of Tiffany's to the very last scene when Holly & Paul reconciled and kissed in the rain...

Simply marvellous piece of work. With the flawless performance from Audrey Hepburn and George Peppard. The unique mood of the movie.And my fave song "Moon River". Who can forget the part when Holly sitting by her window plucking the guitar strings and singing...."Moooonnn River...." Great adaption from Truman Cropte's book with many magical touches and refinements. It's about a free-spirit girl Holly's struggle in Life,her fear of Love and commitment, she didn't even think she own her nameless 'cat'. Paul is a struggling writer who actually a 'kept-man' by a rich lady. Fate brought them together,first as neighbours to friends and eventually lovers. They were soul mates who needed each other and are made of each other....they are after the same rainbow end.

The idea was refreshing....esp.doing things that each have never done:- Strolling down New York street in the morning, stealing, visiting the Library and of course Tiffany's. Simply amazing, fantastic and romantic .

The best part about it was both Holly and Paul were practical people with dark secrets and not really perfect human beings and it make the story more realistic but not losing the romantic fairy tale feel.

This film is one of the best in movie history. It touches my heart my soul with scenes with the perfect combo of laughter,sadness,ironic,truth,secrets,romance,life,etc....... Timeless and Unforgettable......

Fascinating¿They are after the same rainbow end!
I love this movie. From the first scene when Holly(Audrey Hepburn) alighted from the yellow cab to have breakfast in front of Tiffany to the very last scene when Holly and Paul(George Peppard) reunited and kissing in the rain.

Mesmerizing film, shine in all departments. Excellent adaptation from Truman Capote's same name novel. Skillful directing by Blake Edwards and flawless performances from both the leads and not forgetting great supporting casts. This role was made for Audrey Hepburn, she was graceful, witty, charismatic and totally awesome. One of her best performance ever!

The story was about a free spirited and helpless Holly Golightly who lived with a nameless 'Cat', didn't want to own anything and afraid of love and commitments. Life pretty much socializing because holly's goal in life to marry one of the richest man under 50. Things take a twist with Paul Varjak moved into the apartment below hers. Paul was a struggling writer who actually a kept man by a rich lady. They became neighbour to friends then soul mate and eventually lovers.

This is not the usual romance story, "Breakfast at Tiffany's" is a timeless classic, showed sincerity, sensibility and class.

I also love the song of this movie "Moon River". Who can forget the part when Holly plucking the strings of the guitar and singing it "moonnn----riv---ver"......

This movie touch my heart with memorable characters, song, etc and I've watched it from time to time because each time I watch it, I renewed the feeling. Marvellous vintage classic.Simply divine!

One of the best chick flicks ever
I loved Breakfast at TIffany's. I had read about it from all of the gossip girl books and eventually became curious about the movie. I figured the movie would be good but I didn't expect to fall in love with it as much as I did. It is one of the best romantic comedy, chick flicks I have ever seen.

Good for ALL ages!
Because of the fact that I'm only 17 years old, I just got around to watching this movie. I'd always heard about it but I never knew what it was about. And, to be quite honest, I didn't even think about watching it because I thought it was in black and white! (Eh, I didn't know when it was made!)

My dad made me watch it this past weekend and I fell in love with it! Unlike most romantic comedies made today, both main characters are broke. It doesn't follow the mold of: poor/average girl falls for rich guy blah blah blah or the other way around. It was funny (Mickey Rooney's character was HILARIOUS!) and sad (when Holly finds out about Fred) and sappy (the last 20 minutes) all at the same time.

This movie is great for anyone, whether you saw it the first time around or you're a "late viewer" like me.

my fav movie!
i love this movie so much!
it is a love story but its not sappy it is so fun to watch

it is not an earlier version of pretty woman at all (as another review stated) audrey hepburn does not play a prostitute really she just has a lot of suitors. Anyway i completely recommend it so worth the $ ... Read more

Reviews (26)

Another Poitier Triumph
Although highly regarded in its day, "Lilies of the Field" is now considered a relic of the civil rights era or Hollywood's token Oscar "gesture" to a Black performer. This is unfortunate, since it underrates both the film and Poitier's textured performance. "Lilies..." is a simple, funny and touching story that emphasizes respect for the differences in people. Lilia Skala gives a powerhouse performance as the Mother Superior, almost stealing the film from Poitier. She gives just the right measures of rage and prideful determination to make her character sadly noble. Hers is one of the most memorable supporting performances on film, and she deserved an Oscar as well. But this is Poitier's show, and he gives the character of Homer humor, rebeliousness and magnanimity that make him unique in films. Rather than the usual angry political stance Hollywood takes with anything involving race, this character is presented as simple, decent, a little lost, but just an average man doing the best he can. There's nothing "special" about him, which makes the character (and Poitier's performance) special and memorable. Of note in this edition, the digital transfer of the film is especially crisp and vivid, not the usual slack job MGM does with these older films. Unfortunately, there are almost no extras, and it would have been great to have a commentary by Poitier to listen to. Still, this is a memorable film for the whole family. Makes me wanna holler.

Lilies of the Field is a Work of ART!
This amazing movie used to be shown on TV, usually between Thanksgiving and Christmas. I fell in love with this movie from the 1st time I saw it. Sydney Poitier deserved his Oscar for this and you will immediately see why he became a star. "They don't make 'em like this anymore" is an understatement. Now, only available on video, I urge you to buy this movie. Sit down, relax and enjoy a real story line, no special effects, no violence, no swearing and the most amazing true talent you will ever see. To top it off, this is a story that leaves you feeling good and you will be humming "AMEN"

Poitier Great in Small Movie
Mostly its just Poitier showing his acting chops. He is awesome. One of his finest roles. Wise & funny. A simple man thrust into an absurd situation rises to the occasion. Poitier was all about dignity and responsibility.

Simply Delightful!
A black man (Sidney) is passing through town minding his own business...but some German Sisters catch him in their grips like powerful sticky hooks, and will not let him go until God's plan is fulfilled.

The German Sisters feel that (Sidney) is a God-send. This is the man who will build their chapel, their black angel, God's carpenter. ALLELUIA!!!!!!!!!!

(Sidney) tries to leave many times, but God's plan is so apparent that something always stands in his way...not only that, but the sisters make him feel guilty about leaving. He was sent to them from GOD.

The relationship that develops between he and the sisters is beautiful and humorous at times. When he sings 'AMEN' one cannot help but Know he was meant to be there.

This is a movie about faith and love. How the most unconventional relationships can be the most fulfilling, brilliant, Godly, unforgotten.

A simple man passing through town learns that living for himself is not enough. He is in town long enough to build a chapel, build relationships, find a purpose.

When the chapel is built, he leaves once again to find whatever it was he was searching for...
but the viewer knows he shall never be the same. AMEN

Amen.
Simple, uncluttered, charming- sadly, this film could not be made today simply because the mentality of so many Hollywood studios is steeped in formulaic storytelling: more sensationalism (they would want Homer Smith to exude more action, and maybe have a hot romance), and more youth (the 36-year old Sidney Poitier would be considered too old for the role today; Hollywood would want a younger, and definitely "edgier" actor to do the role now. Ice Cube? Mekhi Phifer?) As it is, the story gets to the point in short order, and gives a stronger lesson about teamwork, tolerance, and faith in its 94 minutes than most modern films do today (I'm sure there are cynics who'll read this and pigeonhole it in so-called 'political correctness' because it dares to mention positive race relations, but whether you agree or not, that is part of the world we live in). One could even argue that Poitier's relationship with Mother Superior Lilia Skala never really reaches a warm-and-fuzzy breakthrough, but I accept that compromise based on the fact that the characterizations are tight as a drum, and leave little room for a 180-degree change. (After the completion of the chapel there are various facial ponders, but no further dialogue; only the chant of "Amen-" as it should be.) Check it out, and marvel at a film that cost less than a quarter million dollars to make. ... Read more

Reviews (12)

John Wayne, Stewart Granger & co. shine in Alaskan adventure
The tremendously entertaining "North to Alaska" is easily John Wayne's most light hearted and fun filled movie and is wonderful viewing for all ages !!

Henry Hathaway's lively film is loosely based on the play "Birthday Gift" by Ladislas Fodor and Hathaway shows a wonderful hand in the romantic, comic nature of this film.

Confirmed bachelor Wayne and love lorn Grainger strike it rich in Nome, Alaska at the turn of the century and there begins all there problems. Wayne returns to Seattle to bring back Grainger's fiance, finds she has married another man, and ends up in a dance hall and brings back to Nome the glamorous Capucine (she was a knock out in her day !) for Grainger, but the big Duke falls for her womanly charms himself ! Songster Fabian is loads of fun as Grainger's overly amorous kid brother, Billy...and noted funnyman Ernie Kovacs is slick conman Frankie Cannon...eager to get his hands on anyone's fortune. And Johnny Horton's resonant voice sings the title track to the movie !

Henry Hathaway often got the best out of the Duke on screen, and if you never thought screen tough guy John Wayne could be funny...see this film...the honeymoon cabin sequence with cunning Grainger and reluctant Capucine stirring up trouble with an irate Wayne listening is simply priceless !

Watch closely during the all out brawl in the snow and the mud at the conclusion of the film where Wayne cops a hit on the jaw, falls backwards, and his toupee flies off !

Fun, action & romance..."North to Alaska" has got it all !

The Duke......
It's the Duke. What more can I say. John Wayne was one of the most wonderful actors that ever existed. North to Alaska has incredible scenery, memorable music and quite an interesting cast. The fight scenes are hilarious. The romance is so French and refreshing. There truly is something for everyone in this movie. As was said in "Rio Lobo" with John Wayne, he's just so comfortable.

John Wayne Strikes Movie Gold!
They must have had a blast making this movie, set in the snowy mountains of Alaska during its exciting boomtown days. Complete with romance, hilarity AND and some really fabulous fist fights, North to Alaska is definitely one of John Wayne's best.

Claim jumpers, love triangles and power plays keep best friends Granger and Wayne on their toes, and almost at each other's throats, and right smack in the middle of it all is a delectable French lady named Capucine. Her cap is set for Wayne, but she soon finds out he's one of the most mule-headed men in Alaska!

Capucine really shines in her comically romantic role. As she employs all of her feminine wiles you will actually find yourself rooting for her! Granger and Wayne are fabulously paired up in this movie as partners, especially since they are exact opposites. This film has it all - love, laughs and lots of exciting action. A definite gold mine.

We Go North - the rush is on!!
Great fun here in gold rush fevered Nome sees John Wayne as his inimitable self playing (suprise suprise) himself aka Sam McCord the man's man in gold country. A gentle comic tale sees him return to Seattle and bring back a girl for his lovesick partner played superbly by Stewart Granger. He begins to regret this trip, and task after the initial maiden he is sent to fetch has unexpectantly married whilst Granger was away panning for Gold, and he must quickly find a replacement. Add in some claim jumpers, a romantic subplot, a greedy villian and the ever present sandpaper like comic tension between the main characters, and the end result is a real treat. With an excellent supporting cast, great scenery and nothing too serious to get excited about, this is quality family viewing. The location alone precludes the usual Wayne western formula, but the action and laughs come thick and fast. A great classic. Enjoy

My favorite John Wayne film!
"North To Alaska" caught my attention when I first heard the title song by Johnny Horton. I decided to watch this film, considering I like John Wayne and his movies. There's a lot of what anyone who enjoys a western comedy; John Wayne, of course, a humorous good-natured storyline, funny antics, and fisticuffs. There aren't many gunfights, just fistfights, with sucker punches here and there. Wayne is Sam McCord and is sent by his partner George Pratt (Stewart Granger) to Seattle to bring back his love, Jenny. However, she has married someone else. Sticking around Seattle, he finds a dance hall girl named "Angel", played by French model-actress Capucine. Can George accept her in place of Jenny? Find out for yourself. If you're a John Wayne fan, it's a must! ... Read more

Description

"Attention must be paid" to this abbreviated but superb 1966 television adaptation by Arthur Miller of his Pulitzer Prize-winning modern tragedy, starring the incomparable Lee J. Cobb and Mildred Dunnock recreating their original Broadway roles as the Lomans. In a career-defining performance, Cobb portrays the suffering Willy Loman--the middle-aged man at the end of his emotional rope--with Dunnock equally impressive as his patient wife, Linda. George Segal and James Farentino play their disillusioned sons, Biff and Happy. Shattering and unforgettable, this landmark television production has been digitally remastered and will endure for all generations to come. "In a word, superb." --New York Times. With Gene Wilder as Bernard. ... Read more

Reviews (7)

A Masterful Work and Presentation by Cobb
An insightful play about the realities of life. Cobb gives a standup performance in this classic play equal to none. Actors of his caliber are few and far between. Simply the best performance of this play to date. Lee becomes Willy in a somewhat scary portrayal. It is hard to tell the difference between Lee and Willy. Highly Recommend this version to serious theatre affcianados.

VINTAGE THEATRE TELEVISION
Startling and ambitious vintage network TV production from 1966 is a heart-breaking and unrelentlessly tragic drama with Lee J. Cobb in such a supoerb performance, you want to reach out and console the troubled sympathetic character. So downbeat as to be almost dismal, the play succeeds in it's grip on the realities of grief and doom and the undying hope of a better tomorrow. The rest of the cast is equally superb and I loved the fake realism of the CBS cameras taping a obviously theatrical set.

Invaluable for Cobb and Dunnock
As a great admirer of Arthur Miller's work, I have always wished I could have seen the original 1949 production of his masterpiece, DEATH OF A SALESMAN. This video of a 1966 television production, featuring the original Willy and Linda, Lee J. Cobb and Mildred Dunnock, is the next best thing -- especially as it was taped "live" and is more like a stage production than like a movie. As wonderful as Dustin Hoffman's portrayal is in the superb 1985 movie version of SALESMAN, Lee J. Cobb simply IS Willy Loman; he conveys the sadness and insecurity that lurk beneath Willy's outward bravado. Nowhere is this more apparent than in the Act II scene with Bernard, when he offers Willy a cigarette from his expensive silver case. Cobb takes the case, holds it, looks at it, then slowly hands it back to Bernard. This one moment is so telling: Willy, who never achieved success, either for himself or for his sons, is envious of Bernard's success (and Bernard was never even "well-liked), symbolized by the silver cigarette case. Mildred Dunnock is likewise ideal as Linda: fragile, but hard as steel when defending Willy to her two resentful sons, Biff and Happy (George Segal and James Farentino). Segal is especially fine in the hotel-room scene and at the end when, in the middle of a heated argument with his father, he suddenly grabs him and hugs him, weeping. This gesture tells us that Biff is furious with Willy, not because he hates him, but because he loves him. Of the supporting actors, Edward Andrews stands out as Charley, Willy's prosperous but "laid-back" neighbor -- the antithesis of Willy himself. Only the actor who plays Howard, Willy's boss, seems miscast: he looks more like a college student than like the head of a company. (Perhaps the director, Alex Segal, was just trying to emphasize Willy's age and his failure to "keep up with the times.") But this is the only weakness in a marvelous production that is essential viewing, if only for the classic portrayals of Cobb and Dunnock.

Defines Definitive
If you want to see a production of one of American Theater's most important playwright's most important works, then look no further. Though there have been several noteworthy productions over the years, this Broadway Theater Archive treat showcases the "perfect" Salesman cast, in a treatment that is essentially a reblocking of the famed Elia Kazan Broadway premiere of the play. Willie Loman's originator, Lee J Cobb, reprises his role, along with Mildred Dunnock. Though Geroge C. Scott and Dustin Hoffman received critical acclaim for their interpretations of Willie Loman, neither holds a candle to Cobb. He simply "is" Willie. George Segal and John Malcovich weigh in about evenly in the "best Biff" category, but the nod goes to Segal, because of the great ensemble cast he was lucky enough to play off of. Yet another winner in a BTA series that chronicles American Theater in its greatest era (60's and 70s).

Just a note to bear in mind that these plays are film versions of the plays exactly as they were staged on Broadway at the time, so don't look for cinematic production values. Sometimes the camera work is not ideal, but that doesn't get in the way of the consistently powerful performances, and that's what great theater is all about, anyway. I'm just grateful that most of the series is available and hope that the unavailable titles are just being restored and will be rereleased soon.

BEK

powerful theatre
This tape is a must-see because of the performance of Lee J. Cobb. A powerful piece of work, much better than the version featuring Dustin Hoffman. Good as he is, Hoffman just isn't in the same class as Cobb when it comes to this role. ... Read more

Reviews (13)

a poor cousin to Fritz The Cat
This seemed like a bit of a mish mash of stories that never quite got finished and so they stuck them together and made a story line on nine lives.
It just does not cut the mustard.
The music is also disappointing.
Compared to the first move Fritz the Cat it just does not make it. Save your time and energy and dont bother

Depressing continuation of its forerunner
The problem is that the original Fritz the Cat told the story of the 60's through the adventures of its title character, and talked about the problems and personalities of our times. This film first fools you into thinking it's going to do the same for the 70's...but it doesn't.

Like a reviewer before me said, there's no real plot. There's just different bits of Fritz's so-called lives, but they have very little to do with the modern era of America as some reviewers or synopsis writers have falsely said. Fritz goes back and forth between World War II, the depression, and even the future. Seeing a "New Africa" is all well and good, but no such place exists. This movie gives us plenty of a fantasy America but very little reality like the original "Fritz the Cat" did for the 60's generation.

Those who say it's great animation for it's time have not seen the original Fritz the Cat. While the animation in that may have been poor, the animation in this is awful! It reminded me of "School House Rock." Neither did this film have the great film making style of Ralph Bakshi, since Mr. Bakshi didn't direct it. His replacement tries to outdo him...a little too much. During the 1940's section with Fritz we watch lights fly by a la "2001: A Space Odyssey"...in fact the lights go on forever. I had to fast forward that scene because it was seriously dragged out beyond my patience.

This sequel could have done what it's predecessor did in revealing American society, but instead it gets caught up in the over-indulgence of the writers and director. I'm sure there's an excuse for how Hitler and his testicles greatly affected the 1970's in America...but I can't think of one.

good for what it was
i found this movie ''alright'' as i've only saw about 30 minutes of it so far it's hilarious though and it's one of the few movies that's animated but not a kiddie movie but also not ''anime'' whinch is what you usaly think of when someone says adult animation. i only bothered to watch the film because i was a cat lover and a fan of mvies from the 60's and 70's even though it's animated it gives a much more real point of view than most movies of that time.

The Nine Lives of Fritz the Cat
This cartoon is one of the greatest cartoons I have ever watched. It is some trippy s*#t!

Great Sequel
Of course, it's not as good as the first film, but Nine Lives is still funny and entertaining. The animation is a bit better than the first, and again Fritz is a really likeable character. Thank god for DVD and being able to see this again in it's full widescreen remastered glory. Get it now! ... Read more

Reviews (11)

My First Elvis Movie
This was the first Elvis movie I ever saw. It's definitely not the way to start out watching Elvis' movies, but it is an honest effort. You have to give it credit for having a different setting (in Europe) and for having a different type of plot than other Elvis movies.It has a basically good soundtrack,"Baby,If You'll Give Me All Your Love","City By Night","Long-legged Girl","There's So Much World To See","Could I Fall In Love","I Love Only One Girl",and "Double Trouble" are all good, with the exception of "Old MacDonald". I wouldn't say it was a "horrid rendition", but just the fact that this song is sung, period, makes it beyond ridiculous. I like, however, the fairly engaging plot, kind of a spy-spoof at times. John Williams, Annette Day,and Leon Askin stand out among the cast. Not highly recommended, but recommended nonetheless.

Double Trouble - Elvis Presley
I really enjoyed this movie! Its not one of the best and a little cheesy! but easy to watch and one of the funniest films ive seen him in!Just a shame he never got to show us what a good actor he could have been!

Elvis and spies? Typical, but enjoyable.
"Double Trouble" took advantage of the spy themes in the '60s. Elvis does his martial art moves in this picture. Unfortunately, his fighting opponent falls down a boarded-up well and...well, enough said. Annette Day tries to put her move on Elvis. He's a little resistent at first, but eventually gives in. A lot of action, a lot of comedy, and a lot of music is what is made up of "Double Trouble". Whoever said that they were the only one enjoying this picture was wrong. You're not alone. I am a true and huge Elvis fan. I love all of his movies, no matter what they stuck him in. "Double Trouble" is double fun.

I am the only one?
I feel as if I'm the only that a good time with this Elvis Presley film. If you want to see a worst Elvis Presley film, then check out Harum Scarum. There are nine songs in this film not 2. And I own both films. I own this and Harum Scarum. But Elvis Presley didn't have a choice, his manger/agent decided that instead of performing concerts. I like this better than Harum Scraum and worth giving this above 3 stars. But I would have given this 5 stars if they would have gotten somebody who had more than one or 2 film playing Elvis Presley's love in the film. As the movie opens, when Guy Lambert (Elvis Presley) heads off to Europe, little does he know that his tour will include stops aong the way with spies, counterspies, jewel thives, and two lovely foreign feemes, (newcomer Annette Day and Yvonne Romain). If you don't like this, then move out of the United States.

Slightly above average Elvis vehicle
While certainly not as good as any of his 50s pictures (or even BLUE HAWAII), DOUBLE TROUBLE is certainly more watchable than TICKLE ME or HARUM SCARUM.

The plot is typical: Elvis falls for two women (that's certainly been done before), and gets into some sort of conflict. This time it's trying to save his girlfriend from her Uncle Gerald, who is after her inheritance.

OK, the plot isn't much, but Elvis looks good in some of the outfits he wears in this picture. The songs are not much either, especially the horrid rendition of "Old MacDonald". The best songs are "Long Legged Girl" and "City By Night".

At least this is a picture in which I didn't cringe. The dialogue isn't quite as corny as some of the other pictures, and it doesn't get too boring either.

A marginal "thumbs up" from me. ... Read more

Reviews (12)

Sal Mineo's drum playing is outstanding
Sal Mineo plays legendary jazz drummer,Gene Krupa,in this bio pic. This is an outstanding movie Sal's acting is superb,and his drum playing is breathtaking!Sal Mineo was one of the great actors of modern time,and this film proves it.

AWESOME! SAL MINEO ROCKS!
"The Gene Krupa" is possibly the BEST movie in which SAL MINEO was the picture's main STAR~~A huge Box Office hit in 1959! He studied the drums for 18 months(training with the real Gene Krupa) and although he is playing along onscreen to the REAL Krupa's soundtrack, Mineo's drumming is REAL and leaves you breathless. His acting in this film, as always, is amazing, and the supporting cast is awesome! Featuring the lovely Susan Kohner(who also co-starred in Sal's hit movie version of his tv play, "DINO"), James Darren, and apperances by jazz greats, Anita O'Day, Red Nichols, and Buddy Lester, this is a wonderful biopic sure to thrill jazz lovers, and inspire all generations of future drummers. It's also a wonderful treat for the Sal Mineo fan, especially to see him in something so different than his most famous Oscar nominated role in "Rebel without a cause."(Sal Mineo also was nominated for an Oscar and won the Golden Globe for "EXODUS")

FINALLY ON DVD!!!! Release more Mineo flicks on DVD!
At long last, "The Gene Krupa story" has been released on DVD by Sony/Columbia home video. Rather than review the actual film, this review concentrates on the DVD format as I am very pleased with this edition! The DVD is nicely packaged with a color picture on the front of the box. The film's glorious black and white has been digitally remastered and the clarity is just amazing. Even more important, the film is presented in full "widescreen" so you can view the film the way it was originally presented in theatres. This allows you to view the entire scope of the screen, instead of having the left and right sides of the screen chopped off into a crappy traditional "square" television format. You can see so much more as we all know how wonderful wide screen is. Although the soundtrack is still "mono," Sony has digitally remastered it, and presents it on this disc in "Dolby Digital." This makes a huge difference as the sound is deeper, lusher, and does great justice to the music. This is simply a beautiful presentation of this film. There are no "special features" such as behind the scenes or out takes, however it does have an interactive menu complete with chapter search. This DVD version of the film blows the old VHS version out of the water! For me, this DVD gave me a fresh new viewpoint of the film. The widescreen format compliments Sal's drumming so much that the VHS version could never come close to doing. I rate this DVD a 10+ on the scale of 1-10! If you love this film as much as I do, BUY THE DVD! Now, if only "Who Killed Teddy Bear" could be released on DVD..Now that would be a treat! I am concluding this review with some technical specs: Screen Formats: Widescreen Anamorphic 1.85:1 Closed Captioned Language and Sound: English: Dolby Digital Mono Original Release Date in theatres: 1959. Released to DVD in May, 2004

One Of Sal Mineo's Finest Performances
For jazz and music lovers "The Gene Krupa Story", is unsurpassed entertainment of the first order and contains some of the best ever work by talented actor Sal Mineo. Sal took on his first real solo starring role in this biography of the legendary Gene Krupa who as the percussionist for the Benny Goodman Quartet became the first real jazz heartthrob developing a legion of besotted fans. A major part of his legend was his innovative playing of the drums and in this film Sal Mineo manages to recreate that special magic, with some of the most amazing precussion work ever caught on screen. Having gained stardom for his sensational work in "Rebel Without a Cause", Sal Mineo was at just the right age and level of acting experience to tackle this major acting role and to his credit he manages all the stages in Krupa's life in a totally believable manner with a minimum of sentiment. Mineo's level of understanding of both the sheer genius of Krupa's ability and also his darker personal side makes for a wonderful screen performance that stays in the mind and makes "The Gene Krupa Story", a viewing experience to treasure.

The film traces Krupa's life from his humble beginnings in Chicago as the youngest child of working class parents who live by the rules of traditional life based around family and the church. We get a very early glimpse of the conflict already existing in young Gene when he brings home a set of drums which his angry father smashes as unsuitable for his son to be wasting his time on. After his father's death Gene however bows to the expectations of his family and joins the priesthood but after a year realises that it is not the life for him. He joins up with friend Eddie Sirota (James Darren) and his band and begins playing in many of Chicago's speakeasies. Eddie has a girlfriend Ethel (Susan Kohner), however soon a real attraction develops between her and Gene. Determined to succeed Gene soon pursuades Eddie to make a stab at work in New York's jazz scene. After a rough start and surviving on little money Gene through the force of his personality and sheer talent , manages to get a break which sees him climbing to stardom as the most electrifying performer in New York's big band scene. However stardom with all its adulation and material benefits also reveals its dark side as Gene begins to become involved in the heavy drug and drinking culture of the musicians world. His success also sees him begin to loose sight of the people who are important to him as he becomes alienated from Ethel who after committing herself to Gene finds herself forgotten. Best friend Eddie also drifts away as he doesn't approve of his friends free wheeling drug laden lifestyle. After being set up on a drug charge Gene's world rapidly crumbles before his eyes and he serves a jail term for possession which sees all those people, like selfish singer Dorissa Dinell, supposedly his lover abandon him in his hour of need. Upon release Gene experiences the full force of being considered a "has been", as he is reduced to performing in strip clubs and gambling houses. The hard times however refuel Gene's earlier love of music for the sheer joy of it and ever faithful Ethel comes back into his life as the steadying force she always was in the hard times. The conclusion sees Gene reunited with Eddie's band and setting out on a new life as the talented drummer that he is but this time with a more level view of what is important in life, which in his case is the devoted love of Ethel.

Sal Mineo is perfectly cast as Gene Krupa and he actually received the wholehearted blessing of the jazz legend to play him in the film. Mineo worked with Krupa to perfect his drum playing and the result on screen is sensational as Sal Mineo gives his heart and sole to his playing. The drum playing was actually recorded by Krupa however Mineo had the difficult task of matching that on screen which he does admirably. Totally devoted to perfecting his craft as an actor Mineo died far too young and sadly saw his star eclipsed long before it should have. This film along with "Rebel Without A Cause", and "Exodus", among others is this talented actors legacy to the movie going public and he will be remembered always for his great work in them. The supporting cast is uniformily fine with James Darren as Krupa's best friend Eddie, the before mentioned Susan Kohner as Ethel, and Susan Oliver in the hard driven role of Dorissa really shining and they perfectly compliment Sal Mineo's work. Appearances by real life jazz performers Buddy Lester, Red Nichols and Anita day also add an authentic ring to the story depicted. Character actress Celia Lovsky also has a memorable role as Gene's disapproving mother who is mystified by her son's obsession with the drums. The photography in "The Gene Krupa Story", is top flight with the often seedy black and white photography highly effective in particular in both Gene's pre stardom scenes and those depicted in his fall from grace when much of the action takes place in seedy "greyish", surroundings. Mineo's supreme concentration on his playing of the drums is a marvel to watch and is guaranteed to leave you breathless.

The great thing about "The Gene Krupa Story", is that you dont have to be a jazz enthusiast to enjoy the story or the music. For any lover of the drums it makes compulsory viewing and the golden age of jazz in the 30's is authentically recreated in this Columbia studios production. For me the best thing about the film will always be seeing the extraordinary talent of Sal Mineo on display. He combines strength and a touching vulnerability in his playing of Gene Krupa that leaves you rooting for him right through. I highly recommend this film to all lovers of jazz/swing and to those that like the less sentimental kind of performer film biography. Enjoy Sal Mineo at his electrifying best in "Columbia's "The Gene Krupa Story".

hooray! The Gene Krupa Story
I was stationed on a NIKE Army site between Albany and Sylvester Georgia in 1960-1961. I had the priviledge of showing the movies on our base. Due to staggered duty hours for the troops, I ran the Gene Krupa Story 3 times in one evening with the last showing at midnight. It was the only multible showing of any movie but I was more than eager to run the Gene Krupa Story as I was enthralled with the music and great drumming. Being a musician myself, it was a pleasure to offer it to my buddies no matter what time it was! Ben Shackelton ... Read more

Reviews (2)

Average Pirate Opus
"Pirates of Tortuga" is a low-budget swashbuckling flick, released in 1961. It is not particularly memorable, but can provide some good fun as long as the viewer doesn't think too much about classic pirate movies with the likes of Errol Flynn, Burt Lancaster or Tyrone Power. It would also be unfair to compare it to last year's big-budget smash, "Pirates of the Caribbean".

The plot is simple. Captain Bart and his crew have just docked their ship in London harbour after a long voyage. However, British Admiralty has an urgent assignment for our hero. He is asked to deal with the notorious pirate, Henry Morgan, who is terrorizing the Caribbean Sea, blocking sea-lanes and plundering ships. Recruiting some old ship-mates, our hero sets sail with his crew. To complicate matters--and add some romance and pulchritude for the viewer--an "actress" stows away on the ship, in order to escape the law--it seems she was picking too many pockets ! The rest of the movie is fairly predictable, with decent action and the inevitable "tempestuous relationship" between our Captain and the larcenous young lady.

With American actor, Ken Scott, top-lined as the Captain, you can see that this is not exactly a "star-studded" epic. Scott is a handsome, capable actor, but lacks the charisma and physical agility that would have given this film an extra boost in excitement. Leading lady, Leticia Roman, is vivacious and attractive, but over-acts outrageously--then again, this isn't "Hamlet" ! Famous athlete, Rafer Johnson, may get second billing to Scott on the DVD cover, but his role as a crewman is minor--whatever physical feats he was capable of are sadly not used in this movie. Dave King, a popular English singer/comedian, registers as "Pee Wee", the crew's amusing fencing instructor. Finally, Morgan the pirate is played by noted stage actor, Robert Stephens, obviously having fun baring his teeth and grinning maniacly.

The DVD gives you the option of wide or full screen. I found the colour to be impressive--of course, the sound is mono. The extras consist of a trailer for the film, and trailers for other "nautical" films on Fox.

On the whole, "Pirates of Tortuga" is lovely to look at, and good family entertainment, as long as your expectations are as modest as the film's budget. It is also good news that Fox--and hopefully other studios--are releasing lesser-known movies like this one on DVD, rather than re-issuing blockbusters over and over.

Great Action...Great Story...not a Classic..
In the world of Pirate movies this one falls a little short. The action scenes are well choreographed and the story is allright. This film just can't seem to catch momentum, and at times drags on. The female lead is annoyoing, but cute. If adventure is your thing than give this movie a shot....If your looking for something more classic check out "the sea hawk", or "the Adventures of Robin Hood" ... Read more

Description

In THE ERRAND BOY, Morty is hired by Paramutual Pictures as a spy to find out where the company's money is being spent.Working in the mailroom, Morty has access to the production lot and discovers that wherever he goes, havoc ensues in his effort to provide his new boss, Mr. Sneak, with the information he has requested. ... Read more

Reviews (4)

Innocence in the face of commerce
A knowing and multi-faceted critique of big-studio filmmaking, 'The Errand Boy' is one of Lewis's very best films (it is his third; his fifth, 'The Patsy', can be considered as a sort of sequel). Morty S. Tashman is hired as a spy by the moguls of a major studio because they want to learn how their money is spent. He proves to be a destructive force: just as the prologue had exposed the trickeries and illusions on which Hollywood films thrive, the following 80 minutes show Morty disrupting a few shootings, a voice-recording session, the work of script-girls, and more. He stands as the innocence the producers have lost in trying to make money and please everybody; it is quite easy to read him as 'Lewis the artist'. By the end of the film, Morty has become a Jerry Lewis-like star, proudly saluting his new fans behind dark glasses; he thus seems to have made a place for himself in a world he had previously reduced to pieces. This dichotomy is similar to the one of 'The Bellboy', Lewis's first film as a director: in that movie, the timid, free and inventive bellboy was contrasted with the swagger, aggressiveness and confinement of Lewis playing himself. The brilliant and cyclical final sequence offers an interesting alternative: by having Morty meet a clumsy boy resembling his 'pre-star' self, Lewis assures us that even if some can't escape the studio's mercantile traps, there will always be innocence to be spread in these calculations and falsities. Intelligent, and very funny.

One of Lewis' Best
This is one of his most daring and creative ventures along with The Bellboy. Not much dialogue, just over the top sight gags and general hilarity. What do you people expect? This is Jerry Lewis in top form and it just doesn't get any better.

The only thing funnier than his movies are the ridiculous criticisms of his films. Hello people...this is Jerry Lewis OK! It's too bad that his egocentric persona alienated several generations that didn't grow up looking forward to his next project. The Errand Boy stands alone as one of the most innovative comedies of all time and anyone that can muster some objectivity will appreciate his work for what it is. I personally think this is one of the funniest movies of all time and I rank it as Jerry's best work, although the Academy may disagree. 4 toothpicks

Brilliant Mime Does His Thing
Flawed but generally successful combination of pathos and 1930s slapstick: the most insecure guy on the planet is put in charge of internal security for a (wanna-be) major motion picture company. Jerry provides some of the funniest moments ever captured on film, as he stumbles from one department to the next, first an as an "extra", then as a mailroom delivery person. His attempts to find a quiet spot for lunch are worth the price of admission. But perhaps the best scene is the quietest: he finds himself in the prop department with a miniature clown who "comes to life" - it's a beautifully acted and effectively lit scene. However, there are are numerous elaborate sequences which prove fruitless, and the movie is overlong by about 15 minutes. And the character's ultimate "discovery" by the creative powers-that-be is bizarre in light of the fact that his presence has been unintentionally recorded on celluloid from day one. Despite the lost opportunities, TEB remains on a level with "The Nutty Professor" - a very entertaining and thoughtful effort.

Beware this is an SP duplicate.
This is an SP duplicate from Video Treasures, not Paramount ... Read more

Reviews (20)

just a silly funny move
Don't listen to Adi's review, calling the film "juvenile"
Adi should watch some of today's teen exploits to find a true juvenile movie.
This film was far beyond its time, and is a SPOOF, like many comedies. If you don't believe most of the reviews, just rent it first........have a few drinks, and you'll laugh hard......

this is the one movie that made me "discover" the talent of Woody Allen, and I'm glad I did.

Some incredibly memorable funny scenes
This movie is a series of short films, which makes it mostly good and partly bad. Who can say they ever expected to see Woody Allen dressed up as a giant sperm? However, the first film set in medieval times is classic Woody Allen stand-up type humor, Woody at his best. My other favorite short film is the one about the sheep. Gene Wilder does an amazing job of acting so serious and puzzled when the man says "I am in love with a sheep" and he says "...O-hhh...." I LOVE it!

The Funniest Woody Allen Movie
This is the funniest Woody movie, hands down. With seven stand alone skits each answering a question, my personal favorite happening to be "Why do women...?" It's a movie to watch over and over again. A movie with perversions, gigantic body parts, and sheep. If you like Woody or if you hate Woody, this movie is for you.

Juvenille and not that funny...
I used to love Woody Allen's work, and I had expected great things from this movie. Unfortunately for me, I was disappointed. The humor is too juvenile to even be called childish. Yes, I do realize this movie was made 30 years ago, when the sexual standards were more conservative, but 30 years later I'm having problem understanding what's so funny about these situations.

Mine Worked
The person bellow probibly dident go into the languages section of his dvd. Mine has subtitles. Feel free to buy as you wish.

(good move--and sheep!) ... Read more

Reviews (18)

A Knockout Cast in a Knockout Story
'Requiem for a Heavyweight' is not only one of the great forgotten boxing pictures, it's also one of those movies that has almost vanished. Thankfully this DVD release will help keep this great film alive.

Anthony Quinn superbly plays Mountain Rivera, a 37 year old fighter who risks losing his eyesight if he continues to fight. His manager (Jackie Gleason), his trainer (Mickey Rooney), and a new-found lady friend (Julie Harris) all have different ideas about Mountain's future. Just what CAN a fighter do after 17 years in the ring?

While most of the drama takes place outside the ring, Rod Serling's script delivers tension, conflict and suspense in way you wouldn't expect from a 1962 film. You can almost see the characters thinking about where they are, where they're going, and how Mountain Rivera can and does affect their lives.

The brilliance of the film's cast is electrifying. Every actor is in absolutely tip-top form. These performances are a real pleasure to watch. This film contains no weak links.

Other reviewers have commented on the several different versions of the film. The film originally aired on television on a show called "Playhouse 90." This is the only version I have seen, so I have no other standard for comparison. I suppose it's possible, but I don't see how any version could top this one. Well worth your time and money.

Approx. 90 minutes in black and white

An acting tour de force!
I am reviewing the VHS version of this film because the DVD is edited and omits several key scenes. I was bitterly disappointed in the DVD and would not recommend it. However, I enthusiastically recommend the VHS version.

This film is one of the great forgotten masterpieces. Rarely do you see such depth of emotion as displayed by the three leading characters: Anthony Quinn, Mickey Rooney and Jackie Gleason. This is undoubtedly Quinn's greatest and most poignant performance, he delivers a knock out interpretation of the brain-damaged Mountain Rivera. Make-up and a false nose disguises Quinn's good looks and he resembles a drunken Victor MacLagen here. Mickey Rooney, always seriously underrated, is magnificent as Mountain's assistant. And Jackie Gleason is perfection as the greasy, sleazy manager. The scene of him on the stairwell with Julie Harris is one of the great moments in cinema history. What a movie!

I'm at a loss to explain why this brilliant film is not universally recognized as one of the great movies ever made. The acting is superb, the screenplay gripping and the ending will mesmerize you. A thinking man's flick, to be sure. This is definitely a keeper.

A Powerful Indictment
REQUIEM FOR A HEAVYWEIGHT serves as a powerful indictment of the sport of professional boxing. The film is marked by strong performances from some of the best actors available at that time. It is not a classic boxing movie in the traditional sense but instead it is a film which focuses on the personal and social damage associated with a sordid business.

Anthony Quinn as a punchy heavyweight at the end of a long career and Jackie Gleason as his greedy, conniving manager are superb. Mickey Rooney is the boxer's trainer and Julie Harris is the employment counselor who tries to help Quinn make the transition to a life after boxing. There are cameo appearances by Cassius Clay and Jack Dempsey.

Ralph Nelson also directed some other good movies such as LILIES OF THE FIELD and FATHER GOOSE. The Oscar competition in 1962 had several strong contenders. REQUIEM FOR A HEAVYWEIGHT did not receive a single nomination in any category.

requirem for a heavyweight and a neighborhood
This is a remarkable film. Remarkable because it is the death of a man's life style. It teaches that many people's lives are cut short without being killed. A person's life is more than their physical life. It is their way of life that attributes to their life. Cut a man's reason for living and you might as well kill him physically. Ironically, the film was filmed on location in the Washington Market Area of lower manhattan. Any area that was in it's own dying days which can be seen from the decay of the neighbor hood. And area that would be totally destroyed to make way for the World Trade Center some 5 years later, another tragitic story in it's own right.My father actually watched some of the filming of this fim on Murray Street. The film crew actually brought the old Susquehanna Hotel back to life for most of this film. The dreary sceens are real, filmed in the dead Susquehanna Hotel. Sadly, the most depressing thing about this film is the fact that the Jerks who put the movie on DVD used an edited version. Why? I will never know. Rod Serling must be spinning in his grave!!! The producers of this DVD owe each of us that purchased this film and updated UNEDITED VERSION!!!!!!!!!

A Great Movie assembled by a butcher !!
(DVD) I agree with Mr. Rapchak. In addition to the missing scenes he outlines, there are other missing scenes near the beginning of the movie. The bar scene after Gleason is worked over by mob muscle; Quinn wandering the street, meeting a down-and-out ex-fighter/boozer and tussling with his boss, broken up by Gleason and Rooney. Quinn trying to get a moving van job...etc. There's no warning on the DVD cover that it does NOT contain the movie Requiem For A Heavyweight but rather selected scenes from the real movie. On the back of the DVD case however there are two pictures from scenes in the movie...they are among the scenes that are NOT included on the DVD. That strikes me as deceptive. I have seen the entire movie on satellite TV and the Columbia/Tri-Star version is a rip off. If you want to see the real Requiem For A Heavyweight then you'll be very disappointed with this butchered version of the movie. Maybe the VHS version will have the complete movie; I don't know. ... Read more

Description

Death of a Salesman
"Attention must be paid" to this abbreviated but superb 1966 television adaptation by Arthur Miller of his Pulitzer Prize-winning modern tragedy, starring the incomparable Lee J. Cobb and Mildred Dunnock recreating their original Broadway roles as the Lomans. In a career-defining performance, Cobb portrays the suffering Willy Loman--the middle-aged man at the end of his emotional rope--with Dunnock equally impressive as his patient wife, Linda. George Segal and James Farentino play their disillusioned sons, Biff and Happy. Shattering and unforgettable, this landmark television production has been digitally remastered and will endure for all generations to come. "In a word, superb." --New York Times. With Gene Wilder as Bernard.

Incident at Vichy
With his trademark unrelenting honesty and conviction, Arthur Miller examines a major Holocaust issue: the failure to assume responsibility and the consequent moral and social guilt of those who refuse to fight evil. Set in a detention room in Vichy, France during the 1942 German occupation, a number of people have been rounded up and are awaiting interrogation before being sent to concentration camps. It is soon obvious that they are Jews with false papers that will not stand up to close scrutiny. While individual stories flow past the juror’s eye, events soon focus on Leduc (Harris Yulin), a psychiatrist, and an Austrian prince (Richard Jordan), who recognizes his guilt of silent complicity and his failure to act responsibly while the Germans rose to power. Miller raises theoretical and ideological arguments and brings up the question of where responsibility lies. Notions of the nature of personal sacrifice, issues of personal blame, and a debate on how much each person is obligated to help in a larger crisis are addressed in this truly important and provocative television event.

An Enemy of the People
Adapted by master playwright Arthur Miller from Henrik Ibsen's groundbreaking 1882 play, An Enemy of the People is a scathing indictment of a corrupt society. An idealistic doctor, played by 1966 Emmy-winner James Daly, discovers that the medicinal springs- source of a small Norwegian town's wealth and fame--are in fact poisoned. "Few dramas... clamor with as much present-day social relevance," declared Variety. Veteran Broadway, screen, and television actress Kate Reid plays the doctor's indomitable wife who stands by him in the face of the town's hostility to his findings, as he becomes "an enemy of the people." "Few dramas...clamor with as much present-day social relevance." --Variety

A Memory of Two Mondays
Dramatizing a compacted group of memories passing over several years, Arthur Miller's vivid comedy-drama portrays the nature of life during America's Great Depression. The emphasis is on mood and characterization as Miller draws on his own personal experience to evoke what the 1930s were like for workers to whom a job--any job--was everything. "...a beautiful play superbly performed." --The New York Daily News. With Jack Warden, Harvey Keitel, Dick Van Patten, Estelle Parsons, and Jerry Stiller. ... Read more

Reviews (1)

Makes 'Dukes of Hazzard' Look Thought-Provoking
There's just something about watching good ol' boys stick it to "the man," whether it's "Smokey and the Bandit" or TV's "Dukes of Hazzard." But before Burt Reynolds tore through the South in his Trans Am or the Duke boys flipped a metaphorical finger at Boss Hogg, exploitation partners Lee Frost and Wes Bishop gave us "Dixie Dynamite." This time, it's good ol' girls (one with blond, wig-like hair; the other brunette) who take on their town's evil patriarch. When their daddy's still is busted, and daddy is subsequently shot and killed in a high speed chase, our heroines try to lead law-abiding lives. But there ain't no work in town and when the bank forecloses on their house, well, maybe it's time to start fightin' back! The girls get ahold of a truckload of TNT and start blowing up everyone who's done them wrong--becoming folk heroines in the process! Yeeee-haw!

Not exactly thought-provoking entertainment, but it's entertaining nonetheless. As usual, director Lee Frost (who also has a bit part as a pathologist) keeps the action flowing, so even if the movie's quality lags behind, the pace doesn't. Acting ranges from passable to wooden (Jane Anne Johnstone, the brunette Dixie, has only two facial expressions: a furrowed brow and sternly set mouth for anger/grief/concern; a bemused smile for everything else). Producer Wes Bishop plays a trigger-happy deputy and Warren Oates is the girls' platonic pal whose primary interests are alcohol and motorcycles. Standing in, unconvincingly, for the state of Georgia is Southern California.

Given the sado-sexual bent of most of Frost's other movies ("Love Camp 7," "Hot Spur," "The Defilers" and the hardcore "Climax of Blue Power"), "Dixie Dynamite" is surprisingly lighthearted and tame. That PG rating ensures nothing goes too far. Still, Frost is generally a safe bet when you're looking for trash entertainment, and "Dixie Dynamite" is trash the whole family can enjoy. ... Read more

Reviews (2)

Flawed technical job, but a reasonable price
As a tiny tot I vaguely remember being mesmerized by this colorful children's production. Today I am able to see how contrived and staged a production it was. Nonetheless, it is a classic of the period.

If you are spoiled by some of the beautiful sight and sound restorations of old films available on DVD today, this one will leave you disappointed. On the DVD I purchased, both the film and soundtrack are filled with artifacts. During one production sequence called "Prestige" film frames are dropped and the sound is severely truncated, even going out of synch in one section. This may be the only source print available, however.

The DVD is also flawed by poor DVD authoring. The menu index does not correctly correspond to the film's content. In fact, the true Chapter I of the authoring is not accessible via the DVD menu at all on my copy. This is poor technical work and totally avoidable.

But, it is not an expensive issue and it does provide an opportunity to see some classic performances by Claude Rains, Van Johnson, and Jim Backus. The film includes a wonderful guest performance by Kay Starr.

This is a piece I'd like to see a fine team of restoration experts tackle. But for less than 10 bucks it isn't a bad deal. It's no worse than watching old film prints on Sunday afternoon local affiliate TV stations.

'Pied Piper is a treat for all ages!'
This Alpha Video DVD of 'The Pied Piper Of Hamelin' is the best source print of this film I have ever seen.
'Pied Piper Of Hamelin' (1953) is a family treat for all ages and for all holidays. First filmed in color as a Hallmark TV special, it is a masterful, musical re-telling of the fairy tale using the beautiful mysterious, music of Edward Grieg with new lyrics.
The cast is first-rate, with movie great Van Johnson brilliantly playing the strange and often frightening piper, as well as the kind school teacher Trueson, who is also the village concience. Legendary movie villain Claude Rains is absolutely wonderful as the clever, sneering, corrupt lord mayor of Hamelin. Rains has a ball playing him like Prince John of 'Adventures Of Robin Hood' (1937) in retirement! He even does a comical, show-stopping song and dance! Jim Backus also appears as the King's messenger, and his comedy is badly needed as this fairy tale goes dark in it's second half.
One highlight of the film, is Van Johnson as the Pied Piper, leading the rats out of Hamelin to their deaths in the river. He is playing on his pipe the haunting 'In The Hall Of The Mountain King' from Grieg's 'Peter Guint Suite', as the cleverly animated rats march to oblivion!
Unlike the fairy tale, this 'Pied Piper Of Hamelin' has a happy ending with a lesson for everyone about greed, selfishness, and false pride. ... Read more

Amazon.com

The Night Stalker
Wisecracking Carl Kolchak (Darren McGavin) is a rumpled news hound plucked from the fast-talking newspaper flicks of the 1940s and dropped into the swinging '70s. What makes the eccentric Kolchak even more unique, however, is his nose for the supernatural, a trait that leaves his editor (Simon Oakland) exasperated and the police less than amused. When he insists that a late-night Las Vegas serial killer (who leaves his victims drained of blood and sporting twin holes in the neck) is a modern-day vampire, he's practically run out of town by the local authorities. Naturally, he stalks the vampire himself, an unlikely Van Helsing armed with a silver cross, a wooden stake, and his ever-present tape recorder and flashbulb camera. Carol Lynley is his understanding girlfriend, and Ralph Meeker, Claude Akins, Kent Smith, and Charles McGraw costar as the Vegas cops and politicians Kolchak systematically alienates with his abrasive charm and smart mouth. Directed by Dan Curtis from a witty script by Richard Matheson, the quirky mix of horror and humor turned The Night Stalker into a ratings sensation that inspired a sequel (The Night Strangler) and a short-lived TV series (Kolchak: The Night Stalker). The X-Files creator Chris Carter acknowledges the show as a major inspiration, and has cast McGavin in a recurring role as a retired X-Files veteran with an acerbic personality and a familiar rumpled wardrobe. Kolchak lives! --Sean Axmaker

The Night Strangler
The Night Strangler finds down-on-his-luck investigator Carl Kolchak in Seattle, hot on the trail of a serial killer hiding in the underground city beneath the streets, a gas-lit fantasy world frozen in time (L.A.'s famous Bradbury Building--which has also appeared in Blade Runner and DOA--becomes the spooky city's architectural centerpiece). Exotic dancer and medical student Jo Ann Pflug tags along as partner and bait, and the exasperated Simon Oakland returns as Kolchak's harried editor. Genre fans will enjoy the appearances of popular character actors John Carradine, Margaret Hamilton, Wally Cox, and Al Lewis. Noted horror and science fiction author Richard Matheson scripted this meandering, low-key thriller with plenty of humor, which McGavin delivers with deadpan delight. --Sean Axmaker ... Read more

Reviews (31)

Kolchak is really Mulder's father!
An important television film from director/producer Dan Curtis (Dark Shadows) and screenwriter Richard Matheson (The Twilight Zone among many others)and a sharp, fun horror film. The Night Stalker set a new standard when it aired in the 70's; it's story with Darren McGavin's narration and the Vegas setting contributed to it being one of the highest rated t.v. movies of the week. Adapted from Jeff Rice's (then) unpublished novel, the story is about a murdered who kills his victims and then drains their blood. Kolchak (McGavin)becomes convinced that the murderer isn't a garden variety psycho but, perhaps, a real vampire. Unfortunately, no one believes him.

Films like Fright Night have used a similar premise but not in as compelling a fashion. John L. Moxey's direction is taunt and shows his roots as a veteran movie and television director. Both Darren McGain and Simon Oakland as his put upon editor give outstanding performances. Additionally, the late and under rated Barry Atwater gives substance to the shadowy role of Janos the creature that Kolchak stalks ultimately must face. Carol Lynley is fine in an underwritten role as Kolchak's girlfriend. Surprisingly, she really isn't given