Reviews (60)

Classic, Classic Tom Hanks
My wife and I have seen this movie MANY times and we laugh harder each time we see it. This movie must be a cult classic, mainly because if we act out a piece of a scene or speak a line from it (as we often do) many people are 'in' on the joke having seen it repeatedly themselves. Alexander Gudenov really steals the scenes that he's in portraying Shelly Long's ex-husband/Symphony conductor. I love it when he admonishes the orchestra at lunchtime after a lackluster rehearsal and tells the members to '...go stuff yourselves, I hope you choke!' (in that wonderful accent).
I highly reccommend this film to anyone, especially if you own a house. Those laughing the loudest will have had home repair experience I'm sure. Tom Hanks at his funniest. You won't be dissapointed!

Favorite moments:

bathtub scene (with pop-up thermometer in the turkey)
raccoon scene
The Shirk brothers contractors
All of the Alexander Gudenov scenes
'The Cheap Girls' band
borrowing money from 'Benny'
Hanks and Long fighting in front of the contractors

.....the list goes on......

Simply too funny
"The Money Pit" may have been a disaster at the box office and with critics at the time but this movie is just too hilarious. This is one of the few movies that makes me laugh until tears starts rolling down my face. My personal favorite moment is when Shelly Long finds a raccoon in the dumb waiter and it leaps at her. Seeing her running around screaming with a raccoon on her shoulder is hysterical. Of course just watching Tom Hanks' character try to fix the house is equally funny, particularly when he hears Shelly's character screaming and he runs...or tries to run up the poorly built staircase. The classic moment is when he falls into that hole and is stuck there for most of the day, missing out on an important meeting with a contractor and then seeing Shelly Long's expression when she finds him stuck in the hole. "The Money Pit" remains one of my top favorite comedies of all time as well as favorite Tom Hanks film.

home blech home!
Tom Hanks and Shelly Long star in this 1980s Steven Spielberg movie as Walter and Anna, a Manhattan couple who are unceremoniously evicted from her ex-husband's apartment and must search for new housing. They find what seems to be a steal -- a huge million-dollar mansion for next to nothing --- and move in, only to be besieged with a collapsing staircase, chocolate-brown "water", rotting wood, exploding doorbell, you name it. Probably one of the funniest scenes I have ever seen is when Tom Hanks sinks through the rug into a hole in the den floor and gets stuck.

Broke and cranky from sinking more and more resources into the money pit in which they live, Anna and Walter snipe at each other. The shady contractors they hire say they can get the job done in 2 weeks -- and continue saying that four months later.

The house may or may not get rebuilt, but will Walter and Anna survive as a couple? Being a typical 1980s comedy which paved the way for everything starring Meg Ryan for 16 years, you already know the answer. But it is still a hilarious movie to watch, depsite its predictability.

Sigh sigh
When I watched this movie for the very first time, I was 18 yold. It was and it is one of the most loved movies I ever seen in my whole life and it meant so much to me because I felt like Tom Hanks when I was rising up my new house and I seen myself in that movie with all the hard time to make the house of my and her dream nice and cozy. We did it but I miss those times.

Thanks "The money pit".

Luca

One of my all-time favorites!
Who wouldn't want to see Tom Hanks stuck in a hole in the floor? This movie is hilarious right from the start - Shelley Long and Hanks play off each other well. Well worth a few bucks to have your own copy at home! ... Read more

Amazon.com

John Boorman's 1985 South American epic never quite gets all of its gears working simultaneously, but it remains an often startling work with an extraordinary performance by the director's own son, Charley Boorman. Powers Boothe plays an American engineer working on a dam project in Brazil. When his young son is seemingly absorbed one day into the dense perils and beauty of the Amazon rain forest, Boothe's character goes on a protracted, 10-year search for him. In the interim, Boorman puts his full storytelling powers to work by characteristically exploring the arcane rhythms and dangers of an indigenous world hidden from ordinary view. Specifically, Boorman leads us into the life of a forest tribe who have assimilated the missing child and who will ultimately send him back with the opposite of his father's pro-development sensibility. The movie is gorgeous to behold, and it's great fun watching Boorman find ever-novel ways of making the same film again and again. But the environmental message and the emotion of the core relationship get in each other's way a bit, preventing the film from uniting on every front. Still, this is a must for Boorman fans. --Tom Keogh ... Read more

Reviews (22)

This is my favorite movie of all time
The beauty and power of the rainforest juxtaposed to the beauty and power of "civilization," on of my favorite themes. Who is the true savage? Powers Boothe plays a construction engineer building a dam in the rainforest that is increasingly changing the structure of the most valuable real estate on earth. Not only is it effecting the plants and animals, creating desert where there was once rich vegetation, but it is affecting the indigenous tribes in horrendous ways. Charley Boorman plays the beautiful young son who is kidnapped by the leader of the "Invisible People." His father and mother (played by the beautiful Meg Foster) spent the next ten years searching for the boy as he is being raised in tribal customs.

Meanwhile, as the living space for the tribes grows increasingly smaller, the "Invisible People," who are basically good hearted, land loving indigenous people who keep to themselves and only want to survive, are increasingly threatened by the "Fierce People," a carnivorous, cannibalistic tribe who are desperately seeking space for themselves.

We watch Tomme grow up, learn from his new "father" who loves him dearly and was perhaps initially attracted to the tyke's golden blond hair and his own need for a son. We watch Tomme go through a ritual rite of passage that sends him on a dangerous quest for the special green rock that allows what are now his people to become "Invisible." It is in this quest that Tomme and his father cross paths again, and a lesson is learned about the cost of the damage civilization has brought to what is truly a beautiful and rich country better off left alone.

For a long time I couldn't find this movie anywhere. Not even at amazon.com. I cherish the copy I did finally find. I am thrilled to see that it is now available on DVD, but would like to see a DVD created with educational "special features" about the rain forest and the fight to preserve it. That's really what this movie is all about. See it now, before it gets away again.

ENTERTAINMENT'S EMERALD
A dam-builder is in the rain forest one day with his family, showing off his stuff. Suddenly his young son takes off to the woods and is never seen again. For the next few years the father leads a double life. Half the time he's building this dam, while the other half he's picking up his machine gun and running into the jungle to find his son. Pretty interesting life and a pretty interesting idea. And it's based on a true story. Some of the natives are truly weird, trying to put elongated bones into a machine gun that they find. There's a neat scene where they learn about either barbed wire or electricity. Another part I liked was where the native scales a small multi-story building with nothing but his bare hands and feet. The climax is really ironic. Very rarely do I see a movie where I watch it once and immediately want to see it again. This is one of those movies. I haven't seen it in a while, but my mind wanders back to it quite a lot. Definitely worth buying.

"Do you know my people?"
John Boorman's "The Emerald Forest" marks the director's return to nature a decade after "Deliverance" (1972). Once again, Boorman so ably captures the essence of the outdoors that it almost becomes a tangible supporting character. Nature in the cinematic world of Boorman is an entity to be revered and feared if you know what is good for you.

Bill Markham (Powers Boothe) is an American engineer who is in Brazil to help oversee the construction of a dam. While inspecting the construction site, tragedy strikes when his young son, Tommy (William Rodriguez) disappears. Haunted by his loss, Markham returns to the rainforest every year for ten years in search of his lost son. He eventually finds the adult Tommy (Charley Boorman) - now know as Tomme - living with the native "Invisible People." As Markham tries to re-establish his relationship with his son, he slowly learns of the devastating ecological and cultural consequences his industrial world has had upon the area.

"The Emerald Forest" sometimes comes across as too heavy-handed in its critique of modern society's threat towards the natural world. Yet, despite its labored message, the film's central story of Markham's searching for his son is involving on an emotional and dramatic level. Furthermore, the scenes with the natives are an insightful venture into an unfamiliar way of life that is as compelling as it is informative. Chalk up "The Emerald Forest" as another little nugget from the Eighties.

So . . . what did he say?
I have to give this film five stars for all the reasons that the other fans of this movie discuss. This commentary is on an unusual glitch that I discovered with the DVD. I'm referring to the MGM "Contemporary Classics" edition (in case there's another version out there).

I was surprised to discover that, when the native people were speaking, some of the subtitling was left off. Moments of indigenous dialogue were left un-subtitled in the VHS version (moments when a character appeared to be saying something like "Move" or "Hey, look."). However, with the DVD, there was one scene where a bit of dialogue that was significant to the development of the plot went unsubtited, and we were all left in the dark. It happened in only one significant scene, that I noticed, and eventually it was apparent what the character had said, but it was still frustrating and strange.

However, I still recommend that you get the DVD. When comparing scenes between the DVD and my old VHS copy (in order to see what had been said during the previously mentioned scene), I discovered that the old pan and scan version occasionally cut out almost 50% of the screen! With a film this beautiful, this is intolerable!

If you have this on VHS and are considering upgrading to DVD, I recommend that you do so - the visual pay-off is great! But keep your hands on the old VHS copy, unless you know the dialogue from memory.

Western ideaolgy versus indiginous values
I loved this movie in the theatre, bought the vhs in pan and scan and then the dvd in wide screen. I also have the sound track. This movie represents the values of western culture versus the indiginous culture. I have been to Las Amazonas 5 times and have seen what is happening. This movie compares the two cultures. This movie has a message about what indiginous people have and are happy with versus the destruction and modernazation of the western culture. Please, see the video and understand that western culture has something to offer but is not necessarily the panacea for the indiginous. ... Read more

Reviews (1)

A new high in lows
This is possibly one of the worst movies ever made, and hence deserves cult-status. A stunningly self-conscious performance by Neil French is just one of the reasons to watch it. There is, however, a quite charming dog in one or two scenes. ... Read more