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| 1. Fear Director: James Foley | |
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Amazon.com Reviews (90)
Creepy in a way because it's a situation that can, and I'm sure has, happened. ... Read more | |
| 2. Final Destination 2 (Infinifilm Edition) Director: David R. Ellis | |
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Reviews (200)
The sequel picks up a year after the events of FD. Kimberly Corman (A.J. Cook) and her friends head out on a fun road trip. While on the highway, Kim senses that something ominous is about to happen. However, due to a series of strange events, she and a select group of motorists are spared a tragic end in a multi-car accident. Or are they? With help from Clear (Ali Larter, the sole survivor of FD), Thomas Burke (Michael Landes), Directed by David R. Ellis, FD 2, has more clever ways for folks to meet their end. As with most horror sequels, the gross out factor is turned up a few notches here, and while I enjoyed the arc for Larter's character, with the gimmick exposed, the premise isn't as "new" The script by a whole new writing team, has its ups and downs, but basicly follows the outline of the original. Some characters are 3 demensional, while others are not. I know it's not shakespeare. But the chemistry of script and casting is important for this film sequel, with only 2 actors from the first flick present, its even more important. As part of New Line's Infinifilm DVD product line, FD 2 is packed with some good bonus material, that compensates some of film's troubles. The extras can be accessed the usual way-or in the Infinifilm mode while you watch the film-in bits and pieces. The filmmakers, Ellis, producer Craig Perry, and writers Eric Bress, and J. Mackye Gruber is ok. The deleted/alternate scenes are meaty, but don't really add much to the final version. They can be watched with or wthout commentary. The documentary Bringing Death To Life, takes a look at the film's stunts, special effects, and make-up secrets. Trailers, music videos, and screen tests are here as well. Going beyond the film is a fact track and 2 featurettes. The Terror Gauge looks at how the mind and body react to watching a horror film; Cheating Death-Beyond And Back examines the near death phenomenom (That's really great). Rounding out the extras is some DVD-ROM content: script-to-screen, games, wallpapers, and links to internet websites. Viewers can watch the film in either, the widescreen, or fullscreen format Despite my issues with the film, FD 2 is solid enough, along with some fine extras, to recommend on disc. But don't forget the original is out there as well. *** and half stars
FD2 is not blessed with a decent plot that does not see our clavacade of victims simply run upstairs to be slaughtered by axe or chainsaw. Instead, viewers will find themselves gasping at the different, and in some cases, highly unorthodox manner death is visited upon the characters. Although it's never going to be a film classic, FD2 has carved out a niche as a very creative, well above-par horror/suspense movie that plays by no rules but it's own. 5 stars for being just what it is--a scary movie.
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| 3. Trapped Director: Luis Mandoki | |
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Amazon.com Reviews (52)
"Trapped" is a movie based on Iles' "24 hours". It deals with a group of kidnappers who have devised the "perfect kidnapping plan", as Joey, the head of the gang, puts it: by separating the father, the mother, and the child, and by placing phone calls every thirty minutes, the kidnappers have total control of the situation. But this time it's not going to be that easy. The book is gripping, thrilling and very well written in the sense that all characters' reactions are true to real life. When I knew that there was a movie based on "24 hours", featuring the beautiful Charlize Theron, the competent Kevin Bacon and with a screenplay written by the same author, I wanted to watch it right away. Unfortunately, the result is not the one I expected. "Trapped" is one of those examples where the transition from print to screen is kind of traumatic. While the text makes the reader turn the pages faster, the movie scenes are rushed and make the viewers role their eyes. While the plot on text is believable, the plot on screen lacks elements so that the viewer fully understands what's going on. While reading the book, I could picture anyone I wanted as Joey, but watching the movie I had to put up with Bacon's worst acting in years. Once again, Charlize Theron is competent, and Pruett Taylor Vince is another good surprise. Even so, with all these problems, "Trapped" is mildly entertaining and fast-paced, even if somewhat predictable. Greg Iles is an above average author, but needs polishment as a screenplay writer. Grade 6.5/10
Joe (Kevin Bacon) is a child kidnapper. He's done it before and he does it again. This time he choses Karen Jenning's family and in broad daylight he forces himself into her house and gets hold of Abigail, Karen's daughter. What'll happen next??? From the time Abigail gets kidnapped until the end of the movie you'll feel that you're sitting on thorns or you'll bite all your nails until "there's none". Highly Recommended
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| 4. The Safety of Objects Director: Rose Troche | |
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Reviews (16)
Paul's story is told in flashback, and it ties together the film's characters. The neighbors face their own trials, as Jim Train (Dermot Mulroney) faces a career crisis and Annette Jennings (Patricia Clarkson) copes with serial abandonment. More families and sub-stories bubble up, including a disturbingly hilarious romance between a boy (Alex House) and his sister's Barbie doll. Like Robert Altman's "Short Cuts," which weaves together a selection of Raymond Carver stories, "The Safety of Objects" overlaps tales from A.M. Homes' short-story collection of the same name. "Objects" accomplishes the singular feat of adapting Homes' insular material while showcasing the director's own sense of intimacy and thematic structure. Director Rose Troche has crafted a gothic suburban tale about how life affects us all. She presents it with such confidence and care, that we love all of the characters, even if we don't like them. "The Safety of Objects" is brilliantly acted, beautifully written, and powerfully directed. If conventional Hollywood garbage isn't your cup of tea, this film is highly recommended.
Adapted from a book of short stories by A. H. Holmes, the film attempts to weave these short stories into a collective, cohesive narrative. It is a strained effort, at best. It gives an ostensible slice of suburban angst through the stories of four middle class families, neighbors in a suburban community. All have some connection to a car accident that severely injured the son of one of these families, causing him to remain in a vegetative state. The film plods along, unraveling the accident in tortuous fashion as it takes the viewer to the final denouement. Some of the characters behave inexplicably without rhyme or reason as to why they would behave in such a fashion, leaving the viewer to wonder why. While the reasons may be of interest, there is not a clue as to such. It may simply be that the author's interrelated short stories simply did not adapt well to film, despite best efforts to make it into a cohesive entity. Yet, a pre-pubescent boy talks to his sister's Barbie doll, believing that they have some kind of relationship, and he believes that Barbie talks back to him. A man whose marital relationship is on the brink of disaster leaves his wife and family at a critical juncture in order to help a neighbor try to win an SUV contest at a local mall. Why they act in this fashion is the question. The answer is entirely shrouded and obscure, so that the viewer is left puzzled and grasping at straws, in the end not really caring at all why. So, despite excellent performances by the cast, the film is torpid at best, staying afloat simply because of the efforts of the cast not to go down with a sinking ship. The stories of the characters themselves simply cannot sustain the film sufficiently, despite the valiant efforts of the cast and the director. It is a somewhat depressing film that is unable to break away from its own inherent torpor. Still, it is worth a rental, if only for the fine performances of this stellar ensemble cast.
The first thing you're going to notice about this brilliant, completely overlooked littke gem is the quality of the cast. I mean, we're talking major starpower here, and Troche blended them together to achieve something close to perfection. The story centers on four star-studded suburban families, a mysterious auto accident, and a contest that involves keeping your hand on a car longer than anyone else. Oh, and it was all written by the sick, twisted, brilliant novelist A. M. Homes. How could you possibly go wrong? The Golds-- mother Esther (Glenn Close, giving a career-best Brandoesque performance),father Howard (Robert Klein), daughter Julie (Election's delicious chanteuse Jessica Campbell), and son Paul (Dawson's Creek alum Joshua Jackson)-- are the cornerstone of the piece. Paul was a victim of the car accident, and now spends his life in a coma. His mother dotes on him, his father can't bear to look at him, and his sister, well, she's a completely different story. Their next door neighbors are the Jennings. Mom (indie darling Patricia Clarkson, who is never less than great) is still perilously close to the edge a year after her husband (TV staple Andrew Airlie) left, raising a delinquent (Panic Room's Kristen Stewart) and a girl (Haylee Wanstall, recently found in Sugar) who is in some way mentally challenged; it's never said, but it looks like autism. Also involved are the Trains-- father Jim (Dermot Mulroney), mother Susan (Moira Kelly), and their two kids, and the Christensens, notably mom Helen (Mary Kay Place). All the moms want to sleep with the gardener (Timothy Olyphant). Okay, can you see the starpower radiating yet? As with most of Homes' work, the idea here is that modern suburbia is weird. Very, very weird. Little, normal incidents grow into crises of insane proportions. Assumptions are pushed to their logical conclusions and coincide with completely irrational behavior, so that everything looks normal when it is anything but. And eventually, of course, it all begins to break down. Troche keeps the viewer's interest by being extremely coy about the details surrounding the car accident that sets everything in the story into motion, revealing piece by piece in flashback what it is that everyone's hiding, or guilty about, or sick of seeing over and over again in their heads. Meanwhile, present-day life is going on, and it's just as strange. Eventually, it all makes sense, but you have so much fun getting there that by the end, you wouldn't be terribly peeved had some of the pieces never fallen into place. This is fantastic stuff. Very highly recommended. And watch for Jessica Campbell, the girl is going places fast. **** ½
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| 5. The Crush Director: Alan Shapiro | |
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Description Reviews (39)
The premise is simple: Silverstone plays a fourteen year old who develops a crush on Elwes, who is a 28 year old newspaper reporter and has just moved into an apartment on the grounds of her family home. Elwes is dating Jennifer Rubin, and she's aware of the vibes being sent by Silverstone. But Elwes is either naive or enjoys the attention (you decide!!!) and puts himself into several compromising situations with Silverstone. Silverstone, who's clearly unstable, tightens the noose from then on, and eventually attempts to kill Elwes. The ending, also predictable, is appropriate. This certainly isn't going to be on anyone's list of all-time best films, but it's worth owning on DVD (despite the fact that there's little that separates the VHS from the DVD). You'll enjoy popping it in every once in a while for a good scare. If nothing else, guys, you'll be very careful who you flirt with after watching this one.
Suffocating and thought-provoking, this a tall-tale that mirrors many a headline currently splashed on newspapers worldwide. Shapiro's direction is at times warped and the pacing does have its flaws, but yet it seems to work out and leaves you fulfilled with the end product. By far Silverstone's Best role yet, with only 'Clueless' to contend with, while Elwes's appeal is strong, and sporadically exasperating, is every now and then overruled by his 14 year-old counterpart. A great movie with bright sets and a proficient script, this is in no way Cinema at its best, but yet a worthy edition to your home library. ... Read more | |
| 6. Wasted Director: Stephen T. Kay | |
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Reviews (5)
"Wasted" was shot on video and, yes, it looks like a music video. Some of the film is purposely fuzzy and out of focus. The camera is flailed all over the place like it was being handled by a monkey with serious ADD. The script may very well have been written by a focus group of 14 year old slackers. MTV could have at least made a serious attempt to reach out to troubled teens. Instead, they took the easy way out by throwing together a thoughtless and trivial heap of junk. I guess this is what I should expect from a network which makes a profit by supporting a bunch of hateful, materialistic and misogynistic musical artists. ... Read more | |
| 7. Downhill Willie Director: David Mitchell | |
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| 8. Beyond Suspicion Director: Paul Ziller | |
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Description Reviews (4)
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| 9. Power of Attorney Director: Howard Himelstein | |
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| 10. Greenmail Director: Jonathan Heap | |
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| 11. National Lampoon's Going the Distance Director: Mark Griffiths | |
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| 12. Wasted Director: Stephen T. Kay | |
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"Wasted" was shot on video and, yes, it looks like a music video. Some of the film is purposely fuzzy and out of focus. The camera is flailed all over the place like it was being handled by a monkey with serious ADD. The script may very well have been written by a focus group of 14 year old slackers. MTV could have at least made a serious attempt to reach out to troubled teens. Instead, they took the easy way out by throwing together a thoughtless and trivial heap of junk. I guess this is what I should expect from a network which makes a profit by supporting a bunch of hateful, materialistic and misogynistic musical artists. ... Read more | |
| 13. Greenmail Director: Jonathan Heap | |
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| 14. Crush/Point of No Return 2pk Director: Alan Shapiro | |
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