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| 1. Pete's Dragon (Disney Gold Classic Collection) Director: Don Chaffey | |
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Description Reviews (67)
This film also includes the legendary Mickey Rooney. The story of Pete's Drangon is pretty simple. Pete is a young orphan, who is running away from his abopted parents, and end up in Maine, a fishing town with his best friend, Elliott. Sometimes you can see him, and other times, you can't. A kind lighthouse keeper, Nora played by (Helen Rebby), and her father (Mickey Rooney), Elliott's pranks gets them into a whole lot of trouble. The music in this film is Ocar-nominated beautiful. Like "The Happist Home in These Hills," "It's Not Easy," "Candle on the Water," & "Brazzle Dazzle Day." A simply marvoulous soundtrack for the whole family. Now you must know, that Pete's Dragon was made in the late 70s, which was long before computer technology was invented. You know, like CGI grahpics and so forth. Which is another thing that impressive me, how Disney can create these images and actually make them work. Pete's Dragon is a wonderful story, that will be treasured for the next generation to come.
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| 2. Hello Down There Director: Jack Arnold, Ricou Browning | |
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Description Reviews (4)
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| 3. Rebel Without a Cause (Two-Disc Special Edition) Director: Nicholas Ray | |
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Amazon.com Reviews (88)
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| 4. It's a Mad, Mad, Mad, Mad World Director: Stanley Kramer | |
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Reviews (212)
After a bouncy, splashy Saul Bass animated title sequence, the story begins with a brief car chase in the California desert. Bank robber Smiler Grogan (Jimmy Durante) wrecks his car, and with his dying words reveals a secret about buried treasure to the seven strangers who stopped on the roadside. 'Look for the big W' in Santa Rosita, he says, and then he kicks the bucket. After a brief attempt at cooperation, the treasure hunt is on and it's every man for himself, in four teams. Mickey Rooney and Buddy Hackett decide to take to the air but their pilot, Jim Backus, gets hammered on Old Fashioneds. Husband-and-wife Sid Caesar and Edie Adams can only find a biplane cropduster. The lone truck driver, Jonathan Winters, can't get gas. And his mother-in-law Ethel Merman fatally hampers Milton Berle, with his wife Dorothy Provine. So all four teams scamper across the landscape, across the broad canvas of this movie, wound tight by desperate greed and calmly monitored by a Sergeant Culpepper, Spencer Tracy. This is the framing story for an amazing string of billed appearances and unbilled cameos so many that at last your senses are sort of dulled. Oh, it's Carl Reiner in the control tower. Oh, look, it's Stan Freberg, yeah. The best cameo, hands down, is Jerry Lewis, who comes barreling down Long Beach Boulevard in a moment of exuberant stupidity and runs over Spencer Tracy's hat. Probably my favorite, I have so many, co-star was Terry Thomas who plays a vacationing Englishman in a rattling station wagon, who picks up Milton Berle. He's talkative. He prattles away (accurately) about why it is that the American male is positively preoccupied with booo-sums, and says things like, "I'll wager you anything you like, if American women stopped wearing brassieres, your whole national economy would collapse overnight!" This sequence, within the context of the movie so far, has a single funny moment when this whole vast farce might come alive, find its voice, and this circus might make sense - Terry-Thomas finds the tone for the rest of the movie. I find it compelling that the aesthetic success of all this footage, all these appearances, all this thoroughly American spectacle, suddenly pivots around a few fussy syllables about breasts. But once the moment passes, Terry-Thomas is efficiently neutralized and dismissed by Ethel Merman, and on we go. The array of challengers eventually reach Santa Rosita, and several unexplainably humorous events occur. These I will not reveal to you and allow you to view the movie on your own time. I must add though, that if you do see this movie, reserve several hours. Like most from its decade its LONG... VERY LONG... But allow me to assure you, you wont be disappointed.
I can see why MGM would want to keep their pristine 35mm print whole and transfer that to DVD but perhaps they should have included a 2nd disc and a 2nd version that patched together all the missing scenes, no matter what condition, and reconstructed the film as best as they could to the longest originally released version.
Cast: Spencer Tracy ... Capt. T.G. Culpeper Intended to be the comedy to end all comedies, with a cast including virtually all the name comedians at the time. Jimmy Durante plays a guy who is in a fatal auto accident, but before he dies, tells 5 bystanders where there is $350,000 hidden under a "W", whuch leads to a chase to find the money. Meanwhile, Capt. T.G. Culpeper (Spencer Tracy) is aware of the stolen money and he and his policemen observe the chase with interest through the desert, mountains, and along the California coast, with the contestants using aircraft, cars, trucks, a bicycle and every method of transportation in their attempt to be first to reach the money. Tracy was ill when the film was shot, and so only worked four hours per day. The long shots and physical stuff was performed by stand-ins. This is a fun movie. If there is a criticism, it is that the comedy is perhaps overdone. With so many top comedians, there is certainly no dearth of funny lines, pratfalls, and laughs--that's for sure. Joseph (Joe) Pierre ... Read more | |
| 5. Rebel Without a Cause Director: Nicholas Ray | |
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Description Reviews (80)
The movie begins with all three of the main characters Jim (James Dean) Judy (Natalie Wood) and Plato (Sal Mineo) in a police station in the wee hours of the morning. All are dressed in obviously middle and upper-class clothes but have been picked up on the street for wandering, drunkeness and violence. The title of the movie immediately gives itself away, Judy is upset because her father was rough with her, Plato's father left him and his mother is never at home... We find out in the course of the movie, as Jim, Judy and Plato come together, that they are really good kids who are only looking for love and acceptance. We see how little their parents understand of them and how they are rebelling against the ignorance that has been starving them for years! And truly, this is my FAVORITE James Dean movie, I think his portrayal of Jim is really a mirror of his own life with his biological Dad and some of the kids he grew up with. His acting is just so true, real, passionate and believable. This movie is my reasoning for why he is still such a legend. Truly, one of the greatest actors of all time. And a fantastic movie to boot!
"Rebel Without a Cause" begins in the local police station, where Jim (James Dean) has been arrested for drunkeness, Judy (Natalie Wood) has been picked up for walking around before dawn after a fight with her father, and the disturbed Plato (Sal Mineo) has been brought in for killing a puppy. Jim is new to the place (his parents are always moving) and finds it hard to fit in at school. He gets in a fight, which later leads him to have a chicken race with one of the gang bullies. Jim, Judy and Plato are brought back together again at the chicken race, but it ends in trouble. While Jim gets away unharmed, his opponent is killed when he gets caught in the car and goes flying straight off of the cliff. While being chased by the dead boy's friends, Jim, Judy, and Plato end up at a deserted mansion, to hide out, away from their parents and the trouble looking for them out on the streets. But still, it does not end nicely. The film may seem dated to some people, but it still remains a brilliant movie to a lot of others. Now for the DVD: Overall, I think this is an excellent presentation for a great movie and I highly recommend this DVD. PLEASE NOTE: Refers to Region 2 release, which appears to be the same as this Region 1 release, by the same company. ... Read more | |
| 6. Myra Breckinridge Director: Michael Sarne | |
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Amazon.com Reviews (9)
This extravaganzic curiosity made it to DVD in various guises ....this one ain't bad. BUT I'd visit the novel before plunging into this somewhat contemporary vision of Hollywood across the hills ...[nuffin's really changed!] RAQUEL/REX are suitably paired with 'his and & her' accoutremonts .... painfully coiffed and coutoured for this 'vision' as is LEGEND MAE WEST ~ still firing those 'zingerz ' from various anatomical points, but al least the darling diva was not 'wired for sound' as she was later in "Sextet" - a babe sorely missed - also her grand wit and style! Other points of note - babyfaced [yes he was] TOM SELLECK is part of Mae's entourage, and an almost unrecognisable FARRAH FAWCETT debuts as the love-object's [the rather dim young hunk] Not forgetting a brave and quite funny JOHN HUSTON .... nice to see this other legend of showbiz spoof tinseltown. NOPE, THIS ONE's A QUAINT HALLUCINATION - worth driving through occasionally - with the appropriate gear!
Indeed, it has been a difficult movie to find anywhere. I was thrilled when it came on DVD just recently. When I first watched it, I was sort of disappointed. I expected more. What? I don't know. So I had to give it a chance. After viewing it once, I then watched it with Raquel's commentary, and then with the Director's commentary. Raquel gave a great performance, as did John Huston (Buck Loner) and Mae West (Letitia Van Allen) was quite attractive in this film. This was her first color film ever, and after a long hiatus from the silver screen. There was alot of anymosity on this set, and I fault the Director Michael Sarne for this. If he hadn't been so full of himself, this might have worked better. I don't know who's in control of the script, or changes in the script, but this constant rewriting of the story didn't make matters better for the actors. I think the acting is top rate, and the actors deserve credit for taking lemons and making them into lemonade. I wrote to Raquel Welch recently to tell her alot of this and more, and I mean what I say. And maybe she's right. In the commentary I believe she wished that John Huston had been the director. I agree with her on this. Someone who might have cared about people would have made this difficult and abstract story a success on film.
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| 7. Now You See Him, Now You Don't Director: Robert Butler | |
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Reviews (9)
The real negative about this release? NO EXTRAS! Nothing! Not even a trailer. Frankly, this is a movie that begs for explanation of how certain special effects were performed. But at least I'll give Disney credit on this one for tranferring a picture the right way. Now if they'd only do it for "The Computer Wore Tennis Shoes", and other great old movies.
As for the film, "Now You See Him..." is the second and best in Disney's college "formula" series starring Kurt Russell as science student Dexter Reilly, the late, great Joe Flynn as hapless Medfield College's hilariously uptight Dean Higgins and the late Cesar Romero (the Joker in the "Batman" TV series) as crooked banker A.J. Arno. In this version, Dexter stumbles (again) into an invisibility formula that Higgins enters into wealthy philanthrophist Forsythe's (the late, great Jim Backus) science contest, whose award money will pay off Medfield's mortgage for another year. Unfortunately, Arno wants the college land to open up a casino, so when he finds out about the formula, he decides to steal it in order to assure the college will go into foreclosure. So, essentially, it's the same plot as the other two films in the series, but the silliness just seems fresher and better paced this time. And the invisibility effects are impressive for the time, although next to "Hollow Man" they're pretty weak (although "Now You See Him..." is ten times better than that horrible Paul Verhoeven botch). Especially engaging is a madcap chase sequence involving an invisible car. The cast is terrific: Flynn, Romero and Backus give their all to enliven paper-thin characters and Michael McGreevey is memorable as Dexter's dim-witted friend Richard Schuyler. But this is Russell's film the whole way and it's easy to see why he is one of the few former child actors to have a vital and important adult film career: he's charismatic and wonderful in his best-known Disney role, and gives his all to assure a good time is had by all. Special credit also to director Robert Butler and composer Robert F. Brunner, who contributes another of his bouncy '70's Disney scores, which are much more entertaining than a lot of the heavily orchestrated, pretentious (and forgettable) Oscar-winning scores of the era. "Now You See Him, Now You Don't" isn't representative of the best Disney films, but it is funny and fast-paced and refreshingly free of offensive racial stereotyping, which marred many a Disney film of the time, including the sequel "The Strongest Man in the World." And, finally, one of these films gets a decent DVD treatment, although the other two films in the series, "The Computer Wore Tennis Shoes" and "Strongest" are only available in tired fullscreen prints. But at least they got this one right. ... Read more | |
| 8. Friday Foster Director: Arthur Marks | |
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Reviews (6)
My big surprise was Yaphet Koto, who gets most of the best lines, and is funny throughout the film. I am always used to him as the stone-faced cop, a la "Across 110th Street" and "Homicide". If I remeber correctly, he gets off the "I'm getting too old for this sh!t," line years before "Lethal Weapon" made it a cliché. Definitely worth watching for Blaxploitation or Pam Grier fans. If you are not familiar with Pam's earlier work, "Coffy" or "Foxy Brown" should definitely come first.
The story has been already told elsewhere, so I won't repeat it here. All I can say is, it is not particularly original, but good enough to keep us interested. But what we should notice in "Friday Foster" is a group of well-cast, talented actors. In addition to Pam Grier, who this time round goes with less tears and nudity, and more smile, is helped by Yaphet Kotto (Michael Clarke Duncan of the 70s) but it is Eartha Kitt as "madame" who steals the show with her flamboyant speech at fashion show. Actions are done in a rather bland way, but still watchable, and watch out Pam Grier steal a black hearse to chase the hitman; she later hits another guy in the head with a bottle full of milk!! Especially recommended to beginners of the genre as starting point of blaxploitaion films.
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| 9. Pat and Mike Director: George Cukor | |
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| 10. Don't Bother to Knock Director: Roy Ward Baker | |
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| 11. Good Guys Wear Black Director: Ted Post | |
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Description Reviews (8)
The film is definitely *very* 1970's. That means lotsa keyboard instrumental jazz music scored with the action, 3-piece suits, undercranked camera shots to make cars look like they're speeding (giving unnatural jerky motion), and half-witted dialogue. And Anne Archer, while lovely in the film, wears some awful-looking sunglasses (egads!). While there are several martial arts fight scenes (what else?) they are not nearly as sophisticated as those in 1973's Bruce Lee classic "Enter the Dragon" (this is a 1978 film). Major John Booker (Chuck!) leads a top secret team into Vietnam in 1973 to rescue some American POW's (boy, you never see THAT in a Chuck Norris movie, eh?) ... ahem ... Well, they were set up and several men died. Booker takes the loss philosophically and takes up test-driving Porsches and teaching Political Science at the local college (whatta guy!). Ah, but then a lovely young lady lawyer shows up and starts reciting all the top secret details of the 1973 mission to Booker. Booker must figure out what she's all about. At the same time all of Booker's buddies who survived the disastrous operation start dropping like flies. James Franciscus is the up-and-coming Secretary of State and boy does he cuss a lot (probably after seeing the script!), hence my PG-13 rating. And he's a very baaaaad man. Jim Backus (Gilligan's Island!) shows up as a protective doorman. And the ubiquitious Soon-Tek Oh is here. Not a bad film, on a par with other Chuck flicks such as "Hero and the Terror", "Invasion U.S.A." and "Code of Silence". Will Major Booker discover the truth and stop the bad guys? ... hmmm ... well, I'll let you buy the movie and find out ... (as if you couldn't guess) ... While you're waiting to find out, you can count all the green automobiles in the film ... There must have been a lot of automobiles painted green in 1978 because there's a green car in nearly every street scene (all shades!). Even the toy car at one of the politician's home is green. Generally OK, and we can overlook some of Norris' acting since it's one of his first films. It is hard to forgive the paisley robes, Harvest Gold appliances, and the wide collars on the shirts, but hey, that was the 1970's.
Dr Jacques COULARDEAU
I do, however, love this movie. The few fights scenes in this pitcure are fun (airport and parking lot) and it is one of Norris' better acting performance. The "jumping into the car scene" is actually Chuck's brother Arren. The other acting performances are also very good (Ann Archer, Lloyd Hayes, and Dana Andrews to name a few). The Chuck Norris fan may want to add this film to your collection. ... Read more | |
| 12. It's a Mad, Mad, Mad, Mad World Director: Stanley Kramer | |
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Reviews (212)
After a bouncy, splashy Saul Bass animated title sequence, the story begins with a brief car chase in the California desert. Bank robber Smiler Grogan (Jimmy Durante) wrecks his car, and with his dying words reveals a secret about buried treasure to the seven strangers who stopped on the roadside. 'Look for the big W' in Santa Rosita, he says, and then he kicks the bucket. After a brief attempt at cooperation, the treasure hunt is on and it's every man for himself, in four teams. Mickey Rooney and Buddy Hackett decide to take to the air but their pilot, Jim Backus, gets hammered on Old Fashioneds. Husband-and-wife Sid Caesar and Edie Adams can only find a biplane cropduster. The lone truck driver, Jonathan Winters, can't get gas. And his mother-in-law Ethel Merman fatally hampers Milton Berle, with his wife Dorothy Provine. So all four teams scamper across the landscape, across the broad canvas of this movie, wound tight by desperate greed and calmly monitored by a Sergeant Culpepper, Spencer Tracy. This is the framing story for an amazing string of billed appearances and unbilled cameos so many that at last your senses are sort of dulled. Oh, it's Carl Reiner in the control tower. Oh, look, it's Stan Freberg, yeah. The best cameo, hands down, is Jerry Lewis, who comes barreling down Long Beach Boulevard in a moment of exuberant stupidity and runs over Spencer Tracy's hat. Probably my favorite, I have so many, co-star was Terry Thomas who plays a vacationing Englishman in a rattling station wagon, who picks up Milton Berle. He's talkative. He prattles away (accurately) about why it is that the American male is positively preoccupied with booo-sums, and says things like, "I'll wager you anything you like, if American women stopped wearing brassieres, your whole national economy would collapse overnight!" This sequence, within the context of the movie so far, has a single funny moment when this whole vast farce might come alive, find its voice, and this circus might make sense - Terry-Thomas finds the tone for the rest of the movie. I find it compelling that the aesthetic success of all this footage, all these appearances, all this thoroughly American spectacle, suddenly pivots around a few fussy syllables about breasts. But once the moment passes, Terry-Thomas is efficiently neutralized and dismissed by Ethel Merman, and on we go. The array of challengers eventually reach Santa Rosita, and several unexplainably humorous events occur. These I will not reveal to you and allow you to view the movie on your own time. I must add though, that if you do see this movie, reserve several hours. Like most from its decade its LONG... VERY LONG... But allow me to assure you, you wont be disappointed.
I can see why MGM would want to keep their pristine 35mm print whole and transfer that to DVD but perhaps they should have included a 2nd disc and a 2nd version that patched together all the missing scenes, no matter what condition, and reconstructed the film as best as they could to the longest originally released version.
Cast: Spencer Tracy ... Capt. T.G. Culpeper Intended to be the comedy to end all comedies, with a cast including virtually all the name comedians at the time. Jimmy Durante plays a guy who is in a fatal auto accident, but before he dies, tells 5 bystanders where there is $350,000 hidden under a "W", whuch leads to a chase to find the money. Meanwhile, Capt. T.G. Culpeper (Spencer Tracy) is aware of the stolen money and he and his policemen observe the chase with interest through the desert, mountains, and along the California coast, with the contestants using aircraft, cars, trucks, a bicycle and every method of transportation in their attempt to be first to reach the money. Tracy was ill when the film was shot, and so only worked four hours per day. The long shots and physical stuff was performed by stand-ins. This is a fun movie. If there is a criticism, it is that the comedy is perhaps overdone. With so many top comedians, there is certainly no dearth of funny lines, pratfalls, and laughs--that's for sure. Joseph (Joe) Pierre ... Read more | |
| 13. Billie Director: Don Weis | |
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| 14. Gilligan's Island - The Complete First Three Seasons Director: Ida Lupino, Gary Nelson, Hal Cooper, Richard Donner, John Rich, Rodney Amateau, Tom Montgomery, Abner Biberman, Jerry Hopper, Leslie Goodwins, Anton Leader, Stanley Z. Cherry, Jack Arnold, George Cahan, David Orrick McDearmon | |
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| 15. Mr. Magoo's Christmas Carol Director: Abe Levitow | |
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Reviews (81)
Any animated feature is only as good as the voices that speak for the characters and this one is chock-full of winners. Jim Backus moves beyond his usual Mr. Magoo voice to find new colors to fit Scrooge's character. The transformation from penny-pinching miser to good-hearted soul via a Scrooge terrified by the visitations is complete. Jack Cassidy is a sympathetic Bob Cratchit and the multi-talented June Foray (of Rocky and Bullwinkle fame) is the Ghost of Christmas Past. Surprisingly, even in a 52-minute format this version sticks carefully to the Dickens story line and retains all the essential story elements, something that cannot be said for the majority of the filmed versions which feel compelled to "explain" Dickens with extraneous dialogue and scenes. The only addition -- other than the preliminary play-within-a-play set-up that shows Mr. Magoo arriving at the theatre to get ready to go on stage - is the songs. And what delightful songs they are! "The Winter Was Warm" is a beautiful ballad, "I'm All Alone in the World", sung as a duet between the old and young Scooge is a real tear-jerker, and the "La, La" chorus of the rag-pickers, has me laughing just as much now as it did the first time I saw this in the early '60's. What is it about those wide open mouths and visible tonsils in close-up? Viewing Mr. Magoo's Christmas Carol at least once (usually more) each year is part of my Christmas celebration.
I remember seeing MR. MAGOO'S CHRISTMAS CAROL when it debuted on network television in 1962. Though I was a child it made an indelible mark that was never to be forgotten. It ranks right up there with the original animated HOW THE GRINCH STOLE CHRISTMAS and is as charming, original and wonderful as it was when I first saw it. It is now a favorite of my children as well. Additionally, MR. MAGOO'S CHRISTMAS CAROL features a soundtrack of songs that are wonderful. Composed by Broadway legends Jule Styne and Bob Merrill of FUNNY GIRL fame, the songs will become some of your favorites for the holiday season. Add to that the vocal talents of the great Jim Backus (Gilligan's Island), Morey Amsterdam (The Dick Van Dyke Show), and Jack Cassidy and June Foray (The Adventures of Rocky and Bullwinkle) and you have an unbeatable and classic holiday triumph. Douglas McAllister ... Read more | |
| 16. Crazy Mama Director: Jonathan Demme | |
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Reviews (2)
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