Description

All 68 Episodes of the Landmark Series On 20 DVDs! Upstairs, the Bellamy family negotiated the scandals and successes ofthe English aristocracy. Downstairs, their loyal and lively servantsshowed far less reserve when confronting the challenges of their lives.Together, their stories made TV magic.

When UPSTAIRS DOWNSTAIRS debuted, network executives fretted that theseries was "not commercial" and viewers would "switch off in thethousands." More than thirty years later, it is universally recognizedas one of the most successful and important shows in television history,seen by over 1 billion people worldwide and the winner of 9 Emmys, aGolden Globe and a Peabody, among many other awards.

Take a final journey back to 165 Eaton Place with this comprehensive setfeaturing all 68 episodes of the unforgettable masterpiece, digitallyremastered for presentation on DVD. The collection also includes therarely-seen retrospective Upstairs Downstairs Remembered: The 25thAnniversary Special. ... Read more

Reviews (14)

Simply Put: The Best Drama Ever
Often, when one of those "Top 100 Television Shows Ever Created" lists comes out, 'Upstairs, Downstairs' is listed as Number One, usually just above 'The Mary Tyler Moore Show' and 'I Love Lucy.' Well, now I know why. This show stunned me with its quality and vivid characters!

For those unaccustomed to a British accent, it may take a few minutes of viewing before your ears adjust. And I kindly suggest that you do NOT watch the 25th Anniversary documentary until you've first seen all the episodes (I wished I hadn't -- it gave away a lot of great twists and surprises).

This show is so subtle and respectful of its viewer. For instance, there are characters who are smitten with each other yet who never say or act upon that love: the show doesn't dare to condescend to you by telegraphing it in any obvious or official way.

Many fans cite the fourth season (about the Great War) as the show's best, but frankly and guiltily I must confess that I prefer the real soapy elements of the show that have less to do with world events and more to do with the interpersonal relationships and mini moral dilemmas of the householders.

There is one notorious episode called 'The Swedish Tiger' that is quite awful and that made it into the series by mistake (fans already know the whole story) so please don't judge the other 67 great episodes by the one awful one!

My personal favorite episode is the one that focuses on the Irish scullery maid's forbidden crush on another great family's footman. It's sounds pedestrian, I know, but that's the genius of the show. It crafts seemingly simple situations with so many nuances and facets that you feel as if you're standing in the kitchen with these people!

Simply Put: The Best Drama Ever!
Often, when one of those "Top 100 Television Shows Ever Created" lists comes out, 'Upstairs, Downstairs' is listed as Number One, usually just above 'The Mary Tyler Moore Show' and 'I Love Lucy.' Well, now I know why. This show stunned me with its quality and vivid characters!

For those unaccustomed to a British accent, it may take a few minutes of viewing before your ears adjust. And I kindly suggest that you do NOT watch the 25th Anniversary documentary until you've first seen all the episodes (I wished I hadn't -- it gave away a lot a great twists and surprises).

This show is so subtle and respectful of its viewer. For instance, there are characters who are smitten with each other yet who never say or act upon that love: the show doesn't dare to condescend to you by telegraphing it in any obvious or official way.

Many fans cite the fourth season (about the Great War) as the show's best, but frankly and guiltily I must confess that I prefer the real soapy elements of the show that have less to do with world events and more to do with the interpersonal relationships and mini moral dilemmas of the householders.

There is one notorious episode called 'The Swedish Tiger' that is quite awful and that made it into the series by mistake (fans already know the whole story) so please don't judge the other 67 great episodes by the one awful one!

My personal favorite episode is the one that focuses on the Irish scullery maid's forbidden crush on another great family's footman. It's sounds pedestrian, I know, but that's the genius of the show. It crafts seemingly simple situations with so many nuances and facets that you feel as if you're standing in the kitchen with these people!

Expensive and worth every cent
The most amazing aspect of this collection is how well it holds up after all these years. Having initially seen in the 70s, I wasn't prepared to be surprised. After all, didn't I know all the plots and characters? But what I found was, while I remembered most of it, there were huge chunks that I couldn't account for. I've watched the entire series now, some five times, all the way through, and it only gets better. The writing alone is worth the price of admission, but couple this with excellent acting, stellar camera work, and knockout sets, and you've got the superb drama that is UPSTAIRS, DOWNSTAIRS. Please, don't call this a soap opera--this is an insult to the writers and actors. This is great drama that just happened to be spread out over a couple of years. Here are just a few examples of what I'm talking about:

THE WRITING: The characters are not cardboard cutouts, but real, fallible people. Lord Bellamy, for all his wisdom and charm, does make some bad decisions (the stock tip scandal, the attempted bribe of the parents' whose infant Mrs. Bridges has abducted), and this only makes him more likeable. Who wants a stodgy old Edwardian man that's perfect? Then there's the subtle references to what's come before, so that if you've missed an episode or two, you'll still know what the characters are talking about. References to Lady Marjorie and the Titanic, the previous maids and footmen who have come and gone, etc. While this is somewhat standard in television and series writing, the deft handling of these references makes this series unique.

CHARACTER DEVELOPMENT: One of the finest examples of this is Edward, the footman. Always joking and playful, his is probably the most dramatic change during the series. When WWI breaks out, he's off to the front, only to come back shell-shocked. His transformation from a rollicking and randy young man, to that of a worn-out and scared soldier is remarkable. The one scene where Bellamy finds him on the stairs and comforts him in the morning room is worthy of an award. Reminiscent of "All Quiet on the Western Front," the performance Christopher Beeny gives in only a few minutes is one of the best ever seen on television.

THE SETS: With exquisite tastefulness, the sets on "Upstairs, Downstairs" are the best example of Edwardian decor ever to grace the screen. Never mawkish or overblown, they nevertheless hark back to a tasteful Victorian era without all the fuss, yet embrace the Edwardian era and the "moving forward" theme that permeates the series. It's amazing what one expertly placed kentia palm will do for good drama.

CASTING: This one's a no-brainer. Whoever did the casting deserves a gold star. The regulars are loveable with faults, and the guest appearances add just enough spice to the affair to keep you on your toes. Especially liked was the character of Alfred---surly, evil, comic, and dramatic, he's one of the highlights in the collection.

My only dislike of this series was that it eventually ended. It was a mark of genius to show the period from 1904 to the stock market crash, with WWI being the centerpiece. Overall, this is probably the best series ever created for television, and like all great works of art, the formula probably won't be repeated in our lifetime. There aren't enough stars for this one.

Unforgettable Masterpiece - Wonderful Characters
This is one of the best shows ever created for television. The acting was incredible, the scripts thought provoking and the period details were amazing.

Angela Baddely's Mrs Bridges and Gordon Jackson's Mr. Hudson are 2 of the most unforgettable characters in TV history. They were so real they really were the glue that held this show together. Add to that Jean Marsh as Rose (how could you not love her) The whole cast was incredible - even some members (like Pauline Collins as Sarah) who weren't in all the episodes are unforgettable.

The show is just incredible and you don't think it can get any better. Then the war years happen and the show is even better than it was before. These war episodes are classic. There is some great acting by the "upstairs" characters in those years (Simon Williams as James, Lesly Anne Down as Georgina & Meg Wynn Owen as Hazel especially) - also "downstairs" Christopher Beeny as Edward just breaks your heart in these.

This is a must have if you love drama on television. I am so jealous of someone who has never seen them before.

Some of the color quality on the DVD isn't great and some of the sound. I think this is because the series is older. I don't think it takes away from how great the show is or your experience watching it. Ignore the other reviews and enjoy this great show.

ROCKS!
Often, when one of those "Top 100 Television Shows Ever Created" lists comes out, 'Upstairs, Downstairs' is listed as Number One, usually just above 'The Mary Tyler Moore Show' and 'I Love Lucy.' Well, now I know why. This show stunned me with its quality and vivid characters! For those unaccustomed to a British accent, it may take a few minutes of viewing before your ears adjust. And I kindly suggest that you do NOT watch the 25th Anniversary documentary until you've first seen all the episodes (I wished I hadn't -- it gave away a lot a great twists and surprises). This show is so subtle and respectful of its viewer. For instance, there are characters who are smitten with each other yet who never say or act upon that love: the show doesn't dare to condescend to you by telegraphing it in any obvious or official way. Many fans cite the fourth season (about the Great War) as the show's best, but frankly and guiltily I must confess that I prefer the real soapy elements of the show that have less to do with world events and more to do with the interpersonal relationships and mini moral dilemmas of the householders. There is one notorious episode called 'The Swedish Tiger' that is quite awful and that made it into the series by mistake (fans already know the whole story) so please don't judge the other 67 great episodes by the one awful one! My personal favorite episode is the one that focuses on the Irish scullery maid's forbidden crush on another great family's footman. It's sounds pedestrian, I know, but that's the genius of the show. It crafts seemingly simple situations with so many nuances and facets that you feel as if you're standing in the kitchen with these people! ... Read more

Reviews (6)

the War Years at 165 Eaton Place...
The acclaimed fourth season of UPSTAIRS DOWNSTAIRS focuses on the turbulent years of World War One, with the Bellamy's fighting to keep control of an ever-changing world, shattered asunder...

"A Patriotic Offering" - Lady Prudence (Joan Benham) convinces Hazel (Meg Wynn Owen) to take in a family of Belgian refugees, resulting in a major upset for the servants.

"News From the Front" - Whilst on leave, James (Simon Williams) finds himself drawn into a political situation which might affect his future in the army.

"The Beastly Hun" - An anti-German feeling sweeps through Eaton Place following the sinking of the Lusitania, with Hudson (Gordon Jackson) spreading scare stories about the local baker and his family, who are discovered to be of German origin.

"Women Shall Not Weep" - Edward (Christopher Beeny) and Daisy (Jacqueline Tong) decide to get married before Edward leaves for the draft. Georgina (Lesley-Anne Down) vows to become an army nurse after witnessing the dead and injured soldiers returning to London; while Ruby (Jenny Tomasin) surprises everyone when she announces she is to leave her position to go and work in a munitions factory.

"Tug of War" - Georgina discovers that nursing isn't all she thought it would be, while James becomes frustrated with his staff-army job.

"Home Fires" - Rose (Jean Marsh) once again bumps into her former fiance, Australian sheep farmer Gregory Wilmot (Keith Barron) who has joined the army. They decide to get married again, but will Hudson ruin it all?...

"If You Were the Only Girl in the World" - At a tea-party for wounded officers, bored Hazel meets a charming young airman, Jack Dyson (Andrew Ray). Slowly, a gentle courtship begins and Hazel experiences her first true romance.

"The Glorious Dead" - A time of personal tragedy at Eaton Place. Rose receives word about Gregory, whilst Hazel discovers the fate of Jack.

"Another Year" - A shellshocked Edward returns to Eaton Place, a shadow of his former self. Hazel meets the aquaintance of Mrs Virgina Hamilton (Hannah Gordon), the charming widow of a naval officer. Following an explosion at the munitions factory, Ruby returns to Eaton Place.

"The Hero's Farewell" - Lady Prudence and her society friends decide to stage a 'historic tableaux' at Eaton Place. The situation turns deadly when a zeppelin raid begins and bombs start falling nearby...

"Missing Believed Killed" - James is still missing at the front, and the entire household is thrown into shock.

"Facing Fearful Odds" - Virginia once again seeks the help of Richard (David Langton) when her oldest son is about to be court-martialled.

"Peace Out of Pain" - Richard proposes to Virginia, with whom he has fallen in love, whilst Hazel becomes seriously ill with a deadly strain of the flu virus...

Highly-recommended. Most people single out the fourth season of UPSTAIRS DOWNSTAIRS as the strongest out of the entire series. Excellent writing, expert direction as well as top-notch performances from Gordon Jackson, Meg Wynn Owen, Christopher Beeny, Angela Baddeley and Simon Williams.

Also featuring Mel Churcher, Raymond Huntley, Barrie Cookson, Christopher Good, Joyce Heron, Celia Imrie, Patricia Macrae, Elma Soiron, Karen Glaser, Cyril Cross, Lala Lloyd, Ian Hoare, Lisa Moss, Edward Underdown, Miles Bennett, Ena Baga, Timothy Peters, Gertan Klauber, Freda Dowie, Robert Swann, Giles Watling, Keith Jayne, Neville Barber, Dennis Blatch, James Woolley, Edward Hammond, Barbara Atkinson, Kevin Moran, Mike Fields, Valerie Lush, Betty England, Betty Romaine, Polly Williams, Richenda Carey, Auriol Smith, John Lyons, Julia Sutton, Robert McBain, Audrey Joyce, Neville Hughes, Richard Owens, Venetia Maxwell, Sarah Twist, Brian Nolan, Kenneth MacDonald, William Ashley, Eileen Way, Helena McCarthy, Graham Leaman, Robin Bailey, Phyllida Law, Fanny Rowe, Alfred Maron, Gareth Hunt, Brian Badcoe, Ann Martin, Richard Reeves, Hilary Minster, Laurence Harrington, Anthony Nash, Peter Whitaker and Anthony Woodruff.

4 single-sided, dual-layer discs.

The Best Season of Upstairs Downstairs So Far
I am new to the world of Upstairs Downstairs, but this (the fourth) season is the best season I've watched so far. For those of you who are new to the world of Upstairs Downstairs, this series is a character driven drama which focuses on the disparate (but yet entwined) lives of the rich Bellamy's and their servants.

Character growth, loss, tragedy and triumph are the themes of this season, as the characters are greatly affected by the trials of world war I. I highly recommend this for fans of this time period, or fans of BBC drama. I particularly liked the character arc involving Edward the footman, and the arc involving Hazel Bellamy. This is truly an excellent series, I am sorry that it was ended after the fifth season.

The Best of all Upstairs Downstairs!
This series is my favorite in the Upstairs Downstairs canon. The residents of 165 Eaton Place face the loss and hardships of World War I bravely. Several important themes, such as duty, honor, love and loss are explored through the lives of several characters. War comes home, literally, when a Zeppelin drops a bomb on Eaton Place. James, Edward, Georgina, and most tragically Rose and Hazel are all victims of the war's bloodlust. There are some extremely fine moments, such as when Georgina sees some wounded soldiers and realizes her playgirl life has to stop, and some extremely funny ones, as in the episode when the Bellamy's drawingroom is commandeered for a dreary charity event. With this series the writers and artists reached their height!

Great Production, Poor DVD
This is a wonderful classic. I have purchased each season as it has become available on DVD. I am usually very happy with A&E's DVD's, but I am not sure what went wrong with, "Upstairs, Downstairs". Season Four had some very long periods where the picture was so blurred that it bothered my eyes to watch it. Overall, I am quite disappointed with the results on DVD. I know I will continue to purchase each season, because I really enjoyed the series when it was on television, but I wish the quality was better.

Great Story - Mediocre Production Values
As usual I will not spend much time on the plot. The story line is one of PBS's best presentations of life in London from 1900 - 1930's. The story is about the below stairs staff who serve a very class conscious family called the Bellamys. The production values on this DVD set are about the same as in the first three series (which are none too good). The problem it seems is that there aren't any good masters from which to make the DVDs. I thank A & E for giving us this series. Every diehard USDS fan will want to add this DVD to their library. The VHS tapes will only continue to deteriorate. Let's hope that more recent Masterpiece Theatre series make it to DVD before the deterioration sets in. Upstairs Downstairs is worth a buy in spite of reproduction weaknesses. ... Read more

Description

Return to 165 Eaton Place and be enchanted with the saga that captures the essence of life and love in Edwardian England. This collector's set includes the entire second season. ... Read more

Reviews (12)

Great series, poor DVD
I love the series, but the DVD quality is really bad. I'm only on the 3rd of 4 disks and one episode was so bad I could only listen to the sound. Trying to watch the screen gave me a headache. The last episode I watched had large yellow bands across the screen. It was just like watching it on a bad color TV set back when the series was released. Since I also purchased the First season and thought the video quality on it was very good, this Second season is a particular disappointment. Stay away unless you are a hardcore fan who has to have it.

Second Time Around, Just as Good
In the second season of Upstairs Downstairs most of the main characters return. Once again Sarah and Elizabeth are the main players. Elizabeth is unhappily married to an aesthete who shudders at every day things like sex, which leads eventually to her humiliating return to Eaton Place with a baby in tow. Sarah renews her romance with James, the wastrel son of the house, but eventually finds love and true happiness below stairs. James continues on his rackety course and eventually gets packed off to India. Through it all Lady Marjorie remains serene and unflappable. The high light episode of this series is Guest of Honor, which depicts a visit to 165 Eaton Place by King Edward VII. Of course Sarah has to show up and nearly ruin things! This series ends in 1910 with the death of King Edward and the Bellamys and their staff hoping for calmer days ahead. (Boy were they wrong!)

the saga continues
The second season of UPSTAIRS DOWNSTAIRS continues the saga of the Bellamy family of Eaton Place; their loves, losses and everyday life.

At the end of the first season, young Elizabeth Bellamy (played by Nicola Pagett) was publicly humiliated at the hands of political activist Evelin Larkin (Georgia Brown), before marrying the handsome Lawrence Kirbridge (Ian Ogilvy) in a lavish ceremony...

Season 2 includes the following episodes -

"The New Man" - Elizabeth and Lawrence return from their honeymoon in Europe, and set up housekeeping in Greenwich. Rose (Jean Marsh) is on hand to make sure Elizabeth is well looked-after, but all is not well in their marriage.

"A Pair of Exiles" - The erstwhile Sarah (Pauline Collins) confesses to her lover James Bellamy (Simon Williams) that she is carrying his baby. Sarah is then shipped off to Lady Marjorie's estate at Southwold for her confinement...

"Married Love" - Elizabeth is angry and hurt that her marriage to Lawrence is still unconsummated, so Lawrence orgainises a discreet tryst between her and his publisher, Sir Edwin Patridge (Charles Gray).

"Whom God Hath Joined.." - Elizabeth demands a divorce from Lawrence, but discovers that she is pregnant with Edwin's child.

"Guest of Honour" - King Edward VII (played by Lockwood West) dines with the Bellamy family in this special episode, and Sarah makes a dramatic return to Eaton Place.

"The Property of a Lady" - Thomas (John Alderton) and Sarah resort to drastic measures in order to help Lady Marjorie (Rachel Gurney) and the explosion of a secret from the past. This episode refers to events that took place in the season 1 episode "Magic Casements".

"Your Obedient Servant" - Hudson (Gordon Jackson) has to think quickly when his brother and sister-in-law come to visit from India. Richard Bellamy (David Langton) endures a visit from his pompous elder brother (John Nettleton).

"Out of the Everywhere" - Elizabeth gives birth to Edwin's child, and Nanny Webster (Daphne Heard) is sent up from Southwold to look after it.

"An Object of Value" - When Lady Southwold (played by Cathleen Nesbitt) comes to visit, the servants get into an uproar when her antique brooch goes missing.

"A Special Mischief" - Rose suffers a horrifying ordeal when she is mistakenly arrested as a suffragette. Elizabeth meets Julius Karekin (Donald Burton).

"The Fruits of Love" - A sudden financial crisis threatens the Bellamy's gilded world, and Julius Karekin offers a solution for the future of Elizabeth.

"The Wages of Sin" - Sarah is pregnant again, and this time Thomas is the father, though he cleverly avoids the blame and exploits the situation to his own advantage.

"A Family Gathering" - Elizabeth breaks off her relationship, James returns from India with a new fiancee, Phyllis Kingman (played by Delia Lindsay), and Lady Marjorie's birthday celebration is interrupted by Thomas and Sarah. King Edward dies and the Bellamys all join together to mourn his passing. (This is the final episode for Elizabeth, Thomas and Sarah).

Also starring Angela Baddeley, Patsy Smart, Christopher Beeny, Jenny Tomasin, Joan Benham and Dorothy Frere.

Defective DVDs in this series
The third DVD in Series 1, was defective.
Now I find that the second DVD in Series 2 is also defective.
I wonder how many others I'll find defective in the five seasons I purchased.
Not at any price should such poor quality merchandise be sold, and I resent A&Es continuing to produce these defective DVDs.

Upstairs Downstairs 1,2,3 Seasons
Short and sweet here. This is an incredible screen play and I very much looked forward to the release on DVD. All three seasons have some type of problem be it audio, shadowing, discoloration untimely skips and pauses. The 3rd season is the best in video transfer, however during certain episodes the above information I listed still applies. I have contacted the distributor and they offered to replace all 3 seasons. I was told there is a recall from the first person then a supervisor told me they had no knowledge of any recall. The story line is priceless to bad the copies are not. I am betting down the road in a year or two they will release all new copies leaving us folk to fork out another bundle. My rating is not based on the story I can only give it 3 stars because A&E New Video should be ashamed of themselves. ... Read more

Reviews (8)

165 Eaton Place in the "Roaring Twenties"...
The fifth and final season of UPSTAIRS DOWNSTAIRS picks up just after the First World War. It's the dawn of a new age, the Roaring Twenties. However, despite all the trevails, life continues at good old 165 Eaton Place.

"On with the Dance" - Richard (David Langton) and his new wife Virginia (Hannah Gordon) start thinking about buying a house in London, when lonely James (Simon Williams) suggests that they move back into Eaton Place.

"A Place in the World" - Bored and dissatisfied with his life, James decides to enter politics...with disastrous results. Edward (Christopher Beeny) and Daisy (Jacqueline Tong) reluctantly return to Eaton Place after finding little employment in the 'outside world'...

"Laugh a Little Louder, Please" - Georgina (Lesley-Anne Down) and James decide to throw a lavish fancy dress party for their society friends. Meanwhile, the new governess Miss Treadwell (Shirley Cain) is due to arrive.

"The Joy Ride" - James buys an aeroplane, and Virginia defies her husband in order to join James for a joy-ride across Southwold. But when they are reported missing, Richard and Lady Prudence (Joan Benham) fear the worst...

"Wanted- A Good Home" - William (Jonathan Seely) is packed off to boarding school, and Alice (Anne Yarker) gets a puppy, which soon upsets Miss Treadwell and puts the servants in an awkward position.

"An Old Flame" - James finds himself back in the arms of Lady Diana Newbury (Celia Bannerman) and they decide to spend the weekend at a golfing cottage. Edward fends off the advances of Diana's flirty maid Violet (Georgina Hale).

"Disillusion" - Hudson (Gordon Jackson) has been seen publicly in the company of maid Lily (Karen Dotrice), which threatens his future in the household.

"Such a Lovely Man" - Virginia is enjoying the attentions of the well-known 'safe man' Sir Guy Paynter (Robert Hardy) while Ruby (Jenny Tomasin) decides to get a pen-pal.

"The Nine Days Wonder" - The chaos of the 1926 General Strike severely divides the Bellamy household. James and footman Frederick (Gareth Hunt) decide to take action...

"The Understudy" - The household is expecting several important guests for a dinner party and Hudson suffers a mild heart attack. Tensions soon run riot downstairs when Edward and Frederick fight over who should take the butler position.

"Alberto" - Georgina gets star struck and decides to become a movie actress. However, when James discovers the skimpy costume she's wearing and that her co-star is none other than Frederick, he decides to cut short her ambition. Frederick leaves Eaton Place to become a gigolo for society women.

"Will Ye No Come Back Again" - Richard, James, Georgina and the servants set out for a holiday in the Scottish Highlands, which takes a bit of getting used to...

"Joke Over" - Following a madcap 'scavenger party', Georgina and her mindless society friends decide to take the Bellamy car on a drive in the country, with deadly results...

"Noblesse Oblige" - Georgina falls madly in love with kindly Robert, the Marquis of Stockbridge (Anthony Andrews); whilst Mrs Bridges (Angela Baddeley) brings in a new kitchen-maid, the rude and lazy Mabel (Elaine Donnelly). Ruby goes to work for the social-climbing matron Mrs Waddilove (Joan Sanderson).

"All the King's Horses" - James returns from visting Elizabeth and her husband in America, full of big ideas and big dreams, mostly concerning the Stock Exchange. James recklessly invests all of Rose's (Jean Marsh) money in bad shares, when the crash of the Stock Exchange heralds the beginning of the Depression...

"Whither Shall I Wander?" - Following James's suicide, all of his property is confiscated, and Eaton Place is to be sold off to pay creditors. What will become of Richard, his family and the servants?... Meanwhile, Georgina marries Robert in a lavish ceremony.

Fans of UPSTAIRS DOWNSTAIRS are bound to shed a tear or two when the series reaches its emotional conclusion. Again, fabulous direction and scripts, as well as top-drawer performances from Angela Baddeley, Gordon Jackson, Jean Marsh and Simon Williams.

Also featuring Michael Logan, Ann Mitchell, Jay Neill, Jack LeWhite, Derek Martin, Una Brandon-Jones, Brian Nolan, Osmund Bullock, Trevor Ray, Ursula Howells, John Quayle, Madeleine Cannon, Raymond Huntley, Marsha Fitzalan, Julia Schofield, Victor Langley, Nicholas Hunter, Peter Forest, Tracey Childs, Tom Chatto, Mike McKenzie, John Caesar, Polly Adams, John Normington, Leonard Kavanagh, Stephen Ismay, Martin Wimbush, Tommy Wright, John Breslin, Roy Pattison, Anthony Woodruff, Andre Charisse, Barbara Bolton, Natalie Caron, Philip Webb, Lorna Kilner, Roy Knight, David Nicoll, Seymour Green, Rowland Davies, Jack Watson, Georgine Anderson, Kenneth Ward, Nigel Havers, Patsy Blower, Terence Bayler, Barry Stanton, Bernard Barnsley, Robert Hartley, Daphne Lawson, Kenneth Thornett, Sue Crossland, Deddie Davies, Frank Duncan, Pippa Page and Lindsay Campbell.

4 single-sided, dual-layer discs.

Not as good as the previous four seasons....
I enjoyed the Final season, but I didn't care for it as much as the previous four seasons. Season Five, felt almost as though the writers knew the series was ending and they didn't need to 'try' so hard to pull it off. Several characters change radically: Daisy becomes a nagging shrew, and kitchenmaid Ruby shows a 'spark' of the original character design in that she is a bit 'larcenous,' (claiming in the end, that she planned to outlive Mr. Hudson and Mrs. Bridges and inherit the business).

Favorite episode was: "Will they no come back again?" where the staff and master James and the rest go to Scotland for vacation. Hudson manages to handle things with his usual aplomb and dignity, and the staff are forced to confront a mysterious 'ghost.'

The ending, I felt was sad and almost 'tacked on.' I would've liked a more 'happier ending' than the one which was given. Overall, while I enjoyed season five, it lacked the vitality and hopefullness of season four.... And, at least for me, has far less 'rewatch-ability.'

Sags a Bit, But Still Great
The fifth season of Upstairs Downstairs runs from 1919 to 1930. It is my least favorite series, because 165 Eaton Place just doesn't seem to belong in the Roaring Twenties. Even so, there are some fine moments, but there is a pathos over the whole series. Its like everyone in the cast and crew knew this was going to be the last series and everyone was a bit depressed. Georgina is not very convincing as a flapper, especially when you realize that she'd be in her mid thirties by the time she finally gets married and settles down. The best caste members are Virginia, Lady Bellamy and incorrigible old James, who is as irresponsible as ever. The series ends with the onset of the Great Depression, and the final scenes, as Rose walks through the empty rooms, are unbearably sad.

A Work Of Art
5 Seasons 68 Episodes In All/One Of The Best Acted And Best Written of All Time//When You Think About This Starting In 1972//It's Better All These Years Later,When You See What's Put Out Nowadays//Again Young People Who Want To Be Actors/Well They Don't Have To Go To Teachers//If They Have Any Talent, Then All They Have To Do Is Watch All These Episodes//It Gets Better And Better/Just A Few More Words All The Great Artist In This Series are So Real//You Feel That Your Part Of The Story///Well I Guess You Gathered That I Loved This Upstairs Downstairs//So Will You//One More Note//I Hope That They Put The House Of Elliot And The Duchess Of Duke Street Out On DVD//I'll Be The First To Buy It

The agony is over
Season five is thankfully here on DVD. The story is one of PBS' BEST EVER, but A&E had to struggle with the DVD transfer. The only reason I gave it four stars was that it was marginally better than seasons 1 through 4. I'm glad I have it. I wish it was a better transfer. I would (throw it out) if a restored, and improved version came out. USDS fans will have to have it. Buy it for the marvelous story. ... Read more

Reviews (25)

LOVE this movie!!!!
I saw this in the theatre when it was first released, and the passage of time has done nothing to dim my love and fascination of this superb translation of the novel by Fielding. Of course, Albert Finney made a very dashing Tom Jones, and wqas so perfectly suited to the role; Susannah York great as his true love, Sophie, and the other roles, Hugh Griffith as Sophie's father, and hilarious in his part as a drunken, boisterous, lusty squire, and Dame Edith Evans as his rather disapproving, but very funny sister, reprimanding him with a trilling "Brrrrrrrrrrrrrrrother...." while he is wrestling some country maidens in the haystacks, straw in his hair and a pack of bulldogs surrounding him. The dinner scene with him eating a roast chicken with great gusto, so much so that he harangues Sophie with pieces of it in his nose, is delightful, as is his unscripted departure from Squire Allworthy's residence, on his horse, and turning so tightly that the horse rears and collapses with Hugh Griffith on top of him...so funny Richardson wisely decided to keep it in the film.
I also appreciated the performances of David Warner, as the disgustingly priggish tutor, Mr. Bliful, and Diane Cilento (once married to Sean Connery...) as Tom's sometime paramour. The entire cast is excellent, including Joan Greenwood as the predatory older woman after Tom at any cost. Watch for the Masquerade Ball and see Hugh Griffith in his elephant mask; what a great scene!
The peripheral players are superb, as is the setting of London in the eighteenth century, with the deplorable lack of sanitary conditions and the terrible poverty. The music is haunting, the scene at the Inn (yes, the food scene, of course, one of the more outstanding in the movie) but also the frenetic byplay of the characters winding up in each other's beds with different wives and lovers, it is such a classic melange of humor, drama and near tragedy, there simply isn't one moment of bad film or minute of tedium...you will be absorbed all the way through, and enjoy this rambunctious, joyful frolic with Tom and his supporting cast of finely drawn characters. One last comment: The scene of Tom and Sophie, running, taking turns rowing a boat and falling in love on the grounds of her father's estate, is absolutely beautiful; watch for the scene of them picking blossoms and Sophie laughing and the blossoms falling into her mouth; very sensual and exquisitely detailed, as is the entire production.

Pay No Attention to the One Star Voters
Just want to add my 2 cents worth. There is a reason this film won best picture. It WAS the best picture that year and one of the best for any year. The writing and direction is consistently inventive, clever, witty and intelligent. The massive old novel has been rendered down to its essence and filmed with wit and verve and played by a dream cast. The narration punctuates the humor and the depiction of 18th century England, both country life and London, is excellent. Tony Richardson and his cast had fun with the material, using every manner of technique (fast motion), asides to the audience, and so on to make a rollicking good modern comedy, that was much imitated (Woody Allen did the eating scene at least twice in his films). Comedy is definitely in the eye of the beholder, as witnessed by the negative reviews. All I can say is, they missed the point entirely. See Tom Jones and enjoy how much can be packed into a movie in under 2 hours.

A Masterpiece
Perhaps in 1968 there were fewer idiots in this world than in 2004? It's difficult to explain why this film has so many negative reviews. It is one of the best movies of the late 60s, and I have watched it so many times, nearly every scene has burned itself into my memory.
It is a perfect adaptation of Fielding's Tom Jones. Every minute of the film has so much joy, humor, excitement and hilarity that it's very difficult to sum up in this review.
If you have any taste in film at all, and are a patient and intelligent filmgoer, you'll want to buy this classic.

If there is a God...
...why does he allow people to suffer through this movie?

If you think it's funny to watch people kick dogs and have sex with their own parents, then this is the movie for you. Albert Finney looks about 15 years too old to portray the virile title character in this adaptation of the classic 18th century novel. The "plot," if you can call it that, is a little hard for me to describe since I am expending a tremendous amount of energy trying to block it from my mind. Suffice to say it plods along much like a typical episode of Three's Company, with it's misunderstandings, sexual escapades and slapstick humor. The difference of course being that a typical episode of Three's Company is better written, better directed and far easier to stomach. In particular, the last hour of the movie is a boringly boring bore. Sitting through it is like sitting through the end credits of the Olympics. I find it to be unbelievable that this movie was nominated for any Oscars much less win for best picture given the fact that it is as difficult to watch as footage of starving African babies with flies all over their heads. Wow, that is two hours of my life I can never get back.

Of its Time
Heavily influenced by Godard's 1959 mould-breaker "Breathless" (jump-cuts, hand-held camera, addresses to the viewer) this film is full of brilliant episodes, especially the stag-hunt. Contrary to the opinions of some reviewers, imho it does an outstanding job of presenting the uninhibited flavour of 18th century England; especially by bringing out the contrast between town and country, which incorporated one of the greatest and most far-reaching social changes which took place in that century. The luxury and squalor of London compared with the almost idyllic feeling that many had for the vanishing bucolic life is commented on by almost every notable writer of the age. However, the film doesn't seem to be well-paced, overall. The first part is too slow, and the second is too disjointed, and there is a sense of dissatisfaction in the end at the lack of balance and rhythm. It is not quite as good as I remembered from having seen it when it first came out, 1963. The leading performances are nevertheless superb, although Squire Western's boorishness is, let's face it, just a bit over-played. The dialogue is nonetheless excellent: not artificial in the slightest. The narrator's accent is not assumed, as somebody supposed: it was delivered by a very well-known Irish actor in his natural speaking voice. The use of a narrator in this instance makes for an intelligent transfer of Fielding's long, picaresque novel to the screen. The film expects a literate audience: which is not supplied by the negative reviews posted here. ... Read more

Amazon.com

Winner of four Academy Awards including best picture, director, screenplay, and music, this 1963 adaptation of Henry Fielding's classic novel is a rousing, bawdy comedy about a young man's ribald adventures in 18th-century England. Albert Finney is splendidly hilarious in the title role of a charming womanizer who was discovered as an abandoned infant in the bed of Squire Allworthy, a wealthy landowner who named the child Tom Jones and raised him as his own. As a young man, Tom yearns for the comely daughter (Susannah York) of a neighboring squire, but his amorous adventures (including an extended food orgy that becomes the film's funniest scene) lead him to London and to a duel with a jealous husband. He's sentenced to hang, but fate intervenes. A hit around the world, the film was expertly written by noted playwright John Osborne, and Richardson uses a variety of old-style movie techniques to heighten the lusty, good-natured fun. Don't miss this one! --Jeff Shannon ... Read more

Reviews (25)

LOVE this movie!!!!
I saw this in the theatre when it was first released, and the passage of time has done nothing to dim my love and fascination of this superb translation of the novel by Fielding. Of course, Albert Finney made a very dashing Tom Jones, and wqas so perfectly suited to the role; Susannah York great as his true love, Sophie, and the other roles, Hugh Griffith as Sophie's father, and hilarious in his part as a drunken, boisterous, lusty squire, and Dame Edith Evans as his rather disapproving, but very funny sister, reprimanding him with a trilling "Brrrrrrrrrrrrrrrother...." while he is wrestling some country maidens in the haystacks, straw in his hair and a pack of bulldogs surrounding him. The dinner scene with him eating a roast chicken with great gusto, so much so that he harangues Sophie with pieces of it in his nose, is delightful, as is his unscripted departure from Squire Allworthy's residence, on his horse, and turning so tightly that the horse rears and collapses with Hugh Griffith on top of him...so funny Richardson wisely decided to keep it in the film.
I also appreciated the performances of David Warner, as the disgustingly priggish tutor, Mr. Bliful, and Diane Cilento (once married to Sean Connery...) as Tom's sometime paramour. The entire cast is excellent, including Joan Greenwood as the predatory older woman after Tom at any cost. Watch for the Masquerade Ball and see Hugh Griffith in his elephant mask; what a great scene!
The peripheral players are superb, as is the setting of London in the eighteenth century, with the deplorable lack of sanitary conditions and the terrible poverty. The music is haunting, the scene at the Inn (yes, the food scene, of course, one of the more outstanding in the movie) but also the frenetic byplay of the characters winding up in each other's beds with different wives and lovers, it is such a classic melange of humor, drama and near tragedy, there simply isn't one moment of bad film or minute of tedium...you will be absorbed all the way through, and enjoy this rambunctious, joyful frolic with Tom and his supporting cast of finely drawn characters. One last comment: The scene of Tom and Sophie, running, taking turns rowing a boat and falling in love on the grounds of her father's estate, is absolutely beautiful; watch for the scene of them picking blossoms and Sophie laughing and the blossoms falling into her mouth; very sensual and exquisitely detailed, as is the entire production.

Pay No Attention to the One Star Voters
Just want to add my 2 cents worth. There is a reason this film won best picture. It WAS the best picture that year and one of the best for any year. The writing and direction is consistently inventive, clever, witty and intelligent. The massive old novel has been rendered down to its essence and filmed with wit and verve and played by a dream cast. The narration punctuates the humor and the depiction of 18th century England, both country life and London, is excellent. Tony Richardson and his cast had fun with the material, using every manner of technique (fast motion), asides to the audience, and so on to make a rollicking good modern comedy, that was much imitated (Woody Allen did the eating scene at least twice in his films). Comedy is definitely in the eye of the beholder, as witnessed by the negative reviews. All I can say is, they missed the point entirely. See Tom Jones and enjoy how much can be packed into a movie in under 2 hours.

A Masterpiece
Perhaps in 1968 there were fewer idiots in this world than in 2004? It's difficult to explain why this film has so many negative reviews. It is one of the best movies of the late 60s, and I have watched it so many times, nearly every scene has burned itself into my memory.
It is a perfect adaptation of Fielding's Tom Jones. Every minute of the film has so much joy, humor, excitement and hilarity that it's very difficult to sum up in this review.
If you have any taste in film at all, and are a patient and intelligent filmgoer, you'll want to buy this classic.

If there is a God...
...why does he allow people to suffer through this movie?

If you think it's funny to watch people kick dogs and have sex with their own parents, then this is the movie for you. Albert Finney looks about 15 years too old to portray the virile title character in this adaptation of the classic 18th century novel. The "plot," if you can call it that, is a little hard for me to describe since I am expending a tremendous amount of energy trying to block it from my mind. Suffice to say it plods along much like a typical episode of Three's Company, with it's misunderstandings, sexual escapades and slapstick humor. The difference of course being that a typical episode of Three's Company is better written, better directed and far easier to stomach. In particular, the last hour of the movie is a boringly boring bore. Sitting through it is like sitting through the end credits of the Olympics. I find it to be unbelievable that this movie was nominated for any Oscars much less win for best picture given the fact that it is as difficult to watch as footage of starving African babies with flies all over their heads. Wow, that is two hours of my life I can never get back.

Of its Time
Heavily influenced by Godard's 1959 mould-breaker "Breathless" (jump-cuts, hand-held camera, addresses to the viewer) this film is full of brilliant episodes, especially the stag-hunt. Contrary to the opinions of some reviewers, imho it does an outstanding job of presenting the uninhibited flavour of 18th century England; especially by bringing out the contrast between town and country, which incorporated one of the greatest and most far-reaching social changes which took place in that century. The luxury and squalor of London compared with the almost idyllic feeling that many had for the vanishing bucolic life is commented on by almost every notable writer of the age. However, the film doesn't seem to be well-paced, overall. The first part is too slow, and the second is too disjointed, and there is a sense of dissatisfaction in the end at the lack of balance and rhythm. It is not quite as good as I remembered from having seen it when it first came out, 1963. The leading performances are nevertheless superb, although Squire Western's boorishness is, let's face it, just a bit over-played. The dialogue is nonetheless excellent: not artificial in the slightest. The narrator's accent is not assumed, as somebody supposed: it was delivered by a very well-known Irish actor in his natural speaking voice. The use of a narrator in this instance makes for an intelligent transfer of Fielding's long, picaresque novel to the screen. The film expects a literate audience: which is not supplied by the negative reviews posted here. ... Read more