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| 1. License to Drive (Special Edition) Director: Greg Beeman | |
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Amazon.com Reviews (37)
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| 2. The Ugly Dachshund Director: Norman Tokar | |
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Amazon.com Reviews (5)
I've been begging Disney for years to release this movie on DVD. I'm so glad they finally did!
Mark is now even more outnumbered by females 5-1, and he's ready for some more masculinity in the family. When Mark picks up the Dachsies at the Vet hospital, Mark discovers from the doctor that a male Great Dane pup has been rejected by his mother, and agrees to take it home and allow Danke to nurse it. Fran believes that Danke just had another puppy, even though he looks different. As time goes by, Fran realizes that "Brutus" is a Great Dane and insists that he be taken back to the hospital. Mark agrees, but can't get that pup off is mind. When Mark is given a birthday only fit for Dachshunds, he blows his top, only to find Fran surprises him with Brutus, now almost full grown. Over time the Dane and Dachsies grow up and get into lots of mischief. Most of the times the Dachsies were responsible, but Fran can't believe that for one minute! The ending of the film brings Fran and Mark back together and they both become proud of the Dane Brutus has grown up to be. I highly recommend this film to all ages. I watched The Ugly Dachshund when I was little, and now my daughter enjoys it, so it definitely stays a favorite over the generations. This wholesome, comedic type of film is hard to find these days, so grab this dvd up while you can! I also recommend other Disney titles starring Dean and Suzanne- Blackbeard's Ghost and Shaggy D.A.
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| 3. Dave Director: Ivan Reitman | |
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DAVE is a sturdy comedy that gets a lot of mileage out of Washington DC. Kevin Kline is just perfect as the everyman Dave and even better as President Dave. When he throws out the first pitch at a professional game, the reaction is happy and real. He becomes the President we would like to see, one that puts the country above all else. That's something I've never seen in my lifetime. Sigourney Weaver is the hard-edged First Lady who Dave is soon allied. Charles Grodin is very funny in a supporting role as a DC accountant with a fear of the government. Frank Langella is the villainous Bob Alexander, puppet master for the 'acting' President. He sneers here as much as he did in DRACULA. But, much of the fun in Dave comes from the many Washington insider cameos. These, in addition to appearances by Larry King, Jay Leno, Leon Harris and Oliver Stone make the story seem feasible. (And for once, Oliver Stone's conspiracy just might be right...) Ivan Reitman handles this comedy masterfully and the story is filled with heart and a couple nice twists. The DVD has a pretty good video transfer and a standard audio transfer. But, this was an early DVD release so it offers little extra (There is a mightily short making of doc). Dave itself is a fun film that might ironically restore some trust in our government.
This is definitely a movie to buy because it needs to be seen many times. The innumerable funny pearls in this movie alone are worth the price of the DVD. For Minnesotans, one of the slyest gags was Dave's gig early in the moview, imitating the President at the grand opening of Durenberger Motors in his home town. The movie was released around the time that David Durenberger (Minnesota's senior senator) was embroiled in an ethics scandal. A personal favorite moment was the scene where Dave (with the help of his accountant buddy played by Charles Grodin) pares the federal budget to save a homeless shelter for children -- the cabinet members bemusedly participating just like a family sitting around the kitchen table wrestling with its own budget. Priceless.
STEVEN TRAVERS
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| 4. Last of the Dogmen Director: Tab Murphy | |
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Reviews (68)
A very, VERY sweet movie that is interesting, gripping, has some mystery, romance, and is fine for the whole family. Highly recommended. Beautiful scenery (I always love beautiful scenery) and two wonderful main characters. Tom Berenger is a grumpy, reclusive and rather shy tracker who get sucked into a very unusual quest -- to find a lost Native American Tribe. He is wonderful in his roll -- he does "grumpy but lovable" better than most other actors I can think of. Barbara Hershey is fantastic too. Beautiful, brainy, capable, dedicated and a perfect compliment to Berenger's character. I really admired her in this film. I won't reveal too much of the plot here, but it is a delightful film, and I highly recommend it. Maybe a little on the longish side, but I wouldn't have it any other way. One of my favorite movies to date.
"Last of the Dogmen" is a beautiful story that takes my breath away everytime I watch it. It's one of those films that even if you start out viewing it alone, pretty soon, you'll find the rest of the family gathered around simply because one glimpse of the scenery,one paragraph of the dialouge,one look at the story and it's got a hold on you. It's a modern Western, with all the romantic adventure of one that may take place 100 years ago. Lewis Gates(Tom Berenger) is a bounty hunter hired to track three deadly criminals who have escaped deep into the "Oxbow" of the Montana wilderness. As he follows their trail, he begins to uncover a 100 year old mystery. One of the clues is an arrow that could only have been used by a tribe of Cheyennes that existed over a century ago. It's just an incredibly beautiful film that interweaves the search for the past with Gates' own ghosts from his past. The friendships formed,the evolving romance, the cinematogrpahy, the musical score, and the heartwarming story all combined for a wonderful film. The DVD presents a wonderful widescreen picture, taking in all the majesty of the Rockies. The DD5.1 is very good. The sounds of nature and the modern day sounds of helicopters and such, are quite a contrast to behold in surround sound.The DVD also has some nice features. It may be viewed with the sound in either the Theatrical version, or the Director version. Both are in DD5.1, and the main difference I found was that the Theatrical version has the captivating narration by Wilfred Brimley,and the Director's version does not. There is the option of Director(Tab Murphy) commentary, and it also provides subtitles in English, French and Spanish for those needing them.There are other features that include, cast bios and costume sketches as well. If you liked "Dances With Wolves", give this one a try. I can not say enough good things about it. If you have already seen it, you will enjoy it again on this DVD. It's for Western lovers, adventure lovers, romance lovers and anyone who just wants to get lost in a good story for a couple of hours.It is rated PG(there is some violence and mild langauge) Happy trails and enjoy.....Laurie
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| 5. The Frogmen Director: Lloyd Bacon | |
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Reviews (2)
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| 6. The Adventures of Bullwhip Griffin Director: James Neilson | |
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Description Reviews (7)
It's just an unwilling hero story, but so well done that you will always remember it.And who could pass up a butler with a theme song? ... Read more | |
| 7. Gypsy Director: Mervyn LeRoy | |
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Amazon.com Reviews (39)
First off: hats off to Rosalind Russell, an excellent Mama Rose. Miss Russell portrays Rose as the ruthless but lovable dominating stage mother that she is. She gives an marvelous performance as Rose. Though there is controversy on whether her vocals were dubbed by another performer (a rumor which Russell vehemently denied until her death), who really cares? Even if it isn't her singing, you can clearly see her put in emotion into whatever song she is belting(or lip-synching). Karl Malden, as the bumbling Herbie, Rose's boyfriend and manager for her two daughters, Louise and June, gives his all. He is extremely believable in his role, as well as comfortable. Though unfortunately most of his singing scenes were cut for the final movie, they can still be seen in two additional bonus tracks that were cut from the final product. His talents as a vocalist are clearly displayed, along with his happy-go-lucky stage presence. The last true musical charmer in this movie is that of the character of Tulsa, who gave a charming and whimsical performance in the song and dance splendor of "All I Need Is The Girl". I became a true fan of this number after seeing him flit across the screen. Though these few people bring a great musical quality to this movie, not much can be said for the others in it. Natalie Wood, who plays Louise, the awkward teenager who ends up becoming the stripper Gypsy Rose Lee, definitely made her evolution believable. Though her acting was fantastic, I can't say the same for her singing abilities. Let's just say that I finally realized why someone dubbed her vocals for "West Side Story". "Gotta Get a Gimmick", possibly one of the best showstoppers I've seen on stage (about three strippers that give Louise tips on how to become a stripper), was pathetic on screen. There was more shouting than singing, and I kept counting the seconds until the end of the number so I could pretend it never happened. June was somewhat talented as a singer, but didn't give much of a performance. Though most of the acting was splendid, the music was not. I have to give this one a 3 for the movie overall, but a 4 for the acting.
Rosalind Russell is WONDERFUL as Rose, a mother who wants to make her children, mainly her youngest, June, a star. She travels, along with her other daughter Louise (played by the wonderful Natalie Wood) and Herbie (Carl Malden). All three characters gave great performances. I always get a lump in the back of my throat when Herbie leaves Rose after she refuses to set a date for their marriage and tries to make Louise the star. After Louise discovers that she is very successful in her new profession--stripping, she changes her name to Gypsy Rose Lee and leaves her mother behind. Rose then goes on to sing the greatest song of the movie, 'Rose's Turn.' Rosalind Russell does a great job with the song, even if her voice is a little scratchy. Her acting was superb. I have always loved the ending (which I will not give away for those who have yet to see the movie). If you're a musical fan, rent this movie. You will not be disappointed! ... Read more | |
| 8. The Young Lions Director: Edward Dmytryk | |
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Reviews (22)
Further, Hugo Friedhofer's masterful score always seems -- at least to me -- to soar to its greatest heights when we find ourselves in a boiling desert with the Afrika Korps, or in Paris with Brando's Nazi unit during the occupation. Does this nearly three-hour film suffer from this lopsided state of affairs? Not really, and that says a lot for the sheer craftsmanship of "The Young Lions." The cinematography and direction are first rate, and while the Clift and Martin storylines aren't as fascinating as Brando's, they do hold your interest. Clift gets across the fierce determination his character possesses, and Martin makes the most of several nice bon mots the script tosses his way. "The Young Lions" is a fine World War II film, one that definitely rewards repeated viewings.
Marlon is a young German watchmaker who always dreamed of being a doctor - but the strict caste system of europe has held him down. While he realizes the Nazis are a bit extreme, he hopes they will help to bring opportunity to all people. Dean is a young Broadway god who loves the wine, women and song. When he's drafted, he tries to get out of it, to maintain his easy going life. He runs into Noah (Clift) at the draft board - a young, poor Jewish man who has no family and only a simple job at Macy's. The two hang out and Noah falls in love with a quiet Vermont girl. The movie is truly an epic as it spans the entire war, from its quiet start to its brutal end. Along the way we realize that there is good and bad on all sides. Marlon's character tries to make a stand for what is right, but is told repeatedly that a good German soldier follows orders. He falls in love with a French widow. Noah is repeatedly beaten on (both emotionally and literally) for being a poor Jew by those whose side he is on. His future father in law only reluctantly accepts him, and his squadron mates steal his money and fight him. Dean refuses to marry his long time sweetheart and does his best to avoid any risks. While some might say the story is a cliche, perhaps this is only because the story is so TRUE. It is always good to be reminded just how rough a war really is, and how there are no real "bad guys" and "good guys". There are only brave men and women who try their best and grow along the awy. Although filmed in black and white, you do get some lovely Bavarian landscapes at the beginning, when Marlon is a ski instructor. Later, Marlon goes to Berlin a few times to meet with the wife of his commanding officer. The rest of the footage is in war-torn Paris, the surrounding countryside, the deserts of Africa, and the cities of London and New York.
It's a long time since we did - perhaps as long ago as a year - but the impression is still with me that this movie had very little to do with The War - it was more about interpersonal relationships and character development. So in the way of being a War Movie, it was not so good. I think it was a rather long movie, too, which didn't help. We just kept waiting for 'something to happen' - and it never did. ... Read more | |
| 9. Carbon Copy Director: Michael Schultz | |
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Reviews (8)
This was sort of a lost-gem-in-the-rough. The script isn't sure whether to make Walter and Roger rivals (in which each would at least subconsciously be out to prove who's better at living his way) or a true father&son team. The flick starts out with a running gag that Walter is actually a descent guy whose achievements have incidentally led him to be surrounded by incredibly bigoted people (they haven't affected him, but they haven't revealed their own darker side...yet). Once Walter is cast out from Brentwood, that joke disappears, and Segal is trapped in a fish-out-of-water story - consigned to a car without breaks, and a wreck of an apartment. (Other jokes include Walter's disgust when he realizes that his black son can't play basketball). Though weak, it's still fun. If Segal and Washington don't work well with each other, they still bring some fun to the table - especially Denzel Washington's disarmingly cheery outlook, now against the grain of his more recognizable seriousness. "You can teach me to build a model airplane", he suggests, "I can teach you how to pick a lock." Jokes like that should cater to the worst in you, but Washington's delivery reminds you it's all in good fun.
Carbon Copy", tells the story of a very successful white business executive (George Segal) who appears to have it all, the great house, top job, beautiful wife and all the luxuries that money can buy who one day comes face to face with the son he never knew he had (Denzel Washington in a terrific movie debut). The major problem here is however that the son is not only the result of a previous love affair but black as well which would not sit well with his upwardly mobile lifestyle and snobby family. The resulting situation once his son is introduced to his family has both funny and sad repurcussions as Segal sees his whole world crumble before his eyes and he finds himself out of a job, homeless, with no money, sharing a rundown apartment in a "bad neighbourhood" with his son and being reduced in a very comical scene to shovelling horse manure to earn a few bucks for food. Along the way much soul searching is done by both father and son as they realise the other is not naturally the enemy and that colour should not be something that necessarily should keep them apart. The chemistry between the two leads, the more experienced George Segal and a young Denzel Washington is terrific and they are in turn very funny together as seen in the scenes when driving in Washington's beat up old car and in the scene when they are booking into the cheap motel for the night, and touchingly dramatic as they slowly discover more about each other and decide to try at a life together as father and son. The rapport between them is terrific and both play off each other to great effect.It is easy to see that Denzel Washington, one of today's finest actors was destined for great things even at this early stage in his career. He is perfectly natural and delivers a refreshingly honest performance as th eyoung black man trying to find his roots. His performance is a mixture of frustration, curiosity and comic ability. He has you alternately laughing and crying which is the sign of true talent indeed. While definately a light comedy "Carbon Copy",does however deliver an important message about race relations and perceptions while not deliberatly pointing the finger at either racial group for being distrustful of the other. Many significant points on how we should view people are delivered in among the great comedy moments in the film. Being a big George Segal fan there is much to like in "Carbon Copy". While not his greatest film he still displays that wonderful comedy delivery that charmed audiences in the 1970's and 80's. It's only a pity that he didn't continue in films at a later period rather than moving fulltime into television. I highly recommend "Carbon Copy", for an enjoyable hour and a half that will also get you thinking in a subtle way about how people do actually relate to each other. Enjoy the highjinks of white father and black son as cultures collide in "Carbon Copy".
There are also a lot of funny one liner, like when the main charchter refers to his son as being "Hickory Bronze", the same colour as a car, or when her learns the hard way, that being black does not mean you can play B-Ball. I great movie for ALL members of the family. | |
| 10. Pickup on South Street - Criterion Collection Director: Samuel Fuller | |
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Description Reviews (20)
Soon Candy's ex, the police, and communist agents are all looking for Skip. Everyone--sooner or later--contacts the best snitch in town, Moe (Thelma Ritter). Moe's dread of being buried in Potter's field when she longs for a fancy plot in Long Island ensures that she'll sell information--after all, "every extra buck has a meaning of its own." Moe may have her price, but she doesn't do business with 'commies.' The film emphasizes the idea that thievery is one thing, but treason is a different matter. In the film, the criminal characters (Skip, Moe, and Lightning Louie) all live on the fringes of society in out-of-the-way dives and hovels. Their survival is based on not being too picky about how they make ends meet, so they have a certain tolerant co-existence with each other. This film works so well due to the fine characterizations. There's Skip--he's not fussy who buys the film--and the whole patriotism argument just doesn't matter as far as he's concerned. The police detective in charge of the case isn't exactly an old friend, and so Skip's not about to hand over the stolen film. This is my personal favourite of all Sam Fuller's films. On the surface, it may seem that Fuller is paying court to the fear of Communism with this film's plot. But protagonist Skip McCoy isn't part of the society he's suddenly supposed to respect and protect. He's on the outside looking in, and his "what's in it for me attitude" leads him to make some tough choices. He's not a patriot--he's a survivor. Candy is as hard as nails--she's hardly naive or innocent, but even she's shocked to find herself mixed up with Communists. Thelma Ritter in an Oscar nominated role for best supporting actress is amazing. Her scenes are incredible. I love the scene when Moe questions the police detectives about Skip's technique. Also the amazingly violent subway chase was brilliantly executed. This Criterion DVD contains many extras that make the extra expense worthwhile for the film aficionado. There's an interview with Sam Fuller and trailers for his films (some of them are now sadly out-of-print). For the Sam Fuller fan, this Criterion DVD package is both fascinating and essential--displacedhuman
The police convince a woman to help them find Skip and the microfilm, and heavy drama ensues. Thelma Ritter is especially good as the informant. Today her acting would be considered over-the-top and unconvincing, but for the time, it was a standout performance. Widmark is excellent as the pickpocket, with his portrayal only rivalled by his work in KISS OF DEATH (also a must-see film noir). As a landmark film for Widmark and Ritter, as well as for director Samuel Fuller, PICKUP ON SOUTH STREET is a must-see for fans of 1940s cinema and film noir. ken32
Richard Widmark also lends one of the greatest performances of his career, right up there with his roles in "Kiss of Death" (1947) and "Judgement at Nuremburg" (1961). The Criterion release provides a magnificent restoration of this underrated film noir gem. I am rather baffled as to the clueless wonder at Amazon.com who tagged this motion picture with an NC-17 rating. Either that person didn't see the film, or the lights are on but nobody's home. "Pickup on South Street" isn't a skin flick. It is one of the greatest dramatic thrillers of the 1950's. Get this DVD on Criterion. It's an essential classic for any serious film collector.
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| 11. Away All Boats Director: Joseph Pevney | |
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As the son of a WWII Chief Petty Officer, I was glad to see that the film captures the Chiefs as the "backbone of the Navy." It is a must have for a WWII film library.
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| 12. D-Day, the Sixth of June Director: Henry Koster | |
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Amazon.com Reviews (5)
The movie also is not helped by a repetitious, sappy musical score that includes the sentimental song "You'll Never Know (How Much I Love You)" which accompanies the illicit lovers as they unapologetically indulge in their affair. "D-Day the Sixth of June" is strictly for diehard fans of Taylor or Wynter. And perhaps not even those fans will be able to swallow this drivel.
The film takes place in England and the English are stereotyped as American loathers and ingrates. This is admittedly hard for the viewer to stomach. We are also treated to a mundane script which doesn't give the good ol' boys (Richard Todd, Robert Taylor, Jerry Paris) much to chew on. The film redeems itself somewhat in the end with an excellent although short pre-invasion landing on one of Normandy's beaches by American and British troops. The battle sequences are effective and very convincing as the group attempts to knock out a bunker complex. In true Hollywood fashion, the film concludes with Dana Wynter fading into the sunset, having lost both her loves, one at the Normandy landing, the other through mutual self-righteousness. There's nothing to sink your teeth into here, but if you like candy coated versions of war, this is a good place to start. ... Read more | |
| 13. Those Calloways Director: Norman Tokar | |
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First, Disney gives us full frame Pan & Scan pictures. Then, once someone has convinced them to start selling widescreen DVD's, they still can't get it right and adjust the picture so we see all of it. In "Those Calloways", it is immediately noticeable during the opening credits....and continually pops up in the form of decapitated actors [or at least the TOPS of their heads.] Tyring to get a decent transfer of a movie out of Disney appears to be like pulling teeth.
Cam Calloway (Brian Keith) is regarded as a crank by the locals because of his wish to build a bird sanctuary to save the Geese. While Cam is fighting the city. His son Bucky (Brandon DeWilde) is in the meantime in love with the beautiful Bridie Mellot (Linda Evans) well a wealthy man offers to buy Cams place and turn it into a bird sanctuary. Well Cam later finds out that they actually want to turn it into a hunting reserve. And Cam risks his life to save the birds Great Family Classic. ... Read more | |
| 14. The Adventures of Huckleberry Finn Director: Michael Curtiz | |
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Description Reviews (2)
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| 15. Adventures of Ozzie & Harriet Director: David Nelson, Ozzie Nelson | |
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| 16. Pray for Death - 4 Movies Director: Gordon Hessler | |
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| 17. Adventures of Ozzie & Harriet Director: David Nelson, Ozzie Nelson | |
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