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| 1. Out of the Ashes Director: Joseph Sargent | |
![]() | list price: $26.99
our price: $24.29 (price subject to change: see help) Asin: B0001DMW9S Catlog: DVD Sales Rank: 24055 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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| 2. Rowing with the Wind Director: Gonzalo Suárez | |
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Description Reviews (10)
That being said, I do have to put in a good work for Hugh Grant. He's always been underrated as an actor (partially his own fault, for playing all those ridiculous floppy-haired roles, and he's always been very good in roles he seems to be a bizarre choice for (Chopin, anyone?). The same is true here. Apparently Grant was cast because the writer-director was struck by his resemblance to Byron -- yet, he doesn't resemble Byron at all, and the ridiculous blond hair he gets halfway through the movie doesn't bring him any closer. What he does manage to do is give Byron some depth and some sort of line of growth. He's utterly shallow and unintentionally funny, at the beginning of the film, but by the end he has understanding and a certain amount of wisdom. The other thing Grant succeeds in doing, which no actor before has ever succeeded in doing, is making Byron human. He doesn't just sneer caddishly; he displays at least a bit of layered emotion (although admittedly not much, and Grant gives the part more than the writing offers). That being said, Grant is pretty much all the film has going for it. Gasp! at the size of the women's bonnets. Titter! at the almost completely one-dimensional portrayal of Shelley. Wonder! why the monster has to pause after every word. Roll your eyes! at the movie's determination to substitute previous fictional versions of incidents for what actually happens. And most of all, Recoil in horror! from Elizabeth Hurley's massive caterpillar eyebrows. Wow, did she ever change substantially once she shoved herself into that Versace dress and got famous. After all this, I still would absolutely rather sit through this than through the repellently inaccurate "Haunted Summer." That movie is a disgrace to fact and to those who are interested in the Romantics.
The film looks at these writers' ideas only very generally, preferring to dwell somberly and with a majestic use of music (especially Ralph Vaughn Williams' "Fantasia on a Theme by Thomas Tallis"), scenery, and sets (stark castles, Venetian palaces) on the chaos of their personal relationships and the pain of their lives. In doing so, it suggests a monstrous reason for their many tragedies, but don't come to this film expecting a horror movie--the device is more metaphor than monster. Hugh Grant proves once again that he is more deserving of reputation as an actor than a bad boy--though he does play Byron as a sort of ultimate bad boy--and the rest of cast is effective as well.
Don't get me wrong; it's definitely not factually accurate, and it is a perfect example of what Hugh Grant hilariously refers to as "Euro-pudding." However, it has its certain charms. Actually, I have found myself rewatching it on a few occasions because, as someone with some basic familiarity with literature of that era, the story stuck with me much more than I would have expected. I had to read up on Byron and the Shelleys, and then I rewatched it so it would make a little more sense to me, and what I really came to appreciate had less to do with factual depiction of events (and seriously, it's a movie about a fictional monster wreaking havoc on the life of its creator, so I wasn't expecting fact) but more to do with a very personal look at some larger-than-life characters. As someone below mentioned, Hugh Grant gives Byron an unexpected humanity, and Mary Shelley's sadness seeps through the self-appointed drama of the film to touch any viewer who has the slightest sympathy for the very tragic life she lived. It is an interesting concept to use her greatest achievement, Frankenstein, as a symbol of the misery she endured. She believes in the movie that she has brought life to imagination and ruined the lives of everyone she loves, but the omniscient viewer is haunted more by the idea that the horrors of her imagination were driven by the very real tragedies of her life. My perspective on Rowing With the Wind boils down to that, a sympathy for these incredibly talented and incredibly sad people, and an appreciation for a film that in some way succeeds in humanizing their experience at the most tumultuous time of their lives. It is crazy - and probably intentionally so, as you are inside the reflections of a woman who was no stranger to psychological suffering. My advice is to take it with a grain of salt and maybe you will also be pleasantly surprised.
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| 3. Horatio Hornblower Vol. 3 - The Duchess & The Devil Director: Andrew Grieve | |
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(price subject to change: see help) Asin: B00003OST2 Catlog: DVD Sales Rank: 39058 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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