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| 1. Pretty Woman (10th Anniversary Edition) Director: Garry Marshall | |
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our price: $14.99 (price subject to change: see help) Asin: 6305696071 Catlog: DVD Sales Rank: 331 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (172)
This is the one Julia Roberts film that can never be out-done. No amount of Erin Brockovich's can beat this movie. This catapulted Julia into the big-time, mainstream movies, and she's now one of the highest paid actresses. I dunno whether something like Pretty Woman was never done before this, or whether I'm just sick of Julia Roberts now, but she won't come across a script as good as this again. Not even the supposed "sequel", with Richard Gere & Julia reteaming (they could go all the way and do a Meg Ryan/Tom Hanks) with Garry Marshall and Hector Elizondo for Runaway Bride. Nowhere near as good. But that's a different movie. The actors are great, and I think it's the only Richard Gere movie I've ever seen - apart from Runaway Bride. The night elevator operator's face (Patrick Richwood) is an absolute picture most of the time, and he makes you laugh just by looking at him. Of course, everyone knows that Julia's character, Vivian, turns from a poor hooker, into a rich lady. I much prefer Vivian as the hooker. When you first meets Edward (Richard Gere), she's fine, she's cute, and he gives her all this money, and she turns into a frumpy, awkward lady. The clothes are ill-fitting and really don't suit her. In a few years, when Julia Roberts is old and grey (Richard Gere already was old & grey in this!), this will be considered a classic. Watch out for a very much blink and you'll miss him role of the detective, played by Hank Azaria. I've seen this movie a hundred times, and it's the first time I noticed him! The songs are terrific in this, from Roy Orbison's "Pretty Woman" to Natalie Cole's "Wild Women Do" (the video is not impressive though). The best song is of course, Roxette's "It Must Have Been Love", played as Vivian leaves Edward. It's a very poignant scene, and I always play this song if I'm feeling down about something. The lyrics match any relationship problem perfectly, and matches the scene in Pretty Woman
The change is Vivienne from a streetwalker to a lady mirrors a Pygmalion/My Fair Lady type of theme. As the voice at the end reminds us, sometimes your dreams come true and sometimes they don't but you are always free to dream! Some pretty memorable stuff in this movie!
The change is Vivienne from a streetwalker to a lady mirrors a Pygmalion/My Fair Lady type of theme. Edward too has finally learned to love! As the voice at the end reminds us, sometimes your dreams come true and sometimes they don't but you are always free to dream!
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| 2. The Stepford Wives Director: Bryan Forbes | |
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Reviews (73)
Fortunately Joanna meets the effervescent and rebellious Bobby Marco, another recent arrival in Stepford who shares her concerns about the strange behaviour of the women in the community. Together they decide to set up a consciousness-raising group and rally to get the local women involved...almost to no avail! At the first meeting of the wives, the other women prefer to agonise over the cleanliness of their kitchens and talk about the wonders of "Easy-On" starch spray and baking. One other recruit is found though; a feisty redhead called Charmaine who feels restricted by her husband Ed's demands. However after a weekend away with him, Charmaine returns strangely altered, allowing her hubby to bulldoze her much-loved tennis court and confessing that she all she wanted to do was "please Ed...and boy am I gonna please him". Weird. Mystified, Joanna and Bobby seek an answer to the zombie-like behaviour of the local women, wondering if "something in the water" might be responsible. They enlist one of Joanna's ex boyfriends, who is a scientist, to help, but this fails to pay dividends. Joanna soon comes to the frightening realisation that the town's wives undergo a change in personality after they have been resident in Stepford for roughly three months... and her time is almost up... I won't give any more away but this is a thought-provoking and intriguing movie!! Although low on action, the film builds its sense of momentum through a growing feeling of paranoia: are the women in the town somehow being "substituted" for drone-like replacements? Or are all of Joanna's anxieties inside her own head? If you're looking for a fast-moving film you might be disappointed, but the cleverness of the movie lies in its subtlety and the way in which the events take place in a seemingly normal domestic setting. Another reason for this movie's success lies in the acting. Katherine Ross (also of "The Graduate") puts in an intelligent, sympathetic performance as a woman who feels increasingly hemmed in by the claustrophobia of Stepford, and you really root for her as she feels she might be next on the list for "conversion". Paula Prentiss is great as Bobby, a funny, bubbly and tomboyish character determined not to become "one of those pan-scrubbers" and the rapport between her and Joanna is believable and touching. Given her determination to escape Stepford, Bobby's last few scenes are all the more poignant; I won't say any more but they make for some of the film's best moments! The supporting cast do a good job: amongst these are Peter Masterson as Walter, becoming gradually less supportive of his wife's feelings and fears and more and more influenced by the demands of the "Men's Association"; and Nanette Newman as Carol Van Sant, one of the wives who starts behaving very oddly at a barbecue, continually proclaiming "I'll just die if I don't get that recipe" (!!) Newman's role as a wife is all the more ironic considering all those "Fairy Liquid" adverts she once did (remember?!) The movie has also attained a kitsch/camp quality over time, mostly due to the fact that it was made in the 1970s! This doesn't spoil the subtler elements to the film, rather makes it all the more entertaining! A large part of the camp appeal is down to the wives themselves - their appearance, behaviour and dialogue. According to this movie, men would like nothing better than to see their wives dressed in frilly blouses (still showing off their assets), flowery dresses and big floppy hats - hilarious. The wives all say things like "I really shouldn't say it, but I just love my brownies" (that's cakes in case you were wondering) and constantly praise their husbands' performances in the bedroom department: "You're the King....you're the Master"!! No comment! To summarise this is a very enjoyable movie, which, as I have already mentioned, shows the dangers of male fantasies coming true and the perils that women must face having to exist in a patriarchal society. Go buy it...but don't get any ideas about changing your girlfriend...okay?!
Katharine Ross(in an EXCELLENT turn)plays Joanna Eberhard who moves from NYC to Stepford with her husband and two daughters. She's a photographer and homemaker who's dabbled in the women's movement but never really taken up the cause. She begins to realize the women of Stepford are all obsessed with housework, and worse ... subservient and servile to their husbands. She joins up with another woman who finds this all strange, Bobbie -- played oustandingly by Paula Prentiss. Together they find out a string of clues that maybe not all is well in Stepford, and the seemingly benign suburban bliss may be MANUFACTURED by the creepy Men's Society that every husband is a part of. Bryan Forbes took over this project after speculations Brian De Palma should film it. He made a very effective treatment of the novel, but added his own touches. His wife Nannette Newman influenced the costumes by demanding rather than proposed Playboy bunny outfits the wives should look Victorian with hats and gloves and long dresses - creepy and sexy. Tina Louise (Ginger on Gilligan's Island) also makes a great cameo as Charmaine - one of Joanna and Bobbie's radical friends who transforms to a Stepford Wife by startingly ripping up her tennis court for a pool her husband wants. You get the film in widescreen, and the transfer is passable for a movie of this age. Colors are 1970s soft and there is grain, but it looks fine. You get a 12 minute featurette with all the principle players, and they explain how the movie was made and what it was like. Some people say the pacing was slow, but this was the 1970s! I think its suppposed to develop slowly like the novel, and you get to know the characters. The last ten minutes are completely shocking, and no test audiences made them whimp out (cough cough - the remake's ending was reshot). This was a politically relevant well-crafted film with great acting! Superb in every way! Check out the source novel by Ira Levin as well.
The acting is pretty good. I really found myself caring about what happens to Joanna and Bobbie, her best friend. Having read the book, it was great to see these characters brought to life in a way that rang true. It was almost worse knowing what happens to these characters before you actually see it because you really do want things to turn out OK for them. It was also very well-written. It starts out kind of slow, but once it digs its hooks in, it keeps you glued to the TV. I also like the way they dealt with the subject of women's desire to be an individual and not some cookie cutter housewife with no life at all. It was done very creatively and it was clever as well. I highly recommend this movie. It is very creepy and there are some very intense moments. Just because it's rated PG does not mean it wimps out on the suspense. This is one of the most suspenseful movies I've seen in a whil and it's one of the best book to film adaptations I've ever seen. ... Read more | |
| 3. The Stepford Wives Director: Bryan Forbes | |
![]() | list price: $24.98
(price subject to change: see help) Asin: 6304697988 Catlog: DVD Sales Rank: 42140 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (73)
Fortunately Joanna meets the effervescent and rebellious Bobby Marco, another recent arrival in Stepford who shares her concerns about the strange behaviour of the women in the community. Together they decide to set up a consciousness-raising group and rally to get the local women involved...almost to no avail! At the first meeting of the wives, the other women prefer to agonise over the cleanliness of their kitchens and talk about the wonders of "Easy-On" starch spray and baking. One other recruit is found though; a feisty redhead called Charmaine who feels restricted by her husband Ed's demands. However after a weekend away with him, Charmaine returns strangely altered, allowing her hubby to bulldoze her much-loved tennis court and confessing that she all she wanted to do was "please Ed...and boy am I gonna please him". Weird. Mystified, Joanna and Bobby seek an answer to the zombie-like behaviour of the local women, wondering if "something in the water" might be responsible. They enlist one of Joanna's ex boyfriends, who is a scientist, to help, but this fails to pay dividends. Joanna soon comes to the frightening realisation that the town's wives undergo a change in personality after they have been resident in Stepford for roughly three months... and her time is almost up... I won't give any more away but this is a thought-provoking and intriguing movie!! Although low on action, the film builds its sense of momentum through a growing feeling of paranoia: are the women in the town somehow being "substituted" for drone-like replacements? Or are all of Joanna's anxieties inside her own head? If you're looking for a fast-moving film you might be disappointed, but the cleverness of the movie lies in its subtlety and the way in which the events take place in a seemingly normal domestic setting. Another reason for this movie's success lies in the acting. Katherine Ross (also of "The Graduate") puts in an intelligent, sympathetic performance as a woman who feels increasingly hemmed in by the claustrophobia of Stepford, and you really root for her as she feels she might be next on the list for "conversion". Paula Prentiss is great as Bobby, a funny, bubbly and tomboyish character determined not to become "one of those pan-scrubbers" and the rapport between her and Joanna is believable and touching. Given her determination to escape Stepford, Bobby's last few scenes are all the more poignant; I won't say any more but they make for some of the film's best moments! The supporting cast do a good job: amongst these are Peter Masterson as Walter, becoming gradually less supportive of his wife's feelings and fears and more and more influenced by the demands of the "Men's Association"; and Nanette Newman as Carol Van Sant, one of the wives who starts behaving very oddly at a barbecue, continually proclaiming "I'll just die if I don't get that recipe" (!!) Newman's role as a wife is all the more ironic considering all those "Fairy Liquid" adverts she once did (remember?!) The movie has also attained a kitsch/camp quality over time, mostly due to the fact that it was made in the 1970s! This doesn't spoil the subtler elements to the film, rather makes it all the more entertaining! A large part of the camp appeal is down to the wives themselves - their appearance, behaviour and dialogue. According to this movie, men would like nothing better than to see their wives dressed in frilly blouses (still showing off their assets), flowery dresses and big floppy hats - hilarious. The wives all say things like "I really shouldn't say it, but I just love my brownies" (that's cakes in case you were wondering) and constantly praise their husbands' performances in the bedroom department: "You're the King....you're the Master"!! No comment! To summarise this is a very enjoyable movie, which, as I have already mentioned, shows the dangers of male fantasies coming true and the perils that women must face having to exist in a patriarchal society. Go buy it...but don't get any ideas about changing your girlfriend...okay?!
Katharine Ross(in an EXCELLENT turn)plays Joanna Eberhard who moves from NYC to Stepford with her husband and two daughters. She's a photographer and homemaker who's dabbled in the women's movement but never really taken up the cause. She begins to realize the women of Stepford are all obsessed with housework, and worse ... subservient and servile to their husbands. She joins up with another woman who finds this all strange, Bobbie -- played oustandingly by Paula Prentiss. Together they find out a string of clues that maybe not all is well in Stepford, and the seemingly benign suburban bliss may be MANUFACTURED by the creepy Men's Society that every husband is a part of. Bryan Forbes took over this project after speculations Brian De Palma should film it. He made a very effective treatment of the novel, but added his own touches. His wife Nannette Newman influenced the costumes by demanding rather than proposed Playboy bunny outfits the wives should look Victorian with hats and gloves and long dresses - creepy and sexy. Tina Louise (Ginger on Gilligan's Island) also makes a great cameo as Charmaine - one of Joanna and Bobbie's radical friends who transforms to a Stepford Wife by startingly ripping up her tennis court for a pool her husband wants. You get the film in widescreen, and the transfer is passable for a movie of this age. Colors are 1970s soft and there is grain, but it looks fine. You get a 12 minute featurette with all the principle players, and they explain how the movie was made and what it was like. Some people say the pacing was slow, but this was the 1970s! I think its suppposed to develop slowly like the novel, and you get to know the characters. The last ten minutes are completely shocking, and no test audiences made them whimp out (cough cough - the remake's ending was reshot). This was a politically relevant well-crafted film with great acting! Superb in every way! Check out the source novel by Ira Levin as well.
The acting is pretty good. I really found myself caring about what happens to Joanna and Bobbie, her best friend. Having read the book, it was great to see these characters brought to life in a way that rang true. It was almost worse knowing what happens to these characters before you actually see it because you really do want things to turn out OK for them. It was also very well-written. It starts out kind of slow, but once it digs its hooks in, it keeps you glued to the TV. I also like the way they dealt with the subject of women's desire to be an individual and not some cookie cutter housewife with no life at all. It was done very creatively and it was clever as well. I highly recommend this movie. It is very creepy and there are some very intense moments. Just because it's rated PG does not mean it wimps out on the suspense. This is one of the most suspenseful movies I've seen in a whil and it's one of the best book to film adaptations I've ever seen. ... Read more | |
| 4. Rescue From Gilligan's Island Director: Leslie H. Martinson | |
![]() | list price: $4.99
our price: $4.99 (price subject to change: see help) Asin: B00005KHJF Catlog: DVD Sales Rank: 4813 US | Canada | United Kingdom | Germany | France | Japan |
| 5. The Stepford Wives (Silver Anniversary Edition) Director: Bryan Forbes | |
![]() | list price: $19.98
our price: $17.98 (price subject to change: see help) Asin: B00005ASOL Catlog: DVD Sales Rank: 19015 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (73)
Fortunately Joanna meets the effervescent and rebellious Bobby Marco, another recent arrival in Stepford who shares her concerns about the strange behaviour of the women in the community. Together they decide to set up a consciousness-raising group and rally to get the local women involved...almost to no avail! At the first meeting of the wives, the other women prefer to agonise over the cleanliness of their kitchens and talk about the wonders of "Easy-On" starch spray and baking. One other recruit is found though; a feisty redhead called Charmaine who feels restricted by her husband Ed's demands. However after a weekend away with him, Charmaine returns strangely altered, allowing her hubby to bulldoze her much-loved tennis court and confessing that she all she wanted to do was "please Ed...and boy am I gonna please him". Weird. Mystified, Joanna and Bobby seek an answer to the zombie-like behaviour of the local women, wondering if "something in the water" might be responsible. They enlist one of Joanna's ex boyfriends, who is a scientist, to help, but this fails to pay dividends. Joanna soon comes to the frightening realisation that the town's wives undergo a change in personality after they have been resident in Stepford for roughly three months... and her time is almost up... I won't give any more away but this is a thought-provoking and intriguing movie!! Although low on action, the film builds its sense of momentum through a growing feeling of paranoia: are the women in the town somehow being "substituted" for drone-like replacements? Or are all of Joanna's anxieties inside her own head? If you're looking for a fast-moving film you might be disappointed, but the cleverness of the movie lies in its subtlety and the way in which the events take place in a seemingly normal domestic setting. Another reason for this movie's success lies in the acting. Katherine Ross (also of "The Graduate") puts in an intelligent, sympathetic performance as a woman who feels increasingly hemmed in by the claustrophobia of Stepford, and you really root for her as she feels she might be next on the list for "conversion". Paula Prentiss is great as Bobby, a funny, bubbly and tomboyish character determined not to become "one of those pan-scrubbers" and the rapport between her and Joanna is believable and touching. Given her determination to escape Stepford, Bobby's last few scenes are all the more poignant; I won't say any more but they make for some of the film's best moments! The supporting cast do a good job: amongst these are Peter Masterson as Walter, becoming gradually less supportive of his wife's feelings and fears and more and more influenced by the demands of the "Men's Association"; and Nanette Newman as Carol Van Sant, one of the wives who starts behaving very oddly at a barbecue, continually proclaiming "I'll just die if I don't get that recipe" (!!) Newman's role as a wife is all the more ironic considering all those "Fairy Liquid" adverts she once did (remember?!) The movie has also attained a kitsch/camp quality over time, mostly due to the fact that it was made in the 1970s! This doesn't spoil the subtler elements to the film, rather makes it all the more entertaining! A large part of the camp appeal is down to the wives themselves - their appearance, behaviour and dialogue. According to this movie, men would like nothing better than to see their wives dressed in frilly blouses (still showing off their assets), flowery dresses and big floppy hats - hilarious. The wives all say things like "I really shouldn't say it, but I just love my brownies" (that's cakes in case you were wondering) and constantly praise their husbands' performances in the bedroom department: "You're the King....you're the Master"!! No comment! To summarise this is a very enjoyable movie, which, as I have already mentioned, shows the dangers of male fantasies coming true and the perils that women must face having to exist in a patriarchal society. Go buy it...but don't get any ideas about changing your girlfriend...okay?!
Katharine Ross(in an EXCELLENT turn)plays Joanna Eberhard who moves from NYC to Stepford with her husband and two daughters. She's a photographer and homemaker who's dabbled in the women's movement but never really taken up the cause. She begins to realize the women of Stepford are all obsessed with housework, and worse ... subservient and servile to their husbands. She joins up with another woman who finds this all strange, Bobbie -- played oustandingly by Paula Prentiss. Together they find out a string of clues that maybe not all is well in Stepford, and the seemingly benign suburban bliss may be MANUFACTURED by the creepy Men's Society that every husband is a part of. Bryan Forbes took over this project after speculations Brian De Palma should film it. He made a very effective treatment of the novel, but added his own touches. His wife Nannette Newman influenced the costumes by demanding rather than proposed Playboy bunny outfits the wives should look Victorian with hats and gloves and long dresses - creepy and sexy. Tina Louise (Ginger on Gilligan's Island) also makes a great cameo as Charmaine - one of Joanna and Bobbie's radical friends who transforms to a Stepford Wife by startingly ripping up her tennis court for a pool her husband wants. You get the film in widescreen, and the transfer is passable for a movie of this age. Colors are 1970s soft and there is grain, but it looks fine. You get a 12 minute featurette with all the principle players, and they explain how the movie was made and what it was like. Some people say the pacing was slow, but this was the 1970s! I think its suppposed to develop slowly like the novel, and you get to know the characters. The last ten minutes are completely shocking, and no test audiences made them whimp out (cough cough - the remake's ending was reshot). This was a politically relevant well-crafted film with great acting! Superb in every way! Check out the source novel by Ira Levin as well.
The acting is pretty good. I really found myself caring about what happens to Joanna and Bobbie, her best friend. Having read the book, it was great to see these characters brought to life in a way that rang true. It was almost worse knowing what happens to these characters before you actually see it because you really do want things to turn out OK for them. It was also very well-written. It starts out kind of slow, but once it digs its hooks in, it keeps you glued to the TV. I also like the way they dealt with the subject of women's desire to be an individual and not some cookie cutter housewife with no life at all. It was done very creatively and it was clever as well. I highly recommend this movie. It is very creepy and there are some very intense moments. Just because it's rated PG does not mean it wimps out on the suspense. This is one of the most suspenseful movies I've seen in a whil and it's one of the best book to film adaptations I've ever seen. ... Read more | |
| 6. Pretty Woman (15th Anniversary Special Edition) Director: Garry Marshall | |
![]() | list price: $19.99
our price: $13.99 (price subject to change: see help) Asin: B00081U7HC Catlog: DVD Sales Rank: 6976 US | Canada | United Kingdom | Germany | France | Japan |
| 7. Rescue From Gilligan's Island Director: Leslie H. Martinson | |
![]() | list price: $14.95
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| 8. Evel Knievel Director: Marvin J. Chomsky | |
![]() | list price: $7.98
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Reviews (3)
The only reason I have not to buy this movie is the horrific transfer to DVD. A bad scratchy print was used, washed out color, no state of the art sound and it is not in the widescreen format. Maybe someday a good transfer will be made, until then I wouldn't get your hopes up on this one!
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| 9. No Small Affair Director: Jerry Schatzberg | |
![]() | list price: $19.94
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Reviews (5)
Up to this point, his world had pretty much revolved around his camera, and a dream of using it, to get the money needed to go to photography school in a different city, so he could escape his hum-drum existence and crappy home life, were his mother's new boyfriend is trying to be his "Best Friend", and in peal advice that he doesn't want to hear (as sound and poniant as it may be). But, enter Demi Moore, a down on her luck rock singer, playing at a dive bar, with big dreams of the big times, hampered by disserting band members, a sleazy bar owner, and very little luck. And suddenly, Jon Cryer's world changes, as his infatuation grows for Demi, and he becomes obsessed with seeing her dream full filled (whether she wants to let him help her or not). We see his little world, where everything is seen from a distance, through his cameras lens, opens up, and through his struggles to help Demi, we watch him matures from a geeky kid, to a young man This film has a lot going for it, in comedy of situation, depth of character, and charmingly gratifying story, that makes this a "Must See" film, for 80's nostalgia fans, and any fan of a great comedy with heart.
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| 10. Pretty Woman Director: Garry Marshall | |
![]() | list price: $19.99
(price subject to change: see help) Asin: 1558908366 Catlog: DVD Sales Rank: 32836 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (172)
This is the one Julia Roberts film that can never be out-done. No amount of Erin Brockovich's can beat this movie. This catapulted Julia into the big-time, mainstream movies, and she's now one of the highest paid actresses. I dunno whether something like Pretty Woman was never done before this, or whether I'm just sick of Julia Roberts now, but she won't come across a script as good as this again. Not even the supposed "sequel", with Richard Gere & Julia reteaming (they could go all the way and do a Meg Ryan/Tom Hanks) with Garry Marshall and Hector Elizondo for Runaway Bride. Nowhere near as good. But that's a different movie. The actors are great, and I think it's the only Richard Gere movie I've ever seen - apart from Runaway Bride. The night elevator operator's face (Patrick Richwood) is an absolute picture most of the time, and he makes you laugh just by looking at him. Of course, everyone knows that Julia's character, Vivian, turns from a poor hooker, into a rich lady. I much prefer Vivian as the hooker. When you first meets Edward (Richard Gere), she's fine, she's cute, and he gives her all this money, and she turns into a frumpy, awkward lady. The clothes are ill-fitting and really don't suit her. In a few years, when Julia Roberts is old and grey (Richard Gere already was old & grey in this!), this will be considered a classic. Watch out for a very much blink and you'll miss him role of the detective, played by Hank Azaria. I've seen this movie a hundred times, and it's the first time I noticed him! The songs are terrific in this, from Roy Orbison's "Pretty Woman" to Natalie Cole's "Wild Women Do" (the video is not impressive though). The best song is of course, Roxette's "It Must Have Been Love", played as Vivian leaves Edward. It's a very poignant scene, and I always play this song if I'm feeling down about something. The lyrics match any relationship problem perfectly, and matches the scene in Pretty Woman
The change is Vivienne from a streetwalker to a lady mirrors a Pygmalion/My Fair Lady type of theme. As the voice at the end reminds us, sometimes your dreams come true and sometimes they don't but you are always free to dream! Some pretty memorable stuff in this movie!
The change is Vivienne from a streetwalker to a lady mirrors a Pygmalion/My Fair Lady type of theme. Edward too has finally learned to love! As the voice at the end reminds us, sometimes your dreams come true and sometimes they don't but you are always free to dream!
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| 11. Rescue From Gilligan's Island Director: Leslie H. Martinson | |
![]() | list price: $4.99
our price: $4.99 (price subject to change: see help) Asin: B00023BLYO Catlog: DVD Sales Rank: 38740 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (35)
All in all, this movie isn't as good as one of the original episodes, although it is fun to see how the castaways finally get off the island, and what happens to them as they return to their old lives. The DVD itself is disappointing in that no effort was made to clean up the picture or sound. Some scenes are so poorly spliced together that you miss a few words of dialogue. The "extras" on this DVD would have been better off not being included. There's an old Little Rascals episode, and a overly simple 10 question trivia game. Lastly, they include a DVD Glossary of terms. There's no Gilligan related extras...something that would have been a nice bonus for Gilligan fans looking for more info on this movie, and some of the other reunion movies that were made. All in all though, buying this DVD is likely the only way to see this movie, as most video stores wouldn't carry old made for TV movies. In the future, it would be nice if someone would spend a little time and money to actually restore these types of movies instead of just quickly trying to release them asap to the public. This movie is nice for Gilligan fans, but don't expect to convert anyone into being a Gilligan fan by showing them this DVD.
The Amazon.com customers' complaints that are already posted here are quite valid. The movie's DVD version is indeed poorly edited, and the generic DVD "extras" are nothing to write home about. On the plus side, if you're a bonafide "Gilligan" fan, there's enough first-class silliness to justify watching this, even for a second time. The characters are still true to their one-note origins, and even though spoilsport Tina Louise is replaced by the lesser Judith Baldwin, she looks darned good wet. Who are you kidding? Fork over the five bucks and indulge your inner child!
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| 12. Coyote Ugly/Pretty Woman (10th Anniversary Edition) Director: Garry Marshall | |
![]() | list price: $39.99
(price subject to change: see help) Asin: B00005KAR7 Catlog: DVD Sales Rank: 42858 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (1)
You can't miss this oportunity of buy one of the best films in the history. ... Read more | |
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