Reviews (94)

A Classic Cult Film!!!
Repo Man is THE classic cult movie. It's a real original! A wacky and complex masterpiece that defies description. Emilio Estevez, in his one and only good role, is the title character, a teenage punk who lives with his hippie parents in L.A. The always brilliant Harry Dean Stanton is the veteran repo man who takes Estevez under his wing and shows him the ropes of the trade. To reveal more would be wrong, one of the many pleasures of this movie is the wild surprises and twists that the film springs on us. Let's just say the film mixes a punk attitude with bizarro science fiction, hysterical comedy, satire, a GREAT soundtrack and much more. With this film and the brilliant Sid & Nancy (another film you should see if you have'nt)Alex Cox announced himself as a great director. Unfortunately, he seemed to want to self destruct a promising career with the release of two deeply flawed but nonetheless interesting films Walker and Straight to Hell. This is a man who needs to direct again? Where is he now??

Cult classic
Of all the low-budget films to come out of the Eighties, Repo Man, Alex Cox's dark cult comedy about Eighties urban sprawl and alien paranoia, is one of the better ones. Emilio Estevez stars in one of his earliest roles as Otto Parts, your modern apocalyptic teen up to his armpits in drugs, sex, and parental neglect. He soon finds a way out through Bud (Stanton), an ace repo man, who gives him a job and teaches him the ways of the car repossessing trade. The two wander through the guts of L.A. in search of a '64 Chevy Malibu, priced at 50 thousand dollars, and run into a cast of bizarre street characters: feds, girls in distress, a lobotomized nuclear physicist, and really, really dumb criminals. Estevez gives one of the best performances of his career, honing his acting skills as a punk white boy just in time for his role in Coppola's The Outsiders, released later that year. Cox, who wrote and directed the film, creates a strange but hilarious view of our culture, a brilliant satire on modern society.

What the f*ck do I know?
One thing I do know is this film is a modern day masterpiece.Unlike anything made before it.A true work of art and absolutely essential to any great DVD collection.Better than Gone With The Wind.It will make you wanna go to L.A. but stay home and watch Repo Man instead.I really wish they'd release the made for TV version of it as well.Along with the high art of Richard Elfman's brilliant Forbidden Zone, Repo Man is in a class all by itself.SUPERB!

not what i had expected
I was thouroughly pleased upon seeing repo man. Though i Admit it was defintitletely not what I had expected. A friend recomended the movie to me saying it was apunk rock thing, and it was actually an acurate portrayal of the punk rock lifestyle of the 80's. WHOA no way, thats the last time i trust that guy. What I did discover was a magical glowing, flying spacecar, which everyone and their mother wanted. It's brilliant, just half way through the movie it takes a twist for the strange. I'd recomend this movie to anyone. This is probably Emelio's only good performance ever so that makes the movie that much more special.

"The more you drive, the less intelligent you are."--Miller
Wow, ummm....interesting. Finally something different. No, I mean this is REALLY different. About time to, cuz lately I've seen a string of bvad movies, so it's nice to see something cool and original every now and then. Otto (Emilio Estevez) is a Los Angeles punk, a loser with no direction and no role models. But he discovers a code of honor and higher purpose when he joins a select group of latter-day knights: the repo men. As a fledging apprentice, Otto slowly learns the ways of these high-caliber, overmedicated auto repossessors. And when a $20,000 bounty is placed on a mysterious missing car, Otto eludes the police, feds, religious cultists, and other repo men in a frantic search for this holy grail. Could one man's destiny lie in the back of a 1964 Chevy Malibu? For some, actually for many, this film will come of as stupid and random, but for those of us who "get" it, this is a breathe of fresh air. Using clever, if somewhat odd, story telling, this film should keep you entertained and amused throughout the entire duration of the film. I say rent first, then but. ... Read more

Amazon.com

At long last, one of the seminal films of the Melanie Griffith oeuvre is now available. Cherry 2000 is the heartwarming tale of Sam Treadwell (David Andrews), who will stop at nothing to find another model of his broken sex android. Griffith plays E. Johnson, the tough-as-nails tracker who helps him track her down. As deliriously chowderheaded as the premise of the movie sounds, it's actually not half bad and immensely fun to watch. The surprisingly mature plot (nobody gets naked!) involves Treadwell's gradual discovery that there's more to a good woman than a beautiful body and perfect subservience. Don't worry, there are plenty of explosions to keep you from getting bored. Griffith absolutely owns the movie--she looks like a complete badass handling surface-to-air missiles, though of course she still sounds like she picked up diction tips from early Shirley Temple movies. The DVD version includes the invaluable documentary "The Making of Cherry 2000" and the option of watching the entire film dubbed into French. Do not pass up the French version: it really brings out the art. --Ali Davis ... Read more

Reviews (27)

Losing my "Cherry 2000"
It's not fair sometimes that movies as cool as "Cherry 2000" are unavailable for periods of time! This movie should be a main staple! It's got an exciting plot and it's so cheesy and fun, I can't tell you how many times I've come home after a bad day and turned to this movie! Another cool aspect of the film is the cinematography and the Basil Poledouris music score! They are so over the top and enthralling! It's an undiscovered classic that I'm glad to have found!

Cherry Comes Home To DVD!
Movie Summary: Sam Treadwell's perfect robot wife, model Cherry 2000, breaks down. He wants to get her fixed because he thinks he loves her. But in post apocalyptic LA, there aren't any parts. He hears a rumor of a giant warehouse of Cherrys out in the wasteland. The problem is getting there, and getting back alive. To improve his odds he hires a tracker named E. Johnson (played by Griffith) who turns out to be a very unique and real woman, something that Sam has never encountered before. As E and Sam fight their way across the wasteland and into the warehouse, Sam learns a little something about real women and real love.

My Opinion: This movie is a ton of fun. At first glance it may not seem like much, but when you watch it, it pulls you in and takes over. Sure it's a bit silly at times, but it has more depth than other movies of this type. There is a full blown plot and a moral to the story. The action is good, and Griffith is great. It's one of those guilty pleasures movies that you are embarrassed to admit that you like. It's very easy and fun to watch making it one that you will watch more than once.

DVD Quality: Widescreen anamorphic, trailer, and making of documentary make this a nice little DVD

What You Should Do: Buy it. If you are a SciFi fan you need this one. The price couldn't be better!

I flew one of these things in the border wars.
This is one of my all time favorite movies. It's not just the corny story line that I love it's the concept the America in the future. From dating to robot chicks to anarchy, to the border wars this movie has it all.
But I must say the DVD cover is atrocious. What were they thinking? E. Johnson never wore leather and her hair was never as fluffy. The cover makes this classic look like an X rated movie. I also wish that there were more features on the DVD but there was not really a demand for it.

There's a lot more to love than hot wiring.
In terms of post apocalyptic sci-fi action type movies, this one isn't too bad. A little goofy for my tastes, but the humor was subtle and the action okay.

David Andrews (Graveyard Shift, Hannibal, Apollo 13) stars as Sam Treadwell, as somewhat well to do individual in the post apocalyptic near future. He prefers the company of a highly sophisticated pleasure bot, a model called Cherry 2000, to that of the messy entanglements of a relationship with a woman. Only problem is, during a romantic interlude, his Cherry 2000 get water in her system and suffers a complete internal meltdown. Removing the personality chip which contains voice patterns, mannerisms, etc., he sets out to find a replacement, which is easier said than done, as that model is nearly impossible to come by, and highly coveted. He gets a tip that there is a whole warehouse of the Cherry 2000 model in a warehouse, problem is the warehouse is located in wastelands, a highly restrictive and dangerous area.

Sam decides to hire a tracker to go and retrieve him a new unit, and meets with Edith E. Johnson, played by Melanie Griffith. So Sam and Edith set off in her souped up Ford Mustang, into the wastelands. After a skirmish or two, they encounter one of the more feared groups of the wastelands, led by Lester, played by Tim Thomerson (Trancers, Who's Harry Crumb, Air America). Lester and his gang live what I would call a little suburb of the desert called Sky Ranch, and detest trackers. Why they hate trackers, I don't know, as it's never explained, but they do, so I went with it.

Avoiding capture and also avoiding getting blown up, Sam and Edith eventually meet up with Six Fingered Jake, played by Ben Johnson, veteran actor of more western movies than I care to mention, and winner of an academy award for his role in The Last Picture Show (1971). He's a semi-retired tracker who provides a safe haven for Sam and Edith.

After a short rest, the two start out again, but get waylaid by Lester and his gang, and Sam ends up getting kidnapped. Sam escapes from Lester, causing much damage to Sky Ranch, and Lester and his cronies pursue. Sam and Edith finally come to where the Cherry 2000 units are, with Lester and Co. in hot pursuit. Oh yeah, there's a sort of love interest between Sam and Edith that develops and is kind of important around the end of the movie.

A decent movie, but a couple glaring inconsistencies in the continuity. The biggest one I can remember is when Lester and his gang are chasing Sam and Edith through the desert, following in a Jeep and a small truck. They stop at some point, open the back of the truck, and four ATVs pull out of the truck. In the next scene, we see the jeep and about 10 to 15 ATVs. Unless that was some kind of magical truck with a transdimensional wormhole in the back, I have no idea where all the other ATVs came from. And the scene with the car hanging from the giant magnet attached to the crane...if one of Lesters men was operating the crane, why did he keep moving the crane? Lesters men were trying to shoot at the car hanging from the crane, but were unable to get a bead on it due to it kept moving...just made no sense.
I found it interesting that Melanie Griffith made this movie well into her career, and after her much better movie, Something Wild. This type of movie just seems like one that an actor would be in before they became famous, like Jennifer Aniston in Leprechan.

As for extra features, there is a 'Making of...' documentary (cough, cough) if you can call it that. It's like six minutes long, 2 minutes of which is the trailer, and looks like a bad high school production. There is also a trailer for the movie. Watching the trailer, I noticed a few scenes not in the movie. One scene is where Lester shoots a woman in the head, and her body goes flying backwards into a pool of water. In the actual movie, we see Lester fire his gun in the direction of the woman who is off screen, and that's it. Also, in the trailer there is a scene where Edith is changing in another room, and comes out with her shirt unbuttoned, allowing us to see part of her chest (not all) in a view where she's facing the camera. In the movie, we get more of a side view and a much more limited view. Since this movie is rated PG-13, I am assuming that these two scenes probably got nixed from the movie to avoid an R rating, but nice to see they were put into the trailer.

Fun Movie. Fast and Brainless. What's wrong with that?
I love this movie. Was a favorite ever since I first saw it in the theater. Cool locations and sets. Good cast and funny circumstances. The bar scene in the beginning cracks me up and Lester the bad guy is awesome. Not Raiders of the Lost Ark, but well worth your time. ... Read more

Reviews (94)

A Classic Cult Film!!!
Repo Man is THE classic cult movie. It's a real original! A wacky and complex masterpiece that defies description. Emilio Estevez, in his one and only good role, is the title character, a teenage punk who lives with his hippie parents in L.A. The always brilliant Harry Dean Stanton is the veteran repo man who takes Estevez under his wing and shows him the ropes of the trade. To reveal more would be wrong, one of the many pleasures of this movie is the wild surprises and twists that the film springs on us. Let's just say the film mixes a punk attitude with bizarro science fiction, hysterical comedy, satire, a GREAT soundtrack and much more. With this film and the brilliant Sid & Nancy (another film you should see if you have'nt)Alex Cox announced himself as a great director. Unfortunately, he seemed to want to self destruct a promising career with the release of two deeply flawed but nonetheless interesting films Walker and Straight to Hell. This is a man who needs to direct again? Where is he now??

Cult classic
Of all the low-budget films to come out of the Eighties, Repo Man, Alex Cox's dark cult comedy about Eighties urban sprawl and alien paranoia, is one of the better ones. Emilio Estevez stars in one of his earliest roles as Otto Parts, your modern apocalyptic teen up to his armpits in drugs, sex, and parental neglect. He soon finds a way out through Bud (Stanton), an ace repo man, who gives him a job and teaches him the ways of the car repossessing trade. The two wander through the guts of L.A. in search of a '64 Chevy Malibu, priced at 50 thousand dollars, and run into a cast of bizarre street characters: feds, girls in distress, a lobotomized nuclear physicist, and really, really dumb criminals. Estevez gives one of the best performances of his career, honing his acting skills as a punk white boy just in time for his role in Coppola's The Outsiders, released later that year. Cox, who wrote and directed the film, creates a strange but hilarious view of our culture, a brilliant satire on modern society.

What the f*ck do I know?
One thing I do know is this film is a modern day masterpiece.Unlike anything made before it.A true work of art and absolutely essential to any great DVD collection.Better than Gone With The Wind.It will make you wanna go to L.A. but stay home and watch Repo Man instead.I really wish they'd release the made for TV version of it as well.Along with the high art of Richard Elfman's brilliant Forbidden Zone, Repo Man is in a class all by itself.SUPERB!

not what i had expected
I was thouroughly pleased upon seeing repo man. Though i Admit it was defintitletely not what I had expected. A friend recomended the movie to me saying it was apunk rock thing, and it was actually an acurate portrayal of the punk rock lifestyle of the 80's. WHOA no way, thats the last time i trust that guy. What I did discover was a magical glowing, flying spacecar, which everyone and their mother wanted. It's brilliant, just half way through the movie it takes a twist for the strange. I'd recomend this movie to anyone. This is probably Emelio's only good performance ever so that makes the movie that much more special.

"The more you drive, the less intelligent you are."--Miller
Wow, ummm....interesting. Finally something different. No, I mean this is REALLY different. About time to, cuz lately I've seen a string of bvad movies, so it's nice to see something cool and original every now and then. Otto (Emilio Estevez) is a Los Angeles punk, a loser with no direction and no role models. But he discovers a code of honor and higher purpose when he joins a select group of latter-day knights: the repo men. As a fledging apprentice, Otto slowly learns the ways of these high-caliber, overmedicated auto repossessors. And when a $20,000 bounty is placed on a mysterious missing car, Otto eludes the police, feds, religious cultists, and other repo men in a frantic search for this holy grail. Could one man's destiny lie in the back of a 1964 Chevy Malibu? For some, actually for many, this film will come of as stupid and random, but for those of us who "get" it, this is a breathe of fresh air. Using clever, if somewhat odd, story telling, this film should keep you entertained and amused throughout the entire duration of the film. I say rent first, then but. ... Read more

Reviews (94)

A Classic Cult Film!!!
Repo Man is THE classic cult movie. It's a real original! A wacky and complex masterpiece that defies description. Emilio Estevez, in his one and only good role, is the title character, a teenage punk who lives with his hippie parents in L.A. The always brilliant Harry Dean Stanton is the veteran repo man who takes Estevez under his wing and shows him the ropes of the trade. To reveal more would be wrong, one of the many pleasures of this movie is the wild surprises and twists that the film springs on us. Let's just say the film mixes a punk attitude with bizarro science fiction, hysterical comedy, satire, a GREAT soundtrack and much more. With this film and the brilliant Sid & Nancy (another film you should see if you have'nt)Alex Cox announced himself as a great director. Unfortunately, he seemed to want to self destruct a promising career with the release of two deeply flawed but nonetheless interesting films Walker and Straight to Hell. This is a man who needs to direct again? Where is he now??

Cult classic
Of all the low-budget films to come out of the Eighties, Repo Man, Alex Cox's dark cult comedy about Eighties urban sprawl and alien paranoia, is one of the better ones. Emilio Estevez stars in one of his earliest roles as Otto Parts, your modern apocalyptic teen up to his armpits in drugs, sex, and parental neglect. He soon finds a way out through Bud (Stanton), an ace repo man, who gives him a job and teaches him the ways of the car repossessing trade. The two wander through the guts of L.A. in search of a '64 Chevy Malibu, priced at 50 thousand dollars, and run into a cast of bizarre street characters: feds, girls in distress, a lobotomized nuclear physicist, and really, really dumb criminals. Estevez gives one of the best performances of his career, honing his acting skills as a punk white boy just in time for his role in Coppola's The Outsiders, released later that year. Cox, who wrote and directed the film, creates a strange but hilarious view of our culture, a brilliant satire on modern society.

What the f*ck do I know?
One thing I do know is this film is a modern day masterpiece.Unlike anything made before it.A true work of art and absolutely essential to any great DVD collection.Better than Gone With The Wind.It will make you wanna go to L.A. but stay home and watch Repo Man instead.I really wish they'd release the made for TV version of it as well.Along with the high art of Richard Elfman's brilliant Forbidden Zone, Repo Man is in a class all by itself.SUPERB!

not what i had expected
I was thouroughly pleased upon seeing repo man. Though i Admit it was defintitletely not what I had expected. A friend recomended the movie to me saying it was apunk rock thing, and it was actually an acurate portrayal of the punk rock lifestyle of the 80's. WHOA no way, thats the last time i trust that guy. What I did discover was a magical glowing, flying spacecar, which everyone and their mother wanted. It's brilliant, just half way through the movie it takes a twist for the strange. I'd recomend this movie to anyone. This is probably Emelio's only good performance ever so that makes the movie that much more special.

"The more you drive, the less intelligent you are."--Miller
Wow, ummm....interesting. Finally something different. No, I mean this is REALLY different. About time to, cuz lately I've seen a string of bvad movies, so it's nice to see something cool and original every now and then. Otto (Emilio Estevez) is a Los Angeles punk, a loser with no direction and no role models. But he discovers a code of honor and higher purpose when he joins a select group of latter-day knights: the repo men. As a fledging apprentice, Otto slowly learns the ways of these high-caliber, overmedicated auto repossessors. And when a $20,000 bounty is placed on a mysterious missing car, Otto eludes the police, feds, religious cultists, and other repo men in a frantic search for this holy grail. Could one man's destiny lie in the back of a 1964 Chevy Malibu? For some, actually for many, this film will come of as stupid and random, but for those of us who "get" it, this is a breathe of fresh air. Using clever, if somewhat odd, story telling, this film should keep you entertained and amused throughout the entire duration of the film. I say rent first, then but. ... Read more