Reviews (81)

Toy Story
1995's "Toy Story" was the first feature length film generated entirely by computers, and Pixar's first dive into theatrical films. The movie opens as young Andy turns 7. The undisputed leader of Andy's toys, a 50's cowboy doll named Woody (Tom Hanks), finds himself challenged by the new toy on the block, "space ranger" Buzz Lightyear (Tim Allen). When Woody's plan to get rid of Buzz backfires, the two find themselves lost in the suburbs. Woody and Buzz relize they have to work together to get back to Andy's, and they eventually become the best of friends. The humor and animation is terrific, and a great start for Pixar. This lead to several other successes, such as A Bug's Life and Finding Nemo.

Now on to "the vaults". Disney is trying to squeeze every last penny out of the cash cow, and have the two Toy Story films under lock and key, no doubt so they can sell millions of "Special Editions" in five years. Once again, Disney appalls me with their unmatched corperate greed. In conclusion, Toy Story is an excellent film and a true must-see.

The Secret Lives of Toys Revealed
"Toy Story" is a modern fairy tale created with appropriately modern computer animation. Its snappy dialougue will appeal to adult viewers, the spectacle of fantastic toys coming to life will appeal to children, and adults may wax nostalgic about the toys they enjoyed as children, several of which are featured in this movie.
The story revolves around a cowboy doll named Woody, and his imminent replacement as the favorite toy of his owner, Andy, by Andy's new Buzz Lightyear doll, a multigadgeted gift that Andy receives for his birthday.
Tom Hanks'personality shines through in the persona of Woody, and Tim Allen's voice lends the right amount of charisma to Buzz.
In the process of forming an eventual friendship, the characters go through a lot of antagonism and a lot of other real human emotions. As they prepare for life in a new home, they are imperiled by the sadistic kid next door named Sid, into whose clutches they fall by accident.
It's entertaining to watch the toys interact with each other.
Buzz gradually learns that he is simply a child's plaything and not the noble space crusader he fancied himself to be in the beginning, and Woody learns to share his special place in Andy's heart. A great supporting cast including Annie Potts as Woody's sweetheart, Bo Peep, Don Rickles as Mr. Potato Head, Jim Varney as Slinky, Wallace Shawn as Rex, John Ratzenburger as Ham, and Laurie Metcalfe as Andy's mother help fuel this tale.
Seeing this innovative film made me want to buy dolls of Woody and Buzz as collector's items. But I am content with just a copy of this movie. The second installment of the "Toy Story" saga is an enhancement of the first one, and just like the first, nothing short of delightful.

Original and fun for the whole family!
This movie took me by storm when I saw it back in the summer of 1995 at the theatres and let me tell you, this movie is still one of the best computer animated movies of all time. In fact this movie shattered new grounds back in 1995 by not using drawing cel animation and instead this movie is the first of an unbroken chain of computer generated animated movies that has continued to date with "Finding Nemo".

The plot is absolutely joyful and stunningly original. The story revolves around the quiet family home of a quiet town where a boy owns numerous toys with his toddler sister. The toys however, are almost like beings of their own and are 'living' as well but stop 'moving' when the boy comes back into his room. However, a cowboy named Tim is the most popular 'toy' in the boys bedroom and is kept by the pillow almost every night until on his birthday, he gets a fancy astronaut toy named Buzz Lightyear who has many 'gizmos' and in time takes over the toy cowboys place as the most popular toy and Tim gets enormously jealous of this. However, after a botched attempt to remove Buzz, the cowboy himself along with Buzz end up in the hands of a punk teenager who takes joy in blowing up toys with firecrackers and or other means like burning, breaking, or smashing them and/or even taking them apart and re-assembling their parts to create 'mutant' toys and now the clock is ticking for Tim and Buzz to escape from the boys house before they end up being blown to molecules.

This movie is absolutely fun and original even by 1995 standards. The computer generated special effects are innovative and unbelievable especially considereing the fact that this movie came out nearly a whole decade ago. The whole tone of the movie is just fun and charming and is for the entire family. Not only that but this was what put the then newcomers Pixas right into the front seat of movie animation and would be the start of an unbroken streak of excellent movies from this dynamite team.

Computer animation wow. 16th april 2004.
The toys are great, the graphics and scenery is too. The collectables are boys mostly but the film is ace for anyone. The 3D toys look real, the colors are excellent[like finding nemo]. The talking toys are all friends, and they live with their owner andy.

Hit Me With Another One!
Give me another Toy Story and while your at it lets go for a 5th. Wow lets see...Tom Hanks and Tim Alan...Pixar and Disney...Go get it or miss out! ... Read more

Amazon.com

Anyone familiar with writer/director James L. Brooks (Broadcast News, As Good As It Gets) knows the man has a real feel for interesting women and a disarming way with a one-liner. The main women in Spanglish are Deborah Clasky (Téa Leoni), a moneyed SoCal mom, and non-English speaking Flor Moreno (Paz Vega), the beautiful Latina whom Deborah hires as a housekeeper. The one-liners, some of them amusing, are everywhere. Brooks provides an intriguing set-up for the two women to butt heads--Deborah's pudgy daughter Bernice (Sarah Steele) needs the affection at which Flor excels, while Flor's clever, bi-lingual daughter Cristina (Shelbie Bruce) is enamored of the financial advantages Deborah can provide--then proceeds to make Deborah so hatefully ignorant you can't imagine why her neuroses are the main thrust of the film. And Deborah's celebrated chef husband John (Adam Sandler, way over his head) is such a perfect parent he doesn't seem human--what happened to the Brooks who had Terms of Endearment mom Debra Winger turn to her scowling little boy and grunt "Don't make me hit you in the street"? Cloris Leachman has a nifty supporting role as Deborah's boozy, ex-jazz singer mother, but it's only one offbeat chord in an earnest film that hits all the wrong notes. --Steve Wiecking ... Read more

Reviews (93)

what is wrong with Hollywood and New York?
They seem to have a prejudice against Mexican-American actors.
Not too many roles for Hispanics out there, but you would figure that at the very least Mexican actors would get parts in stories about Mexicans, right? Nope. "Selena" the story about a Mexican-American that sings Tejano music...had a Mexican actor right? Nope. Puerto Ricans and Cubans. "Spanglish" the story of a Mexican woman that comes to America...Mexican playing the part, right? Nope. They went to Seville, Spain to get this one...daytime soap operas, not very many Hispanics there...when there is a part for a Hispanic (once in a blue moon), it goes to Puerto Rican actors...Mexicans on tv? George Lopez and Cheech Marin...name 3 more...I can name 50 African-American actors just off the top of my head...20 Asian actors off the top of my head...10 Puerto Rican actors off the top of my head...4 Mexican actors off the top of my head (George, Cheech, Maria Conchita Alonso, and Fernando Lamas)...Hispanics are the largest Minority Group in America...Mexican-Americans make up 58% of that group...that is right...more than half of the largest Minority Group in America is of Mexican decent...so, when was the last time that you saw Mexicans on tv or in the movies?
Dr. Pepper has about a 14% marketshare...How would it be if you could only find one can of Dr. Pepper in every ten stores? Wouldn't you say, "Woo, something is seriously wrong here"...then they make the story of how Dr. Pepper was created....but...you used Mr. Pibb in all the product shots of the story of Dr. Pepper...about the same thing when you make movies about Mexicans, but use no Mexican actors.

So, who was the movie "Spanglish" made for? Mexicans? too far from true life for them...Puerto Ricans and Cubans? Can't relate to a movie about "Coming to America poor, for a better life" (Puerto Ricans were born Americans, Cubans were mostly either rich and/or educated escaping the overthrow of an Autocratic Government)...Spaniards? I don't think that even a handfull escaped poverty by coming to America so they can't relate to the story either...Caucasians? some yes, some no...African Americans? some yes, and some no...Asian Americans? some yes and some no...South Americans? They can relate to the story in it's purest form, but not in this Hollywood/Disneyland version...so, right from the start, this movie had a handful of potential viewers...so, again I ask, Who was this movie made for?

While I am on a tirade: Why is Cajun a language and Spanglish not? Both are a conglomerate of languages, but one is considered delightful while the other is considered an abomination...if you consider the amount of people speaking either, Spanglish is spoken by maybe 1000 times more people than Cajun is.( and believe it or not, Spanglish does have it's own set of gramatical rules...it's not just Spanish and English words thrown together haphazardly...to simplify the rules: Spanish verbs with English Nouns along with a mix of both in adverbs...Spanglish syntax is a beautiful orphan...try and mesh the opposing sytaxs of English and Spanish...Spanglish syntax somehows gets the job done.)

Not your typical Adam Sandler Movie!
I have never been an Adam Sandler fan; however, this movie is really wonderful. Sandler has matured as an actor and is apparently taking roles with more meat and less physical comedy. His character is the polar opposite of Tea Leoni's. His love for their children and his understanding of human nature just shine through. Leoni is perfect as the neurotic, narcissistic wife and mother. A wonderful foil to Sandler's even tempered character. While you might think this is a great date movie, I think it's a better married with children couple date movie. Lots of truisms here. Favorite line: When Leoni's character tells her mother she isn't helping with her low self esteem, and the mother replies " these days your low self esteem is just good common sense". Sandler just might make it to my must see list for the future.

Rent it?Definitely. Buy it?You could do worse.
Let's start off with; this wasn't a bad movie, it simply needed some work.

The story itself is a feel good kind of movie...often referred to as a `chick flick.'There are no explosions, no guns, and no fist-fights.Other than a nonnudity sex scene where Te'a Leoni tries to do an orgasm scene that just doesn't cut it, there isn't much to be embarrassed about when watching this with young kids.

Overall I feel the director wanted his actors to be too over the top.Te'a Leoni was waaaaaay over acting.This is something that someone just doesn't do, but is told to do.Cloris Leachman also had a few moments of over acting but for the most part was good and had some of the best lines in the movie to bring about a laugh.

Shelbie Bruce who plays Christina did a great job.She was very convincing and pulled out some fine scenes.Paz Vega who plays Flor is breathtakingly beautiful and is able to act extremely well.(I hope she does many more films)Sarah Steele who plays Bernice is bound to be a very popular actor because she can act.

The `big' name, Adam Sandler was okay.He isn't doing his normal funny guy thing in this film.I feel his character wasn't well written so much of the fault lies with the writer, who by the way is the director.

Overall, I watched it twice and enjoyed it both times but it's definitely not one I'll buy.

Just on the edge of getting 4 stars
Genre: Comedy, Drama

Genre Grade: B+

Final Grade: B-

This was a good movie with great effort put into it from the cast and director James L. Brooks (As Good As It Gets). However, some moments of pure cheesiness, as well as silly cliches, and some serious over-doing it caused this good movie to fall short of being a great one. However, there are some laugh-out-loud hilarious moments (mostly from Tea Leoni and Cloris Leachman) and some really great dialogue (something Brooks is known for), as sappy as it is. Adam Sandler gives a good performance, especially in his moments of being out of control, you can really sense his calmness is on the verge of a nervous breakdown. This movie, though very unbelievable under the circumstances, does its job, and although it has some serious cheese factors, it's still definitely worth seeing. And now for a great line from the movie...

Evelyn Norwich: We have to talk.
Deborah Clasky: Mother, are you buzzed?
Evelyn Norwich: No. I quit drinking weeks ago! No one noticed, but I guess that's a pretty good indicator that I conducted myself quite well when I was drunk. But this isn't about me right now.

What is the point of this movie?
I feel compelled to write a review on this movie because it was by far the worst movie I have seen in the past couple of years. It was an utter disappointment. I'm still scratching my head on why so many people gave it such good reviews. I think the `deep' moments the movie was supposed to portray just came across as annoying and over the top. I really hated Tea Leoni's character. Yes, I realize that not every character in every movie is supposed to be likeable, but they should at least be somewhat relatable. She was just way too over the top for me.

Also, I really did not understand the point of this movie. The movie starts off with Flor's daughter narrating her college essay, yet her daughter isn't even a centralized character in the movie...in fact her character is hardly even in the movie. Her ultimate point of her college essay at the end of the movie was that she was `her mother's daughter'. This really was not evident throughout the movie and I would not have guessed that this would be the point if she hadn't said it at the end. There really was no point to this movie; it was completely pointless in my opinion.
... Read more

Amazon.com

Despite an abundance of gaping plot holes, White Noise serves up enough spooky atmosphere to make it worth a look-see for fans of supernatural thrillers. Even when hampered with a shoddy, clumsily written screenplay, Michael Keaton brings professional conviction to his role as a grieving widower who is introduced to the mysterious (and according to paranormal researchers, highly documented) existence of EVP, or Electronic Voice Phenomenon, which allows the dead to communicate (one-way only, it seems) from the great beyond, through images and voices recordable on a variety of electronic media such as VCRs, computers, etc. Seeking contact with his recently deceased wife, Keaton finds dire warnings of evil in the afterlife, with connections (all too convenient) to killings and disappearances in his Vancouver, British Columbia vicinity. British TV director Geoffrey Sax brings slick style to this hokum, and a few moments of genuine eeriness, but you may find yourself giggling too much to appreciate the highlights. --Jeff Shannon ... Read more

Reviews (87)

Great Film: A few drops in the DVD qualitry
I enjoyed the film in the Theatre immensely. The DVD version is great, especially the clarity, and the BAM factor in the audio. I saw comments that noted so-called plot holes before seeing the movie, and I still do not see any of the so called plot holes mentioned in the editorial.
This film is well instructed, and done with an exactness and economy that is impressive.After listening to the commentary, its because the director is a BBCalumni. The commentary is not advertised on the box at all, nor on any extras details that I am aware of. I would have given the film 5 stars if it were not for the fact that because of a DVDproduction mess up, Keaton had to leave 15 minutes before the film's end for him to go on a holiday. Whilst the commentary is not the greatest, it does make the key point that this film was forced into a PG-13 rating by the makers of the film cutting some of the key scenes. The studios are getting way too much influence from the right wing Neo-Cons.
Anyways, the extras are great. The key thing about this film, is you will enjoy it, as Kaeton notes, if you buy into the idea of EVP, well, if you have, then these extras will totally chill you !!! They are fun, and totally awesome. The audio on this film is well done, and in 5.1 all I can say is WOW... what a great watch, and a chilling listen ( good audio mix too).

The best of it's kind since "THE RING"!more static please!
Whether you believe in EVP or not, I'd like to think of it from an agnostic standpoint:It can neither be proved, nor disproved.

White Noise has some of the same cliché's as other supernatural based movies (deceased spouse trying to reach husband, think Firefly or What lies beneath, Frequency) but what makes WN a movie apart from the rest in many ways, is that these are not people coming back to haunt or scare.They are ordinary people who's lives were cut short, and with no closure, are trying to reach back to various people so they can send that one last message to a loved one before moving on...

...What moves this movie from different to bizarre is the fact that Michael Keatons character, "Jonathan Rivers", is starting to receive messages in the form of EVP (think of the most annoying thing in the world, Radio Static and Snow TV...now think of once in a while, a message of some sort coming across, like the very energy of their departed soul is still lingering just enough to transmit through electronic means) that are showing him that it's not all about events or people or signs that are within one's past...

...and another thing that is interesting, is the preview of the notion that yes, for every good person out there trying to reach back, there's a bad one as well!Their messages are a mixture of love, hate, direction, and question.

I'd like to think when someone passes away, that their compassion, energy, and capability of love and hate, are strong enough that they do not just burn out like a light-bulb as their physical form does.I find EVP to be a fascinating phenomena.

This movie has many scary moments that will make you jump out of your chair, but more often than not, it's not about SCARING, it's about trying to understand communication from someone who is no longer among the living.

The overall cinematic appeal is excellent, the simple yet driven home glimpses of cassette recorders all the way to high tech digital equalizer equipment sets the mood for a strange and unexplained science that is feared or scoffed by some, reveled and marveled by others.

Michael Keaton is great in his role as an architect who's becomes fascinated with the phenomena of EVP and digs deeper and deeper into it, trying to communicate with a certain someone who's sending him a message.

PROS:Keaton and the surrounding cast are great
EVP is a phenomena that is not proved nor disproved....but voices and images in general recorded static tends to make you shiver....
Cintematically great, it' views of the recorder machines help take us into the sanctum of recording messages from "another side".

CONS:Could have been a little more intense in terms of the surrounding characters and plot.We get tons of Michael Keaton and static and all, but we needed a little more intrigue and mystery on the surface with some of the things (the missing woman) that is going on.
Why is It nearly every drama, crime movie, or intense horror thriller, the husband is an architect?Can we not come up with any other high-profile job?And yes Doctors, Lawyers, and Writers have already been covered!
Why is it every drama dealing with a city has to have something happen in an abandoned Warehouse or Industrial Complex?Are you really meaning to tell me there are not any homeless people hanging out here? Or drug dealers?Or perhaps there's a security guard or cop in the area?

EVP was fun because it delved into a subject that has not really been covered before.Overall I enjoyed the movie and have no major criticisms.Considering all the crap that we are saturated in when it comes to these kinds of films (where 99% are haunted house hashes of some sort) this one is actually overwhelmingly intellactually refreshing!

This film did what it was SUPPOSED to do...
This film did what it was SUPPOSED to do...

Regardless of what you thought of this film, or will think of this film, it does what it is ultimately supposed to do - make you aware of, and perhaps pique your curiosity about Electronic Voice Phenomenon.

I've read what seems like hundreds of reviews here on Amazon.com and haven't seen a single comment on what was REALLY going on with the antogonist(s) here. Read other reviews for the plot and for story spoilers, then read the following and insert it into your thinking. The movie will NOT explain the following, but it helps if you know it.

The film features, more and more as it wends it's way towards drama, an image of menace in the form of a trio of dark spirits. This trio of low spirits FEEDS on the pain and suffering and negative drama of our mortal existences. They go a step beyond feeding and begin CAUSING these empowering negative emotions by affecting the living (EVP researchers) and coercing them to do their sadistic bidding or else killing them as they did Raymond Price if their demands are refused. The more a person is tortured, afraid and just stressed out, the more negative energy they produce for these spirit low-lifes to consume.This is a common basic premise for some cult activities - human sacrifices are pretty bland unless the sacrificee has been tortured and is in a state of utter panic, fear, dread and morbid disarray.The more horrified and suffering the more tasty and nourishing the spiritual energy.

This film could have been a complete freak out psychological horror fest had it focused on the trio and their successive attempts to affect more and more EVP enthusiasts into doing their evil bidding. A chilling scene would have been of our protagonist (Keaton) dying (at the hands of a 'darkly brainwashed' EVP enthusiast) as we managed to feel compassion for his plight, only to feed their evil hunger, and then either show directly, or allude to many, many more 'crazed, serial killers' seeking only the praise and increasing demands of the trio who are growing in power from their work.Believing that there are legions of serial killers out there serving dark demons via White Noise manipulation, you'd hold your loved ones close at all times and check over your shoulder often if it was pulled off convincingly enough.

But that's not what this movie was about. The movie was about EVP and yet Hollywood felt that we wouldn't swallow any bait (by spending our hard earned money) that was not glittery and dripping with dark drama and spell-it-out-for-you violence so we got what we got.However, the film did do something it set out to do - it introduced the whole concept of EVP to untold numbers of people worldwide and in so doing has done it's true purpose. Like the movie or not, believe it or not, make sense of it or not, you are now acutely aware of Electronic Voice Phenomenon.Consider it a nearly two hour infomercial on something you were not likely familiar with before.

Everyone has different perceptions on everything. Some see being alone as a tragic loneliness, others see it as a wonderful time for meditation, self reflection and introspection. Some like rain, some hate it, etc.

Watch the extra EVP materials on the White Noise DVD and whether you want to buy into it or not, just sit alone in a dark room by yourself, perhaps with the TV on to static and allow yourself to drift into a deep state of "What if..."If you manage to go there, decide THEN if the movie was a waste of your time or not. It opened my mind to consider these possibilities regardless of what I thought about the plot, story or actors.

I say perceive the movie for yourself and make up your own mind.

Try something else...... Not scary!
What do you get if you add one part Poltergeist, with one part The Sixth Sense?Answer:White Noise.Michael Keaton stars in this less than stellar performance of a not so original story.

In the film Keaton plays Jonathan Rivers, a highly successful architect, married to Anna Rivers, a highly successful writer.Jonathon plans to put his job on hiatus and join his wife on her new book tour for her soon-to-be release book.However, upon the notice that his wife might be expecting, Anna fails returns home. After the abduction of his wife and her subsequent death, Jonathan becomes sullen and uncaring, distant and unaware of his surroundings until he becomes acquainted with Raymond Price (played by Ian McNeice).Price has also lost someone very close to him, his son, almost 12 years prior.However, Price receives messages, transmissions, and images from entities from the "other" side in the form of E.V.P.s (Electronic Voice Phenomena) or White Noise.The problem is that not all the transmissions are from "good" spirits.

Jonathan gets totally absorbed into this medium, and starts receiving regular messages from his wife.He quickly figures out that the transmissions that he's receiving are actually hints/clues to help him prevent impending death and disaster.The problem is that the "bad" entities are using the same technique to produce death and disaster.

In film has a great premise, and a good beginning; however, it quickly spirals into the absurd, with a trio of evil spirits out to kill mankind.I really believe the film could have been much better with a whole lots less going on.The writers could not decide what story they wanted to tell, and therefore was unable to tell any story effectively.The pinnacle of absurdity begins with Jonathan's wife making visual contact with him in a deserted warehouse, and culminates into what I can only describe as the hell demon sequence in Ghost.I could not figure out what message the film was trying to get across to the audience.What started out as a film about "righting the wrong" or telling love ones that you were okay, and start living your life again; turn into a film of "talk to the dead, and die" with both human and spiritual henchmen.

My advice would be to try another selection; there are much better films out there that are more scary or physiologically thrilling.This film is neither.

(...)

White Noise (DVD) reveiw...
Tagline: The dead are trying to get a hold of you.

Plot Outline: An architect's desire to speak with his wife from beyond the grave, becomes an obsession with supernatural repercussions.

Starring: Michael Keaton

Jonathon Rivers (Michael Keaton) is an architect who loses his wife one night. After trying to get on with his life he comes in contact with a man that may be able to assist him in finding out what happened to his wife the night he lost her. This man Raymond Price (Ian McNeice) tells Jonathon his wife is dead but he can communicate with her through something called EVP. EVP: Electronic Voice Phenomenon. Followers of EVP believe that the dead send messages through the static and White Noise of electronic devices. EVP is an area of paranormal study that has legions of followers worldwide; legendary inventor Thomas Edison was reportedly a believer in EVP. This film was very well done and deserved alot more credit then it received. If you enjoyed THE FORGOTTEN as I did you will indeed enjoy this film as well. Very creepy and it has some jumpy spots as well. Definetly pick this one up!
... Read more

Description

Disc 1:The Matrix
New digital transfer
A written introduction by the Wachowski Brothers
2 new commentaries by philosophers and critics
ROM feature

Disc 2:The Matrix Revisited
A feature-length mind-expanding look at The Matrix from conception to phenomenon
17 behind-the-scenes and making-of featurettes
Music-only audio track

Disc 3:The Matrix Reloaded
New digital transfer
A written introduction by the Wachowski Brothers
2 new commentaries by philosophers and critics
ROM feature

Disc 4:The Matrix Reloaded Revisited
Go to the second chapter's furthest reaches
21 behind-the-scenes and making-of featurettes
23 extra scenes shot for Enter the Matrix video game

Disc 5:The Matrix Revolutions
A written introduction by the Wachowski Brothers
2 new commentaries by philosophers and critics
ROM feature

Disc 6:The Matrix Revolutions Revisited
The cataclysmic final confrontation is chronicled
29 behind-the-scenes and making-of featurettes

Disc 7:The Animatrix
9 short films from pioneering anime directors exploring the world of The Matrix

Disc 8:The Roots of the Matrix
Cinematic, historical, philosophical and technological inspirations are explored
2 insightful new documentaries

Disc 9:The Burly Man Chronicles
Probe the society of actors, craftspeople, and filmmakers who shaped the movie trilogy and Enter the Matrix video game
21 featurettes

Disc 10:The Zion Archive
Production assets developed for The Matrix Universe
Concept artwork
Storyboards
Drawings
Music videos
TV spots and trailers ... Read more

Description

Bullitt features Steve McQueen and the unforgettable car chase scene. Now available as a two-disc special edition, it includes over 5 hours of special features, including 2 new documentaries. In The Getaway, McQueen teams up with Ali McGraw in a supreme action thriller directed by Sam Peckinpah. Steve McQueen brings his cool fire to the title role of The Cincinnati Kid, one of the best poker movies of all time. In Papillon, McQueen teams up with Dustin Hoffman to escape from prison on Devil's Island. In Tom Horn, McQueen performs exciting recreation of Horn's latter-day career in a turn-of-the-century West where gentler ways supplanted the law of the gun. Steve McQueen stars in his first big-budget film Never So Few with Frank Sinatra. ... Read more

Reviews (1)

Long Time coming
If anyone deserves a box set it's Seve McQueen. The greatest of the Hollywood "Mans Man". McQueen made some great movies for Warner Brothers as he did for MGM before them, and we are lucky to get the fantastic Warner Brothers DVD treatment that they have bestowed on their recent box set.

While The GREAT ESCAPE is my personal favorite McQueen film I am happy to see BULLIT, and NEVER SO FEW in the same set. It's pretty funny seeing a movie not starring Steve McQueen in his box set. Never so few was a staring vehicle for Frank Sinatra, but because of his scene stealing co-star Sinatra went on record as calling NEVER SO FEW a McQueen film. It also had a great Director John Sturges who also made THE MAGNIFICENT SEVEN, and THE GREAT ESCAPE with McQueen.

PAPILLON, THE GETAWAY, THE CINCINATTI KID, and the very underated TOM HORN are also included in the awesome box set. I was not yet born when Steve McQueen passed away, but I can tell you this, I have not been on the planet for more than twenty three years, but I can safely say that there has not been a actor/stuntman cooler than Steve McQueen. ... Read more

Reviews (8)

A Collection Worth Ice Skating Uphill For!Blade Delivers!
The Blade Collection is finally here!For moviegoers, it all began back in the summer of 1998:


BLADE (1998) 1 Disc Rated R (2.35:1) - Talk about a movie experience! From the opening shots, you are literally sucked in (no pun intended) to the world of the vampires. Wesley Snipes completely embraces the role of the title character and plays him to the hilt, with just a bit of dry cocky humor that is very refreshing.As we first meet Blade at a Vampire techno club (which uses a great remix of a song called "Confusion" by New Order) we just know he's a force to be reckoned with as he slices, dices, burns & just plains blows up every vampire he gets a hold of (including Traci Lords, in a very memorable cameo). Kris Kristofferson plays Whistler, Blade's mentor and creator of the various weapons at his disposal, including guns & knives, bombs, & more. ("We have a good arrangement. He makes the weapons, I use 'em"). But it's Stephen Dorff as the bloodthirsty Deacon Frost that helps catapult the film from average action fair to the stuff of comic book legend. With most actors, this would be a one or two dimensional performance, but in the hands of Stephen Dorff, he turns the character of Deacon Frost into something much more multilayared. The interaction he has with Blade as well as his other fellow vampires give off this feel of someone we should not underestimate. Because a truly great villain is a huge key to a movie's success.The whole mythos of vampires in this film moves the genre in a very interesting direction. According to Blade, pure silver, garlic & sunlight are the main tools to combat vampires. ("Crosses don't do d***, so forget about what you've seen in the movies") But the fact that the pure blood vampires are personified as old & disposable, while the nonpure vampires are young and virile, looking to take over and run things, can really be looked at as a depiction of our society, with the old guard being kicked out by the new one, lest anarchy ensue.A Classic.Dolby Digital 5.1 Surround Sound. 120 MIN.


BLADE II (2002) 2 Disc Rated R (1.85:1) - Part 2 begins in Prague, with Blade searching for the location of Whistler, who has been turned into a Vampire and subsuquently tortured. The action sequences are even more elaborate than the first, with the camera actually following jumps and flips in a spiral fashion. By now most of you know the story, which involves a new breed of vampire called Reapors, that are trying to take over their predecessors and eventually enslave the world. The vampires turn to Blade for assistance in helping them wipe out these vicious beasts. In a sort of "Dirty Dozen" meets "Aliens" tradition, Blade teams up with an elite group of vampires, who, turns out, were originally put together to hunt him down. They instead work together to seek out the Reapors to destroy them, but find that killing them is not as easy as they'd hoped.The film gives Wesley Snipes more range to show some drama this time, with a subplot involving a female vampire named Nyssa, who's a pure blood, working for her father. Twists and turns abound in this comic book action thriller that gives off a nice feel of energy while at the same time making sense. There's plenty martial arts action to make anybody happy, as well as some much needed dry humor from Snipes and company. All in all a satisfying experience that will leave most moviegoers in an upbeat fashion.Dolby Digital 5.1 & DTS 6.1 Surround Sound. 117 MIN.


BLADE: TRINITY (2004) 2 Disc Unrated & R rated versions(2.35:1) - In the final installment, Blade teams up with the Nightstalkers, a ragtag group of vampire hunters lead by the sexy Abigail Whistler (Jessica Biel) & the quickwitted Hannibal King (Ryan Reynolds) who are out to track down and kill the vampire of all vampires: Dracula (played by the musclebound Dominic Purcell).Watch out for Parker Posey, as the scene stealing Danica Talos, the equivalent of a vampire constantly tripping on acid.Snipes has less to do this time out as Blade, with the newer characters taking up much of his screen time.But when he's onscreen, he still shines and plays the character perfectly.A shame that there was turmoil between him and director/screenwriter David S. Goyer (notice, for example, Snipes's unwillingness to contribute to the audio commentaries for the movie even though he had done so for the first two films).And seeing Dominic Purcell's performance as Drake makes one wish that the Stephen Dorff character of Deacon Frost could somehow be resurrected in order to show these guys how playing a first-rate villian is really done.Still, with all it's flaws, the film still works, just not as well as most fans would've liked.The new footage in the unrated version is interesting, as well as the slightly different ending, that many fans may find much more preferable to that of the theatrical version.Worth having.Dolby Digital 5.1 & DTS 6.1 Surround Sound. 113 MIN & 122 MIN.


Besides the gripes about the 3rd film, the real disappointment with this wonderful collection is that the original Blade movie is not presented as a 2 disc Platinum Edition with DTS 6.1 Surround Sound the way its sequels are.It truly deserves the much needed upgrade.The Box itself is very nice to look at, with a very nicely done 3-D front cover.For the most part, this is what every Blade fan has been waiting for since that summer of 1998 when one of the best comic book franchises began its journey.This is definately a collection worth ice skating uphill for!


Blade Trilogy: The Ultimate Collection - Bloodsuckingly Brilliant!


"Blade.Ready to die?" - Dominic Purcell as Drake

"Since the day I was born." - Wesley Snipes as Blade

Great Buy!!
I brought all these movies seperatly when they came out but if you missed out on them this is a great buy and it has the all the bonus discs. All the movies are great, 2 & 3 even have 6.1 DTS, Blade is a great franchise! Thank you Wesley Snipes, Marvel and everyone else, spectacular work!

Good, but flawed
Would be perfect if it wasn't for the ignorant 3rd (and last) blade movie which was the worst blade movie ever made. They should give you a discount on the price just for that alone

Buy This If You're A Blade Fanatic!
I own this collection also and just want to give my opinion of why you should and shouldn't buy this.
I do think this collection is a little over priced.If people have patience, it'll go on sale by ten dollars at certain stores.I know because this is how I buy a lot of my dvd's.Waiting until they go down to ten bucks each.
You would think it's better to buy the duo pack of the two Blade movies, for the price of $21.50.Then buying the third Blade movie for $20 getting everything together for only $40.Personally I didn't think Blade Trinity was all it could've been.
It's sad that the Blade duo pack was ruined.Since Blade 2 wasn't in its original aspect ratio... losing a lot of the picture of what you really get to see.I recommend that you don't buy the double pack, at all.
If you've never seen these, and not once in your life purchased them... it doesn't mean this set will be for you.I know a lot of people who don't like the Blade movies, and who loved it's original comic Blade character more.You have to be a die hard fan of Blade in order to buy the great trilogy.The two extra discs and comic book are great for any collector to cherish.This 5 disc box set is the best thing to go out and buy for any real Blade fan.

From a reviewer who actually owns the set.
You may now ignore the other reviews, which were written before the set came out, and which were based on Amazon's description and some supposition.The first thing you should know is that Amazon got the number of discs wrong.This is a 5 DVD set, not a 3 DVD set.The first disc is the Platinum Edition of the original Blade.The next two discs are the Platinum Edition of Blade 2.The final two discs are the unrated Platinum Edition of Blade 3.In addition to the movies, the set includes a limited edition Marvel comic book. ... Read more

Amazon.com

Will Smith's easygoing charm makes Hitch the kind of pleasant, uplifting romantic comedy that you could recommend to almost anyone--especially if there's romance in the air. As suave Manhattan dating consultant Alex "Hitch" Hitchens, Smith plays up the smoother, sophisticated side of his established screen persona as he mentors a pudgy accountant (Kevin James) on the lessons of love. The joke, of course, is that Hitch's own love life is a mess, and as he coaches James toward romance with a rich, powerful, and seemingly inaccessible beauty named Allegra (Amber Valetta), he's trying too hard to impress a savvy gossip columnist (Eva Mendes) with whom he's fallen in love. Through mistaken identities and mismatched couples, director Andy Tennant brings the same light touch that made Drew Barrymore's Ever After so effortlessly engaging. As romantic comedies go, Hitch doesn't offer any big surprises, but as a date movie it gets the job done with amiable ease and style. --Jeff Shannon ... Read more

Reviews (71)

2.5 stars...what a waste
This is one of the most overhyped movies out there. I admit, this movie started of strong, but after the 1st hour or so...it just spiralled downhill.

It is about Alex Hitchens, this date doctor who basically helps big-hearted losers to get noticed by their dream girls. In his words, he creates the opportunity for them. One of these guys happens to be Albert who has a thing for Allegra, the rich and beautiful multi-millionaire. Meanwhile, Alex meets Sara who's a gossip columnist and sparks fly. What happens next? I'm sure anyone with a brain would know.

I have nothing against romantic comedies. The thing with this kind of movies is the story. We all know how it's gonna end, so the writers should thrill us with the ride there. A good romantic comedy should evoke some kind of emotions. Unfortunately, even with the talented cast they have here, it's all gone to waste with a lousy and utterly predictable script. The starting 10-15 minutes was great, and I was actually looking forward to the movie. Then Will Smith gave me laughs when trying to woo Sara, played by sexy Eva Mendes. But other than this, there's nothing else that entertained me. And most of the funny scenes are actually in the movie trailer.

Kevin James, who I really like in King Of Queens is underused here. And his chemistry with Allegra (played by Amber Valleta) seems kinda dead. He doesn't really seem that infatuated with her. Will Smith tries to salvage this movie for all he can, but there's just so much a guy can do. The second half of the movie really was pretty boring because of it's predictability and it seemed like I was watching a mixture of other romantic comedies (How to Lose A Guy in 10 Days and Notting Hill comes to mind).

This movie might be good to watch with your partner, but even then...just rent it, it's not worth buying. This movie fails because of the script, the actors bring all they can to their roles but it just isn't enough. If you want good romantic comedies, get Hugh Grant's movies...they're predictable of course but you'll have a hell of a good time watching the story unfold.

Will Smith as Cupid in Terrific Comedy...
Cupid flutters around spreading happiness with his arrows of love and affection.These arrows strike each target with one single attempt, as the person falls in love after the single moment when the arrow strikes them.Love changes everything, as it means commitment, trust, and mutual affection when the love is answered.Hitch (Will Smith) is the human cupid, as he works his magic as a partner consultant that helps men get noticed by the woman who is the target of their love.Everything around Hitch oozes of class as nothing is cheesy, cheap, or corrupt. He is a true gentleman that helps others find their opportunity with love by shooting his arrows of affection.

Hitch ended up becoming a love consultant due to an incident in college when he suffered from a broken heart.Now he focuses on helping guys like he once was, as he helps them strategize their upcoming encounters and dates.Carefully Hitch helps the men with how to approach the women, what to say, and how they must behave around the woman they love.Everything is thoroughly planned, as it all comes down to one moment - the first kiss.

When Hitch meets his freshest client Albert (Kevin James) he senses a disaster.The problems increase when he finds out that Albert loves Allegra Cole (Amber Valletta), a famous and incredibly rich woman.Nonetheless, Hitch believes that he can pull it off by creating a masterpiece.Simultaneously, he meets Sara (Eva Mendes), a relentless gossip columnist, with whom he falls in love.This affair turns into a greater mess than expected for Hitch who finds himself kicking women, having severe food allergies, while Sara finds it difficult to combine personal life and professional life.

Hitch is a warm comedy about love, affection, and the connection between people.Will Smith is perfect for the role as Hitch, as he easily drifts into the gentle and cool character.His performance is well balanced with the supporting cast, and Kevin James complements Will Smith by making the two look like contemporary Laurel and Hardy.In the end, Hitch will offer an easy comedy with some great laughs, but also an interesting notion in regards about the opportunity of love.

Great Romantic Comedy
Will Smith has so much charm and charisma; it's hard to understand why he hasn't been in more romantic comedy roles. In this movie, he plays Alex Hitchins, "Hitch", a date doctor who helps guys with two left feet shape up so that they can make a good impression on the women they want to win. It's a Cyrano story, but in this case the handsome man is supplying the smooth words and actions for the bumbling Romeos-to-be. Eva Mendes is smart and feisty as Sara, who is supposedly a predatory gossip columnist. The film has two (well, three) intersecting sub-plots; Hitch's attempt to help Albert (Kevin James) win the rich socialite of his dream, and Sara's pursuit of dirt on this same socialite (and Sara's best friend has a bad run-in with a rejected Hitch client). The film rolls along really well until the ending, which seems forced and unbelievable.

Funny movie
Will Smith has done it again. It is amazing how this guy can pull off any role, even in a non-action one like the one in "Hitch."

Hitch is a funny and watchable movie.

Smith is a "date doctor" who helps people sort out their romantic problems and he has his formula pat down successfully. But, you know that a formula can have a successful run only for a certain period of time and then it is bound to hit a bump. In this case, Smith's succesful dating formula starts to unravel when his client's successful love life becomes the talk of the town. His client Kevin James,, who plays a bumbling tax consultant is in love with a widowed heiress, and somehow it leaks out that James's success is the handiwork of a "date doctor." And the person who is responsible for getting Smith's life out of control is Eva Mendes, who plays a society gossip columnist.

Eva Mendes and Kevin James did a fantastic job in their respective roles. I really liked James in this movie, and his dance moves are a definite highlight of this movie.

It is a great film to catch on a girls night out. My husband would definitely label this as a chick flick.

Life is the moments that take your breath away
"You is a very fluid concept right now", states "Hitch", a dating consultant, who calls himself the "dating doctor".Will Smith plays the lead in a role designed for him. The premise is as follows; "Hitch" is a dating consultant whose business is helping men sweep women off their feet.He helps a variety of guys meet the love of their life by setting up circumstances to help get them noticed and on dates, and the rest is up to them.The results are often hilarious.One day "Hitch" meets a woman who sweeps him off his feet, and then his well designed strategies for others fail in some of the most memorable ways.

While the movie is funny, and Will Smith is his typical self, this one has some real relationship depth to it.The characters likable, and the courtships and dating are at times awkwardly realistic.I think every man who watches the movie can relate to many of the awkward moments and cringe and laugh along.

Of course the ending is a bit too easy, but still, it works.This movie is not a masterpiece by any means, but it is enjoyable from the opening credits to the end.In this day and age where most comedies have to resort to crass and offensive humor, this one is a gem.Enjoy.
... Read more

Description

Legendary producer-director Howard Hawks teams with two equally legendary stars, John Wayne and Robert Mitchum, in this classic Western drama. Mitchum plays to perfection an alcoholic but gutsy sheriff who relentlessly battles the dark side of the wild West, ruthless cattle barons and crooked "businessmen." The Duke gives an equally adept performance as the sheriff's old friend who knows his way around a gunfight. Filled with brawling action and humor, El Dorado delivers the goods. James Caan and Ed Asner co-star.Ranking with Stagecoach as one of the greatest of its genre, The Man Who Shot Liberty Valance is the modern-day Western to beat all Westerns. John Ford, whose very name is synonymous with "Westerns," directed the ideal cast. Jimmy Stewart plays the bungling but charming big-city lawyer determined to rid the fair village of Shinbone of its number one nuisance and Bad Man: Liberty Valance (Lee Marvin). And as if all that weren't enough, the biggest star that ever aimed a six-shooter plays the Man of the title: John Wayne. Super-sincere Stewart and rugged rancher Wayne also share the same love interest (Vera Miles). One gets the gunman but the other gets the gal.Afflicted with a terminal illness, John Bernard Brooks (John Wayne), the last of the legendary gunfighters, quietly returns to Carson City for medical attention from his old friend Dr. Hostetler (James Stewart). Aware that his days are numbered, the troubled man seeks solace and peace in a boarding house run by a widow (Lauren Bacall) and her son (Ron Howard). However, it is not Brook's fate to die in peace, as he becomes embroiled in one last valiant battle.Katie Elder bore four sons. The day she is buried they all return home to Clearwater, Texas, to pay their last respects. John Wayne is the eldest and toughest son, the gunslinger. Tom (Dean Martin) is good with a deck of cards and good with a gun when he has to be. Matt (Earl Holliman) is the quiet one - nobody ever called him yellow...twice. Bud (Michael Anderson, Jr.) is the youngest. Any hope for respectability lies with him. Directed by Henry Hathaway (True Grit), an acknowledged master of the Western, the story has a dual theme: not only is this a he-man's story, but it is also a drama of the maternal influence of Katie Elder, movingly portrayed from beginning to conclusion.In 1970, John Wayne won an Academy Award. for his larger-than-life performance as the drunken, uncouth and totally fearless one-eyed U.S. Marshall, Rooster Cogburn. The cantankerous Rooster is hired by a headstrong young girl (Kim Darby) to find the man who murdered her father and fled with the family savings. When Cogburn's employer insists on accompanying the old gunfighter, sparks fly. And the situation goes from troubled to disastrous when an inexperienced but enthusiastic Texas Ranger (Glen Campbell) joins the party. Laughter and tears punctuate the wild action in this extraordinary Western which features performances by Robert Duvall and Strother Martin. ... Read more

Reviews (4)

You can't go wrong with THIS package!
Individually, these five movies range from three stars to five stars, but as a package, I give it FIVE STARS. Watch them in chronological order and you see the Duke evolve from 50's Hollywood "tough guy" to legendary leading man in his final film. The man truly had more depth as an actor than the medium of the 50's allowed him to show. In 1976 he was finally given a vehicle to give us everything he had, even though he truly was dying of cancer.

A great collection of John Wayne's Westerns
This splendid collection of John Wayne's Westerns is a must-have for any fan or would-be fan of John Wayne (if you don't have these films already, that is). It contains some of the Duke's best movies, at an affordable price and in an attractive packaging. All of these movies are great:

THE SHOOTIST was the Duke's last film, and is truly a door-closing sort of movie. It is a fitting end to a very long and very great career. Wayne plays an old, dying gunfighter who is ready to hang up his guns but just cannot be left alone to die in peace.

THE SONS OF KATIE ELDER: Wayne stars as John Elder, the eldest son of a woman named Katie who has just died. John and his three younger brothers (one of them played by Dean Martin) return to their hometown to mourn their mother and to set things right with the people who wronged her.

TRUE GRIT: Old, fat, and ornery. That describes Rooster Cogburn (played by Wayne) as well as anything. Duke one an Oscar for his performance in this film. Truly, this is a unique character for Wayne, and a good film.

EL DORADO: This is one of my favorite of Duke's movies. He plays a gunfighter-turned-deputy, and fights to aid his alchoholic friend (the sheriff) of a gang of outlaws infesting the town. Features James Caan in a great performance as 'Mississippi.'

THE MAN WHO SHOT LIBERTY VALLANCE: Wayne stars opposite James Stewart in this John Ford classic. Wayne's character (Tom Doniphan) is a rancher/gunman whose noble spirit saves the life of a young lawyer (Stewart) come to bring 'order' to the small territorial town of Shinbone.

These are five great films by the Duke, three of them (Liberty Vallance, the Shootist, El Dorado) among the Duke's best (in my opinion), and all of them very enjoyable. This box set makes a great addition to any home DVD library.

Fair, Good, Great and near-Great
I received this set as a Christmas gift. I am pleased to now own a DVD version of "The Man Who Shot Liberty Valance" which is my favorite Western and "True Grit" which previously held that personal title. I was also happy to own "The Shootist" which ranks as a near-great Wayne movie. I will enjoy "The Sons of Katie Elder" a time or two again but I am disappointed that "El Dorado" couldn't have been replaced by the better movie it copied; "Rio Bravo". This is, of course, the problem with movie "sets". I'm not sure whether the person or persons who put these collections together include lesser movies in order to market them better or whether they really think that they're in the same class as the others. What would have been hard to top would have been "Red River" replacing "The Sons of Katie Elder" along with the aforementioned switch to "Rio Bravo". Oh well, at least it didn't include "Rio Lobo".

THE DUKE IS THE GREATEST EVER!
There never has been and never will be again a movie star like John Wayne. Miles above everyone else. These are five of his greatest films, including his Oscar-winning role as "Rooster Cogburn" in "True Grit", and his last film "The Shootist", for which he should have won an Oscar and which Fox News commentator Bill O'Reilly calls "The best western I've ever seen." Highly recommended. ... Read more

Amazon.com

In The Life Aquatic with Steve Zissou, director Wes Anderson takes his familiar stable of actors on a field trip to a fantasy aquarium, complete with stop-motion, candy-striped crabs and rainbow seahorses.And though Anderson does expand his horizons in terms of retro-special effects and a whimsical use of color, fans will otherwise find themselves in well-charted waters. As The Life Aquatic opens, Zissou (Bill Murray), a self-involved, Jacques Cousteau-like filmmaker, has just released a documentary depicting the death of his best friend Esteban, who was eaten by some sort of sea creature--possibly a jaguar shark. Zissou’s troubles also include his waning popularity with the public, and a nemesis (Jeff Goldblum) who hogs up all the grant money. Hope arrives in the form of Ned Plimpton (Owen Wilson), an amiable Kentuckian who may be Zissou’s son. Despite his lack of enthusiasm for fatherhood, Zissou welcomes Ned--and Ned in turn saves Zissou’s new documentary (in which he seeks revenge on the jaguar shark) in more ways than one.

One of Wes Anderson’s greatest achievements as a director to date has been launching the autumnal melancholy phase of Bill Murray’s career, starting with Rushmore in 1998, and Murray delivers a similarly comedic yet low-key performance here. Unfortunately, Zissou is one of the few characters in this ensemble to achieve multi-dimensionality. Even co-star Wilson doesn’t get to develop Ned much beyond Noble Southerner, and he ends up seeming more like a prop for illustrating Zissou’s emotional development rather than his own man. The Life Aquatic probably won’t be remembered as a great film, but it is still one that no Anderson (or Murray) fan can afford to miss.--Leah Weathersby ... Read more

Reviews (152)

Stinks
worst movie of the year. This movie has alot of great actors but the story is lame and the jokes are not funny. In short stay away from this bomb.........

A beautiful, intelligent, and fun film
I loved this film from start to finish and it only got better the second and third times I watched it.There is a very nice feel to it: mellow, easy and cool, even when the action is on.This feel is perhaps captured best in the remarkably enjoyable Brazilian covers of classic David Bowie songs.

One thing worth noting about this film, beyond the "quirky" stylings that you expect from Wes Anderson (and that don't always come off, to my mind, as I just couldn't get in to The Royal Tenenbaums much as I wanted), is the way the film plays with and responds to the popularity of the "nature documentary," especially those of Jacques Cousteau.In the nature documentary, we feel as though we are getting "closer" to nature.We believe that we are getting at something real.What we tend to forget or be unaware of, is how much mediation is involved in the presentation of nature.The nature we see on film is never nature "as it is" but nature as it has been framed and captured in accordance with certain expectations of what will sell, what values will play to a wide audience.

It should also be remembered that this is a Disney film, and Wes Anderson appears tobe very self-conscious of the fact that a large part of Disney's name and popularity was established through Disney wildlife films.Walt Disney himself once remarked that he saw his live action wildlife films to be merely an extension of his animations -- because he knew how much the editor and filmmaker are involved in showing what you want to show.What they did show was not Darwin's "nature red tooth and claw" but a sanitized nature, where danger was always contained, and family values were reinforced by the behaviors of animals: a mother and her pups, for example.

That, it seems to me, helps explain the fact that Wes Anderson chose not to employ "real" underwater animals but chose stop motion animation as his medium.It reminds us that nature appears on screen always mediated, through a "nature hero" (as Zissou once was) and through a set of decisions about what to include, how to edit it, what to value.

Anyhow, I could go on and on about what I liked and thought about this film, but I can say that I didn't expect to like this film but found myself surprised feeling very nice (and a bit odd, not sure what to think) about half way through and leaving with a smile and a hint of sadness as I walked the theater.Any film that can do that to someone as jaded as I am has something going for it.

ZZZZZ....Is This A Movie?!
Holy cow! I tried staying awake long enough to see if this movie would develop a plot, have some intersting special effects, but nothing even remotely resembling a movie ever took place. I barely was able to keep my eyes open. I thought maybe it was an artsy attempt at being clever, but this was absolutely the lamest, low budget, poor plot-movie I had ever seen. Even the usually likeable and clever Bill Murray fell FLAT in this movie. I watched it wih my brother and wife. She only made it through the first 20 minutes. My brother and I are more optomistic and somehow made it through the first 70 min., fast forwaded to the end, and didn't even carre that Owen Wilson's character had died!! If you want a movie that will put you to sleep, this is it!

Call me weird...
...but I really enjoyed watching this film. Willem Dafoe carried a manic comic energy throughout that was the perfect foil to Bill Murray's well developed drollery. I thought the take off on the Jacques Cousteau TV specials was spot on and truly humorous. I did not laugh out loud all the way through this film mind you, it is chock full of dull stretches and things that just make you want to scratch your head in puzzlement. I do that all the time with Wes Anderson movies, so I guess this one should be no surprise. I found this film to be clever, smart, profoundly silly, and usually just plain fun. The views of the fanciful sea critters encountered by the crew were very well done and showed a great deal of imagination and wonder at work. The fellow who kept popping up singing David Bowie songs in Portuguese somehow stole my soul and I couldn't get the sounds out of my head. Lovely idea squeezed into a wonderfully odd little film. C'mon, since when does everything have to make sense to be fun?

The Life Aquatic with Steve Zissou
This was a pretty funny, ironic, amusing yet realistic story. I think it deals with some interesting existential issues. Giving wrong people too much credit and basing your life on it. Like in real life, it is not always (or ever?) that better people win and suceed. You can base your whole life on wrong assumptions and pay for it dearly...
I was definitely inspired to re-examie the values I base my life on and instincts I trust. The music is brilliant and many scenes were extremely beautiful. Anjelica Houston is very good. ... Read more

Reviews (749)

Destined to be a classic.
My title may sound a tad cliche, but I believe it. The guys at Pixar understand the mind of children - because they still haven't grown up! That's why Monsters, Inc. is the perfect balance of children's entertainment and adult sophistication. I love it when a studio produces movies that kids love, but at the same time are able to add a level of maturity and sophistication that adults appreciate - without sexual innuendo or appealing to the lowest-common denominator. (i.e. several instances in the movie, Shrek)

The animation is simply incredible; the characters are compelling and hilarious; Boo is worth the price of TWO admissions; the plot and backstory are completely ingenious.

Buy this movie. Enjoy it. Enjoy Disc 2. (Tons of extras - including "Mike's New Car" and another Pixar short entitled "For the Birds" -- PLUS, clips from the Monsters, Inc. office musical production "Put that thing back where it came from or so help me..." !!) With the possible exception of Toy Story 2, one COULD argue that this is the (or at least ONE of the) greatest animated movies ever made.

Sorry if I'm gushing too much. I love this movie. My kids love this movie. It's just plain, good, old-fashinoned FUN.

"MONSTERS, INC." will scare up a treat for audiences
Delightful, uproarious, fun, hilarious, cute and cuddly, jovial... Just a few of the numerous "happy" adjectives you could pin on Pixar's latest pixilated masterpiece "Monsters, Inc." Pixar once again proves itself Disney's most valuable asset with their knack for original stories and often witty and clever humor.

John Goodman and Billy Crystal provide their trademark voices for Sully, the big blue furry monster, and Mike, the cycloptic short green monster as they scare up kids' screams which are converted to energy to power the televisions and alarm clocks of the monster metropolis. (Seems very allegorical of the California power outages this past summer, no?) Conflict brews when Randall, the gecko-like monster, gets greedy and wants to become the top "scarer" by exploiting the screams of the innocent human child, yet show-stealing cute, Boo. While kids might get lost in the action of the movie, the CGI effects and clever Laurel and Hardy-esque slapstick of Sully and Mike (or Lenny and George, which ever way you want to look at it) will have the kiddies captivated from beginning to end.

While Dreamwork's box office baby "Shrek" may have just as good edgy, clever humor and depth, Pixar is far from being out of the running. Keep in mind, Pixar is already a veteran with "Toy Story 1 & 2" (with a third on the way), and "A Bug's Life". There's no doubt in my mind that Pixar and Dreamwork's will be at the helm of the fully computer animated feature for years to come. May the best company win!

For the time being, strap yourself in for the first in some great holiday flicks coming to the silver screen near you! "Monsters, Inc." is already off and running to box office gold, and is a wholly satisfying and entertaining movie for kids, parents, and "Average Joe" movie critics alike.

A big Kid at Heart
I was in the library with my niece and she grabbed this DVD. How can you say no to someone with the most adorable eyes. So I checked out the DVD, we went home and had a wonderful, wonderful time. This is the kind of movie you can appreciate no matter how young or old you are. James P Sullivan (voiced by John Goodman), and Mike Wazowski (voiced by Billy Crystal) are monsters who work for Monsters Inc. Sulley is the best at getting his fair share of scares, but he has some competition in Randall who wants to be the top scare monster. The more screams collected, the more energy for Montropolis. The monsters are led to believe that if a child enters their "world" they will be contaminated and everything could be destroyed. The real fun part starts when this adorable human child named Marry (Boo buy Sulley) sneaks into Montropolis by accident. The kids are scared of the monsters, and the monsters are terrifiedof the kids. Sully and Mike try to get Boo back to her world, but she won't leave. Turns out Randall is her scary monster. Also turns out that Randal has a plan up his sleeve to extract screams that could put the other monsters out of work. It's up to Sully and Mike to save Montroplis and Monsters Inc. This is a fun, entertaining film that will leave with a happy, happy feeling when it's all over. Steve Bucemis I the voice for Randal Boggs, and other notable actors are James Coburn, and Jennifer Tilly (who has the perfect voice for animation, she should do more of it!!!) and Bonnie Hunt.

This is an adorable movie. One I will watch again, with or without my niece.

More Family Magic from Pixar! Great DVD Extras!
"Monster's, Inc." combines a fantastic cast, cutting edge imagination, and a tender storyline into a wonderful, delightful family film . . . it may even cure the nighttime frights of your wee ones!

Most of us were scared stiff at some point in our childhood by the spooky, imaginary "monsters in the closet," usually after we've read "Where the Wild Things Are" for the first time. "Monsters, Inc." plays on that near-universal fear by creating a rational explanation -- monsters live in a parallel universe, connected to ours by closet doors, and they power their land by the energy contained in human screams. Makes perfect sense!

Sulley (the hilarious John Goodman) is a celebrity in Monstropolis as the leading scare-getter for Monster's, Inc. Sulley is generally a lovable big blue yeti-bear-creature, but he can be quite terrifying. Blissfully unaware of the terror he unleashes, he enjoys his job. Basking in Sulley's reflected glory is his sidekick and assistant, Mike Waznowski (Billy Crystal, perfect as ever). Mike is a lime-green-yellow glob with one giant eye and an even larger mouth. He helps Sulley get the screams and stay one step ahead of the competition.

And the competition is fierce. The dragon-chameleon Boggs (Steve Buscemi, suitably creepy without being too scary for the kids) is right on Sulley's heels to be the scream champion, and he's willing to go to any lengths to beat his nemesis.

All is well in Monstropolis until Boo, a human child, accidentally finds her way through the closet and into Monstropolis. It seems that as scared as kids are of monsters, the monsters are equally scared of the kids -- their touch (allegedly) brings death and ruin. (This misunderstanding leads to great comic scenes as X-Files-type HAZMAT crews invade every time there's a kid sighting, usually to the woe of the monster who has seemingly been infected by the kid!)

Like all Pixar films, the glories are in the details. Check out the gentle satire of Hollywood celebrity culture, of mindless bureaucracy, and the perils of romance in the office. The animation is also wonderful -- Pixar continues to evolve with every picture. For example, Sulley's fuzzy hair is fully articulated as he zooms through various escapades.

The story is fast-paced, with enough jokes to keep the adults laughing . . . which is good, 'cause your kids will likely keep throwing this into the DVD player.

Speaking of the DVD -- there are lots of fun extras on this two-disc set. Personal favorites include the fake "outtakes," similar to those at the end of "A Bug's Life," a short film featuring Mike showing Sulley his new hi-tech car (with hilarious consequences), and an Oscar-winning short film, "For the Birds," which shows how funny animation can be, even in short doses. There are additional extras that will keep the kiddies occupied for hours.

All in all, a must for the family's DVD library.

100% Kid Friendly
There aren't many movies that can be seen over and over and over again and still be enjoyed so much. My little sister is addicted to Monsters, Inc. Instead of having to look under the bed to make sure there are no monsters there, she wishes and hopes that when the closet door is opened, Scully will be in there waiting to "scare" her. She was Boo for Halloween last year and requested a Little Mikey stuffed animal for her birthday. Basically, she can not get enough of anything to do with Monsters, Inc.

OK, I admit it. I'm hooked on Monsters, Inc. too. After seeing it thirty plus times with the little one, I still find myself actually watching it and laughing out loud. What a great movie with lovable characters.

Monsters, Inc. is a 100% kid friendly movie that adults will enjoy as well. ... Read more

Reviews (17)

What were they thinking?
I was really pushing for my company to release "Remington Steele" on DVD, but it seems someone beat us to it. Pity -- but at least the episodes WILL finally be available (must admit that my old VHS tapes from late-night reruns circa 1986 are probably quite deteriorated by now).

I have to say, though, that, I, too, am extremely annoyed that Stephanie Zimbalist was omitted from the package's cover. That was an extremely lame move on the part of the people putting the set together, and they obviously (a) know nothing about the show, and (b) didn't care enough about it to put it togther RIGHT. Anyone who was a fan of the show can tell you that Stephanie was key to how well it worked. And, as a ten year old girl at the time, she was kind of my hero. The compilers of the package took the easy, cheesy path to marketing this title, and all I can say to that is SHAME ON THEM.

As a fan, I'd just like to add that the best season of the show was season 1. Apart from the glaring photo faux pas, the package should be pretty cool, and it will be great to watch these episodes again.

Steele worth watching
The name is Steele. Remington Steele.

Before the advent of reality TV and gritty cop shows, detective shows were apparently the thing -- and the 1980s show "Remington Steele" was a standout. The mixture of humor, romantic tension and high-gloss detecting is constantly entertaining.

Laura Holt (Stephanie Zimbalist) worked hard to become a private eye, only to discover that sexism was holding her back. So she invented a fake boss, Remington Steele, who was always conveniently absent when clients came to talk to his "assistant." The deceptive little system works perfectly... until Laura tries to protect a multimillion-dollar jewel collection, and runs into a man (Pierce Brosnan) who now claims to be Remington Steele.

The flesh-and-blood Remington Steele is dapper, intelligent, loves old movies, and is a master criminal. Laura can't expose him without exposing her own fraud, so she comes to a tenuous truce with him: She'll let him stay, and finance his apartment and living, if he behaves himself and doesn't mess around with her detecting. Her assistants Murphy and Bernice (James Read and Janet DeMay) don't like it, but they have to accept him.

But Steele doesn't want to stay in the shadows. He begins to take an interest in solving cases, and helps Laura find a missing video game genius, deal with a body in a winery, and encounter the Yakuza, murderous fellow P.I.s, B-movie queens, smut publishers, insomniacs, old lovers, divorce lawyers, and much more. All the while, Laura tries to figure out who Steele really is, as they try to figure out how they feel about each other.

Humorous detective stories are not an easy thing to do -- they can easily descend into slapstick or idiocy. "Remington Steele" straddled the line perfectly. The first two episodes are rather grim, but by episode three we have Brosnan's charming smirks and the slightly oddball cases that the show became known for. Okay, maybe Laura's on-the-run striptease was a bit much, but Steele's look of shock is worth it.

Surprisingly, not much has aged about this show. Sure, we have some ludicrous 80s hair and clothing, and computers were in their infancy. But the storylines are still hugely entertaining, the sort of stories that could be easily transferred (well, most of the time) to the 1920s, 2000s, or most places in between.

Pierce Brosnan, pre-Bond, gives Steele the right amounts of earnestness and smoothness, quoting old movies and enthusiastically needling Murphy. Zimbalist does an almost equal job; she gets a bit smug in some scenes, but overall carries it well as the Beatrice to Pierce's Benedick. The two stars have remarkably electric chemisty -- a shame they didn't like each other.

DeMay and Read aren't as good -- they were only in one season -- primarily because their characters seem rather one note. And the various guest stars are very good, whether old ladies or distinguished actors, such as Zimbalist's father Efram Jr. And keep an eye out for a young Sharon Stone in a very brief role.

A deeply entertaining and well-written series, "Remington Steele" managed to bridge the gulf between detective shows and dry comedy. Fun, tense and intelligent.

Finally! This is a DVD I've been waiting for.
Pierce Brosnan may be the reason this show is released on DVD, but die-hard "Remington Steele" fans know Stephanie Zimbalist was equally responsible for the show's quality. It was Ms. Zimbalist's acting as a smart, single, business woman that was intriguing to me as a teenaged girl. I'm sure I'm not alone in viewing her Laura Holt character as a role model.

When "Remington Steele" premiered in 1982, it was a breath of fresh air with super smart scripts (many writers from the show have gone on to other successes including Glenn Gordon Caron who created "Moonlighting"), tight direction, and the palpable chemistry and talent of the leads--Mr. Brosnan and Ms. Zimbalist.

The first season--in my mind--is the best. The series writers and scripts were at their highest level. There was a sophisicated edge to the locales, the storylines, and acting. Even the guest stars--Paul Reiser, Annie Potts, Sharon Stone, Roxanne Hart, Peter Scolari come to mind--made the show special. The series walked a fine line between that sophistication and gumshoe grit--something that I think is hard to pull off.

The show's quality did slightly slip in season 2 once it was paired with "The A-Team". It's been said that for season 2, NBC purposely made the show less cerebral to gain a wider audience. It did find it's highest ratings after season 1 with the stronger "A-Team" lead-in. No matter, "Remington Steele" was still a smart, delightful series throughout its run and I'm looking forward to revisiting it.

A Great Show
This is the DVD set I have been wishing for ever since they started putting TV shows on DVD--well, this and the second, third, and fourth season sets that I hope will follow it. This show has it all: witty banter, light-hearted mystery, trips to exotic locales, recurring characters (a reward for faithful viewers), and charming and attractive leads.

Laura Holt and Remington Steele are the quintessential romantic/comic detective duo. I even rank them above Nick and Nora Charles and David Addison and Maddie Hayes, much as I love and admire The Thin Man and Moonlighting. If you are a fan of either, you'd like Remington Steele. In fact, if you are a fan of classic movies in general you will probably like Remington Steele because the character is also a fan and finds parallels to movies in many of their cases.

I was sorry to see that one fan of the show gives it only one star and threatens not to purchase it based solely on the cover art. True, Stephanie Zimbalist was originally the main star and I would have preferred to see the two stars pictured together. But we fans should be happy just to have the show on DVD and do everything we can to make it a success so that the remaining seasons will also be released. The fact is that Brosnan was the breakout star of the show and his success led to his being cast as James Bond (then losing the part to Timothy Dalton because of RS obligations, only to be given the part again later). So if the James Bond tie-in helps sell more DVDs and gets more people hooked on the show we should be glad. And we can hope for better things from the cover art of future seasons.

Last of the great detective shows
Ah, the good old days, back in the days before "Reality" shows hijacked television, and just before the era of the night-time soaps like ER and West Wing (I like West Wing, but too much emphasis on personal lives on the characters and not enough plot time devoted to the situation is the curse of the night-time soaps).

Remington Steele is my favorite detective show of all time, and one of my favorite series of any genre.The plots are entertaining, actually mysterious, fun and still fresh today.The chemistry between the stars is unbeatable (I always heard they didn't get along well in real life).Pierce Brosnan had great comedic talent, but still with a tough side.It's fun to see him before his Bond days.Stephanie Zimbalist was one of the best actresses of her generation, and beautiful as well.

The show prgressed pretty well over the 4 seasons it ran.The first season was kind of experimental, and had a few too many regular characters.The later formula of Steele, Laura and Mildred worked a lot better, but season one is still great fun and has good stroy lines.I'll be even more excited when the later seasons come out, with the episodes filmed in Ireland, Malta and Greece.This program is an unsung classic. ... Read more