Amazon.com

Inspired by creator Michael Crichton's experiences as a medical student in a hospital emergency room, ER quickly became one of the most compelling shows of the 1990s, each episode a whirlwind of intense and involving drama, gritty realism, and offbeat humor.Heading the staff at the inner-city Chicago hospital is Mark Greene (Anthony Edwards), a doctor so good at providing care to the downtrodden, helpless, or just plain quirky patients that his career blossoms even as his personal life crumbles.Greene is the soul of the cast, but the heart is Julianna Margulies's nurse Carol Hathaway.Her character was intended only for the pilot episode, but she ended up capturing viewers with her palpable empathy for patients and her troublesome romance with womanizing pediatrician Doug Ross (George Clooney).The rest of the central cast consisted of compassionate Susan Lewis (Sherry Stringfield), Peter Benton (Eriq Lasalle), whose prodigious talent nearly matches his ambition, and his fresh-faced student, John Carter (Noah Wyle).Other key characters included ER heads Morgenstern and Swift (William H. Macy and Michael Ironside, respectively), overachieving student Deb (Ming Na), who returned later in the show's run, attending physician Angela Hicks (CCH Pounder), and physical therapist Jeanie Boulet (Gloria Rueben).

The remarkably strong first season showed off its sharp ensemble cast through a variety of compelling story lines both personal (Carter's conflicts with Benton, Lewis's struggles with her no-account sister, Chloe, played by Kathleen Wilhoite) and professional (a holiday blizzard and especially the harrowing tale of a pregnancy gone bad, "Love's Labor Lost," which won five Emmy Awards).When Carter is pondering whether his future includes the ER, Green jokes, "It's not bad: Stress, late nights, hard work, no pay--it's hard to beat." It's hard to imagine people choosing to work under those conditions, but they do, and in the process these very human people perform superhuman feats as they face life and death as part of their daily jobs.

DVD features are fairly generous for a TV series box.There are two commentary tracks on the pilot episode, including one by Crichton, and crew commentaries on "Sleepless in Chicago" and "Love's Labor Lost."A new 39-minute documentary discusses the show's genesis, casting, and the "Chicago hospital drama smackdown" with Chicago Hope through interviews with Crichton, executive producer Steven Spielberg, other crew members, and the principal cast members other than Eriq LaSalle.Also included are a very watchable featurette on the show's realism (ever wonder why Ross is always looking down?) and another on post-production, a list of characters (including patients by episode, but why no actor credits?), three minor deleted scenes, outtakes, and a glossary of frequently used medical terms.Particularly notable is that the episodes are shown in anamorphic widescreen.ER was one of the first network shows broadcast in widescreen, but that was years after these episodes, which are shown in widescreen for the first time. --David Horiuchi ... Read more

Reviews (90)

ER is the best
I would recommend this DVD to anyone. Of course, fans of ER will love the chance to watch the 1st season commercial free. But even if you've never watched an episode, you should buy this anyway. It's a great DVD. The episodes are beautifully directed and acted, and the medicine and trauma is mesmerizing. The characters are interesting, easy to like and fun to watch. The extras are great too. I've watched these DVDs and gotten a lot of use out of them.

If you are a cynic of network TV, you might be happy to know - so am I. I think most of what is on TV nowadays isn't worth watching, but even I, a true critic, think ER is amazing.

ER Season 1
"ER" is about the emergancy room medical resedents in Chicago's County General Hospital. The team is led by Mark Greene (Anthony Edwards), a smart and caring ER attendent. George Clooney plays hard working and hard partying Doug Ross. Eric Le Salle is Pete Benton, a hard driving and demanding surgical attendent. Noah Wyle is funny as comic relief John Carter, a first year student assigned to Benton. And Julianna Margulies plays nurse Carol Hathaway, a woman tron between responsable fieance Dr. John Taglieri or care free Dr. Ross. I am very sure I am preaching to the choir here, most people who want this DVD has probably been a fan since the beginning. I was not, I had to get this season and then play catch up in sydication (God bless TNT). Season one is not the best season, but it is a good start to a great series. ER is one of the best shows on TV, right behind "Law and Order" and "Buffy the Vampire Slayer/Angel" (OK, one of these is not like the others). I guess the stand out player this year is Edwards. He is compassionate about his work and succeding, but on the flip side not doing a very good job keeping his family together.

Why only French?
The quality of DVD is good. The story is excellent. But for some reason the only available subtitle is in French. For people like me who don't know anything about French and want to learn something about the medical words, this version sucks.

One of the greatest TV drama in the US
I have been watching ER since her season 1, and keep buying the DVD of 2nd season, and keep watching the current season in the TV.

This is a great TV series, full of fun, excitment, inspiration and can be relaxing.

I wish ER won't be stopped like X-files, although Mark Greene, Dr Rose and et al have left the team.

You won't be able to stop watching
It took us less than a week to watch the complete first season on DVD. When you sit down to watch an episode, make sure you have plenty of time... you won't be able to stop. ... Read more

Amazon.com essential video

Ocean's Eleven improves on 1960's Rat Pack original with supernova casting, a slickly updated plot, and Steven Soderbergh's graceful touch behind the camera. Soderbergh reportedly relished the opportunity "to make a movie that has no desire except to give pleasure from beginning to end," and he succeeds on those terms, blessed by the casting of George Clooney as Danny Ocean, the title role originated by Frank Sinatra. Fresh out of jail, Ocean masterminds a plot to steal $163 million from the seemingly impervious vault of Las Vegas's Bellagio casino, not just for the money but to win his ex-wife (Julia Roberts) back from the casino's ruthless owner (Andy Garcia). Soderbergh doesn't scrimp on the caper's comically intricate strategy, but he finds greater joy in assembling a stellar team (including Brad Pitt, Matt Damon, Don Cheadle, and Carl Reiner) and indulging their strengths as actors. The result is a film that's as smooth as a silk suit and just as stylish. --Jeff Shannon ... Read more

Reviews (510)

Shallow "Ocean" Needs More Depth.
Steven Soderbergh adds a stylishly slick film to his roster with this re-make of the 1960 rat-pack Frank Sinatra outing. ................ Although the cast was terrific, with dialogue sharply delivered by top billing box office stars, as well as veterans Carl Reiner and Elliot Gould in amusing roles, something is missing within. That something is true character development. Despite all the aforementioned positives, this missing element takes away a dimension from the story. Who are these people? Roberts was married to Clooney before he was sent to prison, but I couldn't find the emotion between them until the very end of the film. There didn't seem to be much fire between Roberts and Andy Garcia's elusive, cold and non-descript character either. Garcia is a favorite of mine, but he doesn't shine with his usual warm, emotional performance here. ................. Julia Roberts, Brad Pitt? I never really got a good idea of any of them. So, despite the fantastic ensemble cast, exciting Vegas atmosphere, intriguing premise and Soderbergh's expert direction, this "Ocean..." left me somewhat dry. ............... While "Ocean's 11" is a movie that will certainly entertain you fleetingly as you view it, the desired effect while we watch, it's not one I'd see again and again. There are films that you know you can view repeatedly without tiring of them, and then some where you say, once IS enough. In my opinion, "Ocean's 11" falls into the latter category. ................ For me, character development is an important factor that makes a film realistic and believable, but if it is not integral for your enjoyment, I would not hesitate to recommend you catch this wave once too, at least for the positives it DOES have going for it.

Take it on its own, it's a very good film.
George Clooney, Brat Pitt, Matt Damon, Casey Affleck, Scott Caan, Don Cheadle, Elliott Gould, Bernie Mac, Carl Reiner, Edward Jemison and Shaobo Qin are all brought together in one of the best ensemble cast films I have seen in a long time. That takes care of Ocean's Eleven (Danny Ocean played by Clooney) but they are matched against Andy Garcia & Julia Roberts. Steve Soderbergh (Traffic; Sex, Lies & Videotape) directs a masterpiece of action/drama with some of the biggest names in the business.

The mystique of Vegas, the lure of cash and the romance of life make this a film for everyone. Great dialogue, excellent dramatic shots from Soderbergh and incredible acting by the entire cast put most other crime based movies to shame. Andy Garcia makes you hate him, you feel for George Clooney, but you also see the reasoning in Pitt's character and Reiner's performace is great too.

Anyway, if you enjoy the James Bond movies, the Mission Impossible movies, or any other fun action films, you should give Oceans 11 a chance. DO NOT base your viewing of this on the original Sinatra and the Rat Pack film. The only similarities are the ensemble cast, Vegas Casinos, money and the title of the movie. This is not a remake, it is a reinterpretation based loosely on the original script. At least give it one viewing, you may fall in love.

yet another example............
Hollywood has managed in this film to once again show
how really great it is to be a thief.....And they managed to use, in my estimation, the top worst to do it.
Clooney, who always portrays himself in no matter what role he takes...Pitt who walks thru his role like a zombie throwing in one liners to make it interesting???? And let's not forget the token female, Roberts, who I am still trying to figure out how she can be the most beautiful woman in the world, or is it one of the top five in the world? I forget......
The only redeeming thing about this film was the presence of Garcia and maybe the Las Vegas location. I have no plans to see the sequel as I am sure it will be more of the same humdrum
as this turkey was. To me it was just as boring as the original one only an updated version.

mediocre, boring, pathced
1. Difficult to imagine such boring movie with so many stars. The very presence of Julia Roberts only slowed the action, and took precious time from the main action. Her role was schematic and straightforward: could have used some young, beautiful actress instead, and spend less time on her. At the end, it was not clear to me, why did she have to leave Benedict and return to Ocean. Benedict could have said anything he wanted to Ocean to get his money back.

2. Most of the characters remained obscure and flat. I had to watch it 2 times in a raw to just figure out their faces, but I still have no clue what was their crucial point in the action. Compare to "Sneakers" for example, where all characters were vivid and exactly on their places.

3. Il-logical sequence. Why not use larger O2 cylinder for the chinese guy (what was his name?) and have more time for surprises? Why did they need to introduce the explosives with a trunk and bother with "dying" of the Soul Blum/Zorga, why not simply put them in the container with the chinese fellow? When climbing down the elevator well, where was the elevator cell???
If it was UP, how did they got under it?

4. How easy was to steel the "pinch"!!! Just went there and got it! I want a pinch also. But, even if the pinch did black-out the whole city, how come the electricity came back so soon??? The EM pulse destroys fuses and inegrated circuits. The whole casion going completely black? Highly improbable: This is 21 century, USA guys. Safety comes first: Every public and comercial building has a few light bulbs that never go out. Just for cases like this. Same for the motion detectors in the elevator well: they should be UPS-ed. Unlike the batteries in the remote control triger of Brad Pitt.

5. Illogical: How did they get the porno-adds INSIDE the vault? There were 6 big bags of them, the ones that got blown-up at the end?

6. Who needed to show that a whole minivan can be driven from a distance by a remote control? Why give the terorists (and bank robbers wannabe) ideas they can use literally tomorrow???

All made-up from bits and pieces, turned out into a poorly connected patched movie. Boring and un-impressing.

I wasn't impressed.....
I heard great things about this movie, and it did very well at the box office, but it really wasn't that good. it was definitely confusing. Also, I didn't like how it only had one robbery. In movies like Bandits (which you should go see) there are several robberies. Also, there wasn't much character development. I reccoment Bandits instead. ... Read more

Amazon.com essential video

After creating the last great traditionally animated film of the 20th century, The Iron Giant, filmmaker Brad Bird joined top-drawer studio Pixar to create this exciting, completely entertaining computer-animated film. Bird gives us a family of "supers," a brood of five with special powers desperately trying to fit in with the 9-to-5 suburban lifestyle. Of course, in a more innocent world, Bob and Helen Parr were superheroes, Mr. Incredible and Elastigirl. But blasted lawsuits and public disapproval forced them and other supers to go incognito, making it even tougher for their school-age kids, the shy Violet and the aptly named Dash. When a stranger named Mirage (voiced by Elizabeth Pena) secretly recruits Bob for a potential mission, the old glory days spin in his head, even if his body is a bit too plump for his old super suit.

Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!").

The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode.

Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.

The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.

The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).

Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the! !animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.

There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas

More Incredibles at Amazon.ca

The Incredibles Toy Store	CD Soundtrack	The Art of The Incredibles Book
Game Boy Advance	On VHS	The Essential Guide Book

The Pixar Feature Films

Toy Story, 1995 A Bug's Life, 1998 Toy Story 2, 1999

Monsters, Inc., 2001 Finding Nemo, 2003 The Incredibles, 2004

More Animation DVDs

Favorite Animated Performances	Previous Animated Oscar Nominees	If You Like The Incredibles...
Our Disney DVD Store	Looney Tunes Golden Collection	Walt Disney Treasures

More Superheroes on DVD

Batman Blade The Hulk

Justice League Robocop Space Ghost

Spider-Man Superman Teen Titans

Wonder Woman X-Men Also see our Comics & Graphic Novels Store

Also from Filmmaker Brad Bird

The Iron Giant (Writer/Director)	"Family Dog" on Amazing Stories (Writer/Director)	Batteries Not Included (Cowriter)
The Simpsons (Director/Consultant)	King of the Hill (Consultant)	The Critic (Consultant)

... Read more

Reviews (281)

The Incredibles
Disney-Pixar's 2004 animated feature about a super hero and his family who come out of hiding to battle a new villain.Mr. Incredible and his wife Elastigirl live quiet normal lives as Bob and Helen Parr in suburbia under government supervision due to previous public lawsuits that put them and other superheroes out of business.All is not well though as their superhero instincts and talents clash with mundane work and little excitement.Elastigirl has managed to adapt, but Mr. Incredible discreetly moonlights with his pal Frozone on "bowling night" saving people from fires and knocking out common criminals.Mixed in this trial are the children Dash and Violet, confused about their inherited superpowers while trying to cope with the difficult social challenges at school.Lastly is Jack-Jack the baby brother who appears to have been spared of any super talents.

Just when Mr. Incredible feels he has hit rock-bottom, he's hired by an apparent secret government organization to defeat a renegade robot at their base on a remote island.Mr. Incredible is successful and looks forward to more exciting assignments.It isn't long, however, before he finds out he's been duped into serving as a test bed for robots at the hands of Syndrome, an evil genius posing as a new superhero through clever gadgets.When Elastigirl learns of her husband's whereabouts, she heads out via jet to find out what's going on.Dash and Violet secretly follow their mom, and through a series of events, all find themselves battling Syndrome and his army of bad guys and robots.

This is a gem of an animated feature.While Pixar has ratcheted another progressive advance in animation, the characters and the story are terrific and not overshadowed by the techno-visual display.Dash and Violet are a joy to watch as they learn how to use their superpowers in the fight against evil, especially Dash's chase sequence when he's pursued bybad guys flying saucer hovercraft.Mr. Incredible and Elastigirl sorting out their family problems in the midst of this excitement are humorous and all the actors who voice the characters could not have done better.And not to be forgotten, Jack-Jack reveals his special powers near the conclusion of this feature.

Obviously the ending of this movie leaves options open for a sequel, and while this looks like a promising proposition, Pixar will have to work hard to compliment this feature successfully.

More For Adults?
This is a great movie for families, very funny and enjoyable to watch. Many of the themes will go over the head of younger children, more so than in most animated movies.But it's more fun for adults than most, and kids will still really enjoy it.I was pleasntly surprised by this movie, and would highly recommend it.

Not as good as Finding Nemo
Genre: Computer-Animated, Comedy

Genre Grade: A

Final Grade: A-

This was a great addition to Pixar's wonderful collection of films. While I believe Finding Nemo and even Toy Story were better than this movie, it still had some hilarious moments and great characters, namely Holly Hunter. I will say, however, that this is the most stunning computer animated movie I've ever seen. It's INCREDIBLE! Hahaha, sorry. I would have liked to have seen Samuel Jackson in more of the movie, and I think they could have made their characters a bit more quirky, honestly. Why was Finding Nemo so good? Because of a little fish named Dori. One character can make a movie (Toy Story hada number of them that made it), and I guess to me, this movie was just lacking in any incredible characters. Still great though!

Could not stop watching it over and over again
I have always been impressed with Steve Jobs and Pixar's work but this is the first time I was just blown away by what I took in with the multi viewing of The Incredibles. I didn't see this picture in the movies when it was released. I rented with a mail order online store. This movie was awe inspiring from begining to end. From its throw back look and feel to its technologically fantastic special effects. It brought me back to a time when having a super hero on your wall in your room meant something. I was never a big fan of comic book hero's but I would have loved to see The Incredibles in comic book form back in my younger days. As a african american male I was deeply touched by the movie having an african american super hero. One that didn't die in the begining of the film but really had an impact to the whole story line. I also enjoyed the fact that it depicted flawed super hero's that were not perfect and made mistakes. They seemed so real to life and genuine in all the things that happened to them. I only own one other Pixar movie Finding Nemo but this one hands down is my ultimate favorite yet. I do hope Pixar continues in this series for I am looking forward to the Incredibles 2.

Not just a "kid movie"
Some people love animation and some people could do without it. I'm addressing this review to the second group of people whom I urge to watch this for a number of reasons.

First, the characters. I guarantee that most people will forget this is animated for large stretches because of how interesting the characters are AND how well they are developed. Two methods are used to accomplish this brilliantly. One is the great interplay and dialogue which is typically confrontational between close friends and family members as well as between the heroes and villians. Another is the "historical backdrop" provided at the beginning of the movie where the heroes are shown "back in the day" before the primary plot conflict begins. This, I believe, is key to the success of every great story from "Lord of the Rings" to "Star Wars (IV,V,VI)" to "Harry Potter".

Secondly, the plot is superior among animated movies. I admit I liked "Toy Story I & II" as well as great Japanese stuff like "Spirited Away", but although they are spectactularly animated they're still kid movies. This flick has a great complex superhero plot which has several great surprises and twists and isn't revealed to the audience all at once. The suspense continues until the very end which ends on an uplifting family note and ties off all the subplots for each character beautifully.

Lastly, the comedic aspect is superb. From the strained family relationships stemming from the inability to use their super-powers to the "ever had one of those days?" theme this movie will draw in even those most critical of this budding genre of computer-aided animation by, once again, the film's ability to suspend the audience's realization that these aren't "real people". The overcoming of personal obstacles which characterizes the best of superhero movies is front and center in this movie, but unlike Batman and Spiderman, the family aspect gives the movie a kind of "everyman" applicability that the average film-goer will appreciate. ... Read more

Reviews (402)

One of the greatest film trilogies of all time
Steven Spielberg directed all three films in the Indiana Jones trilogy and he had help from George Lucas in making these comic-like fast paced action films primed for mainstream success. Taking place between the 1930's and 40's, all three films feature professor and adventurer Indiana Jones (Harrison Ford in the role he was born to play; hard to believe Tom Selleck was originally considered for the role) on various death defying adventures all over the world. The first film, Raiders of the Lost Ark, features Jones attempting to stop the Nazis from getting the Lost Ark of the Covenent. This film is probably the most exciting of the three, with some cleverly imaginitive special effects and all around spookiness. The second film, Indiana Jones & The Temple of Doom, is a prequel which finds Jones and two comrades (a young Asian boy and Kate Capshaw who is Mrs. Steven Spielberg) fighting against a cult who is enslaving Indian children. This film wasn't too well received because of it's surprising violence, but it is my favorite of the trilogy and is loaded with suspense. The third film, Indiana Jones & The Last Crusade, finds Jones trying to save his father (Sean Connery) from a Nazi regime who are hellbent on finding the Holy Grail. This installment is the most comic like of the three, and Ford and Connery are great together. This much hyped about DVD set is definitely worth owning, but the DVD extras are extremely lacking (then again, this is Paramount after all). A fourth film is rumored to be in the works, but until that ever sees the light of day, you should definitely pick up this set.

classic trilogy finally available on dvd
Finally, Indiana Jones has been released to DVD. I'm sure a lot of movie lovers have been awaiting for this as much as the original Star Wars trilogy. First reviews of the films themselves.

Raiders : (10/10). A true movie classic. Harrison Ford added another iconic role to his pedestal along with Han Solo. Every scene in the film, from the classic opening prologue to the opening of the Ark is thrilling. Jones is sent by the US government to stop the Nazi's from recovering the Ark of the Covenant. Karen Allen, as Marion Ravenwood remains THE Indy heroine and Paul Freeman is great as the slimy Belloq. John Rhys-Davies and Denholm Elliot are great support as Sallah and Marcus Brody. They even return for the third movie. Not much more to say here that hasn't been said before.

Temple of Doom: (8 1/2 /10). Not up to Raiders, but still a great, underrated movie. Come on people, this was a great movie!I've always found the constant bashing and dislike for this film to be ridiculous. Some of Indiana Jones's best moments are in this film, such as the minecar chase, voodoo doll fight, spiked room and the final scene on the bridge. True, Kate Capshaw's character, Willie Scott is irritating but the movie has a lot of strengths to make up for her constant screaming. Short Round is amusing and Molaram is a great villain.

For all you haters of the movie; buy the used dvds of Raiders and Crusade somewhere such as E-Bay or a video store. It's not like Temple was THAT bad. Grow up and get a life people,you sound like a bunch of whiny 5-year old kids.

Last Crusade: (9/10). The opening scene with the late River Phoenix as the young Indy is an exciting opening scene. It's nice to learn about Indy's origins this time around as well. Sean Connery's addition to the series was a great idea. The father-son relationship between Ford and Connery is memorable and adds humor and drama to the movie. In fact, Connery's presence is what keeps Crusade from being a sort of-retread of Raiders. This movie is a little too similar to Raiders such as involving Indy racing the Nazi's to find an artifact,Indy meeting up with somebody he has been estranged with, both take place in deserts, similar ending, etc. Also, the Nazi villains this time, while adequate, aren't memorable. They feel like recycled versions of the Nazi's in Raiders. Still, Crusade was a great third installment to a wonderful trilogy.

Bonus Disc: The interviews and makings of- were fun to watch but there should have been more on this disc. Such as deleted scenes. The Godfather and Back to the Future dvd sets had plethoras of bonus material. The lack of bonus material on the set might leave one unsatisfied.

I hope Lucas will bring out the other great trilogy of his on dvd soon.

Hopefully, Indiana Jones 4 will be awesome.

Great set
Indiana Jones has been one of my fave series of movies since I was little. Raiders of the Lost Ark is so great, it's so exciting and I really liked the female lead. I always had a crush on Indiana, and the movies have a great blend of humor, action and adventure. Last Crusade is also excellent, I love Indy's scenes with his father, they're so funny together. I really love the opening scene too, with the late River Phoenix (who was extremely talented, check him out in Stand By Me as a boy). It shows how Indiana became afraid of snakes and how an old rivalry started. Temple of Doom is my least favorite Indiana movie, Kate Capshaw wasn't my fave of the girls and it was kind of strange but I'd still rewatch it, just not as much as the other two. To tell the truth, even if there were commentaries and stuff, I wouldn't listen to them. Sometimes extras are really cool to me and sometimes they aren't, and for most movies I don't really care why the director lit a scene the way he did, or what an actor thinks of how he said his line. These movies are grea and stand on their own. I have the bonus disc though, not the one in the set but the other one that was taped outside the package. I'm not sure but I heard they aren't being sold that way anymore.

Can we call these "classics" yet?
I'm not much of a fan of "Temple Of Doom", but I think "Raiders Of The Lost Ark" and "Indiana Jones and The Last Crusade" are excellent. The 4th disc contains extras like trailers and documentaries (which are really well done -- check out Alfred Molina, the guy with the spiders in "Raiders": funny guy, and now he's Doc Ock in Spider-Man 2). The films all look very good and the packaging is nice as well. It would be nice to have commentaries for the films, but from what I hear Spielberg doesn't like to do them, and they would've just repeated what was in the documentaries on disc 4. Great set, highly recommended.

Aged like a fine wine - but we wanted more DVD extras!!
Far be it for me to presume to evaluate these films. They are seared into my consciousness, as the first was released in 1982, when I was but a wee lad of 12. Harrison Ford and George Lucas were at the heights of their popularities in the midst of Star Wars, and Spielberg was rapidly closing (soon to top the A-list of Hollywood directors). With such a pedigree, it's surprising that Raiders of the Lost Ark did not disappoint. Instead, it remains the gold standard of action movies - fast paced and fun, with wall-to-wall stunts, all the more impressive pre-CGI.

I will, however, make a comment on my impressions upon watching these films again after having purchased the DVD set. The prints are crisp and clean, the sound is clear, and overall the films look and sound fantastic. As for the content - Raiders and Last Crusade are still highly enjoyable. Compared to more recent action series (e.g. the Batman films, the Terminator films), you'll find the Indy movies are more exciting and more fun. Unfortunately, Temple of Doom, which was not well-received even when it was first released, did not age well. The overall feel is ponderous, Kate Capshaw is given little to do but scream, and the action set-pieces border on the rediculous.

Unfortunately, we've waited years for these films to come out in this format, and we expected loads of extras - if not on the Lord of the Rings level, at least on the Star Wars (Episodes I and II) level. This set does not deliver - there are no cut scenes, no footage of premiers or awards ceremonies, no original promotional materials (other than theatrical trailers), etc. There are a few documentaries, which are mostly "making of" features filmed on and around the sets of the films, with some modern interviews/reflections from Lucas, Ford, Speilberg, Ben Burtt, John Williams, and many more. These docs are fantastic - well-written, interesting, and at several hours, very satisfying. But still, having waited 10 years for DVD versions of these films, I would have been willing to wait a few more years to get more of the extras I want. I hope the Star Wars set due out in the fall is more complete! ... Read more

Reviews (344)

Visually spectacular (unbelievably cheesy storyline)
I know "What Dreams May Come" is a constant punching bag for movie critics alike and it wasn't exactly a blockbuster smash for Robin Williams but I sincerely like this film. I first saw "What Dreams May Come" when it was in the movie theaters. It was total eye candy with the gorgeous colors and the art-like quality. I felt like I was watching an artist creating his art work. The premise of the film is a bit silly. Robin Williams's character Chris is killed in a freak accident, leaving his emotionally unstable wife Annie played by Annabella Sciorra devasted and alone. The viewer also finds out that their two children were killed earlier in a car accident so when Chris dies, Annabella is completely consumed by grief and chooses that life is not worth living any more. Chris is sent to heaven which is basically a Monet painting. The bright vivid colors were stunning and made it a joy to watch. Cuba Gooding Jr. welcomes Chris into the after life and eventually helps Chris in his quest to find Annie. At the time, I enjoyed the storyline but as I was watching it tonight on tv, I never realized until now just how hokey the storyline and dialogue could be. Despite the hokiness of the film, I still enjoy watching "What Dreams May Come". I think my favorite scenes had to be when Chris literally went to purgatory. The images and colors were spectacular. Those scenes of people falling from the waves as well as from the air and exploding when hitting the ground was stunning to say the least. Those scenes were pure eye candy. "What Dreams May Come" is a good movie. It isn't nowhere as emotionally manipulative as "Patch Adams" was except maybe for a few scenes that involved the children. Otherwise "What Dreams May Come" is a good popcorn movie. It may not be Masterpiece Theater but I will take this movie over something as tripe as "Patch Adams" or overblown as "Armaggedeon" any day.

I wish my dreams were this cool.
What Dreams May Come is a very powerful movie. Simply put, it can make you think some very deep thoughts.

The story is very moving and brilliantly crafted. The main character is a doctor named Chris (Robin Williams). He has a wife (Annabella Sciorra) and two kids. His family is great and he seems to be living the American dream. Then his children are killed in a car accident and his life is shattered. He spends the next four years trying to recover from the tragedy. Then he is killed in another traffic accident and the story takes off as he goes to the beautiful afterlife.

The movie seamlessly transitions from present to flashback to give a sense that time is irrelevant in the afterlife and to fill in the rest of the story. The first person he sees is a young version of the doctor he apprenticed under (Cuba Gooding Jr.) who later turns out to be someone else, but I won't tell you because I don't want to ruin any parts of the movie. He is then taken to a beautiful heaven, which is actually his mental re-creation of one of his wife's paintings. He later learns that his wife has committed suicide and in doing so has trapped herself in a never-ending spiral of guilt (a.k.a. Hell). Chris then has to travel to the depths of Hell to find and attempt to bring back his wife.

This movie is loaded with abstract thoughts and themes. For example: Your obsessions in life will become your afterlife; Thought is real, physical is the illusion; God lets bad things happen to good people; and far too many others for me to list here.

The movie is visually breathtaking and the computer-generated graphics add greatly to the realness of the movie. The acting is good and director obviously knew what he was doing. I will recommend this movie to anyone who has ever contemplated his or her existence.

Visually beautiful and theologically interesting
There are surprisingly few movies dealing with a nonterrestrial afterlife. While there are hundreds of films dealing with the existence of individuals following death as embodied or disembodied spirits on earth, there are remarkably few that provide any glimpse of heaven. The few that do tend to present it as an inconceivably white, vast, and indistinct place, from HERE COMES MR. JORDAN to A MATTER OF LIFE AND DEATH to THE HORN BLOWS AT MIDNIGHT. In contrast to these other films, WHAT DREAMS MAY COME stands out as one of the most intensely colorful, beautiful, and vividly concrete films in cinema history.

The cast of the film is strong, but it would be a mistake to imagine that they are the reason for the film's success. Robin Williams as Chris Nielsen, Cuba Gooding Jr., Rosalind Chao (who I previously mainly knew only from STAR TREK: THE NEXT GENERATION), Max von Sydow, and the lovely but underused (not only in this film, but by Hollywood in general) Annabella Sciorra all hand in wonderful performances, but they are largely overwhelmed by the astonishing beauty of the sets, the inconceivably vivid colors, and the marvelous use of light. No performers could have competed, though they try gamely.

I find the film especially interesting for theological reasons. Ron Bass based the screenplay on a novel by Richard Mattheson. I must confess to not knowing the work of either, but I would lay heavy money that one of them (probably Mattheson) knew well C. S. Lewis's THE GREAT DIVORCE. In that work Lewis was concerned to lay out a concept of heaven and hell that did not regard God as responsible for sending people to hell. Instead, he described an afterlife in which people in hell still had the option of leaving hell and departing for heaven. These two ideas--of people placing themselves in hell and of having the option to leave hell for heaven--drive the metaphysics of WHAT DREAMS MAY COME, as I'm sure anyone who has seen the film will recognize.

So why do I give the film only four stars after all the nice things I have said about it? Primarily because the film doesn't really have all that much of a story to tell. The plot feels like a short subject stretched to feature length film proportions. Once you subtract all the amazing visuals, there simply wasn't that much to the film. The challenge for the filmmakers was primarily padding out the action of the film. Nonetheless, I do recommend this as an interesting and intensely beautiful film, despite the slender narrative.

Interestingly, the title of the film comes from Hamlet's famous soliloquy, in which he ponders whether or not to commit suicide. In the end, he decides not to because of the dreams that the dead may dream, presumably worse for having killed oneself. But such dreams did not prevent Annie Nielsen in the film from committing suicide. It is a nice ironical touch.

A Different Type of Love Story
This is a wonderful tale of death and love. Robin Williams dies in a car crash and wakes up in heaven. He sees his old dog and friends from his life that have died before him along with his two children that have died in a previous car accident. Robin finds out he that his wife is having an impossible time of living without him. She ends up committing suicide and then is sent ot hell. The rest of the movie is Robin on his quest to find his wife in Hell. The movie is stunning in detail and is truly beautiful to look at. Cuba Gooding Jr. and Max Von Syndow give stellar performances as supporting actors in this film. The DVD has the usual extras including a less than happy alternate ending.

A great movie despite some flaws
"What Dreams May Come" is an overlooked film that should have gotten more attention than it did. While not perfect, it's one of the most visually stunning and thought-provoking films to come around in a long time. Chris (Robin Williams) and Annie (Annabella Sciorra) are a happy couple who suffer the devastating loss of their children. Shortly afterwards Chris dies himself and goes to an afterlife, which turns out to be a surreal lush dreamworld that is a reflection of his wife's paintings (which deservedly won the Academy Award for Best Visual Effects). While there Chris meets an "angel" (Cuba Gooding Jr.) who guides him through the transition. Meanwhile, back in the real world, Annie becomes unable to cope with all the pain and losses and takes her own life, sending her to Hell. Determined to rescue Annie from an eternity in damnation, Chris sets out to find her and re-establish their bond together.

This movie could have easily been a masterpiece, with such a great cast, excellent visual effects and production. However, there are two things which severely take away from its effectiveness. For one, the flashback style becomes tedious after a bit and interrupts the flow of the story. Many other reviewers have commented on this. It's a major drawback. And two, some scenes simply do not work. For example, when Chris arrives in Hell and begins maneuvering around the heads sticking out of the ground. This scene is done in a humorous way, seemingly for comic relief. It simply does not work and is majorly out of place. Comic relief isn't what should happen here.

Aside from these flaws, "What Dreams May Come" is an enlightening viewing experience and will stay with you long after you're finished watching it. It can be interpreted in many ways: a film about the possibility of life after death: a film about never-ending love: a film about affirming the beauty of life. However you may see it, you will surely take away at least something from it after the credits roll. ... Read more

Reviews (664)

Rob Reiner Weaves His Best In Fanatsy!
THE PRINCESS BRIDE is directors Rob Reiner (A Few Good Men, Stand By Me) third feature film ever. It was based on a book written by Academy Award Winner William Goldwin (Misery, Maverick, Chaplin) who wrote this book for his children in 1973. After almost 15 years, and several studios, MGM decided to back it up and make the finished film.

It fun, it's funny and has adventure and romance, monsters and villains. It also has some of the best performances of an ensemble cast in a fairy tale ever. Robin Write-Penn (Then Robin Write at 19 years old) (Forrest Gump, Unbreakable) starring as Princess Buttercup who has fallen in love with a farm boy-turned Pirate, Cary Elwes (Twister, Robin Hood: Men In Tights, Quest For Camelot) and is seeking the kidnapped Princess from three renegades played by Wallace Shawn (Toy Story, Star Trek Deep Space Nine). The late Andre The Giant (Trading Mom) and an astounding performance by Mandy Patikin (Yentel, Alien Nation, Chicago Hope-TV ). Christopher Sarandon (Nightmare Before Christmas, Fright Night, Just Cause) and Christopher Guest (This Is Spinal Tap, Best In Show) head up the evil King and sidekick roles. The chemistry between Cary and Mandy is phenomenal. They are seriously funny in a sarcastic and monotoned way. The swordplay is the best I have seen since Errol Flynn.

What makes this movie special and energetic is the magic of fantasy with a splash of you have to believe in True Love for all this to work and for your happiness to be real. Shot entirely on location and with a minimum of a budget the movie is wonderful to watch and look at. A GEM for all the family - literally.

The DVD extras include three behind the scenes documentaries and lots of production photos. Very well put together and filled with interesting comments and antique dotes from all the cast and crew. There's even a behind the scenes home movie view of the production thanks to Carry Elwis himself. Of the trailers and production posters show you more of movie making and what it takes. The audio commentary by Rob Reiner is comical and very interesting. There is also a commentary by William Goldwin which gives you a lot of insighjt to the production. This is a great addition to the family film collection. (10-27-02)

"My name is Montoya. You killed my father. Prepare to die!"

Director: Rob Reiner
Format: Color
Studio: Mgm/Ua Studios
Video Release Date: March 7, 2000

Cast:

Cary Elwes ... Westley
Mandy Patinkin ... Inigo Montoya
Chris Sarandon ... Prince Humperdinck
Christopher Guest ... Count Tyrone Rugen
Wallace Shawn ... Vizzini
André the Giant ... Fezzik
Fred Savage ... The Grandson
Robin Wright Penn ... Buttercup/The Princess Bride
Peter Falk ... The Grandfather
Peter Cook ... The Impressive Clergyman
Mel Smith ... The Albino

Carol Kane ... Valerie
Billy Crystal ... Miracle Max
Anne Dyson ... The Queen
Margery Mason ... The Ancient Booer
Malcolm Storry ... Yellin
Willoughby Gray ... The King
Betsy Brantley ... The Mother
Paul Badger ... The Assistant Brute
Sallie McLaughlin

A storybook stable boy turns pirate and rescues his beloved who is about to marry a dreadful prince.

The story is told by the Grandfather (Peter Falk) to his cynical (at first) Grandson (Fred Savage).

The story is a love story with all of the elements of a fantasy fairy tale. Westley (Cary Elwes), the good guy, is opposed by Inigo Montoya (Mandy Patinkin--"My name is Inigo Montoya, you killed my father. Be prepared to die!"), at first, and then wins Westley's admiration. Another opponent who becomes a co-conspirator, is Fezzick (Andre the Giant). Buttercup/The Princess Bride (Robin Wright Penn) is the princess who needs rescuing.

There is a lot of good tongue-in-cheek humor involved, and even though it is understood that this is a story told to a young boy, there is nevertheless a good level of tension involved.

This is a fun movie.

Joseph (Joe) Pierre

author of Handguns and freedom...their care and maintenance
and other books

What a marvelous movie... I waited too....
long to buy this movie -- my boys loved it the first time they watched it. It is timeless, a great comedy, wonderful lines.....
A great addition to our movie selection!

A family comedy funnier than this? Inconceivable!
For millions of television viewers who grew up during All in the Family's groundbreaking run (before it became stale in the post-1977 seasons), Rob Reiner will always be remembered as the Meathead, a.k.a. Archie Bunker's ultra-liberal, atheistic, and argumentative son-in-law, Mike Stivic. But Reiner, whose father Carl is one of America's best comedic writer-actor-directors (The Dick Van Dyke Show, Your Show of Shows, Dead Men Don't Wear Plaid), is far more than just a good actor with one famous role, for after he left Norman Lear's flagship comedy series after six seasons, Reiner the Younger followed in his father's footsteps to become a well-known and well-regarded actor, writer, producer, and director.

One of Reiner's best films is 1987's The Princess Bride, a witty-yet-sweet comedy/fantasy written by two-time Academy Award-winning screenwriter William Goldman, who adapted his own novel about the beautiful maiden Buttercup (Robin Wright), whose true love, a young farmboy named Westley (Cary Elwes), goes off to sea to seek his fortune, telling Buttercup that he would come back for her.

But when Buttercup learns that Westley's ship has been attacked by the Dread Pirate Roberts she swears she will never love anyone again, an oath she keeps even when she accepts a marriage proposal from Florin's Prince Humperdinck (Chris Sarandon), a handsome yet somewhat shady fellow who probably could give Machiavelli some lessons in, well, Machiavellian diplomacy. His plan is simple: take over as King of Florin as soon as his father passes away, get bethroded to a beautiful engaging commoner, then stage her kidnapping and demise to incriminate the neighboring rival kingdom Guilder and start a war.

Aided by the equally heinous Count Rugen (Christopher Guest), Humperdinck hires a trio led by the too-clever-for-his-own-good schemer Vizzini (Wallace Shawn), the revenge-obsessed Inigo Montoya (Mandy Patinkin), and Fezzik (Andre the Giant), a brawny hulk with a heart of gold and a fondness for rhymes. The three manage to kidnap Princess Buttercup, but before they reach the Guilder-Florin border they run into an unforeseen obstacle: a dashing swordsman dressed in black.

Goldman's clever way of grabbing the audience's heart and funny bone is to present this fairy tale with a framing story of a 1980s grandfather (Peter Falk) who visits his sick grandson (a pre-Wonder Years Fred Savage) and reads the tale of The Princess Bride to him, following a long family tradition.

Reiner gets wonderful performances not only from the major cast members, but also from Billy Crystal and Carol Kane, who play Miracle Max and his wife Valerie in a short but hilarious scene. He approaches the fractured fairy tale as a comedy/romance/swashbuckling adventure, poking gentle fun at the conventions of all the fantasy/medieval adventure films of the 1930s and '40s without being obnoxious or too sardonic. The result: a film that overcame box-office failure (it had a brief and unprofitable theatrical run in the summer of 1987) by becoming a home video success. (This is not unique to The Princess Bride, either. 1939's The Wizard of Oz was no box office champ when it premiered; only when it became an annual TV staple in the mid-1950s did Oz become a family classic.)

The 2001 MGM Special Edition DVD presents The Princess Bride in its original widescreen format, and features a director's commentary track by Reiner, a writer's commentary by Goldman, English and Spanish audio tracks, a new documentary on the making of the film ("As You Wish"), plus theatrical trailers and two original featurettes.

As Vizzini might have added, to try and find a funnier family film is absolutely inconceivable.

An Awesome Movie (Review by Jennifer Baker)
The Princess Bride is an excellent movie, and though at first viewing may seem pretty simple, it has much deeper meeting, but it may take more than one viewing to see this. First of all, it teaches the all-too-true, and sometimes overused lesson that good will prevail over evil. This is shown in Inigo's avenging of his father's death and Westley's rescuing of his true love, escaping his encounter with death, surviving "The Machine", making it through the fire swamp, battling the ROUS's, wrestling a giant, swordfighting with a Spaniard, and out-witting a Sicilian. (whew!) However, if you look closely, and watch this movie at least 100 times (which I have), then you will come to see that there is a lot of symbolism in The Princess Bride. Whether Buttercup is wearing blue (sadness) when she is getting married or red (danger) when she is kidnapped,the symbolism in this movie shows just how detailed this movie really is, which in turn makes it all the more fun to look for and watch. So in conclusion, The Princess Bride is a swashbuckling fun time for the whole family!!!!! ... Read more

Amazon.com essential video

By following up their debut thriller Bound with the 1999 box-office smash The Matrix, the codirecting Wachowski brothers--Andy and Larry--annihilated any suggestion of a sophomore jinx, crafting one of the most exhilarating sci-fi/action movies of the 1990s. Set in the not too distant future in an insipid, characterless city, we find a young man named Neo (Keanu Reeves). A software techie by day and a computer hacker by night, he sits alone at home by his monitor, waiting for a sign, a signal--from what or whom he doesn't know--until one night, a mysterious woman named Trinity (Carrie-Anne Moss) seeks him out and introduces him to that faceless characterhe has been waiting for: Morpheus (Laurence Fishburne). A messiah of sorts, Morpheus presents Neo with the truth about his world by shedding light on the dark secrets that have troubled him for so long: "You've felt it your entire life, that there's something wrong with the world. You don't know what it is, but it's there, like a splinter in your mind, driving you mad." Ultimately, Morpheus illustrates to Neo what the Matrix is--a reality beyond reality that controls all of their lives, in a way that Neo can barely comprehend.

Neo thus embarks on an adventure that is both terrifying and enthralling. Pitted against an enemy that transcends human concepts of evil, Morpheus and his team must train Neo to believe that he is the chosen champion of their fight. With mind-boggling, technically innovative special effects and a thought-provoking script that owes a debt of inspiration to the legacy of cyberpunk fiction, this is much more than an out-and-out action yarn; it's a thinking man's journey into the realm of futuristic fantasy, a dreamscape full of eye candy that will satisfy sci-fi, kung fu, action, and adventure fans alike. Although the film is headlined by Reeves andFishburne--who both turn in fine performances--much of the fun and excitement should be attributed to Moss, who flawlessly mixes vulnerability with immense strength, making other contemporary female heroines look timid by comparison. And if we were going to cast a vote for most dastardly movie villain of 1999, it would have to go to Hugo Weaving, who plays the feckless, semipsychotic Agent Smith with panache and edginess. As the film's box-office profits soared, the Wachowski brothers announced that The Matrix is merely the first chapter in a cinematically dazzling franchise--a chapter that is arguably superior to the other sci-fi smash of 1999 (you know... the one starring Jar Jar Binks).--Jeremy Storey ... Read more

Reviews (2882)

What is the Matrix?
The Matrix will go down in film history books as "The film that changed cinema forever". True, films have done that before: (Jaws, Star Wars, Jurassic Park, Pulp Fiction et al) but the Matrix is different in that not only did it change audience's expectations of action cinema but also impacted on countless movies to date.

The film itself is the epitome of cool that stands out from the slew of unimaginative science fiction that Hollywood reels out, and with Keanu Reeves and Carrie Anne Moss making an unlikely duo in a post-apocalyptic world ruled by artificially intelligent machines, the film finds itself worlds away from admittedly second-rate sci fi cinema.

You could argue, as some critics did, that the film's plot is simply an excuse to hang cool effects on, but the premise slowly shapes into such an intricate plot, where machines have taken over the world (a popular idea for sci fi films, with this having similarities to Terminator 2) and then the small amount of snotty critics are silenced. What the Wachowski brothers have done is so imaginative that no film has ever come close to its intricacies and futuristic ideas. Add hints and nudges from Vertigo, classic Western films and Kung-fu karate films into the story and the amazing journey is made even more fascinating and involving.

The visuals incorporated throughout the story are absolutely amazing; with the "flow-mo" being the coolest visual effect those effects boffins have done since that water tentacle flowed through air in The Abyss. Imitated to death, the scene where Keanu's character Neo dodges bullets is nonetheless the pinnacle of uber-coolness. With thought provoking, mind-bending lines like: "It's the smell, if there is such a thing"; the film's script is peppered with fascinating lines concerning the very nature of "what is real?" Hence the clever advertising campaign for the movie's release: "Unfortunately, no one can be told what the Matrix is, you have to see it for yourself".

The Matrix has indeed changed cinema. Regardless, it's a great film, loaded to the retinas with out- of- this-world effects, great villians (Agent Smith!), great action set-pieces and awesome stunts from martial arts expert Wu Ping. And with the DVD (awesome stuff, everyone has to own this disc) and upcoming sequel in progress- The Matrix Reloaded, the Matrix is a film that not only has affected filmgoers everywhere, but has also leaked into the fan boy culture of the movie world. To quote Neo: "Whoa".

A dynamic and intelligent triumph
A stunning blend of action and science fiction, "The Matrix" tells the tale of a computer programmer who stumbles into an alternate world that forever changes his perception of reality. There's a reason why "The Matrix" won a pile of awards (and made a pile of money at the box office). A masterpiece of technical wizardry and storytelling skill, this is one of those memorable films that succeeds on every one of its many ambitious levels.

Fans and critics have raved about the film's mind-blowing special effects and fight scenes, but they are only part of the film's excellence. The superb performances of the actors are equally important. Particularly noteworthy is Laurence Fishburne's as Morpheus--his is a performance of controlled but passionate intensity. And Carrie-Anne Moss' performance as Trinity brings to the film a tenderness and humanity which greatly complement the high-tech milieu.

"The Matrix" is a wonderfully literate film whose dialogue includes references from Greek mythology, the Bible, Christian theology, and English literature. And one of the central themes of the film--the defiant resistance to an enslaving force--is one that can be found in many of the world's great works of literature. Watch "The Matrix," and then read the 1845 classic "Narrative of the Life of Frederick Douglass, An American Slave"--you'll appreciate the film even more.

very good
very good action, acting, plot, and dvd. much better than the dissapointing reloaded. haven't seen revolutions.

"Why oh why didn't I take the BLUE pill?"
After hearing so many good things about this film, I was actually underwhelmed the first time I saw it. I already new the basic premise so it wasn't a surprise to me. It wasn't until the SECOND time I saw it that it really hit me. Very well written, with some philosophical underpinnings hidden throughout, the Matrix is a smart sci-fi action film -- but not TOO smart: that would have to wait until The Matrix Reloaded (which is so dense it's hard to understand what's going on with just one viewing).

mind-blowing special effects
LOVE ALL 3 MOVIES SO DAMM MUCH. ALL HATES GO AWAY AND YOU'RE SO STUPID AND UGLY CAN'T WATCH THESE MOVIES. BYE BYEEEE!!!!! ... Read more

Reviews (79)

"Hello, Dolly!"
Mrs. Dolly Levi is inarguably the most endearing film character I have ever encountered. She is beautiful, fashionable, clever, and humorous. One cannot help but wish that Dolly actually existed. Indoubtedly, I cannot imagine anyone other than Barbra Streisand playing the part of Dolly. Her stunning voice and captivating performance make "Hello, Dolly!" a truly wonderful movie.
Besides Streisand's amazing performance, this movie includes some wonderful songs and exciting dancing scenes. However, the dancing scenes do become a bit tedious and long.
What is "Hello, Dolly!" all about? It is the story of a widow who arranges an unimaginable amount of events and places. She assists a couple's elopement, two friends' trip to New York City, and a bored man's romance.
This film features other loveable characters, too, such as a head waiter in a posh restaurant, an orchestra conductor at the same restaurant, and a hatmaker who desires to be "evil."
I would highly recommend this romantic comedy to anyone. Although the dance and song scenes are too long, watch the complete movie. Streisand's performance is extremely wonderful and endearing.

Hello, Dolly! Barbra's best intentions
Only Streisand's second movie, filmed during the politically and meteorlogically hot summer of 1968, Ms. Streisand turns in a performance that could have won her first best actress Oscar, instead of the much better "Funny Girl," filmed in 1967. Why an Oscar? Streisand knew from the start that she was terribly miscast as the middle-aged widow, Dolly Levi. Opposite Walter Matthau, twice her age at the time, it's not a believable story. The Oscar comes from Barbra's totally tongue-in-cheek performance. She is not Dolly Levi, she's really Mae West, Fanny Brice, Brooklyn Barbra, even a twinge of pre-star Dolly Parton. Listen as Barbra throws in a little southern accent here and there. But mostly watch an incredible actress do what she can with a story so silly that by the end of the film, 26 year-old Streisand changes the supposed-to-be 50+ widow into one of the sexiest screen performances in film history. Even Matthau can't hold back his disbelief when watching Barbra do her numbers. When there's no Barbra on screen, there's no film. You watch in anticipation until Barbra's next scene, wondering who she'll be. The film looks like Gene Kelly directed it in three days with many technical flaws in the continuity of blocking scenes and dialogue. Just watch Barbra. Forget that she's the best female singer of the 20th century (no pun intended). Think of her as a young, sexy actress who has such energy, fearless ambition to get her movie career going. Of course, the sets are incredible and her duet with Louis Armstrong (his last film performance) is classic, albeit about two minutes long. Watch Barbra whisper under her breath while filming the dance numbers in The Harmonia Gardens with seasoned dancers. She looks like she's saying, "What the hell am I doing here?" Actually, she's making pure movie magic happen, almost impromptu. Movie: three stars, Barbra: Five plus stars. Nice to see Michael (Phantom of the Opera) Crawford pretend he can't dance. Barbra doesn't talk about this movie, but being the most costly musical in history up to that time, 20th Century Fox got their money's worth a million times over by convincing the apprehensive Barbra Streisand to star. Sorry Carol Channing, but Barbra was the best choice.

Elephantitis
Thornton Wilder's modest little play "The Matchmaker" has been blown up as big as a zeppelin in this out-of-control Streisand vehicle. A couple of songs had been added in the original musical conversion of the play on Broadway but this Hollywood monstrosity was never on Wilder's drawing board. The play had in fact been filmed ten years earlier with Shirley Booth, Paul Ford, Anthony Perkins and Shirley MacLaine in the leads. They should have left it at that. The original point of the story of the middle-aged Dolly Levi's pursuit of Horace Vander Geller is swallowed up here by the vast sets (the New York street set was one of the largest ever constructed and was forbidden to Paul Newman for "Butch Cassidy and the Sundance Kid" for fear "Butch" would reach the theaters before "Dolly") and interminable and generally idiotic production numbers. This must be some of the worst dancing ever filmed. Hard to believe a couple of Hollywood veterans like Gene Kelly and Ernest Lehman rode herd on this fiasco.

Tune Vs Crawford: Palpable Onscreen Tension
The tension that erupted between Tommy Tune and Michael Crawford whenever they were onscreen together in this fine film was delightfully electric. Their intramural competition propagated palpable intensity not really visible or audible (they had no exchange of dialogue) -- it was more a matter of pride between two spunky bachelors, a jousting of the male wills: Tune's learned dance talent meets Crawford's raw dance energy. Both portraying young men pursuing women in the movie, their performances conveyed much more deep and lusty a purpose between them, a cocksure attitude of stretched wide smiles and leggy high-hop dancing, a genuine duel of actors in their prime. Don't miss this one because, despite their competition, both Crawford and Tune emerged victorious and grand.

The Last of the Great Movie Musicals
By Streisand's own admission, she was too young in 1967 to have made a movie about an middle-aged woman making a personal "comeback"... and we all know how wonderfully different and marvelous the film would have been with Carol Channing... however, this does not take away from the fact that this is an incredible, lush, entertaining and musically rich film. The transfer to DVD is superb and crystal clear in picture and sound. The widescreen is anamorphic and color corrected. The only drawback is Walter Matteau's typical characterization which often detracts from the scenes he appears in, and his song "It takes a woman" is only saved by the beautiful setting and the male singers and dancers that accompany him. His voice really should have been dubbed by someone who could sing. Not to worry, Marianne McAndrew (who is stunningly beautiful) is a treasure in this film.... and her songs are wonderful (not sure if that is really hear voice, but its terrific). The sets are incredible and who wouldn't give anything to dine and dance at the Harmonia Gardens? The set designs, art direction, cinematography and costumes are exquisite. ... Read more

Reviews (135)

The Die Hard - The Ultimate Collection is the best!!!
The Die Hard - The Ultimate Collection may be the best action/adventure series of the last two decades (vastly more enjoyable than the sporadic Bond films, and the self-indulgent Lethal Weapon movies), and a lion-share of the credit must go to Bruce Willis, the wise-cracking, superhuman yet humane hero. Willis became a superstar with the first Die Hard, and he is riveting as John McClain, the New York cop in L.A. With the always watchable Bonnie Bedelia as his wife, and the flashy Alan Rickman as the mercenary/entrepenour, the film is a non-stop rollercoaster ride! Die Hard 2 lacks Rickman's charisma as the villain, but Willis again gives a dynamite performance, and Bedelia is even better than in the first film. Spectacular special effects abound! Die Hard With a Vengence, the weakest of the trio, was originally intended as Lethal Weapon 4, but was rewritten for Willis and Samuel Jackson. Bedelia's absence hurts the third film a great deal, but Jeremy Irons (as Rickman's equally greedy brother) is an excellent villain. Incredible pyrotechnics highlight this film, and Willis is still a joy...And rumor has it, there WILL be a Die Hard 4!

"One of the greatest action trilogies ever made"
The Die Hard trilogy is quite in fact action-packed but you can't really say that it is the best. Overall, it is great and never boring even if you watch it 200 hundred times. Bruce Willis was perfect for the role as the crime-fighting, trash-talking John McClane, a cop who always finds himself at the wrong place at the wrong time. I enjoyed these movies and had to watch them over several times before quitting but anyway, here's the review:

Die Hard: In the first one, made in 1988, McClane, the NY cop, is coming to visit him wife Holly in an Los Angeles building. He soon finds himself in a room on the top floor filled with parties and drinks and begans to relax. However, at the lobby, something is wrong. The guards have noticed an unknown truck entering the parking lot. They don't know that inside this truck is a ruthless gang of terrorists led by Hans Gruber (Alan Rickman in his best role). Well, you know what happens. They kill all security and try to break into a vault to steal a couple million as well as rounding up some hostages. However, they don't know that they haven't caught McClane. And now it's up to him to save his wife and the hostages in a brutal and bloody battle against Alan Rickman! Very fast-paced. You won't know where the time went as well. Great directing by John McTiernan. Overall, the best movie of the series.

Die Hard 2: Die Harder - It seems that McClane is in trouble again when a group of terrorists take over an airport that is threatening to blow up all the planes (one plane has McClane's wife) if they don't receive a wide load of cash. Once again, it's time for McClane to grab his guns and save the day! This movie was much worser than the previous two (probably because it wasn't directed by John McTiernan) but Renny Harlin. I mean, Cliffhanger and Deep BLue Sea was good but every other film was hardly interesting. It's a very edge-of-your-seat thriller though I recommend not seeing this first because you will think the whole Die Hard series is a waste of time.

Die Hard with a Vengeance - McClane is back in New York City working with Samuel L. Jackson! After Simon Gruber, (I think) the brother of the main terrorist in the first Die Hard, blows up a local building, cops send John McClane to check it out. However, they discover that this man doesn't want revenge, he just wants money! A brutal deadly game of cat-and-mouse follows with plenty of action that will keep you gripped.

Well, that's it!

Three Of The Greatest Action Films Ever Made
With action films all the rage in the 1980s', director John McTernian took a stab at it and struck gold with "Die Hard". This was the film that made Bruce Willis a star and proved that action films could be more than rediculous, overblown shootouts. It inspired two smash sequels. All three are in this boxed set.

1988's "Die Hard" is where it all began. Hardened New York City cop John McClane (Bruce Willis) just wants to fly out to L.A. and spend Christmas with his kids and his estranged wife Holly (Bonny Bedelia). But when he goes to meet his wife at her work station at Nakatomi Plaza, things go awry. A group of Russian terrorists led by Hans Gruber (Alan Rickman in his best pre - Harry Potter role). They kill the office's head boss and hold everyone hostage - including Holly. McClane goes out on a limb with only his gun and his cunning to protect him. What ensues is nonstop, heartstopping action and some great moments of humor. Also in this film is Reginald VelJohnson, the star of the longrunning tv show "Family Matters".

McTernian was absent for 1990's "Die Hard 2: Die Harder". so Renny Harlin was tapped to direct. Willis, Bedelia and VelJohnson were the only original castmemebers for this one. In this one, McClane is at a Wshington D.C. airport waiting for Holly's plane to land. While waiting, he gets involved in a shootout that results in death and has an argument with an imcompetent police chief (Dennis Franz). Worse, he gets word that a group of terrorists are planning to take over the airport and free a drug lord. All this chaos throws McClane back into action. This causes flights to be delayed, and many planes are running low on fuel - including Holly's. While not as good as the first one, this one has enough thrills and comedy to satisfy.

After a five - year absence forom the screen, 1995 saw "Die Hard With A Vengeance" released. This is one is my personal favorite. Willis once more plays McClane. This one is quite different from he first two. First, the plot has nothing to do with Holly (Bonny Bedelia). In fact, Holly isn't even this film at all. Second, this film has McClane in his official city of work, New York. Still, it's a great movie. In this one, a bomber named Simon (Jeremy Irons) is targeting McClane for a delightful game of cat and mouse (wait until you find out why). So McClane once again goes out on a limb to risk his life for innocent people. Only, this time he has help from a reluctant civillian (Samuel L. Jackson). Once more, heartstopping action and hilarious humor fills the movie.

Extras include documentaries, tarilers and comentaries. This a great collection movies that I highly recommend. Also recommended is the "Lethal Weapon" boxed set and the "Dirty Harry" boxed set.

4.5 STARS
I could have chosen the Lord of the Rings box set, Star Wars box set, or the Die Hard box set and in the end I chose this one. I love this set. What your getting hear is 6 discs, 3 movies, 3 hours 44 minutes of featurettes, trailers, interviews, "making of" documentaries, ONE AWESOME SET, and much more. I'm not going to explain that much about what happens in each movie because either you already know what happens or you have seen other reviews that tell you about the movies. This is a great set though. I'm very proud to own it.

DIE HARD (1988) Length-132 minutes 2 DISC SET (Rated R)
-Cast-(Bruce Willis, Alan Rickman, Bonnie Bedelia, William Atherton, Paul Gleason, and more)
-Widescreen, English 5.1 DTS, English 5.1 Surround, English Dolby Surround, French Dolby Surround, subtitles.

SPECIAL FEATURES:
-Commentary, Subtitle commentary, scene Specific commenatry.
-Branching Version of movie with Extended Power Shutdown Scene put back in movie.
-2 Extended scenes, Editing room where you can re-edit- and re-mix scenes.
-Deleted Lines and Sequences reel, gag reel (12:49)
-3 trailers (4:54), 5 TV spots (3:37)
-Featurette (7:22), Slide Show (9:24)
-Whole script
-DVD-ROM-Script to Screen Comparison, Links, Game Demos.
-more

DIE HARD 2: DIE HARDER (1990) Length-124 minutes, 2 DISC SET (Rated R)
-Cast-(Bruce Willis, Bonnie Bedilia, William Atherton, Franco Nero, John Amos, William Sadler, more)
-Widescreen, English 5.1 DTS, English 5.1 Surround, English Dolby Surround, French Dolby Surround, subtitles.

SPECIAL FEATURES:
-Commentary
-Making of Die Hard 2 (23:05)
-Featurette (4:00)
-4 Trailers (6:26)
-TV Spot (:32)
-4 Deleted Scenes (:51, 1:05, 2:50, 3:47)
-Interview (6:41)
-Villians Profile (6:36)
-3 Behind the Scenes Vignettes (4:07, 7:50, 2:56)
-5 Visual Affect Breakdowns (3:06, 1:45, 1:26, 3:26, 2:03)
-more

DIE HARD 3: WITH A VENGENCE (1995) Length-131 minutes, 2 DISC SET (Rated R)
-Cast-(Bruce Willis, Samuel L. Jackson, Jeremy Irons, Colleen Camp, Graham Greene, and more)
-Widescreen, English 5.1 DTS, English 5.1 Surround, English Dolby Surround, French Dolby Surround, subtitles.

SPECIAL FEATURES:
-Commentary
-Behind the Scenes Vignettes, making of documentaries (21:44, 21:35, 8:45, 10:22, 7:50)
-Featurette (4:09)
-Alternate Ending (6:01)
-Storyboard sequence (2:14)
-Bruce Willis Interview (6:10)
-Villians Profile (4:22)
-Visual Affect Breakdowns (6:42)
-2 Trailers (3:51)
-10 TV Spots (5:17)

-more

PROS about movies:
-GREAT action, acting.
-Awesome Cast of characters.
-Cool Explosions.
-Movies are 2 Hours long each.
-Great story

CONS about movies:
-Vulgar
-In Die Hard it looks like McKlanes shirt changes color around middle of movie.

PROS about DVD box set:
-Cool Case
-Contains all 3 movies
-6 DVD's
-LOT'S of Special features

CONS about DVD box set:
-too expensive
-Nothing Extra comes with the set if you buy the 3 movies as one set.

I don't recommend this set to anyone who is younger then 16 because the movies do contain STRONG language, nudity, and graphic violence.

One of the classic action trilogies!
For me, this will always be one of the classic action trilogies. John McClane is a great action-movie hero---a domestic James Bond in the guise of everyman---and Bruce Willis will forever be linked to the character. As for the movies: DIE HARD is an influential action classic, now and forever; DIE HARD 2 is not quite as good but still a worthy sequel, and a lot of fun to watch; and DIE HARD WITH A VENGEANCE is the least of the series, generic and incoherent despite its skillful action sequences. Still, the DIE HARD trilogy will always have its place in action-movie history, and this Ultimate Collection is the definitive DIE HARD DVD collection, with all three Special Edition releases in a box that is slightly less expensive than buying all three separately. For fans of the trilogy, snap it up while it lasts! ... Read more

Reviews (234)

The Emperor's New Groove--A Groovy Movie!
The Emperor's