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| 1. Four Rooms Director: Alexandre Rockwell, Allison Anders, Robert Rodriguez, Quentin Tarantino | |
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our price: $15.99 (price subject to change: see help) Asin: 6305327041 Catlog: DVD Sales Rank: 2820 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (92)
I'll break it down room by room. The first room is sort of just to give us the happy "Ted scored" feeling. Sometimes I'd really rather fast forward through this, as the script is sort of silly in this room. But overall, I've seen a lot worse, and remember, we're not taking this film seriously right? The second room is the mistaken identity room that really shows off Tim Roth's ability to act. I have read other reviews that say he is horrible in this. I disagree completely. You can see every emotion the character feels pass across his face, which makes it very humorous. Jennifer Beals does a good job in this section, but like a lot of dialogue in Tarrantino films, you get the strict, rigid scripted feeling. In other words, the actors spit out this long line of gibberish that noone would really say in real life. People have to take the time to come up with these types of speeches. The third room is probably the best, if not a little bit disturbing. I think everyone did a good job in this section, especially Tim Roth when he was aggravated by the children. The fourth room seems to be plagued by bad acting. In my opinion, only Willis and Roth do a good job. Tarrantino is frightfully bad in his dialogue, and that scripted feeling comes back stronger than ever. Meanwhile, you'd be hard pressed to believe that anyone besides Willis is drunk. I think it was a bad case of overacting on the part of the others. Overall, its still worth watching, and the movie is great if for no other reason than Tim Roth (who is terrific in everything he is in -- See The Muskateer, as his acting is the only thing making the movie worthwhile).
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| 2. Fall Director: Eric Schaeffer | |
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| 3. Brokedown Palace Director: Jonathan Kaplan | |
![]() | list price: $9.98
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Reviews (66)
The characters are so unbelievable (except Danes of course). Fathers who allow their daughters to rot in jail. A private American lawyer hanging out in Bangkok who wiffs of second-hand Graham Greene novels ready to bail out the girls for a price. A friendship between the two girls that you really have to question in the face of what happens to them, and an ending that will leave you totally exasperated. I don't suppose this was based on a true story. Rather, the director seemed in search of some gravitas and needed to concoct an ending that would carry with it the emotional weight he imagined would be the case in such a situation. But, it is simply too incredible to believe that Danes' character would sell herself in this way.
This film is not about prison or about life in prison. It is not about drug smuggling. Criticizing it on this is like saying that Pirates of the Caribbean is a horrible movie because it doesn't represent an accurate portrayal of shipboard life. It is a stunningly beautiful and well done (at points artistic) portrayal of the depths of friendship and the strength of human character ("if you are lying..."). The sets and acting are wonderful, the examination of the Thai legal system seemed fair (regardless of whether those are the actual conditions in prison, I am not qualified to judge nor do I care for the purposes of this film), and there were several underlying moral questions without clear answers. Which is another thing: this movie doesn't leave you with all of the answers. Nothing is left accidentally dangling, but there are several things left for you to chew on.
Most importantly, I think that anyone who is a first time traveler or planning on backpacking throughout Southeast Asia really should see this film. Darlene and Alice were typical girls from USA Suburbia. They had just finished school (like many who are about to do a gap year or some backpacking) and went to Thailand because it was exotic, different, faraway... They really didn't know much about Thai culture before they set out. Sadly, they stayed in Thailand for much longer than they had planned to -- locked up in a women's prision (probably Lard Yao), for carrying drugs. Without devulging the plot, it is fair to say that they were innocent. Again, another harsh reminder that if you are heading to Southeast Asia (or really any developing area), you need to be really careful. Watch this, read Sandra Gregory's "Forget you Had a Daughter," and don't try anything stupid (or don't be coerced, tricked, etc). Southeast Asia is a wonderful place, and you will have a blast. Just know that there are consequences if you are caught with anything.
Okay, there is one reason I did not give this film a one star. If a young teeny bopper adolescent girl crazed over Claire Danes can learn a lesson about flying off to an unknown place without understanding that country's laws, and stop thinking it's so cool to go away with her best gilfriend and live it up in another exotic locale...then all is not wasted. Otherwise...this movie was really sad. Not as entertaining as the commericals lead me to believe. The girls were too incredibly naive and arrogant while in another country. Depressing stuff. ... Read more | |
| 4. The Rachel Papers Director: Damian Harris | |
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Reviews (6)
Ione Skye and Dexter Fletcher portray the growing relationship between Rachel & Charles rather well. James Spader fills in nicely as DeForest, the rival boyfriend. The college scene with Michael Gambon as Doctor Knowd is particularly humorous. A good study in adolescence.
The book was written from the point of view of the main character, but it has two voices. One was Charles Highway's inner meanderings and pronouncements, the other (still by Charles) was the unadorned, unanalysed description of the things that happened to him. And generally there is a glaring difference between the two - they don't match up. In the view of the first voice, Charles is a wise and funny schemer. But the events related in the second voice show him to be inept, unlucky, and chronically unsure of himself. The ending was similarly riven. You can't tell if things ended-up the way they did by choice or design. Perhaps the author didn't know. So anyway, the movie has to deal with that dichotomy, and it does it by pretty much ignoring the second voice. Charles comes across as boastful and shallow, for the most part, and a lot less likeable. The film also has to drop a lot of his hilarious caustic monolgues, so it's less funny than the book, too. That being said, there's enough left to allow fans of the book to fill in the blanks, and it doesn't attempt to force in a standard Hollywood ending. Plus the three main actors and the supporting cast were very good - Jonathon Pryce as Charles' deranged uncle is so good that it's hard to keep your eyes on Ione Skye in the few scenes they have together.
Fletcher, who lives with his sister (like in Say Anything) has a crush on the gorgeous intelligent Skye (like her character in Say Anything). In this film, however, there is another man (Spader). That adds a bit of intrigue to Fletcher's pursuit. Another significant difference is that the relationship is, shall we say consummated, onscreen (thus the R-rating). Notwithstanding the joy of seeing Skye in her most "revealing" role, this film has that kind of British sensibility that makes it an enjoying ride. However, don't expect the sophistication of Say Anything. Just an entertaining little flick with good dialogue and intriguing relationships.
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| 5. Mascara Director: Linda Kandel | |
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| 6. Implicated Director: Irving Belateche | |
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