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| 1. Lilies Director: John Greyson | |
![]() | list price: $29.95
our price: $26.96 (price subject to change: see help) Asin: B00001QGJ6 Catlog: DVD Sales Rank: 16317 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (47)
This is a piece of theatre on film which, unlike many movie musicals or plays put on film, transfers beautifully and clearly. The conventions used in this film highten the truth and beauty captured in Bouchard's [stage] script. Though in the first few minutes of the play there may be a few unanswered questions, everything becomes clear--more than clear; poetic. The acting is this film is beautiful. With a cast of mainly unknown actors, the subject matter is handled sensitively with a delicate touch. The central relationship of Simone and Valier is well defined and very well acted. Brent Carver proves his brilliance repeatedly in all his work, whether it's on stage or on screen. I am a little tongue tied when I think of this movie becuase I get moved everytime I replay the story in my mind. It is powerful and beautiful. If this review has meant anything, let it mean that this movie could leave you speechless.
Unlike many other movies with a gay theme, this one is very well acted. Young Simon, played by Jason Cadieux, has dark hair, dark eyes, and is drop dead gorgeous. It is easy to see why he is the object of every man's lust. But the one who really caught my attention was Vallier, played by Danny Gilmore. Though pale and a little thin, he is ethereally beautiful. What's more, Gilmore and Cadieux has such an erotically charged chemistry that is not often seen in any cinema. Although not as sexually explicit as some others, the bathtub scene is as sensual as any I've seen. This is a wonderful movie, one of my favorites. The only down side is that it has such a sad story line.
The story itself is quite ingenious. Quebec, 1952. A prison. The first scene opens with a priest arriving to hear confession. Nothing out of the ordinary......but as soon the confessional door closes, the mind-boggling roller-coaster begins. The penitent, Simon, has plans other than unburdening his soul. He and his fellow inmates put on a play within a play in order to help the unsuspecting Bishop Bilodeau refresh his clouded memory of events that happened some fifty years ago..... Simon and Bilodeau study together at the local school where a third boy, Vallier, has fallen in love with Simon. Simon and Vallier tryst in the school's attic, while Bilodaeu secretly lusts after Simon himself. Bilodeau attempts to separate the lovers in the guise of 'saving' Simon's sin-tainted soul, when in actuality, he only wants Simon for himself. Simon's father soon learns of his son's secret affair and brutally beats him. In reaction, Simon runs from Vallier and prepares to marry a visiting baroness. The wounded Vallier retreats to his equally-forlorn mother and together they plan to crash the approaching wedding and put Simon's love to the test. Their plan reaps it harvest and Simon soon confesses his love for Vallier. A happy ending is in the works, when Bilodeau blunders back into frame hoping to elope with Simon. Rejected, he reacts rashly and seals Simon's fate for the next fifty years. All the while, the film dances among the colorful past and dreary, incarcerated present as the inmates do their best to make Bishop Bilodeau confront his long-forgotten deed. The long-awaited 'confession' comes and the curtain draws, Simon avenged. No doubt a sumptous feast of colors, striking images, great performances (the baroness steals the show with her smoldering, sexy aura), Lillies is also arch and contrived, in a word, theatrical. The dialogue is so poetic as to seem rhetorical and forced. The characters say everything so touchingly, yet they fail to touch us. Even the final confession falls limp. Everybody tries so hard to say dramatic things that the drama itself suffers. The characters don't make us feel their predicament. This unnaturalness--for lack of a better word--is further compounded by the complete absence of women in the film. Understandable, but the excess of male-ness unnerves and annoys after awhile. Despite its artistic over-kill, Lillies is ultimely redeemed by its creativity and stunning beauty. Every scene is superbly crafted. Kudos to director Greyson, he truly understands his camera. No shot is wasted. Whether it's a close-up or a back-drop, the images in this movie often hit home harder than the dialogue. And the music. Lofty and atmospheric, it alone is worthy of four stars. And true to its theatrical origins, Lillies does deliver the moral goods. We are instructed and edified through the suffering of Simon and Vallier. Bouchard's play starkly outlines the tragic cost of running from ourselves. To quote another 'playwright's' immortal words, 'To thine ownself be true.' For those looking for a luscious piece of tasty and filling eye candy, then look no further!
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| 2. Iron Eagle on the Attack Director: Sidney J. Furie | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: 1573624667 Catlog: DVD Sales Rank: 28408 US | Canada | United Kingdom | Germany | France | Japan |
| 3. Under Heavy Fire Director: Sidney J. Furie | |
![]() | list price: $9.99
our price: $9.99 (price subject to change: see help) Asin: B000077VQJ Catlog: DVD Sales Rank: 24612 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (9)
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