Reviews (557)

Powerhouse film will enhance your DVD collection
I will admit to being a huge fan of Pulp Fiction from my first 10 minutes into the theater and getting yanked by my shirt colllar into the story and not being released until the final credit rolled. OK, so I'm biased.

BUT...it's not without well-earned bias. This movie easily qualified as an instant classic. The story is top notch, even though it comes in several different, smaller packages, Tarantino earns his directing stripes in effortlessly taking these seemingly random tales and believably weaving them all together. The acting/casting doesn't leave any stone unturned (It's Uma Thurman's best performance to date, Samuel Jackson WAS the best supporting actor winner that year, even if they didn't give him the trophy. Even Willis demonstrates some wicked acting chops in a beautifully understated performance. Christopher Walken, too, provides the most satisfying and memorable cameo!), and even the choppy editing style works.

Casual movie lovers will enjoy this as just a great film. Movie fanatics will love this DVD for the satisfying extras it provides.

Too good a DVD for you to pass up!

"Saved by a miracle of God..."
You know what, some people say that this movie sucks because it is way too hard to follow in story. I don't believe a word of that. The first time I watched the movie I wasn't a bit confused about this movie's un-cohesive plot.

This movie is reminiscent of the Pulp comics and magazines from yester-year, with it's high octane violence, graphic depiction of drugs, and of course...sex.

What I personally liked about Pulp was that characters can enter or exit the movie at anytime without much explanation. One minute you see John Travolta...next minute he is blown to bits by a M-16 machine gun. No questions asked.

Quentin definitely establishes that he knows what he doing, with unique camera angles, sparkling script, and wonderful acting...some of it done by the master himself!

I reccomend anyone watch this movie. It's completely awesome if you can handle the content.

oh yeah. "saved by a miracle of God" refers to a memorable line by Samuel L Jackson who plays a hitman that is convinced that the reason he survived near death is beacuse God's mighty hand came down and stopped the bullets. He soon quits his profession while on the other hand John Travolta stays...and we all know what happens to him! heh heh heh heh heh heh

Quentin Tarantino's best before Kill Bill
This classic by Quentin Tarantino was the first ultra-violent movie and it was fantastically well executed. An American Independent movie at its best.

The Most Fun You'll Have Watching A Movie!!
From the beginning five minutes of two people planning on holding up a diner, you know you're in for some fun. This is Pulp Fiction, Quentin Tarantino's undisputed masterpiece. Simply put, a genius rollercoast ride from beginning to end. With a large list of stars, including Samuel L. Jackson, John Travolta, Christopher Walken, Bruce Willis and Uma Thurman in some of their greatest performances to date.

The movie is broken up into three stories, all revolving around two hitmen (Jackson, Travolta), a mob boss's wife (Thurman), a boxer planing on retiring (Willis), and a mysterious breifcase, this fast paced film is probably one of the greatest action films EVER. The dialogue is what you would expect from Tarantino, with plenty of funny but memorable lines that you will remember forever.

With a die-hard cast, a chaotic but focused storyline, and an unbelievable soundtrack, including the classic "Miserlou" by Dick Dale and the Del-Tones, this film is definately Tarantino's funniest, most violent, and most fun romp to date, and one of the top ten greatest films ever! See it and you will not regret it.

awsome
this is one of the must see crime movies. very funny and never dull. great acting. not actually that hard to follow like some reviewers say. there are not that many jumps between time. the dvd is great. ... Read more

Reviews (92)

All in all, pretty lousy
Only the most die-hard Tim Roth fans will want to sit through this whole movie. Too bad the last two segments (I think they're the last two, anyway) are the only ones even remotely worth watching; that means you have to sit through the first two to get to them. Thank God for fast-forward!
The one with Madonna in it is about witches, and the only thing you can say about it is that it makes witches look like the most boring possible subject matter in the universe. Plus it stars Madonna. 'Nuff said.
Then there's one about a wife and her husband, with one of them tied to a chair or something. This one was so bad, I can't even remember anything else about it. And I only watched it three days ago! What does that tell you?
Thankfully, just when you're begging for someone to shut it off, along comes the third segment, a hilarious little film about two naughty children and the bellhop (Roth, who appears in each segment) who is bribed to keep an eye on them. When the source of the mysterious odor in the room is discovered, Roth's reaction almost justifies the whole movie's existence. I was still laughing hours later.
The last segment, by spoiled Hollywood wonderchild Quentin Tarantino, is okay. It has his trademark crackling dialogue (of course), and Q.T. has some fun with his own image. But too bad the entire segment itself is just one long, sick, unfunny joke.
Making this movie was not a very good idea, and the results were predictably foul. Even the always-enjoyable Roth seems out of place and you kind of feel sorry for him. But at least the "Misbehavers" segment, all by itself, redeems the experience. Almost.

Definitely not for everyone
If you are a hardcore Tarrantino fan, you'll probably like this. If you are a reserved, serious person, you probably won't. Pretty simple huh? Maybe not...

I'll break it down room by room. The first room is sort of just to give us the happy "Ted scored" feeling. Sometimes I'd really rather fast forward through this, as the script is sort of silly in this room. But overall, I've seen a lot worse, and remember, we're not taking this film seriously right?

The second room is the mistaken identity room that really shows off Tim Roth's ability to act. I have read other reviews that say he is horrible in this. I disagree completely. You can see every emotion the character feels pass across his face, which makes it very humorous. Jennifer Beals does a good job in this section, but like a lot of dialogue in Tarrantino films, you get the strict, rigid scripted feeling. In other words, the actors spit out this long line of gibberish that noone would really say in real life. People have to take the time to come up with these types of speeches.

The third room is probably the best, if not a little bit disturbing. I think everyone did a good job in this section, especially Tim Roth when he was aggravated by the children.

The fourth room seems to be plagued by bad acting. In my opinion, only Willis and Roth do a good job. Tarrantino is frightfully bad in his dialogue, and that scripted feeling comes back stronger than ever. Meanwhile, you'd be hard pressed to believe that anyone besides Willis is drunk. I think it was a bad case of overacting on the part of the others. Overall, its still worth watching, and the movie is great if for no other reason than Tim Roth (who is terrific in everything he is in -- See The Muskateer, as his acting is the only thing making the movie worthwhile).

Pulp Fiction(downtoned) + Kill Bill(downtoned)=Four Rooms
i love this movie i thought it was quite enjoyable.Tim Roth cracks me up when i watched this(his performance reminded me a lot of charlie chaplin) especially when he just walks and talks its quite strange but it was a great movie that i think any tarintino viewer would enjoy.

Not bad, and stop blaming Madonna!
With 4 directors and a cast of over 20 actors {all talented}, this movie was bound to flop. Antonio Banderez makes a great appearance and Madonna and Quentin Terentino {and} Bruce Willis were good too. The script seems confusing, the directors all have completely different views and styles, so it's confusing. But it is still funny, the bellhopper was excellent, really funny guy. Madonna, who was only in the first fifteen minutes, was blamed for the badness of the movie, stop hating just because she's one of the only people in this movie who don't cuss up a storm and stay fresh and to the point! And as for Quentin, it was a nice cameo, but you're a lot better behind the camera...

rather keep your good money
The more this Tarantino guy attempts to be sophisticated, the worse he fails. This inexplicably overrated, clumsy effort is even worse than Pulp Fiction. Packed with violence and poor taste, it sticks out like a sore thumb for its total lack of talent, humour, ideas. The film equivalent of a crapburger with 200 chili peppers (expired, too), it lets the amazingly childish ego of its director transpire from its every pore. And I don't tolerate such yobbo in my private living room. ... Read more

Reviews (50)

Highly Entertaining--Great Acting
Okay, so Tom Cruise gets a job at a Memphis law firm, right? We've all read the book or seen the movie, so how does one recommend this to one uninitiated?

Cruise puts in a solid performance, again playing his guy-who-doesn't-catch-on-for-a-while character he does so well. Sydney Pollack is a great mainstream director, and he pushes all the buttons, as well as giving us a great cast including Gene Hackman, Holly Hunter, Ed Harris, Jeanne Tripplehorn, David Straithairn, Gary Busey, Hal Holbrook, and Wilford Brimley.

Top-notch acting all around, with especially good turns by Brimley and Hunter, playing against type. Hackman is always good to watch and he does a terrific job of making Avery Tolar a likeable guy in spite of his faults. I suppose the most amazing job was done by David Straithairn, who, with less than ten minutes of screen time, paints an indelible portrait of Ray McDeere, Cruise's convict brother. He is the most likeable character in the film.

The plot is the standard rising-above-conflict stuff. Watch this movie (again) for the performances, or for the fine score from Dave Grusin and try to ignore the changes from the book (which I think were justified in making the ending more cinematic and Hollywood).

Con-Firm Your Plans
The Firm, was the first John Grisham novel, adapted for the big screen. While I must confess, I never have read the book, I think the film is a solid "bubble gum" pot boiler that works very well.

Mitch McDeere, (Tom Cruise) is a young and hungry Harvard Law student, who turns down offers at the top law firms to take a position at a small but wealthy Memphis firm. Mitch grew up on the wrong side of the tracks. He is so taken with his mentor Avery Tolar, (Gene Hackman) his own ambition, and greed, he ignores his wife Abby's (Jeanne Tripplehorn) initial misgivings about the suspicious practices of his new employers. It's only when two of his fellow lawyers die in a mysterious accident that Mitch begins to share her apprehensions. He then launches an investigation into the true nature of the firm and discovers that it is a front for a complex and sinister web of organized crime, that goes to very top of the firm and even includes head Oliver Lambert (Hal Holbrook).

Directed by Sydney Pollack, the film benefits moreso from its all star cast, than it may have otherwise. Cruise proves that he can hold his own with Hackman for sure. Despite the fact that Cruise and Tripplehorn seem sparkless as a married couple, she too, is great in her scenes with Hackman. Pollack knows what works and keeps things at a brisk pace. His skills are evident as he juggles many different subplots that come together in the end nicely. One final comment on the film: Composer Dave Crusin's atypical music score adds just the right touch in setting the scene and giving the movie some flavor.

I don't know what it is about most of the John Grisham legal thrillers, but like most of them, the DVD of The Firm lacks any substantial extras. All you get here are two theatrical trailers--nothing more. A commentary track or a few deleted scenes would have put this product over the top.

The Firm doesn't have as much of a soapbox element as other Grisham stories do..that's ok. It's all for fun. No extras aside--Recommended

NOTHING IS WHAT IT SEEMS
With superb acting fome the always good Tom Cruise,Ed Harris,
Gene Hackman,Holly Hunter,e.t.c.I really liked this movie it was
really entertaining and even funny,well when Gary Busey is on
screen as a sleazy P.I with a magnum under his desk shootin at
2 assasin like guys.The movie is all around good and worth a
watch.Don't want to give to much away so rent it,buy it,what ever
just watch it.

Excellent
I first saw 'The Firm' just because it sounded interesting. What I didn't know, though, was that I was in for quite a treat! I enjoyed every minute of this intense thriller, from the beginning until the surprise ending (though I'm tempted to tell what happens, I'll let you find out for yourself!). I tell a bit of the story here, so it is possible they may be regarded as **SPOILERS**, so if you don't want to know anything about the movie, STOP READING.

Tom Cruise shows off one of his best performances as Mitch McDeere, the formally poor boy who goes off to Harvard Law School and graduates cume laude. He goes to many prestigious firms, all of whom want him real bad. One firm, though, Bendini, Lambert, and Locke, strikes his interest. In return for joining, he gets $100,000 per year, and a shiny new Mercedes. He accepts, and he and his wife, Abby (Jeanne Tripplehorn), fly to Memphis, where they get a nice house, with most of it payed for by the firm. The story unfolds, and through the course of events, Mitch learns the dark truth about his firm. . .

The acting is superb in this film. Tom Cruise's performance reminds me of his in 'A Few Good Men'; strong and realistic. Jeanne Tripplehorn is a pleasure to watch as his wife Abby. Gene Hackman plays a surprisingly sympathetic role as a partner in the firm. Holly Hunter (who received an Oscar-nomination for her role) is almost humorous as a southern-twanged secretary-turned victim-turned accomplice. Ed Harris brings his usual fine acting style as an FBI agent, and veteran actor Hal Holbrook plays a grandfatherly lawyer more evil than his attitude would imply. Sydney Pollack's directing is radiant, and the single piano score by Dave Grusin can be both calm and content, then become fast and furious.

In conclusion, 'The Firm' is a fun, fresh thriller, and it should be enjoyed for years to come.

A Firmly Gripping Thriller !
In this screen adaption of one of John Grisham's most thrilling legal novels, Tom Cruise plays a graduating Harvard law student that is recruited by many of the nation's top law firms. He ends up choosing a firm based in Memphis, where he takes his school-teacher wife and shaggy dog to a seemingly perfect life ahead of them both. The trouble begins when Cruise gets suspicious about a murder that has occurred to one of the firm's lawyers. The action then begins there where Crusie enters a world of glitz, money, and not to mention murder in this thrilling film. With the firm hot on his heels in pursuit to silence him, Cruise exposes the truth about the firm's dirty secrets that are sure to be a shocker. ... Read more

Reviews (79)

A welcomed one-way ticket.
"I'm under no illusion why the these men are here, Colonel. I just think they might be reminded of some of the good things they've done, rather than only the worst."

This and many other emotionally charged lines, serve as the moral basis of Rod Lurie's "The Last Castle," a slam-bang prison drama with a heightened fervor that will have you on the edge of your seat until the blazing, bloody end. Okay, so some of the film's technical details in regards to military intelligence seem farfetched, but its story packs a tremendous wallop while instilling a sense of courage and honor into its heroes, who just happen to be inmates.

The good thing about Lurie's film is that it doesn't try to sidestep the fact that these people are criminals, accomplishing this through the newly arrived inmate, formerly saluted as General Eugene Irwin (Robert Redford). Court-marshaled for disobeying an order that resulted in catastrophe, Irwin, sentenced to ten years imprisonment, acknowledges his wrong-doings and has accepted his punishment. Once in prison, called "the castle" by its warden, Colonel Winter (James Gandolfini), Irwin begins questioning Winter's tactics, which range from by the book to outright malicious.

After their initial meeting, Irwin becomes an object of mute jealousy for Winter, whose lack of combat experience (not to mention Irwin's mockery of his civil war relics) is fuel for his harsh treatment of select prisoners. At first, the other inmates beckon with Irwin to discuss Winter's actions with his political connections on the outside, but Irwin will have none of it. That is, until he becomes the next select prisoner, made an example by Winter to show the inmates that he is no different than them.

Thus begins the battle of wills, played out with terrific gusto by Redford and Gandolfini. As Irwin, Redford is pretty much putting on that old Redford charm once again, but it's never looked or sounded better. He endows his character with all the brazen charm and suitably in-your-face dialogue needed for the audience to stick with him in his struggle. Gandolfini is outstanding as Winter, his character's corrupt ideals lighting the fire for the film's terrifically charged third act, in which Irwin leads the inmates in an uprising meant to overthrow the balance of power and have Winter removed from his position of command.

It is here that the movie suffers its few pitfalls, due to logical faults as a result of fluid storytelling. For instance, one might question the way in which the inmates are herded into the courtyard while the remainder of the guards search their cells, but it works if you think of it in terms of Winter exercising his morbid thirst for power in an attempt to shut down Irwin's operation. As the action increases, Lurie's film takes on a tremendous amount of intensity; the predictability factor of Irwin's step-by-step plan is an attribute, taking us right where we want to go without hesitation or loss of interest.

It's not as deep as a film like "The Shawshank Redemption," and some may find it jingoistic, but "The Last Castle" benefits from a lucid and effective plot, to say nothing of the stellar cast, both lead and supporting. The undertakings of the film's first act may not have a clear destination, but once it gets going, it's a welcomed one-way ticket aimed at morality issues surrounding American patriotism in battle against corruption. That key line ("I'm under no illusion..."), above all others, sells us on the story's moralistic center, as well as providing a reason for the film to exist at all.

Weak Screenplay
I used to listen to Rod Lurie on KABC talk radio each Saturday. He had a show on movies and he was very entertaining. His views were strong and very unlike the political correctness that started to sweep this country. I remember when he got his first screenplay together and had to leave the show to direct his first movie. He is the rare movie critic that actually switched careers to make movie. For that, he deserves respect by all.

Now...this film was weak. I agree, the core antagonist/ protagonist relationship was weak...in fact, very weak. The warden was insulted because he has never really done a tour of duty, so collecting war memorabilia is for the weak. This is his soul motivation to prove himself. Yes, man is that fragile, but it needed to be developed thoroughly to base an entire movie on.

The rest of the flic makes one wonder if these guys are really in a prison. There is almost no conflict among the prisoners...they seem so united and too respectful of Redford's character. The movie lacked energy and intensity. The scene with the rocks that Redford dragged went on and on with no climax that moved me.

In short, this was a good looking Hollywood movie that was boring...you keep wondering why this movie was made. Maybe on repeat viewings it will be insightful...however not by me. I'm glad I borrowed it from the library!

Keep trying Rod!

Creative
This movie is creative, but at a less intuitive rate. There is much to be gathered here, despite the predictability on the surface. I think it speaks much to the next 20 years of the United States. Give it a viewing and then give it a couple days to grow on you.

The acting is very good, as is the cinematography. The editing is very good, as is the transfer to DVD.

Overall, one to put on your second-tier viewing list.

Slightly entertaining, not worth owning
I'm glad I saw this film on HBO instead of paying money to rent it. While it was moderately entertaining, I wouldn't be interested in adding it to my home movie collection.

The film starts out with two incidents that it fails to follow up on. The first is a fight in the military prison between two inmates. The music and fight leads you to believe that this will be like a lot of prison films: people leading very hard lives, getting beat up on a daily basis, and having to fight to survive. There was virtually none of this. None of the prisoners are the least bit scary, and you expect them to hug each other by the final scene. Robert Redford is immediately given respect for being a general, and doesn't have to earn anything for himself.

The second surprise is that Redford's situation is left a mystery until halfway through the film. It's alluded to several times early on that he is a 3 star general and he doesn't deserve to be in prison. When it is finally revealed why he is in prison, it is a letdown. You're expecting it to be a fairly prominent part of the film, and he's portrayed as someone who doesn't deserve to be there. The director brushes over the explanation and the viewer learns that Redford, like every other prisoner, DESERVES to be in jail. This makes it very difficult to root for him when he decides to lead a gang of murderers and prisoners in an uprising against the warden.

The other main problem with this film, is that Gandolfini doesn't come off as a very bad character. Unlike the classic prison movies, you have a prisoner who deserves to be in jail, fighting against a warden who is supposed to be evil, but is never developed fully enough to show this.

The whole time through the end of this movie, I kept thinking, these guys are killing innocent American soldiers who were stationed at the prison and are simply following orders. While not many are killed, there are definitely a couple who go down permanently. I'm supposed to be excited about this?

Overall, a lackluster hero, a weak villain, and a lack of a single escape attempt makes this a very weak prison movie. This movie is tailor-made for Dolph Lundgren or Jean Claude Van Damme, not Robert Redford.

Ruffalo is the shiznay
basically because I like Mark Ruffalo and he's done some other brillant movies like XX/YY and My Life Without Me and so forth and that's why I viewed this and I liked it. Robert Redford and Gandolfini play a great game in this movie and Ruffalo is along for the ride. My favorite scene is when Ruffalo steals the helicopter and plows a guard with the end of it and blows a station up(a great action sequence). also I noted that there's a surprise actor named Steve Burton in this flick, who you may or may not know plays Jason on General Hospital. a must see for prison movie fans ... Read more

Reviews (48)

One Good Cop
When I bought my first DVD player a number of years ago, Cop Land was one of the films that, I thought about buying right off the bat. I was disappointed though, to discover there were no bonus features on the disc, and I didn't get it. Back then, my rule was simple: no bonus material-no purchase. After a long wait, a special edition for the film, is finally here.

Freddy Heflin (Sylvester Stallone) is the sheriff of a place everyone calls "Cop Land"-a small and seemingly peaceful town populated by the big-city police officers he's always admired. Yet something ugly is taking place below the surface. The sheriff is shocked when he uncovers a large and deadly conspiracy among these local residents. He doesn't know who to trust. Gary Figgis (Ray Liotta) and Ray Donlan (Harvey Keitel) try to persuade Heflin that he is wrong. Soon though, he is forced to take action and make the difficult choice between protecting his own and enforcing the law, as Lt. Tilden (Robert De Niro), an Internal Affairs officer, arrives to begin an investigation of his own.

Writer/director James Mangold assembled a top notch cast that can't be beat. Stallone rises to the challenge and gives his best performance since the original Rocky flick--no really, it's that good. The drama and situations are very real. No over the top, super hero heroics are to be had. It's gritty reality is heightened for me even more, due to Mangold's use of many familiar North Jersey locales, as the story's backdrop.

The DVD showcases a 116-minute "Director's Cut" of film. In this cut, 11 minutes of footage is reinserted, not part of the original theatrical version. For the most part, these scenes are rich in character bits and advance the plot only slightly. Still, the 11 minutes are worthwhile. The audio commentary track from Mangold, producer Cathy Konrad, cast members Stallone and Robert Patrick is a solid one, filled with great insight on how the film came together. Aside from the 11 minutes of inserted scenes, there are a few additional deleted scenes complete with opitional commentary from Mangold, about the editing choices he made. The film's climatic shootout and its corresponding storyboards are detailed for viewers. Pretty cool. Rounding out the bonus material is a featurette called "The Making of an Urban Western" All I'll say is the commentary is better.

The special edition of Cop Land is recommended. And it's worth a re-purchase if you already own the movie only disc. ****1/2 stars.

A memorable movie with an even more memorable cast !
The movie Cop Land combines long lost talent in its leading star, Sylvester Stallone; top notch performances from its supporting cast, Ray Liotta, Robert Deniro, Harvey Keitel, and Annabella Sciorra; wonderful cinematography by Eric Edwards; and brilliant direction of James Mangold who later went on to direct such hits as Kate And Leopold, Identity, and Girl Interrupted.

Cop Land is a fictional tale of crime and corruption in a city run and occupied by New York's unfinest cops. Stallone pulls it off excellently as the city's overweight sherrif, Freddie Heflin, who couldn't get into to the force on account of his deaf ear. When the police force covers up a cop shooting that leaves two innocent men dead and stages a hero story, its up to Sherrif Heflin to reveal the truth and bring order to the city known to everybody as Cop Land.

The movie features an outstanding performance by Robert Deniro as an FBI agent trying to uncover the deceptions and opens Heflin's eyes to the corruption around him.

A memorable film with an even more memorable ensemble cast.

Underrated
Great little movie. Amazing cast, great performances. Nicely underplayed. Will be curiuos to see the directors cut with 11 extra minutes added.

A solid cop thriller in the tradition of Sidney Lumet
Cop Land is a homage to police corruption films like Sidney Lumet's Serpico and Prince of the City. In many respects, Cop Land is also a modern western, complete with a High Noon-style showdown. Miramax previously released this film on a movie-only DVD. This new version is a huge improvement but is it worth the upgrade?

Definitely.

"Cop Land: The Making of an Urban Western" is an excellent retrospective featurette. Stallone to be interested in the role but the actor wanted to something different, to go back to his starving actor roots. After him, came De Niro and then everyone else followed.

Next, there is a "Storyboard Comparison" that allows one to watch part of the film's climatic shoot-out simultaneously with the storyboards for it.

There are two deleted scenes with optional commentary.

Rounding out the extras is a solid audio commentary with director James Mangold, producer Cathy Konrad and actors Sylvester Stallone and Robert Patrick. Not surprisingly, Mangold and Stallone dominate this track. Stallone comes across as a very humble and gracious guy. Mangold keeps everyone talking, acting as an informal moderator and asking everyone questions. This is a really good track and definitely worth a listen if you're a fan of this movie.

Cop Land features a killer cast and allows them to flex their acting chops with a top-notch screenplay. This DVD is a definite improvement over the previous bare bones edition and is worth the upgrade. Miramax has finally done this film justice with an excellent special edition.

SLY IS THE BEST!!!!
I AM A HUGE SLY FAN EVER SINCE I WAS A KID, ANY FILM SLY MAKES I MUST SEE WEATHER IT BE SPY KIDS 3 OR THE NEW MOVIE "SHADE" I HAVE TO SEE IT IF SLY IS IN IT. COPLAND IS A WONDERFUL MOVIE AND WHAT IT DID WAS INTREST ME TO BE A DEPUTY SHERIFF MAYBE IN THE FUTURE. SLY ONCE AGAIN DOES A GREAT JOB AS THE DOWN TO EARTH SHERIFF WHO JUST WANTS A LITTLE MORE CREDIT FOR HIS JOB. APART FROM THE GREAT SLY WE HAVE THE GREAT HARVEY KEITEL, RAY LIOTTA AND OF COURSE ONE OF MY TOP 5 FAV ACTORS ALONE WITH SLY WHO IS NUMBER 3 ROBERT DI NERO. THIS IS A GREAT FILM FOR COP LOVERS I THINK ITS ONE OF THE BEST AND REALISTIC FILMS ABOUT BEING A SO CALLED "COP" AND BEING A "SHERIFF". I WOULD RATHER BE A SHERIFF AND WEATHER MOE TILDEN LIKES IT OR NOT FREDDY HEFLIN IS A COP. ... Read more

Amazon.com

With the knockout one-two punch of 1992's Reservoir Dogs and 1994's Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that reestablished John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultrahip mixture of established marquee names and rising stars from the indie scene (among them Samuel L. Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin, and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. No, it was not the Second Coming (I actually think Reservoir Dogs is a more substantial film; and P.T. Anderson outdid Tarantino in 1997 by making his directorial debut with two even more mature and accomplished pictures, Hard Eight and Boogie Nights). But Pulp Fiction packs so much energy and invention into telling its nonchronologically interwoven short stories (all about temptation, corruption, and redemption amongst modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson ... Read more

Reviews (557)

Powerhouse film will enhance your DVD collection
I will admit to being a huge fan of Pulp Fiction from my first 10 minutes into the theater and getting yanked by my shirt colllar into the story and not being released until the final credit rolled. OK, so I'm biased.

BUT...it's not without well-earned bias. This movie easily qualified as an instant classic. The story is top notch, even though it comes in several different, smaller packages, Tarantino earns his directing stripes in effortlessly taking these seemingly random tales and believably weaving them all together. The acting/casting doesn't leave any stone unturned (It's Uma Thurman's best performance to date, Samuel Jackson WAS the best supporting actor winner that year, even if they didn't give him the trophy. Even Willis demonstrates some wicked acting chops in a beautifully understated performance. Christopher Walken, too, provides the most satisfying and memorable cameo!), and even the choppy editing style works.

Casual movie lovers will enjoy this as just a great film. Movie fanatics will love this DVD for the satisfying extras it provides.

Too good a DVD for you to pass up!

"Saved by a miracle of God..."
You know what, some people say that this movie sucks because it is way too hard to follow in story. I don't believe a word of that. The first time I watched the movie I wasn't a bit confused about this movie's un-cohesive plot.

This movie is reminiscent of the Pulp comics and magazines from yester-year, with it's high octane violence, graphic depiction of drugs, and of course...sex.

What I personally liked about Pulp was that characters can enter or exit the movie at anytime without much explanation. One minute you see John Travolta...next minute he is blown to bits by a M-16 machine gun. No questions asked.

Quentin definitely establishes that he knows what he doing, with unique camera angles, sparkling script, and wonderful acting...some of it done by the master himself!

I reccomend anyone watch this movie. It's completely awesome if you can handle the content.

oh yeah. "saved by a miracle of God" refers to a memorable line by Samuel L Jackson who plays a hitman that is convinced that the reason he survived near death is beacuse God's mighty hand came down and stopped the bullets. He soon quits his profession while on the other hand John Travolta stays...and we all know what happens to him! heh heh heh heh heh heh

Quentin Tarantino's best before Kill Bill
This classic by Quentin Tarantino was the first ultra-violent movie and it was fantastically well executed. An American Independent movie at its best.

The Most Fun You'll Have Watching A Movie!!
From the beginning five minutes of two people planning on holding up a diner, you know you're in for some fun. This is Pulp Fiction, Quentin Tarantino's undisputed masterpiece. Simply put, a genius rollercoast ride from beginning to end. With a large list of stars, including Samuel L. Jackson, John Travolta, Christopher Walken, Bruce Willis and Uma Thurman in some of their greatest performances to date.

The movie is broken up into three stories, all revolving around two hitmen (Jackson, Travolta), a mob boss's wife (Thurman), a boxer planing on retiring (Willis), and a mysterious breifcase, this fast paced film is probably one of the greatest action films EVER. The dialogue is what you would expect from Tarantino, with plenty of funny but memorable lines that you will remember forever.

With a die-hard cast, a chaotic but focused storyline, and an unbelievable soundtrack, including the classic "Miserlou" by Dick Dale and the Del-Tones, this film is definately Tarantino's funniest, most violent, and most fun romp to date, and one of the top ten greatest films ever! See it and you will not regret it.

awsome
this is one of the must see crime movies. very funny and never dull. great acting. not actually that hard to follow like some reviewers say. there are not that many jumps between time. the dvd is great. ... Read more

Reviews (53)

The best gangster film you've probably never seen
Ranking up there with Scarface and even Goodfellas, King of New York is one of the best gangster films ever made, thanks largely in part to the magnetic and explosive performance by Christopher Walken. Walken is Frank White, a ruthless kingpin freshly released from prison who vows to use his connections and money for charitable means. On his trail however, are three cops (David Caruso, Wesley Snipes, and Victor Argo) who, by any means necessary, vow to bring Frank down. Profane, action packed, and filled with unforgettable performances (Walken, Caruso, and Laurence Fishburne are incredible), Abel Ferrara's King of New York is hypnotic from it's first frame to final shot, and the action scenes are pulled off better than most major budget pictures. This new Special Edition from Lion's Gate/Artisan includes a nice amount of extras to tide fans of the film over, and the commentary by director Ferrara must be heard to be believed.

THE KING IS DEAD...LONG LIVE THE KING
Frank White (Christopher Walken) is a crime boss just released from prison. He rejoins his henchmen, headed up by Jimmy Jump (Laurence Fishburne). No sooner does White step out of prison, that the killing games begin. White is out to finance a local inner city hospital that is on the verge of being closed for lack of funding. He is determined to do this by using the ill gotten gains of drug trafficking, his and that of other drug lords. Since the others apparently will not relinguish the money voluntarily, force is used, quite a bit of it as a matter of fact, to get their money and/or drugs.

Officers Dennis Gilley (David Caruso) and Thomas Flanigan (Wesley Snipes) are part of a team of cops that are looking to stop White. They are outraged that he is on the street and that they are seemingly unable to stop him by fair means. They decide to resort to foul means and end up all the worse for their efforts. Throughout the film, the line is sometimes blurred between the good guys and the bad guys. There is no happy ending here, and justice may or may not be deemed to have been served, depending upon the viewer's own subjective viewpoint.

The performances are good overall, and in particular, Fishburne's manic character, Jimmy Jump, is a good foil for Walker's coolly detached character, Frank White. This is not really a character driven movie, however, but rather a plot driven one. There is a lot of action, a lot of shootings and carnage, and some car chase scenes that will keep the viewer on edge. The violence, when it occurs, is bloody and protracted. Moreover, in addition to being bimbos and sex toys, the women also pack high powered heat and shoot with the best of them. Despite some plot holes, the film entertains, though just how entertaining the viewer will find this film will depend on the viewer's tolerance for violence.

The DVD itself is pretty much no frills, offering pretty standard features, such as widescreen, a theatrical trailer, scene access, and a music video. There is no commentary. The picture, though dark, is clear, as is the sound.

"King Of New York" DVD Review
Just like "Scarface" and "New Jack City" before it, "King Of New York" is a gritty gangster flick that takes real-life issues and mixes them with charismatic characters and stylized action that is so over-the-top that it could only work in a cinematic world. Walken's Frank White is the ultimate anti-hero, a murderous drug kingpin who uses his money for good purposes. No matter how good intentioned his motives are, the police are sick of his whole operation and are ready to go to war. The first half of the film has a rough but realistic edge to it while the second half spins into a bullet-riddled, blood-soaked, Hollywood action movie. The movie does have its faults. Fishburne's violent sidekick, while providing some entertaining moments, does occassionally come off looking like a dated and ignorant sterotype of Black youth in the late 80's. Not that it ever kept this movie from acheiving a type of urban cult following that is rivaled only by "Scarface". This movie was one of the first to showcase such young unknowns as David Caruso, Wesley Snipes, and Steve Buscemi and while it can't exactly be credited for launching their careers, it can at least boast their talented performances. But everyone in this film pales in comparison to Walken. He steals the show here. Speaking of steal-showing, this special edition DVD features an audio commentary with director Abel Ferrara that has to be heard to believed. I can safely say that I've never heard a director's commentary like it. A documentary on Ferrara should have been as entertaining but due to the fact that it has no interviews with the director himself, it doesn't quite live up to my expectations. There are a few colorful stories here and there but nothing like what you get on the commentary.

Nice new DVD package
I own the new special edition 2-disc set that includes 2 versions of the film- standard frame and widescreen, and contains the director's audio commentary track voice-over the video portion the film.
The director is a very very sick dude, folks, who hates the police and makes films which accuse the police of being responsible for everything thats bad in this world- both Bad Lieutenant and this film contain the cop haters theme to the max.

What makes this director a nihlistic sick mother is his attitude and language in his commentary (which quite frankly I enjoy!)- during the film his voice-over commentary reveals a sick mind- every woman who appears on the screen is singled out by the director and called a "piece of ..." while other such ditties do not pass unnoticed. This director has a serious mental abberation, a problem which he uses film to work out- hes basically working out his emotional problems by directing very sick films. While I enjoy his choice of language in the commentary and his absolute honesty, I cant help thinking what a sick mother this director is in real life.

The most darkest charecter, Frank White
This is one of Chris Walkens best movie, rated and nomminated for 4 oscars, King of New York is a classic gangstar movie based on 1930s crime caper lifestyle and the hunger of ruling the crime world, Frank who recently is released from the pen, he too has eyes set on dominating the crime world and goes into deep trouble and gang bangs to get to where he is, a grand kingpin.
This movie may be cliche but the storyline is like no other and the acting is what makes this movie great, sure it may be low budget but its a one of a kind and frankly, this is the movie the started all dark crime gangstar movies like Goodfellas and The Untouchables, it deserves props. 10/10. ... Read more

Reviews (50)

GO Girl!
I truely enjoy the acting of michelle rodriguez and in this film she shines. told from the projects in NYC, diana must try to break free from the world that she lives in. the ultimate tomboy,living with her abusive father and artistic brother diana is constantly in trouble at school, one more fight and she's out. she goes to a Y where her brother is taking boxing lessons from Hector. seeing an opportunity she goes to hector and askes him for lessons too. during her lessons she and fellow boxer adrian get to be friends and she inevitably falls for him.
this is a touching story about life and love in the city. you see diana grow from her trials as a boxer and as a girl "coming of age." you feel the pain of her seeing adrian with the "pretty girl" time and time again and you root for her when she fights.
definately a collection booster!

This film is real. It's so real that I forgot it was a film.
Girlfight is the seemingly simple story of a Diana, a young woman from the projects with an attitude who trains to be a boxer. Played brilliantly by the newcomer Michelle Rodriguez, the role calls for a brooding hostile intensity as well as a deep sensitivity. Diana has to be strong, both physically mentally in order to battle the stereotypes in her macho Latino culture. And Michelle Rodriguez doesn't just have power in her biceps; she has power in her eyes. One of her narrow-eyed scowls says more than pages of dialog. During the film she learns to focus her rage into her boxing, and the joy of her growing control is apparent by the delight on her face. She also falls in love with a young male boxer, Adrian, played by Santiago Douglas, and their relationship has its ups and downs. Eventually, they have to fight each other in the ring.

The whole cast is excellent -- Jaime Tirelli as her trainer, Ray Santiago as her little brother, Elisa Bocanegra as her girlfriend, and Paul Calderon as her brutal father. And, in a small cameo performance, the famous director, John Sayles, is cast as a boring science teacher. Later, I discovered that the brilliant 32-year old writer and director of this film, Karyn Kusama, went through some training of her own. She is John Sayles former assistant and this, her first film, has already won all kinds of awards. I predict a long and brilliant career for her as well as the young actress. The entire production deserves a well-earned Bravo! Girlfight is winner on all levels. Don't miss it.

inspiring
Michelle rodriguez is utterly convincing in this role. Great underdog movie!

wow...
I saw this movie in my english class at a community college and I was amazed with Michelle Rodriguez's performance. She is a really great actress. She played her character as a woman boxer really well. She showed great potiental in this movie. This movie made me a big fan of hers now.

A Great Movie!
This movie is definitely a must-see! It's about time a movie came out with real, solid content, without the "buttered-up" story-lines the movie industry puts out now a days. Gives way to the idea of "never giving up"... no cheese involved. ... Read more

Amazon.com

Based on the riveting bestseller by Richard Price, this 1995 crime drama was directed by Spike Lee with such authority and authenticity that it has the hyper-real quality of a stylized documentary. Fully capturing the thoroughly researched detail of Price's novel, the film focuses on Strike (newcomer Mekhi Phifer), a young, ambitious "clocker"--or drug dealer--who works the streets of his New York housing project, selling drugs for a local supplier named Rodney (played with ferocious charisma by Delroy Lindo). Just as Strike is struggling to get away from his dead-end life of crime, another dealer is murdered in a fast-food restaurant and local detectives (Harvey Keitel, John Turturro) consider Strike the primary suspect. In cowriting the script with novelist Price, Lee uses this murder mystery to explore the plague of guns and black-on-black crime in America's inner cities, in which drugs and death are familiar routines of daily life. The film doesn't pretend to offer solutions, nor does it dwell on the problem with numbing insistence. Rather, this taut, well-acted film takes the viewer into a world often hidden in plain sight--a world where options seem nonexistent for youth conditioned to have little or no expectation beyond a probable early death. Lee and Price are deadly serious in handling this volatile subject (which incorporates racism, powerless law enforcement, and political indifference), but Clockers is also blessed with humor, insight, and humanity. It's one of Lee's most confidently directed films, signaling a creative maturity that Lee continued to develop throughout the 1990s. --Jeff Shannon ... Read more

Reviews (25)

An Average Joint
This crime drama about a troubled, confused teen boy has some well-done elements but the overall result isn`t too exciting or innovative. Strike is a young dealer living in a dangerous and claustrophobic neighborhood, and as he becomes more involved with some bad influences his problems start to increase and leaving him in a difficult situation.
Director Spike Lee uses a typical murder mystery to offer some insight into this NY community, showcasing their connections and relations. There are some stylish and edgy camera angles, the acting is generally convincent and the characters complex enough (even if a bit stereotyped), but the movie is ultimately too long, the pacing slow, the plot unsurprising, the score melodramatic and the ending a bit weak and forced.
So, despite some good moments, "Clockers" could have been more developed and edgier, since most of the picture offers nothing that hasn`t been shown in some TV series out there. Passable entertainment.

ALEXS CAPSULE MOVIE REVIEWS
Highlights: Harvey Keitel's, Mekhi Phifer's and Delroy Lindo's amazing performances; the tightest script ever written by Spike Lee; philosophical themes well-developed; candidly brutal depictions of the projects, with all their crack dealers and lack of aspiration.

Lowpoints: The musical score at times gets a little too overwhelming; Clockers' pace falters, but that's to be expected from a Spike Lee joint, and Clockers is the most successful venue on his resume yet.

Conclusion: A fine, powerful drama that deals with the life of a young man, born in the projects and trying to make a living from dealing crack cocaine. The acting is exceptional, particularly Harvey Keitel's, who always mesmerizes and here delivers a performance that, in terms of intensity, could only be compared to his work in Abel Ferrarra's Bad Lieutenant. The characters are spot-on, the script sizzles, and there are scnes that will make viewers choke on tears of compassion.

SEE THIS IF YOU LIKED: Do the Right Thing, Menace II Society, Baby Boy.
DON'T SEE THIS IF YOU LIKED: O, Save the Last Dance, Monkey Trouble.

Classic Gangsta Cinema from the hardest of hardcore Spike
Yo, you gotta buy this yo. This is where it all comes from. This is the movie that in the future will be viewed as the end all be all of gangsta movies. It chronicles the trials and tribulations of a smart teenage drug dealer as he grows up in Brooklyn and tries to gain a lucrative spot in the drug game off the benches. It shows with flashbacks and good storytelling how black on black crime is created and perpetuated in the hood: too many men dealing crack son. This teenage hardcore is called Strike and he must choose his path in life and one thing the movie makes abundantly clear: Strike can stop dealing anytime he wants. Strike has money and trains. Strike has people in the community including two understanding cops and a mother and a brother and a sister in law who would like to see him change his ways and the script shows that he can chance anytime. He can go into witness protection. He can just up and move and take his money elsewhere. He's smart. he can do alot of things, but he chooses to stay and be a dealer. Why? because the most father-like influence on him is a hard-boiled dealer played by Delroy Lindo who permeates the film with rationale evil and avarice that make bad leutenant look like good family fun. So in short, Spike is showing through Strike how all the black youth just need a good father figure to set them straight, stop dealing and raise a family like Strikes brother who is honorable and sympathetic to the extreme. The soundtrack is brilliantly wrought to effect sympathy and compassion from the audience while the shocking visual elements cause us to question our own society.

Fair to middlin'
I'd probably like this movie a lot better if I didn't feel it was such a disservice to the novel it's based on.

Delroy Lindo does give a standout performance as Rodney, but I just wasn't that impressed with Keitel. I guess it's a testament to Price when I say that the Rocco Klein of his novel felt more lifelike, more deeply conflicted, and more rounded than Keitel's Klein seemed on screen.

I found it irritating that there were certain surreal elements added to the script which seemed to compromise the grittiness of the story. The additions didn't make the movie funnier, they just made it strange.

As a side note, less than ten years old, the soundtrack already seems incredibly dated.

Don't even rent this one, go read it. If you're dead set on spending your loot, buy two copies of "Do the Right Thing."

VERY NOSTALGIC
This film is probably the most emotionally compelling film I've ever seen. I feel like the ghosts of my past are reaching into me as I watch this. ... Read more

Reviews (21)

Ellen Barkin is on the prowl
When "Sea of Love" comes to mind, it's difficult not to think about the powerful sexual attraction between Al Pacino and Ellen Barkin that consumes both actors and makes their characters believable. Pacino has the right mix of a burned-out veteran cop who's lonely and bitter at losing his ex-wife to a fellow police officer, and Barkin's Helen is a sexy, tough and complex business woman and single mother with a hard-edged exterior who's also lonely and reaching out for love. Barkin, as always, is great to look at, with her crooked, predatory smile and seems like a tigress hunting for prey, which two scenes illustrate perfectly. The way Helen glides up to Frank Keller in her tight skirt when he enters her shoe store is one of the film's best moments, and the way she materializes out of the shadows and approaches Keller in his dark hallway is high drama and very powerful. Helen also seems to have the better of it in her sex scenes with Keller and has him back on his heels, her hunger for sex palpable and credible. It's a shame that Barkin doesn't appear until the movie is 43 minutes old but she certainly makes the most of her remaining screen time. The film takes its time in establishing the characters and has some dull stretches but the two stars make it work very well. The surprise ending is bit of a letdown, perhaps because there's no suggestion that it's coming. Phil Phillips' 1959 hit gets several reprises here and is, of course, the film's title.

Dangerous and Sexy
When Al Pacino, one of the greatest actors of our time, decided to return to movies after a long self imposed absence, he chose this Harold Becker thriller and simply exploded back into American cinema. A moody, pulsating score, a lonely city at night atmosphere, and the sexy Ellen Barkin helped to create an erotic and suspenseful thriller like no other.

Someone is placing personals and killing men, leaving the old '45 "Sea of Love" playing at every murder scene. Pacino and his partner John Goodman decide to place their own personal and meet women, hoping one will be the killer. Pacino uses something his sick father had written to his mother years ago and it might just be good enough to attract the killer.

In steps Barkin, a single mom hotter and sexier than origional sin. Pacino doesn't get her prints on a glass like every other suspect who answers the ad and we spend the rest of the film wondering if this mistake will cost him his life. Pacino tells Goodman he has eliminated her as a suspect and begins a sexually charged relationship that begins to be more. But he can't tell her he's a cop because of how they met and his suspicion explodes in his face when she finds out.

A lot of this film is about mistrust and suspicion, and a very messed up Pacino, desperately lonely and trying to move on from his divorce. Barkin is dynamite, but may also be the killer. When Pacino discovers all the victims knew Barkin, things get evermore dangerous. In addition to the electricity between the two leads there is also a fine script and great support from minor players to create one of the most nail biting thrill rides of all time.

There is a memorable scene where Pacino is frantically searching for his gun while Barkin is in the bathroom you just have to see. One of the most erotic scenes in screen history takes place in a supermarket late at night as Sade's band instrumental "Siempre Hay Esperanza" from her Stronger Than Pride album plays sexily in the background.

Think you know who the killer is? You might. Then again, it might be a suprise. Don't rent this one. Buy it. You'll watch it more than once. I guarantee it.

STYLIZED EROTICA
With the exception of 1983's SCARFACE,the 80's were a bust for Pacino. This was his comeback outing and it is a stylized erotic journey that would have been grossly misplaced outside NYC. These are New York characters. No other way to describe them, no other need to. Harold Becker is an under rated American director and this is best best work since THE ONION FIELD (1979). The music is seductive (save for 3 versions of the title track). And wickedly sexy Ellen Barkin literally works off with the film when she meets Pacino in a West Side supermarket wearng only a trenchcoat and heels. It was enough to make me shop there.

Great thriller!
I really liked this well-directed movie that is full of suspense throughout. Barkin absolutely sizzles. She has never looked better.

Writers of personal ads seem to be getting murdered. Pacino investigates and finds a pattern in the ads in that they are all poetic. Pacino hopes to trap the killer by placing a similar ad. Barkin happens to be one of the ladies that answer his ad and he gets involved with her. All the time he is not sure if she is the killer that he is tracking.

This movie was before the Internet explosion, so the idea of a personal ad in a newspaper may seem dated. However, the movie still works well.

Barkin, baby, where'd you go?
This is one of those films I love- the kind that sits on my shelf, I forget about for a while, and when I finally remember it one rainy day and put it on, it seems like new all over again... and I remember why I got it in the first place.

Pacino is Frank Keller, a NYC cop who is a little beat by life, doesn't get all his daily recommended allowance of beauty sleep, and who, on occassion, has a wee problem with the drink. Maybe not the sort of a man you'd be beating down mama's door to show off, but, ya know, a decent kinda guy. He's working on a murder investigation, assisted by the always reliable John Goodman, and due to circumstances and the trouble with 3am, becomes romantically involved with one of the suspects.

Enter Ellen Barkin- as the tagline reads, she may be the love of his life... of the end of it. Either way, she is definitely working the celluloid charm that made "The Big Easy" so steamy- although here it's more edgy and direct than bashful.

The film rolls along at a good pace, never quite spelling anything out for sure so you're thankful that it's on DVD and don't have to throw things at the TV when commercials cut in. Beyond the intensity of his scenes with Barkin- and there is some damn fine sizzle to 'em- there are some great moments that really help bring out Pacino's character and make him more human- vulnerable, profane, sore, sweaty- than other roles I've seen him in since; when he tells a guy the "Yankee's meet'n'greet" is all booked, and his mutterings when he sees one of the blind dates still at the bar don't have the theatrics of some of the more "Al Pacino movie" characters, and are all the better for it.

Also, the scratchy, tense relationship his Frank Keller has with his co-worker nicely sets off the easy partnership he strikes up with Goodman's Queens detective; their camraderie and somewhat comical difference in stature made for an unexpectedly great part of the film.

Altogether, a terrific watch, and makes you wonder just how the hell Barkin ended up playing a Minnesota beauty queen's mom. Musta been 3am somewhere then. ... Read more

Reviews (61)

How can you forgive that...
I had heard, by word of mouth over the years, that "Bad Lieutenant" was truly extraordinary, but nothing could really prepare me for the sheer visceral impact of the film, or the electrifying, career best performance, given by Harvey Keitel, in fact I watched the film 3 days ago, and have deliberately waited 'til now to write this review.

After much thought I have to say that "Bad Lieutenant" really is a monstrous train-wreck of a movie, but what keeps you watching, utterly mesmerized, unable to look away for an instant, is Keitel's performance as the titular character. He's never given a name in the film, or even in the credits, he's just the "Lieutenant," and "Bad?" "Bad" doesn't even begin to describe this guy, as the front of the DVD case puts it, "Gambler. Thief. Junkie. Killer. Cop."

After surviving on the mean streets of New York for 20 years, he has seen, and pretty well done, it all; the "Lieutenant" is a man who exists in a nihilistic Hell of his own making, and we watch as he roars headlong towards his own destruction, along the way, plumbing the very depths of abject human depravity.

A lapsed Catholic, he is still wracked by guilt for the truly awful deeds he commits, whether it's doing and/or selling drugs, booze, sex, gambling, thieving, killing, the "Lieutenant" is a soul in torment. Unable to find a way out, he is sinking deeper and deeper into a morass of yet MORE drugs, MORE booze, MORE bets he can't cover, and more, meaningless, cold, emotionless, and depraved, sexual acts.

Yet somewhere deep inside this blasted shell of a man, there still exists a spark of humanity, so lost in the wretched, savage squalor of his life, that even HE doesn't know it's there. Then one day he becomes involved in the investigation of a crime that shocks even him... the brutal rape of a Catholic nun. Initially coldly dismissive of what the young woman had been through, he listens in on her conversations with her superiors and is shocked to his core to discover that even though her bruises are still fresh, she has already forgiven her attackers. She knows their names but won't pass them on to the police.

The "Lieutenant" can barely comprehend how can such a thing can be, how can she forgive such a terrible act... such a terrible sin? If she can forgive so much, then maybe, just maybe, he himself can find some kind of redemption, maybe someone - God? - can forgive him HIS sins. After his confrontation with the nun, howling out his characters pain, and anger, and hurt, and fear, Harvey Keitel gives the most searingly honest, desperate, and emotionally raw performance of his career.

Bleak, brutal, depraved, and honest, are some of the words that I would use to describe this film, which is NOT easy to watch, especially this NC-17 version, but it's a film that SHOULD be watched by anyone who is serious about Cinema as an art form. Between them, Ferrera and Keitel have produced an extraordinary cinematic experience, unbending and uncompromising in its exploration of the human condition, powerful and unforgiving, it forces you to actually THINK about the subject matter, and to face the rotten darkness in the heart of this particular human soul.

I would like to end this review with a bit of trivia concerning Keitel's performance. Regardless of whether you love this film or hate it - like "2001," this film seems to generate extreme reactions - no one can argue about the power, and sheer gut-wrenching truthfulness, of Keitel's performance. Depending on exactly when the film was released, Keitel would have been eligible for a shot at either the '92 or '93 Oscar for Best Actor. So who won? Well, I looked it up, and Keitel "lost" to, either, Al Pacino in "Scent of a Woman" in '92, or, God help us, Tom Hanks in "Philadelphia" in '93! Next time I find myself getting even mildly curious about who's taking home one of the gold statuettes, this little bit of trivia will kind-of put the whole tawdry circus into perspective!

A great movie that should be given its due.
A friend of mine once recommended me the "Bad Lieutenant" and raved how great it was and how I had to see it. After seeing the film, I realized why the "Bad Lieutenant" is such a cult classic. You would think that Keitel's character would be a good cop who does the right thing. Instead you get a corrupt junkie cop who is damned from the very beginning and knows it. The scene where a delusional Keitel sees Jesus is the most intense emotional performance I have seen since De Niro's jail scene in Raging Bull. Abel Ferrara thankfully resisted any temptations to glamorize Keitel's drug use because it would have made his downward spiral less real and tragic. This is not an easy movie to stomach. It provokes so many conflicting emotions about the character because you hate the cop for being so evil. On the other hand, you want to understand why he does what he does, because deep down, you want him to be saved even though he is too late. I can't believe Keitel wasn't even nominated for an Oscar because his performance in this film is the best of the decade. Keitel and Ferrara took a big chance on the "Bad Lieutenant" but those two seem to create their best work when they do.

Bad Movie
There is no other way to put it this movie is banality at its worst.

There is no real story here, other than Harvey Keitel's character going around doing bad things over and over again throughout the movie. No real plot, not real story line. It's just a montage of scenes of a bad cop doing things bad cops do.

Thumbs way down.

Bravado filmmaking at it's finest!
As tough as any review might seem, behind this trainwreck of a movie lies one of the most important pieces of work in bravado film history. Often compared with Taxi driver, Abel Ferrara 1992 effort is a disturbing hell of a ride from title to end credits. I consider myself lucky for having the stomach, the patience and the strengh to watch it repeatedly and still being able to absorb it without passing out with the high ammount of ultra disturbing material this film dares to offer...and I still enjoy it very much. Drugs, death, addiction...good lord...you should be asking yourself... why should I watch a piece of junk like this? this is no junk at all, this is a lesson too important! This film is strong, powerful, realistic, impressive, daring and bold in every aspect, and it does have the power to disturb and shock hundreds of thousands of viewers...and I believe that's a beauty! This is a film where no one's innocent, everyone is evil and redemption is the only cure. I hate doing reviews cuz films should speak for themselves, but all I have to say is that Harvey Keitel's bold self destructive and out of this world performance should be considered as the most viceral, dramatic, original and impressive charaterization of the 90's. This is his best performence ever!!! This guy showed the world that he can play anything you throw at him, no matter how difficult or dihumanizing it might be, he's the guy to pull it off brilliantly!. I can keep on writing for hours and hours about his impressive and jawbraking job on this movie but I wont...all I have to say is that if it wasn't for him, Bad Lieutenat wouldn't have 90% of its raw power...this guy is a class A actor all the way. And this also makes Abel Ferrara one of the most amazing directors alive...this movie is incredible!

Be prepared for this highgly recommended film that should go down in history as the most viceral and daring film of the 90's. But be warmed, this film has the power to bring everybody down!. I haven't watch a film like this again!

He's a bad cop and out of control. But there is redemption.
In this 1992 film Harvey Keitel is cast in the role of a bad cop. He's a addicted to cocaine, abuses power and is at the bottom of a downward moral decline. He shows us his weaknesses and bares his soul and we hate the acts he does but also see a tortured man who is out of control in every way. When another cop is about to arrest some thieves, Keitel sends the other cop away, takes their money and then lets the thieves go. He gets his payoffs in cocaine from drug dealers. He uses his police power to force some teenage girls to satisfy his sick needs. And he is constantly drinking to counteract his cocaine high. It's rather surprising, but not unbelievable, that he still lives with his family and four children but he has long since given up any attempt at reconciling to a middle-class life. And, to top it off, against the background of the World Series, he is way over his head in gambling debts.

Then he is brought into a case where a young nun is brutally violated. She knows the two men who have committed the terrible act but refuses to name them to the police. "I have already forgiven them," she says. This throws Keitel into a moral and spiritual quandary, and how he resolves it might be shocking to some but is understandable, given his character.

This is perhaps Harvey Keitel's finest performance. I felt his humanity in spite of all his nasty acts. Underneath it all was a very troubled human being. Wisely, the screenwriter didn't give him a name. We just think of him as the bad cop. And also, wisely, we don't get any back story. I had been actually waiting for it. I wanted to know the reason that would make a man act this way. But my curiously was never satisfied. Instead, I was thrown into the man's current moral dilemma. The result was a deeply disturbing journey into the depths of depravity and redemption. I applaud the filmmakers, as well the director Abel Ferrera, who, with the help of Zoe Lund, also wrote the screenplay. It took a lot of courage to bring this story to the screen. Highly recommended. ... Read more

Amazon.com

Band of the Hand was executive-produced by Miami Vice creator Michael Mann, but this violent relic of the '80s begs for a smarter script and Mann's directorial flair. Instead it's got TV's "Starsky"--Paul Michael Glaser--seemingly asleep at the wheel, barely controlling a rainbow coalition of bad actors as punky Florida jailbirds, given a second chance when they're dropped into the treacherous everglades and whipped into a crack unit of urban warriors by a gruff marine (Stephen Lang) who supervises their juvenile "reform." One of the reluctant recruits has a girlfriend (fresh-faced newcomer Lauren Holly) who's tied up with local drug lords (Larry Fishburne, James Remar), and the inevitable showdown offers guerilla warfare in pastel shades. Wretched dialogue and lackluster action don't stop this from being a Vice-like guilty pleasure, populated by garishly costumed stereotypes and ending like the pilot for a TV series that never happened. Even the DVD liner notes admit the movie is "infamous"; accepted on those terms, it's a hoot. --Jeff Shannon ... Read more

Reviews (27)

Band of the Hand
Let me start by saying I love this movie. I first saw this film in the theatres during it's original theatrical release. I have this film on vhs. I have been waiting for the past few years for this film to be released on DVD. Finally it has arrived. I wish they had preserved the original theatrical aspect (widescreen), but at least they remastered the audio and video. The film itself stands as one of the best and most entertaining action films of the 1980's. This largely overlooked classic embodies the look, the feel and the attitude of 80's cool and features the most memorable soundtrack of this era. The story centers around a group of juvenile delinquents who have committed serious crimes and are given one last chance at rehabilitation.
This last ditch effort begins in the Florida Everglades and culminates in the "program" relocating to Miami. Once in Miami the ever reforming juveniles have to learn to work together, resist the temptation of their former lives and also confront the harsh realities of their past. Each character undergoes personal growth and ultimately they decide on their own to wage war on the local ... cartel and the action really heats up. I would recommend this movie to anyone who likes action movies with humor and substance. Band of the Hand has excitement and flair to spare, considerably more than the standard fare.

Pure 80's goodness!
So long.....I have waited so long for this movie to be released on DVD. Last year, I was forced to buy a well used and badly warn VHS copy on Ebay. Forced, you say? Yes, Forced. This movie is goodness. That's all there is to it. I saw it on cable when I was a kid and it quickly became one of my favorite movies of all time.
Please, do yourself a favor and buy this movie. As some people have said above, they really do not make them like this anymore. It's got that special something that modern movies lack...and I'm not just saying that because I'm older now, and that's what older people are supposed to say about things from their chldhood. It's a fact. My praises cannot do this movie justice. You have to watch it to understand. Band of the Hand is hidden and forgotten treasure. Those who call it corny, or say the acting is "bad" simply do not get it. I get it, and I hope you do too.

Finally, on DVD.
One of the many movies I thought worthwhile, but unavailable on DVD.

Until now...

Glad to see "Band of the Hand" is finally out. Far from a perfect film, it captures a bit of those heady 1980s in a time capsule.

I saw this film when it originally came out - one of the few who did - and I've always refered it to friends as Miami Vice's "What I Did on Summer Vacation" movie.

Now, if we can only get the Miami Vice series out on DVD...

Great 80's time capsule even if it's not great
Band of the Hand is one of those movies that you can watch as a time capsule of teen-focused films of the 1980's. Rather than focus on the angst of upper middle class kids and their love lives, Band of the Hand looks at the criminal element of the era. Directed by Paul Michael Glaser (Starsky and Hutch) and produced by Michael Mann (Miami Vice), this film is more visual than visceral. The premise is only slightly realistic (and only more recently so, as rehab programs vaguely similar have cropped up in the 90's), but it's fun to watch.
The characters are sinister bad boys, but not so much so that you can't love them. There's the drop dead handsome drug dealer, a new wave looking kid who committed patricide (but only because the guy beat his mother and sister), two gang members (one Puerto Rican and one black), and a rough uneducated car thief.
We see these boys commit their crimes and then get busted - all done in a very Miami Vice sort of way. They are all relegated to a new experimental rehab program that involves them surviving on their own in the everglades. If they graduate (which you know they will) they'll move into a really rough area of Miami and learn to live in the city.

Not only do these boys succeed, they do so with flying colors. Rehab is a wonderful thing! This is obviously a liberal conscience at work - none the less it is fun to watch.

I won't spoil the film (because I do enjoy the film even if it is trite and overly empathetic to the characters), but suffice it to say there is a lot of excitement and eventually - intrigue and action in this film.

My complaint is that the film is very uneven. It seems to be bits of several films stuck together. There's a sense of a three act play at work - and the third act is where the fun is.

The acting is good and the interaction of the young and older actors is believable, even if the script is silly.

In the end, you'll enjoy this bit of escapist 80's fun.

Finally!
This is a great movie. At the time, Miami Vice was king (still is to me)and this has the same flavor, just with a coming of age storyline. The charachters are kind of like a group from the Magnificent Seven and the Dirty Dozen combined. All in all, a fun action movie with some good messages just under the surface. Biggest thing about this movie is the incredible soundtrack! Used to have the tape, and would kill for a cd. ... Read more

Amazon.com

It takes courage for any actor to fill shoes previously worn by Spencer Tracy, but no one could accuse fellow two-time Oscar^® winner Anthony Quinn of cowardice. It was, in fact, a longtime goal of the Mexican-born actor to take on the role of Ernest Hemingway's luckless fisherman Santiago. It would be churlish to suggest that he bests Tracy (who received an Oscar nod for his performance), but there's little doubt that Quinn, in his 70s at the time (Tracy was in his 50s in 1958), looks and sounds more right for the part. This 1990 telefilm is also a family affair as Quinn's daughter, Valentina, portrays Santiago's concerned daughter and his son, Francesco, portrays the Cuban as a scrappy young man. Gary Cole and Patricia Clarkson provide strong support as an American couple who take inspiration from Santiago's quest to catch just one fish after an 84-day dry spell. --Kathleen C. Fennessy ...