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| 21. Game of Death Director: Bruce Lee, Sammo Hung Kam-Bo, Robert Clouse | |
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Reviews (67)
Now, we all know "Game of Death" simply exists to use The Footage. And the 20-ish minutes of The Footage does appear at the end, and it's a very stylish, having-fun Bruce Lee -- not the sullen, monotone Bruce of ETD. The makers of the film went with a "Bruce double" for the rest of the film, often in shadow, wearing HUGE sunglasses, keeping his face turned away, etc. Every now and again, a snippet of actual Bruce gets edited in from an earlier movie, say, upon his walking into a room, or for a reaction shot. And some of these cut-away bits are pretty awkward -- few of them flow smoothly. But having said all that, this film -- as a kung-fu film about a star named Billy Lo trying to break away from the syndicate -- is way, way above the average for this genre. For the trio of syndicate heavies, we get Mel Novak, Hugh O'Brian and Dean Jagger -- and these guys are FAR more compelling actors than you usually get for this type of flick. Some of the exchanges, with Dean Jagger especially, are deliciously sinister. The guy (actually, there may be two of them) playing the "Bruce double," while not looking a whole lot like Bruce (hence the sunglasses) and not exactly a riveting screen presence, has the fluidity of Bruce's kicks down pat -- which is no doubt why they hired him. Moreover, some of the fight scenes end with him getting beaten down and out, an effective dramatic element which the real Bruce had seemingly discarded. The real Bruce was doing movies which were becoming more and more of an "I-am-indestructible" exercise, only offering his steady obliteration of everyone else, even against noteworthy foes. But because we're dealing with a stand-in of sorts, HE can be beat down to a pulp. This at least lends a bit of dramatic flux. And, of course, this film has The Footage, arguably Bruce's best work, and edited together pretty well from whatever they had on hand. BUT -- before we get to The Footage, the "Bruce double" has an absolutely fantastic fight with Bob Wall -- after Bob Wall has just gotten done having a very cool fight scene with Sammo Hung for "The Martial Arts Championship of the World," complete with a stadium of screaming fans! How much campy-goodness is THAT?! People who are simply bothered by the way the studio glommed onto The Footage in order to make a profitable flick are totally overlooking the much-better-than-average elements going on. The soundtrack is beyond classic -- the triumphant yet haunting horns announcing the titles somehow mesh so strongly with the realization of Bruce's untimely death -- it becomes the perfect music for his passing, as well as for the movie itself. And lest I forget, this DVD transfer is really crystal clear -- even some of the jarring "real Bruce" cutaways are made to almost work by the fact that the DVD looks so good. Yeah, this film really needs to be cut some slack. If people are going to call the 70's-clunky "Enter the Dragon" a timeless classic, then this one deserves much more recognition. Robert Clouse directed this one (1978) between "Enter the Dragon" (1973) and "The Big Brawl" (1980) -- so the timeline pedigree is solid as well.
There's this one cool part where Lee fights a motorcycle gang in a warehouse, and he hits a guy in the face with his bike! The end is excellent. Lee goes to this place and fights five martial arts masters in a row. Also, in this movie, Lee uses nun chucks for at least ten minutes. It's so great. Lee died while shooting this movie, and most of it is a body double, but it's still very entertaining. His noises are great and so is his technique. No martial artist today can compare to Lee. Watch out, though. After seeing this movie, I had a strong urge to fight people, and I did not control it. I went out and gave my neighbors a beating. They were doing some lawn work, so I hit one with a rake and used him to impale his son. ... Read more | |
| 22. House Arrest Director: Harry Winer | |
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Description Reviews (15)
The kids decorate the basement to look like Hawaii, where their parents spent their honeymoon. But after Mom and Dad start quibbling over the anniversary cake, Grover decides to take matters into his own hands by locking his parents in the basement. He figures that after a night alone together, Mom and Dad will be able to work out their problems once and for all. It doesn't work that way, of course. The hilarity level of the movie just gets higher and higher after some of Grover's friends lock their parents in the basement with his own; what starts with a "prison sentence" turns into a all-encompassing group therapy session as all of the parents get to know one another while plotting a means of escape. The reason I'm only giving this movie four stars is because of the happy Hollywood ending. Not to give more of the plot away, but the plan winds up working, which is not at all typical of real divorce cases. I'm also tempted to call this film a black comedy, since watching it caused me to laugh at things which I wouldn't normally find funny. But maybe that can be a good thing sometimes.
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| 23. Wayne's World Director: Penelope Spheeris | |
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Reviews (73)
Wayne Campbell (Mike Myers in his breakthrough film role) and Garth (Dana Carvey) host their own cabel access show in Aurora, Illinois. One night, a sleazy tv exec Benjamin (Rob Lowe) catches their show and gets video arcade honcho Noah Vanderhoff (Brian Doyle Murray) to sponsor it. Wayne and Garth agree to sign the contracts and broadcast the show nationally. They indeed reap the pleasures of fame - baxkstage passes to meet Alice Cooper, $5, 000, 000 plus Wayne winning the affections of robobabe Cassandra (Tia Carrerre). But soon, things go awry. Wayne loses Garth and Cassandra, and his show's cancelled. What could possibly make it worse? Find out in this hilarious comedy romp. This has proved to be the only good movie based on an "SNL" sketch. It's sad to se that so much of Dana Carvey's talent is in this film, because it's a shame that all of his subsequent efforts tanked ("Master Of Disguise", anyone?). The extras included trailer and a nice documnetary.
What saves "Wayne's World" from the purgatory of its plot is Wayne or, more specifically, Mike Myers. Myers was still an unknown in 1992. For those of us who had seen him on "Saturday Night Live" we already knew he could be stomach-hurting funny. However, until "Wayne's World" you just didn't know if he coud keep it going for a whole movie. As everyone knows now, he can. Myers comic timing created gold out of lead. "Wayne's World" is a movie more memorable for its lines than its story. That can be a dangerous way to make a good movie as the lines can grow tired with age (see "Spaceballs"). That's not the case with "Wayne's World" though. It's still as good today as it was ten years ago.
Okay - let's review. Wayne lives in his parents' basement, but it's okay because he and his buddy Garth have their very own public access show on their local cable station in Aurora, Illinois. Wayne thinks his dream of doing Wayne's World for a living (and thus escaping from the world of name tags and hair nets) has come true when he gets an offer to do the show on a Chicago TV station, but there's a certain matter with the fine print. Will Wayne sell out? Yeah. And monkeys might fly out of my butt. Myers and Carvey take their SNL trademark routines as far as they can, going a little too far once or twice (as with the Scooby Doo and Mega-happy endings - although they did make possible the much-appreciated Tia Carrere bikini scene), and it's not hard to see why: Wayne's World was the most popular SNL skit for a good two to three years running. The film has a surprising number of familiar faces: besides the aforementioned Tia Carrere, you get Rob Lowe (fresh off a certain little infamous home movie), Brian Doyle-Murray, Ed O'Neill, Lara Flynn Boyle, Donna Dixon, and - making cameo appearances - Chris Farley, Meatloaf, and Alice Cooper. Of course, Mike Myers and Dana Carvey take center stage at all times. They satirize everything, from Grey Poupon commercials to the entertainment industry, to themselves. There are a number of memorable scenes: the Bohemian Rhapsody bit as the guys cruise town in the Mirth-mobile, Garth's Foxy Lady dance number (many of us will never be able to listen to that classic Jimi Hendrix tune the same way again), all of the Dreamweaver moments, the Laverne & Shirley take-off trip to Milwaukee, Wayne's Marilyn Monroe impersonation, and others. Whether you knew it or not, you were exposed to Wayne's World lingo throughout the 90s, so if you haven't seen the movie, isn't it time you learn why you should have laughed at all those jokes you didn't understand way back then?
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| 24. Loser Director: Amy Heckerling | |
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| 25. Speed 2 - Cruise Control Director: Jan de Bont | |
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Amazon.com Reviews (94)
On One Hand... ...on the Other. The Love Boat meets Air Force One Speed 2: Cruise Control was one whacked-out movie. Throwing the thrilling dramatic elements of the first film overboard, all it has left is the action...and some dude called Jason Patric. One sure thing that can be said about this movie is its special effects are fabulous. We're talking big money effects, including that oh-so-cool finale where the Seabourn Legend (the ship) crashes into a resort town. ___________________________________________________________ The Plot Trouble continues to follow LA citizen Annie Porter when she and her new hubby (a stone-faced Jason Patric) book a tropical cruise on the Seabourn Legend cruise ship. A crazed computer hacker (Willem Dafoe) has taken over the ship and is setting on a course to destruction...to some sort of some tanker, I guess, that would've exploded (and ends up exploding anyway, but the ship is safe, of course). So, of course, Annie and her beau attempt (meaning they will of course succeed) to save the ship and its passengers. __________________________________________________________ The Cast Sandra Bullock as Annie Porter Jason Patric as Officer Alex Shaw Willem Dafoe as John Geiger Another very good performance comes comes from deaf actress Christine Firkins, who plays a deaf teenager named Drew. This movie is notable for the fact that there's not only a deaf character, but the fact that they hired a deaf actress for the part. So, About the Special Effects... The effects in this movie are very, very good (they better have been, considering its supposed $110-$150 million price tag). The ship is jaw-droppingly cool, as good as the titular vessel in Titanic...unlike that movie though, Speed 2 employed an actual cruise ship (the real Seabourn Legend) in some shots (most shots of it are computer graphics). The finale in the resort town was very, very neat (I talked about this part in the first part of this review). So What Did I Think? Aside from the effects, this a pretty average action movie with pretty average performances. While nowhere near as good as the first Speed movie, this sequel is glossy, silly movie-night fun (even though it thinks its a seriously heavyweight action movie). ___________________________________________________________
The movie centers around our heroine Annie (her role reprised by Sandra Bullock) who is taking a driving test in the beginning of the movie to get her license back for (gasp!) speeding! She has just gotten herself out of a relationship with Jack (Who was in the first one) and is now with Alex (Jason Patric). When she finds out that Alex works for the same squad that Jack works for she isn't too happy with that. Later Alex decides to take Annie on a cruise and when they do things start off fine and dandy until a mad bomber (William Dafoe) by the name of Geiger takes over the cruise ship trapping a few passengers on board. Let's put this one thing aside, Keanu Reeves didn't show up in this film. Surprisingly enough this one thing is what starts the film slide into ruin. Jason Patric and Sandra Bullock don't really have a whole lot of chemistry. It isn't as well developed as it was in the first Speed movie. I'm sure that even if Keanu Reeves had appeared in this movie it wouldn't have saved it from becoming a mess anyhow. William Dafoe doesn't make for the greatest villian either (who would've thought that five years later he'd be the Green Goblin in the blockbuster hit: Spider Man?). He has the potential to be a great mad bomber but somehow he misses what the bomber in the first movie had. That would be his lack of remorse and intelligence. Speed 2 doesn't keep on the edge of your seat like the first movie did. Speed 2 is like a Disney Sequel, not good enough for the theater. Speed 2 I can honestly say was a bad movie. An under developed plot put along with some pretty under developed characters make this movie seem like garbage. I don't recommend this movie to anyone who liked the first one. Those who enjoyed the first movie probably won't like this one.
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| 26. Police Academy 2 - Their First Assignment Director: Jerry Paris | |
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Description Reviews (22)
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| 27. Plump Fiction Director: Bob Koherr | |
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It's so bad that it could just not have been any worse. Not once did I laugh at the sadly attempted jokes in this movie. I have watched and enjoyed several parodies of big movies, but unfortunately this one will allways be the one I remember best - in my nightmares. The only reason anyone should want to watch this, is if they want to enter a coma for a brief period of time. Oh, and this is the SINGLE WORST MOVIE I HAVE EVER SEEN!
I have seen better parody at elementary school, which was also less childish. The only funny thing of this movie is the guy imitating Christopher Walken, who is quite hilarious. Ms. Brown is one of the most obnoxious, untalented and hysterical persons ever to have walked this earth. DO NOT BUY THIS MOVIE !!!
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| 28. Naked in New York Director: Daniel Algrant | |
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Reviews (5)
The actors do a great job with the matierial, and the script is well written. I warn in advance that this is a film without a traditional 'plot', so if you don't like films where there's more talking than anything else, you may not like this film. If you're patient with films, and aren't looking to be entertained, give Naked in New York a try.
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| 29. Clue Director: Jonathan Lynn | |
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Reviews (227)
Starring: Eileen Brennan, Tim Curry, Madeline Kahn, Christopher Lloyd, Michael McKean, Martin Mull, Lesley Ann Warren. ... Read more | |
| 30. The Swinging Cheerleaders Director: Jack Hill | |
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The movie has a weak plot about a girl who infiltrates a cheerleading squad for a newspaper story. This is the kind of movie that you watch at 3:00 a.m. on Cable TV when you can't sleep. I have a sneaking suspecion that this movie did not last long on the screen. The only real star in the movie is Collene Camp, who could be called one of best B movie queens (I think this was one of her first movies). However, even she could not bring life to this bad movie.
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| 31. Someone Like You Director: Tony Goldwyn | |
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Reviews (106)
The plot is fairly simple: Jane Goodale falls for Ray, Ray dumps Jane after telling her he loves her and wants to move in with here, leaving Jane brokenhearted and without an apartment. Desperate, Jane moves in with Eddie, a chain-smoking womanizer with a GREAT loft. Jane formulates a theory on why men leave women based on observed animal behaviors, called the New Cow Theory. Things with her theory get out of control, and Jane suddenly falls in love with Eddie. And I do mean SUDDENLY. I'm going to rant a little about this movie's classification as romantic comedy. As anyone who is a fan of the romantic comedy knows, it's code for Modern Day Fairy Tale. It doesn't have to be something that would happen to real people. But if the characters in the movie believe it, it doesn't matter. Let's face it; romantic comedies are not about surprises. They are predictable. We know that the two main characters are going to fall in love and kiss at the end of the movie. This was a movie that was based on a non-romantic comedy, and it shows. Having two people kiss at the end doesn't automatically make it romantic. It's not about the kiss. It's about Everything That Leads to The Kiss. Getting there really is the fun. It's the First Commandment of the romantic comedy. Someone on this project forgot that. Okay, I'm done. That said, I should have passed it up. Someone Like You gets off to a bad start, featuring a voice over by Ms. Judd (I warn you, voice-overs are the main mode of plot movement in this flick). It was more than obvious that poor Ashley didn't believe a word she was saying, and that's pretty much what happened through the whole movie. No one was buying into the story, and the romantic leads were all wrong for each other. Judd and Greg Kinnear? Yuck. Of course, I don't like Greg anyway, but still, yuck. Someone like you isn't ALL bad. It does have its moments. There was, of course, The Delicious Hugh Jackman.. While I am not a die-hard fan of Marisa Tomei (Jane's best friend), I must say that she was done up quite beautifully for her role, and she seems to have toned down her Rosie Perez-esque New Yorker attitude just a touch. There was also one particularly touching scene, following Jane's sister Alice's miscarriage, when Alice's husband came into the hospital room and told Alice that she was still the most beautiful woman in the world. The way they looked at each other...they bought it. And I got teary. To think, the one thing that got me teary was from a subplot that wasn't in the book at all. So I'm giving Someone Like You three stars: one for The Delicious Hugh Jackman, who is always just plain fun to watch (on so many levels...X-men anyone?); one for Ms. Tomei's well done makeup and wardrobe; and one for the eternally romantic hospital scene. All in all, it's a skipper. I'm glad I rented it first. See Say Anything, When Harry Met Sally, or Notting Hill instead.
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| 32. Ebony, Ivory, and Jade Director: Cirio H. Santiago | |
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the film itself is fluff....not really all that exciting. I however bought it because Im a HUGE fan of "Colleen Camp". Now, if you are a fan of exploitation films and buy ANYTHING released get this, if not, pass!
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| 33. Someone Like You/Where the Heart Is Director: Tony Goldwyn | |
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| 34. Second to Die Director: Brad Marlowe | |
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| 35. Election Director: Alexander Payne | |
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Most of the comedy comes from Broderick's hateful obsession with Witherspoon. This hate drives a good guy to do everything he can to keep Witherspoon from winning the high school Presidential election. This film thrives on the hilarious characters, all of who will undoubtedly remind you of your high school friends and enemies (one of them will undoubtedly remind you of yourself). "Election" is more intelligent, funnier, and more creative than any of the more recent high school nostalgia flicks like "American Pie." I can't say enough positive things about this film, one of the funniest movies of the 90's.
But that's not the only thing to love. The acting is great all around. Even Chris Kline (who went on to star in masterpieces like "Rollerball") pulls off a good performance. However the real ace is Reese Witherspoon. She pulls of a perfect performance. It's a shame she's stuck in those silly Legally Blonde movies now; she can do so much better. Plus I loved Jessica Campbell. She reminds of the girl who broke my heart in high school. The plotting is air tight. There is not one unneccesary scene and the film moves along briskly. The story is funny. The ending is great. I haven't read the book yet, but I plan to visit the Library to get it someday. Very, very highly recommended. ... Read more | |
| 36. Who's Your Daddy Director: Andy Fickman | |
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| 37. The Magic Bubble Director: Alfredo Ringel, Deborah Ringel | |
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| 38. Die Hard With a Vengeance Director: John McTiernan | |
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Amazon.com essential video Reviews (84)
DIE HARD WITH A VENGEANCE will certainly entertain action fans, since the action scenes are undeniably creative and well-mounted. Compare VENGEANCE to the first two DIE HARDs, though, and there's no contest. DIE HARD will forever be an action classic, and DIE HARD 2 was a generally worthy sequel. In that company, DIE HARD WITH A VENGEANCE is merely average.
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| 39. Brown Sugar/Someone Like You Director: Tony Goldwyn | |
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| 40. Speed/Speed 2 Director: Jan de Bont | |
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