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| 1. National Geographic - Inside the Vatican Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Description Reviews (6)
The Papacy has its beginnings with St. Peter, Prince of the Apostles, and leader of the formative Church. He is the first Pope, who ministered the flock in Rome at the time of Nero, and was martyred at Vatican Field in a circus in the outskirts of the city. The disciples recovered his body and buried it in the same field, which became a center of pilgrimage in the ensuing centuries. The exact spot of his crucifixion was preserved by tradition, and is now marked by an altar. Constantine the Great built a basilica at the site of his tomb, which has been replaced with the magnificent renaissance structure of today. Of particular interest are the priceless documents from the last two millennia in the Vatican's Secret Archives. One can see letters from Michelangelo to Pope Julius II, the request of Henry VIII for the annulment of his marriage (this was denied, and led to the formation of the Anglican Church), and even a demand from the Mongol Emperor that the Pope pay homage to him! (Of course, denied.) Great attention is given into a "normal" day in the Vatican: the restoration of priceless tapestries by Raphael; the cleaning of Bernini's colossal baldachino; meetings of international figures with the Vicar of Christ. In addition, one can see the blessed ministry of Pope John Paul II, a man of great compassion. Particularly moving is footage of his visit to a leper colony in Korea: the Holy Father embraces and kisses these poor souls, not shying from their diseased flesh, but rather sharing with them the love of Christ. Truly the Gates of Hell have not endured against Christ's Church. The successors of Peter have served the Church, and will continue doing so, throughout the ages. HIGHLY RECOMMENDED.
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| 2. National Geographic - Lewis & Clark - Great Journey West Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Description Reviews (12)
If you possibly can, though, catch this one in its IMAX version. The movie's story is entertaining enough but imagine it on a screen several stories high - literally larger than lifesize - with a powerful sound system to match. Imagine how much cooler shooting those rapids is in the IMAX form! If you can't find an IMAX, make sure you've got a big screen and turn the sound up. This is history as exciting as it was when it happened the first time.
This review, however, is of the Special Edition DVD. Disc 1 is the standard movie playable in a regular set top DVD player hooked up to your TV. Disc 2, however, contains a high definition 720p version of the film for playback on a fast computer. At first glance of the DVD cover and the generic instructions included inside, one realizes that a fairly recent and rather powerful PC is required. Okay, for a fair number of us, that's not a problem, and it was not a problem in my case. For those of you with a PC slower than 2.4Ghz, your computer doesn't even meet the minimum requirements. So, I was fairly excited to see what such high definition playback looked like on my 2.8Ghz PC. I noticed that there was no 1080p version of the film on the disc, as the generic instruction card inside the DVD case indicated, but I later realized that the instructions were indeed that, generic, and simply didn't apply to this particular title. Okay, at this point, the documentation goes from bad to absolute crap extremely quickly. Putting the disc into my DVD-ROM player began Autoplay. Well, immediately an ActiveX control error appeared and suggested I look at www.wmvhd.com for a solution. Actually, that website couldn't have any less technical support for this problem than if it had been written in Latin with a black pen on a black wall and viewed in pitch darkness. Trudging through the Microsoft website links off the main WMVHD page gives precious little useful information, so after Googling on the problem for a while, I found out that this whole scenario is a Microsoft marketing ploy to sell its five-year-old Digital Rights Management scheme to content providers to eliminate media piracy. Wow, talk about shooting the baby when dumping out the bath water. This DRM anti-piracy product is downright draconian in its implementation. Setting all ActiveX controls, cookies, and security/privacy settings to the lowest possible did not resolve the ActiveX error, nor did disabling my Anti-Virus, Firewall, or anti-Spyware software. Hunting through the Microsoft Support Knowledgebase came up totally empty. Good grief, is this technology ever poorly documented and supported even in house! Well, after some more Googling, I finally found a piece of advice in an AV forum to just run the main movie file directly from Windows Media Player, but AFTER running the License Registration executable in the root of the DVD directory. Running licgen.exe doesn't appear to do much at first, but apparently it will authorize the playback of the main movie file by unlocking the key encrypted within it. Okay, at this point, surely one is thinking "Hey, I finally get to see this movie on DVD in high def on my PC". Well, yes, you do, but here's the kicker: THE PLAYBACK LICENSE EXPIRES IN 9 DAYS!!! While the movie is playing in Windows Media Player and looking and sounding nice and pretty, right-click on the filename in the playlist column on the right of the screen and look at the License information. Sure enough, you'll see that there is a limited duration playback period! What in the world?????? Where was this stated on the DVD packaging anywhere? Truly pondering if this scheme meant that disc 2 of this special edition amounted to some sort of a self-destructing DVD, I ran the license request executable the next day to see if the playback duration would get reset, but no, it didn't. Keep in mind that none of these limitations are clearly documented anywhere in the online product description, on or in the DVD box, or even anywhere prominently on the WMVHD website. However, if you dig far enough off of that website into the Microsoft sales information for why content providers should use DRM software, it becomes quickly apparent how very anti-consumer this anti-piracy scheme really is, especially as it concerns limiting the playback options for a movie DVD that is not at all advertised in good faith as having such restrictions. So, whether or not this High Definition DVD ends up being a frisbie in a week remains to be seen, but the poor support and documentation in getting the movie to run in the first place only to learn that it may be self-destructing is absolutely inexcusable. I wonder for this particular release if National Geographic even fully understands what they are selling here. Again, the movie content itself is terrific. This MS WMV HD DRM DVD, however, is beyond bizarre.
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| 3. Silent Running Director: Douglas Trumbull | |
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Reviews (69)
Forget the premise - it's pure enviro-fiction. Think about it for a minute: the planet earth has no more forests, trees, deserts - no wilderness left. We had to put all our critical environments in pods and orbit Jupiter with them (why Jupiter? why not orbit Earth?). This very Asimovian premise falls on its face in light of science: since green plants give us the oxygen we need, a planet devoid of all green plants would be a dead planet - there would be no oxygen-breathing life on it. OK. Let's say, though, that the radical environmental movement has succeesed in numbing your sense of reason - the film still fails in its scripting, which is needlessly whiny. Bruce Dern gives a rather egalitarian performance as the tree-hugger, which doesn't help to lend credibility to his cause. Some of the effects still hold up, but overall the film has that shaky, matted look of cheesy 70s sci-fi (even STAR WARS has that look). The most interesting thing about the DVD is the Special Features, and the documentaries on the making of the film. Once I finished with those, I had nothing more interesting to watch.
Bruce Dern is comfy in his role as a slowly-unraveling sociopath. What many don't realize is that the screenplay was written by a then-young Michael Cimino and Steven Bochco ("The Deer Hunter", "NYPD Blue". What's truly amazing is the use of mechanical (not visual) effects. If you've never been on an aircraft carrier, you'll believe that there is an American Airlines cargo freighter "Valley Forge". The details are wonderful: the corporate logos on the cargo pods, the technical manuals lying around, the overall believability of the wonderful drones, the background radio chatter from the other ships. It's a shame Douglas Trumbull hasn't been more visible, this was a great effort.
There are some terrific things to be said about this film... and there are some intelligent reviews of it that I agree with... however there are some fatal touches that make this a dated piece, and that make it difficult to watch today. First of all, Bruce Dern's unappealing character is a stereotypical "hippie". He is a classic "passive-agressive" person... at one moment "loving and peaceful" and the next minute he is angry, pissed off, not in control of his emotions. He is certainly difficult for me to empathize with, since he reminds me of many "do-gooders" I have known who are unpredictable and untrustworthy and have a "hidden agenda" besides "peace and love". Dern plays this part to perfection, but its not something comfortable to watch for 2 hours. I have seen this film 2 or 3 times and each time I just wanted a chance to stuff something in his mouth to shut him up. Secondly, the soundtrack of Joan Baez singing her folk tunes in space is just too limited for the scope of the visuals and destroys the impact of the powerful message the film tries to convey about "saving the planet". Her passive, slightly off-key and limited-ranged vocals do not marry well to the scenes of space, stars, planets and infinity. It does not work on any level... either then or now. Finally, the most fatal flaw of this film is that as the plants begin to die... our hero panics and says he has no clue why. Forgetting about the space ship leaving the solar system and the gigantic glass domes leaving solar rays, he suddenly "realizes" that plants need SUN. What kind of ecological genius is this guy? Well, the robots are clever and cute, the sets are impressive, the early scenes with the "friendly" plants are nice and the special effects are first rate for their day.... and we get to see Saturn's rings in the movies for the first time looking relatively authentic. It's certainly not as bad as a few reviewers have said, and sci-fi fans should see it, but there are far better sci-fi films out there.... and better ones that deal with the rape of our ecosystem.
1972's SILENT RUNNING marks the directorial debut of FX wizard Douglas Trumbull, probably best known for his FX work on Stanley Kubrick's 1968 sci-fi epic 2001: A SPACE ODYSSEY. Though the skeleton was given flesh by writers Deric Washburn , Michael Cimino, and Steven Bochco, the underlying structure of the plot is Trumbull's. In light of his work with Kubrick, it is interesting that Trumbull would come up with an idea such as that for SILENT RUNNING, as it makes it seem as if he felt that the only way he could demonstrate that he is more than just an FX man was to create a film that is the thematic opposite of the one featuring his best known FX work. Kubrik's opus tells a story that celebrates mankind's intellectual evolution and subsequent technological advancements, whereas Trumbull's brainchild embraces the ideals of 1960's counter-culture ecology movement and implies that technological advancement is conducted irresponsibly and consequently pollutes the environment and wrecks the Earth. The plot of SILENT RUNNING is a bit slow at times, but the film is never dull or boring. And in the role of the good-intentioned but increasingly psychotic Lowell, Dern turns in one of his most intense and most memorable performances. Due to its anti-technology and pro-environmentalist theme, however, many critics have panned SILENT RUNNING as a '60s throwback in which Trumbull tries to milk emotions from the last vestiges of the pro-ecology hippies, often citing the fact that '60s folk singer Joan Baez performs some of the film's music as proof of their theory. But this is really an unfair evaluation. Environmentalist themes have been a long tradition in science fiction, with a future dystopia used to illustrate what might happen if present society continues being ecologically apathetic. And SILENT RUNNING isn't the only classic SF film from the '70s built around such a theme. Other SF films of the era also express concern about man's effect on nature--NO BLADE OF GRASS (1970), Z.P.G. (1972), SOYLENT GREEN (1973), and PROPHECY (1979) to name just a few. So it's more likely that Trumbull, a science-fiction fan himself, simply chose a traditional SF theme that appealed to his own ideals and tastes. The DVD from Universal offers a good digital transfer of the film in anamorphic widescreen. Also included are some pretty cool bonus features, not the least of which are the original made-for-tv featurette on the making of the film and an interesting feature commentary with Trumbull and Dern. No true fans of SF will want to miss the opportunity to include this film in their DVD collections.
There is little if anything of a critical nature that I could add to the excellent comments of darkgenius (see below). I did not see the character of Freeman Lowell as quite the fanatic that he did - which surprised me, because that *is* how I remembered him from my previous viewings, many years ago. If we lived in the ecologically monstrous era of the film, yet saw with the vision of a man of today (as Lowell does), I imagine many of us would exhibit more outrage than he does. In fact, I think the indifference of his co-workers astonishes - or perhaps appalls - me more than Lowell's personal involvement. This is a very moving film. Evil is usually depicted in film in much more immediate and dramatic manifestations than one usually encounters in real life. CS Lewis has made the observation that all evil is ultimately banal. Indeed, true evil often passes before us completely unnoticed as such - in the civil servant who shows a bias for someone of her own race; in the policeman who gets joy out of bullying members of the public; in landlords and banks that use ignorance and intimidation to exact unwarranted concessions from a dispirited public; and so on. In Silent Running, the last forests on Earth have been shot into space. There is no room for them anymore, but they are being preserved. Anyone of mature years knows how this kind of thing would come about in real life, and how it would end. It would come about because some political group wanted the forest land for some other purpose; and, not having the courage to simply destroy the forests openly -- perhaps not even wanting to do so, initially -- they suggest that this last great ecological heritage be preserved in space against the day when forests are again convenient. They might even weep, saying that the cost didn't matter because the forests were irreplaceable. And it would be done. But: "out of sight, out of mind." It would only be a few years before the expense of maintaining these forests in space would be deemed unjustifiable. And then the order to abandon them would come. This is the way many societal evils actually come about. Silent Running shows us what depths of depravity are implicit in this common principle of human behavior. The sorrow conveyed by this film is intensified by the representation of the victims as children. Lowell himself is naïve, thinking that recall and re-establishment of the forests is just around the corner. The drones are diminutive, awkward in their movements, and *trusting*; this last is demonstrated at a couple of points in the film, where it is evident that they are uncertain, look to Lowell for guidance, then go on about their tasks. Don't overlook the watering can. And there is the song, "Rejoice in the Sun," sung by Joan Baez. We identify with these children. We feel the anguish of their loss as our own. I venture to say that if you were to show this film to a group of your acquaintances, the ones who wept would prove the best friends. ... Read more | |
| 4. National Geographic - Egypt Eternal - The Quest for Lost Tombs/Egypt - Secrets of the Pharaohs (2-pack) Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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| 5. National Geographic Video - The Incredible Human Body Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Amazon.com Reviews (4)
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| 6. National Geographic - Vietnam's Unseen War - Pictures from the Other Side Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Description Reviews (2)
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| 7. National Geographic - Into the Great Pyramid/Egypt - Quest for Eternity (2-pack) Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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| 8. Meteor Director: Ronald Neame | |
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Amazon.com Reviews (14)
I don't mean to diss, but man. This movie is awful. Why would I recommend this? How can I? I'll just simply put it like this. I'm not.
The President addresses the nation to tell of this emergency, and Project Hercules as the solution. Cooperation with the Soviet Union is needed to destroy this meteor. But it is hard to change old ways. The film shows a meteor striking in Siberia, and creating earthquake-like tremors. (Something like this did happen circa 1911.) The first meteors enter the atmosphere and burn up harmlessly. But a bigger chunk hits a snow mountain, causing an avalanche that destroys a small village. One hits the Pacific and creates a tidal wave that wipes out Taiwan. The threat is real and imminent. There is one political problem: because of the difference in orbits, the Soviet rockets would have to be fired first. Trust is needed. But a new threat arises: a "splinter" is headed for the Eastern Seaboard of the US. It strikes Manhattan, damaging the Twin Towers and other buildings. The command center is damaged, but most survive to escape by a subway tunnel. Then the river starts to break through and threaten the survivors; they muddle through to hear that Orpheus was destroyed. This story recalls "Ragnarok" by Ignatius Donnelly which analyzed the common legends of mankind and explained them as the remembrance of a comet hitting the earth and causing great climatic changes. Read this 1883 international best seller for its pioneering story.
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| 9. Search for the Great Sharks (Large Format) Director: George Casey, Mal Wolfe | |
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Reviews (8)
So my review of this DVD may be viewed as biased from the start, hence a high 4 or 5-star rating may be expected. Unfortunately, I've seen the disc and am somewhat disappointed. For one, how can you call a disc "Search For The Great Sharks" when you essentially featured just two species (the whale shark and the ever crowd-pleasing great white)? Nothing about hammerheads? Makos? Tiger sharks? Nevertheless, I give it 3 stars if only for the overall audio and video quality (expect nothing less from IMAX - I own a couple others myself). Also interesting trivia which would probably please an audience of all ages. The film, unfortunately, is only 46 mins long (how come all IMAXes are this short? grrr!), with nine chapters as follows: 1. Domain of the Shark; 2. Behavior; 3. Steel Cage; 4. Western Australia; 5. Spotted Whale Shark; 6. Great White Shark; 7. Ancient Survivors; 8. Credits; 9. "Making Of". I intend to order the Operation: Shark Attack 5-disc set soon, hopefully there'll me something more there. For shark freaks out there I'd also recommend getting a copy of the Discovery Channel Great White video (on VHS or VCD) or even the DVD of "Deep Blue Sea" with its interesting featurette(s).
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| 10. National Geographic Video - Into the Great Pyramid Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Description Reviews (3)
They drill a hole through a so called 'door' in the pyramid to reach a tremendous archeological discovery: there's a wall behind the 'door'. Then they suggest that there are more archeological treasures waiting behind this. So I guess they're planning on drilling another hole into the pyramid to destroy it even more than it already has been. Christopher Dunn in his book 'The Giza Power Plant' has discovered the true secret behind the great pyramid. It was a machine. There's no evidence that anyone was ever buried inside the great pyramid. The current theories about the great pyramid being built to bury someone are not substantiated. It should be obvious that nobody would build something like this just to bury someone. Nobody knows how it was even built anyway. The new age psychic Edgar Cayce said the great pyramid was built using anti gravity forces. Jeff Marzano
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| 11. Terror on the 40th Floor Director: Jerry Jameson | |
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Reviews (1)
The print from which this DVD is taken seems in dire need of restoration. Focus is foggy, color faded, images darkened, clips and frames missing. And yet, if you are a disaster-film junky such as I am, this film at its modest price will be a suitable addition to your collection. ... Read more | |
| 12. Hangar 18 Director: James L. Conway | |
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Reviews (5)
Two shuttle astronauts (Gary Collins, James Hampton) are in the process of launching a military satellite from the shuttle, when they encounter a UFO in orbit. When the satellite is launched, it hits the UFO with explosive results, killing a third man who was inside the shuttle's cargo bay watching the satellite's progress. The UFO, however, makes a controlled landing in the Arizona desert. When they get back on the ground, Collins and Hampton soon find themselves the target of charges that the incident in orbit was their fault, and are forced to clear their names by finding the right evidence, all the while being tracked by government agents. Meanwhile, a team of scientists, led by Darren McGavin, are ensconsed at Hangar 18, located on the grounds of an Air Force base in Texas, trying to learn everything possible about the UFO and its occupants...whose appearances bear an all-too-uncanny resemblance to humans. Thought I dock this film one star because its special effects aren't exactly up to snuff (a lowered budget is the reason), HANGAR 18 is otherwise a very good film. In basic terms, it combines a Watergate-style political scenario with elements from Stanley Kubrick's 2001: A SPACE ODYSSEY, and Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND. This is not to say that HANGAR 18 is a masterpiece like those two films are. But the combination of such elements manages to work in a fairly narrow framework. The cast is also quite good, with McGavin giving one of his most memorable and stimulating performances. Robert Vaughn is equally good as the President's devious chief-of-staff, who concots the cover-up to get his boss re-elected. To sum it up, HANGAR 18 is a somewhat imperfect movie, but it still holds up well despite its flaws.
Hanger 18 tells the story of how a satellite, launched by a NASA space shuttle/orbiter, collides with an Unidentified Flying Object, causing the death of an American astronaut in the process. When the UFO crashes on Earth, the U.S. Air Force and NASA recover it, and take it to a manned lunar receiving station in Texas. There, they uncover some hidden secrets that soon take the scientists by surprise. And makes the Government nervous. At the same time, two of the shuttle astronauts who witnessed the incident in space, are "blamed" for the other astronaut's death, and try to clear up the situation, by hunting for the UFO. The government tries to prevent the two from locating the UFO, but to little or no avail. That situation leads to something even more drastic made by the CIA and The Department Of Defense. Like the classic film Capricorn One, Hanger 18 does a remarkable job of playing on the government conspiracy angle, and at the same time, deals with the ancient astronaut theory. The subplot involving the two astronauts trying to clear their names is also good, as is the storyline about the scientists trying to unlock whatever secrets are in the flying saucer. And it also had a wonderful cats of veterans. Darren McGavin, Gary Collins, James Hampton, Pamela Bellwood, Robert Vaughn, William Schallert, Joseph Campenella, and Bill Zuckert among others. Though one wishes that James Brolin, Roy Thinnes, or Tom Berenger had been in the role played by Collins. Collins did a good job, however, if I had been the casting director, I would have picked one of those three. Overall, a very good and entertaining film. One of the best in the hall of science fiction. If you enjoy watching the X-Files and other films about flying saucers, then you will definately enjoy this film.
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| 13. Italians in America: Journey/Home (History Channel) | |
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| 14. The Glow Director: Craig R. Baxley | |
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Description Reviews (3)
The idea of turning Brooks Stanwood's wonderful novel The Glow into a film has been kicking around Hollywood for almost a quarter-century; the first paperback releases of the book had "Soon to be a major motion picture!" on them. As usual, that didn't pan out...until 2002. Would that we had waited another quarter century rather than get a Lifetime Original Movie. Not only that, but a Lifetime Original Movie directed by Craig Baxley, whose feature film record was so bad it's a miracle anyone lets him work in Hollywood at all. Baxley (director of such brilliant cinematic fare as "I" Come in Peace, Stone Cold, and Deep Red-and fear, my brothers and sisters, for he has been put in charge of the remake of The Kingdom) takes a script by Stanwood and equally good teleplay artist Gary Sherman (Dead and Buried, Vice Squad) and comes up with, well, bupkus. Jackie (Portia de Rossi) and Matt (Dean Cain) Lawrence are typical struggling-to-get-by New Yorkers. Matt, on his morning run, is mugged in Central Park, and a trio of septuagenarians comes to his rescue. By the end of the day, they've offered him a cheap apartment on the Upper East Side. The couple move in, and all goes well. Or so they think; Jackie starts becoming suspicious that things are not all as they seem. The cast, to give credit where credit is due, do the best they can with what they've got. Others on the docket include Hal Linden, Dina Merrill, Grace Zabriskie, Sabrina Grdevich (whose face may not look familiar, but Sailor Moon fans know her as the voice of Sailor Pluto), and a host of others. All of them work relatively well within the parameters of what they've got, which is zilch. Baxley misses hundreds of small details which could have been used to build suspense, sets up silly situations (hiding under the stairs only works when the people you're hiding from can't see under the stairs!), things like that. All of them add up to, well, your typical Lifetime Original Movie; slapped together without any thought to the details of filmmaking. Brooks Stanwood (actually, a pseudonym for a husband-and-wife writing team, both of whom work in the publishing industry) is still alive, and still producing. With any luck, the authors have been shielded from seeing what their work hath wrought. Were there any justice in the world, the rest of us would have been shielded from it as well. *
They lose no time in accepting this chance of a lifetime deal, not knowing where it would lead. Shortly after they move in, another young, attractive couple living in the building mysteriously disappears. The elderly residents of the building explain it away somewhat implausibly, arousing some initial suspicion in our newly moved in pair. Still, their initial concern is quelled, when an NYPD Detective appears and ostensibly sets the story straight. Still, some mysterious, unexpected deaths raise the suspicions of the female half of this young couple. Moreover, the elderly residents seem to be becoming somewhat more intrusive, as they seem to impose themselves upon the couple at every turn. Reminiscent of "Rosemary's Baby" in some ways, it forges off in another macabre direction, having nothing to do with the supernatural. Just what is going on? Well, that is what is at the heart of this film, which plays like a made for television movie. Portia Derossi and Dean Cain are out-acted by every one of the senior citizens, who are lead by Hal Linden. The plot is fairly obvious after a while, though it does keep the viewer entertained and, being moderately entertaining, is certainly worth a rental.
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| 15. Body Chemistry Director: Kristine Peterson | |
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| 16. Hit Lady Director: Tracy Keenan Wynn | |
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| 17. James Dean: Live Fast, Die Young Director: Mardi Rustam | |
![]() | list price: $9.99
our price: $9.99 (price subject to change: see help) Asin: 6305481377 Catlog: DVD Sales Rank: 40983 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (21)
For starters, everyone knows Pier left Jimmy for Vic Damone (documented facts here, even Pier said so later). The story of Pier and Jimmy in this movie is considered by most Dean fans to be the true one. Pier's mother pushed her to marry Vic, end of story. Unless you subscribe to the story that Jimmy was gay and their relationship was a farce (for myself, I think the idea of Jimmy being gay is a farce in itself). Yes this film has flaws. Sal and Natalie are depicted unfairly, but that is a judgement call depending on whose facts you choose to believe. I thought the jibe to both was unessesary. sal was gay and Natalie slept around, but Jimmy was no angel either. It was uncalled for. Robert Mitchum and Connie Stevens are awesome in this movie as well as Carrie Mitchum (Casper's ex-wife). Diane Ladd was so good as Mama Pierangeli that I wanted to reach through the TV screen and punch her lights out. If you like Dean and are open minded enought to seeing someone play Jimmy, then you may find that you will like this film. It is meant to be an action-drama, not a serious hardcore bio picture. Lot's of cool scenes of Jimmy (Casper) riding a motorcycle and Jimmy's Porche's. The soundtrack can be overbearing at times, like alot of film's nowadays. Poor Jimmy and Pier, I'll bet they are in heaven right now snuggling. I hope they are together finally.
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| 18. A Show of Force Director: Bruno Barreto | |
![]() | list price: $14.99
our price: $13.49 (price subject to change: see help) Asin: B00062IDMY Catlog: DVD Sales Rank: 25795 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (3)
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