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| 1. Bram Stoker's Dracula Director: Francis Ford Coppola | |
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Amazon.com Reviews (345)
Columbia Pictures has raised the bar on DVD video and sound quality with the new "SUPERBIT" series movies. This feature improves the picture by doubling the bit rate digital transfer. Simply, twice the picture quality of existing DVD transfers. Also the sound has been enhanced equally in performance. NOTE: GOODS NEWS - All this can be enjoyed on existing DVD players with noticeable improvements. BAD NEWS - Its not really bad news its really the "BOTTOM LINE NEWS" - the "SUPERBIT COLLECTION IS FOR YOU IF" you have; a Home Theatre, HDTV WideScreen (Enhanced 16:9)w/Component Video, Progressive Scan DVD (480p) w/Component Video & DTS or 5.1 Sound environment. IF you have this then the "SUPERBIT COLLECTION" Dracula explodes of the screen!!!!!! Summary: SUPERBIT Dracula directed by Francis Ford Copplola is a very beautiful photographed eerie love story. With a story line more to the tragedy of Dracula (brillantly played by Gary Oldman)than the viciousness of vampires. The detailed scenes & colors explode off the screen with this "SUPERBIT" version film. The 5.1 sound is crystal clear and adds immensely to the eeriness of this dark gothic horror film. This SUPERBIT detailed film makes for an unbelievable visual experience. Coppola does a grand job providing us with an unsusual twist in the story of Dracula. This is the best "SUPERBIT" transfer so far in the Columbia Pictures Collection. Just remember, "SUPERBIT" was developed to give the Home Theatre owner a new improved DVD experience and they have done this with "Bram Stokers, Dracula". Enjoy.
The best parts of the movie are those that remain true to the book: Jonathan Harker's travel to the castle and fateful meeting with the Count; Harker's confrontation with Dracula's three vampire lovers; the newly arisen Lucy Westenra confrontation as a vampire with her loved ones in the cemetery; and the exciting race with the sun and the gypsies taking the coffin-bound Dracula to his castle. The script follows Dracula's strengths and vulnerabilities faithfully. The Dracula of this movie walks in the daylight -- just as in the novel. Even when the movie departs from the original and the plot lags with the romance of Dracula and Mina, Coppola creates breathtaking images with their own potent spell that held me enchanted. Overall the performances are well done with one or two notable exceptions. Sadie Frost, however, steals the movie in the role of Lucy Westenra. The movie, in my opinion, would have been better with more emphasis on horror. Dracula should be more scary than sympathetic. Still, this is one of my favorite vampire movies ever and well worth repeated viewings.
This version of "Dracula" is fascinating because it's so different from the Bram Stocker famous novel. In the novel there was no mentioning of a love story between Dracula and Mina. In this film exists a sad love story. | |
| 2. The Rocketeer Director: Joe Johnston | |
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Now, that aside, the film was a fantasy filled adventure set in the not so distant past (30's - 40's) about a secret device invented by Mr. Howard Hughes himself which was stolen by some gangster with the intentions of steeling it Hitler himself. The special effects are great and the Rocket is very cool. Even the costumes were very unique. The device is a jet pack that when worn with a special helmet made by the character played by Alan Arkin, will allow the person to fly through the air (and water) at great speeds. With the villainous Timothy Dalton playing a Nazi spy and world famous actor chasing him. Paul Servino plays a great Mafioso. The film stars relatively new comers at the time Bill Campbell and Jennifer Connolly as the boyfriend-girlfriend who end up having the mafia, Nazi's and the FBI chasing them! It got a lot of heart and a lot of humor and it is a great family film. I really enjoyed this. No real extras on this DVD but maybe later. I think you'll enjoy this too.
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| 3. Enough Director: Michael Apted | |
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Reviews (181)
The first dose of reality hits when Slim discovers Mitch is cheating on her; she protests, he hits her, and she determines to leave him. The fact that Slim is very strong in her decision to not wait for him to hit her again certainly sends a good message to women and girls about abuse. It seems for a moment that the stereotype of the fairytale romance will be subverted and that the woman will triumph. The reality of what happens next is just as questionable as the fairytale beginning to the story; Mitch becomes completely evil, like a villain from a comic book, while Slim becomes the self-sacrificing mother who would do anything for her child. On the surface, Lopez's character appears to be a strong, independent woman who is capable of taking care of herself. However, throughout the film she proves to be dependent on men. Her adoptive father helps her escape from Mitch's house with her daughter and she turns to her biological father for financial help. She seeks shelter and support from her close friend, Joe, and she finally seeks training in fighting techniques from a man. Ginny, played by Juliette Lewis, is a female friend who does help her a great deal, but most of the people that helped to 'save' her were men. This reinforces the stereotype that women cannot really be strong on their own; they are never really safe without the help of men. Another stereotype of women supported in this film was that of the mother. Slim does absolutely everything for her daughter, Gracie. Never does she speak of leaving Mitch for her own good; Slim always speaks of the safety of her daughter. In other words, the filmmaker is essentially saying that women must remain mothers above all else. In addition to the female stereotypes we see, the idea of a woman being surveyed by the male surveyor is seen several times in Enough. At the very beginning of the movie, Mitch sees Slim and finds her attractive; he is a wealthy man who observes a beautiful woman and wants her for his own, so he takes her. Later in the film, when Slim has changed her name and moved to the west coast, we see Mitch's henchman staring at her through the window, simply watching her sleep and get dressed. Then, when Mitch arrives to 'take back what is his,' he also observes her like someone watching a movie. He looks at her from afar like a man surveying his land; he clearly sees her as his property rather than an actual person.
Slim leaves her abusive husband with her daughter Gracie in tow and with help from friends old and new, lives a life on the run. It's not her daughter who's in danger, it's her. If she is found her husband (played by Billy Campbell)he will kill her. So what to do? Go to the police? He'll find her. Go to a friend? He'll find her. She decides to use the rules her own way...she spends one month traing heavily with a martial arts instructor and decides to make the fight fair. Jennifer Lopez does a fabulous job, as usual, of never playing herself. She is Slim, the once submissive wife who wants to be happy. Be we watch her become much more...a tough cookie who knows how to play a man's game. I enjoyed this movie very much. Lopez always surprises me with her characters. Some scenes were very difficult to watch. Many times heartfelt moments between Slim and Gracie were real tearjerkers. I am not sure how a movie like this would translate into the real world, but on-screen it seems quite convincing. My only problem with the movie...I wanted more from the ending. It left me a little dry. Otherwise, I would say most would enjoy "Enough" as a great night's rent. Kudos to Juliette Lewis, I haven't seen her in a film for years. She is an outstanding actress (remember "Cape Fear")?
Let's face it, we all know where ENOUGH is headed. J-Lo plays a greasy spoon waitress (yeah, like that's believable) who happens to fall for a smooth-talking swell (Bill Campbell) who turns out not to be the nicest guy on the block. Er, the planet. And when J-Lo confronts Hubby about his flagrant infidelity, Hubby responds with some fisticuffs and then refuses to let his wife out of the marriage. Granted, Campbell is ultra-creepy to watch. . .he's so revolting and disgusting that even my dog knew he was going to get the ultimate comeuppance at the end of this flick. With the help of friends, J-Lo and young daughter flee and relocate thousands of miles away, yet Hubby is relentless in his pursuit. Once it becomes obvious that a custody showdown is inevitable, J-Lo does the only logical thing: She enlists the aid of a martial arts dude and learns how to fight like a tiger. Tigress? Then, it's back to California to sneak into Hubby's new flat and extract a pound of posterior. And, of course, predictability reigns supreme as the film rolls to its conclusion. I've had the luxury of viewing this film with other ladies, and their reaction has been somewhat universal. Not a one of them would have put up with the guff J-Lo did; in fact, the first time a punch was thrown Hubby would have first been looking at the floor to find his mountain oysters, just before he would feel the piercing pain of buckshot. But, perhaps justice is swifer in my neck of the woods. Anyway, in ENOUGH J-Lo kind of blindsides her husband during their kung fu match. Ain't fair. I demand a best two-out-of-three.
Yeah, the premise as it unfolds is a little ridiculous, especially as Mitch seems to have a GPS system to track his fleeing wife, but the escapism is pure adrenaline-rushing fun. Jennifer Lopez is naturally appealing and solid in her performance, although the emotional range of the role seems to demand only fierceness and fright. Still, the chemistry between her and young co-star Allen is unmistakable, even poignant. Noah Wylie does a fantastic turn as Robbie, a character I won't describe for fear of spoiling the plot. Juliette Lewis has her usual on-screen charisma even though she's not given much to work with. This film was much better than I expected. Viewers hoping for something new or even substantial on the theme of domestic violence will be disappointed since it only serves as a plot device to put Lopez's character in danger. This would make a great date flick since men will appreciate the constant action (not to mention the lead actress) and women will be drawn to the subject matter.
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| 4. Further Tales of the City Director: Pierre Gang | |
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Description Exploring his sexuality full tilt, Michael embarks on a series of sexual escapades involving cowboys, cops and Cage Tyler (JOHN ROBINSON) a closeted movie star. Michael's friend and neighbor Mary Ann Singleton (LAURA LINNEY) is challenged with a relationship problem of a different kind.Her boyfriend and upstairs neighbor, Brian Hawkins (WHIP HUBLEY) who has spent most of his adult life as a womanizer, comes to the realization that he wants to marry her.She, however, is hesitant to take the next step as she is focused on her career.Longing to become a serious reporter, but not given a chance by her station manager, she is forced to work as a daytime host of the "Bargain Matinee" show. Mary Anns late boss widow, socialite Frannie Halcyon (DIANA LEBLANC) is tormented by her daughter DeDes (BARBARA GARRICK) apparent demise in the Jonestown Massacre.Living on Mai Tais and sleeping pills, she refuses to accept that DeDe and her children, Little Anna and Edgar were killed.She seeks advice from psychics to help her find her missing daughter.When a fortune-teller convinces her that DeDe is indeed alive, she asks for the support of society columnist Prue Giroux (MARY KAY PLACE) to make her story public. When Prue refuses to get involved, Frannie calls Mary Ann to share her secret. Since Mary Ann is always searching for a good story, she is eager to meet in hopes of finally getting a break on the evening news. Meanwhile, Prue meets a mysterious homeless man, Luke (HENRY CZERNY) in Golden Gate Park.Immediately drawn to his intense charm, she falls madly in love with him.Little does she know that shes opening Pandoras Box when she attempts to bring him back to society with the help of flamboyant celebrity priest Father Paddy Star (BRUCE MCCULLOCH).Lukes past is far more sinister than Prue could ever imagine. Then its revealed that DeDe Halcyon Day has spent three years in Cuba with her lover Dorothea (FRANÇOISE ROBERTSON) after escaping the massacre in Guyana.She ends up in a camp for gay Cuban refugees in Fort Chafee, Arkansas and finally calls her mother Frannie in San Francisco to tell her that she wants to come home. Through DeDes unexpected reappearance and a twist of fate, the storylines begin to intertwine and all of the characters in Maupins tales find themselves in the midst of an unpredictable adventure. Reviews (12)
A special mention needs to be made of the DVD - a whole disc packed with an outstanding set of extras. From interviews, to behind the scenes footage, and much more besides - you really get a indepth look at the making of the miniseries - all TV shows should be released on DVD like this! Hopefully there will be 'Even Further Tales' for us to enjoy in the future....
This set keeps going where the "2nd" set left off. A few casting changes were made (some for the better, other...oh, well!). A few facts worth knowing for those who are "jumping in" with this 3rd installment in the series: The main character, Maryann Singleton, an innocent 20-something Ohio girl escapes the smothering arms of her over-protective parents and becomes the latest arrival at mysterious Ms Madrigal's house of sweet, odd and gorgeous young people. Not only is she (like everyone else) welcomed and accepted, but soon finds herself in a web of weird situations, corporate greed, sexual experimentation, suicide, and other shocking things. The recurring central focus on homosexuality eventually becomes so nonchallante, that the viewer soon no longer sees this as anything worth talking about. It's almost like watching episodes of "Ellen", "Roseanne" or "Will & Grace", only that any "viewer advisories" seem redundant now (it's about time!). Tales of the City is a look back at the 1970s decadence we saw in "Studio 54", but otherwise only 'heard rumors about'. This is an honest, unashamed view of the "San Francisco Scene" as experienced by the author/screen writer Amistad Mopin. Along with historically authentic facts and references (The "Jonestown Tragedy" of 1979 is briefly referenced at the end - if you blinked you missed it!) this otherwise mostly ficticious plot makes for fun viewing. The 6 part series nicely fits on this DVD. Have it piece meal or all at once. I think you're gonna like this picture!*****
Perhaps it's because they tried to stuff more than three hours worth of material onto 1 DVD, but like others, I too was unable to play this all the way through on my DVD player. The problems start right about at the start of episode 4, and just keep getting worse. But perhaps it's just bad mastering, because I had the same problem with the second, extras, DVD, which isn't nearly so full. It's a shame such a wonderful series is marred by a badly mastered disc.
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| 5. The Rising Place Director: Tom Rice | |
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Reviews (9)
Through a series of flashbacks from the present to 1940 we are introduced to a beautiful young woman who falls in love with a pilot, becomes pregnant, is ostracized by the community for her indiscretion and finds solace in the strong friendship with a bright, knowledgeable African American woman unafraid of the racist slurs and 'enter through the back door' milieu of this town. The two girls align with another young male 'rebel' who is searching for his own identity in this stew pot of life. Slowly we discover that the story is that of one Aunt Millie who is failing and whose life comes floating to the surface to her niece as Millie approaches death. The background includes redneck white extremists, hatred of anything foreign (e.g. the Japanese invasion, whites mixing with blacks, unwed motherhood) and it is against this background that the three main characters search for and find the meaning of friendship, forgiveness, and equality. Yes, stories such as this are familiar, but rarely has a director found a cast so strong, visuals so hauntingly beautiful, and a composer so in tune with the message of the movie. The members of the cast - all superb - include many well known actors as well as introducing some new faces whose presence is indelibly fine. Singling them out would be inappropriate in an ensemble effort as excellent as this. The DVD includes an alternate ending and deleted scenes. View these, as it seems that the deleted scenes should have been included, so very fine are these moments. This is a beautifully touching film that deserves a wide audience. Perhaps that will come with the welcome release of this DVD. ... Read more | |
| 6. Bram Stoker's Dracula (Superbit Collection) Director: Francis Ford Coppola | |
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Description Reviews (345)
I must mention Dangerous Liaisons as Keanu Reeves (Jonathan Harker) plays almost the same character with the same character story line. Simply replace Gary Oldman (Dracula) with John Malkovich and Winona Ryder (Mina Murray) with Uma Thurman; once again John Malkovich will take Keanu's coveted bride and then, just like in Dangerous Liaisons, taste Keanu's fiery blade of vengeance. John Malkovich (who was in Shadow of the Vampire) I think would have made a great Dracula, although it would be hard to surpass Gary Oldman's stunning portrayal of the famous Count. I suppose they picked Keanu for this role because of Dangerous Liaisons and I also suppose they picked Winona Ryder for her role in The Age of Innocence because of her role in Dracula. Having mentioned The Age of Innocence, I must note that Winona is not the only actor the two movies share as Richard E. Grant (Dr. Seward) is in both as well. Perfection is what Francis Ford Coppola has accomplished here. 1992 must have been a real batty year with the theatre release of Dracula and Batman Returns. My favorite scene is near the end when the chariot is racing into the castle courtyard as the sun goes down, the music is so suspenseful and when Keanu steps up to that wooden crate and BLAM, now that is what movies are all about.
The literate script is more faithful to Stoker's novel than previous adaptions but there's still a considerable amount of liberaties taken with it. Calling this Stoker's Dracula is being generous;Coppola transforms anything he adapts and this is very much Coppola's Dracula. The acting and casting is more problematic. The most glaring problem is Keanu Reeves as Harker. Yes, I realize that Reeves' wooden acting style is deliberate. It's a stylized reference to the acting of the 20's and 30's. Unfortunately, given the other performances, it doesn't work. Anthony Hopkins manages to chew just about every bit of scenery in sight. Still, he's an effective Van Helsing. He plays Van Helsing with as obsessed bordering on madness. It works within the context of the film and is a fine contrast to Gary Oldman's fine performance as Dracula. Cary Elwes and Bill Campbell round out a fine cast of performers (although I personally would have loved seeing the versatile Elwes play Campbell's role). Tom Waits makes the role of Renfield his own. Waits' take on Renfield is the strongest since Dwight Frye's in the 1931 Todd Browning version of Dracula. The romantic element of the film is completely screenwriter James Hart's invention. It's a surprise and makes this something more than a run of the mill vampire movie. His script breathes life into a moribound subject that's been done to death. Coppola and his collaborator Hart have invented a tragic gothic Dracula mixing gore with the sensibility of a romance novel. The film is well staged and the action sequences have a kinetic energy that only a thoughtful director like Copppola could create. The cinematography veers from beautiful to eerie within the same sequence. Coppola's Dracula takes the vestiage of Greek tragedy and grafts it to the horror film in a way that makes this a fresh and vital film. The Superbit DVD has no extras to speak of (and the extras on Columbia's DVD pale compared to the original Laserdisc version). The picture quality and sound are both outstanding. Columbia/Sony have done an outstanding job with this transfer. It's one of the sharpest and best looking DVDs around.
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| 7. The Brylcreem Boys Director: Terence Ryan | |
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Description Reviews (7)
See it if you can.
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| 8. In The Beginning Director: Kevin Connor | |
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| 9. Crime Story (Pilot Episode) Director: Abel Ferrara | |
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Amazon.com Reviews (14)
I own the boxed VHS set from Starmaker. Although it is nice to have the entire run in one collection, the picture quality leaves something to be desired. Also, it is nearing the end of it's shelf life (the average for VHS is about 15 years) so a DVD set would be very welcome. Thanks to Anchor Bay for taking the time to put this gem back on the market and here's hoping they release the rest of the series.
It's a testimony to Michael Mann's reputation at the time that Crime Story was even greenlighted. NBC would have never gone for the casting of Dennis Farina, with his pockmarked face and lack of acting experience, had Mann been a neophyte producer with no proven track record. The choice of cult film director Abel Ferrara (pre-Bad Lieutenant) must have also freaked out network execs. His previous films included a deranged psycho gruesomely killing people with a power tool and a rape survivor viciously killing the men who attacked her with a .45 pistol. And yet, the final product proves that Mann's instincts were right on the money. Farina delivers the hard-boiled dialogue with the perfect amount of intensity (at one point Farina says menacingly to one goon, "you hurt anybody else, when this is all over I'm gonna find what you love the most and I'm gonna kill it. Your mother, your father, your dog. Don't matter what it is -- it's dead."). You can see it in his eyes and the way he barks out orders that this a no-nonsense guy who isn't going to let anything get in the way of his job. Ferrara directs with the same proficient skill of crime auteur, Don Siegel. Crime Story depicts a harsh world where life is cheap and characters will do anything -- even if it means bending or breaking the law -- to achieve their goals. One of the most striking aspects about Crime Story is that it feels like it was ripped right from the pages of a James Ellroy novel. It is even more surprising that this show was done before Ellroy had written his famous L.A. Quartet of books that features L.A. Confidential, which Crime Story most closely resembles. The author claims that he hadn't seen the show until after he wrote these novels but he does admit to being a fan since then. This, of course, begs the question, when is someone going to reunite Farina and Ferrara to do a proper Ellroy adaptation? The DVD disappoints in the extras department. No audio commentaries from Ferrara or Mann (both of whom have done them before), or even the show's creator, Chuck Adamson. A retrospective featurette would have been nice but instead we are left with nothing. If you are willing to overlook the appalling lack of extras and are a fan of Michael Mann or James Ellroy's fiction then this is definitely worth checking out. Hopefully, the folks at Anchor Bay will redeem themselves with the first season of Crime Story that their website says is due out in July of this year with the second season coming out in December. ... Read more | |
| 10. The Second Jungle Book Director: Duncan McLachlan | |
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Reviews (6)
Jamie Williams (Mowgli) is very talented actor. It's very believable that he's real feral child in many scenes. His ability to play character's emotions and his body speech is exceptional. Althought he was 10 and half years old only, he performed all stunt scenes in the movie. In few scenes, he didn't show the fear, when he was about 5 feets far from the adult tiger, who was on thin lead only. Some review says that fake animals are used in some animal scenes. It's not true. They used blue screens and split scenes few times, but all animals in the movie are real.
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| 11. Enough - Special Edition (Widescreen) Director: Michael Apted | |
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Reviews (181)
The first dose of reality hits when Slim discovers Mitch is cheating on her; she protests, he hits her, and she determines to leave him. The fact that Slim is very strong in her decision to not wait for him to hit her again certainly sends a good message to women and girls about abuse. It seems for a moment that the stereotype of the fairytale romance will be subverted and that the woman will triumph. The reality of what happens next is just as questionable as the fairytale beginning to the story; Mitch becomes completely evil, like a villain from a comic book, while Slim becomes the self-sacrificing mother who would do anything for her child. On the surface, Lopez's character appears to be a strong, independent woman who is capable of taking care of herself. However, throughout the film she proves to be dependent on men. Her adoptive father helps her escape from Mitch's house with her daughter and she turns to her biological father for financial help. She seeks shelter and support from her close friend, Joe, and she finally seeks training in fighting techniques from a man. Ginny, played by Juliette Lewis, is a female friend who does help her a great deal, but most of the people that helped to 'save' her were men. This reinforces the stereotype that women cannot really be strong on their own; they are never really safe without the help of men. Another stereotype of women supported in this film was that of the mother. Slim does absolutely everything for her daughter, Gracie. Never does she speak of leaving Mitch for her own good; Slim always speaks of the safety of her daughter. In other words, the filmmaker is essentially saying that women must remain mothers above all else. In addition to the female stereotypes we see, the idea of a woman being surveyed by the male surveyor is seen several times in Enough. At the very beginning of the movie, Mitch sees Slim and finds her attractive; he is a wealthy man who observes a beautiful woman and wants her for his own, so he takes her. Later in the film, when Slim has changed her name and moved to the west coast, we see Mitch's henchman staring at her through the window, simply watching her sleep and get dressed. Then, when Mitch arrives to 'take back what is his,' he also observes her like someone watching a movie. He looks at her from afar like a man surveying his land; he clearly sees her as his property rather than an actual person.
Slim leaves her abusive husband with her daughter Gracie in tow and with help from friends old and new, lives a life on the run. It's not her daughter who's in danger, it's her. If she is found her husband (played by Billy Campbell)he will kill her. So what to do? Go to the police? He'll find her. Go to a friend? He'll find her. She decides to use the rules her own way...she spends one month traing heavily with a martial arts instructor and decides to make the fight fair. Jennifer Lopez does a fabulous job, as usual, of never playing herself. She is Slim, the once submissive wife who wants to be happy. Be we watch her become much more...a tough cookie who knows how to play a man's game. I enjoyed this movie very much. Lopez always surprises me with her characters. Some scenes were very difficult to watch. Many times heartfelt moments between Slim and Gracie were real tearjerkers. I am not sure how a movie like this would translate into the real world, but on-screen it seems quite convincing. My only problem with the movie...I wanted more from the ending. It left me a little dry. Otherwise, I would say most would enjoy "Enough" as a great night's rent. Kudos to Juliette Lewis, I haven't seen her in a film for years. She is an outstanding actress (remember "Cape Fear")?
Let's face it, we all know where ENOUGH is headed. J-Lo plays a greasy spoon waitress (yeah, like that's believable) who happens to fall for a smooth-talking swell (Bill Campbell) who turns out not to be the nicest guy on the block. Er, the planet. And when J-Lo confronts Hubby about his flagrant infidelity, Hubby responds with some fisticuffs and then refuses to let his wife out of the marriage. Granted, Campbell is ultra-creepy to watch. . .he's so revolting and disgusting that even my dog knew he was going to get the ultimate comeuppance at the end of this flick. With the help of friends, J-Lo and young daughter flee and relocate thousands of miles away, yet Hubby is relentless in his pursuit. Once it becomes obvious that a custody showdown is inevitable, J-Lo does the only logical thing: She enlists the aid of a martial arts dude and learns how to fight like a tiger. Tigress? Then, it's back to California to sneak into Hubby's new flat and extract a pound of posterior. And, of course, predictability reigns supreme as the film rolls to its conclusion. I've had the luxury of viewing this film with other ladies, and their reaction has been somewhat universal. Not a one of them would have put up with the guff J-Lo did; in fact, the first time a punch was thrown Hubby would have first been looking at the floor to find his mountain oysters, just before he would feel the piercing pain of buckshot. But, perhaps justice is swifer in my neck of the woods. Anyway, in ENOUGH J-Lo kind of blindsides her husband during their kung fu match. Ain't fair. I demand a best two-out-of-three.
Yeah, the premise as it unfolds is a little ridiculous, especially as Mitch seems to have a GPS system to track his fleeing wife, but the escapism is pure adrenaline-rushing fun. Jennifer Lopez is naturally appealing and solid in her performance, although the emotional range of the role seems to demand only fierceness and fright. Still, the chemistry between her and young co-star Allen is unmistakable, even poignant. Noah Wylie does a fantastic turn as Robbie, a character I won't describe for fear of spoiling the plot. Juliette Lewis has her usual on-screen charisma even though she's not given much to work with. This film was much better than I expected. Viewers hoping for something new or even substantial on the theme of domestic violence will be disappointed since it only serves as a plot device to put Lopez's character in danger. This would make a great date flick since men will appreciate the constant action (not to mention the lead actress) and women will be drawn to the subject matter.
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| 12. Menno's Mind Director: Jon Kroll | |
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Amazon.com Reviews (5)
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| 13. More Tales of the City Director: Pierre Gang | |
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Returning to the cast from the original "Tales of the City" mini-series are Olympia Dukakis as Anna Madrigal (the landlady of the 28 Barbary Lane apartment house), Laura Linney as Mary Ann Singleton (a career-minded secretary), Barbara Garrick as Deirdre 'DeDe' Ligon Halcyon Day, Bill Campbell as Dr. Jon Philip Fielding and Thomas Gibson as Beauchamp Talbot Day. Replacing former cast members are Nina Siemaszko as Mona Ramsey (searching for her identity), Paul Hopkins as Michael 'Mouse' Tolliver (searching for 'Mr. Right'), Diana Leblanc as Frances 'Frannie' Alicia Ligon Halcyon and Whip Hubley as Brian Hawkins. New to the cast are Colin Ferguson as Burke Christopher Andrew, Swoozie Kurtz as Betty Borg Ramsey and Jackie Burroghs as Mona 'Mother Mucca' Ramsey (a brothel owner). In this segment, Mona Ramsey is searching for her self identity and doing everything she can to avoid her controlling mother, Betty Ramsey. She leaves San Francisco on a bus and meets 'Mother Mucca' and agrees to work at Mother Mucca's brothel in Neveda as a receptionist. There, she discovers some startling truths about herself, Mother Mucca and Anna Madrigal. In the meantime, Beauchamp is causing problems for his secretary, Mary Ann, and his wife, DeDe, who becomes impregnated by an Asian worker. DeDe's mother, Frances, ventures off to rediscover her sexuality at an exclusive club. While searching for 'Mr. Right', Michael becomes paralyzed and it rekindles his romance with Dr. Jon Philip Fielding. Several things that happen at the end of "More Tales of the City" lead into its sequel, "Further Tales of the City". It may be true that Nina Siemaszko that Paul Hopkins don't play the roles of Mona and Michael as well as Chloe Webb and Marcus D'Amico from the original "Tales of the City", but the combination of the fun plot twists and other great acting makes "More Tales of the City" well worth watching and owning! I rate this set of DVD's 5 out of 5!
An important part to any DVD (or movie) purchase is whether it holds up after repeated viewing and this certainly passes the test. Unfortunately, the original PBS "Tales" is tied up in a legal mess and unavailable on DVD for the forseeable future. Looking forward to "Further Tales" set to air in Spring 2001. It is rare these days for an author to have such creative control over a movie/mini-series project. Maupin's love for these characters (and the actors who play them) is clearly evident. Hopefully, future "Tales" DVDs will have the caring treatment that was put into this set.
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| 14. The Cold Equations Director: Peter Geiger | |
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| 15. Bram Stoker's Dracula Director: Francis Ford Coppola | |
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| 16. More Tales of the City Director: Pierre Gang | |
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