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| 1. Straight from the Heart Director: David S. Cass Sr. | |
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| 2. The Changeling Director: Peter Medak | |
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Reviews (219)
The story isn't fed to the viewer like present day movies, and we're treated to a guessing game of mystery and sadness and fear and murder, all thrown against the backdrop of the still innocent 1980. How comforting the decor and architecture of the end of the 1970's, contrasting against the stark empty spaces of the wonderfully spooky and atmospheric grand empty house. Is there anything more comforting than seeing 70's urban environments and then to be returned to the great big olde house from a century before, now worn and neglected and up for rent? This film is a batch of home made soup, all the better for a nights' maturation. It'll tingle and nudge at your spine with pleasure and spice, and won't leave you feeling empty half an hour later. Feel the fear and the nostalgia of that age of innocence, and all with a measure of intelligence that'll delight and scare you in equal measure. A real estate adventure in unexplored rooms that kicks modern hollywood thrills and chills into orbit.
If you want to have a really enjoyable time being scared, don't miss seeing The Changeling. Just don't watch it in a big house all alone.
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| 3. The Abyss (Special Edition) Director: James Cameron | |
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Reviews (279)
When you finally see that the world is on the verge of nuclear destruction and that the ocean-bottom aliens are fed up, that the movie makes sense and takes on an entirely epic meaning. Now it becomes a GREAT movie. There are 2 scenes in the movie that are noteworthy, one belongs as one of Hollywood's single most powerfullest, perhaps it is THE most powerful single scene ever filmed. That is when Mary E. M drowns herself to save her husband played by Ed Harris and he wills her back to life in a flood of tears. This scene alone, even if the rest of the movie is truncated, makes it worthwhile. But the director's cut then shows why later on when Harris dives into the Abyss--a metaphor on life----to deactivate a nuclear bomb with no chance of getting back before his air runs out, this is the second most powerful scene. As Harris descends, deeper, deeper, Mary E. M in tears says goodbye to her husband. The Aliens see this unselfish courage and love and decide to give mankind a second chance. I second the motion. Real people do such things in real life. They call of their imminent destruction by tidal waves etc. Buy the director's cut, watch the film as it should be seen and enjoy.
Case in point: THE ABYSS. The movie opens as a nuclear submarine is caught in the wake of an object moving at incredible speed through the water. The sub regains navigational capabilities too late to prevent disaster. Since a hurricane is on the way (Mr. Cameron does lay it on pretty thick), timely rescue from the surface is impossible, so an underwater drilling rig is dispatched to provide assistance. The crew of the rig is to be under the supervision of Navy SEALs. Sounds like a pretty good premise for an action movie so far, doesn't it? Well, the SEALs arrive with the soon-to-be ex-wife of the drilling rig commander and the story takes a turn from that point. I won't give away too much. Just know that I don't shed too many tears in action films as a rule. This is an exception. Get it. You won't be sorry.
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| 4. Cobb Director: Ron Shelton | |
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Description Reviews (19)
The acting of Tommy Lee Jones is stellar! One of his finest performances of his well established career. This movie is hard to find on store shelves due to it was not very popular and still isnt, however that should not impeed you from seeing this 5-star film. There are many lines that are quotable for the rest of your life in this film. Cobb's view on the world in general is very entertaining. I laughed out loud many times during his frequent outbursts. My wife, who doesnt like baseball all that well, recommended this film to her grandparents, and they loved it.
The film is set in 1960 when Cobb, then 72 years old, engages Al Stump to write his biography. Stump's a young sportswriter who's flattered by the assignment. At first he hates the arrogant Cobb, but later finds himself admiring him for his "bigger than life" personality. And so he winds up being Cobb's only friend, traveling with him, drinking with him and playing nursemaid to his wild rages and need for constant medication. Tommy Lee Jones is cast as Cobb, in a larger-than-life performance that humanizes the aging Cobb in spite of his raging racism and generally obnoxious behavior. Robert Wuhl is cast as Al Stump and his performance is equally good as we see him starting to have sympathy for the aging man. Lolita Davidovich is cast as a Reno cigarette girl who is pursued by both Al Stump and Cobb. She gives a good performance but I think the main reason she's in the film is to liven it up with a bit of flesh. There's also a small role played by Roger Clemens, the real-life pitcher in a scene of a baseball game played around 1916. Wisely, the camera doesn't stay too long on Tommy Lee Jones for this scene because he just can't look like a very young man. The screenplay was ambitious but it lacked something. It was overlong and tended to be boring. Once the general situation was set, there was just one kind of outrageous behavior after another to prove the point that Cobb was difficult and that Stump was starting to admire the old man. In my opinion, the whole film could have been condensed to a one-hour television movie. As I'm interested in baseball, I did enjoy the film. But it certainly isn't one that I can highly recommend. ... Read more | |
| 5. Stop! or My Mom Will Shoot Director: Roger Spottiswoode | |
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Reviews (14)
Inspired by her son's decision to enlist in the military to eliminate the obvious nuclear threat residing in Iraq, Tutti Bomowski (Estelle Getty) decides to re-enlist herself. Having been the first female Navy Seal in U.S. history, and a decorated war hero in Korea, the one condition of her military service is to be assigned to the same elite fighting squadron as her son Joe (Stallone). Their top-secret operation carries them right into the fringes of Baghdad where they uncover Saddam's diabolical plan to blow up the ocean. Despite their combined lethal skills, one of them won't make it out alive. Teeming with realistic wartime violence, this is not everyone's cup of tea. However, if you're a fan of Sam Peckinpah's bloody cinematic ballet, you will find much to appreciate in Stallone's work. In fact, as a moving tribute to the motherly tone of this epic, Stallone was assisted by Peckinpah's 93-year old mother Myrtle in helping choreograph many of the action sequences, most notably the legendary bungee-jumping battle scenes. Sly showed that he's a master of many crafts in "Stop! or My Mom Will Shoot!" Not only did he write, produce, direct, and star in this film, but he also wrote and performed the amazing musical score as well. "Over The Top" and "Cobra" may have introduced the world to the possible talents that Stallone possesses, but it was this film that truly made him a legend that will live on for several weeks to come.
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| 6. The Flight of the Intruder Director: John Milius | |
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Amazon.com Reviews (35)
Choosing to fly behind enemy lines and deep into Hanoi to destroy a surface to air missle depot, they accompish the task at the expense of being subjected to the military justice system and a possible court martial for their actions. Flight of the Intruder happens to be a dismal adaptation from Stephen Coont's book of the same name. Apart from making comparisons, this movie redeems itself in the few aspects of good aerial photography, some decent action scenes of war sequences in the jungle, and slightly above average acting performances by Willem Dafoe, Danny Glover, Tom Sizemore, and Brad Johnson. The DVD content itself is anorexic to put it mildly. You won't find any extras here beyond the usual fare of a good digital 5.1 soundtrack, widescreen presentation, and subtitles. If you're a fan of war movies, this probably isn't a great addition to a DVD collection but I'd recommend renting it if you like the genre of film.
That is the opening statement to an outstanding action movie. The thought of flying unarmed over hostile territory circa 1972 presents a very exciting war tale indeed. Danny Glover, Willem Dafoe and Brad Johnson are a great ensemble cast. The "Flight of the Intruder" based on Stephen Coonts (former Naval Aviator) novel of the same name. Coonts has written an entire fictionalized series based on Jake Grafton (played by Brad Johnson) exciting Naval career. The "Flight of the Intruder" was the first in that series. Summary: Young Naval Aviator Lt. Jake Grafton pilots the infamous A (Attack) - 6 Intruder over 1972 Vietnam. You get to experience lots of great aerial photography, plenty of action and the unbelievable daring of these A-6 Naval pilots. This includes low level (200 feet) bombing missions (dodging all kinds of enemy fire). "Iron Hand" the art of an Armed A-6 versus' SAM (Surface to Air Missles). They shoot first up to 4 missles before you can attack them!!! Great stuff!!!! Paramount's WideScreen DVD Collection presents the viewer with some OUTSTANDING MOVIES at an economical price. The only short fall one Extra is the trailer and the Enhanced 16:9 WideScreen HDTV is some what grainy on my 55" Home Theatre Screen. The sound is outstanding! Overall this is a great war movie for the collector!! This DVD is worth the price of admission. Enjoy
And also, that's true that the special effects are somewhat dated now... But boy, being a professional of aviation, living, breathing, dreaming of it every day of my life, I can't applaude enough to the fact of being able to watch a movie that DOES feature combat aircraft! Just count the number of good action movies that actually show these machines, and I bet you'll be able to count them on the fingers of, say, 2 hands. That's just to stay on the optimistic side of things. Flight of the Intruder is a real cool movie in terms of aircraft footage. You are "behind the wheel", at times you are literally in control of the aircraft. Your heart pumps faster when this ugly looking -and sounding- SAM detection signal flashes to and screams at the crew. And watch these unforgettable scenes with the A-1 Skyraiders, the famous "Sandys" at the end of the film! The shots, the sounds... Everything contributes to raising the hair of your neck with passion! The movie itself is pretty well documented too, if only a bit too simplified. Looks like the film was technically supported by both the Navy and the Air Force. The pilots' jargon is accurate, and so is the overall A-6 bombing philosophy. And after viewing it, you'll sit back and start reflecting on it, and I'm pretty sure that you'll end telling yourself: "These fly-boys in Vietnam... They sure had real guts". Hats and heads down, ladies and gentlemen, and respect for courage!
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| 7. Tomcats Director: Gregory Poirier | |
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Amazon.com Reviews (41)
Here's a synopsis: The movie begins with a group of friends who are very disillusioned, they are afraid of commitment and want to remain "Tomcats" forever. They all place money into a high-yield mutual fund in the mid-90's and thinking that it wouldn't be that big of deal leave it there to collect interest. Flash-forward to present day, the pot is now almost half a million dollars and there are only two unmarried guys left, Kyle (Gary Busey) and Michael (Jerry O'Connell). While at their friend's wedding in Las Vegas, Michael gets in trouble at the craps table to the tune over 50 thousand dollars. He hatches a plan to fix up Kyle (who is filthy rich and pretty much has a different girl every night), with a former bridesmaid at his friend's wedding all those years ago, Natalie (played hilariously by Shannon Elizabeth). What follows are some of the most disgusting, degrading, and downright depraved scenes that I've seen to date (...). See this movie if you're a fan of gross-out comedy, or if you're just looking for a good laugh.
The characters are so repellent and unfunny that you don't care what happens to them. Growing up in the 80's, we sat through a lot of horrible comedies aimed at the all-important teen male audience only to hear, "Well, that sucked but at least we got to see (hot actress name here) naked." What's the point?
A pretty good storyline features a host of hilarious moments .... if you ask me, this movie is about typical guys, their dislike of marriage, and the need for cash! In amongst this are some moments, you will never forget .... chasing the testical, throwing the dice, and well, I have to say it - the chick in the back seat of the car and Kyle ..... this is hilariously funny (maybe to the point of disgusting?) ... and of course the 'pretty' funny bachelors party scene ... also deserves a mention! This is one of the best comedies I have seen in ages and ages, and for all you girls out there, this is not only for the guys! It should be taken in the "tone" that it's set in (it's a comedy and not serious) .... and you should sit back and enjoy the ride! ...... and, if you can't find it funny then it will at least gross you out in parts - enough that you will have to laugh anyways (not so bad if you ask me)! Either way, you definitely shouldn't miss this one!
If you don't like raunchy comedies, than don't bother. However, if you like movies such as There's Something About Mary or American Wedding, than you will like this movie.
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| 8. The Abyss (Special Edition) Director: James Cameron | |
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Reviews (279)
The morale of the movie is bad. Americans and Russians are screwing up the world so the aliens try to prevent it. 'Can't we all just get along!?' is what they want for us, then things will turn to better. Industrial Light and magic did a great job again in this 1989 movie, it's worth seeing for SF fans.
Buyer beware. ... Read more | |
| 9. The Abyss (Double Digipack) Director: James Cameron | |
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Reviews (279)
When you finally see that the world is on the verge of nuclear destruction and that the ocean-bottom aliens are fed up, that the movie makes sense and takes on an entirely epic meaning. Now it becomes a GREAT movie. There are 2 scenes in the movie that are noteworthy, one belongs as one of Hollywood's single most powerfullest, perhaps it is THE most powerful single scene ever filmed. That is when Mary E. M drowns herself to save her husband played by Ed Harris and he wills her back to life in a flood of tears. This scene alone, even if the rest of the movie is truncated, makes it worthwhile. But the director's cut then shows why later on when Harris dives into the Abyss--a metaphor on life----to deactivate a nuclear bomb with no chance of getting back before his air runs out, this is the second most powerful scene. As Harris descends, deeper, deeper, Mary E. M in tears says goodbye to her husband. The Aliens see this unselfish courage and love and decide to give mankind a second chance. I second the motion. Real people do such things in real life. They call of their imminent destruction by tidal waves etc. Buy the director's cut, watch the film as it should be seen and enjoy.
Case in point: THE ABYSS. The movie opens as a nuclear submarine is caught in the wake of an object moving at incredible speed through the water. The sub regains navigational capabilities too late to prevent disaster. Since a hurricane is on the way (Mr. Cameron does lay it on pretty thick), timely rescue from the surface is impossible, so an underwater drilling rig is dispatched to provide assistance. The crew of the rig is to be under the supervision of Navy SEALs. Sounds like a pretty good premise for an action movie so far, doesn't it? Well, the SEALs arrive with the soon-to-be ex-wife of the drilling rig commander and the story takes a turn from that point. I won't give away too much. Just know that I don't shed too many tears in action films as a rule. This is an exception. Get it. You won't be sorry.
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| 10. Drug Wars - The Camarena Story Director: Brian Gibson | |
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| 11. Turbulence Director: Robert Butler | |
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| 12. Bulworth Director: Warren Beatty | |
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Amazon.com essential video Beatty's rude and relevant comedy is a one-joke movie, but the joke is pretty good. It's a courageous film that is always sharp even though it loses narrative focus. Beatty's hilarious raps are so inspired they deserve repeated viewings. As usual, Beatty surrounds himself with a great crew, Ennio Morricone's music and Vittorio Storaro's cinematography being especially noteworthy. Beatty and Storaro even have the audacity to imitate two very famous photographs in the film's final seconds. The script by Beatty and Jeremy Pikser won the L.A. Film Critics award and was nominated for an Oscar. --Doug Thomas Reviews (131)
But here's the best part: this poor movie didn't stand a chance of finding a target demographic, just as we know from the first instant Bulworth doesn't stand a chance, either. The movie's occasionally bawdy humor is poised to captivate, paradoxically, *my* demographic (19-year olds who appreciate taboos about racial tension), while its sad, sad message is better suited to working class families who "get it," rather than to, say, people who rent movies all the time, or play the stock market, or capitalize on apathy. In that respect, Bulworth is a sad story, indeed.
Far from being the deft parody of modern civics that the producers obviously intended, this is an extremely silly movie that trivializes major problems, and frequently borders on being racist, classist, and anti-semitic. One problem is that this was Warren Beatty's attempt at being "hip" and reaching out to a whole new generation. Well, I'm part of that generation and let me tell you that it just came out as being creepy and pathetic. Warren Beatty and Halley Berry? "Ew" on so many different levels. Warren Beatty being accepted as some sort of "brothah"? You've got to be kidding me. Warren Beatty rapping? Please, just kill me. The other problem is that this movie attempts to address "problems" in a way that does nothing but rehash old stereotypes. This "inner city" was obviously dreamed up by an elderly woman from the midwest who has never actually met a black person, but has read books where she learned that some of them have hearts of gold and everyone else is a dangerous criminal intent on selling crack to five year olds. There is a definate generation gap in who likes this movie and who does not. The young, socially aware people that I know think that this movie is paternalistic, insulting, and stupid: and that Warren Beatty should just deal with the fact that he is no longer Hollywood's #1 Heart-throb. My parents and their friends thought it was great and that Warren still has his old spark. Though even they admited that Warren and Halley was pretty "ew."
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| 13. Ulee's Gold Director: Victor Nunez | |
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Directed by Victor Nunez, this critically-acclaimed film wasn't seen much upon its 1997 release. "Ulee's Gold" is a very quiet film, and its unhurried pace and frequent dialogue will probably try the patience of just about anyone who watches it. It takes its time before diving into the storyline, and the viewer doesn't really get involved with the film until after the first half-hour. However, "Ulee's Gold" is ultimately a powerful and effective human drama that moves the soul in its own subtle way. The film's greatest strength lies in the stirring performances, particularly that of Peter Fonda as the aloof but strong-willed Ulee. At first the viewer thinks of Ulee as just an estranged man who cares about nothing but his beekeeping business; but the character slowly works his way into the viewer's heart as the film progresses. Soon we get to realize how much the man cares for his family, and by the end of the film we are really cheering for him. Christine Dunford also gives a superb performance as Helen, and Patricia Richardson (of "Home Improvement" fame) is also convincing as Ulee's neighbor, the one townsperson whom he allows in on his situation. Additionally, much of the plot of "Ulee's Gold" lies in the script, rather than through on-screen action; thus the viewer is never presented with overcalculated brutality. Even the tensest of scenes are played out like they would be in an everyday rural or suburban society, without big explosions or fistfights. The drawn-out dialogue gets a little tedious at times, but it makes the characters all the more believable. Throughout the film, these characters go through a lot of changes, especially Ulee. In the end, it is Ulee who has changed the most, having discovered that his "gold" is not just his rare Tupelo honey, but the even-more-precious family that he has fought so hard to protect. "Ulee's Gold" may not be quite as involving as the more recent "In the Bedroom", but it's a great film for anyone who likes solidly told dramas. It was not aimed at a teenage audience, so anyone my age who happens to be reading this review will probably find it somewhat boring; however, there's a lot of good material in this film that shows profound thought in Nunez's part. See it if it interests you in any way.
Peter Fonda garnered much acclaim for his acting, and in fact all the players did a good job including Jessica Biel and Vanessa Zima as the kids, Patricia Richardson as the neighbor, and Tom Wood as the son. I found the actual bee-keeping business pretty interesting, but it looks to be a tedious and labor-intensive job, at least on the small-scale shown here. This story will only appeal to older audiences as there is little "action", even in the action portion. The ending may be a bit more upbeat than the circumstances might dictate, but it could go that way. This is more of a character study, and on that level is quite good. No DVD extras beyond the usual language/subtitle options and trailer
Highly recommended.
As Ulee Jackson, Peter Fonda gives an amazingly understated but strong performance. You can see the storm of emotions that fly within the character as evidenced by the one scene where he lets his feelings fly as he tells off his daughter-in-law Helen with anger and venom. That edge or spark underlies all of the other well-controlled scenes so that even though Ulee may be quiet, he is always focused, always tense. The supporting cast is also excellent. TV's "Home Improvement" Patricia Richardson is excellent as the neighbor nurse who tries to help without intruding and winds up attracted to Ulee. That interesting relationship allows the mind to conjure up Ulee 2: The Sequel to see how things develop after this crisis point. Jessica Biel, the bad girl who posed nude for a magazine and got booted from TV's "7th Heaven" delivers another blockbuster performance as the young adult/late adolescent who wants to be a kid but who fights with her responsibilities to her family and loves them even as she sasses them. I probably won't select to see her in the upcoming "Texas Chainsaw Massacre" because it's not my kind of film, but she certainly shows the potential of an accomplished actress. The other supporting players are also excellent. Christine Dunford who has worked in TV (Ally McBeal, Law & Order) shows great range as the drug-addicted mother who is dragged out of her habit, and clings to her con hubby. Steven Flynn who also has worked in TV (Ally McBeal, NYPD Blue) as the big brain con Eddie Flowers is sufficiently creepy to keep our interest. His horny sidekick Ferris Dooley is played well by Dewey Weber. Ulee's son Jimmy in prison is played by Tom Wood ("The Fugitive," "Appollo 13") with an edgy performance, conflicting the loose morals that landed him in prison with his love for his wife and kids. Even little Vanessa Zima ("Zoe") as the younger daughter Penny does a good job of being sufficiently innocent. Nunez has created a marvelous ensemble piece. One could almost see this adapted for a compelling stage play. I was particularly struck by the metaphor of being calm amid the bees which paralells the tense human situation and Ulee's calmness in the face of possible tragedy. The film holds up well and will remain a classic film. Enjoy! ... Read more | |
| 14. Murder 101 Director: Bill Condon | |
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| 15. Interceptor Director: Michael Cohn | |
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| 16. Operation Delta Force 2/Delta Force 3 Director: Yossi Wein | |
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| 17. The Abyss (Full-Screen Edition) Director: James Cameron | |
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Reviews (279)
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