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Here's the alpha point of Elvis Presley's film career, the introduction of the raw-boned Mississippi boy into Hollywood pictures. E.P. takes a supporting role, and his entrance is delayed for nearly 20 minutes: kid brother to returning Civil War soldier Richard Egan, his character marries Egan's sweetheart Debra Paget when Egan is presumed dead. It's a chance for Elvis, his face still trembling with baby fat, to emote dramatically and finish tragically, both of which he does passably well. A serviceable Western, the film shamelessly shoehorns four Presley tunes into two sequences: E.P. crooning on mama's porch, and performing at a country fair (where starchy locals don't seem disturbed at the boy's gyrating hips and happy feet). All in all, a shrewd way to put a foot in Hollywood's doorway, and, of course, one of the last Presley movies to feel like a real film and not a vehicle for the King. --Robert Horton ... Read more

Reviews (13)

Love Me Tender
Comparing this film with other films from the same period I think it is a very good film. Of course it is a musical. There is also a forgotton significance to this film. Most of the Elvis concert footage from this period is weak. This film allows an Elvis fan to see him perform via Paramount film footage. Even though they are movie songs and he is lipsyncing he still throws in those 1950's moves.

The movie was filmed in 1956 and it is Elvis Presley's first role. He receives third billing to veteran actor Richard Egan and actress Debra Pagent who is known for her role in The Ten Commandments.

It is a western set in the Civil War Period. Vance (Richard Egan)is called to serve in the Confererate Army. Clint (Elvis Presley) is too young to serve and stays home to tend the homestead. Cathy (Debra Pagent) is Vance's girlfriend and her family is killed in the war.

Cathy goes to stay with Clint & his mother until Vance returns. At some point they are given bad information that Vance has perished in the war and eventually Clint & Cathy become married.

Vance and his army buddies (not knowing the war is over) rob a train office and are pursued by army officials as they head home. Once home Vance finds out about Clint & Cathy and though he pretends to be happy for them he is awefully hurt by the marriage.

Though Clint is glad his brother is alive and well he is also growing increasingly uncomfortable with the situation. Elvis gives a really good performance as he starts becoming paranoid and thinking Cathy & Vance still have something going between each other.

The tension ensues between Clint & Vance over Cathy and over the money stolen from the train office and ends in a showdown between Clint, Vance and his old army buddies.

Elvis is hit by a bullet and dies in the end.

For those who say Elvis cannot act, I guess they never watched him die.

Elvis' film debut and first view on-screen is a milestone!
"Love Me Tender" was a complete success when it first came to theaters November 15, 1956. The love triangle in this story is one-in-a-million! Elvis does such good acting in this picture that some fans could consider it his finest acting...and it's only his first movie! Elvis does four songs in the picture: "We're Gonna Move", "Love Me Tender", "Let Me", and "Poor Boy." Although "Love Me Tender" is set after the Civil War the songs Elvis sings are closely related to rock'n'roll. Very disappointing when Elvis' character dies near the end. Elvis' mother did not like that at all. I cried when Elvis' character dies, and after the family walks solemnly away from his grave there is a ghostly close-up of Elvis singing "Love Me Tender." I was shocked, and cried at this! Elvis fans, if you want something a little more uplifting, try "Loving You." Elvis didn't like when he did the songs in "Love Me Tender" because his band wasn't there with him on-screen.

My Favorite Elvis Movie!
Love Me Tender is, by far, my favorite Elvis movie. Yes, Elvis sings but it is the storyline that clinches my 5 star rating.

Elvis plays Clint Reno, the youngest of his brothers who stays behind to tend the family farm while the others go off to fight in the Civil War. The family receives word that the oldest brother, Vance (played by a very handsome Richard Egan) is killed. Cathy, Vance's love, has lost her family in the war and now that Vance is killed, she has no one. Clint marries her and believes that she loves him the way in which he loves her. He does not realize that her heart still belongs to Vance.

Their lives are forever changed when Vance along with his brothers, reappears. He is intent upon marrying Cathy, of spending the rest of his life with her. He soon finds out that she is not free. She is now Clint's wife. Shattered and heartbroken, he conceals his feelings from his younger brother. Yet, he cannot contain the overwhelming love he has for Cathy. Nor can Cathy remain so indifferent. Knowing that Clint will soon discover the feelings they still have for each other, he makes plans to go away. But Fate intervenes.

One reckless act during the war jeopardizes Vance's future. He and his fellow soldiers have taken money. Money that has been traced back to them. They are ordered to return it or face prison. Vance and his brothers agree to this intent upon finding the other members of his troop that took part in this robbery.

Unexpectedly, Clint meets up with the members of Vance's troop and learns the horrible truth. Vance had always loved Cathy. Had longed to marry her. He believes that he was played for a fool and his jealousy and anger escalate causing him to act rashly.

Love Me Tender is an excellant story. This isn't a musical nor does Elvis sing in every scene. The plot is tightly woven with sadness, betrayal, jealousy and a love that will not be denied.

Beforwarned, the ending isn't happily-ever-after. Elvis does die yet I believe that there could have been no other ending. He could never have made Cathy happy especially once Vance came back. With every glance she cast his way, the longing was there in her eyes. And this he knew . . .

An excellant plot, believable characters and the sound of the King's voice. What better way to spend an afternoon. :)

Elvis Presley's first film at the age of 21.
Nothing extra in this DVD but the original trailer of "Love Me Tender" available to see in English and the Spanish version and trailers of FLAMING STAR (1960) and WILD IN THE COUNTRY (1961). This film is shown in squeezy widescreen.

Reno Brothers
Good movie worthy of any western collection as well as Elvis collection. Again for those who don't think Elvis had talent to act this first movie showed what could have been developed. The death scene is good. Good movie for the whole family. ... Read more

Description

Van Heflin, Aldo Ray and Tab Hunter in Raoul Walsh's hard-hitting-action epic of Marine Corps heroism in the WWII Pacific, based on Leon Uris' gritty best-seller. Year: 1955 ... Read more

Reviews (7)

Battle Cry
This movie is based on Leon Uris' best seller, and while it does not strictly adhere to the plot/timeline, it is still a relatively faithful treatment of the book. For those of you with short attention spans, this isn't the movie for you. It requires an investment in time and emotion to see the characters develop, in the movie and as friends of each other, culminating in the final battle scene, at Saipan. It is enjoybale, believable, and yes...a movie from the Fifties with all its good and bad points.....only a boorish or immature person would judge the movie because of that though....See for yourself, if you enjoy a great yarn, this movie is for you...and...if you don't think this is how barracks life really is.....you aint been in the Corps...Semper Fi

I have a better name for this movie..
Instead of "Battle Cry", how about naming the film "Cry Over My Love Life"! Who made this movie anyway? The same people who made "Pearl Harbor"? This action COMEDY stars Van Heflin as the commander of a company of marines in WWII, from it's early days of basic training through its last battle in the closing months of the war. It's not a bad film actually if you like cheesy acting, boring and overbearing narration, and don't mind that there's only 20 minutes of actual fighting during its almost 2 and 1/2 hour length? In fact, the war seemed to be almost a bother to the makers of this film, who for whatever reason believed that moviegoers would prefer to see exciting moments of a kid cheating on his girlfriend with a woman old enough to be his mother? Of a nerdish bookworm who falls in love with his buddy's weekend plaything? Or a macho lumberjack who considers desertion to make his new war widow wife happy? Sprinkle in a couple more tragic love stories, and you have most of what this long, insufferable movie is about? As for the acting..FORGET IT! And could anyone who grew up in the 50's please explain to me what the big deal was with Tab Hunter? I've seen porn actors do a better job of acting? I've heard it said that this was a box office hit? WOW! lol The bottom line is..if you're buying this movie because you think it's a war movie, you better keep your finger on the fast forward button, because the action scenes are few and totally far in between! I give it 2 stars for what little action actually made it onto the screen? As for the rest..ANNOYING!

Semper Fi !!
Panned by reviewers at the time of it's release, but a box office hit, nonetheless. In some respects, Battle Cry is not much more than a soap-opera type presentation, but a bunch of good acting and sympathetic characters helps sell it.
As pointed out by another reviewer, this movie was ALWAYS in color, and as far as it not running very frequently on TNT or elsewhere, that's because of economics and availability, not content.
James Whitmore turns in a fine job as the stalwart Sarge, and minor roles by Fess Parker, and L.Q. Jones (the character's name, as subsequently actor McQueen's name), and others help make this a worthwhile viewing experience.
Sure, the Danny [Tab Hunter] character is pure mush, but even there, it's probably his best acting and kudos also goes to Aldo Ray, as a hardass lumberjack who finds true love along the way.
Certainly not on the level of From Here To Eternity as a "war" movie, this IS enjoyable viewing.

Battle Cry ¿ there¿s a lot to see here.
It is surprising how a sprawling war film like this contains so little action. But, don't be disappointed. This film focuses on characterization and characters are plentiful be they ever so stereotypical. James Whitmore as Sgt. Mac, Aldo Ray, Tab Hunter, L. Q. Jones and Perry Lopez as Marine recruits and Dorothy Malone, Anne Francis and Nancy Olsen as their love interests all give standout performances. Max Steiner's patriotic and rousing score is in its full glory. This film is high on good old-fashioned sentimental entertainment. By the film's end the viewer comes to realize many of the sacrifices that were made during this time in history and some of the gloss wears off. As an aside, a deceased acquaintance of mine who served in the US Army 1st Division during the Second World War from North Africa, D-Day to Germany's surrender, found this film to be the best representation of W.W.II military life. That was an exceptional compliment and recommendation for this film from a veteran who was not a Marine and one who fought in the European theatre. This is a good film. This VHS recording sounds very good in stereo.

Excellent adaptation of Uris novel
An outstanding motion picture which deserves a widescreen release on VHS. By the way, viewer from Minneapolis, the film was originally released in Warnercolor and CinemaScope not in black and white. (Fox, the owners of CinemaScope, didn't allow black and white releases in the process in 1955) ... Read more

Description

A successful and popular nightclub owner who believes financial independence is the path to equality and success must act as a go-between for his militant-minded brother and the white gang syndicate his brother has attacked and robbed. Their involvements lead to a breathless race-course chase, the destruction of a dope pusher and a violent waterfront climax. Stars Academy Award® Winner Martin Landau (1995, Best Actor in a Supporting Role, Ed Wood) and Jim Brown (Any Given Sunday, Mars Attacks!, The Running Man). ... Read more

Description

Submarine commander is overly devoted to crew and boat. ... Read more

Reviews (4)

Operation Pacific
Since I grew up with this movie, I have seen it at least 30 times. This is one of the best Submarine Movies of WW-II action made. And not everyone knows this but this movie did deal with some truth. When the skipper is shot by a "Q" ship in a surface attack, he uses the command "Take Her Down" which was in actuality used by the CO of the USS Growler, after being critically wounded in action in 1942. And the torpedo trouble in the movie was also true and they did drop warheads from on high to test out various firing options. One submarine mentioned in the Movie was the Corvina, which really was a USN Sub, and she was suck by a Japanese Submarine like the movie portrays. Unlike other Sub Movies, this one has a lot of truth in it and is an excellent watch. It is made more realistic by being in black and white. Sources for the above "Sink em All" By Vice Admiral Charles A. Lockwood, USN COMSUBPAC during WW-II

When things go wrong and one is in harm's way.
This is a chilly saga of an American sub captain plagued by failure-prone weapons and an ocean full of Japanese to fight. They find the reason the torpedoes didn't work and put back to sea, this time, to take good care of the nasty business at hand. One scene that brings the cost of war home is that the Thunderfish loaned another sub a movie, "Washington Slept Here." Sometime later, they find wreckage of an American sub, and the movie tells them who is at the bottom of the ocean. The Thunderfish strikes back at the sub that got their friends, showing how dangerous it was out there and what courage it took to fight this war. The climax scene shows them in a Japanese-controlled harbor, with a waiting task force. They fire their new and deadly torpedoes, and radio back to Cincpac about the taskforce and its location. They run for cover, and barely survive massive retaliation: the outcome is in doubt until the last, as it was for many other submariners. A moving, poignant, and bittersweet tale that stresses the fact that nothing ever comes for free, even in war.

Authentic in Every Detail
What makes "Operation Pacific" stand out is its authentic pigboat crew dialogue and operational procedures. It is also unique in that it took from a real life WWII sub commander's life. Cdr. Howard W. Gilmore (played by Ward Bond as the fictitious 'Pop Perry' in the movie) who actually did speak the words, "Take her down" as he lay mortally wounded on the bridge of his sub, USS Growler", thus saving the lives of his crew. This is an exceptional WWII submarine movie, a huge step above all of the rest.

Classic, but only amongst sub movies
This show depicts JW being handed what he least wants, to be left ashore during wartime to solve a technical problem with torpedos -- something that really happened.

There is much of the standard John Wayne character in the movie -- he's strong and larger than life, even when he faces a ruggedly handsome younger man who is vying for the same woman. John Wayne is, of course, the hero, and that's OK.

The best part about the movie, however, doesn't have anything to do with subs. The best part is the showdown between two nurses when one tells the other how things really are, and to quit whining about things (I paraphrase, badly).

Nevertheless, this movie is a great option for a free Saturday afternoon. ... Read more

Product Description

John Haloran has a fatal heart attack, but his wife Louise won't get any of the inheritance when Lady Haloran dies if John is dead. Louise forges a letter from John to convince the rest of his family he's been called to New York on important business, and goes to his Irish ancestral home, Castle Haloran, to meet the family and look for a way to ensure a cut of the loot. Six years earlier John's sister Kathleen was drowned in the pond, and the Halorans enact a morbid ritual in remembrance. Secrets shroud the sister's demise, and soon the family and guests begin experiencing an attrition problem. ... Read more

Reviews (26)

"And Here Comes the Chopper, to Chop Off Your Head..."
Francis Ford Coppola's first film of note, graduating from the tutelage of schlock-meister Roger Corman. It was made hot on the heels of Hitchcock's more famous Psycho, and is very similar in content and style.

Con-woman Luana Anders' husband-married-only-for-the-family-money dies before she can be included in the will, causing her to seek out a new scam. Deceased hubby's wealthy Irish family is more than usually superstitious, yearly celebrating with a morbid ceremony the date that their matriarch's youngest daughter, Kathleen, drowned in the lake out back. Anders poses as a medium and stages a few tricks to make herself look good to the rich matriarch, who buys her act. Eldest son William Campbell knows she's a phony, and kid brother Bart Patton has been generally kind of creepy ever since the day Kathleen died - which makes it kind of a toss-up as to who follows Anders out to the haunted lake one night, and cuts her up with an axe...

This movie succeeds on its acting and its atmosphere, which are terrific. Anders was good in everything she did, and this was probably her best role. Campbell never disappoints, and Patton is wonderfully intense and unsettling. The always creepy - and always good - Patrick Magee is on hand as the family doctor, who seems to know a great deal more about the recent mysterious disappearances (Anders isn't the only one who goes missing) than he's letting on. The music score isn't quite as frightening as Bernard Hermann's for Psycho, but it's damned close - the opening theme and credit sequence are terrific, even for American International Pictures, which was usually good in that department. Anders' murder scene will haunt your nightmares about as bad as Janet Leigh's in Hitchcock's film.

Well worth the time and trouble, especially for fans of film noir.

Interesting but flawed
This is certainly an achievement for a $20,000 budget, even in
1963. And the direction is often striking, showing much promise
for Coppola's future but in no way anticipating the "Godfather"
epics. However, the original story by the director is pretty
derivative and doesn't really go anywhere, and most of the
acting is mediocre at best. I'd advise any horror fan to buy a
budget dvd of this as it is a cult item, as well as any fan of
Francis Ford Coppola. Just don't expect a whole lot and you will
be entertained for about 78 minutes.
The print on the dvd is flat out lousy; audio dropouts and
often such poor visual quality as to annoy the viewer. But the
price is low and the film is worth adding to your collection.

Coppola's first--a mixed bag
This is not the best horror movies I've ever seen, but one of the best films in terms of *atmosphere*. The frightening parts about it are less in the film itself than what the film suggests--the really psychotic point to which codependency can build, obsession, and a host of other disturbances, none of which involve the supernatural but suggest it. Along with the Vincent Price films he did, this is the best film you'll see that Roger Corman was involved in.

Luana Anders is, ironically, the strongest presence in this film. Thing is, she doesn't last very long, and the viewer isn't all that devastated when she does disappear. A scheming, money hungry witch, she preys on the co-morbidity of an elderly woman to the point of sadism. A young girl dies tragically at a young age. An Irish family living in Nowheresville idealizes her mysterious death to the point of madness. Someone is responsible, and we eventutally find out who. There are a few 'jump out of your seat scenes', one of them being the untimely (and grisly) death of Anders. It's been awhile since I've seen this film, but much of the imagery (dolls, truly 'demented' childhood memories, and the last exclamation by the ultimate culprit: "DON'T TOUCH THAT!") have remained with me. This is an odd blend, Corman and Coppola. A worthwhile old cinematic antique of misery.

WHY DOESN'T AMAZON REQUIRE WIDESCREEN OR FULL FRAME FROM....
WHY DOESN'T AMAZON REQUIRE WIDESCREEN OR FULLFRAME FROM SELLERS DESCRIPTIONS! WHY DOESN'T AMAZON SHOW ACTUAL PHOTO OF DVD BOX COVER AS WELL AS THE BACK OF THE BOX WITH ALL THE TECHNICAL INFO; TIME/FORMAT/SOUND ETC. FOR OUR CONVENIENCE? MAYBE THEY NEED A CHANGE IN MANAGEMENT AND I'M THE ANSWER? AMAZON PLEASE EMAIL WITH FISCAL OFFER, YOU WILL NOT BE DISAPPOINTED!

COPPOLA'S FIRST APOCALYPSE
In 1963, the movie audience had already experienced the new kind of psychological horror movie born with the great PSYCHO. Francis Ford Coppola's attempt at matching that horror is greatly inferior, of course, but as an exercise in mental terror, it works on its own subliminal level. The wonderful Luana Anders starts out the film virtually murdering her rich husband, and then tosses his body in a pond, telling the family he's off on a business trip. She wants his Mama to change the will to include the in-laws. As in PSYCHO, Anders is dispatched early in the film in a very surprising way, and although it can't touch Janet Leigh's demise in PSYCHO or Angie Dickinson's in DRESSED TO KILL, it packs a wallop. From there on in, it's time to figure out who the nasty killer is. It's fairly easy to pick the killer out, but there are some wildly frenetic scenes before getting there. Bart Patton and Patrick Magee provide excellent support and one can detect the future genious of Coppola in this atmospheric thriller. ... Read more

Product Description

John Haloran has a fatal heart attack, but his wife Louise won't get any of the inheritance when Lady Haloran dies if John is dead. Louise forges a letter from John to convince the rest of his family he's been called to New York on important business, and goes to his Irish ancestral home, Castle Haloran, to meet the family and look for a way to ensure a cut of the loot. Six years earlier John's sister Kathleen was drowned in the pond, and the Halorans enact a morbid ritual in remembrance. Secrets shroud the sister's demise, and soon the family and guests begin experiencing an attrition problem. ... Read more

Reviews (26)

"And Here Comes the Chopper, to Chop Off Your Head..."
Francis Ford Coppola's first film of note, graduating from the tutelage of schlock-meister Roger Corman. It was made hot on the heels of Hitchcock's more famous Psycho, and is very similar in content and style.

Con-woman Luana Anders' husband-married-only-for-the-family-money dies before she can be included in the will, causing her to seek out a new scam. Deceased hubby's wealthy Irish family is more than usually superstitious, yearly celebrating with a morbid ceremony the date that their matriarch's youngest daughter, Kathleen, drowned in the lake out back. Anders poses as a medium and stages a few tricks to make herself look good to the rich matriarch, who buys her act. Eldest son William Campbell knows she's a phony, and kid brother Bart Patton has been generally kind of creepy ever since the day Kathleen died - which makes it kind of a toss-up as to who follows Anders out to the haunted lake one night, and cuts her up with an axe...

This movie succeeds on its acting and its atmosphere, which are terrific. Anders was good in everything she did, and this was probably her best role. Campbell never disappoints, and Patton is wonderfully intense and unsettling. The always creepy - and always good - Patrick Magee is on hand as the family doctor, who seems to know a great deal more about the recent mysterious disappearances (Anders isn't the only one who goes missing) than he's letting on. The music score isn't quite as frightening as Bernard Hermann's for Psycho, but it's damned close - the opening theme and credit sequence are terrific, even for American International Pictures, which was usually good in that department. Anders' murder scene will haunt your nightmares about as bad as Janet Leigh's in Hitchcock's film.

Well worth the time and trouble, especially for fans of film noir.

Interesting but flawed
This is certainly an achievement for a $20,000 budget, even in
1963. And the direction is often striking, showing much promise
for Coppola's future but in no way anticipating the "Godfather"
epics. However, the original story by the director is pretty
derivative and doesn't really go anywhere, and most of the
acting is mediocre at best. I'd advise any horror fan to buy a
budget dvd of this as it is a cult item, as well as any fan of
Francis Ford Coppola. Just don't expect a whole lot and you will
be entertained for about 78 minutes.
The print on the dvd is flat out lousy; audio dropouts and
often such poor visual quality as to annoy the viewer. But the
price is low and the film is worth adding to your collection.

Coppola's first--a mixed bag
This is not the best horror movies I've ever seen, but one of the best films in terms of *atmosphere*. The frightening parts about it are less in the film itself than what the film suggests--the really psychotic point to which codependency can build, obsession, and a host of other disturbances, none of which involve the supernatural but suggest it. Along with the Vincent Price films he did, this is the best film you'll see that Roger Corman was involved in.

Luana Anders is, ironically, the strongest presence in this film. Thing is, she doesn't last very long, and the viewer isn't all that devastated when she does disappear. A scheming, money hungry witch, she preys on the co-morbidity of an elderly woman to the point of sadism. A young girl dies tragically at a young age. An Irish family living in Nowheresville idealizes her mysterious death to the point of madness. Someone is responsible, and we eventutally find out who. There are a few 'jump out of your seat scenes', one of them being the untimely (and grisly) death of Anders. It's been awhile since I've seen this film, but much of the imagery (dolls, truly 'demented' childhood memories, and the last exclamation by the ultimate culprit: "DON'T TOUCH THAT!") have remained with me. This is an odd blend, Corman and Coppola. A worthwhile old cinematic antique of misery.

WHY DOESN'T AMAZON REQUIRE WIDESCREEN OR FULL FRAME FROM....
WHY DOESN'T AMAZON REQUIRE WIDESCREEN OR FULLFRAME FROM SELLERS DESCRIPTIONS! WHY DOESN'T AMAZON SHOW ACTUAL PHOTO OF DVD BOX COVER AS WELL AS THE BACK OF THE BOX WITH ALL THE TECHNICAL INFO; TIME/FORMAT/SOUND ETC. FOR OUR CONVENIENCE? MAYBE THEY NEED A CHANGE IN MANAGEMENT AND I'M THE ANSWER? AMAZON PLEASE EMAIL WITH FISCAL OFFER, YOU WILL NOT BE DISAPPOINTED!

COPPOLA'S FIRST APOCALYPSE
In 1963, the movie audience had already experienced the new kind of psychological horror movie born with the great PSYCHO. Francis Ford Coppola's attempt at matching that horror is greatly inferior, of course, but as an exercise in mental terror, it works on its own subliminal level. The wonderful Luana Anders starts out the film virtually murdering her rich husband, and then tosses his body in a pond, telling the family he's off on a business trip. She wants his Mama to change the will to include the in-laws. As in PSYCHO, Anders is dispatched early in the film in a very surprising way, and although it can't touch Janet Leigh's demise in PSYCHO or Angie Dickinson's in DRESSED TO KILL, it packs a wallop. From there on in, it's time to figure out who the nasty killer is. It's fairly easy to pick the killer out, but there are some wildly frenetic scenes before getting there. Bart Patton and Patrick Magee provide excellent support and one can detect the future genious of Coppola in this atmospheric thriller. ... Read more

Product Description

John Haloran has a fatal heart attack, but his wife Louise won't get any of the inheritance when Lady Haloran dies if John is dead. Louise forges a letter from John to convince the rest of his family he's been called to New York on important business, and goes to his Irish ancestral home, Castle Haloran, to meet the family and look for a way to ensure a cut of the loot. Six years earlier John's sister Kathleen was drowned in the pond, and the Halorans enact a morbid ritual in remembrance. Secrets shroud the sister's demise, and soon the family and guests begin experiencing an attrition problem. ... Read more

Reviews (26)

"And Here Comes the Chopper, to Chop Off Your Head..."
Francis Ford Coppola's first film of note, graduating from the tutelage of schlock-meister Roger Corman. It was made hot on the heels of Hitchcock's more famous Psycho, and is very similar in content and style.

Con-woman Luana Anders' husband-married-only-for-the-family-money dies before she can be included in the will, causing her to seek out a new scam. Deceased hubby's wealthy Irish family is more than usually superstitious, yearly celebrating with a morbid ceremony the date that their matriarch's youngest daughter, Kathleen, drowned in the lake out back. Anders poses as a medium and stages a few tricks to make herself look good to the rich matriarch, who buys her act. Eldest son William Campbell knows she's a phony, and kid brother Bart Patton has been generally kind of creepy ever since the day Kathleen died - which makes it kind of a toss-up as to who follows Anders out to the haunted lake one night, and cuts her up with an axe...

This movie succeeds on its acting and its atmosphere, which are terrific. Anders was good in everything she did, and this was probably her best role. Campbell never disappoints, and Patton is wonderfully intense and unsettling. The always creepy - and always good - Patrick Magee is on hand as the family doctor, who seems to know a great deal more about the recent mysterious disappearances (Anders isn't the only one who goes missing) than he's letting on. The music score isn't quite as frightening as Bernard Hermann's for Psycho, but it's damned close - the opening theme and credit sequence are terrific, even for American International Pictures, which was usually good in that department. Anders' murder scene will haunt your nightmares about as bad as Janet Leigh's in Hitchcock's film.

Well worth the time and trouble, especially for fans of film noir.

Interesting but flawed
This is certainly an achievement for a $20,000 budget, even in
1963. And the direction is often striking, showing much promise
for Coppola's future but in no way anticipating the "Godfather"
epics. However, the original story by the director is pretty
derivative and doesn't really go anywhere, and most of the
acting is mediocre at best. I'd advise any horror fan to buy a
budget dvd of this as it is a cult item, as well as any fan of
Francis Ford Coppola. Just don't expect a whole lot and you will
be entertained for about 78 minutes.
The print on the dvd is flat out lousy; audio dropouts and
often such poor visual quality as to annoy the viewer. But the
price is low and the film is worth adding to your collection.

Coppola's first--a mixed bag
This is not the best horror movies I've ever seen, but one of the best films in terms of *atmosphere*. The frightening parts about it are less in the film itself than what the film suggests--the really psychotic point to which codependency can build, obsession, and a host of other disturbances, none of which involve the supernatural but suggest it. Along with the Vincent Price films he did, this is the best film you'll see that Roger Corman was involved in.

Luana Anders is, ironically, the strongest presence in this film. Thing is, she doesn't last very long, and the viewer isn't all that devastated when she does disappear. A scheming, money hungry witch, she preys on the co-morbidity of an elderly woman to the point of sadism. A young girl dies tragically at a young age. An Irish family living in Nowheresville idealizes her mysterious death to the point of madness. Someone is responsible, and we eventutally find out who. There are a few 'jump out of your seat scenes', one of them being the untimely (and grisly) death of Anders. It's been awhile since I've seen this film, but much of the imagery (dolls, truly 'demented' childhood memories, and the last exclamation by the ultimate culprit: "DON'T TOUCH THAT!") have remained with me. This is an odd blend, Corman and Coppola. A worthwhile old cinematic antique of misery.

WHY DOESN'T AMAZON REQUIRE WIDESCREEN OR FULL FRAME FROM....
WHY DOESN'T AMAZON REQUIRE WIDESCREEN OR FULLFRAME FROM SELLERS DESCRIPTIONS! WHY DOESN'T AMAZON SHOW ACTUAL PHOTO OF DVD BOX COVER AS WELL AS THE BACK OF THE BOX WITH ALL THE TECHNICAL INFO; TIME/FORMAT/SOUND ETC. FOR OUR CONVENIENCE? MAYBE THEY NEED A CHANGE IN MANAGEMENT AND I'M THE ANSWER? AMAZON PLEASE EMAIL WITH FISCAL OFFER, YOU WILL NOT BE DISAPPOINTED!

COPPOLA'S FIRST APOCALYPSE
In 1963, the movie audience had already experienced the new kind of psychological horror movie born with the great PSYCHO. Francis Ford Coppola's attempt at matching that horror is greatly inferior, of course, but as an exercise in mental terror, it works on its own subliminal level. The wonderful Luana Anders starts out the film virtually murdering her rich husband, and then tosses his body in a pond, telling the family he's off on a business trip. She wants his Mama to change the will to include the in-laws. As in PSYCHO, Anders is dispatched early in the film in a very surprising way, and although it can't touch Janet Leigh's demise in PSYCHO or Angie Dickinson's in DRESSED TO KILL, it packs a wallop. From there on in, it's time to figure out who the nasty killer is. It's fairly easy to pick the killer out, but there are some wildly frenetic scenes before getting there. Bart Patton and Patrick Magee provide excellent support and one can detect the future genious of Coppola in this atmospheric thriller. ... Read more

Reviews (8)

I Shall Astound the World!
Track of the Vampire is a silly paste job done by AIP and Roger Corman in 1964, but it works on a so-bad-it's-good level. A confusing hodgepodge of witchcraft, vampirism(attacks in broad daylight!), a house of wax, and beatniks(?!). My favorite parts involve interpretive dance (a lot of girls leaping about in a gym) and the origin of quantum painting.
Jack Hill, without really meaning to, made one hell of a hooty cult film here. Recommended.

Nightmare Castle is a suprisingly creepy and effective movie
This review covers Nightmare Castle only, not Track of the Vampire, which is included on the 2 movie dvd.

This is a surprisingly creepy and effective movie. Barbara Steele play two characters to great effect and after watching the movie twice I am calling it one of the best European gothic horrors of the 60's... once you get past the terrible dubbing and grainy print that is. There is a little bit of haunted house, crazy doctor, depraved torture, gorgeous babe and a story that is actually interesting and compelling.

Barbara Steele plays two sisters, Jenny and Muriel. Muriel is married to a scientists, Dr. Arrowsmith (Paul Mueller), and they live in a castle along with a maid, butler and handyman. Muriel is having an affair with the handyman and they are caught by the doctor. He chains them up and tortures them for awhile before Muriel tells him that she has changed her will, and the castle and all of her money have been left to her sister, Jenny, who has been living in an asylum because she is somehow feeble. The doctor then kills both Muriel and her lover and next thing we know he arrives home with Muriel's sister, Jenny, as his new bride.

The maid at at the house, Solange, has a severely scarred face and the doctor is working on some sort of serum based on human blood to restore beauty to her face. They also have plans to get Jenny committed permanently to the asylum so they can take over her newly inherited fortune. They start doing little things to push her over the edge and Jenny starts having strange nightmares.

Jenny's doctor from the asylum, Dr. Joyce, is sent for by her husband to witness how unstable she has become. He arrives at the castle and after a day or two starts figuring out that Dr. Arrowhead and Solange are up to no good. Around this time the dead Muriel and her lover make an appearance at the castle seeking their revenge. Without spoiling the movie too much, I will say that Solange and Dr. Arrowhead start getting what is coming to them.

The movie is 80 minutes long and I read at one review website that apparently there is another version on VHS with more footage. But this dvd version along with Track of The Vampire is barely more money than a rental which makes it a worthwhile purchase, especially because there are no plans at the moment for any company to re-release an longer version of this gem of a movie.

Dark, gothic and eerie
This review covers Nightmare Castle only, not Track of the Vampire, which is included on the 2 movie dvd.

This is a surprisingly creepy and effective movie. Barbara Steele play two characters to great effect and after watching the movie twice I am calling it one of the best European gothic horrors of the 60's... once you get past the terrible dubbing and grainy print that is. There is a little bit of haunted house, crazy doctor, depraved torture, gorgeous babe and a story that is actually interesting and compelling.

Barbara Steele plays two sisters, Jenny and Muriel. Muriel is married to a scientists, Dr. Arrowsmith (Paul Mueller), and they live in a castle along with a maid, butler and handyman. Muriel is having an affair with the handyman and they are caught by the doctor. He chains them up and tortures them for awhile before Muriel tells him that she has changed her will, and the castle and all of her money have been left to her sister, Jenny, who has been living in an asylum because she is somehow feeble. The doctor then kills both Muriel and her lover and next thing we know he arrives home with Muriel's sister, Jenny, as his new bride.

The maid at at the house, Solange, has a severely scarred face and the doctor is working on some sort of serum based on human blood to restore beauty to her face. They also have plans to get Jenny committed permanently to the asylum so they can take over her newly inherited fortune. They start doing little things to push her over the edge and Jenny starts having strange nightmares.

Jenny's doctor from the asylum, Dr. Joyce, is sent for by her husband to witness how unstable she has become. He arrives at the castle and after a day or two starts figuring out that Dr. Arrowhead and Solange are up to no good. Around this time the dead Muriel and her lover make an appearance at the castle seeking their revenge. Without spoiling the movie too much, I will say that Solange and Dr. Arrowhead start getting what is coming to them.

The movie is 80 minutes long and I read at one review website that apparently there is another version on VHS with more footage. But this dvd version along with Track of The Vampire is barely more money than a rental at around[X]which makes it a worthwhile purchase, especially because there are no plans at the moment for any company to re-release an longer version of this gem of a movie.

Glad I read the other reviews...
I have other "drive-in" tapes from Madacy and am quite happy with them. TRACK OF THE VAMPIRE sounded intriguing, and the price was right. I was all set to lambast this film, until I read the other reviews and was informed that there was footage missing. I love 50's trash horror, bad acting, etc., but I wasn't prepared to be as bored as I was. I guess I don't equate bad acting with sleepwalking. And what was with that overlong deal with the dancer on the beach? Suddenly, it was over. On came a Betty Boop cartoon. I thought OH JOY! The cartoon wasn't even that good, though Ms. Boop showed maximum cleavage and overt sexiness, apparently before she ran into trouble with the Hayes code (1932). Surprise! The second film, NIGHTMARE CASTLE was blessedly interesting. Directed by Allan Gruenewald (real name: Mario Caiano) and starring the wonderfully confident Barbara Steele, we have here a film of great style, if not substance. Though poorly dubbed, fans of this genre don't really care. I didn't. Lotsa schlock & silly stuff entertained. Upon further investigation, I was interested to find out that TRACK was actually pasted together with footage from a Yugoslavian film and originally released by AIP as BLOOD BATH. Forget this version of TRACK, but CASTLE is definitely worth a look. Quality of print is also questionable. Madacy did a much better job with BLOOD CREATURE/WEREWOLF IN A GIRLS' DORMITORY. Check 'em out!

At last on DVD but what happened to the negative?
This is one of those atmospheric horror films churned out from AIP during the 60's heyday which made its way to late night TV. It has had a fascinating history being culled from numerous sources and creative hands. (Video Watchdog magazine had an excellent multipart chronology on its making.)That being said, why on earth did Madacy not transfer a complete version of this film to DVD? The rights were available on VHS from Sinister Cinema distributor and that version is complete.

How can the DVD be missing chunks of original footage that was available even on tv? They need to recall the current crop and rerelease it correctly. Dream on.

The film itself is not great or best of vampire films, but it had a dark mood and some chilling scenes that mixed eroticism with suspense. Don't look too closely for the plot and the overall feel of the film does crawl under your skin. I recommend Dementia 13 for folks who like this flick. ... Read more

Reviews (1)

unwatchable
There's usually a reason for a DVD being this cheap: it's a public domain title mastered from a really old, really poor quality VHS transfer.I can't comment on the value of the movie itself because the disk is so unwatchable I couldn't sit through the whole thing.I'd have given it zero stars except Amazon requires at least one. ... Read more

Amazon.com

Francis Ford Coppola was working as an assistant to Roger Corman when he made this, his feature debut.The story goes that Corman let Coppola make the film so long as he could work around the shooting schedule of the film they were working on together, and the results are impressive given the budget constraints. Or maybe because of the budget constraints.The story concerns the family at Castle Haloran, the secrets surrounding the death of young Kathleen, and an axe murderer who seems to be picking away at all present.Coppola's deft direction keeps this from being a routine ghost story, using light and dark in his compositions to create tension and suspense.The film has an interesting way of spanning the traditional ghost story and the more modern gore-fests that we're used to.I have one bone to pick with the manufacturer of this disc: the transfer to DVD was made from tape.This is evident from the way the frames roll repeatedly during the last 15 minutes of the film, and the tape bunches a few times leaving video artifacts. DVD consumers want all the benefits of this medium, and not to have the degraded quality of tape preserved on it.If this is the only way you can get this film, at least the price is reasonable. It's also packaged as a Fright Night Horror Classic along with Night of the Living Dead and Revolt of the Zombies. --Jim Gay ... Read more

Reviews (26)

"And Here Comes the Chopper, to Chop Off Your Head..."
Francis Ford Coppola's first film of note, graduating from the tutelage of schlock-meister Roger Corman. It was made hot on the heels of Hitchcock's more famous Psycho, and is very similar in content and style.

Con-woman Luana Anders' husband-married-only-for-the-family-money dies before she can be included in the will, causing her to seek out a new scam. Deceased hubby's wealthy Irish family is more than usually superstitious, yearly celebrating with a morbid ceremony the date that their matriarch's youngest daughter, Kathleen, drowned in the lake out back. Anders poses as a medium and stages a few tricks to make herself look good to the rich matriarch, who buys her act. Eldest son William Campbell knows she's a phony, and kid brother Bart Patton has been generally kind of creepy ever since the day Kathleen died - which makes it kind of a toss-up as to who follows Anders out to the haunted lake one night, and cuts her up with an axe...

This movie succeeds on its acting and its atmosphere, which are terrific. Anders was good in everything she did, and this was probably her best role. Campbell never disappoints, and Patton is wonderfully intense and unsettling. The always creepy - and always good - Patrick Magee is on hand as the family doctor, who seems to know a great deal more about the recent mysterious disappearances (Anders isn't the only one who goes missing) than he's letting on. The music score isn't quite as frightening as Bernard Hermann's for Psycho, but it's damned close - the opening theme and credit sequence are terrific, even for American International Pictures, which was usually good in that department. Anders' murder scene will haunt your nightmares about as bad as Janet Leigh's in Hitchcock's film.

Well worth the time and trouble, especially for fans of film noir.

Interesting but flawed
This is certainly an achievement for a $20,000 budget, even in
1963. And the direction is often striking, showing much promise
for Coppola's future but in no way anticipating the "Godfather"
epics. However, the original story by the director is pretty
derivative and doesn't really go anywhere, and most of the
acting is mediocre at best. I'd advise any horror fan to buy a
budget dvd of this as it is a cult item, as well as any fan of
Francis Ford Coppola. Just don't expect a whole lot and you will
be entertained for about 78 minutes.
The print on the dvd is flat out lousy; audio dropouts and
often such poor visual quality as to annoy the viewer. But the
price is low and the film is worth adding to your collection.

Coppola's first--a mixed bag
This is not the best horror movies I've ever seen, but one of the best films in terms of *atmosphere*. The frightening parts about it are less in the film itself than what the film suggests--the really psychotic point to which codependency can build, obsession, and a host of other disturbances, none of which involve the supernatural but suggest it. Along with the Vincent Price films he did, this is the best film you'll see that Roger Corman was involved in.

Luana Anders is, ironically, the strongest presence in this film. Thing is, she doesn't last very long, and the viewer isn't all that devastated when she does disappear. A scheming, money hungry witch, she preys on the co-morbidity of an elderly woman to the point of sadism. A young girl dies tragically at a young age. An Irish family living in Nowheresville idealizes her mysterious death to the point of madness. Someone is responsible, and we eventutally find out who. There are a few 'jump out of your seat scenes', one of them being the untimely (and grisly) death of Anders. It's been awhile since I've seen this film, but much of the imagery (dolls, truly 'demented' childhood memories, and the last exclamation by the ultimate culprit: "DON'T TOUCH THAT!") have remained with me. This is an odd blend, Corman and Coppola. A worthwhile old cinematic antique of misery.

WHY DOESN'T AMAZON REQUIRE WIDESCREEN OR FULL FRAME FROM....
WHY DOESN'T AMAZON REQUIRE WIDESCREEN OR FULLFRAME FROM SELLERS DESCRIPTIONS! WHY DOESN'T AMAZON SHOW ACTUAL PHOTO OF DVD BOX COVER AS WELL AS THE BACK OF THE BOX WITH ALL THE TECHNICAL INFO; TIME/FORMAT/SOUND ETC. FOR OUR CONVENIENCE? MAYBE THEY NEED A CHANGE IN MANAGEMENT AND I'M THE ANSWER? AMAZON PLEASE EMAIL WITH FISCAL OFFER, YOU WILL NOT BE DISAPPOINTED!

COPPOLA'S FIRST APOCALYPSE
In 1963, the movie audience had already experienced the new kind of psychological horror movie born with the great PSYCHO. Francis Ford Coppola's attempt at matching that horror is greatly inferior, of course, but as an exercise in mental terror, it works on its own subliminal level. The wonderful Luana Anders starts out the film virtually murdering her rich husband, and then tosses his body in a pond, telling the family he's off on a business trip. She wants his Mama to change the will to include the in-laws. As in PSYCHO, Anders is dispatched early in the film in a very surprising way, and although it can't touch Janet Leigh's demise in PSYCHO or Angie Dickinson's in DRESSED TO KILL, it packs a wallop. From there on in, it's time to figure out who the nasty killer is. It's fairly easy to pick the killer out, but there are some wildly frenetic scenes before getting there. Bart Patton and Patrick Magee provide excellent support and one can detect the future genious of Coppola in this atmospheric thriller. ... Read more

Product Description

John Haloran has a fatal heart attack, but his wife Louise won't get any of the inheritance when Lady Haloran dies if John is dead. Louise forges a letter from John to convince the rest of his family he's been called to New York on important business, and goes to his Irish ancestral home, Castle Haloran, to meet the family and look for a way to ensure a cut of the loot. Six years earlier John's sister Kathleen was drowned in the pond, and the Halorans enact a morbid ritual in remembrance. Secrets shroud the sister's demise, and soon the family and guests begin experiencing an attrition problem. ... Read more

Reviews (26)

"And Here Comes the Chopper, to Chop Off Your Head..."
Francis Ford Coppola's first film of note, graduating from the tutelage of schlock-meister Roger Corman. It was made hot on the heels of Hitchcock's more famous Psycho, and is very similar in content and style.

Con-woman Luana Anders' husband-married-only-for-the-family-money dies before she can be included in the will, causing her to seek out a new scam. Deceased hubby's wealthy Irish family is more than usually superstitious, yearly celebrating with a morbid ceremony the date that their matriarch's youngest daughter, Kathleen, drowned in the lake out back. Anders poses as a medium and stages a few tricks to make herself look good to the rich matriarch, who buys her act. Eldest son William Campbell knows she's a phony, and kid brother Bart Patton has been generally kind of creepy ever since the day Kathleen died - which makes it kind of a toss-up as to who follows Anders out to the haunted lake one night, and cuts her up with an axe...

This movie succeeds on its acting and its atmosphere, which are terrific. Anders was good in everything she did, and this was probably her best role. Campbell never disappoints, and Patton is wonderfully intense and unsettling. The always creepy - and always good - Patrick Magee is on hand as the family doctor, who seems to know a great deal more about the recent mysterious disappearances (Anders isn't the only one who goes missing) than he's letting on. The music score isn't quite as frightening as Bernard Hermann's for Psycho, but it's damned close - the opening theme and credit sequence are terrific, even for American International Pictures, which was usually good in that department. Anders' murder scene will haunt your nightmares about as bad as Janet Leigh's in Hitchcock's film.

Well worth the time and trouble, especially for fans of film noir.

Interesting but flawed
This is certainly an achievement for a $20,000 budget, even in
1963. And the direction is often striking, showing much promise
for Coppola's future but in no way anticipating the "Godfather"
epics. However, the original story by the director is pretty
derivative and doesn't really go anywhere, and most of the
acting is mediocre at best. I'd advise any horror fan to buy a
budget dvd of this as it is a cult item, as well as any fan of
Francis Ford Coppola. Just don't expect a whole lot and you will
be entertained for about 78 minutes.
The print on the dvd is flat out lousy; audio dropouts and
often such poor visual quality as to annoy the viewer. But the
price is low and the film is worth adding to your collection.

Coppola's first--a mixed bag
This is not the best horror movies I've ever seen, but one of the best films in terms of *atmosphere*. The frightening parts about it are less in the film itself than what the film suggests--the really psychotic point to which codependency can build, obsession, and a host of other disturbances, none of which involve the supernatural but suggest it. Along with the Vincent Price films he did, this is the best film you'll see that Roger Corman was involved in.

Luana Anders is, ironically, the strongest presence in this film. Thing is, she doesn't last very long, and the viewer isn't all that devastated when she does disappear. A scheming, money hungry witch, she preys on the co-morbidity of an elderly woman to the point of sadism. A young girl dies tragically at a young age. An Irish family living in Nowheresville idealizes her mysterious death to the point of madness. Someone is responsible, and we eventutally find out who. There are a few 'jump out of your seat scenes', one of them being the untimely (and grisly) death of Anders. It's been awhile since I've seen this film, but much of the imagery (dolls, truly 'demented' childhood memories, and the last exclamation by the ultimate culprit: "DON'T TOUCH THAT!") have remained with me. This is an odd blend, Corman and Coppola. A worthwhile old cinematic antique of misery.

WHY DOESN'T AMAZON REQUIRE WIDESCREEN OR FULL FRAME FROM....
WHY DOESN'T AMAZON REQUIRE WIDESCREEN OR FULLFRAME FROM SELLERS DESCRIPTIONS! WHY DOESN'T AMAZON SHOW ACTUAL PHOTO OF DVD BOX COVER AS WELL AS THE BACK OF THE BOX WITH ALL THE TECHNICAL INFO; TIME/FORMAT/SOUND ETC. FOR OUR CONVENIENCE? MAYBE THEY NEED A CHANGE IN MANAGEMENT AND I'M THE ANSWER? AMAZON PLEASE EMAIL WITH FISCAL OFFER, YOU WILL NOT BE DISAPPOINTED!

COPPOLA'S FIRST APOCALYPSE
In 1963, the movie audience had already experienced the new kind of psychological horror movie born with the great PSYCHO. Francis Ford Coppola's attempt at matching that horror is greatly inferior, of course, but as an exercise in mental terror, it works on its own subliminal level. The wonderful Luana Anders starts out the film virtually murdering her rich husband, and then tosses his body in a pond, telling the family he's off on a business trip. She wants his Mama to change the will to include the in-laws. As in PSYCHO, Anders is dispatched early in the film in a very surprising way, and although it can't touch Janet Leigh's demise in PSYCHO or Angie Dickinson's in DRESSED TO KILL, it packs a wallop. From there on in, it's time to figure out who the nasty killer is. It's fairly easy to pick the killer out, but there are some wildly frenetic scenes before getting there. Bart Patton and Patrick Magee provide excellent support and one can detect the future genious of Coppola in this atmospheric thriller. ... Read more

Product Description

John Haloran has a fatal heart attack, but his wife Louise won't get any of the inheritance when Lady Haloran dies if John is dead. Louise forges a letter from John to convince the rest of his family he's been called to New York on important business, and goes to his Irish ancestral home, Castle Haloran, to meet the family and look for a way to ensure a cut of the loot. Six years earlier John's sister Kathleen was drowned in the pond, and the Halorans enact a morbid ritual in remembrance. Secrets shroud the sister's demise, and soon the family and guests begin experiencing an attrition problem. ... Read more

Reviews (26)

"And Here Comes the Chopper, to Chop Off Your Head..."
Francis Ford Coppola's first film of note, graduating from the tutelage of schlock-meister Roger Corman. It was made hot on the heels of Hitchcock's more famous Psycho, and is very similar in content and style.

Con-woman Luana Anders' husband-married-only-for-the-family-money dies before she can be included in the will, causing her to seek out a new scam. Deceased hubby's wealthy Irish family is more than usually superstitious, yearly celebrating with a morbid ceremony the date that their matriarch's youngest daughter, Kathleen, drowned in the lake out back. Anders poses as a medium and stages a few tricks to make herself look good to the rich matriarch, who buys her act. Eldest son William Campbell knows she's a phony, and kid brother Bart Patton has been generally kind of creepy ever since the day Kathleen died - which makes it kind of a toss-up as to who follows Anders out to the haunted lake one night, and cuts her up with an axe...

This movie succeeds on its acting and its atmosphere, which are terrific. Anders was good in everything she did, and this was probably her best role. Campbell never disappoints, and Patton is wonderfully intense and unsettling. The always creepy - and always good - Patrick Magee is on hand as the family doctor, who seems to know a great deal more about the recent mysterious disappearances (Anders isn't the only one who goes missing) than he's letting on. The music score isn't quite as frightening as Bernard Hermann's for Psycho, but it's damned close - the opening theme and credit sequence are terrific, even for American International Pictures, which was usually good in that department. Anders' murder scene will haunt your nightmares about as bad as Janet Leigh's in Hitchcock's film.

Well worth the time and trouble, especially for fans of film noir.

Interesting but flawed
This is certainly an achievement for a $20,000 budget, even in
1963. And the direction is often striking, showing much promise
for Coppola's future but in no way anticipating the "Godfather"
epics. However, the original story by the director is pretty
derivative and doesn't really go anywhere, and most of the
acting is mediocre at best. I'd advise any horror fan to buy a
budget dvd of this as it is a cult item, as well as any fan of
Francis Ford Coppola. Just don't expect a whole lot and you will
be entertained for about 78 minutes.
The print on the dvd is flat out lousy; audio dropouts and
often such poor visual quality as to annoy the viewer. But the
price is low and the film is worth adding to your collection.

Coppola's first--a mixed bag
This is not the best horror movies I've ever seen, but one of the best films in terms of *atmosphere*. The frightening parts about it are less in the film itself than what the film suggests--the really psychotic point to which codependency can build, obsession, and a host of other disturbances, none of which involve the supernatural but suggest it. Along with the Vincent Price films he did, this is the best film you'll see that Roger Corman was involved in.

Luana Anders is, ironically, the strongest presence in this film. Thing is, she doesn't last very long, and the viewer isn't all that devastated when she does disappear. A scheming, money hungry witch, she preys on the co-morbidity of an elderly woman to the point of sadism. A young girl dies tragically at a young age. An Irish family living in Nowheresville idealizes her mysterious death to the point of madness. Someone is responsible, and we eventutally find out who. There are a few 'jump out of your seat scenes', one of them being the untimely (and grisly) death of Anders. It's been awhile since I've seen this film, but much of the imagery (dolls, truly 'demented' childhood memories, and the last exclamation by the ultimate culprit: "DON'T TOUCH THAT!") have remained with me. This is an odd blend, Corman and Coppola. A worthwhile old cinematic antique of misery.

WHY DOESN'T AMAZON REQUIRE WIDESCREEN OR FULL FRAME FROM....
WHY DOESN'T AMAZON REQUIRE WIDESCREEN OR FULLFRAME FROM SELLERS DESCRIPTIONS! WHY DOESN'T AMAZON SHOW ACTUAL PHOTO OF DVD BOX COVER AS WELL AS THE BACK OF THE BOX WITH ALL THE TECHNICAL INFO; TIME/FORMAT/SOUND ETC. FOR OUR CONVENIENCE? MAYBE THEY NEED A CHANGE IN MANAGEMENT AND I'M THE ANSWER? AMAZON PLEASE EMAIL WITH FISCAL OFFER, YOU WILL NOT BE DISAPPOINTED!

COPPOLA'S FIRST APOCALYPSE
In 1963, the movie audience had already experienced the new kind of psychological horror movie born with the great PSYCHO. Francis Ford Coppola's attempt at matching that horror is greatly inferior, of course, but as an exercise in mental terror, it works on its own subliminal level. The wonderful Luana Anders starts out the film virtually murdering her rich husband, and then tosses his body in a pond, telling the family he's off on a business trip. She wants his Mama to change the will to include the in-laws. As in PSYCHO, Anders is dispatched early in the film in a very surprising way, and although it can't touch Janet Leigh's demise in PSYCHO or Angie Dickinson's in DRESSED TO KILL, it packs a wallop. From there on in, it's time to figure out who the nasty killer is. It's fairly easy to pick the killer out, but there are some wildly frenetic scenes before getting there. Bart Patton and Patrick Magee provide excellent support and one can detect the future genious of Coppola in this atmospheric thriller. ... Read more

Product Description

John Haloran has a fatal heart attack, but his wife Louise won't get any of the inheritance when Lady Haloran dies if John is dead. Louise forges a letter from John to convince the rest of his family he's been called to New York on important business, and goes to his Irish ancestral home, Castle Haloran, to meet the family and look for a way to ensure a cut of the loot. Six years earlier John's sister Kathleen was drowned in the pond, and the Halorans enact a morbid ritual in remembrance. Secrets shroud the sister's demise, and soon the family and guests begin experiencing an attrition problem. ... Read more

Reviews (26)

"And Here Comes the Chopper, to Chop Off Your Head..."
Francis Ford Coppola's first film of note, graduating from the tutelage of schlock-meister Roger Corman. It was made hot on the heels of Hitchcock's more famous Psycho, and is very similar in content and style.

Con-woman Luana Anders' husband-married-only-for-the-family-money dies before she can be included in the will, causing her to seek out a new scam. Deceased hubby's wealthy Irish family is more than usually superstitious, yearly celebrating with a morbid ceremony the date that their matriarch's youngest daughter, Kathleen, drowned in the lake out back. Anders poses as a medium and stages a few tricks to make herself look good to the rich matriarch, who buys her act. Eldest son William Campbell knows she's a phony, and kid brother Bart Patton has been generally kind of creepy ever since the day Kathleen died - which makes it kind of a toss-up as to who follows Anders out to the haunted lake one night, and cuts her up with an axe...

This movie succeeds on its acting and its atmosphere, which are terrific. Anders was good in everything she did, and this was probably her best role. Campbell never disappoints, and Patton is wonderfully intense and unsettling. The always creepy - and always good - Patrick Magee is on hand as the family doctor, who seems to know a great deal more about the recent mysterious disappearances (Anders isn't the only one who goes missing) than he's letting on. The music score isn't quite as frightening as Bernard Hermann's for Psycho, but it's damned close - the opening theme and credit sequence are terrific, even for American International Pictures, which was usually good in that department. Anders' murder scene will haunt your nightmares about as bad as Janet Leigh's in Hitchcock's film.

Well worth the time and trouble, especially for fans of film noir.

Interesting but flawed
This is certainly an achievement for a $20,000 budget, even in
1963. And the direction is often striking, showing much promise
for Coppola's future but in no way anticipating the "Godfather"
epics. However, the original story by the director is pretty
derivative and doesn't really go anywhere, and most of the
acting is mediocre at best. I'd advise any horror fan to buy a
budget dvd of this as it is a cult item, as well as any fan of
Francis Ford Coppola. Just don't expect a whole lot and you will
be entertained for about 78 minutes.
The print on the dvd is flat out lousy; audio dropouts and
often such poor visual quality as to annoy the viewer. But the
price is low and the film is worth adding to your collection.

Coppola's first--a mixed bag
This is not the best horror movies I've ever seen, but one of the best films in terms of *atmosphere*. The frightening parts about it are less in the film itself than what the film suggests--the really psychotic point to which codependency can build, obsession, and a host of other disturbances, none of which involve the supernatural but suggest it. Along with the Vincent Price films he did, this is the best film you'll see that Roger Corman was involved in.

Luana Anders is, ironically, the strongest presence in this film. Thing is, she doesn't last very long, and the viewer isn't all that devastated when she does disappear. A scheming, money hungry witch, she preys on the co-morbidity of an elderly woman to the point of sadism. A young girl dies tragically at a young age. An Irish family living in Nowheresville idealizes her mysterious death to the point of madness. Someone is responsible, and we eventutally find out who. There are a few 'jump out of your seat scenes', one of them being the untimely (and grisly) death of Anders. It's been awhile since I've seen this film, but much of the imagery (dolls, truly 'demented' childhood memories, and the last exclamation by the ultimate culprit: "DON'T TOUCH THAT!") have remained with me. This is an odd blend, Corman and Coppola. A worthwhile old cinematic antique of misery.

WHY DOESN'T AMAZON REQUIRE WIDESCREEN OR FULL FRAME FROM....
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COPPOLA'S FIRST APOCALYPSE
In 1963, the movie audience had already experienced the new kind of psychological horror movie born with the great PSYCHO. Francis Ford Coppola's attempt at matching that horror is greatly inferior, of course, but as an exercise in mental terror, it works on its own subliminal level. The wonderful Luana Anders starts out the film virtually murdering her rich husband, and then tosses his body in a pond, telling the family he's off on a business trip. She wants his Mama to change the will to include the in-laws. As in PSYCHO, Anders is dispatched early in the film in a very surprising way, and although it can't touch Janet Leigh's demise in PSYCHO or Angie Dickinson's in DRESSED TO KILL, it packs a wallop. From there on in, it's time to figure out who the nasty killer is. It's fairly easy to pick the killer out, but there are some wildly frenetic scenes before getting there. Bart Patton and Patrick Magee provide excellent support and one can detect the future genious of Coppola in this atmospheric thriller. ... Read more

Product Description

John Haloran has a fatal heart attack, but his wife Louise won't get any of the inheritance when Lady Haloran dies if John is dead. Louise forges a letter from John to convince the rest of his family he's been called to New York on important business, and goes to his Irish ancestral home, Castle Haloran, to meet the family and look for a way to ensure a cut of the loot. Six years earlier John's sister Kathleen was drowned in the pond, and the Halorans enact a morbid ritual in remembrance. Secrets shroud the sister's demise, and soon the family and guests begin experiencing an attrition problem. ... Read more

Reviews (26)

"And Here Comes the Chopper, to Chop Off Your Head..."
Francis Ford Coppola's first film of note, graduating from the tutelage of schlock-meister Roger Corman. It was made hot on the heels of Hitchcock's more famous Psycho, and is very similar in content and style.

Con-woman Luana Anders' husband-married-only-for-the-family-money dies before she can be included in the will, causing her to seek out a new scam. Deceased hubby's wealthy Irish family is more than usually superstitious, yearly celebrating with a morbid ceremony the date that their matriarch's youngest daughter, Kathleen, drowned in the lake out back. Anders poses as a medium and stages a few tricks to make herself look good to the rich matriarch, who buys her act. Eldest son William Campbell knows she's a phony, and kid brother Bart Patton has been generally kind of creepy ever since the day Kathleen died - which makes it kind of a toss-up as to who follows Anders out to the haunted lake one night, and cuts her up with an axe...

This movie succeeds on its acting and its atmosphere, which are terrific. Anders was good in everything she did, and this was probably her best role. Campbell never disappoints, and Patton is wonderfully intense and unsettling. The always creepy - and always good - Patrick Magee is on hand as the family doctor, who seems to know a great deal more about the recent mysterious disappearances (Anders isn't the only one who goes missing) than he's letting on. The music score isn't quite as frightening as Bernard Hermann's for Psycho, but it's damned close - the opening theme and credit sequence are terrific, even for American International Pictures, which was usually good in that department. Anders' murder scene will haunt your nightmares about as bad as Janet Leigh's in Hitchcock's film.

Well worth the time and trouble, especially for fans of film noir.

Interesting but flawed
This is certainly an achievement for a $20,000 budget, even in
1963. And the direction is often striking, showing much promise
for Coppola's future but in no way anticipating the "Godfather"
epics. However, the original story by the director is pretty
derivative and doesn't really go anywhere, and most of the
acting is mediocre at best. I'd advise any horror fan to buy a
budget dvd of this as it is a cult item, as well as any fan of
Francis Ford Coppola. Just don't expect a whole lot and you will
be entertained for about 78 minutes.
The print on the dvd is flat out lousy; audio dropouts and
often such poor visual quality as to annoy the viewer. But the
price is low and the film is worth adding to your collection.

Coppola's first--a mixed bag
This is not the best horror movies I've ever seen, but one of the best films in terms of *atmosphere*. The frightening parts about it are less in the film itself than what the film suggests--the really psychotic point to which codependency can build, obsession, and a host of other disturbances, none of which involve the supernatural but suggest it. Along with the Vincent Price films he did, this is the best film you'll see that Roger Corman was involved in.

Luana Anders is, ironically, the strongest presence in this film. Thing is, she doesn't last very long, and the viewer isn't all that devastated when she does disappear. A scheming, money hungry witch, she preys on the co-morbidity of an elderly woman to the point of sadism. A young girl dies tragically at a young age. An Irish family living in Nowheresville idealizes her mysterious death to the point of madness. Someone is responsible, and we eventutally find out who. There are a few 'jump out of your seat scenes', one of them being the untimely (and grisly) death of Anders. It's been awhile since I've seen this film, but much of the imagery (dolls, truly 'demented' childhood memories, and the last exclamation by the ultimate culprit: "DON'T TOUCH THAT!") have remained with me. This is an odd blend, Corman and Coppola. A worthwhile old cinematic antique of misery.

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