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| 1. Ninja Scroll Director: Yoshiaki Kawajiri, Quint Lancaster | |
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Reviews (373)
I would like to praise the writer/director of Ninja Scroll for creating such an exciting and artistic work while at the same time retelling the ancient tale of the reluctant hero. The plot was sufficient enough to withstand the weight of the amazing action sequences and fun sexual content. The character development was superb. Jubei (the hero) is not portrayed an all-powerful superhero. Instead, we just see a gifted fighter with an immense will to survive. The action scenes are among the best I have ever seen, with battle choreography that is comparable to that of the best filmakers. The villians are imaginitive and original, not to mention devious. The plot is extremely imaginitive, touching on topics that are not common to the "super robots and cute little girls" world of Japanese Anime: love triangles, rape, greed, self esteem, and homosexuality. This film was enjoyable from beginning to end, and if you are searching to expand your collection into something new, pick up this DVD. Its pure enjoyment.
In 'Ninja Scroll', this part is played by Jubei Kibagami, an itinerant ninja. He is drawn into clan politics when he comes to the aid of Kagero, a female ninja in service to the Yamashiro clan. To save Kagero, Jubei must successfully challenge Tessai, an evil ninja (one of the Eight Devils of Kimon) with the ability to turn his skin into stone, and the strength to chop walls down. Jubei succeeds, but Tessai swears vengeance, leaving Jubei deeply entangled in a struggle with the Shogun of the Dark. The third player in this contest is Dakuan, the Shoguns spy. He is a deadly old man who recruits Jubei by giving him a poison that will kill him in a day and a night. Dakuan informs Jubei that Himuro Gemma, an old enemy that Jubei was sure was dead, was still alive, and, in the company of the Devils, was at the center of the plotting. Jubei, Dakuan, and Kagero must defeat the evil ninjas and discover the purpose behind the killing of an entire village. Kagero is a poison taster, and, as a result, is permeated with deadly toxins. She can never take a lover, because even her kiss would kill. At this point in Japanese history such a woman was an outcaste, having little value in the eyes of her society. Jubei shatters her world when he insists on treating her as an honorable human being, creating a strong emotional tension that plays against the simple samurai action of the main plot. Production qualities of the film are beautiful, echoing traditional Japanese art forms with a fine sensibility. Line and color are strong. Violence, of course, is present, but is tightly controlled, not dwelt upon. This is one of the best and most representative films of the more conservative Japanese traditions of anime. Worth seeing for its historical status as well as for its outstanding artistic values.
The drawings are as always superb and the story line is as well. This story is about Ninjas in 16th century Japan, but with supernatural powers. REally interesting. It is very graphic and the language is sometimes very coarse, does make it more 'real' in some strange way or another. Really good movie, watch it twice, once in Japanese, once in English and be surprised
10/10
Also I have a problem of people saying "OH THERES A RAPE SCENE! OH! Now I must say the violence is over the top. Especially when one guy gets both his arms ripped right off. EEWWWW thats gotta hurt. Over all I thought this was an alright flick I guess. | |
| 2. Twelve Kingdoms - Chapter 10 - Reverie Director: Tsuneo Kobayashi | |
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| 3. Twelve Kingdoms - Chapter 1 - Shoku Director: Tsuneo Kobayashi | |
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| 4. Ninja Scroll (10th Anniversary Edition) Director: Yoshiaki Kawajiri, Quint Lancaster | |
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Reviews (373)
The animation is pretty good and the dub is respectable. It's not as visually enticing as PRINCESS MONONOKE, but the story is more linear and direct. I'd recommend it to any anime fan over the age of 16.
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| 5. Twelve Kingdoms - Chapter 5 - Forgotten Director: Tsuneo Kobayashi | |
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| 6. Twelve Kingdoms - Chapter 4 - Reunion Director: Tsuneo Kobayashi | |
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| 7. My Name Is Modesty Director: Scott Spiegel | |
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| 8. Twelve Kingdoms - Chapter 6 - Oppression Director: Tsuneo Kobayashi | |
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| 9. Do or Die Director: Andy Sidaris | |
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| 10. Onmyoji Collection(Onmyoji/Onmyoji II) Director: Yojiro Takita | |
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| 11. Twelve Kingdoms - Chapter 7 - Reflection Director: Tsuneo Kobayashi | |
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| 12. Tenchi Forever - Tenchi the Movie Director: Hiroshi Negishi | |
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Amazon.com Reviews (136)
It didn't give you the same feeling you get from the OAV/OVA series or the first two movies. The graphics are worse. It lacked the upbeat atmosphere from those familiar silliness. (Sorry, Washu-chan didn't even crack a single joke!) It lacked the feel of romance to help carry the excitement throughout the whole movie. What can I say? I just barely kept my eyes open to see that grand finale only to find out that it wasn't much of a conclusion to the Tenchi/Aeka/Ryoko saga. If you really loved the second movie, Daughter of the Darkness/Manatsu no Eve, don't expect to watch this movie over and over again. You are better off reading the No Need For Tenchi! comic books, which continue the OAV series.
BTW: If you want to see who finally gets Tenchi, you'll have to see the ending.
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| 13. 8 Man After - OVA Perfect Collection | |
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Description Reviews (15)
The story starts out with a private detective names Hazama trying to get information on a man named Eddy Schmidt. Eddy stole valuable medical secrets from a company, and has begun to revolutionize the crime industry by using robotics to replace limbs and create a generation of powerful cyborg criminals. Hazama is nearly killed by a powerful cyborg named Tony Gleck, a person Hazama had previously "killed". On the verge of death the police give the authorization to put Hazama into a special suit, thus turning him into the 8 Man. What makes the movie so good is how well-done it is, even though it is very low-budget. It revolutionized the anime world with very popular camera techniques such as the single dot to represent someone moving really quickly, or the camera angle where a person catches some bullets then slowly drops them. The story always stays well paced, and never seems to fizzle out. And, if you've seen him, you will agree that 8 Man can make one hell of an entrance. Despite being quite gory, it managed to resist the urge to have the typical anime nudity (although it came quite close). Overall, it remains my favorite anime and one of the best out there, if not the best. ... Read more | |
| 14. Twelve Kingdoms - Chapter 2 - Empress Director: Tsuneo Kobayashi | |
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| 15. Twelve Kingdoms - Chapter 3 - Coup Director: Tsuneo Kobayashi | |
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| 16. Patlabor WXIII - The Movie Director: Fumihiko Takayama, Takuji Endo | |
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Amazon.com Reviews (16)
Similar to the previous two Patlabour movies, there is never enough action in this series but the art work is great but nothing is new. After watching the movie for the first time, I don't really want to see it again. Unless you life mission is to buy all Japanese animation on DVD, I would suggest something else.
The psychological problems that a mother of a recently deceased daughter and husband endures propels her to use some of child's cancer cells in order to "revive" her daughter into the form of a monster capable of regenerating its body parts. One of the lead detectives investigating the monster's rampage has trouble believing this paradox at first, but soon realizes that her isolation has pushed her to the brink of insanity towards the end of the movie. This, in turn, leads to the cataclysmic ending in which we see some startling revelations as well as the final confrontation between the monster and the police who're trying to stop it. Throughout its entirety, the movie is extremely realistic. I was pleased to see that the characters actually resemble Japanese people with a darker skin tone rather than a bleach white color. The fact that the movie most completely revolves around the investigation makes it a little boring, however this only adds to its climax and can fully be appreciated and recognized as a mature anime. In sum, this edition to the Patlabor saga ultimately has to be the finest of them all. The caliber of its animation and the way in which the director was able to keep the storyline realistic while using a bit of fiction with the monster really helped to deveop a top-notch plot. For those looking for a great anime minus the forced humor via sexual puns and overly exaggerated emotions, then by all means check this out.
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| 17. Rurouni Kenshin Vol. 5 - Renegade Samurai Director: Kazuhiro Furuhashi | |
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Description Reviews (7)
Volume 5 contains five episodes (Episodes 18-22), including a three-part tale. Episode 18 "Run, Yahiko: Get back the Reverse-Blade Sword Back!" finds the youthful ambition of young Yahiko causing him to actually turn over Kenshin's reverse-blade sword to a bad guy because of empty promises. This sets up the three-part story in which Kenshin and his friends come across a country mansion owned by the wealthy Tsukayama family and where they find that the young master of the house, Yutarou, is looking for someone to teach him swordsmanship. However, it is not Kenshin, but a vengeful samurai named Raijuta who becomes the young boy's mentor and second father. Episode 19, "Raijuta's Ambition: Dream of a Forbidden Kingdom" sets up the conflict, specifically in terms of Raijuta trying to turn the clock back on the Meiji Restoration and have things return to the good old days of swords rather than guns. Episode 20, "Revival of the Shinko Style: The Technique Which Heralds a Storm" finds Yutarou and Yahiko repeatedly butting heads over not only their skill as "swordsmen," but also the reasons for learning such skills in the first place. Meanwhile, Raijuta has brought together the best warriors in the land to bring about his kingdom and restore their pride, and the authorities are out to stop him. Episode 21, "The Dissolution of a Nightmare: Rajitua's Ambition Concludes" has Rajitua and Kenshin finally drawing swords, and Yutarou literally getting in the middle of the fight and learning a few brutal lessons. This three-parter covers a lot of the fundamental themes of "Rurouni Kenshin," in terms of the new world created by the Meiji Restoration, Kenshin's vow not to take a life, and the reasons for studying the sword. Although there are some new wrinkles, such as Rajitua's Izuna ("vacuum") stroke, we have covered this ground before. If anything, this trilogy represents a variation on the original Yahiko storyline. The final offering, Episode 22, "First Train Ride: Danger on a Runaway Locomotive!" is basically a comic relief episode in comparison to the rest of this DVD's dramatic action. Karou insists the gang enjoy the extravagance of the new steam engine and take a train ride to Yokohama. This becomes an anime version of "The Great Train Robbery" because there is a good shipment on board and some pirates are after it and have to be dissuaded by Kenshin and the gang. There are lots of comic fights in this one (those annoying scenes where the pupils of the characters disappear and their faces become all distorted), but after the relative seriousness of the previous episodes this sort of makes sense. Volume 5 of "Rurouni Kenshin" does not offer any classic episodes of the popular anime, but these five are certainly representative of the strengths of the series. The extras on the DVD include an on-going glossary of Japanese terms that the series uses, taking pains to explain in simple language so that younger viewers will understand the meaning and significance of these concepts. It is that serious tone to the series overall that makes up for the periodically intrusive comic interludes.
After the significant drop of DVD #4, the threat-level comes back up somewhat: there is a good (although short) fight scene bridging eps 19 and 20, where Kenshin actually has to resort briefly to Battousai mode; and Raijuuta is dangerous (and ruthless) enough that Kenshin almost slips into Battousai mode again at the climax of the arc. Still, Raijuuta's main tactic is (as the manga explicitly points out) very much the same in principle as Sano's was; and his defeat entails merely dodging long enough to get (unlike Sano) one good blow against him. One of the interesting things about the Raijuuta arc, is that in some ways it is expanded and yet in some ways condensed from the original manga issues: the first time in the anime series where this happens. In my opinion, the rather major changes from the original story (like most of the minor ones) are actually for the better. (Although I did miss my favorite line from the manga: Sano tells the arrogant Raijuuta, who is mocking Kenshin's--temporary--departure, "You don't have a single clue, do you? You just pissed off the most terrible man in the world..." |g|) I found the first ep of this DVD (ep 18) to be somewhat implausible in its central concept: it asks us to believe, that at this point in the story, Yahiko could be goaded into _stealing_ Kenshin's reverse-blade sword! But once the plot-element is in place, the ep does a good job of fleshing out the implications of the theft (including the reasons why Yahiko did it). The threat level is a little higher than usual for filler eps, and the villains a little more colorful. The final ep of the DVD (ep 22) is another semi-comedy ep, involving Kenshin & Co's first ride on a steam locomotive (one of the first such in Japan). The train is also carrying British gold, and so becomes the target of a train-robbery; and some fun is had with this concept. The ep does a fair job hampering Kenshin, thus keeping the relative level of threat at an interesting level. This ep features some coastal pirates (the train typically runs on a dike along the coast, out of a prudent local fear that coals from the smokestack will set towns on fire) who do not seem to be the same group featured later near the end of season one. Sano and Kaoru's debate about what exactly is making the locomotive run (steam or ghosts!) was very amusing. I recommend watching this ep right before the theatrical feature (see my review of it for further reasons.) The annoying opening title music ('Freckles') is still in place, as well as the inferior of the two first-season end-title credit sequences (although there is a clever segue between the music at the end of ep 22, where Kenshin and Co. have their photograph taken, and the end-title music). There is no outtake collection (possibly for the last time in the AnimeWorks DVD release, if my memory serves correctly). The dubbing remains at its usual high quality, and all the main vocal actors are still on board.
lastly, Kenshin and the rest of the gang go on a train ride(though Sanosuke had to be practicly held on there by Kaoru) to Yokohama, and the train ends up getting robbed Overall this is a wonderful DVD continuing in the high-quality Rurouni Kenshin standard
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| 18. Rurouni Kenshin - Shadow of the Wolf Director: Kazuhiro Furuhashi | |
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Description Reviews (46)
Episode 28, "Prelude to the Impending Fight: The Shadow of the Wolf Draws Near" begins with a scene from Kenshin's past, showing the Battousai earning his title of man-slayer. One of the recurring elements of the series has been people from Kenshin's past showing up to pick a fight. This time the visitor from the past is Saitou Hajime, A former member of the Shinsengumi and his most formidable opponent form the days of the Revolution. In his first effort to get the Battosai to resurface, Saitou attacks Sanosuke and wounds him the Gatotsu, Saitoh's signature attack. From this calling card Kenshin knows that Saitoh has returned and the question is whether our hero still has the skills to defend himself and his friends. This was actually the final episode of the first season, and since 28 is divisible by 4 you have to appreciate that they did not leave this as a cliffhanger ending to volume 7. Episode 29, "Strongest Opponent From the Past: Merciless Fangs Strike!" has Saito biding his time before he faces Kenshin, allowing another assassin, the bully Akamatsu, to take his turn. Meanwhile Kenshin's friends are catching on that someone is after him. Akamatsu is not really a match for Kenshin, which means it is time for him to come face to face with Saito and for the battle to begin. Episode 30, "The Devil of Vengeance: Makoto Shishio's Plot" continues the fight between Kenshin and Saito, while Kaoru worries she will lose Kenshin to the Battousai. But at the height of the battle a new character arrives and changes everything as "Rurouni Kenshin" takes a dramatic turn towards an even larger story arc. Episode 31, "A Wish Unrequited: Kenshin Departs" is where everything changes as an assassination attempt forces Kenshin to make a fateful decision. The episode ends with a bit of text that had me panicing because I thought that I had reached the end of the series (I watched the end of "Cowboy Bebop" last week, so I would not have been suprised). However, this is only the start of the second season of "Rurouni Kenshin" and the Kyoto story arc. "Shadow of the Wolf" is actually the prelude for this epic story. If you thought "Rurouni Kenshin" was good before, and that should be a given since you have made it to Volume 7, you should be impressed with how they have upped the ante again for Season 2.
Now, for the fight scene. I'm not kidding when I saw that this is the coolest fight so far. I'm not going to give anything away, but just let me say that this fight alone is worth the money for the dvd. I was blown away by it, and I think you will be too. Voice acting is normal for this series. The subbed version is awesome, and the dubbed version needs to be destroyed as soon as possible. The English acting sounds stilted and the voices are wrong, especially Kenshin's. My God, I hate the dubbed version! The art is gorgeous! I love how they did the fights. The animators did a terrific job with the Saito-Kenshin fight, considering that it was taking place at dusk and both characters move incredibly fast. So, to sum it up--WATCH THIS! If nothing else, you at least need to see the Saito-Kenshin fight! I also loved the scene where Kenshin leaves. Now go WATCH IT!
And luckily for the fans, the anime series brought the Kyoto Arc to life with style and substance to spare. The First volume, Shadow of the Wolf, starts the second season out with a bang, introducing both Kenshin's old rival, Hajime Saito, and his replacement-turned-renegade, Makoto Shishio, to name but two. However, the real draw of this DVD is not the story, nor the character development (thought both are pulled off wonderfully by their japanese and english performers) but the deathmatch between Kenshin and Saito that stretched over two episodes. This is most likely the single best duel ever put to celuloid, bar none, and features not only insane acrobatics, but great detail, and a peek at the legendary Hitokiri Battousai. The extras on this disk are fairly standard fare, but the main draw is the anime itself, and it doesn't dissappoint. A must own for any RK fan. ... Read more | |
| 19. Mahoromatic - Automatic Maiden - Something More Beautiful - All Good Things (Vol. 3) Director: Hiroyuki Yamaga | |
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Just like the third disk of the first season, we get hit with the revelations of battle, the "last date" with Suguru. And the commemcement. Again, filled with flashbacks and introspective moments, this last set of episodes make for an intense experience. As the viewer, many scenes reminded me of moments that occured over the couse of both seasons. After "living" with Mahoro, Suguru, and friends with such enjoyable memories, it all comes down to keeping Suguru away from danger. We get a deja-vu moment of "the picnic that never happened" from the first series. And we are left to our own imagination to decipher what we just saw. Saying much more than that would be too revealing of the plot. Way too many people have spoiled this story in their reviews, here and on other sites. For better or worse, I think it takes a work of genious to seed such strong emotions in an audience. Mahoromatic is that work. To quote another opinion on this series, "Mahoromatic betrays the atmosphere, and This series has been over the top in every way. From the beginning, it was aparrent that this story would come out no-holds-barred. Perverse, funny, corny, sweet, and upsetting. This series is an experience that I'm glad I subjected myself to. (Vague Spoiler Warning) To debunk any Television Economics Naysayers. I have seen a scan of the final page of the manga. The story wasn't butchered for the sake of television. In fact, I would conclude that Gainax merely sprinkled a little sugar on it.
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| 20. Outlaw Star (Collection 3) Director: Hongo Mitsuru, Wendee Lee | |
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Amazon.com Reviews (26)
As with all the other DVD collections, extras are minimal and put on the 2nd Disc. I would hope that they put more extras especially because there are only 3 collections for the series. Anyway, this collection includes the textless ending scene for the 2nd ending song titled Tsuki no Ie (The house on the Moon? My japanese knowledge is very small). The extras also include cover art for all the VHS tapes that have been released (13 in all, 2 episodes per tape). I enjoyed this as it's a small alternative to owning all the tapes. The video quality and transfer appeared very nice in this collection. At times there were parts that were grainy but for the most part it looked amazing, lines were very sharp and clear. Menus are the same format as the ones in the previous collections. Very simple and easy to navigate. Only thing I'll say about the episodes is that one episode (episode 19) introduces two crew members from the Angel Links, a ship from the military. Now if you haven't heard of it, Angel Links is another anime soon to be released by Bandai Entertainment. This shall prove interesting as two animes in the same (exact) world aren't very common. You should check out Angel Links if you're looking for a new anime to try. The episodes get more interesting and shocking as you go on. Final Note: The one thing I hate about Bandai DVDs are that each episode are on different 'Titles' as opposed to them all being in 1 Title with different chapters. The problem? Well, loading time is quite long and if you use the Episode Select, you end up going back to the menu after each episode and it gets annoying especially with all the episodes on these collections.
First, there is the team of heros, so exceptionally diverse you'd think they were each written by different people. This problem is reflected in the villains who, (true to anime style) are each more bizarre and dangerous than the last. The problem is that its almost impossible to tell a coherent story with this setup, as Suzuka demonstrates in one of the final episodes. Second, there is the problem with the TV-series setup itself. Apparently there is a law somewhere that requires a certain number of 'filler' episodes that have nothing to do with the central plotline. Sometimes the writers really struggle to connect these episodes to the central plot. In several episodes the audience has no idea why the characters are where they are. One episode in particular seems to serve no purpose other than provide a link to 'Outlaw Star's' spinoff series. And finally there's the fact that every Anime series lags heavily in the beginning before becoming good at the end. The series that best serves as an example of this is 'Evangelion,' which becomes downright pathetic in the middle of the series before becoming beautifully brilliant at the end. That's pretty much the bottom line for 'Outlaw Star.' Despite a rough beginning and a miserable middle, the ending is genuinely satisfying, enough to make up for all its quirks. If you have the patience to make it all the way to the last disc, you will be richly rewarded. There is some genuinely cool stuff to be found here. Jim is the star of an excellent episode. Melfina and Harry MacDougal continue to steal the show, leaving the entire rest of the cast behind as their bizarre drama takes off. The prison planet episode was also very good. I suspect more scientific research went into this one episode than the entire rest of the series. One of the 'filler' episodes, involving a tourist resort, seems pointless but (unlike the rest of the show) it is genuinely funny, with a vein of humor so strange, wacky, and downright hilarious it's worthy of Douglas Adams. The Anten Seven get some good scenes, but mostly they are the mismatched and mostly asinine villain team we've come to expect from the anime genre. As I mentioned before, towards the end Suzuka becomes the subject of a pointless subplot that seems to be inserted only to drag the ending out a bit longer. But these stumbles are made up for by the sheer beauty of the Galactic Leyline and the drama between Gene, Melfina, Harry. Like most anime, this series becomes very strange at the end, but it is strange in a good way. Unlike 'Evangelion,' the ending is odd enough to make you think, but not so bizarre that it's rendered incomprehensible. Taken together, the series is only average. It has as many awful moments as it has brilliant ones. It's one of the foibles of anime that the brilliant ones have to be stuck at the end. If you were less-than-satisfied with the rest of the series, you can be assured that the final episodes are well worth your time and money.
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