Reviews (27)

Something for Everyone
This movie has something for everyone. Watched it for the first time today, then read reviews here on Amazon and elsewhere on internet. Marilyn fans think she is the best thing in the film. Ethel Merman fans rave about her performance. Hollywood musical fans rave about the extravagant production numbers. Johnny Ray fans rave about his only film appearance. Technical reviews(of DVD version) rave about the sharpness of the image, color rendition, sound reproduction and restoration process. Of course, Pseudo-Intellectual-Sophisticates like Tom Reynolds panned this film ... but pay no attention to the naysayers. This is a really fun film to watch, a gem, a blast from the past, non-stop singing and dancing from the Golden Era.

Overblown but tremendous fun!
It's wonderful to have these recordings available in true stereo and the version of the title song belted out by Merman remains her most definitive recording of the song. A few oddities: Johnny Ray's vocal track for "If You Believe" is wildly out-of-synch (and re-listening to the original Decca album it does sound as if they manipulated the track with some editing. Ray was deaf.. perhaps he could not hear the click track? At any rate, Varese should have tried to edit the song so that it sounds the same as in the film) and there are a few other places where the orchestra comes in too early. Minor quibbles. More curious was the decision to drop some musical segments that were in the film: Gaynor adn O'connor doing a wicked parody of (parents) Merman and Daily; Dailey's "You'd be surprised"; Merman's "Let's Have Another Cup of Coffee" and the deleted songs "Anything You Can Do" and Marilyn Monroe's unused vocal of "You'd be surprised" - but what is on the disc is great! And the set comes with good liner notes.

It's the Five Donahues..............
Ok Ok. I have been a lifelong Marilyn Monroe fan since childhood, I love her. But when you are a Marilyn fan you have to put up with hit and miss movies. No Business is one of them. When Marilyn is on the screen singing and dancing, the movie is all hers. Who doesn't love the Heat Wave number? The rest of the movie is a drag and unless you are a huge Ethyl Merman fan (?) this film doesn't have much to offer.

This is a musical with a very light plot; the story of the Donahue Family in show business. The two sons grow up to be a couple of dorks. The one who wants to be a priest is just scary. He acts like a Peter O'Tool derelict with a murderous smile. The other one is driven over the edge by Marilyn's lack of interest and joins the Navy.

Like I said, if you are a Marilyn fan, there are scenes in this film that you must have. If youare not a Marilyn fan, well you got Ethyl and Berlin music.

BETTY GRABLE WHY DID'NT YOU DO THIS MOVIE?
Betty Grable was supposed to play the Ethel merman part , but looked to young to be a mother of grown ups Donald O'Conner , Mitzi Gaynor and Johnny Ray so they hired Merman.

A must Have Musical
I think this is one of the best musicals available. And- if you're into musicals this one you need to get. Since Hollywood refuses to make musicals you better latch on to this one while you can. I think the color and the musical numbers are wonderful! And in those days they used better color for films than they do today! For color films and for tv viewing they use cheap color. Many people has told me that they thought their tv was fading out and had a foggy color to it. I've told them it's not their tv at all. The best color was always used back in the 40's and 50's. I see nothing ethnically wrong in the film that would be wrong. People are just too too sensitive these days and now they are picking the old films apart. They need to learn how to get over it. I am so glad that they have not destroyed these old films because 98 per cent of the films today are trash and will never become classics such as this one. When all the great producers and directors and screenwriters pass away there just seems like no one can take their place. They knew what they were doing back then. The craftsmanship has been lost. ... Read more

Description

An elevator operator, a wife of a struggling concert violinist, a born-in-a-trunk vaudevillian: they're three different women on three different paths of life, yet they soon share one dream: to become a Ziegfeld Girl.Lana Turner, Hedy Lamarr and Judy Garland play the respective three trying for stardom in this sumptuous extravaganza. James Stewart adds to the star wattage, playing the jilted truck-driving beau of Turner's footlight diva. And legendary innovator Busby Berkeley brings his imaginative camerawork and pacing tonumbers that include Garland's massively scaled and calypso-infused Minnie from Trinidad, plus a lavish, showgirl-revue finale that reprises the rhapsodic You Stepped Out of a Dream. Sweet dreams, movie fans. ... Read more

Reviews (13)

GARLAND, LAMARR AND TURNER!
The adventures of three girls in show-business. ZIEGFELD GIRL is an immense backstage musical into which MGM poured tons of talent; it also marked Pandro S. Berman's first assignment with that studio after his years of success at RKO. Just why Jimmy Stewart received top-billing for this rather uneven but entertaining movie is a mystery - his role is virtually a minor one. Robert Z. Leonard directed this two and a quarter hours worth of stuggle, triumph, pain and music, but the two big production numbers, MINNIE FROM TRINIDAD and YOU STEPPED OUT OF A DREAM, were the work of the fabled wizard of cinematic choreography, Busby Berkeley. Judy is darling as Susan Gallagher and her scenes with her Irish Pop (Charles Winninger) are realistically executed. I felt Lana Turner's performance is a bit artificial and inept in her acting technique; she plays Sheila who succumbs to the bottle. As Sandra, Lamarr is astonishingly beautiful, but her acting hardly lingers in one's memory! Jimmy Stewart would enlist himself in the Army before this film premiered; he wouldn't make another film until 1946; it was a sleeper (just kidding) entitled IT'S A WONDERFUL LIFE.

SPARKLING NEW TRANSFER OF A STELLAR STAR FILM VEHICLE!
"Ziegfeld Girl" is not one of MGM's greatest musical achievements so much as it is one of their biggest rip offs. The plot wreaks of faint formaldehyde right down to its stolen montage sequence from "The Great Ziegfeld" (1936) that supplants Virginia Bruce from the top of that film's revolving staircase with Judy Garland in a blonde wig. What a sham! If the film had absolutely no merit at all this would be an easy review to write. However, "Ziegfeld Girl" is a blessed with a stellar cast including Lana Turner, Hedy Lamarr and Ms. Garland, as well as Tony Martin, Jackie Cooper and Edward Everett Horton. The film also has two lavish set pieces all its own, the rather maudlin, though eye-popping "You Stepped Out Of A Dream" with the entire cast parading down a gigantic spiral staircase and "Minnie From Trinidad", a Garland standout with a tropical theme that is both light, humorous and melodic. Garland also has the outstanding solo ballad, "I'm Always Chasing Rainbows" though this is sung with only modest accompaniment and an uninspired stage backdrop.
THE TRANSFER: In keeping with Warner's commitment to the classics, "Ziegfeld Girl" looks remarkably pristine on DVD. The gray scale is perfectly balanced. Contrast and black levels are right on. Some scenes suffer from age related artifacts. There are also minute traces of edge enhancement but nothing that will terribly distract. The audio is mono but nicely balanced.
BOTTOM LINE: "Ziegfeld Girl" is for fans of Judy Garland. It's not an outstanding musical but will nevertheless entertain.

OVERLONG STORY BUT THE MUSIC IS GREAT!
I am a great fan of the MGM musicals. This is an entertaining vehicle and Judy Garland's numbers "Minnie from Trinidad" and "I'm Always Chasing Rainbows" are stellar!! Judy could do anything!!! They are worth rating the movie 5 stars for them alone. However, those numbers are not all there is to the movie. The film is overlong telling the stories of three girls (Garland, Lamarr and Turner)who enter into the Ziegfield realm. Lamarr is simply there for decoration, Judy, of course is there for the talent, and Turner in a surprisingly good dramatic role is there for the soap opera element. Jimmy Stewart is given top billing here but he is completely wasted and he and Lana Turner have absolutely no chemistry together. His screen time averages to less than 15 minutes. The story drags and is overlong. However, the musical numbers make up for the flaws in the story which is nothing more than trite soap opera drivel.

The DVD is high quality, great picture and sound.

If you're a fan of Garland or Turner, buy this DVD. You won't be disappointed. As I said, Garland is worth anything in anything she does. And Turner proves she can act.

They Stepped Out of a Dream
An intriguing, albeit somewhat superficial, look at the lives of three young women destined for stardom in the Ziegfeld Follies. While gorgeous Hedy LaMarr is merely decorative, the radiant young Judy Garland is marvelous in numbers like "Minnie From Trinidad" and "I'm Always Chasing Rainbows", and Lana Turner is a revelation as the spoiled beauty who succumbs to the darker side of stardom. Unfortunately, James Stewart is wasted in this film and does not pair well with Turner. This aside, the MGM glamour is spectacular, with stunning costumes by Adrian and set design by Cedric Gibbons. What a shame that MGM chose to film this in black-and-white, rather than Technicolor! While the film is overlong and somewhat dated, you'll rarely get the opportunity to see the likes of Garland, Turner, and LaMarr together in one film. For this reason alone, it should not be missed.

It's interesting what I learned from reading Amazon reviews!
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I wanted to read more about this film here on Amazon to determine whether I might like to see it.

I learned two interesting things:

1.The film unfortunately is in black & white, which is a disappointment because I am a technicolor fan.

2. Joel from NYC is gay gay gay!!! He said he started watching these kinds of films when he was only 12. He must be one big queen from Queens by now!

Well, I simply adore gay taste in films and music, so if Joel liked it, I guess I just may have to watch it too!

Thanks Joel! ... Read more

Reviews (15)

One of the best musicals of the 1950's
Besides Singin' in the Rain and 7 Brides for 7 Brothers (which always get good reviews), this is a forgotten gem. I like the movie because there is some cynicism in the characters that make their transformations that much more memorable. If you don't know the basic story line, it's about 3 guys who were the BEST of friends as war buddies, decide to meet years later, and have realized that through the passage of time...now they HATE each other. Of course, it's an MGM musical, so you should know how the ending turns out.
Gene Kelly proves again that he's not only a great dancer, but a great actor, although I do believe like the other reviews that Dan Dailey does the best acting job. Michael Kidd does a good job being the simplest of the three. And don't forget the ladies, especially Cyd Charisse--I don't think she ever does anything wrong.
2 musical sequences stand out-- one is when the 3 main characters are in 3 different locations and start singing a song and the dance choreography is the same for all of them--you see 3 different screens (so they are obviously in 3 different settings) which I think was unique in the 1950's. Just an amazing sequence that makes you realize why movies are great. And the 2nd is the Gene Kelly roller skating sequence, which I feel has a bigger emotional lift considering the circumstances in the movie than his "singin' in the rain" bit of the movie of the same title. The movie's not as good as "singin' in the rain" , but if you're looking for some great musicals that they don't make anymore, I think you'll enjoy the flick.

"A Neglected Charmer"
This musical, oddly neglected, is in fact a worthy companion to "Singing in the Rain" and "The Bandwagon." Gene Kelly is his usual brilliant self, and the underrated Dan Dailey and Michael Kidd almost rival him in elegant hoofing. Not only their opening dance sequence employing garbage can tops, but also that terrific scene in a fancy restaurant where these three World War II war buddies are later reunited and privately sing of their disappointment in each other rival in wit anything in the aforementioned musicals. Moreover, the photography in both these scenes surely ranks among the most imaginative ever put on screen in the service of that elongated band-aid, Cinemascope. Cyd Charisse, always beautiful, is here at last given something to do. Her singing and dancing scene with the boxers in Stillman's Gym shows her at her cinematic best. Dolores Gray as a TV host is wonderfully over the top, and TV itself as a new medium comes in for a wonderfully insightful drubbing remarkably early in its career as the boob tube. Finally ,then, only one question arises - When will this film be released in widescreen on DVD?

Gene Kelly Is Love On Two Feet!
Standout production about three inseperable Army buddies with big plans who on their last drunken night together after World War II vow to reunite ten years later...and can't stand each other when they do.

This really is an overlooked diamond which deserves among all others the DVD treatment for its wonderful use of 2:35:1. There is one scene which particularly suffers from the pan and scan - the musical number in which the three pals sing and dance on a tri-split screen (each thinking the same thing about the others - `Once Upon A Time I Had Two Friends...' is the song). Compositions are great all around, though. Jazzy, upbeat musical numbers and some of the greatest dance steps Gene Kelly ever pulled off (the stellar one on the roller skates `I Like Myself' which is seen briefly by Jean Reno in THE PROFESSIONAL, and a great set in the beginning where the GI's tap dance with trash can lids on their feet are particularly amazing). Cyd Charrise kicks it up with a gym full of pugs in `Baby, You Knock Me Out' and Dolores Grey for my money gives the best performance in the awesome `Thanks A Lot But No Thanks,' alternately dynamiting and gunning down her suitors...it cracks me up every time.

And the story is smart and sweet too, touching on the endurance of real friendship, the benefit of hindsight, and the healing effects of true love. Granted, like a good horse it tends to sag a little in the middle, but it comes back kicking in the end. This one is a real classic. I love it too much to give it less than four stars, but it loses one for the pan and scan.

Pan and Scan Disaster
Everytime I see this VHS, I think back to an interview with Kelly where he said this film would never be released on VHS during his life because he would have to chop it in half. Kelly hated the pan and scan that came with a standard 1.33:1 TV screen and if you ever see this film letterboxed, you will understand why. (Luckily I have the Gene Kelly Collection on laserdisc which is letterboxed.)
It is a gritty film, that at times moves a little slowly, but the tap dancing rollerskates is truly one of the most talented things I have ever seen Kelly do-it is amazing.
Serious Gene Kelly fans should push for a re-issue of the above mentioned collection on DVD. Then you could see it as it should be seen.

A cynical "On The Town."
It is a Gene Kelly vehichle and there are three wartime buddies, but that's pretty much where the "On The Town" similarities end. It is a surprisingly sharp, cynical story in which the protagonist's dreams do *not* initially come true- due to life circumstances. Betty Comden and the late Adolph Green- responsible for so many great film scores as well as the scripts of "Auntie Mame," "Bells Are Ringing," and "What A Way To Go-" contribute very witty songs here, including the Danubian tri-liloquy sung by the guys and Dolores Gray's "Thanks A Lot, But No Thanks" and "Music Is Better than Words (delivered with a rich, smooth contralto)." I wish Kelly and Charisse had danced together (the omission makes the film appear a bit empty), but my favorite numbers are still his garbage-can dance through the streets and her sexy sweater-and-skirt dance with the boxers, "Baby, You Knock Me Out." And I would've liked the roller-skating finale better if it didn't have a big, looming, piece of the "Singin' In The Rain" set in the background. ... Read more