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| 1. Lionheart Director: Sheldon Lettich | |
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Reviews (28)
AWOL/Lionheart, is arguably his best film ever. The story begins in what is a typical modern Legion Etrangere camp somewhere in North Africa. Van Damme plays a ranker soldier, Leon, who is serving in one of the Legion's crack North African detachments. Here, we get the very rare glimpse of what is like to be a modern Legionnaire: Both the scenery and camp are very realistic, rigid discipline prevalent, with emphasis being put on the soldiers' perfect fitness through physical training and manual labour. Suddenly, Leon receives a letter from his only brother's wife who lives in the USA, informing him that his brother was beaten to death by some villains, and that she needs someone both to avenge his death and take care of her and her little daughter. Rigid almost inhuman discipline in the Legion is once again underlined, when Private Leon asks to see his Commanding Officer, an impressive blond Frenchman, every inch a soldier. After hearing the reasons why Pvt. Leon asks for a leave, his CO coolly denies on the grounds that he firstly needs him "down here", and secondly that Pvt. Leon's contract with the Legion excludes furloughs. From here onwards, the movie ceases to be static, and becomes a fast paced action adventure, as we follow Van Damme's risky escape from the camp to some North African muslim seaport, where he seeks to obtain passage on one of the Merchant Ships there, to the USA. In the meantime, his French CO has reported him as AWOL, and he has ordered two of his best NCO's to locate and return the deserter back to his unit. Van Damme evades his pursuers, and signs on a 1950's Steam Turbine General Freighter as a Wiper, in order to pay for his passage. When he finally arrives in the USA, we see him wandering the streets of New York, dressed in Navy fatigues looking for a job. He finally makes his way under a bridge, where the odd black bookmaker is staging a no-holds barred street-fighting tournament of sorts. The bookmaker, seeing Van Damme's incredible physique, suggests that he should fight in the next match in return for a fee. Asking his name, Van Damme replies slowly in French, "LE-ON", whereupon, the bookmaker hears "Lion" and proclaims him the "Lion". Thus, a new street-fighter star is born. Van Damme, keeps fighting for profit, and his successes attract the attention of a gorgeous Nordic-American female manager, who is organizing fights for the entertainment of the Jet-Set NYC citizens. She falls in love with him, and acting as his manager, arranges his participation in high-class private fighting matches for the rich. Van Damme wins fame and glory, but his mind is always with his dead brother, and his widow and daughter. After doing a lot of digging, he finally manages to locate his brother widow and daugter, whereupon one of the most touching scenes of the movie take place, when Van Damme meets his brother's daughter and widow, amid hugs and celebration. But, his pursuers from the Legion, follow close behind, looking for a chance to seize him. Finally, they manage to track him down, in some makeshift arena where Van Damme is about to meet the late World Wrestling Federation Champion Andre the Giant, in a match to the death, which would be the culmination of his career as U.S. fighter. As the match progresses, we see the two Legionnaire NCO's, formerly his bitter enemies, having changed into stalwart supporters of his, witnessing first-hand his bravery and fighting skill. After the match is over, the French NCO's make themselves known, and take Van Damme into their custody, despite his brother's widow protests. Then follows the most touching scene in the film, with Van Damme hugging his brother's daughter, tears flowing in his eyes. The scene is so compelling, that even the tough French Legionnaires, after looking each other, cannot avoid to shed the odd tear. After putting Van Damme in the car, the French NCO's drive only about half a mile down the road, when the car stops suddenly, and Van Damme is set free, in order to return to his dead brother's family. A truly great movie, one of Van Damme's few movies, which I enjoyed seeing over and over again. The movie will be loved by, not only from those who admire the French Foreign Legion, but from martial arts fans as well, not to say anything of Van Damme's fans, who will absolutely love it. It is one of these rarest of the rare low budget movies that, having started with meager resources, by luck and hard work are turned into pearls. The hero's devotion and love to his only brother, deeply touched me, and I think also struck a chord deep within the souls of all who saw it. I do not think that there is a single man, who would let his dead brother's wife and daughter suffer, no matter if one was half the planet away from the other. Sometimes, duty to the dead brother's family comes first from duty to country. A truly outstanding movie:buy it.
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| 2. Bloodsport Director: Newt Arnold | |
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Description Reviews (91)
The movie introduces us to Van Damme's incredible martial arts ability. The story line is simple and unremarkable but effective. Van Damme participates in the Kumite against the wishes of the government which trained him. The cast is certainly unremarkable, led by Bolo Yueng, first(?) seen in "Enter the Dragon", playing Chong Li, the film's key villain and kumite champ. What makes the film, though for martial artists (and fans) is the incredible range of fighting techniques seen through the film. Some of them are great, some comical. But there is a ton of action (much of it predictably brutal). But for fans of the genre, it is highly recommended.
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| 3. Kickboxer Director: Mark DiSalle, David Worth (II) | |
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Reviews (55)
This is a movie about an American Kick-Boxing champ who goes to Thailand to fight their Thai-Boxing champ. Not surprisingly, the American gets battered, and paralysed, and through revenge, the victim's brother - Van Damme, learns 'Muay Thai' (Thai-Boxing) and fights the guy who paralysed his brother. Though this scenario is a bit fictional the movie itself is beautifully realistic and authentic. It is about 99% filmed on location in Thailand and the viewer is treated to priceless scenes of inside the Bangkok Ratchadamneon national Thai-Boxing stadium, real Thai Thai-Boxers training at a camp, and spiritual scenes inside the Buddhist temples of Bangkok, featuring the massive gold-plated Reclining Buddha We see Van Damme being taught Thai-Boxing by a Thai, and we watch him progress from being a sloppy fighter to a razor-sharp one. There are scenes where Van Damme, in training, uses his shins to kicks a palm tree, and where Van Damme and his opponent wrap their fists in cloths with broken glass stuck to the knuckles. You may laugh at this, but a little research will tell you that this is how the 'underground' fights are fought, and if you know how tough these Thais are then kicking trees doesn't seem so unrealistic. As far as I know, no movie comes close to this one, in terms of authenticity at least. It is both educational and highly entertaining - there are loads of high quality fight scenes, and Van Damme is a good fighter (if only a theatrical one). There is nice cinematography too, and as soon as the movie starts you know it has that 'classic' feel about it.
I rate this as Van Damme's best movie. Out of all the movies he has done, I think only 8 or so are good. This movie has a decent story, ok acting and a great performance by a young Van Damme. Cover is nice, no special features though. Again, Van Damme is terrific in this action flick, on top of his game. If you like a good action movie, especially a martial arts one, Kickboxer belongs in your collection. ... Read more | |
| 4. Wake of Death | |
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| 5. Double Impact Director: Sheldon Lettich | |
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Amazon.com Reviews (27)
Yeah yeah, critics, non-fans, and even fans alike, all say that Jean-Claude Van Damme is a terrible actor. I don't know about everybody else, but I thought Van Damme did a good job portraying Alex (the evil twin) in this movie. But then again, when it comes to fighting movies, I don't care about great acting, I want to see some great fighting and action sequences, and "Double Impact" has tons of them! All in all, "Double Impact" might not feature the greatest effects, acting, or plot, but it does have some of the best fighting! If you like fighting movies at all, get "Double Impact." It's damme good!!
I begin to take karate lessions after I got a double dosage of this action flick. Van Damme is a genius for presenting twice the action through the concept of twin brothers. This way, every scene includes him no matter what. The story is cool, and it takes us to Hong Kong (one of my favorite countries in the world)... I enjoyed this movie alot. ay of irvine
What this film did right was the inclusion of multiple villains, necessary not only because there are two Van Dammes, but because all of the classic martial arts films involved many enemies as well. Recurring VD villains include Peter Malota (the Spanish fighter in later film "The Quest"), whose blue-lit kickboxing scene with Jean-Claude is one of the best in recent memory, and famed "Enter The Dragon" baddie (and longtime martial arts staple) Bolo Yeung. It helps that Van Damme also has veteran character actor Geoffrey Lewis on board; that kind of gruff, Sam Elliott presence makes up for a lot of acting acumen that is lacking in the rest of the cast. Peter Scarfe stars as the embodiment of evil, and Alonna Shaw as the embodiment. The pacing is good; the script has some howlers, and the shooting locations are to die for. Look for a very early cameo by Julie Strain! ... Read more | |
| 6. Hard Target Director: John Woo | |
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Reviews (53)
After getting fired as the monster in "Predator," Van Damme broke into cinema with his star turn in "Kickboxer." Or maybe it was "Bloodsport." Big difference. Somehow, Hollywood deemed him "successful," and he graduated to big-budget fare like "Universal Soldier" and that one flick with Patricia Arquette on a farm, where Ted Levine played a bad guy (shocker). Around the same time, John Woo got sick of working with Chow Yun-Fat, and decided to quit making Hong-Kong-style action flicks in Hong Kong, and make Hong-Kong-style action flicks in America instead. The two men joined forces, and with Yancy (hic) Butler as the heroine, perpetrated "Hard Target" upon us all. In a casting/dialogue-coaching stroke of genius, Van Damme is enlisted to play a Cajun named Chance. When asked about the origin of his moniker, he cryptically replies "Mi'mamma Too Kwan." Exactly who this Kwan character is supposed to be, we never learn. Maybe it's a deleted scene with a martial arts master, or something (I'm guessing James Hong played him. James Hong ALWAYS plays guys named "Kwan"). Rounding out the cast is Lance Henriksen, who can check off another entry in his "the movie stunk, but Lance Henriksen was cool" list. "Hard Target" is basically an urbanized re-telling of "the Most Dangerous Game," where bad guys hunt the good guy. "Surviving the Game," the one with Ice-T, is better. Sort of. At least "Hard Target" treats us to a scene where two characters shoot at each other from opposite sides of a row of windows...with nary a scratch. It's even funnier than Chance's mullet. On second thought, NOTHING is funnier than Chance's mullet. The staggering box-office results from "Hard Target" paved the way for such Van Damme classics as "Sudden Death" and...uh..."Friends" -- while Woo busted blocks with "Windtalkers" and "Paycheck." And I saw this in the THEATER.
Van Damme actually delivers a pretty good performance this time around with his usual cheesy one-liners. Particularly where after taken in custody when investigating a crime scene is subdued by cops and taken to the station. A receptionist scolds him about trespassing being a criminal offense. Van Damme points to his bruised forehead with "Yes, that Officer was nice enough to mention that." A very good supporting cast includes Lance Henriksen as sadistic mercenary (he can play this kind of role in his sleep by now) Emil Fouchon and Arnold Vosloo as his sidekick Van Cleef. Add them with a crack team of hitman and that can only spell big trouble in game hunting. Wilford Brimley is a particular welcoming standout as Uncle Douvee. RECOMMENDED TO ANY JOHN WOO OR MARTIAL ARTS FAN! ... Read more | |
| 7. Timecop Director: Peter Hyams | |
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Amazon.com Reviews (37)
Timecop has to be Van Damme's best film so far (Remember his last vehicle, Universal Soldier 3: The Return? That was comically bad.) But "Van Damme's Best" doesn't really mean all that intelligent, either. The year is 2004 (Just four years from now! ) and time travel is no longer a dream, but - drum roll - a reality! No sense in going back millions of years to see what the world was like, or the time of Christ, or even find Chopin and become his personal student... Nope, all they do is go back to 1994, which was, if you remember, a very dull year. The whole plot of the movie is... Well, here goes nothing: An Evil Senator, by the name of McComb I believe, is running for president in the year 2004, and runs out of money. So, in this situation, the best thing to do it to go back in time to 1994 and find yourself and give yourself pointers, which is exactly what he does. This of course is a strictly illegal practice. Van Damme's and some other dimwit's job is to go back and find anyone who is doing this. Well, McComb uses the prototype. ("Eet Wahs Neever Deesmintled" Van Damme reflects at a certain dramatic high-point.) So, Van Damme and gang go back to 1994 and catch him and change things around. One being that Van Damme's girlfriend/wife (They never specify... Who cares about little details like that anyway?) dies when she is pregnant. So, Van Damme goes back in time and beats the stuffing out of the - what looks like pro-wrestlers who killed her. It's all fine and dandy up to the point where he comes back from the time trip trip, which alters his present (2004) life dramatically, by which I mean he's married and has a kid who doesn't look anything like him. ("He looks more like Jean-Claude Gosh Darn" might quip someone from Mystery Science Theater Three Thousand) That's where the movie ends. He goes into his house with his wife, who he hasn't seen for ten years, and his new kid who's ten years old. This could cause problems during dinner the first few nights: "Honey, your constipated-frog facial expression is very vivid tonight, anything wrong?" Asks his wife. "Nothing's wrong. Bob, son..." Van Damme starts out. "My name's Dave, DAD. You act like you've never seen me before..." And so on. But just forget about those sorts of things. It's actually a pretty fun and entertaining movie.
In light of this, it's all the more disappointing that the only feature worth mentioning about Timecop is that it has Dolby Digital sound, and is captioned and subtitled. Unlike almost every other major title on the market, Timecop doesn't even have a widescreen format. Heck, the Laserdisc version has widescreen--what the h*ll happened here? This is a shame, since Timecop is probably Jean-Claude Van Damme's best film. I know this isn't saying much, but even I have to admit that the Van Damminator has a certain endearing, if not annoying, action hero charm. And unlike Steven Segal, Van Damme allows his character to be hurt in fight scenes. Without any special goodies to mention, I can only close with a brief review of the story. Written by comic book scribe Mark Verheiden, Timecop is as good a time travel action flick as I've seen. Highlighted by a deliciously slimy acting job by Ron Silver (and a more thoughful and believable Van Damme), Timecop is just the kind of bubblegum your brain will want to chew on "movie night". Raincoaters will also appreciate the brief but steamy love scene with the stunningly attractive Mia Sara (of "Ferris Bueller" fame). I can only recommend this if you're a Van Damme fan who has to have it... END
I STRONGLY recomend you never see Time Cop 2 tho! No seaqull works without the original cast, and the seaqull is a waste of time! Stick with this and pretend part 2 never happend!
And there's this one. It's not (just) a Van Damme vehicle, though it works well enough for fans of the Muscles from Brussels. It's also a fairly well constructed and enjoyable SF movie. SF readers be warned: it does _not_ have the logical tightness of Robert A. Heinlein's early time-travel stories ('By His Bootstraps', 'All You Zombies'), or even of the first _Terminator_ film. But as Heinlein found in later life, an unalterable past/future just doesn't make for very exciting drama. (As of _The Cat Who Walks Through Walls_, RAH was officially allowing the past, and therefore the future, to be changed.) For this film, Peter Hyams borrows liberally but loosely from Poul Anderson's Time Patrol stories. Since (according to this scheme) a physically feasible means of time travel not only exists but can be used to change the past, there will be all sorts of baddies around who will try to adjust things to their own advantage. So there will have to be some time-travel cops who intervene to preserve the 'real' timestream. Van Damme is one such cop. And in this film he's pitted against Ron Silver, well cast as a crooked politician who wants to rearrange things so that he becomes dictator of America. Even if you buy the theory of time travel involved here, you've still got some camels to swallow. What, for example, is this nonsense about people exploding if they come into physical contact with their earlier or later selves? The physical explanation given for it in the film is just silly, not only according to 'real' physics but even on the film's own internal logic. But if you can manage to rationalize this stuff (or at least suspend incredulity long enough to watch the thing), you'll find a well crafted SF drama that succeeds extremely well in its strictly dramatic aspects. And you don't have to be a Van Damme fan to enjoy it. (People who criticize Van Damme's acting may not have seen this movie or some of his more recent work. He's not Olivier or anything, but for this sort of movie, he's _way_ better than his detractors like to admit.) I'm deducting a star for the full-screen format of the DVD release. Let's see this thing in widescreen, shall we? ... Read more | |
| 8. Universal Soldier (Special Edition) Director: Roland Emmerich | |
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| 9. The Quest Director: Jean-Claude Van Damme | |
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Reviews (34)
Basically, fast forward to the last half an hour or forty minutes to listen to some guy announcing the different countries and to hear the gong blast before watching some silly but cool fights. I mean, they're all pretty lame because you KNOW that the obvious ending is to see the American Van Damme fight the heartless big bad behemoth, but it's always more interesting to see what happens to the OTHER fighters...
The movie quickly changes from an adventure story to a video-game movie the likes of Tekken. All of the best fighters in the world are invited to fight in a tournament at the Lost City for the prize of Golden Dragon and honor. The fighters are acted by real fighting champions from around the world. Each brings his own fighting style resulting in some satisfying matches which is the saving grace of the film. This film would have been much improved with plot twists and more attention paid the the back story of Van Damme's orphaned past to gain a better appreciation of why the fighting is so important to him.
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| 10. Street Fighter -- Collector's Edition Director: Steven E. de Souza | |
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If you want to see a good Street Fighter film, please get the Animated movie! True, some will like this one anyway but I believe if its going to be a spoof, at least make it funny. This wasn't neither exciting nor humorous in my opinion.
"Street Fighter," a movie based on a toy/video game, was Mr. Julia's final film. He plays Bison, a maniacal super-villain with anti-gravity boots and delusions of godhood. Orson Welles' last appearance (at least, his voice) was "Transformers: the Movie," based on a toy/cartoon. He played Unicron, a maniacal super-villain planet (generating his own gravity) and delusions of godhood. Unicron is destroyed by the Autobot Matrix. Bison is destroyed in a fight-scene reminiscent of "the Matrix." The Autobot girl Arcee, played by Susan Blu, is hot (if you're into that sort of thing). The female Street Fighter Cammy, played by Kylie Minogue, is hot (if you're into that sort of thing). One of the Street Fighter heroes, Guile, has an annoying French-sounding accent. One of the Autobot heroes, Wheelie, is annoying (and may be French). I can watch "TF:TM" over and over again. Hmm....I guess the similarities end there.
BASIC PLOT: FILM OPINIONS: DVD: OVERALL: | |
| 11. Cyborg Director: Albert Pyun | |
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Amazon.com Reviews (47)
I've seen other Van Damme films (God were they horrible). This is the only one that captivated me. The fight scenes were just so realistic. You don't got a guy climbing walls like he's spider man throughout the entire film, or jumping off buildings or flying around like he's a bird - he actually gets hurt and falls to his knees every now and again. It's not like the Matrix where you're just sitting there waiting for the guy to win - you really feel the pain of Jean-Claude's character when he gets cut or kicked. All the reviewers are correct. There is hardly any dialog to this film...because it's an atmospheric film. You remember the Shining? No dialog on that one either, just pure atmosphere. And let me tell you, the doomsday world that this movie depicts was mind blowing. It really delivers to the viewer a sense of utter desolation. Everyone in the film is maniacal - totally out of their minds. It's the Drak Ages all over again, where little differentiated bewteen both sexes, and women actually faught in wars, at times accompanied by their children. Take Escape from LA, and combine that with REALISM, and that's just the world you'll enter when you watch this film. Jean Claude did such an excellent job of playing a traveling vagrant consumed by the nightmares of a seriously disturbing past. His only priority in life is to kill the Cyborg that killed him a long time ago. The world is at the mercy of an awful plague, and even when the doors of a possible cure is open to him, all he can think about is vengeance. Note the face he makes when he first sees the Cyborg after years of searching for him. The hatred was so well defined in every contour...I was thinking, 'My God, I would NOT want to be that Cyborg!' Well, whatever he had in mind, it didn't turn out so well. His nemesis proved to be quite...unstoppable. The music in this film has got to be the best I've ever heard in any action film. It plays along perfectly with the atmosphere and the fight scenes. Slow, but hard pounding. Very nice touch. The whole movie was choreographed with the utmost of precision. Right on target with each kick and punch. Had me totally captivated. Get this film if you're not much for that cheesy stuff that comes from all these popular Chinese directors that is totally fake, (with the exception of a few Bruce Lee films). Jean Claude's character actually carries a gun around which in most martial art movies, this element lacks (Hey, a gun is more effective than a sword. Am I right or am I right?) And he is not afraid to use it, but tries to conserve his ammunition by fighting (bullets and guns are scarce in this upside down world). Lots of battles with sharp bladed weapons too. I mean, this movie has it all.
Then there's KICKBOXER, which, like BLOODSPORT, shows Van Damme as an apprentice on a vendetta with a Mike Tyson-esque Muy Thai champ. That movie is distinguished, if nothing else, by the final battle between Van Damme and Tong Po, who was played by Van Damme's close friend Michael Quissi (though he was still credited as Tong Po.) Then came CYBORG. It was released it 1989, and starred Van Damme as a martial arts master named Gibson Rickenbaker living in the post-apocolyptic ruins of New York. He finds himself rescuing a cyborg codenamed Pearl Prophet (Dayle Haddon) from a murderous gang of hooligans led by the sadistic Fender Tremolo (Vincent Klyn). Seems Pearl has detailed information on how to sythesize a cure to the plague that has caused all the chaos and is on her way to Atlanta to give the info to the last scientists. Tremolo and his gang would do anything to get ahold of the information and rule the world. It up to Gibson to save Pearl. Now, I'll admit that when I was short on cash, and I had a choice between buying CYBORG or TIMECOP, I went with the latter, but I almost immediately after ordered CYBORG over the internet, and it was well worth it. As another customer pointed out, the fights in CYBORG are amazingly realistic and show Van Damme getting hurt and taking just as much of an butt kicking as he dishes out. (In a particularly brutal scene, Gibson is battered and exhausted, and gets beaten to a pulp by Tremolo.) The movie has sort of a ROAD WARRIOR quality to it, the bigeest difference being the budgets of the two films. The villians and even the good guys dress in ragged clothing, like THE ROAD WARRIOR. The land is basically deserted, and there is an utter feeling of helplessness and anarchy. That's the essence of post-apolyptic action films. Bottom Line: CYBORG is a great movie in my eyes, because it shows that in any martial arts movie, what is at it's heart is the fact that the hero can have all the strength, speed, and power in the universe, but no matter what, the hero is always human. In other Van Damme movies, like STREET FIGHTER, UNIVERSAL SOLDIER, TIMECOP, REPLICANT, or DOUBLE TEAM, he was a righteous fighting machine, but he could still be hurt. Even in THE MATRIX movies, Neo was the Chosen One, capable of fantastic, inhuman feats, but he was still just a man, he could be beaten to the point where he would cough up blood, but he had the spirit to back him up. And so it is with CYBORG. Gibson is a fantastic martial artist, but he could be beaten up almost to death by a bigger, stronger opponent. He got into certain situations where he would have to rely more on what he had inside than his blackbelt status. That's what truly makes a great karate flick, having a fighter who has fantastic fighting skils, or even superhuman powers who has the the heart and will to win. CYBORG is such a movie.
Here's another film dealing with life in a post-apocalyptic world. Gibson Rickenbacker (Van Damme) arises from the ruins to play the part of a Good Samaritan. He tries to help survivors of a plague flee from the ruined cities to the countryside, hopefully so they can reconstruct some semblance of a normal life. Rickenbacker, as the hero, of course has an unpleasant memory of one of his missions. He tried to save a family and ended up falling in love with a woman. You don't need me to spell out what happened next. Ever since this unfortunate incident, Gibson struggles with what he should do next. When he runs into a woman named Pearl Prophet (Dale Haddon), a cyborg attempting to carry a cure for the plague back to the Centers for Disease Control in Atlanta, he must decide whether to resume the role of hero. Why not take part in helping Pearl carry the antidote? This mission could turn Rickenbacker into the savior of the world. Unfortunately for Rickenbacker and Pearl, Fender Tremolo (Vincent Klyn), a scary looking dude with weird eyes and a mechanical voice, and his gang of like-minded cyborgs have their own ideas. They think if they can capture Pearl and get her to Atlanta, they will control the future of the world. When Prophet falls into the hands of Tremolo's gang, Rickenbacker decides to get her back. With the help of a mouthy young lady he picks up along the way named Nady Simmons (Deborah Richter), Gibson lurches from one violent confrontation to another. Thugs fall to the ground like leaves as the two pursue Tremolo with malevolent intent. Numerous showdowns in burnt out and broken down buildings provide Pyun and Van Damme with plenty of opportunities to showcase martial arts madness. Kicks, punches, and blunt and sharp instruments-anything you can think of that will cause damage to a human or cyborg body finds a use in this movie. And for the most part Pyun carries off the action well, much better than he has in many of his other movies. You are surprised that you actually root for this guy who speaks English like he just walked off a boat. Before feelings of giddiness carry you away, however, you need to reconcile yourself with a few of the cheesy aspects of the movie. Nearly all of the characters are named after musical instruments, the outfits look like the film crew robbed a New Wave band's wardrobe closet, and the dialogue tends towards the insipid. Still, "Cyborg" entertains as few Pyun films do. "Cyborg" works largely due to the gritty, blasted urban background that the characters move through. It is here, in the ruins of civilization, where most of the action takes place. Moreover, the picture quality of the film (probably as a result of poor film stock) has a dirty look to it, which actually gives the movie a better, more realistic atmosphere. I even thought Pyun tried to inject a philosophical statement in the film (yeah, right) when we see Rickenbacker staked to that ship's mast. Is Gibson a Christ figure "rising" from the grave to help save the world? Maybe, but I'm probably reading more into "Cyborg" than the director intended. Sure, the acting could be better-lots better-and the fight scenes are a little over the top, but why else would you watch this movie? You don't expect Oscar performances and you don't get them. What you do get is an entertaining way to spend eighty plus minutes (the movie doesn't run for even an hour and a half). The DVD version is strictly bare bones. If memory serves me correctly, the only extra on this disc was a trailer. Too bad, but a bit surprising considering this is officially a cult classic. It's interesting to note that none other than Cannon, the company that released TONS of low budget action flicks in the 1980s, helped fund this effort. Charles Bronson benefited from Cannon's attentions back then, so why not Van Damme? I recommend "Cyborg" not only to fans of action films, but even to fans of science fiction since the movie takes a stab at incorporating both elements under one umbrella. Is it intelligent cinema? Nope, but who says it needs to be?
If you can get past that, it's actually really good. I've always enjoyed postapocalyptic reality-of-life depictions. The music is a bit much, but it does portray survival of the fittest in a realistic sense. The characters beat each other up a bit unbelievable and the breaking-himself-off-the-cross scene was absurd even then, but the fight scenes are well done and closefaced showdown scenes were gold. Definitely one for the collection. ... Read more | |
| 12. Death Warrant Director: Deran Sarafian | |
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Amazon.com Reviews (15)
The film heats up when Van Damme's arch-rival, a psychopathic killer who for some reason, which is never explained, can withstand bullets and other fatal moves, shows up at the prison and exposes him as an undercover cop. If you're in for Van Damme, you know what to expect though this is a lot slower and less action-filled than a lot of his other features.
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| 13. Knock Off Director: Hark Tsui | |
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Amazon.com Reviews (40)
still awaiting his return to theaters, go van-damme!!
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| 14. Double Team Director: Hark Tsui | |
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Reviews (39)
1997. RCA. 93 MINS. Rated R for Nonstop Action Violence.
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| 15. Maximum Risk Director: Ringo Lam | |
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