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| 1. Carmen Jones Director: Otto Preminger | |
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Reviews (26)
Dorothy Dandridge made her career in this one epic work. It is nothing short of transfixing. Seeing her use her charms to turn Harry Belafonte into her slave (what an incredibly lucky SOB!) and then torment him was like nothing I had ever seen before. It is interesting to note that even given the social morays of the time, D.D was so much more erotic in the simple act of putting on her stockings than we see today in a hour of almost total nudity on the screen! I am not sure that there has ever been anyone who burned up the screen any more before or since. Also featured were a young Pearl Bailey and Dianne Carroll. My only question? Both D.D and H.B were fabulous singers in their own right. I have never understood why their singing parts were dubbed. Nonetheless, the contemporary adaptation of this classic music is wonderful.
And it seems that the actress had to have something special to be in front of the camera with Cary Grant. It might not be just a coincidence that beauties such as Ingrid Bergman, Grace Kelly, and Audrey Hepburn shared screen time with Mr. Grant. Even the late-lamented movie duo of Tom Cruise and Nicole Kidman had the camera favoring the "top gun". Only did Spencer Tracy and Katherine Hepburn match each other in the "serviceable" looks department. The point of the aforementioned is that "Carmen Jones" has the distinction of featuring two performers that not only matched each other in the acting arena but also were as aesthetically compatible as any great work of art. Dorothy Dandridge and Harry Belafonte are just too pretty to behold in this Technicolor marvel. The camera just seems to capture every flawless angle of their picturesque features. Opera "purists" may scoff at the liberties taken in Bizet's composition, but film buffs realize that "Jones" was a landmark film, featuring an awesome (and at that time, unprecedented) array of African-American talent. From the major performers (including Pearl Bailey, Olga James, and Diahann Carroll) to the familiar character actors handling minor but significant parts (Roy Glenn, Brock Peters, and Nick Stewart), the film is worthy of time capsule placement as an icon in American cinema. "Carmen Jones" may not be among AFI's TOP 100 list, but it is among one of THIS reviewer's movie gems. ... Read more | |
| 2. Dorothy Dandridge: An American Beauty | |
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| 3. Redeemer Director: Graeme Clifford | |
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| 4. Dorothy Dandridge - Singing at Her Best | |
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| 5. Sun Valley Serenade Director: H. Bruce Humberstone | |
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Reviews (9)
It`s 1 of the best musicals ever made, though Sonja`s skating in this 1 is not her best.
Remember the Elvis movies that were basically a thin plot excuse to have the "star" sing? Well these movies are the 1940's equivalent featuring the pre-war (and so definitive) Glenn Miller Band. Forget about the plots which are almost identical and don't even stand up today. Boy meets Girl, Falls in love, Another girl is jilted or gets in the way, disharmony in the band, all is sorted out. Big set piece number to finish. (Both movies - honest!). In fact unless you are interested in period movie making and Hollywood fashions you can safely fast forward between the tunes. You can figure the plot as it whizzes by - though how Milton Berle (playing the band's "publicity agent" in Sun Valley Serenade) got his wise crack about the size of a girl's chest past the production code is beyond me! Must have been the war. BUT - the real reason to own these tapes (when are we going to get the DVD versions?) is watching the mechanics of how the Miller Band produced the sound. Sure - it was shot to be showy - and it is - but it is WELL shot and you can see how the components of the sound were built - even if the "recording studios" are the size of movie studios...... Couple this with the restored soundtrack (some tracks are in early stereo!) and you have a reason to own these movies. If you can only afford one - Orchestra Wives - there are more hits on it!
True, the plot is pretty clichéd & old. The most recent time I saw that snowed-in-together-in-a-ski-cabin scene was on the Simpsons. But the MUSIC - WOW!! Glenn Miller & his orchestra at their most brilliant (thankfully, since it was to be their last appearance). The Chattanooga Choo-Choo number is unbelievable. It's breathtaking. I'm paralyzed every time I see it. You watch each section of the band play & bounce off each other with fanastic joy & precision & verve & the number just goes on & on. Tex Beneke puts his sax aside & strolls over to join the Modernaires in their perfect 4-part harmony (which set the bar for vocal groups for decades) & their part is filmed like a Busby Berkeley musical. Then when you think it just can't go on being this good, it gets even better with Bayard & Harold Nicholas, the most exciting dancers who ever lived, leaping into the frame with the incredibly scrumptious & gorgeous & talented teen-aged Dorothy Dandridge in what has to be one of the screen's greatest show-stoppers - & it's still The Chattanooga Choo-Choo! That number by itself makes the movie worth having (& with the laserdisk, I've watched it many times in a row) but there are other fine numbers as well, & it is a funny movie thanks in great part to a young Milton Berle. So how about a DVD?
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| 6. Porgy and Bess Director: Rouben Mamoulian, Otto Preminger | |
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Reviews (38)
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